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- The mandolin has had a place in North American culture since the 1880s, when a "mandolin craze" began. The continent was a land of immigrants, including Italian immigrants, some of whom brought their mandolins with them. In spite of the mandolin having arrived in America, it was not in the cultural consciousness until after 1880 when the Spanish Students arrived on their international performing tour. Afterwards, a "mandolin craze" swept the United States, with large numbers of young people taking up the instrument and teachers such as Samuel Siegel touring the United States. The fad died out after World War I, but enough had learned the instrument that it remained. The mandolin found a new surge with the music of Bill Monroe; the Gibson F-5 mandolin he played, as well as other archtop instruments, became the American standard for mandolins. Bowlback mandolins were displaced. The instrument has been taken up in blues, bluegrass, jug-band music, country, rock, punk and other genres of music. While not as popular as the guitar, it is widespread across the country. The music scene in Canada as the United States is similar, with both countries having a common origin and having English-based music in the same genres, such as rock, country, bluegrass. The mandolin has found a home in both countries. Mexico, the other nation in North America has a history with different origins. Its instruments reflect that origin, and it too had a connection to the mandolin's development in North America. (en)
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- 1924 (xsd:integer)
- Tim Brennan (en)
- David Grisman (en)
- Ricky Skaggs (en)
- Carlo Curti (en)
- Homer and Jethro (en)
- Samuel Siegel (en)
- Valentine Abt (en)
- Yank Rachell (en)
- Bill Monroe's F-5 mandolin (en)
- Bill and Charlie Monroe, 1936. (en)
- Bobby Osborne and Rocky Top (en)
- Chris Thile on mandolin with the Punch Brothers (en)
- Gibson A4 mandolin (en)
- Gibson F-4 Mandolin c.1916 (en)
- Jim & Jesse, 1965. (en)
- Levin Helm (en)
- Lloyd Loar in 1911 (en)
- Seth Weeks, 1900 (en)
- mandolin orchestra (en)
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- 1902 (xsd:integer)
- 1916 (xsd:integer)
- 1921 (xsd:integer)
- 1924 (xsd:integer)
- Bill Monroe's F-5. (en)
- Blues musician Yank Rachell, 1978. (en)
- Bobby Osborne and Rocky Top, 2007. (en)
- Homer and Jethro,1967 (en)
- Jim & Jesse, 1965 (en)
- Levon Helm playing mandolin in 1971 (en)
- Lloyd Loar, performer and designer of the F-5. (en)
- Native American girls' mandolin orchestra, 1905 (en)
- Ricky Skaggs, 2007 (en)
- Tim Brennan of the Dropkick Murpheys. (en)
- Seth Weeks, 1900. Possibly the first African American to play mandolin during its golden period. First American known to write a mandolin concerto ; led a mandolin and guitar orchestra in Tacoma, Washington. (en)
- David Grisman fused bluegrass, folk and jazz into Dawg music. (en)
- Carlo Curti founded one of Mexico's oldest orchestras, the Mexican Typical Orchestra, and helped to popularize mandolin in the United States. (en)
- Chris Thile, 2012. Thile plays a Gibson F-5 mandolin, made by Lloyd Loar. (en)
- Bill and Charlie Monroe, 1936. Bill is pictured with a Gibson F-7 mandolin, which he replaced with an F-5 in 1945. (en)
- Valentine Abt posing with a Gibson mandolin in a 1912 endorsement advertisement for the instrument. Abt called the Gibson Company "the pioneer of plectrum instrument making in America" and mentioned its carrying power. (en)
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- A 1909 Edison Amberol recording of Samuel Siegel on mandolin and Roy Butin on guitar. (en)
- Recording of Valentine Abt on mandolin, 1905. (en)
- Merci - gavotte by Carlo Curti, performed by Joaquín J. Arriaga and Octaviano Yáñez in 1913 (en)
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- Gavotte played by Samuel Siegel and Roy H Butin.ogg (en)
- Carlo Curti - Merci.ogg (en)
- Valentine Abt - AngelsSerenade1905.ogg (en)
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- 1924 (xsd:integer)
- Bill Monroe F5 mandolin low resolution.jpg (en)
- Bobby Osborne & The Rocky Top X-Press .jpg (en)
- Carlo Curti - photo.jpg (en)
- Chris Thile 2008 1.jpg (en)
- David-Grisman.jpg (en)
- GibsonA4Mandolin1921.jpg (en)
- GibsonF4Mandolin1916.jpg (en)
- Photograph probably made by Charles R. Scott - NARA - 251693 .jpg (en)
- Homer and Jethro .jpg (en)
- Jim & Jesse.png (en)
- Levon Helm, 1971.jpg (en)
- Lloyd Loar in 1911.png (en)
- MonroeBrothers.jpg (en)
- Ricky skaggs performing.jpg (en)
- Samuel Siegel Concert Tour 1901 to 1902.jpg (en)
- Seth Weeks.jpg (en)
- Timbrennan.jpg (en)
- Valentine Apt posing with Gibson mandolin.jpg (en)
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dbp:title
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- Samuel Siegel and Roy Butin play Gavotte. (en)
- Carlo Curti - Merci (en)
- Valentine Abt plays Angel's Serenade. (en)
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- The mandolin has had a place in North American culture since the 1880s, when a "mandolin craze" began. The continent was a land of immigrants, including Italian immigrants, some of whom brought their mandolins with them. In spite of the mandolin having arrived in America, it was not in the cultural consciousness until after 1880 when the Spanish Students arrived on their international performing tour. Afterwards, a "mandolin craze" swept the United States, with large numbers of young people taking up the instrument and teachers such as Samuel Siegel touring the United States. The fad died out after World War I, but enough had learned the instrument that it remained. The mandolin found a new surge with the music of Bill Monroe; the Gibson F-5 mandolin he played, as well as other archtop ins (en)
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- Mandolins in North America (en)
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