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- La princesa Licca★ (スーパードール★リカちゃん Sūpā Dōru Rika-chan - conocida en Hispanoamérica como Princesa Licca) es una serie de anime que fue emitida en TV Tokyo de 1998 a 1999. La editorial Kodansha también publicó un manga inspirado en la serie animada en su revista mensual Nakayoshi. La historia de la serie trata acerca de una niña escolar llamada Licca Kayama y de las extrañas circunstancias que rodean sus orígenes, así como los orígenes de su protectora, la muñeca Licca. La serie es una historia original basada en la popular y comercialmente exitosa línea de muñecas "Licca-chan" creada por Miyako Maki y mercadeada por la Compañía Japonesa Takara. La serie fue creada para expandir la serie regular de Muñecas a una línea de figuras de acción. Sin embargo, las figuras no tuvieron mucho éxito, y estas permanecieron un muy poco tiempo en producción. La serie contó con 52 episodios. fue transmitida en Japón desde el 6 de octubre de 1998 hasta el 28 de septiembre de 1999. Desde su emisión en Japón esta ha sido traducida a varios idiomas incluyendo el chino, italiano, portugués, tagalo y malayo, y ha sido transmitida internacionalmente en varias estaciones incluyendo a la CTS de Taiwán, ATV and TVB, Hong Kong, Cartoon Network Latinoamérica, Brazilian services y RaiDue de Italia. (es)
- Super Doll★Licca-chan (スーパードール★リカちゃん, Sūpā Dōru Rika-chan) is a Japanese anime television series which ran on TV Tokyo in 1998–1999. Kodansha also serialized a manga based on the anime series in its monthly manga magazine Nakayoshi. The story follows an ordinary elementary school girl named Licca Kayama and the strange circumstances surrounding her origins, as well as the origins of her protector, Doll Licca. (en)
- 『スーパードール★リカちゃん』は、1998年10月6日から1999年9月28日までテレビ東京系列 (TXN) で放送されたテレビアニメ。魔法少女作品に属する。全52話。 アニメと並行して、征海未亜によるコミカライズ版が講談社の少女向け漫画雑誌『なかよし』に連載された。 (ja)
- 인형공주 리카(일본어: スーパードール★リカちゃん, 슈퍼 돌 리카짱)는 1998년에 출시된 일본의 애니메이션으로, 마법소녀물의 일종이다. 대한민국에서는 KBS에서 2001년에 방영하였다. (ko)
- SuperDoll Rika-chan (スーパードール★リカちゃん Sūpā Dōru★Rika-chan?) è un anime mahō shōjo, prodotto da Madhouse e trasmesso in Giappone su TV Tokyo tra l'ottobre 1998 e il settembre 1999. Contemporaneamente ad esso è stato pubblicato un manga omonimo di Mia Ikumi. La serie s'ispira alla bambola giapponese Licca-chan. In Italia è stato distribuito in VHS nel corso del 2001 e trasmesso successivamente in prima visione nel 2002 su Rai Due. (it)
- Super Doll Licca-chan (スーパードール★リカちゃん Sūpā Dōru Rika-chan?, literalmente, "Superboneca Licca") é uma série de anime exibida na TV Tokyo entre 1998 e 1999. Também foi publicado um mangá baseado no anime, pela Kodansha na revista Nakayoshi. A série conta a história de uma garota do primário, Licca Kayama, e os estranhos acontecimentos envolvendo sua origem, e a origem de sua protetora, Boneca Licca. A série foi inspirada na famosa franquia de bonecas japonesas, "", criada por , projetadas para expandir a linha de bonecas comuns, para uma nova linha de Figuras de ação, na qual não obteve sucesso. Super Doll Licca-chan também foi exibido no Brasil, pelo canal pago Cartoon Network em novembro de 2002. Após ser exibida completamente no canal, foi reprisado poucas vezes. Também foi lançado um DVD da série pela Imagem Filmes, mas não passou do primeiro volume. (pt)
- 《麗佳公主》（スーパードール★リカちゃん）是一部日本電視動畫，共52集。它由東京電視台及GENCO製作，自1998年10月6日至1999年9月28日在TXN聯播網首播。另有征海未亞所繪的同名漫畫在1998年至1999年間連載於《Nakayoshi》，並出版了2冊單行本。 本作品的主角一家人源自日本玩具製造商TAKARA的著名洋娃娃品牌「麗佳娃娃」（或譯「麗卡娃娃」、「莉卡娃娃」）。 本動畫的台灣首播單位是衛視中文台，以《麗佳公主》片名播放；台灣版VCD及DVD定名《麗佳公主》，漫畫則定名《夢幻娃娃》。香港兩大免費電視台無綫電視及亞洲電視都有播映本作品，無綫定名《超級娃娃戰士》，亞視則定名《麗佳公主》。 (zh)
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- Akasareta Rika no Himitsu (en)
- Ayashī Kanegodō ni Gōyōjin (en)
- Chiisana Orugōru (en)
- Dai wa Chiisana Kishi (en)
- Dōru Isamu wo Torimodose (en)
- Dōru Izumi Kenzan! (en)
- Dōru Izumi no Nazo (en)
- Dōru Randō He no Tabidachi (en)
- Dōru Randō no Kamisama (en)
- Fushigi na Ai no Merodī (en)
- Futari no Dōru Rika (en)
- Harou~īn no Okyakusama (en)
- Hikari no Naka no Dōru Rika (en)
- Hikaru Me no Shōjō (en)
- Kaettekita Otōsan (en)
- Kanenome no Himitsu (en)
- Kiseki no Merodī (en)
- Kyōfu no Wēdingu Bērū (en)
- Kātorinu no Himitsu (en)
- Maboroshi no Dōru Randō (en)
- Mahō no Hābu Tī (en)
- Maigo no Uchūijin (en)
- Makai no Purinsesu (en)
- Maria-sama no Hohoemi (en)
