PLUCKED INSTRUMENTS

Facsimiles &
Old Manuscripts & Incunabula PO Box 6019 FDR Station, New York NY 10150 selected editions
tel/fax 212/ 758-1946 • www.omifacsimiles.com • immels@earthlink.net 10 May 2018

Manuscript facsimiles & facsimiles of first and early editions for lute, guitar, vihuela,
mandora, cittern, & harp, together with a selection of modern editions & studies.
For ordering information go to: www.omifacsimiles.com/contactomi.html

ABONDANTE, Giulio, 1546-1587 ALDIGATTI DA CESENA, Marcantonio, 16-17th c.

951 [Intabulations, lute, book 1, 2 & 5] 2983 Grazie et affetti amorosi [canzonette a voce sola, libro secondo] (Venezia 1617).
Intabolatura di lauto. Libro primo, secondo et quinto. Monumenta Romandiola, Musica Dramatica in Aemiliae Romandiolae Civitatibus
Geneva, 1982. Oblong, 22 x 15 cm, 169, ii pp. Line-cut of the Gardano & Scotto Archivum, [Fototypice Expressa] 3. Bologna, 1979. 21 x 31 cm, ii, 28 pp. Line-cut of
editions, Venice 1546, 1548, & 1587. Only surviving books from this master. Balli, the Venice, 1627 edition. Collection of monodies for soprano and Spanish guitar
padovanas, ricercari, fantasias and transcriptions of motets and madrigals by (or keyboard) together with instrumental pieces for solo Spanish guitar in alfabeto
Willaert, Rore, Arcadelt, & Jannequin in Italian tablature with renaissance tuning. notation. Preface in It by Ivano Cavallini. Hardbound. $32
Index. Wrappers. $41
ALISON, Richard, b.?-c.1609
7113 [Intabulations, lute, book 5] 2987 The Psalmes of David in Meter 1599. Edited by Ian Harwood. [British
Il quinto libro de tabolatura da liuto, Venezia 1587. Library, K.7.f.10].
Munich, 1995. Oblong, 30 x 21 cm, 67 pp. Line-cut of the Angelo Gardano edition, English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 1. London, 2/
in Italian tablature. Venice, 1587. Wrappers. $28 1980. 26 x 37 cm, iii, 152 pp. Line-cut. A much admired collection of pieces a4,
mainly for voice and lute, but with alternative methods of performance possible.
Notated in French lute tablature, cittern tablature and mensural notation and
ADSON, John, c.1585-1640 printed in table book format. Wrappers. $88
9094 Courtly Masquing Ayres, Composed to 5. and 6. Parts, for Violins, Consorts,
and Cornets. [Christ Church Library, Oxford University]. AMAT, Juan Carlos, 1572-1642
Performers’ Facsimiles, 293. New York, [2009]. 18 x 23 cm, 6 partbooks, 88 pp. 955 [Method, guitar]
Line-cut of T. Snodham edition, London, 1621. 20 ayres in partbook format, in
mensural notation. Wrappers. $33 Guitarra española (c.1761). Complete Facsimile Edition with an Introduction
by Monica Hall. (Reproduced by Permission of the Biblioteca Nacional,
Madrid).
AGAZZARI, Agostino, 1578-1640
Monte Carlo, 1980. 10 x 15 cm, iv, 64 pp. Line-cut of the Joseph Bró edition,
2415 Del sonare sopra’l basso con tutti li stromenti e dell’uso loro nel conserto. printed in Gerona between 1761-1766. This is an expanded version of the original
Bibliotheca Musica Bononiensis, II/37. Bologna, 1985. 18 x 25 cm, 12 pp. Line-cut dating from the end of the 16th c., considered one of the earliest printed treatises
of the Siena, 1607 edition. One of first treatises to adopt figured bass. Deals with on the five-course guitar in the rasgeado style with alfabeto notation. Also see “De
chordal and single-line improvisation from a basso continuo and makes an Soto”. Wrappers. $15
important distinction between “fundamental” and “ornamental” instrumental
classes. Wrappers. $27
AMON, Johannes Andreas, 1763-1825
1818 An der Tod, mit begleitung einer obligaten Flöte und Piano-Forte oder
AGRICOLA, Martin, 1486-1556 Guittarre. Bonn s.d.
2531 Musica figuralis deudsch (1532). Im Anhang: Musica instrumentalis deudsch Archivum Musicum: L’Arte della Chitarra, 18. Florence, 1986. Oblong, 34 x 24 cm,
(1529); Musica choralis deudsch (1533); Rudimenta musices (1539). 7 pp. Line-cut of the Simrock, early 19th-c. edition. Wrappers in decorative paper.
[Bayerische Staatsbibl., Munich & Bibliothek des Alten Gymnasiums, $19
Flenburg].
Hildesheim, 1985. 10 x 16 cm, 412 pp. Line-cut of 4 of Agricola’s most famous 3189 [Divertissement, guitar, strgs, op.16]
treatises written in German. Musica instrumentalis was the second of its type
(following Virdung’s Musica getuscht, 1511). Rich with woodcut illustrations and Divertissement per chitarra, violino, viola e violoncello. Offenbach s.d.
examples in Gothic and German lute tablature. Linen. $89 Archivum Musicum: L’Arte della Chitarra, 22. Florence, 1989. 24 x 34 cm, iii, 19
pp. Line-cut of the Offenbach, n.d. edition. Introduction in It by Andrea
Sebastiani. Wrappers in decorative paper. $27
8187 Von der Lauten aus Martin Agricola’s Musica Intrumentalis Deutsch 1529.
Teil-Faksimile nach dem Exemplar im Besitz der Stadt Leipzig Städtische
Bibliotheken Musikbibliothek (Signatur I 8˚ 191). ARNE, Thomas A., 1710-1778
Lübeck, 2003. 4˚. 19 pp. Line-cut of 35 lute-related pages of Agricola’s “Musica 8920 [Comus, masque]
Instumentalis Deutsch, 1529”. Explains the German tablature system, how to tune The Songs, Duet & Trio in the Masque of Comus. Set for the Violin, German
a lute, how to choose proper strings and much more. Wrappers. $14
Flute and Harpsichord. [private collection John H. Burkhalter III].
Britannia’s Invitation: A Treasury of 18th Century English Vocal Music, 5. Hebden
AGUADO, Dionisio, 1784-1849 Bridge, 2007. 21 x 30 cm, 23 pp. Line-cut of the London, n.d. edition. Wrappers.
$20
7120 [Works, complete, v.1]
Colección de estudios (1820); Nuevo método de guitarra op.6; Biography &
Bibliography. 8918 The New Songs Sung at Vaux-Hall. [private collection John H. Burkhalter
Heidelberg, 1994. 4º, 160 pp. Line-cut of the first and early editions. Preface by
III].
Brian Jeffrey. Wrappers. $25 Britannia’s Invitation: A Treasury of 18th Century English Vocal Music, 3. Hebden
Bridge, 2007. 21 x 30 cm, 12 pp. Line-cut of the London, n.d. edition. 6 songs for
voice and bc (optional guitar accompaniment also provided). Contents: “Phillis to
7121 [Works, complete, v.2] whom”; “Hapless lover’s”; “When lately I offered”; “When Hobbinel”; “Shall I
wasting in dispair”. Wrappers. $15
Nuevo método para guitarra (1843).
Heidelberg, 1994. 4º, 192 pp. Line-cut of the first and early editions. Preface by
Brian Jeffrey. Wrappers. $25 ASIOLI, F., c.1645-1676
2130 [Scherzi, guitar]
7122 [Works, complete, v.3] Primi scherzi di chitarra, Bologna 1674.
Works with Opus Number. Archivum Musicum: Strumentalismo Italiano, 60. Florence, 1984. Oblong, 24 x 17
Heidelberg, 1994. 4º, 176 pp. Line-cut of the first and early editions. Preface by cm, 31 pp. Line-cut. 28 compositions in mixed tablature. Wrappers in decorative
Brian Jeffery. Wrappers. $25 paper. $25

7123 [Works, complete, v.4]

Works without Opus Number.
Heidelberg, 1994. 4º, 176 pp. Line-cut of the first and early editions. Preface by
Brian Jeffery. Wrappers. $25
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.2

