Unt.

Kevin Williamson Project

Network Draft
1.22.14

UNT. KEVIN WILLIAMSON PROJECT

"Pilot"

Written by
Kevin Williamson

01/22/2014 Network Draft - pgs. 1-56

2014 Warner Bros. Entertainment Inc.

This script is the property of Warner Bros. Entertainment

Inc. No portion of this script may be performed,
reproduced or used by any means, or disclosed to, quoted
or published in any medium without the prior written
consent of Warner Bros. Entertainment Inc.
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 1.

UNT. KEVIN WILLIAMSON PROJECT

Pilot

TEASER

EXT. NEIGHBORHOOD - NIGHT

A neighborhood in the foothills of Los Angeles. The houses

are hidden by gates and shrubs. Its late. Everything is
dark and still. Very little street lighting.

A small car makes its way up the hill. Inside--

INT. CAR - NIGHT

KATE EDWARDS, 28, is behind the wheel. Shes young and

attractive, though she plays it down, opting for a very
ordinary appearance. No make-up, hair in a ponytail, sweats.
From the cars hands-free phone:

VOICE MAIL
This is Troy, leave a message.

BEEP. Kate leaves a quick message.

KATE
Are you home? Where are you? I
need food. I wanna order
something. Im craving guacamole.
Im pulling up.

Kate steers her car to the curb and parks on an incline. She
nabs the last spot on the street before the red marks. She
pulls the hand brake and gathers her things. Purse, gym bag,
etc. She gets out.

EXT. NEIGHBORHOOD - NIGHT

Kate starts up the hill towards her house when her CELL PHONE
RINGS. She juggles her bags, answering--

KATE
Hello?

MALE VOICE
Hello, Kate.

The VOICE is MUFFLED, DISTORTED. But Kate recognizes it.

She tenses.

KATE
Not tonight.

(CONTINUED)
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CONTINUED:

Kate HANGS UP. She quickly looks around, but the street is
deserted, no one in sight. She grips her key ring, sliding
several keys between her fingers -- a possible weapon.
Kates a guarded woman... she has her reasons.

Her CELL RINGS AGAIN. She doesnt answer it. Just then, a
JOGGER rushes by her. Kate jumps, frightened. The JOGGER
disappears up the hill.

Kate quickly moves toward the apartment building when she

sees a FIGURE standing at the gate of her building.

Kate is instantly terrified. Then, her CELL PHONE RINGS.

She answers--

MALE VOICE
Hello, Kate.

Kate stares at the MALE FIGURE in front of her. Its

silhouetted in the darkness. She cant make out a face.

KATE
Is that you?

MALE VOICE
Yes. Tonights the night, Kate.

KATE
No--

The FIGURE starts towards her. As he grows closer REVEAL he

wears a MASK. Flesh colored. A blank expression.
Incredibly creepy. Kate runs, SCREAMING--

KATE
Help me... somebody...

She races back down the hill, towards her car. The MASKED
MAN catches up to her. He grabs her, spins her around. Kate
tries to fight, strikes him with her keys but shes
unexpectedly SPLATTERED WITH GASOLINE.

The MASKED MAN has a jug with a spray gun. He continues to

SPRAY her with it. It douses her face, gets in her eyes. It
takes Kate a moment for her to realize its gas. She smells
it. Freaked out. Oh God... she stumbles backwards.

Then, the MASKED FIGURE withdraws a LIGHTER. She SHOVES him

BACKWARDS. It buys her two seconds. She BEEPS her car
doors, unlocking them, goes for the door when the MASKED MAN
catches up to her -- she strikes, aiming for his neck. It
works, the keys tear skin.

(CONTINUED)
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CONTINUED: (2)

He WINCES, grabs his neck, allowing enough time for Kate to

slip into her car and lock the doors.

She goes to start the car when she realizes -- SHE DOESNT
HAVE THE KEYS. She turns to the MASKED MAN. He holds them
in his hand. Jingles them. Taunting her.

He CLICKS the LOCKS open. She LOCKS them again. He CLICKS

them open. She LOCKS them again. She SCREAMS. She begins
to HONK the horn. Will someone hear her? She looks. The
street is deserted.

Thats when Kate sees the MAN BEGIN to SPRAY THE CAR WITH
GASOLINE. He starts on the hood, the roof, trunk. He
quickly sprays the entire car down. Gas streaks and runs.

Inside the car, Kate is hysterical. She beats on the CAR

HORN, wildly.

KATE
Somebody hear me. Help me.

Through the glass, she sees the MAN hold up a BOX OF MATCHES.
He withdraws a match and strikes. The FLAME IGNITES. Holy
fuck. He throws it onto the hood but it GOES OUT. He
quickly strikes another.

Kate SCREAMS BLOODY MURDER. She lifts the EMERGENCY BRAKE,

puts the car in REVERSE just as he STRIKES another match,
tossing it toward the car as it begins to roll down the hill.
The MATCH goes out again.

The MAN follows the car as it rolls down the hill. He

STRIKES another match -- it hits the hood and the entire
front of the car IGNITES INTO FLAMES. It spreads up the
windshield and onto the roof.

The FLAMES GROW as the car gains momentum, shooting down the
street, out of control. Inside, Kate grabs the steering
wheel. Its locked. The car speeds to the bottom of the
hill, engulfed in flames, veering off into the front yard of
a residential home, COLLIDING into a telephone pole.

The impact CRUSHES the trunk of the car as Kate is still

trapped within... SCREAMING for her life until the CAR
EXPLODES INTO a FIERY BALL OF FLAMES, silencing her forever.

SMASH TO BLACK.

BETH (V.O.)
Over six million people are stalked
each year in the United States.

(CONTINUED)
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CONTINUED: (3)

From the blackness comes the morning sun--

EXT. STREET - NEIGHBORHOOD - MORNING

A warm blue sky. Palm trees. A modest neighborhood in the

flats of Los Angeles. A MAN, late 30s, jogs down a
sidewalk. THE WOMANS VOICE OVER continues--

BETH (V.O.)
One in six women, one in fourteen
men.

SCENE INTERCUTS AS NECESSARY:

INT. HIGH SCHOOL CLASSROOM - MORNING

CLOSE ON DETECTIVE BETH DAVIS, 30s. A strong presence.

Direct with a cold sexuality. It works for her. Beth stands
before a class of HIGH SCHOOL STUDENTS.

BETH
Stalking is the unwanted or
obsessive attention from one person
to another.

EXT. HOUSE/NEIGHBORHOOD - MORNING

The MAN runs to a corner, crosses the street to a house where

he sees a WOMAN and CHILD -- a small boy, 10, exit their
house and move to the car. Shes dressed for work, the young
boy has his book bag in hand. They load into the car, a
morning routine.

BETH (V.O.)
Driven by rejection, revenge,
jealousy -- stalking is the result
of relationships gone wrong. Or
delusional fixations that are
pushed to extremes.

Across the street, the MAN watches from behind a tree. His
eyes are conflicted. Anger? Hurt? Theres a history here.

INT. HIGH SCHOOL CLASSROOM - MORNING

Beth continues her lecture.

BETH
An ex-boyfriend, spouse, a
stranger. Anyone can be a stalker,
anyone can be a victim.

(CONTINUED)
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CONTINUED:

The MAN SNAPS a PICTURE with his CAMERA PHONE as the WOMAN
and CHILD drive away. Then, the MAN turns and runs off.

EXT. STREET/APARTMENT BUILDING - MORNING

The MAN jogs up to a small apartment building and enters.

BETH (V.O.)
With all our technology, the
internet, smart phones, social
media, our access to each other is
the number one reason stalking
cases have more than tripled in the
last decade.

INT. APARTMENT - MORNING

The MAN enters a small apartment. Its sparse. A few

makeshift pieces of furniture. Lots of moving boxes. He
hasnt lived here for long.

BETH (V.O.)
And thats where I come in. I run
the Threat Assessment Unit of the
LAPD -- TAU. Were responsible for
all stalking cases and threats
against politicians, city and state
employees. We consult with the
FBI, Secret Service, and CIA.

The MAN rips his sweaty shirt off, grabs a bottle of water
from the fridge. Then, goes to a bare wall -- almost bare --
theres two pictures taped to it. One of the WOMAN and one
of the CHILD. He stares at them. Beat.