- Mayoi Neko no Aji (en)
- Maō, Sukeakūrō (en)
- Mezameta Dōru Isamu (en)
- Misty tai Dōru Naitzū (en)
- Mōhitori no Rika (en)
- Natsu no Yoru no Akumu (en)
- Nazo no Tenkōsei Kātorīnu (en)
- Nazo no Tetsu Kamen Arawaru! (en)
- Nerawareta Kātorīnu (en)
- Nichiyōbi no Kettō (en)
- Nigeta Ojō no Himitsu (en)
- Okaeri, Sukeakūrō (en)
- Okāsan no Tanjōbi (en)
- Omoide no Shiroi Doresu (en)
- Otōsan no Kyōku no Chikara (en)
- Rui-san no Koibitō (en)
- Rui-san no Takaramono (en)
- Sayōnara Rika-chan (en)
- Tayoreru Bodīgādō (en)
- Tsuki no Yo no Koi Uranai (en)
- Tsumetai Kuni no Majo (en)
- Ugokanai Dōru Rika (en)
- Wasurerareta Nichiyōbi (en)
- Yuki no Hi no Okurimono (en)
- Yume no Hoshi wa Meguru (en)
- Yūki ga Kureta Takaramono (en)
- Ōtōgi no Kuni no San-Jūshi (en)
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- Promo-poster for Licca-chan series (en)
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- 1998-10-06 (xsd:date)
- November 1998 (en)
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| dbp:jaKanji
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| dbp:jaRomaji
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| dbp:last
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- 1999-09-28 (xsd:date)
- October 1999 (en)
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| dbp:magazine
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| dbp:music
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- Katsumi Horii (en)
- Akihiko Hirama (en)
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| dbp:name
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- Super Doll Licca-chan (en)
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| dbp:network
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| dbp:originalairdate
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- 1998-10-13 (xsd:date)
- 1998-10-20 (xsd:date)
- 1998-10-27 (xsd:date)
- 1998-11-03 (xsd:date)
- 1998-11-10 (xsd:date)
- 1998-11-17 (xsd:date)
- 1998-11-24 (xsd:date)
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- 1998-12-08 (xsd:date)
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- 1999-01-12 (xsd:date)
- 1999-01-19 (xsd:date)
- 1999-01-26 (xsd:date)
- 1999-02-02 (xsd:date)
- 1999-02-09 (xsd:date)
- 1999-02-16 (xsd:date)
- 1999-02-23 (xsd:date)
- 1999-03-02 (xsd:date)
- 1999-03-09 (xsd:date)
- 1999-03-16 (xsd:date)
- 1999-03-23 (xsd:date)
- 1999-03-30 (xsd:date)
- 1999-04-06 (xsd:date)
- 1999-04-13 (xsd:date)
- 1999-04-20 (xsd:date)
- 1999-04-27 (xsd:date)
- 1999-05-04 (xsd:date)
- 1999-05-11 (xsd:date)
- 1999-05-18 (xsd:date)
- 1999-05-25 (xsd:date)
- 1999-06-01 (xsd:date)
- 1999-06-08 (xsd:date)
- 1999-06-15 (xsd:date)
- 1999-06-22 (xsd:date)
- 1999-06-29 (xsd:date)
- 1999-07-06 (xsd:date)
- 1999-07-13 (xsd:date)
- 1999-07-20 (xsd:date)
- 1999-07-27 (xsd:date)
- 1999-08-03 (xsd:date)
- 1999-08-10 (xsd:date)
- 1999-08-17 (xsd:date)
- 1999-08-24 (xsd:date)
- 1999-08-31 (xsd:date)
- 1999-09-07 (xsd:date)
- 1999-09-14 (xsd:date)
- 1999-09-21 (xsd:date)
- 1999-09-28 (xsd:date)
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| dbp:producer
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- Makiko Iwata (en)
- Nobuhiro Osawa (en)
- Naoto Hashimoto (en)
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- 0001-12-25 (xsd:gMonthDay)
- Helping to foil the abduction attempts targeting her best friend Licca is something that Sumire has learned to deal with even if it has always been in synergy with Dai and Tomonori. Sumire does not have a whole lot of experience being the heroine on her own, aside from the previous abduction attempt that captured Catherine, who lost the Doll Izumi Calling Ring in the process. (en)
- For the frustrated Devaul, re-assimilating Misty out of disgust because of her propensity for crass comedy insulting his expectations of her offers resolution toward neither capturing Licca nor convincing the Omniscient Owl to give up its bid to deep-freeze the Doll Kingdom; Yae and Devaul computing their next move quickly gives way to Rui getting a big break in his research about the Fantasy Civilization while Licca spends an oppressively torrid summer afternoon with Sumire and Tomonori at Dai's house catching cicadas in an attempt to cope with the summer heat. (en)
