From today's featured articleCamille Saint-Saëns (9 October 1835 – 16 December 1921) was a French composer, organist, conductor and pianist of the Romantic era. His works include Danse macabre (1874), the opera Samson and Delilah (1877), the Third ("Organ") Symphony (1886) and The Carnival of the Animals (1886). Saint-Saëns was a musical prodigy who made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris, and from 1858 at La Madeleine, the official church of the French Empire. As a young man, he was enthusiastic for the most modern music of the day, particularly that of Schumann, Liszt and Wagner. He was a scholar of musical history, and remained committed to the structures worked out by earlier French composers. This brought him into conflict in his later years with composers of the impressionist and dodecaphonic schools of music, and by the time of his death, he was often regarded as a reactionary. (Full article...)
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The Haller Madonna and Lot and His Daughters are a pair of oil paintings on two sides of the same canvas. They were painted by Albrecht Dürer, and date to between 1496 and 1499. They are in the permanent collection of the National Gallery of Art in Washington, DC. The painting on the obverse depicts Mary and an athletic-looking Jesus, with a window looking out to a distant view. This scheme is similar to that of Giovanni Bellini's works, which Dürer had seen in his first sojourn in Venice (1494–95). It features coats of arms in the lower corners, both representing prominent families from Dürer's home town of Nuremberg, Germany. The left-hand arms are those of the house of Haller von Hallerstein, while the right-hand arms are for the Koberger family. The reverse of the painting features a picture known as Lot and His Daughters, showing a Biblical scene of Lot's flight from Sodom, with a landscape including explosions of fire in the background. Since the two scenes are unrelated, it has been suggested that the paintings are intended as private devotional images, each depicting one example of a just life and God's grace. Painting: Albrecht Dürer
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