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Tss Lighting

This document provides an introduction to outdoor lighting, including definitions of key terms, general design principles, lamp characteristics, and recommended illumination levels. It discusses objectives of outdoor lighting such as improving legibility, facilitating safe movement, and creating security and atmosphere. Terminology covered includes lumen, footcandle, lux, candlepower, illuminance, luminance, efficacy, and light depreciation. Design principles address orientation, identification, safety, security, and atmosphere/character. Various lamp types and their properties are defined. Light distribution patterns and categories of lighting fixtures are also summarized.
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0% found this document useful (0 votes)
69 views14 pages

Tss Lighting

This document provides an introduction to outdoor lighting, including definitions of key terms, general design principles, lamp characteristics, and recommended illumination levels. It discusses objectives of outdoor lighting such as improving legibility, facilitating safe movement, and creating security and atmosphere. Terminology covered includes lumen, footcandle, lux, candlepower, illuminance, luminance, efficacy, and light depreciation. Design principles address orientation, identification, safety, security, and atmosphere/character. Various lamp types and their properties are defined. Light distribution patterns and categories of lighting fixtures are also summarized.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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.

.
Sect i on Edi t or :
Ni chol as T. Di nes
Cont r i but or
:
Rober t Pr ouse
HMBr andst on
and Par t ner s
I nc.
NewYor k,
NewYor k
Mi chael Sar di na
TheSWAGr oup,
I nc.
Bost on,
Massachuset t s
Al an
Fuj i mor i
Honol ul u,
Hawai i
Techni cal Wr i t er :
Kyl e D. Br own
Revi ewer s:
Pet er Coxe
Wi l l i amLamAssoci at es
Cambr i dge, Massachuset t s
Kennet h E. Basset t
Sasaki Associ at es, I nc.
SECTI ON ~
I
Out door
Li ght i ng
CONTENTS
1. 0 I nt r oduct i on
1. 1 Gener al
1. 2 Obj ect i ves of Out door Li ght i ng
2. 0 Ter mi nol ogy
3. 0 Gener al Desi gn Pr i nci pl es
3. 1 Or i ent at i on
Li ght i ng Hi er ar chy
Cl ear Li ght i ng Pat t er ns
3
. 2 I dent i f i cat i on
I nt er sect i on Ar t i cul at i on
Pl acement of Lumi nai r es
Deci di ng What t o Li ght
3. 3 Saf et y
Gl ar e
Under l i ght i ng
3. 4 Secur i t y
Wal kway Li ght s
Sur vei l l ance
Vandal i sm
3. 5 At mospher e
and Char act er
Backgr ound
For egr ound
I l l umi nat i on of Obj ect s (Shape
Accent uat i on)
Col or Per cept i on
4. 0 Lamp
Char act er i st i cs and Li ght
Di st r i but i on
4. 1 Lamp Char act er i st i cs
I ncandescent Lamps
Fl uor escent
Lamps
Mer cur y Vapor Lamps(Del uxe
Whi t e)
I nduct i on
Lamps
Met al Hal i de Lamps
Hi gh- Pr essur e
Sodi umLamps
' Whi t e' Hi gh- Pr essur e Sodi umLamps
Low- Pr essur e Sodi um
Lamps
4. 2 Li ght Di st r i but i on
Hor i zont al and Ver t i cal
Di st r i but i on
Basi c Li ght Di st r i but i on Pat t er ns
Uni f or mi t y
Cut of f
4. 3 Cat egor i es of Li ght Fi xt ur es
Low- Level Landscape Li ght s
I nt er medi at e- Hei ght
Landscape Li ght s
Par ki ng Lot and Roadway Li ght s
Hi gh- Mast Li ght s
4. 4 Landscape
Li ght i ng Ef f ect s
Upl i ght i ng
Moonl i ght i ng
Si l houet t e Li ght i ng
Spot l i ght i ng
Spr eadl i ght i ng
Pat hl i ght i ng
5. 0
LowVol t ageSyst ems
6. 0 Recommended
Level s of I l l umi nat i on
Ref er ences
Ti me- Saver St andar ds
f or Landscape Ar chi t ect ur e
n
s
J
r
0
g
n
s
J
r
O
O
0
540- 2
1. 0
I NTRODUCTI ON
1. 1 Gener al
Thi s sect i on i ncl udes i nf or mat i on usef ul f or
sol vi ng si t e l i ght i ng pr obl ems. I ncl uded ar e
def i ni t i ons of t er ms associ at ed wi t h l i ght -
i ng, gener al desi gn pr i nci pl es, char act er i s-
t i cs of var i ous l amps, and r ecommended
l evel s of i l l umi nat i on (i ndust r y st andar ds)
f or var i ous l andscape uses. The i nf or mat i on
i ncl uded her e wi l l ai d i n t he pr ocess of
speci f yi ng f i xt ur es f or par t i cul ar l i ght i ng
pr oj ect s .
1 . 2 Obj ect i ves of Out door Li ght i ng
The pur poses of out door l i ght i ng i ncl ude:
(1) i mpr ovi ng t he l egi bi l i t y of cr i t i cal nodes,
l andmar ks, and ci r cul at i on and act i vi t y
zones i n t he l andscape;
(2) f aci l i t at i ng
t he
saf e movement of pedest r i ans and vehi cl es,
pr omot i ngamor e secur e
envi r onment ,
and
mi ni mi zi ngt he pot ent i al f or per sonal har m
and damaget o pr oper t y;
and (3) hel pi ngt o
r eveal t he sal i ent f eat ur es of a si t e at a
desi r ed i nt ensi t y of
l i ght i n
or der t o encour -
age ni ght t i me use.
2. 0 TERMI NOLOGY
Lumen: Aquant i t at i ve uni t of measur e-
ment r ef er r i ng t o t he t ot al amount of l i ght
ener gy emi t t ed by a l i ght sour ce, wi t hout
r egar d
t o
t he di r ect i on of i t s di st r i but i on.
Foot candl e (f c) : AU. S. uni t of measur e-
ment r ef er r i ng t o i nci dent l i ght .
Foot candl es can be der i ved
f r om
l umens (1
f c = 1 l umen/ sq . f t . ) or candel as (f c =
candel as/ di st ance2) .
Lux(I x) : The I nt er nat i onal St andar d (SI )
measur e of i nci dent l i ght . I t i s equal t o one
l umen uni f or ml y di st r i but ed over anar eaof
one squar e met er (10. 7 I x = 1 f c) (Fi gur e
540- 1) .
Candl epower
: The uni t of i nt ensi t y of a
l i ght sour ce i n a speci f i c di r ect i on, of t en
r ef er r ed t o as Candel a. One candel a di r ect -
ed per pendi cul ar l y t o a sur f ace one f oot
away gener at es one f oot candl e
of l i ght
.
I l l umi nance: I nci dent l i ght , or l i ght st r i k-
i ng a sur f ace (Fi gur e 540- 2)
.
Lumi nance: Li ght l eavi ng a sur f ace,
whet her due t o t he sur f ace' s r ef l ect ance,
or
because i t i s t he sur f ace of a l i ght - emi t t i ng
obj ect (l i ke a l i ght bul b) . Lumi nance i s t he