- Back in the Doll Kingdom, Yae is overjoyed at having her guardian Doll Isamu available for battle as she decides zero hour for bringing Licca back to the Doll Kingdom by having Doll Isamu streak across the sky upon returning to Earth; not realizing that what she saw last night is actually Doll Isamu being wielded as an emissary for an upcoming abduction attempt, Licca expounds upon the spectacle to Dai who has his doubts but decides to investigate the matter when Tomonori recommends against ruling it out. (en)
- An epidemic sweeps over Saint Terezia Academy in the form of an exciting detective story series that enthralls Licca and her friends to the point where they start to forget about the dynamics of real life; examples of which is when Dai inadvertently draws his grandmother's ire when he forgets about dinner time, while Orie has to prompt Licca to comply her bedtime. (en)
- Yae and Misty licking their wounds after the collaborative effort of Kayama-ke and its allies along with all three Doll Knights quickly gives way to Orie galvanizing herself for another fashion show which Licca recalls much to her delight before Pierre chimes in with the song he has been trying to finish. While he continues to exert an emphatic effort to bring it to a satisfactory conclusion, Pierre is flattered at the attention being showered unto his handiwork, as he explains Orie the prologue of how he came upon the melody who gives his personal perspective a huge shot in the arm. (en)
- After she makes an impassioned argument for rescuing Doll Isamu in spite of it being a trap and not being able to reliably predict Doll Izumi's availability, Doll Licca sets off to the Doll Kingdom while Licca herself begins her school commute which becomes the forum for Dai to lead Sumire and Tomonori in reaffirming their vow to protect Licca before Catherine mentions the Doll Kingdom as she inquires the concourse of the four kids. Meanwhile, in the Doll Kingdom, Doll Licca finds that the desolation around her is the least of her worries when a group of knights converges on her. For Yae, Doll Licca also has an iconoclastic sense of humor that ultimately endows unto her the last laugh when she emancipates herself from her bindings to successfully steal back Doll Isamu along with both of his action accessories. (en)
- Even though he has not really done it that much, Rui Makiyama has contributed to the derailing of enough abduction attempts for Yae to conclude that Licca's father Pierre will cause even more damage if allowed to join the battle in earnest even though Pierre's thoughts are more on seeing his daughter and how she has grown up in his absence. Later that evening, Nanae explaining Pierre the recent prologue of the Doll Kingdom becomes the forum by which Pull and Wire see the light about their previous actions while Pierre spends time with Licca gazing at the stars. (en)
- It is extremely difficult to deny the presence of a deviant diagnostic when the bells stay silent; an injured dove in the bell tower whose proximity by the students Sister Chiaki has been enjoined to always inhibit. (en)
- The collaborative prologue Hide and Tetsu have built with Dai along with Licca's frustration at being left out of their dodgeball game is scant preparation for an encounter with Souta Mizushima who leads the group of friends Dai spent time with in kindergarten; the ensuing adversarial dodgeball volley vividly illuminating the rivalry between the two boys. Dr. Scarecrow's conspicuous abduction attempt becomes the ultimate skeleton key for Dai and Souta to finally resolve their differences once Doll Licca drives Dr. Scarecrow into retreat after a short battle. (en)
- Hajime Kuboi jolts Rui out of his research about Devaul to exhort of him assistance in organizing the documents stored at the new observatory in the mountains. (en)
- Undaunted at the previous abduction attempt imploding in on itself, Yae takes careful notes when the assassin operatives are repulsed by nothing more than Pierre playing his song in an attempt to figure how it ends. While Yae and Misty prosecute a divergent concourse over how best to proceed, Pierre reminisces over how he first came upon the song -- a clue thereof Rui has encountered on his journeys and decided for an investigative convergent vector. (en)
- Embittered by Dr. Scarecrow seeing the light at the most inopportune moment when Licca confirms what he already knows about himself, Yae is furious to see Licca yearning for Pierre's prompt return as she reminds Misty of the consequences for Licca continuing to remain free on Earth. (en)