INT. HIGH SCHOOL CLASSROOM - MORNING

Beth looks around. The class is moderately interested.

BETH
Its our job to assess the level of
threat in any situation and respond
accordingly. Did I just lose you?
I saw eyes glaze over. Any
questions?

STUDENT
What happened to Selena Gomez
stalker?

STUDENT #2
And Madonna and David Letterman.
They had some serious stalking.

(CONTINUED)
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CONTINUED:

STUDENT #3
I heard Sandra Bullock had some
crazy chick after her too.

Beth is used to this -- she smiles.

BETH
Keep in mind, celebrity stalking
makes up only ten percent of all
stalking cases. Most victims are
just like you and me.

EDDIE (O.S.)
Im not stalking anyone.

This is followed by a ROOM of YELLING PEOPLE.

INT. HIGH SCHOOL - COUNSELORS OFFICE - MORNING

Its the middle of a horrific parent/counselor session. The

counselor, MR. ADAMS, 40s, calm, rational, is rubbing his
temples as he sits behind his desk facing TWO STUDENTS and
their PARENTS--

LINDSAY SUTTON, 16, cheerleader, outgoing, college bound.

Shes with her mom, TESS SUTTON, 40, professional,
workaholic, distracted.

EDDIE BARNES, 16, gangly, loner, introvert. He sits with his

father, BEAU BARNES, 45, ex-military, alcoholic, asshole.

And Beth. Who sits between the two sparring sides.

TESS BEAU
My daughter is not lying. We What proof? Dirty photos of
have proof. your daughter?

LINDSAY EDDIE
Theyre not me. He photo- Prove it.
shopped them.

MR. ADAMS
Could we lower our volume? No one
is accusing anyone--

BEAU
Why would my boy do that? Youre
okay, but nothing special.

TESS
Watch it. Shes 16 years old.

(CONTINUED)
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CONTINUED:

MR. ADAMS
Mr. Barnes, please.

BETH
Okay, everyone, stop.

Silence. Then--

BETH
Mr. Adams asked me here today so we
can have a rational dialogue about
this he said/she said -- now, if I
could ask a few questions? Okay?
(to Eddie)
Did you photo-shop Lindsay and put
these pictures on a fake Facebook
account?

Beth holds up PRINTED IMAGES from Facebook -- the PHOTOS

appear to be of the S&M/DOMINATRIX variety.

EDDIE
No.

BEAU
My son has done nothing but help
your daughter.

TESS
Your son is following my daughter
everywhere, to the store, to the
movies. He stands outside our
house at night.

BETH
Is that true?

Beth drills her eyes into his. Is he telling the truth?

EDDIE
No way, why would I do that? Im
no pervert.

Beth continues to stare -- he stares back, refusing to look

away. Its eerie.

TESS
A pervert is exactly what he is.
We need a restraining order.

Beau has heard enough. He rises, angry.

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 8.
CONTINUED: (2)

BEAU
Okay, were done here. Cmon, son.

MR. ADAMS
Mr. Barnes--

BEAU
(points in Tess face)
You come after my son and Ill sue
your ass--
(to Adams and Beth)
And Ill sue the school and the
city too. You understand? You
leave my son alone.

He pushes his son out the door and exits. Tess and Lindsay
feel hopeless. Mr. Adams looks to Beth.

MR. ADAMS
What about a restraining order?

BETH
Eddies underage, its a little
tricky. He denied these photos.
Its an anonymous account. Id
need a warrant to investigate his
online activity and theres not
enough here for a judge to grant
that.

TESS
Hes made her out to be a slut to
the entire school. Shes a wreck,
look at her. The damage its
doing.

BETH
How do you know him, Lindsay?

LINDSAY
Hes in the mentor program. He
tutored me in Calculus. I wanted
to get my GPA up for college apps.

BETH
And thats it?

TESS
Yes, she told you.

LINDSAY
Why dont you believe me?

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 9.
CONTINUED: (3)

Beth watches as this girl starts to lose it, tear up...

BETH
I do believe you. I see it.
Youre afraid. Fear is the only
proof I require. But the law asks
for a little more. Im gonna help
you, I promise.

Beth is a professional but she speaks from an honest and

personal place. She takes her job seriously and to heart.

EXT. LAPD HEADQUARTERS - DOWNTOWN PLAZA - DAY

The sleek stone and glass monstrosity downtown.

INT. SIXTH FLOOR - TAU DIVISION - DAY

A bullpen leads to several hallways and offices. A secretary

BELLE, 30, sits at a desk. Shes on the phone. The elevator
doors open -- Beth steps off.

BELLE
Detective Larsen is here. I put
him in the conference room for now.

BETH
Hes early--

Beth is approached by TWO TAU DETECTIVES:

DETECTIVE BEN CALDWELL, a youthful 40, tries too hard with

the ladies, not enough with everyone else. Hes a climber
and he wants to go the easy way.

DETECTIVE JANICE LAWRENCE, 40. A flashy woman, the slightest

trace of Southern roots. Full of an unconscious sexuality.
Which is not always a good thing. She can be underestimated,
which is a mistake because shes usually the smartest person
in the room.

BETH
What happened with the Mayor?

JANICE
Another death threat. Along with a
box of dirty needles.

BEN
The junkies are rising up.

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 10.
CONTINUED:

JANICE
They want their syringes free and
anonymous.

BETH
(to Ben)
It looks like the shooter in
Burbank was targeting street
workers. They want an assessment.

BEN
Ill take it.

Beth heads down the hall to--

INT. TAU DIVISION - CONFERENCE ROOM - DAY

Beth enters to find a MAN sitting at the table, forms and

manuals all around him.

BETH
Hi, Im Beth Davis, Division
Captain, welcome to LA.

The MAN looks up, quickly stands. His face is familiar --

hes cleaned up and looks good in a suit, but this is the
same man seen jogging earlier. The man stalking the woman
and child. He holds out his hand--

JACK
Detective Jack Larsen, its nice to
meet you.

Off this introduction--

END OF TEASER
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 11.

ACT ONE

INT. TAU DIVISION - BULLPEN - DAY

The conference room has one wall of glass, Janice and Ben
watch Beth and Jack talk. They discuss--

JANICE
What do you know about him?

BEN
Nothing.

She thumps him. She knows better. Ben spills.

BEN
From New York. Detective,
homicide, 13th precinct. Big
personality. Not for everyone.
Single. Never married. Sleeps
around--

JANICE
Good for him.

BEN
He slept with someones wife--

JANICE
Oh, he got the boot.

Ben nods. Yep.

BEN
Apparently, he cant help himself.

JANICE
Sex addicts are so sad.

BEN
Because?

JANICE
Theyre so good in bed and... well,
thats it.

Ben considers.

INT. TAU DIVISION - CONFERENCE ROOM - DAY

Beth and Jack converse.

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 12.
CONTINUED:

BETH
Nine years in homicide. NYPD.
(re: file)
Good record, decorated. So why the
stalkers unit?

Jacks eyes linger on Beth. Is he flirting?

JACK
Im hoping to meet Scarlett Johan--

BETH
Its an entirely different skill
set. Our goal is to prevent
crimes, not solve them. Theres a
lot of case management. A
background in mental illness is
necessary. Have you read the
manual?

JACK
No, but I watched Fatal Attraction,
Obsessed, My Bodyguard, Cape Fear,
Swimfan--
(off her look)
Yes, I read the manual. That was a
joke.

Beth is suspect. This guy is not making a good impression.

BETH
The manual is 1400 pages long.

JACK
Its one thousand, four hundred and
thirty-seven pages long and Im
well versed in mental illness.
Everything from delusional
psychosis, schizophrenia, manic
depression, substance dependency,
narcissism, paranoia, erotomania,
my own... another joke. I get it.
Its a very specific whack job that
stalks and makes threats.

BETH
Again, why do you want to be in
this unit?

Beth isnt rude. Just curt. Jack is confused.

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 13.
CONTINUED: (2)

JACK
Im already in this unit. I filled
out the paperwork, it was
processed. Am I wrong?

BETH
No.

JACK
Because this was starting to feel
like an interview.

Beth rises.

BETH
Youll trail me for the first month
and then well pair you off.

Jack senses a weird vibe.

