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A good thriller builds suspense and tension through a battle between a protagonist and antagonist that disrupts the status quo. The story shows a chain of bad events that build tension towards a climactic confrontation where the protagonist aims to restore justice threatened by the antagonist. Common thriller conventions include low key lighting, quick cuts, shadows, tension music, changing shot angles, diegetic breathing sounds, black and white shots, and montages that place the protagonist at the mercy of the antagonist.

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12 views3 pages

Treatment

A good thriller builds suspense and tension through a battle between a protagonist and antagonist that disrupts the status quo. The story shows a chain of bad events that build tension towards a climactic confrontation where the protagonist aims to restore justice threatened by the antagonist. Common thriller conventions include low key lighting, quick cuts, shadows, tension music, changing shot angles, diegetic breathing sounds, black and white shots, and montages that place the protagonist at the mercy of the antagonist.

Uploaded by

aga
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PPTX, PDF, TXT or read online on Scribd
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and conventions

makes a good thriller?

thriller showcases intense excitement building up suspense, tension and anticipation of things to come.
vie genre provides thrills from various circumstance accounting mysterious situations which has an enigma
n audience.

r usually consists of a battle between the protagonist character and the antagonist, when there is a disrup
ium. Then the story shows a chain of bad events building tension and suspense for the climax.
m of the protagonist is to restore justice, while the antagonist seeks to destroy it.

Conventions of a Thriller
Low key lighting
Quick cuts
Shadows
Tension music
Changes in the angle of shots
Diegetic sound of breathing
Black and white shots
Montage of shots
Protagonist is in the mercy of the Antagonist

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