measur abl e f or mof br i ght ness, whi ch i s a
subj ect i ve sensat i on.
Ef f i cacy: Ameasur e of howef f i ci ent l y a
l amp conver t s el ect r i c power (wat t s) i nt o
l i ght ener gy (l umens) wi t hout r egar d t o t he
Fi gur e 540- 1
. Lux
and f oot candl e
measur ement s .
ef f ect i veness of i t s i l l umi nat i on. I t shoul d
not be assumed t hat a l ampwhi ch has hi gh
ef f i cacy wi l l gi ve bet t er i l l umi nat i on t han a
l ess ef f i ci ent l amp (Fi gur e 540- 3) .
Li ght depr eci at i on: Lamp out put
(l umens) wi l l depr eci at e over i t s ef f ect i ve
l i f e. I l l umi nat i on wi l l be r educed
f ur t her
due
t o an accumul at i on of di r t and gr i me on t he
l amp and f i xt ur e. Adj ust ment s shoul d be
made t o compensat e f or t hi s depr eci at i on
when det er mi ni ng t he aver age val ues of
i l l umi nat i on mai nt ai ned over t i me. Amai n-
t enance f act or of 50 t o 7 0 per cent i s com-
mon f or out door appl i cat i ons. Newi nst al l a-
t i ons ar e r out i nel y desi gned t o
del i ver 1-
1/ 2 t o 2 t i mes as much i l l umi nat i on as
needed,
t o sust ai n t hi s mai nt ai ned out put
over t he ant i ci pat ed l i f e of t he l amp.
Col or : Two measur es used t o descr i be
t he col or char act er i st i cs of l amps ar e (1) t he
appar ent col or and (2) t he col or r ender i ng
i ndex.
The appar ent col or of a l i ght sour ce i s
gi ven by t he col or t emper at ur e. Fi gur e
540- 4 shows var i ous i ndex number s used
t o r ank sour ces on a scal e t hat r ange f r om
war m
t o
cool i n appear ance. Pr ef er ence f or
oneor anot her i s a mat t er of t ast e and usu-
al l y var i es wi t h t he cont ext of t he appl i ca-
t i on and wi t h t he i l l umi nat i on l evel . War m
t ones t end t o be f avor ed when i l l umi nat i on
i s l owand cool er t ones ar e pr ef er r ed under
hi gh l i ght i ng l evel s.
The col or r ender i ng i ndex (CRI ) i s a
measur ement of t he degr eet o
whi ch obj ect
col or s ar e f ai t hf ul l y r ender ed . Thi s scal e
r anges f r om0 t o 100 and i s a r easonabl e
appr oxi mat i on of col or r ender i ng accur acy.
CRI i s compl et el y i ndependent of whet her
a l i ght sour ce cast s t he obj ect i n a war mor
cool t one. The CRI gr aph shows t he r ank-
i ng of t he maj or out door l i ght sour ces
(Fi gur e 540- 4) . As a gener al gui del i ne, a
mi ni mumCRI of 50 i s suggest ed t o at t ai n a
r easonabl y f ai t hf ul or nat ur al col or r endi -
t i on . Lamps r anked si gni f i cant l y bel owt hi s
ar e j udged t o cause vi si bl e di st or t i ons t o
appear ance.
Ti me- Saver St andar ds f or Landscape Ar chi t ect ur e
Fi gur e
540- 4
. Col or r ender i ng
i ndex
.
Gl ar e: Apoi nt or sur f ace of l umi nance
t hat i s
above one' s cur r ent st at e of adapt a-
t i on. The human vi sual syst emcan com-
f or t abl y see i n l i ght l evel s r angi ng f r om
st ar l i ght t o noonday sun, but cannot do so
over t hi s ent i r e
r ange at t he samet i me. We
adapt t o one l i mi t ed r ange or anot her , and
per cei ve gl ar e
as any br i ght ness above our
cur r ent st at e of adapt at i on. Di sabi l i t y gl ar e
i mpai r s vi si bi l i t y
and i s pr i mar i l y a physi o-
l ogi cal phenomenon; e. g. , t he ni ght t i me
gl ar e f r om an oncomi ng vehi cl e' s head-
l i ght s can moment ar i l y bl i nd a dr i ver ' s per -
cept i on of t he r oad ahead. Di scomf or t gl ar e
does not i mpai r vi si bi l i t y but i s
pr i mar i l y a
psychol ogi cal phenomenon or an annoy-
ance whi ch may pr oduce f at i gue i f i t con-
t i nues over an ext ended per i od of t i me.
Cut of f l i ght di st r i but i on: At er mused i n
r ef er ence t o t he opt i cal desi gn of some f i x-
t ur e t ypes. Pr oper pl acement of l amps and
t he use of car ef ul l y al i gned r ef l ect or s, can
ef f ect i vel y el i mi nat e i nt ense
hi gh- angl e
l i ght . Most cut of f desi gns sever el y r est r i ct
f i xt ur e i nt ensi t i es above 7 5 degr ees f r om
nadi r ,
t hat i s,
wi t hi n 15 degr ees of hor i zon-
t al (Fi gur e 540- 16) .
Fi gur e 540- 6. Li ght i ng pat t er ns.
of r oad and pat hway l i ght s t ends t o
obscur e r at her
t han r ei nf or ce t he di r ect i on
of ci r cul at i on and t he l ocat i on of
i nt er sec-
t i ons (Fi gur e 540- 6)
.
MAJORANDMI NORROADSARE
DI STI NCT, ANDPEDESTRI AN
ROUTES DEFI NED.
Fi gur e 540- 5.
Li ght i ng hi er ar chy.
3. 0
GENERALDESI GN PRI NCI PLES
3. 1 Or i ent at i on
Li ght i ngHi er ar chy:
Dr i ver and pedest r i an or i ent at i on can be
ai ded by pr ovi di ng a hi er ar chy of
l i ght i ng
ef f ect s
t hat cor r espond t o t he di f f er ent
zones and uses of a si t e. For i nst ance,
sub-
t l e
but r ecogni zabl e di st i nct i ons can be
made bet ween maj or and mi nor
r oads,
pat hs, and
use ar eas by var yi ng t he di st r i b-
ut i on and br i ght ness of t he l i ght
and by
var yi ng t he hei ght , spaci ng, and col or of
l amps (Fi gur e 540- 5) .
At t ai ni ng hi gh l evel s of i l l umi nat i on
al ongci r cul at i on r out es does
not havet o be
a pr i me consi der at i on i n out door l i ght i ng. I f
a cl ear and consi st ent syst emi s
pr ovi ded,
l owl evel s may be
adequat e f or saf e ci r cu-
l at i on.
Cl ear Li ght i ngPat t er ns:
Cl ear opt i cal gui dance can be pr ovi ded
wi t h t he al i gnment of l i ght f i xt ur es
posi -
t i oned i n consi st ent , r ecogni zabl e, and
unambi guous pat t er ns. Ast agger ed
l ayout
3. 2 I dent i f i cat i on
I nt er sect i on Ar t i cul at i on:
I nt er sect i ons, deci si on
poi nt s, cr ossi ngs,
bus st ops, st eps, ar r i val poi nt s, et c . , shoul d
be ar t i cul at ed
i n a manner t hat si gnal s t hei r
pr esence, shape, and nat ur e.
The i l l umi na-
t i on pat t er n shoul d
ser ve as a vi sual cue t o
what condi t i ons may l i e ahead.
Pl acement of Lumi nai r es:
Spaci ng, hei ght ,
and di st r i but i on of l umi -
nai r es shoul d avoi d f ol i age shadows,
pr o-
vi de uni f or mi t y, and