ATTAINGNANT, Pierre, c.1494-1552 [publisher] 8117 [Suites, lute, BVW 995, 997 & 1000]
956 [Chansons, voice, lute] Stücke für Laute BWV 995, 997, 1000. BWV 997 & 1000 intavoliert von
Très brève et familière introduction pour . . . jouer toutes chansons réduictes Johann Christian Weyrauch. Reproduktion in 85% der originaler Grösse nach
en la tablature de lutz. Introduction de François Lesure. Index. der Handschrift im Besitz der Stadt Leipzig Städtische Bibliotheken
Geneva, 1988. Oblong, 15 x 11 cm, xi, 120 pp. Line-cut of the Paris, 1529 edition.
Musikbibliothek, Signatur III.11.3/III.11.5/III,11.4).
Early French collection of instrumental music with preludes and transcriptions of [Lübeck], 1999. 21 x 30 cm, viii, 26 pp. Line-cut. The copyist of BWV 995 is
35 Parisian chansons, in French lute tablature (mostly by Claudin de Sermisy). unknown; BWV 997 and 1000, copied c.1730-1740, are in the hand of Johann
Many for voice & lute and lute solo. Begins with rules for playing the instrument. Christian Weyrauch. Ring binder. $33
Wrappers. $48
92 [Suite, lute, BWV 995, G minor]
ATTEY, John, b.?-c.1640 Suite pour luth en sol mineur, BWV 995. Introduction Godelieve Spiessens.
2988 [Ayres, a4, voices/voice + lute, book 1] [Bibl. Royale Albert 1er, Brussels, Ms. Fétis 2910].
The First Book of Ayres 1622. Edited by David Greer. [British Library, Fontes Musicae Bibliothecae Regiae Belgicae, I/I. Brussels, 1981. 25 x 35 cm, 4, 10
K.7.f.10]. pp. Halftone of the autograph. Wrappers. $13
English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 2. London, 2/
1980. 26 x 37 cm, iii, 31 pp. Halftone. 14 songs in four parts which may be sung as 93 [Suite, lute, BWV 995, G minor]
solos with lute accompaniment (in Italian tablature) or as partsongs by four
voices. Wrappers. $33 Suite BWV 995. (“Pièces pour le luth à M. Schouster par J.S. Bach”).
Transcrizione e diteggiatura per chitarra (in La minore) di Oscar Ghiglia
dall’originale in Sol minore per liuto. [Bibl. Royal Albert Ier, Brussels, Fétis,
BACH, Carl Philipp Emanuel, 1714-1788 2910].
4550 [Sonata, harp, H.563/Wq.139, G major] Milan, 1976. 4º, iv, 5, 20 pp. Halftone in reduced format. Wrappers. $20
Sonata in G Major for Harp (“Solo für die Harfe”), Wq 139/H.563. Facsimile
Edition with an Introduction by Darrell M. Berg. 9138 [Prelude, lute/cembalo, BWV 995; Lute Suite no. 3, BWV 1011]
Utrecht, 1992. 4º, iv, 11 pp. Halftone of a contemporary ms copy. Wrappers. $13
Lute Suite III (BWV 1011) / Cello Suite V (BWV 995). Guitar Transcription
by Michael Lorimer.
8934 [Sonata, keyboard/harp, H.386] Pacific, 1977. 4º, 37, 10 pp. Line-cut, together with practical edition for guitar by
Sonate pour le clavecin, forte piano, orgue ou harpe qui représent le bataille de Michael Lorimer. Preface in Ger-Fr-Eng-Sp-Ger-Jap. Wrappers. $12
Bergen - 1776.
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 12 pp. Line-cut of the Paris, 94 [Suite, lute, BWV 995, G minor]
[1776] edition. Programmatic music (falsely attributed to CPE Bach according to
recent scholarship) depicting the beginning of a battle, the fire of the canons and Suite a-Moll, BWV 995. Original g-Moll. Faksimile. [Pièces pour la Luth à
musketry, the cavalry attack, and the wailing of the wounded. Wrappers. $15 Monsieur Schouster].
Musik für Gitarre. Vienna, 1979. 4º, 21, 10 pp. Line-cut, together with practical
edition for guitar by Karl Scheit. Preface in Ger-Eng-Fr-It. Wrappers. $18
BACH, Johann Sebastian, 1685-1750
9139 [Prelude, lute/cembalo, BWV 998]
95 [Suite, lute, BWV 1006a, E major]
Prelude, Fugue and Allegro (BWV 998). Guitar Transcription by Michael
Lorimer. Suite E-Dur, BWV 1006a, mit Faksimile des Autographs.
Pacific, 1977. 4º, 21, 5 pp. Line-cut, together with practical edition for guitar by Musik für Gitarre. Vienna, 1976. 4º, 22, 14 pp. Line-cut, together with practical
Michael Lorimer. Preface in Ger-Fr-Eng-Sp-Ger-Jap. Wrappers. $12 edition for guitar by Karl Scheit. Preface in Ger-Eng-Fr-It. Wrappers. $18

83 [Prelude, lute/cembalo, BWV 998] BALDANO, Giovanni Lorenzo, 1576-1660

Prelude-Fuga-Allegro, BWV 998. Mit Faksimile des Autographs. 7174 [Method on tuning the sordellina]
Musik für Gitarre. Vienna, 1981. 4º, 13, 4 pp. Line-cut, together with practical Libro per scriver l’intavolatura per sonare sopra le sordelline (Savona 1600).
edition for guitar by Karl Scheit. Preface in Ger-Eng-Fr-It. Wrappers. $15 Facsimile del manoscritto e studi introduttivi a cura di Maurizio Tarrini,
Giovanni Farris, John Henry van der Meer.
9084 [Sonatas & partitas, violin, BWV 1001-1006] Studi e Fonti per la Storia della Musica in Liguria, 2. Savona, 1995. Oblong, 21 x 30
cm, 220, 73 pp. Unique source of music (in tablature notation) for the sordellina
Sonatas & Partitas for Solo Violin BWV 1001-1006. A New Bach Series. (fols. 1-31) and buttafuoco (fols. 145-149), two instruments typical in Neopolitan
Transcribed for Guitar by Walter Dešpalj. Fingering by István Römer. circles of the 16th and 17th centuries. It is the only ms containing instructions for
Heidelberg, 2005. 4°, 123, 21 pp. Line-cut in reduced format (2 up per page) of the tuning the sordellina, a type of Italian drawing-room bagpipe. The buttafuoco is a
autograph ms, together with complete transcription for guitar. Wrappers. $40 dulcimer-like instrument. Introduction in It, with modern transcriptions of 89
works. Wrappers. $82

75 [Suites, lute, BVW 995, 997 & 1000]

BALLARD, Pierre, c.1575-1639 [publisher]
Drei Lautenkompositionen in Zeitgenössischer Tabulatur (BWV 995, 997,
1000). Faksimiledruck nach den in der Musikbibliothek der Stadt Leipzig 959 [Airs, lute, voice, books 1-6]
aufbewahrten handschriftlichen Originalen. Mit einer Einführung von Airs de différents autheurs mis en tablature de luth.
Hans-Joachim Schulze. Geneva, 1981. 8º, 6 vols, each with c.160 pp. Line-cut of the Ballard edition, Paris,
Leipzig, 1975. 23 x 33 cm, viii, 32 pp. Fine collotype. The copyist of BWV 995 is 1608-1615. Monodies (in staff notation) with lute accompaniment (in French
unknown; BWV 997 and 1000, copied c.1730-1740, are in the hand of Johann tablature) by Boesset, Guédron or Bataille himself. May be the earliest appearance
Christian Weyrauch. Coverboards in decorative paper. $55 of notes tied together by the stems, indicating that they were to be sung to one
syllable. Wrappers (single volumes also available). $186

1745 [Suites, lute, BVW 995, 997 & 1000] 954 [Airs, lute, voice, books 7-15]
Drei Lautenkompositionen in Zeitgenössischer Tabulatur (BWV 995, 997, Airs de différents autheurs mis en tablature de luth. 7e à 15e livre.
1000). Faksimiledruck nach den in der Musikbibliothek der Stadt Leipzig Geneva, 1985. 15 x 22 cm, 5 vols, 672 pp Line-cut of the Ballard edition, Paris,
aufbewahrten handschriftlichen Originalen. Mit einer Einführung von 1617-1632. Monodies (staff notation) with lute accompaniment (in French
Hans-Joachim Schulze. tablature) by Antoine Boesset & others. Sequel to the airs intabulated for lute by
Leipzig, 2/ 1979. 23 x 33 cm, viii, 32 pp. Fine collotype. The copyist of BWV 995 is Gabriel Bataille. Wrappers. (only vols. 7, 8 14-15 available)
unknown; BWV 997 and 1000, copied c.1730-1740, are in the hand of Johann
Christian Weyrauch. Coverboards in decorative paper. $45
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.3