JACK
Did I say something wrong?

BETH
What do you mean?

JACK
Im getting a vibe, like, I just
made a really bad first impression.
I know that Scarlett Johansson
comment was lame--

BETH
A viiiibe?

Did he really just say vibe?

JACK
Yeah, like you dont like me.

Beth shrugs. Hes perceptive.

BETH
Dont be silly. Im sporadically
rude.

Just then, Janice is TAPPING on the glass, holding a file.

I need you. Beth exits.

Jack ponders the last few minutes. That didnt go well. He

has no idea what to make of this woman. But he quickly
follows after her.
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 14.

INT. TAU DIVISION - BULLPEN - DAY

Janice and Ben walk with Beth, handing her a file.

JANICE
Homicide was here. Just dumped a
murder on us.

Janice looks Jack up and down.

JANICE
(shakes hands)
Hi, Im Janice Lawrence. Welcome
to TAU.
(to Beth)
Woman was murdered last night.

BEN
Kate Edwards, interior designer,
burned alive in her car.
(to Jack)
Im Ben Caldwell. Nice to meet
you.

The two men shake hands.

BETH
Any prior case file?

JANICE
Shes not one of ours. Fell
through the cracks at the Hollywood
Station.

BEN
(reading file)
Victim filed several reports.
Intruder in July and again in
October. Vandalism to her car.

Beth takes the file. Looks to Jack.

BETH
Lets go, new guy.

Beth heads out. Jack chases after her.

EXT. APARTMENT BUILDING/NEIGHBORHOOD - DAY

The street where Kate Edwards was killed. A car parks and
Beth and Jack get out. COP CARS are still present. Beth
looks down the hill -- the shell of Kates burned car is
being towed away. They move inside.
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 15.

INT. KATES APARTMENT - HALLWAY/LIVING ROOM - DAY

Beth and Jack enter, passing a FEW UNIFORMS that stand watch.
The apartment is a modest two bedroom. TWO SID TECHNICIANS
(Scientific Investigation Division) are taking PHOTO
EVIDENCE.

SID TECH
Were almost done.

Beth shrugs. She looks around. Jack watches her sift

through the mail. He disappears into the bedroom while Beth
looks in the fridge. Sees leftovers. A sense of life. And
tragedy. Beth connects. She follows Jack into--

INT. KATES APARTMENT - BEDROOM - DAY

Beth looks around the room. Goes to the closet, peeks in.
Jack comes back from the bathroom.

BETH
She hasnt lived here long. This
place is barely lived in. Her mail
goes to a mailbox center. Shes
hiding from someone.

JACK
Because she was terrified.

Beth turns to him, curious.

BETH
How so?

Beth is challenging Jack. He accepts -- launching into what

will become his signature soliloquy.

JACK
In the bathroom, she has a clear
shower curtain so no one can hide
behind it.

Jack jumps to the floor on his stomach and illustrates.

JACK
A platform bed, close to the ground
so no one can hide under it. Shes
horror movie proof. She didnt
feel safe, hadnt in a long time.
Look at the room, for an interior
designer, its not feng shui at
all. The bed should be on that
wall, facing the door, no?
(MORE)

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 16.
CONTINUED:
JACK (CONT'D)
(Jack points)
But its over here because--

Jack races over to the door, leans into the hallway and
CLICKS ON the hall light and then SHUTS the bedroom door.
Then, he runs back to bed and hops on it, pretending to be
Kate sleeping.

JACK
She sleeps on the left of the bed,
note the cluttered side table, on
her side, facing the door to watch
for a shadow, the footsteps of her
stalker, to appear under the door.
She had trouble sleeping but
refused to take Ambien. Theres a
full prescription from a year ago
in the medicine cabinet. She was
too afraid to sleep.

BETH
And her stalker?

Beth urges him to continue.

JACK
Its a man. Lets face it. The
barbaric violence of burning
someone alive has us men written
all over it. She reported several
break-ins but nothing stolen.
He likes role playing. He wants
his fantasy so he breaks into her
apartment while shes gone. Sleeps
in her bed, eats her food, watches
her TV, lives in her world. He
would leave little clues so she
would know he was here or just to
make her crazy. Suffers from
erotomania?

Beth nods. Yes. Okay, shes impressed. But, she refuses to

acknowledge it.

BETH
What set him off? The predator you
described likes the journey. He
doesnt want it to end. Why kill
her?

JACK
I dont have that yet. But I
impressed you a little, didnt I?

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 17.
CONTINUED: (2)

She ignores this.

BETH
(re: file)
Theres a neighbor, Troy Gunn, he
was one of her close friends.

Beth leads Jack out of the bedroom and the apartment.

INT. APARTMENT BUILDING - CORRIDOR - DAY

Beth knocks on the door of a neighboring apartment. The door

opens to REVEAL TROY GUNN, 29, handsome, fit, gentle face.
His face is red, hes been crying. Beth flashes her badge.

TROY (V.O.)
Ive answered these questions
already.

INT. TROYS APARTMENT - LIVING ROOM - DAY

Beth sits across from Troy. Jack stands near the window.

TROY
She never knew who was stalking
her. Ive known Kate for over a
year. We met in a spin class at
the gym. When she told me she was
being harassed at her last place, I
told her when next door became
available. She moved in.

BETH
Describe the stalking to your
knowledge.

TROY
Lots of love letters, tacky song
lyrics, that kinds of thing. And
tons of stuffed animals. Rabbits
and bears, you name it. She
donated them to the childrens
hospital.

JACK
And you called the police?

TROY
She went to the station and filled
out reports but they said unless
there was a crime committed...

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 18.
CONTINUED:

Troy is shaken. Its been a long night. Its all over his
face. This is hell for him.

BETH
Were you two involved?

TROY
No, just friends.

JACK
But you wanted more?

Troy gets defensive.

TROY
No. We were friends.

Jack looks out the window. He sees the Hollywood Sign in the
in the distant hills.

JACK
Do all the apartments have a view
of the Hollywood sign?

TROY
On the north side.

Jack eyes two tacky Warhol prints of Brando and Marilyn above
the couch.

JACK
Youre an actor?

TROY
Im a realtor.

JACK
But you came to LA to be an actor.

TROY
Ten years ago. Im a realtor now.

JACK
Where were you last night when Kate
was killed?

TROY
I was here. Alone.

BETH
Was Kate seeing anybody?

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 19.
CONTINUED: (2)

TROY
Not recently. She wasnt in any
state for that. The last guy was
over a year ago. A banker, Larry
Myers, he was married but she
didnt know that when they started
seeing each other. When she found
out, she dumped him.

JACK
Can I use your restroom? I cant
pee next door, its a quasi crime
scene.

Troy smartens up.

TROY
Then youll have to hold it.
Youre not going to snoop through
my bathroom. Im not Kates
stalker.

Troy tears up. Beth looks daggers at Jack.

BETH
Yes, hold it, Jack.
(to Troy)
Did Kate suspect Larry Myers?

TROY
At first. She asked him point
blank but he denied it and she
didnt want to falsely accuse him.
He was married with kids.

Beth smiles. Thank you.

EXT. MYERS HOME - BRENTWOOD - DAY

An affluent home in Brentwood. Beths car pulls up and parks

on the street. Jack and Beth get out.

INT. MYERS HOME - LIVING ROOM - DAY

LARRY MYERS, 40s, balding, very prim, stuffed and pressed.

He sits at his computer, working.

His wife ELLEN, 40s, can be seen in the kitchen -- TV on.

TWO TEENS wander through. The DOORBELL RINGS. Ellen starts
for the door.

ELLEN
Its almost dinner. Who is that?

(CONTINUED)
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CONTINUED:

Larry looks up, shrugs. Beat. Ellen reappears.

ELLEN
Larry, two detectives are here.

OFF LARRYS SURPRISE--

EXT. MYERS HOME - PATIO - DAY

Larry sits on the back patio overlooking the pool. Beth and
Jack sit opposite him on patio furniture.

LARRY
Im sorry to hear about Kate.

Larry glances towards the house. Ellen is in the kitchen,

she keeps looking at them through the window.

BETH
Mr. Myers, where were you last
night?

LARRY
Here all night with my wife.

BETH
When was the last time you saw
Kate?