ver t i cal sur f ace i l l umi -
nat i on. Hi gh mount i ngand wi de spaci ngof
f i xt ur es may r esul t i n di sr upt i ons t o t he i l l u-
mi nat i on pat t er n due
t o t r ee shadows
[ Fi gur e 540- 7
(t op) ] . Lower mount i ng
hei ght s and cl oser spaci ng
bet ween f i xt ur es
of
of
may
cr eat e a mor e uni f or mdi st r i but i on
l i ght pr omot i ng t he pedest r i an' s
sense
secur i t y.
[ Fi gur e 540- 7 (bot t om) ] .
Deci di ngWhat t o
Li ght :
I n some ci r cumst ances, i t may be
equal l y as
i mpor t ant t o det er mi ne what not t o l i ght as
t o det er mi ne what t o
l i ght (Fi gur e 540- 8) .
3. 3 Saf et y
i n addi t i on t o poor
l i ght i ng l ayout and
desi gn, gl ar e and under l i ght i ng can cr eat e
g I A
n
h
g
J
r
O
O
u
0
5
4
0-
4
hazar dous condi t i ons f or pedest r i ans and
vehi cl es.
Gl ar e:
Gl ar e i s a maj or i nhi bi t or of good vi si bi l i t y
and can be pr oduced by any scal e of
l i ght
f i xt ur e, i ncl udi ng smal l l ens- t ype st ep l i ght s
(Fi gur e 540- 9) .
Gl ar e i s
mor e of a pr obl em when
exposed l i ght sour ces, such as l amps or
l enses, can be seen di r ect l y
.
Lumi nai r e
l oca-
t i on and mount i nghei ght , f i xt ur e t ype, and
l ampi nt ensi t y must be car ef ul l y sel ect ed t o
opt i mi ze l i ght di st r i but i on and mi ni mi ze
gl ar e .
Lower mount i ng l ant er ns may or may
not have shar p cut of f opt i cs. I f hi gh- angl e
i l l umi nat i on i s appr opr i at e i n or der t o i l l u-
mi nat e f acades, t r ees, and ot her
st r eet scape
el ement s, t hen car e must be
t aken t o pr event gl ar e . An out door mock-
upat ni ght i s an excel l ent t echni que t o use
when deci di ng what l i ght di st r i but i on pat -
t er n and i nt ensi t y t o use and whet her or
not t her e wi l l be any l i kel i hood of
gl ar e
.
Hi gh- angl ed cobr a- head t ypes of l enses
ar e a maj or sour ce of gl ar e when used
al ongr oadways. Lumi nai r es wi t h shar pcut -
of f s ef f ect i vel y di r ect t he l i ght i nt o a vi sual -
l y usef ul and comf or t abl e pat t er n .
Under l i ght i ng:
Under l i ght i ng i s pot ent i al l y hazar dous i f
i nsuf f i ci ent l i ght i s pr ovi ded t o pr ot ect
pedest r i ans and/ or vehi cl es f r ompot ent i al
i nj ur y and damage. Suf f i ci ent l i ght i s espe-
ci al l y i mpor t ant i n ar eas wher e heavy
pedest r i an
t r af f i c i s expect ed, such as near
par ks, bal l f i el ds, and ot her pl aces t hat
at t r act cr owds of peopl e, or wher e chi l dr en
cr oss st r eet s. Par ki ng ar eas, access and
egr ess poi nt s, l oadi ng ar eas, et c. , shoul d
have adequat e l i ght i ng t o hel p pr ot ect
dr i -
ver s, pedest r i ans, and vehi cl es.
Not e t hat over l i ght i ng an ar ea can gen-
er at e hi gh amount s of gl ar e, whi ch can al so
cr eat e hazar dous condi t i ons. Acar ef ul bal -
ance of l i ght i nt ensi t i es must be achi eved .
Tabl e 540- 3 l i st s r ecommended l evel s of
i l l umi nat i on as st at ed i n t he I l l umi nat i ng
Engi neer i ng Soci et y' s I ES
Li ght i ng
Handbook. Level s of l i ght i ng ar e r el at ed t o
t ypes of use and ot her char act er i st i cs wi t h-
i n use ar eas.
3. 4 Secur i t y
Dar kness, t oget her wi t h unf ami l i ar sur -
r oundi ngs, can i nci t e st r ong f eel i ngs of
i nsecur i t y. To pr ovi de a sense of secur i t y,
possi bl e hi di ng pl aces and dense shadows
Fi gur e 540- 8. What t o l i ght and what not t o l i ght .
1 . Subt l e but r ecogni zabl e di st i nct i ons can be made bet ween maj or and mi nor r oads,
pat hs, and use ar eas by var yi ng
t he di st r i but i on
and
br i ght ness of t he l i ght and by
var yi ng t he hei ght , spaci ng, and
col or of l amps (Fi gur e 540- 5) .
2 . Cl ear l i ght i ng pat t er ns
r ei nf or ce t he di r ect i on of ci r cul at i on, del i neat e i nt er sect i ons,
and pr ovi de a vi sual cue t o what condi t i ons may
l i e ahead.
3 . Gl ar e f r omexposed
l i ght
sour ces
and under l i ght i ng ar e maj or saf et y concer ns (Fi gur e
540- 9) .
Lumi nai r e
l ocat i on
and mount i nghei ght , f i xt ur e t ype, and l ampi nt ensi t y
must be car ef ul l y sel ect ed t o
opt i mi ze l i ght di st r i but i on and mi ni mi ze gl ar e.
4. Secur i t y i s not necessar i l y
enhanced by i ncr easi ng i l l umi nance l evel s on t he gr ound;
consi der
per i pher al l i ght i ng, ver t i cal i l l umi nance l evel s, and good col or - r ender i ng
sour ces as wel l .
5. Col or di f f er ent i at i on, unobt r usi ve i l l umi nat i on of backgr ound spaces,
and br i ght i l l u-
mi nat i on of obj ect s of i nt er est
ar e common appr oaches f or ar t i cul at i ng l andscape
char act er .
n
h
J
r
O
O
u
g
n
h
g
J
r
O
O
d
shoul d be mi ni mi zed by t he pl acement of
appr opr i at e l i ght f i xt ur es.
Wal kway Li ght s:
Wal kway l i ght s shoul d have enough
per i pher al di st r i but i on t o i l l umi nat e t he
i mmedi at e sur r oundi ngs . Ver t i cal l i ght di s-
t r i but i on over wal kway ar eas shoul d cover
or over l apat a
hei ght
of
2 100 mm(7 f t ) so
t hat vi sual r ecogni t i on of ot her pedest r i ans
i s mai nt ai ned (Fi gur e 540- 10) . When t he
pedest r i an' s sense of secur i t y i s a pr i mar y
consi der at i on, l owmount i ng
hei ght wi t h
cl ose spaci ng and a ver t i cal i l l umi nat i on
pat t er n may be t he most ef f ect i ve
appr oach
.
Sur vei l l ance:
For sur vei l l ance needs, l i ght i ng r equi r e-
ment s shoul d per mi t t he det ect i on of suspi -
ci ous movement r at her t han pr ovi de f or t he
r ecogni t i on of def i ni t i ve det ai l s . For t he
same expendi t ur e of l i ght ener gy, i t i s of t en
mor e ef f ect i ve t o l i ght backgr ounds, t her e-
by gener at i ngsi l houet t es, t han t o l i ght t he
f or egr ound
(e. g. , l i ght i ng t he ver t i cal f ace
of a bui l di ng i nst ead of i t s hor i zont al f or e-
gr ound (Fi gur e 540- 11) . I t i s al so desi r abl e