7345 [Airs de cour, book 7, 1626 ed.] 7887 [Sonata, flute, lute, G major]
VII. livre d’airs de cour, et de differents auteurs. [Schermar-Bibliothek, Sonate à 2 G Dur für Traversflöte und Barocklaute. Reproduktion nach einer
Stadtbibliothek, Ulm]. Kopie aus der 2. Hälfte des 18. Jahrhunderts im Besitz der Stadt Leipzig
Faksimile-Edition Schermar-Bibliothek Ulm, 10. Stuttgart, 1996. 11 x 15 cm, 116 Städtische Bibliothek Musikbibliothek (Signatur III.11.6a).
pp. Line-cut of the Paris, 1626 edition. 40 airs de cour, 10 airs à boirs, and 7 airs Lübeck, 1998. Oblong, 30 x 21 cm, 18 pp. Line-cut of a contemporary manuscript
espagnols. Composers include Roy, La Reyne, Moulinié, Boesset, Richar, Boccan, copy. (Lute part in French tablature). Ring binder. $21
Boyer, Barberon, Bataille, Fevre, and others. Staff notation (voice part only).
Beautiful marbled paper boards. $26
BARTLET, John, 16-17th c.
BALLARD, Robert, c.1574-c.1650 2989 A Book of Ayres 1606. Edited by David Greer. [British Library, K.7.f.10].
7207 [Pièces, lute, book 1] English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 3. London, 2/
1980. 26 x 37 cm, iii, 48 pp. Halftone. 14 songs, in staff notation with lute
Premier livre de tablature de luth, 1611. Édition réalisée à l’occasion du accompaniment in French tablature, of which the most notable are “Go wailing
dixième anniversaire de la Société Française de Luth. Présentation par Pascale verse”, and “I heard of late that love was fallen asleep”. Wrappers. $37
Boquet et François-Pierre Goy. [Bibl. Mazarine, Paris].
Collection Dominantes. Courlay, 1995. 24 x 33 cm, 31, 96 pp. Line-cut of the Paris,
1611 edition, in French tablature. Introduction in Fr-Eng-Ger. Wrappers. $54 BASELLI, Constantino, fl.1600-1640
http://www.omifacsimiles.com/brochures/ballard_tab.html 8689 Il primo libro de sacri concerti [a una, a due, a tre & quatro voci con il basso
continuo per l’organo], Venetia, Ricciardo Amadino 1614. [Biblioteka
BANCHIERI, Adriano, 1568-1634 Jagiellońska, Krakow].
Faksimile-Edition Krakau, 4. Stuttgart, 2006. 12 x 26 cm, 5 partbooks, 160 pp.
2431 Conclusioni del suono dell’ organo. Line-cut of the Venice, 1614 edition. Rich collection of sacred concerti for all sorts
Bibliotheca Musica Bononiensis, II/24. Bologna, 1968. 17 x 25 cm, 72 pp. Line-cut of vocal combinations: 8 works a4, 3 works a3, 9 works a2 and 4 for solo voice, all
of the Bologna, 1609 edition. Set of twenty brief chapters on various musical with basso continuo and many calling for trombone or chittarone accompaniment.
subjects treated from the organist-choirmaster’s standpoint, including a review of Wrappers, in portfolio with marbled paper boards. $59
the history of the organ, a description of notable contemporary Italian organs,
organists and organ builders and a discussion of the specific uses of the organ in
church music. Cloth. $41 BASSANO, Giovanni, c.1550-d.?
9378 Madrigali et canzonette [concertate per potersi cantare con il basso, & soprano
2436 Terzo libro di nuovi pensieri ecclesiastici da cantarsi con una, e due voci in nel liuto, & istrumento da pena. Libro primo]. Venedig [Bischöfliche
variati modi nel clavicembalo tiorba, arpichitarrone. Zentralbibliothek Regensburg].
Bibliotheca Musica Bononiensis, IV/40. Bologna, 1969. 17 x 25 cm, vi, 71 pp. Faksimile-Edition Canto e Continuo, 8. Stuttgart, 2014. 22 x 33 cm, 32 pp. Line-cut
Line-cut of the Bologna, 1613 edition. Preface in It by Giuseppe Vecchi. of the Venice, 1602 edition. 14 settings for voice with lute accompaniment, Italian
Hardbound. $42 lute tablature. Hardbound, with marbled paper boards. (n.b. according to the
publisher of this facsimile there is a printing peculiarity in Regensburg exemplar
which has been retained in this facsimile; it concerns the incorrect position of the
BARBELLA, Emanuele, 1718-1777 “tavola”—table of contents—and one upside down page; the print is otherwise
completely serviceable and nothing is missing) $35
4747 [Duets, violins/mandolines, bc ad lib.]
Six Duettos for 2 Violins or 2 Mandolines with an optional Bass. A Facsimile
of the Original Printing with Notes by Neil Gladd. [Library of Congress, BATAILLE, Gabriel, c.1574-1630
Washington, D.C.]. 959 [Airs, lute, voice, books 1-6]
Arlington, 1983. 22 x 29 cm, 3 parts: ii, 34 pp. Line-cut of the Paris, late 18th-c. Airs de différents autheurs mis en tablature de luth.
edition. Wrappers. $20 Geneva, 1981. 8º, 6 vols, each with c.160 pp. Line-cut of the Ballard edition, Paris,
1608-1615. Monodies (in staff notation) with lute accompaniment (in French
tablature) by Boesset, Guédron or Bataille himself. May be the earliest appearance
BARFARK, Bálint (Valentine), 1507-1576 of notes tied together by the stems, indicating that they were to be sung to one
syllable. Wrappers (single volumes also available).
9460 [“Krakau” Ms]
Das Lautenbuch von Krakau, 1565.
Lübeck, 2011. 4°, 71 pp. Line-cut of a lute ms, the principal source for the music of BEETHOVEN, Ludwig van, 1770-1827
Bálint Barfark. Contents: Fantasia trium vocum (VB 21, V. Fantasie) ; Fantasia 4 1820 [“Adelaide”, voice & guitar, op.46, arr. W.T. Matiegka]
vocum (VB 22, VI. Fantasie) ; Fantasia 4 vocum (VB 23, VII Fantasie) / V. Bakfark;
Jesu nomen santissimum, 4 vocum (VB 24) ; Erravit sicut Ovis quae perii, 4 vocum “Adelaide” [“Einsam wandelt dein Freund im Frühlingsgarten” ]. Per voce e
(VB 25) ; Circum dederunt me viri mendaces, 4 vocum (VB 26) / Clemens non chitarra, Wien s.d.
Papa; Cantibus organicis, Christi Cecilia sponsa, 4 vocum (VB 27) ; Domine si tu Archivum Musicum: L’Arte della Chitarra, 20. Florence, 1988. 23 x 31 cm, i, 7 pp.
es, iube me venire ad te, 4 vocum (VB 28) ; Venite filii audite me, 4 vocum (VB 29) Line-cut of the early 19th-c. printed edition by Artaria. Arranged for voice and
/ Nicolaus Gomberth; Exaltabo te Domine, 4 vocum / Archadelth (VB 30); Qui guitar by Wenzeslaus Thomas Matiegka (1773-1830), one of the founder of the
habitat in adiutorio altissimi, 4 vocum (VB 31) ; Faulte dargent Dest douleur non Viennese guitar school. Introduction in It by Francesco Gorio. Wrappers in
pareille, 5 vocum (VB 32) / Josquin Depres. Ring binder. $34 decorative paper. $19

BARON, Ernst Gottlieb, 1696-1760 3203 Serenade Op.8, Arranged for Violin, Viola and Guitar by Wenceslaus
1135 Zwölf Menuetten für die Laute, von Herrn Ferdinand Seidel, samt einer Matiegka. Revised and Edited by Matanya Ophee.
Fantasie von Herrn Baron, Königl. Preußischen Lautenisten. Als eine Probe Boston, 1981. 4º, iii, 48, 6 pp. Line-cut of the Artaria, 1807 edition in reduced
eines neuen Drucks von musicalischen Caracteren für die Laute. format, together with a new practical edition (score & parts). Historical
Leipzig, 1969. 32 x 27 cm, 10 facs, iv, 16 pp. Line-cut of the Johann Gottlob introduction. Wrappers. $26
Immanuel Breitkopf edition (Leipzig, 1757); Breitkopf used here a new printing
technique–employing a precision-made highly flexible font–that helped
revolutionize 18th-c. music printing. Together with a new practical edition and
commentary in Ger by Adalbert Quadt. Quarter linen with coverboards in
decorative paper (few copies remaining). $40
http://www.omifacsimiles.com/brochures/baron.html

4194 Music for the Lute. Ernst Gottlieb Baron & Sylvius Weiss. Introduction:
Andreas Schlegel. [Koninklijke Bibl., Brussels, ms. II 4087, formerly private
library of F.J. Fétis, 2912].
Facsimile Series, III/19. Peer, 1992. 23 x 33 cm, 10, 97 pp. Halftone of a c.1770 ms
transmitting music in French lute tablature, for 12- to 13-course lute of the music
of Ernst Gottlieb Baron and Sylvius Leopold Weiss. 10 fascicles with folder. $34
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.4

6704 [Küthen, Hans-Werner] BONI, Pietro Giuseppe Gaetano, 18th c.

Beethovens und die Rezeption der Alten Musik. Die hohe Schule der 1251 [Divertimenti, violin/violone/cembalo/recorder/mandola]
Überlieferung, Symposion Bonn 2000, Congressional Report Edited by Divertimenti per camera à violino, violone, cimbalo, flauto e mandola. Roma
Hans-Werner Küthen, 2002. s.d.
Veröffentlichungen des Beethoven-Hauses, IV/16. Bonn, 2002. 8˚, viii, 312 pp. Archivum Musicum: Flauto Traversiere, 2. Florence, 1985. Oblong, 32 x 23 cm, v,
Contents: Martin Zenck, “Geschichtsreflexion und Historismus im Musikdenken 43 pp. Line-cut of the Rome, c.1717-27 editions. 12 divertimenti. Introduction in It
Beethovens”; Hans-Josef Irmen, “Beethoven, Bach und die Illuminaten”; Tomislav by Marcello Castellani. Wrappers, in decorative paper. $34
Volek, “Mozartsche Fragmente und Beethovensche Rente. Zwei historische
Tatsachen von großer Aussagekraft”; William Drabkin,” Die langsame Einleitung
zur Kreutzersonate. Form und Vorbilder”; Richard Kramer, “Beethovens Opus 90
und die Fenster zur Vergangenheit”; William Kinderman, “Rückblick nach vorn: BONPORTI, Francesco Antonio, 1672-1749
Beethovens ‘Kunstvereinigung’ und das Erbe Bachs”; Annette Monheim, “Händel 8233 [Trio sonatas, 2 violin, bc, op.4]
auf dem Weg nach Wien. Die Händel-Rezeption in Florenz, Berlin und Wien von
1760 bis 1800”; Ulrich Bartels, “Zwischen Assimilation und Provokation. Sonate da camera. Opera IV. A due violini, violone, cembalo o arcileuto.
Bemerkungen zur ‘barocken’ Beethoven-Interpretation”; Christopher Reynolds, Venezia 1703.
“Beethovens ‘Arioso dolente’ und die Frage seiner motivischen Erbschaft”; Archivum Musicum: Strumentalismo Italiano, 87. Florence, 2002. 4º, 3 partbooks,
Hans-Werner Küthen, “’Szene am Bach’ oder der Einfluss durch die Hintertür. viii, 108 pp. Line-cut of the Venice, 1704 edition. Preface in It by Daniele Valersi.
Die Bach-Rezeption der anderen als Impuls für Beethoven”; Norbert Gertsch, Wrappers. $35
“Wer verfasste die Orgelstimmen in Beethovens Messen?”. Wrappers. $65

BOSSINENSIS, Franciscus, 15-16th c.