LARRY
A year ago. She came to me and
asked if I was sending her notes
and gifts. I wasnt. She said she
was being stalked and was thinking
about moving because of it.

BETH
She didnt mention anyone she
suspected?

LARRY
She suspected me. She thought I
was doing it. Like I was hung up
on her.

JACK
Were you?

LARRY
I made a mistake with Kate but Im
not the stalker type. Im a
married man.

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 21.
CONTINUED:

BETH
Just the cheating type.

JACK
Can your wife verify your alibi
last night?

LARRY
Yes, she can but she doesnt know
about Kate.

Beth looks to Ellen. In the kitchen with the kids. Ellen

keeps glancing at them -- nervously. Beth takes note.

BETH
We just need your alibi, sir. We
dont have to engage.

Larry is appreciative.

JACK
Why did you have an affair?

LARRY
Im a miserable middle-aged man.
Its what we do.

Well, thats blunt. Off that note--

EXT. RESIDENTIAL STREET - BRENTWOOD - DAY

Jack and Beth walk to Beths car.

JACK
His wife backed him up. Is she
telling the truth?

BETH
I dont know.

Beth UNLOCKS the car.

JACK
We missed lunch, can I buy you
dinner? We could do some first day
bonding.

BETH
No, thanks.

Beth opens her car door when--

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 22.
CONTINUED:

JACK
Im sorry I stared at your breasts.

BETH
Excuse me?

JACK
Its why you dont like me. When
we first met, I looked at your
breasts.

BETH
Seriously?

JACK
Its all I can come up with. I was
pleasant and personable. I showed
a reasonable level of intelligence.
Im good looking--
(he smiles)
I have a healthy ego. The only
wrong move I made was when my eyes
lingered in your upper torso area a
second too long and it triggered an
instant dislike for me. How do I
fix that?

Jack is sincere in his question. Beth is genuinely curious.

BETH
Why did you do it?

JACK
Youre wearing a white silk blouse,
dark bra, red fingernail polish.
I took the male leap that it was
meant to be noticed so I let my
eyes linger in hopes you would be
flattered. I miscalculated.

She looks at him, bewildered... insulted.

BETH
And it just got worse.

Beth gets in the car. Jack stands there, floundering, then

proceeds to get in the passengers side.

INT. JACKS APARTMENT - NIGHT

Jack is home with a beer and take-out. He sits on the floor

and eats off an upturned box.

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 23.
CONTINUED:

A flat screen TV sits on the floor in the corner. SAY

ANYTHING is on. John Cusack woos Ione Skye in the
background.

Jack has a file on KATE EDWARDS spread out on the floor. Her
life, schedule, friends, contacts, family photos, etc.

JACK
I gave her my heart and she gave
me a pen.

Jack turns to the TV just as Cusack in a phone booth in the

rain says, I gave her my heart and she gave me a pen. Jack
has a devilish romantic side. He gets up, searches--

He finds a box. Opens it. He pulls out a HIGH SCHOOL

YEARBOOK and flips through it. He finds his high school
picture of himself. Eek. Bad hair, all ears. He goes to
another page. He finds a PHOTO of a girl -- the younger
version of the woman he followed earlier. A quiet stare.

INT. BETHS HOUSE - NIGHT

Beth brushes her teeth. She spits, wipes her mouth, turns
out the light. She moves around her small house. Locks the
doors. Checks the windows. Her ritual--

INT. BETHS HOUSE - BEDROOM - NIGHT

Beth enters, closes the door. She crawls into bed with her
work. Her files, laptop, etc. Its all in front of her.

She flips through Kate Edwards file. She pushes it aside

and opens another file -- EDDIE BARNES. It contains his
school transcripts, class schedule, etc. She peruses it.
YAWNING, she pushes everything to other side of the bed --
the empty side. She turns off the lamp on the side table.

Beth curls up on her side, staring ahead. CUT TO BETHS POV:

Her bedroom door. The hall light shines from the crack
underneath. She lays there, eyeing it. A long silence--

EXT. OFFICE BUILDING - NIGHT - ESTABLISHING

A downtown hi-rise. LORI CANTON, 30, attractive, sexy smart,

exits with a co-worker, RICK, 30s.

LORI
This day needs to end.

RICK
Tell me about.

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 24.
CONTINUED:

They cross a walkway and enter a parking structure. They

cross to the GARAGE ELEVATOR. Its late, the garage is
mostly empty.

INT. PARKING GARAGE - ELEVATOR - NIGHT

They chit chat. The elevator doors open and Rick gets out--

RICK
See ya tomorrow.

The doors close. Lori continues alone in the elevator. She

checks her emails on her phone. DING. The ELEVATOR DOORS
OPEN REVEALING -- A MASKED MAN.

Lori looks up and is instantly DOUSED with GASOLINE from the

SPRAY GUN in the MANS HAND. It splatters all over her and
the elevator.

She SCREAMS, gas is in her eyes, blinding her. She fights

back, instinctively lunging forward, eyes burning, hitting
the button panel, striking at the MAN.

The MASKED MAN stumbles back out of the elevator as the DOORS
SHUT. Silence. Lori SIGHS relief until she realizes the
elevator isnt moving. Just then, the doors SLIDE OPEN
again. Her ATTACKER is still there. He strikes a match as--

Lori rises, lunging... she WHACKS the MAN in the face with
her shoulder bag. The match goes out. The ELEVATOR DOORS
CLOSE AGAIN. She presses a button. The elevator begins to
move. She SCREAMS, panicked and scared. The doors open on
another floor where--

TWO PEOPLE ARE WAITING. She SCREAMS HYSTERICALLY, terrified

for her life. As Lori crawls out of the elevator and into
the arms of safety--

END OF ACT ONE

UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 25.

ACT TWO

EXT. RESIDENTIAL STREET - MORNING

Jack jogs down the street. He comes to a corner, sees school

buses. He stops, moves behind a tree and catches his breath.
He watches -- the SAME WOMAN and CHILD appear.

As the WOMAN hugs the CHILD goodbye, she turns -- their eyes
meet. She pauses. He ducks behind the tree, quickly hiding.

He waits there a moment, BREATHING heavily. What does he do?

He knows shes watching. He waits. His CELL RINGS. He
answers.

JACK
Yes, Ill be right there.

Jack hangs up. He peeks out from behind the tree. The WOMAN
is now gone. Jack takes off.

INT. HOSPITAL - CORRIDOR - MORNING

Beth gets out of the elevator and is met by Jack.

JACK
Lori Canton, 30, works in finance,
downtown. BNY Mellon, attacked in
the parking garage. First
responders handled the report.

As Beth looks it over.

BETH
How is she?

JACK
Her eyes suffered some burns but
shes okay. Shell be released
today.

BETH
Have you talked to her?

JACK
I was waiting for you.
(then)
Good morning.

Jack directs Beth towards the victims door. TWO OFFICERS

stand guard.

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 26.
CONTINUED:

BETH
Morning.

Beth enters. Jack follows her into the room.

INT. HOSPITAL ROOM - MOMENTS LATER

Lori is in the bed. Her eyes are swollen and red from the
gasoline. Shes part angry, part traumatized.

LORI
I dont know whos doing this.
Hes been harassing me for over a
year now. Letters, gifts... I
thought it was harmless.

BETH
Why didnt you call the police?

LORI
I know the law. You cant
prosecute someone for scaring you.
He never hurt or threatened me.

JACK
Help me understand, Lori. You were
stalked for fourteen months but
never contacted the police?

LORI
At first, I thought it was a prank
from a friend and then I figured
whoever was doing it was harmless.
I didnt mind until he started
sending flowers and gifts to my
office. My boss is already
questioning all the gifts.

JACK
So you liked having a stalker.

LORI
No, it was annoying but it was just
a bunch of letters and stuffed
animals. Who cares?

Jack and Beth share a look. Beth looks back at her.

BETH
Do you know Kate Edwards?

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 27.
CONTINUED:

LORI
Yes, I mean, not well, she lived in
my apartment before me. I took
over her lease.

BETH
How do you know each other?

LORI
Through my spin instructor, Kurt.
We went to the same gym.

JACK
And Troy Gunn?

LORI
There was a Troy who is friends
with Kate.

JACK
How long have you lived in your new
home?

Lori thinks about it. Fuck.