- Yae leering at the sequestered Dr. Scarecrow before reaffirming acquisition of her grandniece Licca to the inert Doll Isamu becomes the genesis of Wire directing his sister Pull through bootstrapping themselves to begin the first day of their new lives as Licca's bodyguards now that Kayama family is confident of their sincerity even as their efforts do not always translate to success in real life such as when they prepare breakfast that morning to prepare Licca for the school commute with Dai. (en)
- It seems that Saint Terejia Gakuen has an autumn ritual known as the weekend home-stay in which the students are randomly chosen as a guest or a host along with the association thereof in an attempt to foster a more comprehensive perspective of appreciation for the concept of family -- case in point when the teacher indicates that Licca's family is hosting the college student Rui Makiyama. The ironic silver lining is that Pull and Wire's repulsing Dai climbing to Licca's rescue ultimately allows Doll Licca to do her thing; for Dai, Dr. Scarecrow's ambush still costs valuable time in transporting his edible payload home much to the family's consternation. (en)
- Considering the intrusion that imploded the previous attempt and how all the others have been foiled, Yae would be quite frustrated with Dr. Scarecrow as she delivers him an ultimatum before sending him on his way. While Dr. Scarecrow computes his next move, Dai's friends Hide and Tetsu are the vehicles by which the collateral damage caused by Devaul's occupation of the Doll Kingdom is manifesting itself unto the lives of Licca and her friends, who desperately struggle for some kind of healthy perspective of their recent encounter with Yae. (en)
- Even though she prosecutes it with a magnificent degree of dexterity, Catherine still has yet to resolve her feelings about Franz charging her the lieutenant stewardship of wielding Doll Izumi to insure Licca's perpetual proximity to her allies and family government. (en)
- Even watching Misty make crass comedy of her collaborative inhibitory efforts with Doll Isamu and Doll Izumi to secure the Crown Princess' safety, Doll Licca searches for answers in the Doll Kingdom for how to defeat Devaul whose patience with Misty has been worn very thin while Dai ponders how to defeat a demon that has easily overpowered the Doll Knights before Sumire suggests learning to use magic. (en)
- Yae charges Misty another abduction attempt obfuscates Sumire daydreaming about her own wedding day, before Dai arrives with the news of Mark paying the Kayama family a visit with his fiancée Yuri, to signal an interest in having a wedding during a trip down memory lane that gives Misty all the data she needs to wreak havoc as the Kayama family. (en)
- Incensed that an ordinary kid like Dai Takabayashi and that a curious college student like Rui Makiyama can derail her plans just as well as Doll Licca herself, Yae scolds Doll Isamu to get with the program; in contrast to Licca who is leaving the house to spend the day at the amusement park with Sumire and the boys. (en)
- As naturally predicted, Misty's propensity for making crass comedy is no laughing matter for the none-too-pleased Yae who points to the lack of headway made in bringing Licca back to the Doll Kingdom. While Yae and Misty divide their energies between their frustration with each other and computing a technique to abduct Licca, the Kayama family is processing the nullification of Misty's previous abduction attempt the next morning to conclude that Pierre's song could even crash Devaul's central nervous system if played in its entirety. (en)
- Dai pulls Licca aside into a collaborative stowaway initiative with Tomonori and Sumire oblivious to the anxiety that it causes Orie when she discovers the four kids missing; in spite of the successful infiltration and the sentimental father-daughter reunion, Yae visits unto Kayama-ke a dynamic lesson in the folly of expecting to have their cake, when she sends a tentacle to capture Licca after wielding a garrison of armored assassin operatives to corner her in a dead-end ballroom. Even with the ballroom having a piano that Pierre promptly uses to play the song that easily crashed Misty's peripheral nervous system, it looks as if Devaul has ultimately won the war against Kayama family now that Yae is holding Licca captive. The epilogue to this nightmare depends entirely on the Omniscient Owl's perspective of Pierre's stormy weather musical efforts. (en)