BESARD, Jean-Baptiste, c.1567-1625
968 Tenori e contrabassi intabulati col sopran in canto figurato per cantar e sonar
9463 [Method, lute] col lauto. Libro primo.
Isagoge in artem testudinariam, 1607 [sic]. Geneva, 1977. Oblong, 22 x 15 cm, 112 pp. Line-cut of the Petrucci, 1509 edition.
Lübeck, 2006. 4°, 25 pp. Line-cut of the David Francken edition, Augsburg, 1617. Italian lute tablature and mensural notation. One of the earliest sources of Italian
Ring binder. $21 lute music. Nos. 1-70 for solo voice (in mensural notation) and lute; nos. 71-96 for
solo lute. Wrappers. $45
961 Novus partus. Isagoge.
Geneva, 1983. 4º, 148 pp. Line-cut of the Francken edition, Augsburg, 1617. 25 969 Tenori e contrabassi intabulati col sopran in canto figurato per cantar e sonar
pieces for 1 to 3 lutes in French tablature, as well as works by Reys, Galilei, col lauto. Libro secundo.
Dowland, etc. With a lute tutor. Wrappers. $60 Geneva, 1982. Oblong, 22 x 15 cm, 127, iii pp. Line-cut of the Petrucci, 1511
edition. Italian lute tablature and mensural notation. Nos. 1-56, for solo voice and
lute, are transcriptions of vocal works by Tromboncino, Pesenti, Demophon,
962 Thesaurus harmonicus avec un index. Caprioli, Cesena, etc. Nos. 57-76 are recercare for solo lute. Index. Wrappers. $55
Geneva, 2/ 1993. 22 x 30 cm, 363, ii pp. Line-cut of the Cologne, 1603 edition. One
of the richest tablatures of the time, consisting of solo lute works and vocal pieces
in staff notation with lute accompaniment in French tablature. Preludes, fantasias, BOTTEGARI, Cosimo, 1554-1620
madrigals, chansons, airs de cour, passamezzi, gaillards, allemandes, branles,
voltas, Polish dances, courantes, etc. Arrangements by Bakfark, Bocquet, 8702 Il libro di canto e liuto. The Song and Lute Book. A cura di Dinko Fabris e
Dowland, Ferrabosco, and J. Reys. Some unica. With a short set of instructions on John Griffiths. Facsimile Edition by Dinko Fabris and John Griffiths. [Ms. C
lute playing. Wrappers. $116 311, Bibl. Estense, Modena].
Bibliotheca Musica Bononiensis, IV/98. Bologna, 2006. 4°, 64, 122 pp. Facsimile of
one of the most important mss relating to the history of the lute and an early
BEYER, Johann Christian, 18th c. source of Florentine monody from the last quarter of the 16th c. Besides works for
solo lute it contains 127 pieces for voice with lute accompaniment in both
4726 Herr Prof. Gellerts Oden, Lieder und Fabeln nebst verschiedenen mensural notation and Italian tablature. Composers include Bottegari, Lasso,
französischen und italienischen Liedern, für die Laute übersetzt, Leipzig 1760. Rore, Striggio, Palestrina, Dentice, Vecchi, Primavera, Conversi, Nola, Malvezzi &
Faksimile und Übertragung herausgegeben von Rüdiger Gies und Andreas Tromboncino. Wrappers. $86
Nachtsheim.
Dausenau, 1993. Oblong, 30 x 25 cm, 2 vols, ii, 48, 36 pp. Line-cut of the Johann
Gottlieb Immanuel Breitkopf edition, Leipzig, 1760. 33 songs for Baroque lute and BOULEZ, Pierre, 1925-
voice. Together with transcription in modern notation. Hardbound. $65 8588 Le marteau sans maître. Fac-similé de l’épure et de la première mise au net de
la partition / Facsimile of the Draft Score and the First Fair Copy of the Full
Score. Édité par / Edited by Pascal Decroupet.
BIANCHINI (Rossetto), Dominico, c.1510-c.1576
Eine Publikation der Paul Sacher Stiftung. Mainz, 2005. Oblong, 38 x 30 cm. 215
964 Intabolatura de lauto. pp. Beautiful full-color facsimile edition of the autograph draft score and fair
Geneva, 1983. Oblong, 21 x 15 cm, 48 pp. Line-cut of the Antonio Gardano edition, copy, produced on the occasion of the 80th birthday of the composer. Since its
Venice, 1554, in Italian tablature (contents identical with 1546 edition). Wrappers. premiere 50 years ago at the 1955 Baden-Baden Festival, “Le marteau sans
$24 maître”, with its novel scoring (contralto, alto flute, viola, guitar, vibraphone,
xylorimba and unpitched percussion) and poetry by René Char in four of the nine
interlocked movements, has been considered one of the most outstanding serial
BISMANTOVA, Bartolomeo, 17th c. works of the postwar avantgarde. Commentators have pointed out its wonderful
hypnotic soundworld, complex rhythmic structure, and sudden bursts of
1250 Compendio musicale, Ferrara 1677. [Biblioteca Municipale di Reggio Emilia]. instrumental crossfire, creating such a demand on the performers that some fifty
Archivum Musicum: Strumentalismo Italiano, 1. Florence, 1978. 17 x 24 cm, v, 121 rehearsals were required before its premiere. This excellent facsimile offers an
pp. Line-cut of the holograph. Bismantova touches on many issues in his little exciting entry into Boulez’ “workshop”—allowing us to examine, side by side, the
compendium: notation, counterpoint, thoroughbass, and all sorts of wind, string, pencil draft score, final ink version, as well as a selection of sketch pages.
and keyboard instruments, including instructions for articulation and Handsome binding in red linen with slipcase. $254
ornamentation on wind instruments and advice on violin bowing. Wrappers in http://www.omifacsimiles.com/brochures/boulez.html
decorative paper. $33
BRENET, Michel, 1858-1918
BITTNER, Jacques, 17th c. 4189 Notes sur l’histoire du luth en France.
9093 Pièces de lut, 1702. Faksimile nach dem Druck- Exemplar der Geneva, 1973. 8º, 83 pp. (Rpt. of Turin, 1899 edition). Historical survey of the
Oberösterreichischen Landesmuseen Linz, Österreich. Herausgegeben von instrument and its virtuosi, from the 15th to 18th c. With a description of
Michael Treder, Hamburg unter Mitarbeit von Francois-Pierre Goy, Paris. important ms and printed sources. Hardbound. Ex private library, with some ink
annotations. $40
Lübeck, 2009. 21 x 30 cm, xxxiv, 39, iv. Line-cut of the Linz, 1702 edition (oblong
format), reproduced 3 up a page for ease of reading. The present edition contains
10 suites, in total 55 pieces for 11-course baroque lute. Introduction in Ger. Ring BRESCIANELLO, Gisueppe Antonio, 1690-1758
binder. $39
9461 18 Suiten für Gallichone (Mandora). Mit einem Vorwort von Andreas Koch.
Lübeck, 2015. 4°, 150 pp. Line-cut reproduction of Signatur Mus.2364-V-2 from
the Staats- und Universitätsbibliothek Dresden, a carefully executed copy of 18
suites for “colascione” (a type of lute) in the hand of Peter August (1726-1787).
Hardbound. $69 http://www.omifacsimiles.com/brochures/bres.html
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.5

BROSSARD, Sébastien de, 1655-1730 CAPIROLA, Vincenzo, 1474-d.?

2112 Dictionaire de musique, contenant une explication des termes grecs, latins, 978 [Intabulations, lute]
italiens & françois, les plus usitez dans la musique, seconde édition, 1705. Compositione di Messer Vincenzo Capirola. [Ms Newberry Library, Chicago].
Eingeleitet von Harald Heckmann. Archivum Musicum: Strumentalismo Italiano, 39. Florence, 1981. Oblong, 24 x 17
Dictionarium Musicum, 1. Hilversum, 1965. 17 x 24 cm, xviii, 390 pp. Halftone of cm, ix, 2 & 148 pp. 2-color halftone with 2 plates in full color. 42 lute intabulations,
the second edition, Paris, 1705. Cloth (also available in wrappers). $116 in Italian tablature, of sacred & secular works from the 15th c. including works by
Josquin, Brumel, Obrecht, Agricola, etc. Provides the earliest occurence of legato
and non-legato, two kinds of trills and of dynamic indications. Introduction in It
BUONANNI, Filippo, 1638-1725 by Orlando Cristoforetti. Wrappers in decorative paper. $46
http://www.omifacsimiles.com/brochures/capirola.html
2703 Descrizione degl’istromenti armonici d’ogni genere.
Leipzig, 1975. 20 x 28 cm, 256 pp. Line-cut of the Rome, 1726 edition. Extremely
informative treatise on organology with altogether 140 extended descriptions 9286 [Intabulations, lute]
provided in Italian and French. Bilingual indices. Accompanied by 142 superb
woodcuts of scenes of musicians with their instruments. Linen. $175 Vincenzo Capirola Lutebook. Compositione di Meser Vincenzo Capirola gentil
homo Bresano. Ca. 1517. [Ms Newberry Library, Chicago].
Lübeck, 2012 21.5 x 31 cm, iii, 76 pp. New full color facsimile produced two up per
CAIX D’HERVELOIS, Louis de, 1670-1760 page. 42 lute intabulations, in Italian tablature, of sacred & secular works from the
15th c. including works by Josquin, Brumel, Obrecht, Agricola, etc. Provides the
8389 [Pièces, 2 viols, book 4] earliest occurence of legato and non-legato, two kinds of trills and of dynamic
IVe livre de pièces a deux violes contenant II suites et III sonates. indications. Hardbound. $112
Musique pour Viole de Gambe, 6. Paris, 1990. 4º, vii, 41 pp. Line-cut of the http://www.omifacsimiles.com/brochures/capirola2.html
author’s edition, Paris, 1740. The bass line could also be played by harpsichord or
theorbo. Introduction in Fr/Eng by Jean-Louis Charbonnier. Wrappers. $32
CARBONCHI, Antonio, 17th c.
979 [Sonatas, Spanish guitar]
CAMERLOHR, Placidus von, 1718-1782
Sonate di chitarra spagnola, Firenze 1643; Le dodici chitarre spostate, Firenze
9429 Solo per la gallichone; Partia ex f (Gallichon, 2 violinen, Baß); Trio ex C (2 1643.
Gallichon, Violoncello). [Mss, Abtei Metten]. Archivum Musicum: Strumentalismo Italiano, 41. Florence, 1981. 20 x 28 cm, 2
Faksimile-Edition Laute, 12. Stuttgart, 2015. 26 x 33 cm, 96 pp. Full-color booklets, iii, 117 pp. Halftone and line-cut. Contains c.170 pieces in alfabeto
reproduction of three works of Camerlohr, one for solo gallichone a type of bass notation. Introduction in It by Paolo Paolini. Wrappers and slipcover in decorative
lute, and two chamber works. Handstitched folios in portfolio with decorative paper. $35
paper boards and ties. $55