LORI
Oh god. A little over a year.
Fourteen months.

BETH
Were going to need access to your
home.

LORI
Okay but why?

BETH
You havent heard about Kate?

LORI
I work 80 hours a week. Shes not
a close friend. What?

BETH
She was murdered two nights ago.
She was burned alive.

Lori freezes. Oh my God.

INT. HOSPITAL - CORRIDOR - MOMENTS LATER

Beth and Jack walk to the elevators. She talks to a GUARDING

OFFICER.

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 28.
CONTINUED:

BETH
Keep men on Miss Canton, I dont
want her alone tonight.

The OFFICER nods. Beth is bothered.

BETH
Stalkers move from one victim to
another but they dont typically
stalk two women at the same time.
(to Jack)
Both girls went to the same gym.
Check it out. See who else is a
member there. Talk to the spin
instructor and get his story on how
Lori ended up in Kates old place.

JACK
You want me to go alone? Like
drive myself?

BETH
Ill meet you at Loris. Is that a
problem?

JACK
No, I can do it. I have GPS.

Jack takes this as a positive sign.

INT. WORLD GYM - DAY

Jack stands at the counter. Hes flirting with an ATTRACTIVE

DESK GIRL, 20s.

DESK GIRL
Kurts class will be done in a few.

JACK
Great.

DESK GIRL
Were giving away free tanning
sessions today if you wanna jump
start your tan while you wait.

JACK
Do I need to jump start my tan?

Jack is flirting some. The Girl flirts back.

DESK GIRL
Only if you want a tan.

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 29.
CONTINUED:

JACK
Ill pass.

Jack looks around, the place is crawling with hot bodies. He

moves to a glass window and watches the spin class in action,
led by the instructor, KURT WILD, 30, muscled and tanned.

INT. WORLD GYM - SPIN ROOM - MINUTES LATER

Jack is talking to Kurt Wild.

KURT
I heard about Kate. It sucks. She
took my class all the time until
she moved to her new place. What
the hell is wrong with people?

JACK
And Lori Canton?

KURT
Yeah, know her too. She spins.
Havent seen her much lately. She
moved into Kates old apartment.

JACK
Which you told her about?

KURT
Yep, I knew Kate needed someone to
take over the lease. Just trying
to help a friend out.

JACK
Out of curiosity, Kurt, is Wild
your real last name?

Kurt smiles.

KURT
The truth? I did some soft core
when I first moved here. Its all
over the net. It killed any chance
of an acting career but, the name
stuck. I kept it.

JACK
Is everyone in LA an actor?

KURT
No, everyone in LA used to be an
actor.

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 30.
CONTINUED:

JACK
I have to ask. Where were you last
night at 10 PM?

KURT
Seriously? Right here. Guess I
could pull the surveillance footage
to prove it.

Kurt points to the surveillance cameras everywhere.

JACK
If we need it. Do you know a Larry
Myers?

KURT
(doesnt ring a bell)
Gotta picture?

Jack holds up his CELL PHONE with a PHOTO of LARRY.

KURT
Yes, he takes my class or did. I
havent seen him for a while. He
was friends with Kate.

JACK
He was?

KURT
Yeah, I dont know how close but
you should ask Troy. He would
know.

JACK
Troy Gunn?

KURT
Yeah, hes right over there.

Kurt points to REVEAL TROY GUNN who can be seen in the MAIN
GYM. Hes working out on a curl machine. Jack is surprised
to see him there.

INT. WORLD GYM - MAIN FLOOR - DAY

Jack approaches TROY GUNN who is in the middle of the arm

curl machine.

JACK
Mr. Gunn? How are you?

Troy is surprised to see Jack here.

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 31.
CONTINUED:

TROY
Detective. What are you doing
here?

JACK
I was checking the gym out. Im
new to town. What is this, some
sort of grieving workout?

Troy is instantly offended by this.

TROY
What are you implying?

JACK
Exactly what it sounds like. Do
you know Lori Canton?

TROY
Yeah, I do. She moved into Kates
old apartment.

JACK
She was attacked last night.
Masked man, gas, matches. Where
were you last night at 10PM?

TROY
Home. All by myself. And no, I
cant prove it.

Annoyed, Troy walks away.

EXT. WEST HOLLYWOOD - LORIS DUPLEX - DAY

A COP CAR is parked in front of an old Hollywood style

Spanish duplex.

INT. LORIS DUPLEX - DAY

A UNIFORM COP stands in the open doorway. Jack enters. The

COP points toward the bedroom. He sees a SID TECHNICIAN
processing for possible evidence.

JACK
Any prints?

SID TECH
Partials, nothing usable.

He enters the bedroom--

UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 32.

INT. LORIS DUPLEX - BEDROOM - DAY

Beth sits, gloves on, reading from a stack of letters.

JACK
Cool building. I should have
looked in this area. Whats the
rent for a place like this?

BETH
I dont know.

Jack immediately sees the bed where a SEA OF STUFFED ANIMALS

exist. He goes to them for a closer look.

JACK
Guess who I ran into at the gym.
Kates neighbor, Troy Gunn. He
knows Lori Canton too. No alibi.

BETH
(reads from letter)
The four freckles on your left
cheek make me smile. I like your
new haircut.

JACK
How could Lori not call the police
after reading that?

BETH
Strong. In control. She thought
she could handle it.

He studies the walls and ceiling. Beth watches. Jacks eyes

go to the closet which is open with a full length mirror on
the door. It reflects the bathroom and shower stall. He
looks opposite and sees the panels in the ceiling. Its an
old building and the wood work is from another era.

BETH
What are you doing?

He points to the ceiling. He grabs a chair and a tennis

racket, climbs up and pushes on the ceiling until some wood
planks move. Theres a CLICK and the ceiling opens up.

BETH
What is that?

JACK
This place is old like my Dads
house.
(MORE)

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 33.
CONTINUED:
JACK (CONT'D)
Before the central AC was
installed, there was an air vent
system.

Jack pulls a CEILING DOOR open. He pulls the lever and a

wooden ladder unfolds, leading to a CRAWL SPACE.

Jack climbs it and looks into the space just above the
ceiling. Its dark and eerie. He uses a FLASHLIGHT APP from
his PHONE to guide the way. Its a cramped space. He finds
a pillow, blanket, some candy wrappers, dirty tissues.

BETH
Whats up there?

Jack climbs down.

JACK
A little secret viewing room. Our
stalker was big on voyeurism. Im
betting we got prints, DNA and lots
of other sticky stuff up there.

MOMENTS LATER -- A SID TECH is dusting for prints using a

digital wand and an IPAD. Below Beth and Jack ponder--

BETH
So our guy was stalking both women.

JACK
He started with Kate but when she
moved, he took on the new girl too.

SID TECH
We have a match. DMV records show
the prints belong to Larry Myers.

Beth grabs her CELL PHONE.

INT. MYERS HOUSE - BRENTWOOD - EVENING

Larry Myers is being handcuffed by TWO OFFICERS. Beth and

Jack are there with his frightened wife, Ellen.

BETH
Hes being arrested on suspicion of
murder. This is a search warrant
for the house.

As the search begins, Larry is hauled away.

UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 34.

INT. HIGH SCHOOL - LIBRARY - NIGHT

Lindsay and TWO FRIENDS sit at a table, studying. Lindsays

PHONE BUZZES. She reads it.

LINDSAY
Moms here. Gotta go.

Lindsay grabs her bag and books and heads out, TEXTS her mom.
Gotta stop by locker. 5 min.

INT. HIGH SCHOOL - HALLWAY - NIGHT

The hallway is dimly lit. A FEW STUDENTS come and go but

its mostly deserted. Lindsay is at her locker, grabbing a
notebook. She starts out when--

EDDIE (O.S.)
Whyd you tell you everybody?

Lindsay freezes, instantly afraid.

LINDSAY
Stay away from me.

She slams her locker shut and starts out. He follows.

EDDIE
Dont run away. I just want to
apologize. For those pictures.

LINDSAY
Now you admit to it.

Lindsay cant help but snap back. Hes very apologetic.

EDDIE
Sorry about that. I couldnt say
anything in front of my Dad. Hed
kill me.

Lindsay keeps walking, angered. Shes also growing terrified

by the second. She DIALS HER CELL PHONE when Eddie KNOCKS it
out of her hand. It hits the floor, sliding down the hall.