t o hi ghl i ght ent r ances and t o di r ect l i ght i ng
away f r ompoi nt s of
sur vei l l ance .
Vandal i sm
:
The best way t o r educe t he vandal i smof
l i ght f i xt ur es i s t o use f i xt ur es t hat ar e
dur abl e enough t o wi t hst and abuse, or t o
pl ace t hem
out of r each. An al t er nat i ve
sol ut i on may be t o use har dwar e t hat i s l ess
expensi ve t o r epl ace.
3. 5 At mospher e and Char act er
Aconsi st ency of desi gn expr essi on can be
achi eved by i dent i f yi ng t he common el e-
ment s i n a l andscape
t hat gi ve i t char act er ,
and t hen usi ng si mi l ar appr oaches t o t hei r
l i ght i ng. The cl ar i t y wi t h whi ch an obj ect i s
per cei ved i s i nf l uenced by i t s cont ext .
Backgr ound:
Ext er i or spaces shoul d have a wel l - def i ned
sense of backgr ound. Backgr ound
spaces
shoul d be i l l umi nat ed as unobt r usi vel y as
possi bl e t o meet t he f unct i onal needs of
saf e ci r cul at i on and
pr ot ect i ng peopl e and
pr oper t y. Whenever possi bl e, t hese needs
shoul d be accommodat ed wi t h per i pher al
l i ght i ng f r om t he wal kways, si gnage,
ent r ances, and ot her el ement s r el evant t o
t he def i ni t i on of t he space.
For egr ound
:
For egr ound spaces or obj ect s may be maj or
el ement s and shoul d be t r eat ed accor di ng-
Ti me- Saver St andar ds f or Landscape Ar chi t ect u
540- 5
C
s
g
J
r
0
540- 6
l y. For egr ound spaces shoul d ut i l i ze l ocal
l i ght i ng whi ch pr oduces maxi mumf ocus,
mi ni mum di st r act i ons, and no gl ar e.
Obj ect s of i nt er est and act i vi t i es can be
br i ght l y i l l umi nat ed whi l e t he backgr ound
pr oduces onl y mi ni mal di st r act i on.
i l l umi nat i on of Obj ect s (Shape
Accent uat i on) :
The di r ect i on of t he l i ght sour ce i s
i mpor -
t ant f or per cept i on of t hr ee- di mensi onal
obj ect s. The abi l i t y t o per cei ve
vol umet r i c
f or mi s i nf l uenced by t he gr adi ent of l i ght
and shadow f al l i ng on t he obj ect .
Uni f or ml y di st r i but ed, di f f used l i ght r esul t s
i n poor l y r ender ed shadows (Fi gur e 540-
12) ; one must t hen
r el y upon out l i ne and
col or i n or der t o per cei ve t he shape and
f or m of t he obj ect . Conver sel y, a si ngl e
poi nt sour ce wi l l pr oduce maxi mumshad-
ows but
may al so mi ni mi ze t he per cept i on
of det ai l s.
Usual l y, t he
best way t o i l l umi nat e
st andi ng obj ect s i s wi t h a combi nat i on of
bot h t ypes of l i ght i ng
. One sour ce shoul d
accent uat e shape and f or mby cont r ast i ng
t he sur f ace wi t h shar p shadows whi l e t he
ot her sour ce pr ovi des f i l l - l i ght i ng f or
det ai l s .
Col or Per cept i on:
Di f f er ences i n l ampl i ght col or ar e of t en
used
wi t h
gr eat
ef f ect i n publ i c l i ght i ng t o
col or code r oadways or t o cl ear l y del i neat e
one ar ea f r omanot her
.
As t he
gener al i l l u-
mi nat i on l evel r i ses i n a gi ven si t uat i on,
pr ef er ence usual l y shi f t s awayf r omawar m
appear ance t owar d t he cool r ange.
Accur at e col or r endi t i on wi l l
ai d r ecogni -
t i on and i mpr ove t he per cept i on of out door
envi r onment s.
Thi s
i s
especi al l y i mpor t ant
at t he pedest r i an scal e, wher e t he col or
cont r ast of pavi ng and
l andscape mat er i al s
i s of t en subt l e.
4. 0 LAMP
CHARACTERI STI CS
ANDLI GHTDI STRI BUTI ON
4. 1 Lamp Char act er i st i cs
Sel ect i on of a l amp i nvol ves t r ade- of f s
bet ween l ampsi ze, opt i cal cont r ol , ef f i cacy,
appear ance, col or t emper at ur e,
col or r endi -
t i on, l amp l i f e, cost s, and mai nt enance
(Tabl e 540- 1) .
I ncandescent Lamps:
I ncandescent l amps have super i or
col or
r endi t i on and a war mwhi t e appear ance.
The di sadvant age of a shor t
l amp l i f e can
be over come by t he use of a r ugged t r af f i c
si gnal l amp r at ed at 8000 hour s
nomi nal
l i f e or by under vol t agi ng t he ci r cui t s t o
ext end t he l i f e. I ncandescent l amps have
t he l owest
ef f i cacy of al l t he l amps.
However , t hey ar e i nexpensi ve and t he
smal l f i l ament per mi t s good opt i cal cont r ol .
Fl uor escent Lamps:
Al t hough compact shapes ar e
becomi ng
mor e wi del y used, most f l uor escent l amps
ar e l ong and l i near , maki ngopt i cal
cont r ol
ver y di f f i cul t . They t end t o pr oduce gl ar e
unl ess t hey ar e wel l baf f l ed. They have a
good col or r endi t i on, whi t i sh appear ance,
and super i or l i f e . Al t hough t hey have good
ef f i cacy, t hei r l i ght out put may be sever el y
di mi ni shed by ver y col d weat her .
I nduct i on Lamps:
I nduct i on l amps ar e r el at i vel y new, hi gh-
f r equency sour ces t hat have no f i l ament s or
el ect r odes, but r at her use t he el ect r omag-
net i c spect r umt o di r ect l y ener gi ze a phos-
phor coat i ng on t he bul b
. These l amps
have a l i ght qual i t y si mi l ar t o f l uor escent i n
a 90- 115 mm(3 1/ 2- 4 1/ 2 i n) spher i cal
l amp envel ope, but wi t h a si gni f i cant l y
l onger aver age
r at ed l i f e (up
t o 100, 000
hour s) , and wi t h al most no sensi t i vi t y t o
ambi ent t emper at ur e
Tabl e 540- 1. SUMMARYOF LAMPCHARACTERI STI CS
Wat t age
r ange, Ef f i cacy, I ni t i al cost
Lamp
M(f t )
l umen/ wat t * Aver age l i f e, hr s Appar ent col or Col or r ender i ng of equi pment
I ncandescent 3- 300
(10- 1000) 10- 25 7 50- 2000 War mwhi t e Best over al l Low
Fl uor escent 4
. 5- 64
. 5 (15- 215) 40- 80 7 500- 15, 000 War mt o cool whi t e Good Medi um
I nduct i on
16. 5- 25. 5 (55- 85) 63- 7 0 100, 000 Whi t e Ver y Good Hi gh
Mer cur y
vapor (del uxe whi t e) 12- 300 (40- 1000) 25- 60 24, 000 Cool whi t e Good Medi um
Met al hal i de 52. 5- 450
(17 5- 1500) 65- 105 7 500- 20, 000 Cool whi t e Ver y good Med t o Hi gh
Hi gh- pr essur e sodi um(STP) 10. 5- 300 (35- 1000) 60- 120 - Or ange- yel l ow Poor Hi gh
' Whi t e' hi gh- pr essur e sodi um 45- 7 5
(150- 250) 7 5- 80 - War mwhi t e Ver y good Hi gh