CARCASSI, Matteo, c.1792-c.1853

CAMPION, François, c.1686-1748
1607 [Method, guitar]
4602 Nouvelles découvertes sur la guitarre, contenantes plusiers suittes de pièces Méthode complète pour la guitarre divisée en trois parties. Les deux premières
sur huit manières differentes d’accorder. [Library of Congress, Washington, parties contiennent: les principes élémentaires de musique, la théorie de
D.C.]. l’instrument, les exemples et les leçons nécessaires classés successivement pour
Performers’ Facsimiles, 135. New York, [1993]. 4º, 47 pp. Line-cut of the Paris, en faciliter l’application. La troisième renferme cinquante morceaux choisis de
1705 edition. French tablature. Wrappers. $20
différents caractères.
Geneva, 1972. 4º, 120 pp. Line-cut of the Paris, [1836] edition. Important guitar
CAMPION, Thomas, 1567-1620 tutor with 50 progressive pieces, including marches, waltzes, rondos, chasses,
theme & variations. Wrappers. $45
7134 [Ayres, books 1 & 2]
Two Books of Ayres. The First Contayning Divine and Morall Songs: The
Second, Light Conceits of Lovers. To be Sung to the Lute and Viols, in Two, CAROSO, Fabritio, c.1530-c.1605
Three, and Foure Parts; or by One Voyce to an Instrument. [British Library, 1644 Il Ballarino. A Facsimile of the 1581 Venice Edition.
London]. Monuments of Music and Music Literature in Facsimile, II/46. New York, 1967. 20
Performers’ Facsimiles, 106. New York, [1995]. 24 x 37 cm, 54 pp. Line-cut of the x 27 cm, 239 pp. Line-cut. One of the most famous early books on dance,
London, [1613] edition. Table book format with staff notation (vocal part) and describing and illustrating the techniques of dance as they existed at the end of
French tablature. Wrappers. $20 the 16th c. Contains a portrait of Caroso and seven copper plates of dancers by
Giacomo Franco. Highly important for music which is printed throughout both in
Italian tablature and in ordinary notation. Of particular interest are the charming
7135 [Ayres, books 3 & 4] engraved plates showing dancing couples in splendid costumes. Laid paper.
Cloth.
The Third and Fourth Booke of Ayres: So as They may be Expressed by One
Voyce, with a Violl, Lute, or Orpharion. [British Library, London].
Performers’ Facsimiles, 107. New York, [1995]. 24 x 37 cm, 44 pp. Line-cut of the CARRÉ, Antoine de la Grange, 17th c.
London, [1618] edition, in staff notation (vocal part) and French tablature. 9462 Livre de guitarre, Paris, 1671.
Wrappers. $20
Lübeck, 2012. 4º, 29 pp. Line-cut of the Paris, 1671 edition, reproduced two-up on
a page. Preludes, chaconnes, allemandes, sarabandes, folia & gigues, together
8833 [Maske, for Lord Hayes] with an instruction book written in French tablature. Comb binding. $28
The Discription of a Maske Presented before the Kinges Maiestie at
White-Hall, on Twelfh Night Last, in Honour of the Lord Hayes, and His CARULLI, Ferdinando, 1770-1841
Bride. [private collection]. 984 Méthode complète pour le décacorde, nouvelle guitare, op.293.
Performers’ Facsimiles, 259. New York, [2007]. 17 x 23 cm, 40 pp. Line-cut of the Archivum Musicum: L’Arte della Chitara, 14. Florence, 1981. 23 x 30 cm, 78 pp.
London, 1607 edition, in staff notation (vocal part) and French tablature. 22 pages Line-cut. Carulli’s method for the ten string guitar. Wrappers in decorative paper.
of texts, followed by 11 pages of music numbered I, II, III, IV, V, some notated in $20
table book format. Wrappers. $15

985 Scelta di opere per due chitarre.

3473 [Maske, for Somerset]
Archivum Musicum: L’Arte della Chitarra, 2. Florence, 1981. 23 x 30 cm, 22 parts,
The Masque at the Earl of Somerset’s Marriage, 1614. xvi, c.150 pp. Line-cut of the first edition. Contains Andante et Rondeau de
A Scolar Press Facsimile [= English Lute Songs, 7]. London, 1973. 17 x 21 cm, viii, Mozart, op.167; Trois airs variés, op.166; Larghetto et Variations de Mozart,
28 pp. Line-cut of the London, 1614, in staff notation (vocal part) and French op.164; Fantaisie tirée des ouvrages de Beethoven, op.157; Andante varié et
tablature. Introduction by Peter Holman. Wrappers. $18 Rondeau de Beethoven, op.155; Symphonie d’Haydn, op.152; Duo brillant, op.133;
Nocturne concertant, op.118; Fantaisie, op.117; Trois duos, op.62; and Grand duo
concernant. Introduction in It by Paolo Paolini. Wrappers in decorative paper
with slipcover. $46
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.6

CASA, F. dalla, 18th c. CONRADI, Johann Gottfried, b.?-1747

2167 [Sonatas, archlute; Rules] 7885 Neue Lautenstücke, 1724. [als Preludes, Allemands, Courants, Giques,
Sonate di celebri auttori per l’arcileuto francese / Regole di musica. Ms. Menuets, etc.]. Reproduktion (in 90% der originalen Grösse) nach dem
Bologna. Exemplar im Besitz der Stadt Leipzig Städtische Bibliotheken (Signatur
Archivum Musicum: Strumentalismo Italiano, 62. Florence, 1984. Oblong, 30 x 23 III.10.34).
cm, vi, 149 pp. Line-cut of a c.1769 ms copy. Introduction in It by Orlando Lübeck, 1998. Oblong, 30 x 21 cm, 13 pp. Line-cut of the Frankfurt an der Oder,
Cristoforetti. Wrappers in decorative paper. $42 1724 edition. French tablature notation. Ring binder. $25

CASTRO DE GISTAU, Salvador, 1770-d.? COPERARIO, John, c.1575-1626

1011 Opere scelte. Seguidillas & boleros, avec accompagnement de guitare, op. 1, 3, 2995 Funeral Tears 1606. Edited by David Greer.
19; Œuvres choisies pour guitare seule, op. 7, 9, 10, 12, 17, 18. English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 9. London, 2/
Archivum Musicum: L’Arte della Chitarra, 7. Florence, 1987. Oblong, 30 x 23 cm, 2 1978. 26 x 37 cm, iii, 20 pp. Line-cut of the London, 1606 edition, in table book
partbooks, 89 pp. Line-cut of the Paris, n.d. editions. Wrappers in decorative format. For 2 voices, lute and bass viol. In French tablature with vocal part(s) and
paper with slipcover. $26 bass part in staff notation. Wrappers. $32

CAVENDISH, Michael, c.1565-1628 2996 Songs of Mourning 1613. Edited by David Greer.
2994 14 Ayres in Tabletorie to the Lute 1598. Edited by David Greer. English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 10. London,
1978. 26 x 37 cm, iii, 20 pp. Line-cut of the London, 1613 edition, in French
English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 8. London, 2/ tablature with vocal part in staff notation. Wrappers. $31
1980. 27 x 37 cm, iii, 46 pp. Line-cut of the London, 1598 edition, in table book
format. French tablature with vocal part in staff notation. Wrappers. $42
CORBETTA, Francesco, c.1614-1681
CAZZATI, Maurizio, c.1620-1677 993 [Guitarre royalle, dedicated: Charles II]
1257 [Correnti & balletti, strings, bc, op.4] La guitarre royalle [dediée au Roy de la Grande Bretagne composée par
Correnti, balletti, galiarde a 3. è 4. Francisque Corbett, gravée par H. Bonneüil].
Monumenta Bononiensia, Fototypice Expressa, 12. Bologna, 1971. 16 x 22 cm, 4 Geneva, 2/ 1993. 22 x 30 cm, 102 pp. Line-cut of the Paris, 1670 edition in upright
partbooks, 118 pp. Line-cut of the Francesco Magni edition, Venice 1659. 31 pieces format. Courantes, sarabands, allemandes, & preludes; ends with 4 vocal pieces
in partbooks (vln I-II, violone, & spinetta/chitarone) in one vol. Laid paper. Cloth. with guitar accompaniment. Alfabeto, mixed and Italian tablature. Wrappers. (out
$46 of print - included only for bibliographic reference)