EDDIE
Oh, Im sorry, Ill get it for you.

WTF? This kid is off. Eddie goes for the phone while
Lindsay runs in the opposite direction. She races to the end
of the hall to the nearest EXIT DOORS. But, theyre locked.

Eddie picks up her phone, turns back to her, sweetly.

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 35.
CONTINUED:

EDDIE
They lock those after dark. You
gotta go out the front.

She turns to face Eddie -- the only way out is around him.
Shes completely freaked out.

LINDSAY
Why are you doing this?

EDDIE
Because I like you.

There is something chilling about Eddies innocence.

LINDSAY
If you like me, youll stop.

EDDIE
That makes no sense. Why would I
stop?

He approaches, holds out her phone.

EDDIE
But you cant tell anyone about us
anymore. Do you understand?
(yells)
DO YOU UNDERSTAND?

He presses, his obsession surfacing. Lindsay is terrified.

LINDSAY
Yes.

He forces her to take her phone back. Then, he stares at her

again. Smiles. Her fear arousing him.

EDDIE
I really want to kiss you right
now.

Lindsay SCREAMS, she pushes past him and disappears down the
hallway. OFF EDDIE, innocent, confused.

END OF ACT TWO

UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 36.

ACT THREE

INT. TAU DIVISION - INTERROGATION ROOM - NIGHT

Beth sits opposite Larry Myers and his lawyer, DOUGLAS

JEFFRIES, 50, seasoned, polished.

JEFFRIES
Let me get this straight. You
think my client stalked Kate
Edwards and then when she moved, he
couldnt resist stalking the new
tenant. Then he killed one and
tried to kill the other?

LARRY
I didnt kill Kate Edwards.

BETH
We found fingerprints and semen in
the ceilings crawl space of Kates
former apartment.

There is a two-way glass on one wall.

SCENE INTERCUTS:

INT. TAU DIVISION - MONITOR ROOM - NIGHT

Jack stands at the glass, watching.

JEFFRIES
I believe the semen has yet to be
identified. Regarding the crawl
space -- Larry?

LARRY
Kate used it for storage. I helped
her put some boxes up there over a
year ago. My fingerprints could
easily be there.

JEFFRIES
My client admits to an affair a
year ago with Kate Edwards but he
doesnt even know Lori Canton and
it doesnt matter. He has alibis
for both crimes.

BETH
What about the 87 hours of video
footage we confiscated from your
laptop? What will we find on that?

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 37.
CONTINUED:

JEFFRIES
Ill have that thrown out for an
improper warrant issue. You need
to charge my client or let him go.

Beth looks to the TWO-WAY GLASS. CUT TO:

INT. TAU DIVISION - HALLWAY - NIGHT

Beth and Jack meet in the hallway.

JACK
We need to talk to his wife.
The only way to charge him is to
disprove his alibis. Shes gotta
be lying.

BETH
Agreed. Have they found anything
on the footage?

JACK
Ill check.

Belle interrupts.

BELLE
Theres someone here for you, Beth.

Beth looks up to see Tess and Lindsay in the waiting area.

INT. TAU DIVISION - BULLPEN - NIGHT

CLOSE ON VIDEO FOOTAGE. Its of a sleeping woman -- Kate

Edwards. Its all from the point of view of the crawl space.
Filmed through a crack in the ceiling.

BEN
Is that breathing what I think it
is?

The SOUND OF BREATHING is heard.

JANICE
No. Its actual breathing. He
makes other noises when hes
entertaining himself. Its more,
Uhhh, aahhh, uh-huh, uh-huh...

BEN
(not at all)
That was necessary.

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 38.
CONTINUED:

JANICE
Sorry.

Jack approaches--

JACK
Anything?

JANICE
He was definitely stalking Kate
Edwards but theres nothing on Lori
Canton yet.

ON BENS COMPUTER -- FOOTAGE of Kate Edwards, through a

bathroom door, showering. He FAST FORWARDS and shes moving
through her bedroom in just a towel.

BEN
Its a lot of footage. Mainly just
Kate sleeping. Sometimes he hid
his camera on a bookshelf, it gave
him a view of the bathroom.

As they continue--

INT. TAU DIVISION - BETHS OFFICE - NIGHT

Tess is there with a very upset Lindsay.

LINDSAY
He admitted he was lying and he
told me not to say anything again.

BETH
Hes trying to scare you into
silence.

LINDSAY
Hes crazy. He says he likes me
and wants me but then he puts
pictures of me online for everyone
to see--

BETH
Hes trying to isolate you. If he
can turn everyone against you. He
can have you to himself.

TESS
I wanna press charges.

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 39.
CONTINUED:

BETH
We may be able to get a restraining
order but his father could fight
it. Hes underage.

TESS
So until he actually takes his
hands to my daughter, I cant do
anything?

LINDSAY
What if he gets violent? Stalkers
escalate, right? You said that in
your speech. Im scared...
(tears up)
You dont know what its like. Hes
always there, out of the corner of
my eye, I can see him. Even if
hes not there, I see him.

BETH
I do know, Lindsay. Believe me, I
know. And Im going to help you.
But you have to make a decision.
You have to decide that this isnt
going to define you. This will not
take the best from you. Can you do
that? Because this will end.

Off a trembling Lindsay--

INT. TAU DIVISION - BULLPEN - NIGHT

Jack sits at a computer scrolling through FOOTAGE. He

watches as Beth walks Tess and her daughter to the elevator.
Shes warm and comforting. Jack takes note. He hasnt
witnessed that side of her yet. He likes it.

Beth watches Tess and Lindsay disappear in the elevator. She

turns to catch Jack watching her. Just then--

JANICE (O.S.)
Okay, who is this?

Ben and Jack roll their chairs to Janices COMPUTER. Ben

looks close through the FUZZY FOOTAGE.

BEN
Its Lori Canton.

Beth approaches, hearing.

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 40.
CONTINUED:

BETH
Larry was stalking both women.

JACK
We have it, right here.

ON THE COMPUTER -- LORI CANTON is in bed. Sleeping.

BETH
Wheres the camera?

BEN
Sometimes he hid it around the
room.

ON THE COMPUTER -- LARRY comes into frame. He walks over to

the bed where Lori is sleeping. He watches her.

JANICE
He is one brave mother fu--

JACK
Oh thats creepy.

Jack is referring to the way Larry leans over the sleeping

Lori and traces his finger along her cheek. She rolls over
instinctively. Larry looks to the CAMERA and smiles.

BETH
Oh God...

Just then, THE CAMERA MOVES. Its so quick and sudden, even
Jack jumps. What the hell? The CAMERA MOVES CLOSER.

BEN
What is happening?

THE CAMERA is clearly in the hands of ANOTHER PERSON. But

that PERSON is NOT REVEALED.

JACK
Theres another person.

JANICE
Two stalkers?

Jack looks to Beth. WTF?

BETH
Keep searching. Find me a face.
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 41.

INT. TAU DIVISION - INTERROGATION ROOM - NIGHT

Jack sits opposite ELLEN MYERS. She sits stiffly, not

wanting to cooperate.

ELLEN
Im not lying about the alibis.
Larry was home with me on both
evenings.

JACK
I believe you, Ellen.

SCENE INTERCUTS:

INT. TAU DIVISION - MONITOR ROOM - NIGHT

Beth watches as Janice and Ben enter.

BEN
The second stalker never appears on
camera.

This is disappointing.

BETH
Larry wont confess or admit to an
accomplice. Hes going for a
lesser charge.

Beth turns her attention back to Jack and Ellen.

ON JACK AND ELLEN

JACK
You knew he was having an affair,
didnt you? Wives know.

ELLEN
Yes, I knew. I predicted it.

JACK
How so?

ELLEN
Larry isnt special. Hes right on
point with his mid-life crisis. It
started with his 48th birthday.
Suddenly, 50 is staring him in the
face and hes thinking about
everything hes not going to be.
The life he wanted, the one he got
instead--

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 42.
CONTINUED:

Ellen is appropriately bitter... sad.

ELLEN
He started going to the gym, the
tanning bed. He looked ridiculous.

JACK
The gym is where he met Kate?

ELLEN
I suppose. He started staying out
late. I found cocaine in his pants
pocket.