Low- pr essur e sodi um 5. 4- 54 (18- 180) 7 0- 150-
- I nt ense yel l ow Ver y poor Hi gh
*I ncl udes
bal l ast l osses
S40- 7
Fi gur e 540- 13. Typi cal phot omet r i c char t f or r oadway, wal kway or ar ea l i ght i ng
. Lux (f oot candl e) l evel s di spl ayed ar e f or
a mount i nghei ght of 3 m(10 f t ) . Ot her mount i nghei ght s must f act or i n t he mul t i pl i er l i st ed i n t he t abl e. Once
mi ni mumi l l umi na-
t i on l evel s ar e i dent i f i ed, f i xt ur e spaci ngi s det er mi nedby mul t i pl yi ng t he number of cor r espondi ngmount i nghei ght s
by t wo.
Fi gur e 540- 14. Typi cal phot omet r i c char t f or di r ect i onal l i ght i ng: Di spl ayed i n l ux (f oot candl es) . I l l umi nat i on l evel s l i st ed ar e
based on a t ypi cal hal f 42 ai mi ng angl e.
Mer cur y Vapor Lamps (Del uxe Whi t e) :
Mer cur y vapor (MV) l amps have good ef f i -
cacy, excel l ent l i f e, and a good cool whi t e
col or . St r ong i n t he bl ue- gr een end of t he
col or spect r um, t he l amp i s popul ar f or
f ol i age l i ght i ng. The cost of t he l amp and
f i xt ur e i s t he l owest of t he hi gh- i nt ensi t y
di schar ge (HI D) l amps . I n gener al , i t has a
good combi nat i on of char act er i st i cs when
no ext r emes ar e r equi r ed.
Met al Hal i deLamps:
Met al hal i de (MH) l amps of f er super i or
opt i cal cont r ol and col or r endi t i on. Thei r
ef f i cacy i s subst ant i al l y bet t er t han mer cur y
vapor l amps but sl i ght l y poor er t han hi gh-
pr essur e sodi uml amps . The l i ght appear s
cool whi t e and has a shor t er l i f e t han t he
ot her HI Ds. The cost f al l s bet ween t hat f or
mer cur y vapor and hi gh- pr essur e sodi um
l amps.
Hi gh- Pr essur e Sodi umLamps:
Hi gh- pr essur e sodi um (HPS) l amps have
excel l ent ef f i cacy, super i or
opt i cal cont r ol ,
super i or l i f e, and ver y l owmai nt enance,
whi ch account s f or t hei r popul ar i t y.
The
l i ght t ends t o have an or ange- yel l ow
appear ance and a medi ocr e col or
r endi t i on
of obj ect s
.
I t
r ar el y enhances f ol i age col or s
because of def i ci enci es at t he bl ue- gr een
end of
t he col or spect r um. I f col or i s not an
i mpor t ant consi der at i on, t hi s
l amp can
have
br oad appl i cat i on. The i ni t i al cost f or
t he l amp and f i xt ur e may be hi gher t han
n
h
J
r
O
O
0
NO
n
h
J
r
540- 8
Fi gur e 540- 15. Typi cal phot omet r i c char t f or di r ect i onal l i ght i ng: Di spl ayed i n candel a. Maxi mumcandel a
i n t hi s exampl e
i s at 0 (2, 200
candl epower ) . Conver si on t o l ux (f oot candl e) can be cal cul at ed by t he above f or mul a.
f or met al hal i de. HPS l amps and f i xt ur es ar e
avai l abl e i n a wi de r ange of si zes.
' whi t e' Hi gh- Pr essur e Sodi umLamps:
These l amps pr ovi de excel l ent col or r endi -
t i on i n awar mt one si mi l ar t o i ncandescent .
Ef f i cacy i s sacr i f i ced t o obt ai n i mpr oved
col or . The r esul t i ng char act er i st i cs ar e a
cr oss bet ween met al hal i de and i ncandes-
cent l amps.
Low- Pr essur eSodi umLamps:
Low- pr essur e sodi um
(LPS) l amps have t he
hi ghest oper at i ng ef f i cacy but depr eci at e
consi der abl y over t hei r l i f et i me. A
l ar ge
ar c
t ube r esul t s i n poor opt i cal cont r ol , but t he
l ampdoes have super i or
l i f e
.
The l i ght i t sel f
appear s an i nt ense yel l owand has ver y
poor col or r endi t i on pr oper t i es. Col or s
i n
t he l andscape appear as shades of gr ay.
The cost s ar e
compar abl e t o t hose of hi gh-
pr essur e sodi uml amps .
4. 2 Li ght Di st r i but i on
Hor i zont al and
Ver t i cal
Di st r i but i on:
Hor i zont al i l l umi nat i on i s especi al l y i mpor -
t ant al ong t he gr ound
pl ane wher e
changes i n gr ade occur . However , aconsi d-
er abl e por t i on of t he ni ght envi r onment i s
per cei ved t hr ough di r ect and si l houet t e
l i ght i ng
of ver t i cal obj ect s and sur f aces.
Bot h pat t er ns shoul d be car ef ul l y coor di -
nat ed i n devel opi ng a successf ul l i ght i ng
scheme.
I l l umi nat i on dat a
f or out door l i ght i ng
f i xt ur es ar e i l l ust r at ed by t he manuf act ur -
er s' phot omet r i c char t s . These char t s i l l us-
t r at e t he act ual l i ght pat t er ns and i nt ensi t y
l evel s on hor i zont al and ver t i cal pl anes.
Fi gur e 540- 13 i l l ust r at es basi c phot omet r i c
dat af or wal kway, r oad or ar ea l i ght i ng. Lux
(f oot candl e) measur ement s ar e
gi ven f or
hor i zont al di st ances based on mount i ng
hei ght and t ypeof f i xt ur e. Spaci ngi s det er -
mi ned by i dent i f yi ng mi ni mumdesi r abl e
l ux (f oot candl e) l evel s, and
doubl i ng t he
number
of mount i ng hei ght uni t s.
Phot omet r i c dat a f or di r ect i onal l i ght i ng,
t ypi cal l y used f or wal l or si gnage
appl i ca-
t i ons, ar e i l l ust r at ed by Fi gur e 540- 14. The
ai mi ng angl e i s commonl y speci f i ed, and
t he f i xt ur e t ype i s sel ect ed based on di s-
t ance and
i l l umi nat i on r equi r ement s .
At hi r d t ype of phot omet r i c char t shows
t he di st r i but i on of
candl epower , or i nt ensi -
t y, i n var i ous di r ect i ons, i ndependent of
any speci f i c sur f ace (Fi gur e
540- 15) . The
maxi mumval ue wi t hi n any gi ven poi nt on
t he di st r i but i on cur ve can be conver t ed
i nt o l ux (f oot candl es) wi t h t he
f or mul a
shown i n Fi gur e 540- 15 . Thi s char t i s occa-
si onal l y used when det er mi ni ng l i ght i nt en-
si t y
and t he angl e of di st r i but i on f or accent
l i ght i ng (upl i ght i ng of t r ees, f l oodl i ght i ng,
et c. )
.
Basi c Li ght Di st r i but i on Pat t er ns:
Spr ead and Pat h Li ght s: These f i xt ur es
pr oduce ci r cul ar pat t er ns of l i ght t hat ar e
symmet r i cal ar ound t he
l i ght cent er .
Whenever f i xt ur es pr oduce a l i ght pat t er n
Tabl e 540- 2. UNI FORMI TY RATI OS
Uni f or mi t y r at i o
Aver age,
l ux(f c)