1179 [Trattenimenti per camera, strings, bc, op.22] 994 [Guitarre royalle, dedicated: Louis XIV]
Trattenimenti per camera [d’arie, correnti, e balletti, a due violini, se piace, con La guitarre royalle [dediée au Roy composée par Francisque Corbet, gravée par
passacaglio, ciaccona, & un capriccio sopra 12 note, Opera XXII]. H. Bonneüil].
Monumenta Bononiensia, Fototypice Expressa, 13. Bologna, 1971. 16 x 22 cm, 4 Bibliotheca Musica Bononiensis, IV/185. Bologna, 2/ 1983. Oblong, 25 x 18 cm, 63
partbooks, 74 pp. Line-cut of the Antonio Pifarri edition, Bologna, 1660. 26 pieces pp. Line-cut of the Paris, 1674 edition, in oblong format. Totally different set of
in partbook (vln I-II, spinetta, violine/tiorba), in one vol. Hardbound. $43 pieces from the 1670 edition, in a different style. Alfabeto, mixed and Italian
tablature. Laid paper. Wrappers. $39
http://www.omifacsimiles.com/brochures/corbetta.html
CERONE, Pietro, c.1560-1625
9151 El melopeo y maestro : (Napoles, J.B. Gargano y L. Nucci, 1613) / Pedro 995 [Guitarre royalle, dedicated: Louis XIV]
Cerone ; Antonio Ezquerro Esteban, ed. Pièces pour deux guitares da “La guitarre royale”, Paris 1674.
Monumentos de la Música Española, 74. Madrid, 2007 23 x 32 cm, 2 vols: 1392 pp. Archivum Musicum: Strumentalismo Italiano, 52. Florence, 1983. Oblong, 24 x 17
Line-cut of the Naples, 1613 edition based on exemplars preserved in the cm, 2 booklets, v, 37 pp. Line-cut of the first twelve numbers from Guitarre
Biblioteca “Jose Maria Lafragua” de la Benmerita Universidad Autonoma de royalle, 1674, together with a halftone reproduction of a detached booklet
Puebla (Puebla de los Angeles, Mexico), and in the Biblioteca Publica del Estadoo containing their “contraparties”–not reproduced in the above edition–thus
“Fray Francisco de Burgoa” de la Universidad Autonoma “Benito Juarez” de completing these two-voice works. Alfabeto, mixed and Italian tablature.
Oaxaca (Oaxaca, Mexico). Huge synthesis of musical-theoretical topics divided Introduction in It by Paolo Paaolini. Wrappers, in decorative paper and slipcase.
into 22 books. Deals with plainsong, mensural theory, vocal and instrumental $27
variation, counterpoint, canon & fugue, problems of composition, mensuration
and “tonality”. The last book deals with musical enigmas and puzzle canons.
Contains numerous references to composers and detailed musical examples, 9325 Scherzi armonici. [trouvati, e facilitati in alcune curiosissime suonate sopra la
including a careful analysis of Palestrina’s Missa L’homme armé. Hardbound.
$295 chitara spagnuola]. Bologna /Giacomo Monti und Carlo Zenero 1639.
[Bologna, Biblioteca G.B. Martini].
Faksimile-Edition Laute, 11. Stuttgart, 2013. 16 x 22 cm, 84, 7 pp. Line-cut of the
CERRETO, Scipione, c.1551-c.1633 1639 edition. Alfabeto, with some Italian tablature. Afterword in Eng by Claire
Fontijn, with transcription/translation of Corbetta’s foreword. Hardbound with
1634 Della prattica musica, vocale, et strumentale. [Civico Museo Bibliografico decorative paper boards. $28
Musicale, Bologna]. http://www.omifacsimiles.com/brochures/corbetta_sch.html
Bibliotheca Musica Bononiensis, II/30. Bologna, 2/ 2003. 16 x 22 cm, v, 344 pp.
Line-cut of the Naples, 1601 edition. Preface in It by Giuseppe Vecchi. Cloth. $87
996 Varii capricii per la ghittara spagnuola, Milano 1643.
Archivum Musicum: Strumentalismo Italiano, 33. Florence, 1980. Oblong, 28 x 15
CIANCARLI, Heteroclito, fl.1602 (= Giancarli) cm, vii, 82 pp. Line-cut. Introduction in It by Paolo Paolini. Mixed tablature.
9479 Compositioni musicali [intavolate per cantare et sonare nel liuto]. Venedig, Wrappers in decorative paper. $33
Giacomo Vincenti 1602. [Regensburg, Bischöflichen Bibliothek].
Faksimile-Edition Canto e Continuo, 9. Stuttgart, 2015. 21 x 33 cm, 48 pp. Line-cut 997 Varii scherzi di sonate per la chitara spagnola, Bruxelles 1648.
of the Venice, 1602 edition. Collection of 19 songs with Italian lute tablature, Archivum Musicum: Strumentalismo Italiano, 51. Florence, 1983. Oblong, 24 x 17
interestingly referred to as “Motetti, e Mad[rigali]” on the footer of each cm, vi, 87 pp. Line-cut of the Brussels, 1648 edition. Introduction in It by Paolo
gathering. Published the same year as Caccini’s Le nuove musiche, these two Paolini. Mixed tablature. Wrappers in decorative paper. $26
collections—in the words of John Griffiths—are the meeting place of the old
“oral” tradition and the new declamatory style. Giancarli’s music has never been
studied or performed since the early 17th c. Hardbound, with boards in
decorative paper. $40 http://www.omifacsimiles.com/brochures/giancarli.html

COLONNA, Giovanni Ambrogio, 17th c.

991 Intavolatura di chitarra spagnuola.
Bibliotheca Musica Bononiensis, IV/182. Bologna, 1978. 16 x 22 cm, 71 pp.
Line-cut of the Dionisio Garibaldi edition, Milan, 1637. In alfabeto notation. This
publication combines material from earlier books and adds 14 new ones. Laid
paper. Cloth. $35 http://www.omifacsimiles.com/brochures/colonna.html
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.7

9423 [Varii scherzi] 1007 [Works, v.8, ob/fl/vln, guitar, op.25, 36, 33b, 34a]
[Guitarra española y sus diferencias de sones] zwischen 1650 und 1660. Works for Oboe (Flute or Violin) & Guitar. Edited and Arranged by Simon
Faksimile-Ausgabe. Herausgeber: Matthias Otto Schneider. Vorwort: Monica Wynberg. [Op.25, 36, 33b, 34a].
Hall und Lex Eisenhardt. The Guitar Works of Napoleon Coste, VIII. Heidelberg, 2/ 1986. 4º, v, 28 pp. New
Frankfurt, 2006. Oblong, 21 x 14 cm, 35, 84 pp. Line-cut facsimile of a recently edition. Wrappers. $21
rediscovered manuscript of Corbetta’s Varii scherzi di sonate (Brussels, 1648).
This unusual “hispanified” copy came to light in 1991. Besides the music from the
original edition it includes 3 other pieces by Corbetta (preludium in G minor, 1008 [Works, v.9, guitar, op.11, 14, 24, 28b, 28c]
brando in Bb major & almanda in Bb major), an untitled piece, 2 additional
variations for his own set of folia variations, and 3 unattributed “Spanish” pieces. Unpublished Solo Works. Editor: Simon Wynberg. [Op.11, 14, 24, 28b, 28c,
Commentary in Ger-Eng. A careful and elegantly edited facsimile. Wrappers. $47 and Works without Opus No.].
http://www.omifacsimiles.com/brochures/corbetta_dlg.html The Guitar Works of Napoleon Coste, IX. Monaco, 1983. 4º, xv, 60 pp. New edition
of the unpublished guitar works. Wrappers. (Practical edition). $30

CORIANDOLI, Francesco, b.?-1670

998 [Sonatas, Spanish guitar] COUSINEAU, Jacques Georges, 1760-1824
Diverse sonate ricercate sopra la chitarra spagnuola, Bologna 1670. 1775 Méthode de harpe (Paris, c.1786).
Archivum Musicum: Strumentalismo Italiano, 34. Florence, 1981. Oblong, 24 x 17 Monuments of Music and Music Literature in Facsimile, II/86. New York, 1968.
cm, iii, 36 pp. Line-cut of the Giacomo Monti edition. Introduction in It by Paolo Line-cut of the Paris, c.1786 edition. Laid paper, clothbound.
Paolini. Mixed tablature. Wrappers in decorative paper. $25
CRAMER, John Baptist, 1771-1858
CORKINE, William, 16-17th c. 4950 [Duets, harp & piano/harpsichord, op.45]
2997 Ayres to Sing and Play to the Lute. 1610. Edited by David Greer. [British Duett for the Harp & Piano Forte. Op.45.
Library, London]. Biblioteca Classica, 15. Rotterdam, 1986. 4º, 2 parts, 30 pp. Line-cut of the Birchall
English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 11. London, 2/ edition, London, c.1810. Wrappers. $22
1978. 26 x 37 cm, iii, 25 pp. Line-cut of the London, 1610 edition. 12 songs for
voice, lute (French tablature) and bass viol, in table book format, plus 6 lessons for
the lyra viol, notated in tablature. Wrappers. $31 CRIVELLATI, Domenico, 16-17th c.
7750 [Cantatas, 1-3 voices, bc]
2998 The Second Booke of Ayres 1612. Edited by David Greer. Cantate diverse a una, due, e tre voci. Con l’intavolatura per la chitarra
English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 12. London, 2/ spagnola in quelle più approposito. [British Library, London].
1977. 26 x 37 cm, iii, 36 pp. Line-cut of the London, 1612 edition, in regular and Faksimile-Edition Canto e Continuo, 4. Stuttgart, 1999. 22 x 34 cm, 28 pp. Line-cut
table book format. Songs (staff notation) with lute accompaniment in French of the Rome, 1628 edition. Sixteen cantatas a1, five a2, and two a3. Alfabeto
tablature. 1 duet for lyra-viol as well as a number of solos for lyra-viol, equally notation. Wrappers. $24
appropriate for lute. Wrappers. $36