- As Tomonori points out before Dai suppresses him, Licca would normally set course for home after school as charged by the teachers. However, Orie is expecting her daughter to participate in the exhibition of some recently completed clothing designs and inadvertently gives Pull a skeleton key for defining the logistics of the next abduction attempt while contemplating the conundrum of needing more models than she has. Nanae's jubilation at being able to have a meal with Orie and Licca as a family quickly gives way to Orie pining for her husband Pierre as she reminisces about her prologue with him. (en)
- Pull and Wire's collaborative confusion over the Valentine's Day hullabaloo quickly gives way to Dr. Scarecrow's surveillance orders for Licca, while Yae and Dr. Scarecrow are resolving the logistics of their upcoming operation, Licca and Sumire have other things on their minds as they compute how to acknowledge Valentine's Day. (en)
- Much to Tomonori's horror, the ironic crass comedy of successfully capitalizing upon Pull and Wire's anxiety for Dr. Scarecrow's safety is to arrive right near Yae who is monitoring Dr. Scarecrow's battle with the Doll Knights. The ultimate irony of the whole circus is that Tomonori-tachi proves itself exactly what the doctor ordered to derail Dr. Scarecrow slaying the Doll Knights who then rally their powers to destroy the dragon; the dragon now neutralized, Kayama family and Tomonori have a very sentimental reunion while Yae and Devaul fume angrily about the foiled operation backfiring. (en)
- Licca had it demonstrated that Doll Licca will intercede fiercely on her behalf whenever Dr. Scarecrow launches an abduction attempt. It has really never made the connection in her mind as to what her guardian looks like, until Dai comes upon a traveling artist named Mark whose artwork is based on what he sees in his dreams. (en)
- Tomonori Michitani is in seventh heaven as he prosecutes an investigation of the Naruhu Comet's arrival after its thirty year journey around the solar system, oblivious to the fact that he has attracted the attention of Dr. Scarecrow, who plans to wield him in his next attempt to abduct Licca. Disguising himself as the missing Professor Kanga Kurō, Dr. Scarecrow begins his operation in earnest by capitalizing on Tomonori's ambivalence about having to exclusively decide for science or his friends, which leaves behind a lot of collateral damage that quickly brings things to a head. (en)
- Satomi is in for a blitzkrieg lesson of curiosity killing the cat when Dr. Scarecrow's attempt to take her captive panics the poor nun into being sidelined with a broken arm and sets the stage, for demonstrating why it is a bad idea to leave too much to the imagination, especially one not unlike what Dai possesses. (en)
- While out on the town for diurnal euphoria, Dai and Tomonori come upon Rui waiting with Licca and Sumire to intercept a transit coach; fuming that Licca has repulsed his inquiries, Dai decides to follow suit with Tomonori who makes some iconoclastic observations during the journey that enable the boys to closely follow Rui and the girls. (en)
- As she has been continually demonstrated, Yae is quite upset at Dr. Scarecrow, having yet another of his abduction attempts foiled as she directs him to steal her grandniece' call bracelet using deception. (en)
- The tense conversation that follows suggests that the Doll Kingdom is in some kind of danger that Licca is needed to resolve and that Dr. Scarecrow is not exactly evil. (en)
- Yae is dividing her energies between bristling with frustration at Dr. Scarecrow's abduction. (en)