Mi ni mum, l ux (f c)
21 . 4(2)

10. 7 0)
32. 3 (3) *

10. 7 (1) *
43. 0 (4) f
107 . 6(10)
Vi sual descr i pt i on of i l l umi nat ed f i el d
Just avi si bl e di f f er ence i n l i ght i nt ensi t i es
Thehi gh val ues of t hef i el d ar e t wi ce as br i ght
as t he l owval ues
10. 7 (l ) '
10. 7 (l )
* Aver age and
mi ni mumuni f or mi t y r at i os usual l r ecommended f or r oads. y
Ver y di st i nct
f ocal hi ghl i ght s, spot t y
i Aver age and mi ni mumuni f or mi t y r at i os
usual l y r ecommended f or wal kways.
540- 9
t hat i s
symmet r i cal , onl y one hal f i s shown,
per mi t t i ng maxi mumsi ze and accur acy (see
Fi gur e 540- 13) .
Wal l or Si gn Li ght s: These f i xt ur es ar e
near l y al ways
used t ol i ght ver t i cal sur f aces.
Ther ef or e, phot omet r i cs ar e pr esent ed on
a
ver t i cal
pl ane wi t h t he f i xt ur e set at an opt i -
mumdi st ance (whi ch var i es per f i xt ur e)
and backl i t f r omt he pl ane
(see Fi gur e 540-
14) . For a l ong wal l or si gn, t he spaci ng
f r omf i xt ur e t o
f i xt ur e can be det er mi ned
by over l appi ng cur ves unt i l t he mi ni mum
accept abl e l i ght l evel bet ween
f i xt ur es i s
est abl i shed.
Accent Li ght s: Phot omet r i cf or adj ust abl e
accent l i ght s, wher e t he ai mi ng angl e and
di st ance t o l i ght ed obj ect s can var y, must be
expr essed i n t er ms of t he l i ght out put f r om
t he sour ce r at her t han of
t he l i ght f al l i ng
upon t he obj ect . Candl epower i s measur ed
on a t ypi cal pl ane t hr ough
t he f i xt ur e and i s
char t ed i n cur ve f or m(see Fi gur e 540- 15) .
Conver si on t o l ux
(f oot candl es) can be
accompl i shed by f or mul a.
Uni f or mi t y:
The uni f or mi t y of an
i l l umi nat ed f i el d can
be descr i bed wi t h a r at i o of l i ght i nt ensi t y
val ues
i n l ux (f oot candl es) . The uni f or mi t y
r at i o t ypi cal l y compar es t he aver age i l l umi -
nat i on wi t h t he
mi ni mumf oot candl e val ue
of a par t i cul ar f i el d . Al owr at i o appear s
mor e evenl y
l i t and ver y uni f or m. The
opposi t e i s t r ue f or a hi gh r at i o wher e t he
t wo val ues ar e
wi de apar t , r esul t i ng i n a
f i el d t hat has di st i nct and cont r ast i ng val -
ues. Ref er t o
Tabl e 540- 2 f or a gener al
descr i pt i on of di f f er ent uni f or mi t y r at i os.
Cut of f :
Many ki nds of l i ght f i xt ur es gr eat l y r educe
gl ar e by r est r i ct i ng hi gh- angl e
l i ght t o not
mor e
t han 7 5 degr ees above nadi r (Fi gur e
540- 16) . Thef ol l owi ngcr i t er i a ar e
t he gen-
er al
i ndust r y cl assi f i cat i ons of degr ees of
hi gh- angl e cut of f :
1 . Noncut of f : unr est r i ct ed hi gh- angl e
i l l umi nat i on.
2 .

Semi cut of f : not mor e t han 5 per cent
of peak i nt ensi t y
r adi at i ng above 90
degr ees and 20 per cent of peak i nt en-
si t y above 80 degr ees.
3.

Cut of f : not mor e t han 2- 1/ 2 per cent
of peak i nt ensi t y
r adi at i ng above 90
degr ees and 10 per cent of peak i nt en-
si t y above 80 degr ees.
4. 3 Cat egor i es of Li ght Fi xt ur es
Var i ous cat egor i es of
l i ght f i xt ur es com-
monl y used i n out door l i ght i ng si t uat i ons
ar e descr i bed bel ow(Fi gur e
540- 17 ) .
Low- Level Landscape Li ght s:
Typi cal char act er i st i cs i ncl ude :
1 .

Hei ght s usual l y l ess t han
1 800 mm(6
f t ) but
somet i mes upt o 3 000 mm(10
f t ) .
2.

Lamps may be i ncandescent , compact
f l uor escent , i nduct i on,
mer cur y vapor ,
met al
hal i de, or hi gh- pr essur e sodi um.
3.

Low- wat t age capabi l i t i es, wi t h
l i mi t ed
i nt ensi t i es .
4. Subst ant i al var i et y, wi t h some
si zes
and
shapes f i t t i ng wi t hi n modul es of
f i ni sh mat er i al s (br i ck, et c. ) .
5.
Fi ni t e l i ght pat t er ns, wi t h di r ect i ng
capabi l i t i es.
6. Li ght
sour ces ar e usual l y bel oweye
l evel , so gl ar e must be
cont r ol l ed .
7 . Low
mai nt enance r equi r ement s but
hi gh suscept i bi l i t y t o vandal i sm
.
I nt er medi at e- Hei ght Landscape
Li ght s:
Typi cal char act er i st i cs i ncl ude:
1 .

Aver age
hei ght s of 3 000 t o 45 000
mm(10 t o 15 f t ) .
2 .

Lamps can be i ncandescent ,
compact
f l uor escent , i nduct i on, mer cur y vapor ,
met al hal i de,
or hi gh- pr essur e sodi um.
3 . Subst ant i al var i et y of f i xt ur es and
r espect i ve l i ght i ng pat t er ns
.
4.

Gener al l y used i n or ar ound pedest r i an
pavement s, and
consi der ed pedest r i an
i n scal e.
5. Lower f i xt ur e mount i ng
hei ght s ar e
suscept i bl e
t o vandal i sm.
Par ki ngLot and RoadwayLi ght s:
Typi cal char act er i st i cs
i ncl ude:
1 .

Aver age hei ght s of 6000 t o
15 000
mm(20 t o 50
f t ) .
2. Lamps can be mer cur y vapor ,
met al
hal i de,
or hi gh- pr essur e sodi um.
3.

Used t o l i ght st r eet s, par ki ng
l ot s, and
r ecr eat i onal ,
commer ci al , and i ndust r i -
al ar eas.
Hi gh- Mast Li ght s:
Typi cal
char act er i st i cs i ncl ude:
1 .

Aver age hei ght s of
18 000
t o 30 000
mm
(60 t o 100 f t ) .
2 .

Lamps can be met al
hal i de or hi gh-
pr essur e sodi um.
3 .

Used f or l ar ge par ki ng
l ot s, hi ghway
i nt er changes,
and r ecr eat i onal ar eas.
g
n
h
J
r
O
0
540- 10
g
c
s
J
r
O
O
0
540-
11
4.

