How To Teach Guitar Wesite
How To Teach Guitar Wesite
There are way more than eight guitar lessons here suitable for adults and younger
learners alike!
This section really looks at a framework that a guitar teacher can use to introduce key
concepts such as developing a "vocabulary" of basic guitar chord shapes and the ability
to change between those chords effectively as well as to intoroduce solo lines and more
"advanced" technical and theoretical areas such as Power and Bar Chords.
The first lesson plan alone can be used over and over again during the first months of
study with the only real difference being the utilisation of new chord sequences and backing
tracks along with the introduction of more involved right hand strumming patterns
It is perfectly reasonable to say that this material can for the basis of lessons designed to take
a guitar student through many months and even over a year of study with you.
The first part of the material that follows is a simple "two step plan" designed to help you
give the first few months of guitar lessons to a complete beginner..............
Step 1:
Make your guitar students aware of the "best" guitar
chords for a beginner
Step 2:
The following material is an examination of the way that you might choose to structure a
series of guitar lessons to an absolute beginner (by far the most common type of student
encountered by guitar teachers)
Leaving the "art" to one side for a moment it might be a good idea to take a look at the
physical act of playing the guitar and to distill that act down to a couple of "first principles"
It is important for you as a teacher to develop an understanding of what your student expects
from the first few months of guitar lessons
When someone can't play the guitar at all they will most probably be delighted if after a few
lessons they can develop.........
1: The ability to change between chord shapes with the fingers of the left hand
2: The ability to strum those chords (in time) with the right hand
The focus of the first few months of study should probably revolve around the "big idea" of
having your student master the left (fretting) hand fingering and and some right hand
strumming patterns for a set of guitar chords that are the easiest to form and which
along with some right hand strumming patterns will allow them to play thousands of songs
Acheive this and it is very likely that not only will the student be delighted with their
progress but that you will continue to get paid
The open chords contained within the basic CAGED Guitar System (C A Am G E Em D
and Dm) allow us to do just that and are used by experienced guitar teachers all over the
world to "kick start" their students into a playing career. It is no coincidence that these chords
are also the ones chosen by the various organisations around the world who offer formal
Qualifications/Grades in guitar
You can use this basic guitar lesson plan template over
and over again to help your students to progress
effectively?
The first lesson will be covered in some detail because it forms the template for a great
many guitar lessons to come (using the same basic principles and methods but with different
chords and more complex strumming patterns) This first lesson plan can be used to great
effect over and over again with a novice player.
All you need to do as a teacher is to present your student with either new chords (drawn from
the eight on the "first guitar chords" handout) Or use the chords that they already know from
the sheet presented in different combinations and with more involved tempos and rhythms
Although the series of lessons presented on this page supposedly concerns itself with the
"first eight lessons" the truth is that I have probably set out do cover too much ground in
order to demonstrate the potential of the materials that I'm trying to sell to you (sorry!).
The (happy?) reality is that the vast majority of guitar students will be more than
occupied for the first few months of study by engaging with the process of .......
Guitar Lesson 1:
Lesson Objectives:
Before you get straight into the meat of the first lesson it is a good idea to talk a little about
what the problem is (they can't play guitar) and how the two of you are going to combine in
order to solve the problem
People like to know what's going on and like to feel that education is a process that they
participate in rather than something that is "done to them"
Ask them how they feel about the idea that the first lesson will set out to create a situation
whereby your student will be able to ...........
1. Understand the two areas (theory and technique) involved in the mastery of any musical
instrument
2. Learn the shapes of four of the chords (G, Eminor, C and D) most suitable for a novice
guitar player
Music Theory (and why we won't worry about it during early sessions)
The first of those elements mentioned above (Music Theory) covers some of the following
questions
Explain that theory is very important to a musician and let them know that these sort of
questions will be discussed during future lessons but that at the moment there is very little
point in knowing which notes and chords you would like to play if you cant physically play
them!
For that reason it's a good idea to let them know that the first lessons tend to be taken up
with developing a physical capability on the instrument.
First up give the student the handout featuring the G Em C and D chord progression.
Explain how the chord diagrams work and make sure that they know that the numbers inside
the black dots refer to the fingers used to hold down the strings.
Ask them to refer to the handout, slowly form each chord in turn and strum it once in their
own time.
Depending upon the individual this may take a little while.
During the lesson work toward a situation where the student can change between one
chord and the next one
Ask them to play the chords first in the sequence presented on the handout (G Em C and D)
and when they can do that mix the chords up a little (eg request that they play an D chord
followed by a Em chord etc)
The idea is that the pupil develops an ability to remember the fingerings and play them
without continued reference to the handout.
The handouts are great (I would say that Im trying to sell them to you!) but its no good if
the knowledge stays on the paper! Let the student know that what we are looking for is a
situation where the chord names and the fingerings are available for instant recall.
When these changes are reasonably secure let the student hear the backing track G Em C
and D
The track features drums and a bass player going around the chord sequence.
Now ask the student to strum a single chord as each change comes around. The idea
behind this is that having played a single chord the novice player has time (almost two bars)
to get ready to fret the next one.
Some students will adapt to this fairly quickly whilst others will take a little time to get to
grips with the fingerings involved.
Now might be a good time to talk to your pupil about the following notion.
You dont learn to play guitar "during" guitar lessons-you learn to play "between"
guitar lessons
If an individual was able to play everything presented to them perfectly by the end of the
lesson then it can be argued that the material was pitched way too low.
The object of a good lesson is to give the student a desirable (and achievable) outcome that
they can work towards between sessions. If you explain this to them and have them
understand it then they tend to feel a little less frustrated that they dont play everything
perfectly straight away.