DANYEL, John, 1564-c.1625

COSTE, Napoléon, 1806-1883
2999 Songs for the Lute 1606. Edited by David Greer.
8875 [=Works, v.1, guitar, Études de genre, op.38]
English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 13. London, 2/
25 études de genre op.38 pour la guitare. Reprint of the 2nd. Richault Edition, 1977. 26 x 37 cm, iii, 44 pp. Line-cut of the London, 1606 edition, in table book
c.1880. [Edited by Simon Wynberg]. format. For up to 4 voices (in staff notation) with lute accompaniment in French
Heidelberg, 2006. 4º, vi, 41 pp. Line-cut of the Paris, c.1880, 2nd edition (”edition tablature. The bass part is probably played by the bass viol. Wrappers. $40
revue et corrigée”). Wrappers. $13
DEROSIER, Nicolas, 17th c.
1001 [Works, v.2, guitar, op.2-7, 9] 1016 [Method, guitar]
Published Solo Works, Opus Nos. 2-7, 9. Editor: Simon Wynberg. Les principes de la guitarre. [Civico Museo Bibliografico Musicale, Bologna].
The Guitar Works of Napoleon Coste, II. Monaco, 1981. 4º, ix, 64 pp. Line-cut of Bibliotheca Musica Bononiensis, IV/213. Bologna, 1975. Oblong, 22 x 16 cm, 12 pp.
the 19th-c. editions. Wrappers. $30 Line-cut of the Amsterdam, 17th-c. edition, in French tablature. Various tables
illustrating notational conventions, together with 12 short chaconnes in minor
keys. Laid paper. Cloth. $21
1003 [Works, v.4, guitar, op.27, 28a, 29-31, 33a, 39-41] http://www.omifacsimiles.com/brochures/derosier.html
Published Solo Works, Opus Nos. 27, 28(a), 29-31, 33(a), 39-41. Editor:
Simon Wynberg. DIABELLI, Anton, 1781-1858
The Guitar Works of Napoleon Coste, IV. Monaco, 1981. 4º, xiv, 77 pp. Line-cut of
the 19th-c. editions. Wrappers. $30 8110 Trauermarsch auf den Tod des Herrn Michael Haydn vorgelegt von Gerhard
Walterskirchen. [private collection].
Denkmäler der Musik in Salzburg, Faksimile-Ausgaben, 7. Salzburg, 1998. 26 x 38
1004 [Works, v.5, guitar, op.42-49] cm, 6, ii pp. Halftone of the Vienna, 1806 edition. Introduction in Ger. Wrappers.
Published Solo Works, Opus Nos.42-49. Edited by Simon Wynberg. $11
The Guitar Works of Napoleon Coste, V. Heidelberg, 2/ 1992. 4º, ix, 64 pp.
Line-cut of the 19th-c. editions. Wrappers. $30 DIEUPART, Charles, c.1670-c.1740
5542 [Suites, harpsichord; or, vln/rec, viol/archlute, bc]
1005 [Works, v.6, guitar, op.50-53] Six suites pour clavecin. Publiées par Paul Brunold. Avec le fac-similé des
Published Solo Works, Opus. Nos. 50-53. Editor: Simon Wynberg. parties originales du XVIIIe siècle pour violon ou flûte et basse chiffrée (viole
The Guitar Works of Napoleon Coste, VI. Monaco, 1981. 4º, x, 64 pp. Line-cut of ou archiluth). Révision par Kenneth Gilbert.
the 19th-c. editions. Wrappers. $30 Monaco, 1990. 4º, 2 partbooks 32, 64 pp. Newly revised critical edition of the
original suites for harpsichord alone (Amsterdam, 1701), and line-cut facsimile of
the optional Roger parts for violin or recorder and viol or archlute, mises en
1006 [Works, v.7, 2 guitars, op.10, Duetto, Grand Duo] concert (Amsterdam, 1711). Wrappers. $69
Music for Two Guitars. Edited by Simon Wynberg. [Op.10, Duetto WoO,
Grand Duo WoO]. 4353 [Suites, vln/rec, viol/archlute, bc]
The Guitar Works of Napoleon Coste, VII. Heidelberg, 2/ 1991. 4º, vii, 43 pp. New
edition. Wrappers. $25 Six suittes de clavessin divisées en ouvertures, allemandes, courantes,
sarabandes, gavottes, menuets, rondeaux & gigues. Pour un violon & flûte
avec une basse de viole & un archilut.
Münster, 1990. 4º, 2 partbooks: i, 49 pp. Line-cut of the Roger partbooks,
(Amsterdam, 1711), for violin or recorder and viol or archlute. Wrappers. $28
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.8

DONI, Giovanni Battista, 1594-1647 4766 [Songs, voices/viols, lute, book 2]

3732 Lyra Barberina. The Second Booke of Songs or Ayres of Foure Parts, with Tableture for the
Bibliotheca Musica Bononiensis, II/151. Bologna, 1974. 22 x 32 cm, 2 vols: 858 pp. Lute. [Folger Shakespeare Library, Washington, D.C.].
Line-cut of the Antonio Francesco Gori edition (Florence, 1763). Description of Performers’ Facsimiles, 128. New York, [1994]. 24 x 35 cm, 49 pp. Line-cut of the
Doni’s newly invented instrument and history of the Greek lyre, kithara and Thomas Este edition (London, 1600), in table book format. 22 songs a2, a4 & a5
similar instruments, the most ambitious history of these instruments ever written. with lute/orpharion/viol accompaniment. French tablature. Wrappers. $20
Laid paper. Cloth, in 2 vols. $292 http://www.omifacsimiles.com/brochures/dowland_ayres.html

3733 Palisca, Claude V. 3004 [Songs, voices/viols, lute, books 3 & 4]

G.B. Doni’s Lyra Barberina. Commentary and Iconographical Study; The Third and Last Booke of Songs or Ayres 1603. Edited by Diana Poulton.
Facsimile Edition with Critical Notes. [Folger Shakespeare Library, Washington, D.C.].
Bibliotheca Musica Bononiensis, II/151b. Bologna, 2/ 1981. 17 x 25 cm, viii, 194 English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 17. London, 2/
pp. Critical commentary to Lyra Barberina, with numerous plates and a facsimile 1985. 26 x 37 cm, iii, 47 pp. Line-cut of the Thomas Adams edition, London, 1603,
of the chapters specifically on the “lyra Barberina”. Cloth. $93 in table book format. 21 songs a4 & 5, with lute/orpharion/viol accompaniment.
French tablature. Wrappers. $34
DOWLAND, John, 1562-1626
4767 [Songs, voices/viols, lute, books 3 & 4]
8372 The Folger “Dowland” Manuscript. Washington, Folger Shakespeare Library,
Ms. V.b.280. Introduction by John Robinson. The Third and Last Booke of Songs or Aires. [Folger Shakespeare Library,
The Lute Society Facsimiles, 3. Guildford, 2003. 4º, 78 pp. Halftone. Contains Washington, D.C.].
autograph pieces by John Johnson and John Dowland, and includes pieces by Performers’ Facsimiles, 129. New York, [1994]. 24 x 35 cm, 47 pp. Line-cut of the
Newman, Allison, and Robert Dowland and some fragments, altogether 75 Thomas Adams edition, London, 1603, in table book format. 21 songs a4 & 5, with
compositions. Mostly for 6-course, some for 7-course lute, notated in French lute/orpharion/viol accompaniment. French tablature. Wrappers. $20
tablature. Wrappers. $44 http://www.omifacsimiles.com/brochures/folger.html http://www.omifacsimiles.com/brochures/dowland_ayres.html

4449 Lachrimae [1604]. A Reproduction of the Copy Owned by Robert Spencer. DOWLAND, Robert, c.1586-1641
With the Commentary by Warwick Edwards for the 1974 Reproduction of the 3958 A Musical Banquet. Furnished with Varietie of Delicious Ayres, Collected
Manchester P.L. Copy and Additional Notes 1991 by Stewart McCoy and Out of the Best Authors in English, French, Spanish and Italian. [Library of
Robert Spencer. Congress, Washington, D.C.].
Musical Sources, 5. Aberystwyth, 1992. 23 x 33 cm, 8, 49 pp. Halftone of the Performers’ Facsimiles, 59. New York, [1990]. 24 x 37 cm, 45 pp. Line-cut of the
London, 1604 edition. 21 pieces for 5 strings with nine-course Renaissance lute in London, 1610 edition, in table book format. Pieces for 2-4 voices with lute
old tuning (French tablature). Collection comprises the 7 pavans based on accompaniment in French tablature. 1 galliard for solo lute by John Dowland.
“Lachrimae” (Dowland’s most celebrated composition and the most widely Wrappers. $25 http://www.omifacsimiles.com/brochures/dowlandr.html
known melody at that time), 3 other pavans, 9 gailliards and 2 almands. Printed in
table-book format. Some pieces can be played as lute solos. Wrappers. $38
7447 Varietie of Lute-Lessons: viz. Fantasies, Pavins, Galliards, Corantoes, and
7580 Lachrimae. Volts: Selected out of the Best Approved Authors, as Well beyond the Seas as
Performers’ Facsimiles, 209. New York, [1998]. 22 x 33 cm, 49 pp. Line-cut of the of Our Own Country. [Library of Congress, Washington, DC].
London, 1604 edition. 21 pieces for 5 strings with nine-course Renaissance lute in Performers’ Facsimiles, 159. New York, [1997]. 24 x 37 cm, 71 pp. Line-cut of the
old tuning (French tablature). Collection comprises the 7 pavans based on London, 1610 edition. Solo lute music in French tablature. Wrappers. $25
“Lachrimae” (Dowland’s most celebrated composition and the most widely
known melody at that time), 3 other pavans, 9 gailliards and 2 almands. Printed in
table-book format. Some pieces can be played as lute solos. Wrappers. $20 DURANT, Paul Charles, 17-18th c.
http://www.omifacsimiles.com/brochures/dowland_ayres.html
4742 Gesamtausgabe Solo- und Kammermusik-Werke für Laute Paul Charles
Durant herausgegeben von Joachim Domning.
7325 A Pilgrimmes Solace. Wherein is Contained Musicall Harmonie of 3.4. and 5. Hamburg, 1986. Oblong & upright, 31 x 20 cm, 8 books, iii, c.106 pp. Line-cut.
Parts, to be Sung and Plaid with the Lute and Viols. Contains Sonata a-moll, Carillon F-Dur, Duo für Laute & Violine g-moll,
Performers’ Facsimiles, 195. New York, [1996]. 24 x 35 cm, 47 pp. Line-cut of the Ragazada D-Dur, Concerto C-Dur für obligate Laute, obligates Cembalo, obligates
London, 1612 edition. Table-book format. Up to 4 voices (in staff notation) with Violoncello und Streichquartett, Concerto F-Dur Laute & Streichquartett.
lute accompaniment in French tablature. Contains “Lacrimae”, version for solo Wrappers. $115
lute. Wrappers. $20
http://www.omifacsimiles.com/brochures/dowland_ayres.html
DUSSEK, Jan Ladislav, 1760-1812
8796 [Duet, harp & piano/2 pianos, op.26]
3002 [Songs, voices/viols, lute, book 1, 1613 ed.] Duetto pour harpe et piano, ou pour deux pianos. Présentation par Fabienne
The First Booke of Songs 1613. Edited by Diana Poulton. [British Library, Leloup (Ce.F.E. de M. Île-de-France). [British Library, London].
London]. Collection Dominantes. Courlay, 2006. 24 x 34 cm, 2 parts, viii, 20 pp. Line-cut of
English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 15. London, 3/ the London, c.1796 edition. Introduction in Fr-Eng-Ger. Wrappers. $21
1985. 26 x 37 cm, iii, 48 pp. Line-cut of the Humfrey Lownes edition (London,
1613), in table book format. Believed to represent Dowland’s own revisions. 21
songs a4 with lute/orpharion/viol accompaniment, plus 1 galliard for two lutes. 8682 [Duo concertant, harp, piano, op.36]
French tablature. Wrappers. Ex-library copy. $35
Duo pour harpe et piano, opus 36 c.1804-1805). Présentation par Jehanne
Drai (Ce,F.E. de M. Île-de-France). [Bibl. Nationale, Paris].
4765 [Songs, voices/viols, lute, book 1, 1613 ed.] Collection Dominantes. Courlay, 2006. 33 x 24 cm, 2 parts, vii, 14 pp. Line-cut of
The First Booke of Songs or Ayres of Foure Parts, with Tableture for the Lute. the Paris, [1804/5] edition. Introduction in Fr-Eng-Ger. Wrappers. $18
[British Library, London].
Performers’ Facsimiles, 127. New York, [1994]. 24 x 35 cm, 47 pp. Line-cut of the 8683 [Duo concertant, harp, piano, op.73]
Humfrey Lownes edition (London, 1613), in table book format. Believed to
represent Dowland’s own revisions. 21 songs a4 with lute/orpharion/viol Duo concertant pour harpe et piano, opus 73, 1810. Présentation par les
accompaniment, plus 1 galliard for two lutes. French tablature. Wrappers. $20 étudiants du Ce.F.E. de M. Île de France. [Bibl. Nationale, Paris].
http://www.omifacsimiles.com/brochures/dowland_ayres.html Collection Dominantes. Courlay, 2006. 33 x 24 cm, 2 parts, 52 pp. Line-cut of the
Paris, [1810] edition. Introduction in Fr-Eng-Ger. Wrappers. $29
3003 [Songs, voices/viols, lute, book 2]
The Second Booke of Songs or Ayres 1600. Edited by Diana Poulton. [Folger ECCLES, John, c.1668-1735
Shakespeare Library, Washington, D.C.]. 8260 A Collection of Songs. For One, Two and Three Voices Together with Such
English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 16. London, 3/ Symphonys for Violins or Flutes as Were by the Author Design’d for any of
1985. 26 x 37 cm, iii, 50 pp. Line-cut of the Thomas Este edition (London, 1600), in Them. And a Thorough-bass to Each Song Figur’d for an Organ. Harpsicord
table book format. 22 songs a2, a4 & a5 with lute/orpharion/viol accompaniment.
French tablature. Wrappers. $36 or Theorbo-Lute.
Huntingdon, c.1994. 4º. Line-cut of the London, 1704 edition. Wrappers. $49
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.9