- As if she had telepathically sensed it in her sleep, Licca dreams about Rui Makiyama after he arrives at the Kayama residence where Nanae and Orie greet him in earnest prior to leading him to his rented room; undaunted by Nanae extinguishing her voyeurism the next morning, Licca speculates on Rui's personality while Sumire daydreams about Dai during class. While Licca and Sumire revel at the pleasant surprise that is Rui Makiyama coming upon the girls exploring his room, Pull and Wire have set up a detective shop to acquire information to plan their next abduction attempt. Licca and Sumire appraising the efficacy of a girlish superstition the backdrop thereof. While Dai and Sumire initially find their adversaries too well prepared to repulse their inhibitory efforts on Licca's behalf, they ultimately buy time for Nanae to bootstrap Doll Licca for battle and Rui follows soon after as a supplement; the collaborative intercession is not enough to forestall the price Nanae pays for wielding the Doll Knights in battle. (en)
- While it is not at all insignificant, the euphoric engagement she has enjoyed from Pierre is not enough to extinguish the underlying anxiety of his eternal absence, as Licca stares at him as if she were a love-struck adolescent before Nanae and Orie set her mind at ease prior to school commute. Dai and Tomonori comparing perspectives about Licca being much more lightweight, in spirit from Pierre's perennial presence vividly contrasts the purgatory of Pull and Wire agonizing how to proceed forward without Dr. Scarecrow, before Nanae challenges them prior to confirming the data they overheard. (en)
- Pull and Wire have had demonstrated the battle prowess of both Doll Licca and Doll Izumi enough times to realize that it is quite unpleasant. (en)
- As Chiaki reminds the class, Saint Terezia Academy is to have a story recital by the selected representatives of each class; one of which is Sumire even though she is having a bit of writer's block as she develops her story. Undaunted by Sumire having recovered from her cold, Dr. Scarecrow ultimately tries to push ahead with his abduction attempt only to find to his horror that Licca has basically summarized the prologue and plight of the Doll Kingdom for the whole school. (en)
- As it has been hinted all along, Orie did not grow up in an indigenous Earth nuclear family and it is only after the parturition, by which Licca began her post-natal life that Orie has come upon her own prosperity; Orie having her own micro-economy does nothing to compensate the trauma of her father's sacrifice. (en)
- Now emancipated from being Devaul's vassal, Yae delivers a syllabus of what will take place with Devaul in the near future and what now has to be done; as if to emphasize Yae's diatribe, an armored assassin operative walks into the room and Devaul flies along a descending hypotenuse sideswiping the castle in the form of an enormous dragon. It is that moment that the full scope of the chosen hybrid solution manifests itself: Licca assuming responsibility for the affairs of state in the Doll Kingdom after she has finished growing up alongside Dai. (en)
- Yae effortlessly nullifies the battle utility of Doll Licca in her bid to successfully abduct Pierre, Licca is crestfallen as she computes how to secretly go to the Doll Kingdom by herself, a deviant diagnostic whose presence is not lost on Sumire nor Dai and Tomonori during class. (en)
- After Dr. Scarecrow having once wielded dodgeball along with his rivalry with Souta Mizushima as a premise in one of his abduction attempts, they would think that Dai would learned to keep his zeal for sports in check. Dai's ego becomes the genesis of Misty's latest abduction attempt: disguising herself as the taciturn kindergarten girl, Mimi. (en)
- Misty exhorts Yae that she be bailed Dr. Scarecrow to aid her in her next abduction attempt. While Dr. Scarecrow reveals his new-found freedom caring nothing that Misty is wielding him for her own purposes, Pull and Wire are preparing to take Licca and her friends on an outing to collect bugs. (en)
- Successfully acquiring the Doll Isamu Calling Ring is an impressive accomplishment; still, its consistent security while successfully utilizing it against Yae and Dr. Scarecrow is what will define the war's epilogue. While Sumire and Dai speculate upon the meaning of there now being two Calling Rings in their possession, Nanae confirms the authenticity. (en)
- While Yae and Misty comparing notes on the capabilities of Pierre's song deteriorates into a divergent concourse over whether to do anything to counteract it, Kayama family discusses Pierre's upcoming journey over dinner. (en)
- Dr. Scarecrow is in scalding hot water for his many failed abduction attempts as Orie's evil aunt Yae reads him the riot act clearly frightened for the Doll Kingdom's survival. Meanwhile, Licca is oblivious to Dr. Scarecrow renewing his resolve to capture her, when she repels Dai's abrasive criticism of the bookmark she wants to give Rui. (en)