For the students who pick up the changes early it is possible to introduce more involved
strumming patterns. It is a good idea at this stage to be careful to restrict the strums to the
early part of the first bar of each chord so that the learner will continue to have time to
move between the chord shapes.
Towards the end of the session give the student a copy of the backing track on CD for
private study (this usually goes down very well!) and ask them if there is anything that they
do not understand about the material studied.
Before the lesson ends give the student a copy of the handout First Guitar Chords and tell
them that it may be worth looking at the sheet before the next session as the chords used in
the next backing track (Am Dm and E) are on it. You could even use a pencil to indicate
which chords from the sheet are to be studied.
Finally: Check that your student knows what to practice before the next meeting
Lesson 2:
Three more chords and a new backing track this time with the chords of Am Dm and E
lasting for only a single bar (requiring the student to form shapes a little more quickly)
The basic guitar lesson plan above (using G Em C and D) can also be used for this
lesson. In fact it forms the basis of most of the first few months of study for a novice
guitarist. All that is really required of the teacher is that he or she presents their students with
a series of tasks which require them to change between the eight caged chords
comfortably and at will.
If you ask your customers if they would like to get to the end of (say?) a couple of months
of lessons with the basic ability to play thousands of songs (or at least recognisable
fragments of songs) then they will probably say that they would be delighted
Giving them the opportunity to develop that ability by becoming able to move between a set
of "user friendly" chords will get them there. Perhaps more importantly it will help them to
realise that they can actually become guitar players rather than just wishing that they were?
this has to be good for your business?
Lesson 3:
Beginners can use the track to practice forming the open chords of A and G (again playing
single strums with downstrokes of the plectrum). From there they can progress to playing the
same shapes with more involved strumming patterns. Later the backing track can be used for
power chords (maybe with palm muting?) before moving on to full bar chords ans solo lines.
Depending upon the tastes/aspirations of your student it is possible to keep going with the
above system of playing and changing between chords using the backing tracks or to
introduce the concept of single note playing for students who are (understandably) keen to
develop soloing skills on the guitar
The backing tracks and handouts package features a total of twenty backing tracks and
forty six handouts based around combinations of the chords that make up The Caged System
and by the time that your students have worked their way through them they will no longer be
beginners. The backing tracks can also all be used to develop players who are at a more
advanced stage by using them to develop capabilities with bar chords and soloing etc
Guitar Lesson 4:
More advanced lessons: Playing Single Notes-The Em
Pentatonic Scale
After introducing the Em Pentatonic scale it's back to the G Em C and D backing track.
You can use some of the blank guitar neck sheets with tab (a few of which can be seen
above) to help teach students short single note riffs and figures. The idea is that you teach
stuff that both you and your student are comfortable with. It's just a little bit of trial and
error really. If your student is having trouble with a lick then simplify it, conversely if they
are picking the stuff up too quickly then complicate things and challenge them a little?
Guitar Lesson 5:
Introducing Solos and improvisation: "A New Scale"(Am
Pentatonic)
Having introduced an"easy" scale using open strings it might be time to up the ante a
little with a one octave Am pentatonic scale (maybe starting at the D string at the 7th fret?)
Back to the Am Dm and E backing track for this one if you like (or the A to G progression
for a "rockier" feel?) with more use of the blank guitar neck and tab handouts that will allow
you to teach individual licks and phrases
Guitar Lesson 6:
Bending Strings: "Introducing Single Note Bends"(Am
Pentatonic)
Introduce the topic by showing the student some simple figures that rely on bending the
D note(G string 7th fret) that is contained within the Am pentatonic Scale
You can use the Am Dm E backing track or the A to G backing track for this one
Guitar Lesson 7:
Power Chords and Bar Chords:
It can be a good idea to prepare students for full bar chords by first helping them to
become familiar with two note power chords
"The bar chord root finder" sheet can be used along with the A to G backing track again.
Other backing tracks can be used as desired /applicable.
You can use the Am Dm E backing track or the A to G backing track for this one. At first ask
students to sound the power chords only once as the chord changes
Guitar Lesson 8:
Muted Power Chords: "Muting Strings at The Bridge"
Right hand muting techniques (assuming that the student is right handed) with more
involved strumming patterns (lots of downstrokes and an even eight to the bar rhythm)
As with the previous session you can use the Am Dm E backing track or the A to G backing
track for this one
The lessons above use a combination of our pre prepared handouts and backing tracks
It is important to realise that students vary quite considerably in terms of how quickly (or
slowly) they are able to develop skills or take on board information. It is quite possible
(even desirable!) that as a teacher you may feel that a particular student might benefit from
being introduced to some of the material from the next session. It is equally likely (and
indeed desirable) that you might spend more than one lesson dealing with a particular chord
sequence or fingering exercise. Please bear this in mind and regard the material presented
above as guidelines rather than a rigid structure
If you're not sure if you are ready to start teaching guitar yet you might like to look at a page
we have up here called Guitar Lessons: How Good Do You Have To Be To Teach?
You can also let your studet have printed A4 sheets containing the relevant BIG GUITAR
GRIDS (the giant chord sheets that you can download free from this site). Alternatively
you could just email the relevant chords to them as attachments and they can print them for
themselves and stick them on the wall at home (saves ink?). Either way your student will be
able to practice whilst sitting on their bed rather than having to have bits of paper lying all
over the place.
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Cheers! Rob!
More than 100 handouts featuring Scales, Open Chords, Bar chords, Power Chords,
Major, Minor, Pentatonic and Blues Scales plus loads of blank neck, chord and tab sheets to
ensure that you are never stuck for the materials that you need to get your message over?
You also get the business card designs and the guitar teacher's appointment/accounts pages to
help you to administrate and promote your business