Fi xt ur es must be l ower ed t o be
mai n-
t ai ned
.
4. 4 Landscape Li ght i ng Ef f ect s
Si x l i ght i ng ef f ect s
most f r equent l y used i n
out door l i ght i ng si t uat i ons ar e descr i bed
bel ow
(Fi gur es 540- 18 t hr ough 540- 25) .
Upl i ght i ng
:
Upl i ght i ng f or Di r ect i onal
Vi ewi ng:
When a l i ght ed obj ect
can be seen f r om
one di r ect i on onl y, above- gr ade accent
l i ght s can be
used . To pr event gl ar e, f i x-
t ur es shoul d be ai med awayf r om
obser ver s
and, i f possi bl e,
conceal ed t o keep t he
l andscape uncl ut t er ed (Fi gur e 540- 18) .
Upl i ght i ng f or
Al l - Ar ound Vi ewi ng: I f
t he l i ght ed obj ect can be seen f r om any
di r ect i on, t hen wel l l i ght s
wi t h l ouver s
shoul d beconsi der ed (Fi gur e 540- 19) . Wi t h
newl y pl ant ed t r ees,
pl ace upl i ght s as cl ose
as possi bl e t o t he out si de of t he r oot bal l
.
Pl aci ngf i xt ur es mi dway bet ween t r ees i s
r ar el y sat i sf act or y. The l i ght t ypi cal l y
mi sses
t he t r unk and most f ol i age. I t i s par t i cul ar l y
unsuccessf ul i f t r ees ar e
deci duous, espe-
ci al l y dur i ng t he wi nt er st age.
Moonl i ght i ng.
The ef f ect of moonl i ght
f i l t er i ng t hr ough
t he t r ees i s anot her pl easi ng out door l i ght -
i ng t echni que. Up- and- down
l i ght i ng i s
used t o cr eat e t hi s ef f ect , whi ch r equi r es
t hat f i xt ur es be car ef ul l y pl aced
i n t r ees
(Fi gur e 540- 20) . Gr ound l i ght i ng i s accent -
ed by shadows f r oml eaves
and br anches.
Si l houet t e Li ght i ng:
Tr ees and shr ubs wi t h i nt er est i ng br anchi ng
st r uct ur e can be dr amat i cal l y
expr essed
when
si l houet t ed agai nst a wal l or bui l di ng
f acade. Such l i ght i ng al so
pr ovi des addi -
t i onal secur i t y near t he bui l di ng (Fi gur e
540- 21) .
Spot l i ght i ng
:
Speci al obj ect s such as
st at ues, scul pt ur e, or
speci men shr ubs can be l i ght ed
wi t h wel l -
shi el ded f i xt ur es
usi ng spot l amps (Fi gur e
540- 22) . By mount i ng l i ght s over head
i n
t r ees or near by
st r uct ur es, gl ar e and f i xt ur e
di st r act i on can be el i mi nat ed.
I f gr ound-
mount ed
f i xt ur es ar e used, t hey shoul d be
conceal ed wi t h shr ubber y.
Spr eadl i ght i ng:
Spr ead l i ght s pr oduce
ci r cul ar pat t er ns of
i l l umi nat i on f or gener al ar ea
l i ght i ng
(Fi gur e 540- 23)
. They ar e ef f ect i ve f or
gr oundcover s, l owshr ubs, wal ks, and
st eps. However , t o
t ake f ul l advant age of
t he l i ght t hr ow, f i xt ur es shoul d be
kept t o
open ar eas so
t hat shr ubber y does not
r est r i ct l i ght di st r i but i on . The
over head
spr ead l i ght pr ovi des
addi t i onal hei ght and
t hr ow. When used i n eat i ng or
r ecr eat i onal
ar eas, sever al
f i xt ur es shoul d be used t o
sof t en
shadows whi l e cr eat i ng a
uni f or m
l i ght i ngef f ect .
Pat hl f i ght i ng:
2.
3.
4.
5.
Avar i et y of l ampt ypes ar e commer ci al l y avai l abl e
. Sel ect i on of a l ampi nvol ves
t r ade- of f s
bet ween l ampsi ze, opt i cal cont r ol , ef f i cacy,
appear ance, col or t emper a-
t ur e,
col or r endi t i on, l amp l i f e, cost s, and mai nt enance
(Tabl e 540- 1) .
I l l umi nat i on dat a f or l i ght i ng f i xt ur es ar e i l l ust r at ed
by phot omet r i c char t s pr ovi ded
by t he
manuf act ur er . These char t s i l l ust r at e l i ght pat t er ns on
hor i zont al and ver t i cal
pl anes (Fi gur es 540- 13 t hr ough 540- 15) .
Uni f or mi t y of i l l umi nat i on i s descr i bed by a r at i o of
l i ght i nt ensi t y val ues i n l ux (f oot -
candl es)
. Al owr at i o appear s mor e evenl y l i t and uni f or m,
whi l e a hi gh r at i o di spl ays
di st i nct and
cont r ast i ng val ues (Tabl e 540- 2) .
Li ght
f i xt ur es can be br oadl y cat egor i zed i nt o f our
mai n t ypes based on si ze and
desi gn pur pose:
Low- l evel l andscape l i ght s, i nt er medi at e- hei ght
l andscape l i ght s,
par ki ng l ot and
r oadway l i ght s, and hi gh- mast l i ght s (Fi gur e
540- 17 ) .
Level s
of l i ght i ng ar e r el at ed t o t ypes of use and ot her
char act er i st i cs wi t hi n use
ar eas. Tabl e
540- 3 l i st s r ecommended l evel s of i l l umi nat i on.
Pat h l i ght s ar e essent i al l y
spr ead l i ght s at a
l ower hei ght
(Fi gur es 540- 24 and 540- 25) .
I n ar eas wher e ot her l andscape
l i ght i ng i s
used, a hi gh
degr ee of l i ght shi el di ng i s
necessar y f or pat h l i ght s .
Thi s pr event s t he
gl ar e whi ch
i nhi bi t s a f ul l vi ewof t he sur -
r oundi ng l andscape.
I f no ot her
out door l i ght i ng i s used i n t he
i mmedi at e ar ea, l ess- shi el ded
pat h l i ght s
may be
accept abl e. These f i xt ur es i l l umi -
nat e t he pat h and some of t he
sur r oundi ng
l andscape as
wel l , but t her e r emai ns t he
possi bi l i t y t hat t he gl ar e wi l l be
di sr upt i ve .
g
n
h
J
r
O
O
0
LI M
s
g
J
r
540- 12
Tabl e 540- 3. RECOMMENDEDLEVELS OF I LLUMI NATI ON
Ar ea/ act i vi t y Out door f aci l i t i es Lux Foot candl es Ar ea/ act i vi t y Out door f aci l i t i es Lux Foot candl es
(I x) (f c) ( I x) (f c)
Bui l di ng ext er i or
Local Roads
Ent r y
Commer ci al ar eas*
9 0. 9
Act i ve use 50
5. 0
I nt er medi at e ar eas* 7 0. 6
Locked or i nf r equent use 10
1
. 0
Resi dent i al ar eas*
4 0. 4
Vi t al l ocat i ons or st r uct ur es 50 5 0
Wal kways
Bui l di ng sur r ounds 10
1
0
-
Al ong r oadsi de
Bui l di ng and monument s (f l oodl i ght ed)
Commer ci al ar eas* 10 0. 9
Br i ght Sur r oundi ngs
I nt er medi at e ar eas* 5 0. 5
Li ght sur f aces 150 15. 0
Resi dent i al ar eas* 2 0. 2
Medi uml i ght sur f aces 200 20. 0
Di st ant f r omr oadsi de 5 0. 5
Medi umdar k sur f aces 300 30. 0
Par k wal kways 5 0. 5
Dar k sur f aces 500 50. 0
Pedest r i an t unnel s 20 2 . 0
Dar k sur r oundi ngs
Pedest r i an over passes 2 0. 2
Li ght sur f aces 50 5. 0
Pedest r i an st ai r ways
Medi uml i ght sur f aces 100 10. 0
Li ght sur f aces 200 20. 0
Medi umdar k sur f aces 150 150
Dar k sur f aces 500 50. 0
Dar k sur f aces 200 200
Gar dens
Bi keways
Gener al l i ght i ng 5 0. 5
Al ongr oadsi de
Pat h, st eps away f r omhome 10 1. 0
Commer ci al ar eas* 10 0. 9
Backgr ounds, f ences, wal l s, t r ees, shr ubber y 20 2. 0
I nt er medi at e ar eas* 5 0. 5
Fl ower beds, r ock gar dens 50 5. 0
Resi dent i al ar eas* 2 0. 2
Tr ees, shr ubs (when emphasi zed) 50 5. 0
Di st ant f r omr oadsi de 5 0. 5
Focal poi nt s (l ar ge) 100 10. 0