- Misty is none too pleased at Yae reading her the riot act for her lack of progress in bringing Licca back to the Doll Kingdom. While Misty plots her next abduction attempt that she hopes will defeat the Doll Knights, Licca is comparing notes with Sumire and Dai over the Doll Knights' prospects of defeating Devaul when Tomonori arrives with a pair of photographs that could be argued as being a formal challenge from Misty that is to take place at the museum where Dr. Scarecrow began his abduction attempts. (en)
- Dai and Sumire are torn between relief that Licca is safe and suspicious astonishment of the Crown Princess' armored rescuer, a sentiment mirrored by the newly arrived Doll Knight. Yae fumes in frustration at another of her abduction attempts being nullified as she computes her next move, while Nanae and Orie set course for the forest where the Omniscient Owl has been trying to permanently deep-freeze the Doll Kingdom in a last-ditch effort to confine Devaul's destructive powers. (en)
- Dr. Scarecrow is facing an obdurate objurgation to capture Licca who is merging computations with Nanae over the logistics of Orie's birthday party. Licca easily galvanizing her classmates obfuscates Pull fuming in frustration, as she computes how to comply Dr. Scarecrow's order to steal Doll Licca before directing Wire to follow Nanae. Orie's birthday is a fusillade of activity as Nanae leads the caterers in setting up the scene alongside Rui when the guests arrive ahead of schedule starting with Dai and Tomonori while Licca desperately tries to finish the dexter mitten when Orie returns home. The unfinished dexter mitten's ultimate irony is that its unraveling correlates to Pull's mission to capture the Doll Knights whose animation has no distance restriction; Dr. Scarecrow's abduction attempt foiled yet again is cold comfort to Licca until Orie interjects her perspective of the best birthday present she has ever received. (en)
- An ill-designed animal carrier and an inattentive old lady become the preamble for François to play a pivotal role in Dr. Scarecrow's latest attempt to capture Licca, whose first encounter with the feline is in the front yard of her house just as she is beginning her school commute before Orie's maternal inquiries disrupt Licca's sincere but ill-fated attempt to win François' trust. (en)
- Upon seeing the desolation of the Doll Kingdom, the aggregate sentiment among the three kids is a broad spectrum running the gambit between excitement and anxiety along with guilt for Tomonori having been left behind; while the Doll Knights are reconnoitering the area after ordering Dai to cool his heels with the girls, Yae merely has an emphatic belly laugh as she orders her assassin operatives to extinguish the Doll Knights while she visits unto Licca a mind game using Pierre's voice. No matter how well she planned things, Yae has no available countermeasures for a passing knight that incinerates the bats dragging Licca into their cave. (en)
- While the Pumpkin King looks delightful upon the Halloween preparations, Licca is eager to begin her home commute to appraise the status of Orie's efforts on synthesizing her costume, after Dai leads Tomonori through demonstrating his perspective of how Halloween should be spent. (en)
- Tomonori offering his perspective on the epilogue of the Calling Choker obfuscates Yae becoming quite frustrated that she is not getting a straight answer as she charges Misty investigative acquisition of the Choker. (en)
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- The Little Music Box (en)
- Aji the Lost Cat (en)
- Another Licca (en)
- Around The Dreaming Star (en)
- Catherine's Secret (en)
- Catherine, The Enigmatic Exchange Student (en)
- Dad's Return (en)
- Dai is a Little Knight (en)
- Doll Licca From Within the Light (en)
- Farewell, Rika-chan (en)
- Heading to the Doll Kingdom (en)
- Here Comes Doll Izumi! (en)
- Love Fortune-Telling of the Evening Moon (en)
- Misty Against the Doll Knights (en)
- Mother's Birthday (en)
- Rika's Secret Revealed (en)
- Rui's Girlfriend (en)
- Rui's Treasure (en)
- Scarecrow, King of Magicians (en)
- Summer Nightmares (en)
- Taking Back Doll Isamu (en)
