A military deserter finds love and trouble (and a small dog) in a foggy, French port city.A military deserter finds love and trouble (and a small dog) in a foggy, French port city.A military deserter finds love and trouble (and a small dog) in a foggy, French port city.
- Awards
- 6 wins & 1 nomination
Édouard Delmont
- Panama
- (as Delmont)
Raymond Aimos
- Quart Vittel
- (as Aimos)
Robert Le Vigan
- Le peintre
- (as Le Vigan)
René Génin
- Le docteur
- (as Genin)
Marcel Pérès
- Le chauffeur
- (as Perez)
Roger Legris
- Le garçon d'hôtel
- (as Legris)
Raphaël
- Un complice
- (uncredited)
Jacques Soukoff
- Lucien's henchman
- (uncredited)
Gaby Wagner
- Complice
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaSome may notice that the Le Havre setting, while realistic, seems to have a slightly strange perspective. This is because the streets were constructed with a "false perspective" technique: the buildings were gradually scaled down in size the farther they go into the background; when shot with the proper camera lens, such a street will seem to stretch away from the camera up to four times longer than it actually does.
- GoofsWhen Jean and Nelly have their picture taken, they are standing close together. After a brief cut to the photographer who instructs them not to move anymore, there is a clear gap between them.
- Quotes
Quart Vittel: What could be simpler than a tree?
Le peintre: A tree. But when I paint one, it sets everyone on edge. It's because there's someone or something hidden behind that tree. I can't help painting what's hidden behind things. To me a swimmer is already a drowned man.
- ConnectionsEdited into Histoire(s) du cinéma: La monnaie de l'absolu (1999)
Featured review
I've just seen Port of Shadows for the first time in my life, and I must say I really liked it. I'm already a great admirer of old black & white pictures, and I enjoyed The Great Illusion as well. This one is rather different from Illusion, though from the same era and also with Jean Gabin as the quintessential Frenchman. It's hauntingly sad, quietly emotional, and even if it's a bit dated in some places (the pathetic hood played by Brasseur) it still manages to creep up on you and leaves you absorbed with the motifs of human loneliness and the not unreasonable, but ultimately impossible human dream of happiness. So it's not a laugh-riot, and you don't leave the cinema with a happy feeling, but you do feel good about having seen it. It's a masterpiece in French cinema history, Jean Gabin is ideal as the tough-as-butter soldier with a doomed soft spot for Michéle Morgan's beautiful waif, and in the end all you remember is the quiet mists of Le Havre harbor, and the sense of ill-fate and lost chances. Not to mention the beautiful eyes of a very young Morgan!
- ingemann2000
- Dec 12, 2004
- Permalink
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Details
Box office
- Gross US & Canada
- $27,389
- Opening weekend US & Canada
- $6,618
- Sep 16, 2012
- Gross worldwide
- $39,623
- Runtime1 hour 31 minutes
- Color
- Aspect ratio
- 1.33 : 1
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