JACK
What did you do when you found it?

ELLEN
I confronted him. He said it
wasnt his but a friends. His new
bro. His word.

JACK
Did his friend have a name?

ELLEN
I dont remember his name.

JACK
Troy Gunn?

ELLEN
No, that doesnt sound right. It
was more like a stage name. The
guy was a trainer at the gym.

JACK
Kurt Wild?

ELLEN
Yes, thats it--

Jack stops cold. INSTANT CUT:

INT. TAU DIVISION - BULLPEN - NIGHT

Beth listens as Jack spins his theory.

JACK
They were playing a game. Feeding
each others obsession.
(MORE)

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 43.
CONTINUED:
JACK (CONT'D)
A mid-life crisis needs a pulse to
his life and he finds it courtesy
of a failed actor in need of an
audience. The women were props.

Beth finds this despicable. Ben appears, with info--

BEN
Kurt Wilds real name is Buford
Posey.

JACK
Good call with the name change.

BEN
(reading)
Domestic abuse, two arrests, he
beat up his girlfriend some years
back. Anger issues. Online
gambling conviction. Juvenile
detention starting at twelve.

JACK
For arson.

Ben nods. Exactly. Janice gets off the phone.

JANICE
APB is out. Kurt is not at his
home or work.

INT. TAU DIVISION - INTERROGATION ROOM - NIGHT

Beth and Jack sit opposite Larry and his lawyer, Jeffries.

LARRY
I dont know where he is. If hes
not home.

Larry is now emotional, coming clean--

LARRY
It was supposed to be fun. Kurt
said no one would get hurt. It was
harmless. We each picked a girl to
follow. I picked Kate.

JACK
But you dated Kate?

LARRY
She noticed me. So Kurt told me to
ask her out. He coached me.
(MORE)

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 44.
CONTINUED:
LARRY (CONT'D)
How to hit on her, be cool, how to
have sex with her.

BETH
But then she found out you were
married and ended it so you went
back to stalking her.

Larry nods, ashamed. Beth hates this guy right now.

LARRY
It was better that way. The
fantasy is always better.
(more tears)
It was never my idea to kill them.

BETH
Why did Kurt want them dead?

LARRY
He wanted to start over. With a
new game. With two new picks.

Jack looks to Beths side. He sees her slide her hand under
her leg to keep it from trembling. Shes enraged--

INT. TAU DIVISION - HALLWAY - NIGHT

Jack convenes with her in the hall, concerned.

JACK
You okay?

Beth nods as Janice and Ben approach.

BETH
Did they find Kurt?

BEN
Not yet.

BETH
Wheres Lori Canton? Is she safe?

JANICE
She was released from the hospital
and is being taken to a friends
house. Police are with her.

Beth is relieved to hear this.

UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 45.

INT. LORIS DUPLEX - LIVING ROOM - NIGHT

TWO POLICE OFFICERS search the living room. Lori is there.

OFFICER
All clear.

LORI
Ill just be a minute. I need to
pack a few things.

Lori goes into her bedroom.

INT. LORIS DUPLEX - BEDROOM - NIGHT

Lori starts to close the door but one of the OFFICERS pushes
it back open.

OFFICER
If you dont mind.

LORI
I was going to change too.

OFFICER
A compromise.

The officer closes the door midway. Then, he turns his back.
Lori goes to the closet and grabs an overnight bag. She puts
a few things in it.

Lori reaches into the closet for some clothes. In the mirror
attached to the door -- the bedroom is reflected. The floor
is covered with an area rug. Suddenly, it moves.

Lori doesnt see it. She pulls off her top and finds another
one. If shed only look in the mirror, shed see--

The rug BULGE from underneath as something pushes up from

under it. Then, it becomes clear -- its a hand. It finds
its way from under the rug. Then, the hand begins to roll
the rug backwards REVEALING a hole in the floor.

Lori pulls on a top, adjusting it in the mirror, when she

sees KURT WILD rising from a hole in the floor. Off her
HORROR--

END OF ACT THREE

UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 46.

ACT FOUR

INT. LORIS DUPLEX - BEDROOM - NIGHT

A SEARCH TEAM has been assembled. Beth and Jack inspect the
hole in the floor. Jack goes off on the TWO GUARDING COPS.

JACK
How the hell did this happen?

OFFICER
I dont know. She was changing.
We left the door open.

Beth is worked up but she calms herself, plays it cool.

BETH
Okay, okay, hes not going to kill
her, not right away or he would
have done it.

JACK
Hes spiraling. He knows were on
to him. Its exactly what hes
going to do.

BETH
This is erotomania. Hes had a
psychotic break and hes still
playing the game. Hell want to
realize his fantasy. We have time.

Ben enters--

BEN
He didnt return to his house.
Traffic is doing a video trail.

JACK
What about work?

BEN
The gym is closed at this hour.

Jack looks to Beth. They race out.

BETH
Its where he met both women.
Where he met Larry. My money is
there. Send every available man at
the World Gym on La Brea now--

Everyone leaps into action, racing out, talking on MICS.

UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 47.

INT. WORLD GYM - MAIN FLOOR - NIGHT

The gym is closed. Huge and eerie in the night. Kurt has
Lori and is dragging her through a weight room. She WHIMPERS
and BEGS.

LORI
Please... stop.

Kurt brings her into--

INT. WORLD GYM - SPIN ROOM - NIGHT

A room of spin bikes. Kurt drags her to a particular bike.

KURT
It was the third row, right? This
is where I first met you. Get on.

She looks at him. What? He shoves her.

KURT
Do it.

Kurt reaches for a roll of electrical tape. He puts one hand

on a bike bar and wraps tape around her hands, taping them to
the bikes handle bars. She SCREAMS, begs...

LORI
Kurt, dont do this.

KURT
Its okay. Were going to do a
quick run.

Kurt is completely delusional now. His mental illness runs

deep. He tapes her feet to the bikes pedals, trapping her
on the bike. A sick and twisted sight.

KURT
Do you remember what you said when
I asked you out?

LORI
Please, dont do this...

KURT
You said you were seeing someone.
You lied. You think I didnt know.
I KNOW EVERYTHING ABOUT YOU.

Tears stream down Loris face. Shes terrified.

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 48.
CONTINUED:

LORI
But were friends. Its better to
be friends, Kurt--

KURT
You ungrateful bitch. What do you
know about friendship? I helped
you find a place to live. I let
you borrow my truck to move your
shit. I was there for you. What
did you do for me?

Kurt grows emotional and upset.

KURT
I was so proud of you. You got
your fancy new job, you know how
proud I was of you--

LORI
I know. You bought me flowers. It
was so thoughtful--

Kurt STRIKES her. She flies sideways, tilting off the bike,
her taped hands and feet keeping her from falling off.

KURT
Dont patronize me.

LORI
Im not... please...

KURT
We were so perfect. You and me.
But now it has to end.

Kurt touches her face. He leans in close. She can feel his
BREATH on her. She tries to pull away.

LORI
Please, dont do this--

KURT
Its not healthy what Im doing.
It has to stop. The game is over.
Kate is already dead. Its your
turn now--

She stares at him, SHOCKED and BEWILDERED.

KURT
We took it too far.

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 49.
CONTINUED: (2)

Kurt moves to where hes placed a GAS CAN. He takes it and

douses Lori with it, showering her with GASOLINE.

LORI
Dont do this, Kurt.

KURT
Dont worry, you wont be alone.
Were going to do this together.

Kurt begins to douse himself with GASOLINE. Hes going to

kill them both.

EXT. WORLD GYM - PARKING LOT - NIGHT

An empty parking lot. Theres a pick-up truck parked near

the front. The passenger door hangs open. Suddenly--

FOUR POLICE CARS -- SIRENS BLARING -- SCREECH TO A STOP in

front of the gym. Beth and Jack race from a squad car to--

EXT. WORLD GYM - FRONT DOORS - NIGHT

Jack pulls on the METAL GLASS DOORS. Theyre locked. Beth

turns to the OFFICERS, YELLING--

BETH
We gotta get this open. Now.

The OFFICERS move to inspect the doors. Jack looks around

and finds a LARGE METAL TRASH CAN. He turns it on its side
and rolls it to the LARGE FRONT WINDOWS. He picks it up and
CHARGES the WINDOWS.