Bul l et i n and post er boar ds, si gns
Focal poi nt s (smal l ) 200 20. 0
Br i ght sur r oundi ngs
Loadi ngand unl oadi ngpl at f or ms 200 20. 0
Li ght sur f aces 5
0
5
Par ki ng ar eas
Dar k sur f aces 1000 1000
Sel f par ki ng 10 1 . 0
Dar k sur r oundi ngs
At t endant par ki ng 20 2. 0
Li ght sur f aces 200 20. 0
Dar k
sur f aces
500
50. 0
Pi er s
Fr ei ght 200 2. 0
Roadways
Passenger 200 2. 0
Expr essways
Act i ve shi ppi ngar ea sur r oundi ng 50 5. 0
Commer ci al ar eas* 14 1 . 4
I nt er medi at e ar eas* 12
1 2
Pl aygr ound 50 5. 0
Resi dent i al ar eas*
9
9
Badmi nt on (out door )
Maj or Roads
Recr eat i onal 100 10
Commer ci al ar eas* 17 1 . 7
Cl ub 200 20
I nt er medi at e
ar eas* 13
1
. 3
Basebal l
Resi dent i al ar eas* 9 9
Recr eat i onal
Col l ect or
r oads
I nf i el d 105 15
Commer ci al ar eas* 12 1 . 2
Out f i el d 100 10
I nt er medi at e ar eas* 9 0. 9
Juni or League (Cl ass I and 11)
Resi dent i al
ar eas* 6
06
540- 13
n
h
J
r
u
d
0
Tabl e 540- 3. RECOMMENDED
LEVELS OF I LLUMI NATI ON (cont i nued)
Ar ea/ act i vi t y Out door f aci l i t i es
Lux Foot candl es Ar ea/ act i vi t y
Out door f aci l i t i es
Lux Foot candl es
(I x) (f c)
( I x)
(f c)
I nf i el d
300 30
Out f i el d
7 0 7
Out f i el d
200
20 Sl owpi t ch, t our nament
I nf i el d
200 20
Semi pr o a
n
d
m
u
ni ci pal l eague
200
Out f i el d
150 15
I nf i el d
20
Out f i el d 150 15
Recr eat i onal (6- pol e)
I nf i el d
100 10
On seat s
dur i ng game
20
2
Out f i el d
7 0 7
On seat s bef or e
and af t er game 50
5
I ndust r i al
League
Basket bal l (out door ) r ecr eat i o
n
a
l 100 10
I nf i el d 200
20
Foot bal I
Out f i el d
150 15
Di st ance
f r omnear est si del i ne t o t he
Semi pr of essi onal
f ar t hest
r ows of spect at or s :
I nf i el d
300 30
Cl ass I
(over 30, 000 spect at or s)
Out f i el d
200 20
over 100 f t (30 m) 1000
100
Pr of essi onal and champi onshi p
Cl ass
I I
I nf i el d
500 50
(10 t o 15, 000 spect at or s)
15 t o 30 m(50 t o 100 f t ) 500
50
Out f i el d
300 30
Cl ass I I I
(5
t o 10, 000 spect at or s)
Swi mmi ng(out doo
r )
9 t o 15 m(30 t o 50 f t ) 300
30
-
Recr eat i onal
100 10
Cl ass I V
Under wat er
600 (60)
(under 5, 000 spect at or s)
under 9 m(30 f t ) 200 20
Exhi bi t i ons
200
20
Cl ass
V
(no f i xed seat i ng f aci l i t i es) 100
10
Tenni s (out doo
r )
Recr eat i onal
100 10
Handbal l and r acquet bal l
(out door )
-
Cl ub
200 20
Recr eat i onal (t wo- cour t )
100
10
Tour nament
300 30
Cl ub (t wo- cour t )
200
20
Vol l eybal l
Hockey (out door )
-
Recr eat i onal
100 10
Recr eat i onal
100 10
Tour nament 200 20
Amat eur
200 20
Hor se shows
Sour ce: I l l umi nat i ng
Engi neer i ng Soci et y of Nor t h
Amer i ca, Mar k Rea, (ed . ) .
Recr eat i onal
50 5
I ES Li ght i ng
Handbook, Ref er ence Vol ume and Appl i cat i on
Vol ume, I ES, New
Yor k, 1993.
Tour nament
100
10
Shuf f l eboar d *Ar eas ar e
def i ned as f ol l ows:
Recr eat i onal 50 5 Commer ci al ar eas:
Dense busi ness di st r i ct s wi t h
heavy vehi cul ar and pedest r i -
an t r af f i c t hr oughout
t he day and ni ght .
Skat i ng
_ I nt er medi at e ar eas
: Moder at el y heavy pedest r i an t r af f i c
dur i ng ni ght s
Rol l er r i nk
100 10
(l i br ar i es, r ecr eat i on
cent er s, l ar ge apar t ment compl ex,
nei ghbor hood r et ai l
st or es) .
I ce r i nk (out door ) 50
5
Resi dent i al ar eas:
Pr edomi nant l y a r esi dent i al ar ea wi t h
l i ght pedest r i an t r af f i c
Lagoon, pond, or
f l ooded ar ea 10
1
at ni ght (si ngl e
f ami l y, mul t i f ami l y apar t ment s) .
Ski sl ope
10
1
Soccer (see Foot bal l )
Sof t bal l
Sl owpi t ch, r ecr eat i onal
(6pol e)
I nf i el d
100 10
n
h
L
r
t
540- 14
5. 0 LOWVOLTAGE SYSTEMS
Lowvol t age l i ght i ngsyst ems of f er an al t er -
nat i ve t o mor e ener gy- consumpt i ve 120
vol t syst ems. These syst ems wor k par t i cu-
l ar l y wel l i n i nf or mal , smal l - scal e, r esi dent i al
set t i ngs. I n addi t i on t o r educed ener gy
usage, l owvol t age syst ems of f er saf e and
easy i nst al l at i on, l onger l amp l i f e (up t o
t wi ce as l ongas 120 vol t l amps) , smal l f i x-
t ur es t hat can be hi dden i n t he l andscape,
and ver y l owl i ght l evel s t o achi eve a var i -
et y of l i ght i ng ef f ect s. Lowvol t age syst ems
ar e not t ypi cal l y appr opr i at e
f or l ar ger
pr o-
j ect s r equi r i ng si gni f i cant l evel s of i l l umi na-
t i on,
or publ i c si t es
wher e dur abi l i t y
i s
a
concer n.
Lowvol t age syst ems i ncl ude a t r ans-
f or mer , cabl e, connect or s, and t he f i xt ur es.
Fi gur e 540- 26 i l l ust r at es t he component s
of a t ypi cal syst em.
Tr ansf or mer s ar e r equi r ed t o conver t
st andar d 120 vol t out put t o t he pr oper
oper at i ngvol t age. They must pr ovi de ade-
quat e power t o accommodat e al l f i xt ur es
pr oposed, i ncl udi ng ant i ci pat ed expansi on.
The t r ansf or mer ' s
wat t age
r at i ng must be
equal t o or gr eat er t han t he wat t age of al l
f i xt ur es combi ned. Lar ge or di ver se l i ght i ng
schemes may r equi r e mul t i pl e t r ansf or mer s.
Tr ansf or mer s may use
manual ,
aut omat i c
t i mer , or phot ocel l syst ems t hat det ect l i ght
l evel s t o t ur n power on and of f f or t he sys-
t em. Cur r ent phot ocel l t echnol ogy i s sui t -
abl e onl y f or smal l - scal e r esi dent i al appl i ca-
t i ons due t o r el i abi l i t y concer ns.
Syst ems t ypi cal l y use 12 gauge l owvol t -
age cabl e f eeds wi t h 18 gauge f i xt ur e wi r e,
unl ess ot her wi se speci f i ed by t he manuf ac-
t ur er . Pl ast i c connect or s ar e used t o
j oi n
each
f i xt ur e
t o t he cabl e
f eed .
Awi de var i et y of l owvol t age f i xt ur es ar e
avai l abl e t o achi eve var i ous
l i ght i ng ef f ect s.
Ref er t o 4 . 4 Landscape Li ght i ng Ef f ect s i n
t hi s sect i on f or i nf or mat i on
on di f f er ent
l i ght i ng st r at egi es .
6. 0 RECOMMENDEDLEVELS
OF I LLUMI NATI ON
The l evel s of i l l umi nat i on l i st ed i n Tabl e
540- 3 r epr esent cur r ent
st andar ds i n t he
l i ght i ng i ndust r y.
REFERENCES
I l umi nat i ng Engi neer i ng Soci et y of Nor t h
Amer i ca, Recommended
Li ght i ng f or
Wal kways and Cl ass 1 Bi keways, DG- 5,
1993.
Moyer , Jan Lennox, The Landscape
Li ght i ng Book, John Wi l ey &Sons, New
Yor k, 1992.
Rea, Mar k (ed. ) . Li ght i ng Handbook:
Ref er ence & Appl i cat i on, I l l umi nat i ng
Engi neer i ng Soci et y of Nor t h
Amer i ca,
1993.

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