- Targeting Catherine (en)
- The Doll Kingdom of Illusions (en)
- The Enigmatic Doll Izumi (en)
- The Gift of the Snowy Day (en)
- The Girl with the Bright Eyes (en)
- The God of the Doll Kingdom (en)
- The Halloween Guest (en)
- The Lost Extraterrestrials (en)
- The Magical Herbal Tea (en)
- The Melody of Miracles (en)
- The Mysterious Melody of Love (en)
- The Power of Dad's Song (en)
- The Princess of the Demonic Realm (en)
- The Reliable Bodyguards (en)
- The Secret of the Runaway Queen (en)
- The Secret of the Sound of the Bell (en)
- The Sunday Shootout (en)
- The Sunday to Forget (en)
- The Three Knights of the Fairy Tale Kingdom (en)
- The Treasure That Gives Courage (en)
- The Unmoving Doll Licca (en)
- The Virgin Mary's Smile (en)
- The Wandering Iron Mask Appears! (en)
- The White Wedding Dress of Memories (en)
- The Witch of the Frozen World (en)
- Two Doll Liccas (en)
- Wake up, Doll Isamu (en)
- Watch out for Strange Predictions (en)
- Wedding Bells of Terror (en)
- Welcome Back, Scarecrow (en)
- Super Doll Licca-chan: Licca-chan Zettai Zetsumei! Doll Knights no Kiseki (en)
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- film (en)
- manga (en)
- tv series (en)
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| dbp:writer
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- Mami Watanabe (en)
- Kazuhiko Soma (en)
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| gold:hypernym
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- Super Doll★Licca-chan (スーパードール★リカちゃん, Sūpā Dōru Rika-chan) is a Japanese anime television series which ran on TV Tokyo in 1998–1999. Kodansha also serialized a manga based on the anime series in its monthly manga magazine Nakayoshi. The story follows an ordinary elementary school girl named Licca Kayama and the strange circumstances surrounding her origins, as well as the origins of her protector, Doll Licca. (en)
- 『スーパードール★リカちゃん』は、1998年10月6日から1999年9月28日までテレビ東京系列 (TXN) で放送されたテレビアニメ。魔法少女作品に属する。全52話。 アニメと並行して、征海未亜によるコミカライズ版が講談社の少女向け漫画雑誌『なかよし』に連載された。 (ja)
- 인형공주 리카(일본어: スーパードール★リカちゃん, 슈퍼 돌 리카짱)는 1998년에 출시된 일본의 애니메이션으로, 마법소녀물의 일종이다. 대한민국에서는 KBS에서 2001년에 방영하였다. (ko)
- SuperDoll Rika-chan (スーパードール★リカちゃん Sūpā Dōru★Rika-chan?) è un anime mahō shōjo, prodotto da Madhouse e trasmesso in Giappone su TV Tokyo tra l'ottobre 1998 e il settembre 1999. Contemporaneamente ad esso è stato pubblicato un manga omonimo di Mia Ikumi. La serie s'ispira alla bambola giapponese Licca-chan. In Italia è stato distribuito in VHS nel corso del 2001 e trasmesso successivamente in prima visione nel 2002 su Rai Due. (it)
- 《麗佳公主》（スーパードール★リカちゃん）是一部日本電視動畫，共52集。它由東京電視台及GENCO製作，自1998年10月6日至1999年9月28日在TXN聯播網首播。另有征海未亞所繪的同名漫畫在1998年至1999年間連載於《Nakayoshi》，並出版了2冊單行本。 本作品的主角一家人源自日本玩具製造商TAKARA的著名洋娃娃品牌「麗佳娃娃」（或譯「麗卡娃娃」、「莉卡娃娃」）。 本動畫的台灣首播單位是衛視中文台，以《麗佳公主》片名播放；台灣版VCD及DVD定名《麗佳公主》，漫畫則定名《夢幻娃娃》。香港兩大免費電視台無綫電視及亞洲電視都有播映本作品，無綫定名《超級娃娃戰士》，亞視則定名《麗佳公主》。 (zh)
- La princesa Licca★ (スーパードール★リカちゃん Sūpā Dōru Rika-chan - conocida en Hispanoamérica como Princesa Licca) es una serie de anime que fue emitida en TV Tokyo de 1998 a 1999. La editorial Kodansha también publicó un manga inspirado en la serie animada en su revista mensual Nakayoshi. La historia de la serie trata acerca de una niña escolar llamada Licca Kayama y de las extrañas circunstancias que rodean sus orígenes, así como los orígenes de su protectora, la muñeca Licca. (es)
- Super Doll Licca-chan (スーパードール★リカちゃん Sūpā Dōru Rika-chan?, literalmente, "Superboneca Licca") é uma série de anime exibida na TV Tokyo entre 1998 e 1999. Também foi publicado um mangá baseado no anime, pela Kodansha na revista Nakayoshi. A série conta a história de uma garota do primário, Licca Kayama, e os estranhos acontecimentos envolvendo sua origem, e a origem de sua protetora, Boneca Licca. A série foi inspirada na famosa franquia de bonecas japonesas, "", criada por , projetadas para expandir a linha de bonecas comuns, para uma nova linha de Figuras de ação, na qual não obteve sucesso. (pt)
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- Super Doll Licca-chan (en)
- Super Doll Licca Chan (es)
- SuperDoll Rika-chan (it)
- スーパードール★リカちゃん (ja)
- 인형공주 리카 (ko)
- Super Doll Licca-chan (pt)
- 麗佳公主 (zh)
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- Super Doll Licca-chan: Licca-chan Zettai Zetsumei! Doll Knights no Kiseki (en)
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