The GLASS EXPLODES AND SHATTERS. The trash can falls into
the main gym floor with Jack behind it.

INT. WORLD GYM - SPIN ROOM - NIGHT

Both Kurt and Lori hear the NOISE. Lori SCREAMS.

LORI
Help meeeeeeee.

Kurt looks through the GLASS WALL of the SPIN ROOM and sees
Jack rising, racing towards them. He reaches into his pocket
and withdraws MATCHES. He starts to STRIKE them when--

LORI
No, wait, you dont wanna do this.

Kurt looks at her. What? Lori looks to see Jack and OTHERS
race across the gym towards them. Shes buying time.

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 50.
CONTINUED:

LORI
I didnt know you wanted me. Now I
do. And we can go out on a real
date and get to know each other...

Kurt stares at her. Are her words working? Its just enough
for Jack and SEVERAL OFFICERS to enter, guns drawn.

JACK
Dont move.

Kurt turns to face Jack and the COPS, guns poised and aimed.

KURT
Im sorry...

He goes to STRIKE the match when JACK FIRES HIS GUN. A

SINGLE SHOT HITS Kurt in the shoulder. He flies back to the
floor. Its enough to stabilize him. The COPS surround him.

Beth enters -- she races to Lori and helps free her from the
bike. Lori falls into Beths arms. Beat. Beth looks to
Jack. Its a look of appreciation and respect.

EXT. WORLD GYM - PARKING LOT - NIGHT

A crime scene. The MEDIA are there now. At an AMBULANCE,

Beth stands while Lori is being treated by MEDICS. Beth
watches a moment. Then, turns to find Jack behind her.
Theres a silence between them -- is he waiting for a good
job. Beth lets him wait.

JACK
What? I get nothing?

Okay, hes fishing. She relaxes some.

BETH
What is it you want?

JACK
I want you not to hate me.

BETH
I cant guarantee that.

JACK
(blurts it out)
Then Im just gonna say it -- why
do you wear sexy things if you
dont want men to notice?

Beat. She looks at him. The gall...

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 51.
CONTINUED:

BETH
For how I feel in them. I dress
for myself.

JACK
Nice try. Well, good night. I
thought the day went well.

And he starts off--

BETH
I know about New York.

Jack stops. Turns.

BETH
And the Captains wife.

JACK
It was the Captains sons fiance.

BETH
Oh. You didnt know she was...?

JACK
No, I knew. There were others too.
I made mistakes in New York. Some
things I cant undo.

Beth nods. She appreciates his honesty.

BETH
So you come to LA to be a better
man? You do know most people are
incapable of change.

JACK
Im an underdog story.

Beth smiles. Jack does have a certain appeal.

BETH
I apologize if it clouded my
initial reaction to you.

JACK
Thank you.

BETH
But do know I still take issues
with certain aspects of your
personality.

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 52.
CONTINUED: (2)

JACK
Good. So do I.

Beat. A truce. Connection. Whatever.

BETH
So are we done here? Id like to
go home.

JACK
One more thing. Pure curiosity.
How did you come to run TAU? Why
this division?

Thats a big question. Beth considers long and hard. Then--

BETH
You want backstory? Well, I was
married. With a husband and child.
He had an affair with some crazy
woman and she started to stalk us.
She followed us everywhere. Showed
up at my kids school, broke into
our home and--

JACK
Boiled a bunny? Yeah, I saw that
movie too--

Beth is busted. She smiles. Its the most significant

connection these two have made.

BETH
It was a little funny.

Jack smiles now. Yes, it was.

BETH
Be patient. Im not the kind of
person who puts it all out there in
the first five minutes. That would
be creepy. Good night, Jack.

Now, Beth turns and leaves the crime scene. Jack stands
there, content with the slightest progress made.

EXT. PARKING LOT/CAFE - NIGHT

Eddie exits the back door of a small cafe. He wears his WORK
TEE that has the restaurants name on it. He starts for the
street where his car is parked.

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 53.
CONTINUED:

ON BETH -- she leans against her car, watching from the

street. She starts over.

Eddies crosses the parking lot to the street. Hes walking

home. Beat. He senses hes being followed. Finally, he
turns and sees Beth. It surprises him--

EDDIE
You shouldnt be here.

BETH
Probably not.

EDDIE
What do you want?

Beth is silent. She keeps following him. It makes Eddie

uncomfortable.

EDDIE
Howd you find me?

Beth remains silent. Its starting to rattle Eddie.

EDDIE
You know Im underage, right?
(then)
I know what youre doing. Youre
trying to intimidate me.

Beth continues to follow him. Out of nowhere, she KICKS him

in his calf. Eddie stumbles and trips -- Beth pounces on
him, knocking him to the ground. She rolls him over, sticks
her knee in his chest -- holding him down.

BETH
Im doing a little more than that.
Im warning you. Stay away from
Lindsay.

Eddie struggles when Beth SLAPS his face quickly. Its

unexpected. It stuns him.

EDDIE
You cant do that.

BETH
You mean this?

She POPS his face again. Its flushed and red.

EDDIE
Youre going to be in trouble.

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 54.
CONTINUED: (2)

BETH
Let me tell you something, you
little punk ass twit. I can lie
better than you can. People will
believe me.

Beth lets this penetrate. Then--

BETH
Stay away from Lindsay. Got it?

Beth rises. It looks like she might kick Eddie but she walks
back to her car. Eddie sits up. He watches her get in her
car and drive away. His face a flurry of emotion.

EXT. JACKS APARTMENT BUILDING - NIGHT

Jack comes walking up to his apartment building when a SHADOW

falls over his back. He starts to unlock the door when--

WOMAN (O.S.)
Did you think I wouldnt find you?

Jack freezes. Slowly, he turns around. Its the WOMAN hes

been stalking. Meet AMANDA TATE, 37. A woman full of beauty
and grace but tonight -- shes tired and angry.

JACK
Hello, Amanda.

AMANDA
What are you doing here?

JACK
New job.

AMANDA
Really? You just chose LA, out of
all the cities in the world.

Jack nods. Hes surprised to see her standing before him.

Hes off his footing.

AMANDA
I saw you at school today. Stay
away from us, Jack. I moved her to
get away from you. You stay away
from my son.

JACK
You mean our son.

(CONTINUED)
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 55.
CONTINUED:

AMANDA
No, my son. Hes mine, not yours.

JACK
Amanda...

AMANDA
I mean it, Jack. You cant do
this, you cant show up here and
ruin my life. Not again.

JACK
Thats not why Im here. Please--

Jack moves towards her. She instinctively steps back. This

kills him. He hates that she responds that way.

AMANDA
Leave us alone.

She starts to leave. Jack stands in her way. Appeals to

her... Theres a history here. Open wounds and unfinished
feelings.

JACK
I want to change my life. I dont
want to be the person you remember.
I dont want to be the man my own
son cant...

Jack is unexpectedly at a loss. His emotions overtaking him.

He tries again, his voice wavering.

JACK
(cant finish)
Let me change my life. Please, I
have a right to see my son.
(then)
Dont be afraid of me.

But she is... by a past full of hurt and anger.

AMANDA
Stay away from us, Jack. Ill get
a lawyer. Ill ruin you.

Amanda pushes past him, disappearing into the night. CLOSE

ON JACK -- destroyed.
UNT. KEVIN WILLIAMSON PROJECT NETWORK DRAFT 1/22/14 56.

INT. JACKS APARTMENT - NIGHT

Jack enters his apartment. Rocked by his encounter. He goes

to the wall and looks at PHOTOS of the WOMAN and CHILD taped
to it. He stares at them both until hes forced to lower his
head as the hurt becomes too much.

INT. BETHS HOUSE - BEDROOM - NIGHT

Beth checks to make sure the front door is locked, then the
windows. The nightly ritual. She CLICKS off the light
illuminating a FIGURE standing outside the window. She
doesnt see it -- standing in the yard.

EXT. BETHS HOUSE - FRONT YARD - NIGHT

In the shadows of the yard stands Eddie. He watches as Beth

moves within, just a shape through the closed curtains and
blinds. As the lights CLICK OFF in the house -- CLOSE ON
EDDIE -- his face alive, fixated on his new obsession.

END OF EPISODE