FALCKENHAGEN, Adam, 1697-1761 FERRABOSCO, Alfonso, c.1572-1628

4736 [Complete works in facsimile] 3006 Ayres 1609. Edited by David Greer.
Gesamtausgabe Band I: Werke für Laute Solo herausgegeben von Joachim English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 20. London, 2/
Dommning. 1978. 27 x 37 cm, iii, 38 pp. Line-cut of the London, 1609 edition, in French
tablature. Wrappers. $32
Hamburg, 2/ 1985. Oblong, 30 x 21 cm, v, 57 pp. Line-cut. Contains 6 Sonaten für
Laute Solo, Erstes Dutzend geistlicher Gesänge, Bayerische Staatsbibl. Ms 5362
(Menuett alternement F-Dur, Menuett D-Dur), Germanisches Nationalmuseum FERRARI, Giacomo Gotifredo, 1763-1842
Nürnberg MS 25461 (Prelude B-Dur, Tempo di Menuett D-Dur, Partie C-Dur,
Partie C-Dur, Partie B-Dur, Larghetto D-Dur). Wrappers. $34 8730 [Duet, harp & piano/2 pianos, op.20]
2nd Duett for the Harp & Piano Forte or Two Piano Fortes, op.20.
4737 [Complete works in facsimile] Biblioteca Classica, 179. Utrecht, 2006. 4º, 2 parts, 22 pp. Line-cut of the London,
[after 1830] edition. Wrappers. $28
Gesamtausgabe Band II: Werke für Laute Solo herausgegeben von Joachim
Domning.
Hamburg, 1981. 21 x 30 cm, iii, 63 pp. Line-cut. Contains 6 Sonaten à Liuto solo FIORINO, Gasparo, 16th c.
op.2, Staats- & Stadtbibl. Augsburg Ms. 2º Tonkunst Fasz. III (No. 6 Fuga A-Dur,
No. 37 duo für 2 Lauten F-Dur, Nr. 51 Preludio nel quale sono contenuti tutti i 2798 La nobilità di Roma: versi in lode di cento gentildonne romane et le vilanelle à
tuoni musicali). Wrappers. $34 tre voci.
Monumenta Romana, Fototypice Expressa, 1. Bologna, 1970. 16 x 22 cm, 87 pp.
Line-cut of the Scotto edition, Rome, 1571. 31 settings for 3 voices in staff notation
4738 [Complete works in facsimile] with lute/theorbo accompaniment in Italian tablature. Laid paper. Hardbound.
$40
Gesamtausgabe Band III: Kammermusik für Laute herausgegeben von Joachim
Domning.
Hamburg, 1982. 21 x 30 cm, 3 books, iv, 99 pp. Line-cut. Contents: Sei concerti à FORD, Thomas, c.1580-1648
Liuto, Traverso, Oboe a Violino e Violoncello, opera nuove [op. 4], Concerto
F-Dur für Laute und Streichquartett – Augburg Staats- & Stadtbibl., Tonkunst 2º 3007 Musicke of Sundrie Kindes 1607. Edited by David Greer.
Fasz. III No. 37, Concerto g-moll für Laute und Streichquartett – Brussels, Königl. English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 21. London, 2/
Bibl. Albert I Ms. II 4086. Wrappers. $52 1978. 27 x 37 cm, iii, 48 pp. Line-cut of the London, 1607 edition, in table book
format. Songs a2 and a4 with lute/orpharion/viol accompaniment. Duets for
lutes/viols. French tablature. Wrappers. $34
4739 [Complete works in facsimile]
Gesamtausgabe Band IV: Nachträge und Dokumente herausgegeben von 7634 Musicke of Sundrie Kindes Set Forth in Two Books. [British Library, London].
Joachim Domning.
Performer’s Facsimiles, 219. New York, [1998]. 25 x 36 cm, 48 pp. Line-cut of the
Hamburg, 1985. 21 x 30 cm, iv, 49, 8 pp. Line-cut. Contains the lute part only from London, 1607 edition, in table book format. Songs a2 and a4 with
Sei Concerto à Liuto, Traverso, Oboe o Violoncello, op.3, Concerto für Laute, lute/orpharion/viol accompaniment. Duets for lutes/viols. French tablature.
Cembalo und Bass, B-Dur (Musikbibl. der Stadt Leipzig, Ms. III.II.46c, plus Wrappers. $20
additional works not contained in vols. 1-3 of theGesamtausgabe. Indices.
Wrappers. $32
FOSSA, François de, 1775-1849
8350 Sonate di liuto solo, opera prima, 1740. Facsimile of Leipzig III.6.13. 3200 Trio concertante for Guitar, Violin, and Violoncello. Op.18 No.1. Edited by
Lübeck, 2003. 4˚. Line-cut of the Nuremberg, 1740 edition. Wrappers. six sonatas Margarita Mazo.
for 13-course baroque lute. French tablature, baroque tuning. Wrappers. $31 Boston, 1984. 4º, vi, 52, 12 pp. Line-cut of the autograph score, together with a new
practical edition (score & parts). Historical introduction. Wrappers. $17
FASOLO, Giovanni Battista, c.1600-c.1659
5672 [“Barchetta passaggiera”, 1-3 voices, guitar, op.3] 3201 3 trios concertantes for Guitar, Violin, and Violoncello Op. 18 (c.1825).
Giovan Battista Fasolo e la “Barchetta passaggiera”. A cura di Ottavio Facsimile Edited by Simon Wynberg.
Beretta. Presentazione di Mariangela Donà. Heidelberg, c.1985. 4º, Line-cut of the first edition. Wrappers. $32
Quaderni di San Maurizio, 4 – La Musica a Milano. Lucca, 1994. 4º, xxxix, 21 pp.
The only known copy of the printed edition of Fasolo’s “Barchetta” (Rome, 1627) FRANCESCO DA MILANO, 1497-1543
disappeared from Oscar Chilesotti’s private library during the First World War.
Fortunately the Italian musicologist had transcribed most of the arias, and it is 3088 [& Perino Fiorentino]
Chilesotti’s autograph that is reproduced here. The work is a collection of arias for Intavolatura di liuto di recercari, madrigali, & canzoni francese. Novamente
one, two, and three voices with guitar accompaniment notated in staff notation.
Introduction in It-Eng. Wrappers. $16 ristampata & corretta. Libro terzo. Introduction et index de Richard K.
Falkenstein.
Geneva, 2002. Oblong, 8º, 24, 47 pp. Line-cut of the Gardano edition, Venice 1562.
7749 Il Caro di Madama Lucia, [et una serenata in lingua lombarda, che fa la gola, a 16 fantasias, 4 chansons and 4 madrigals in Italian tablature. The last of three
carnevale]. [British Library, London]. volumes devoted to the music of Francesco da Milano (including some of his best
pieces) including works by his protégé Perino Fiorentino. Preface in Eng-Fr.
Faksimile-Edition Canto e Continuo, 3. Stuttgart, 1999. 22 x 34 cm, 12 pp. Line-cut Wrappers. $40
of the Rome, 1628 edition. A lament for Madama Lucia (with serenate and various
dance numbers), consisting of recitatives and 3 part choruses, with and without
basso continuo. Alfabeto notation. Wrappers. $20 8215 [& Pietro Paolo Borrono]
Intavolatura di lauto. Introduzione di / Introduction by Franco Pavan.
FERANDIERE, Fernando, 18th c. [Bibliothèque Nationale, Paris].
9371 [Method, guitar] Bibliotheca Musica Bononiensis, IV/94. Bologna, 2002. Oblong, 24 x 16 cm, xlvi, 88
Arte de tocar la guitarre española por música, Madrid, 1799. Complete pp. Line-cut of the Scotto edition, Venice, 1548. Includes “Intavolatura di lauto
dell’eccellente Pietro Paolo Borrono da Milano, libro ottavo” and “Intavolatura di
Facsimile Edition with an Introduction, English Translation, and lauto del divino Francesco da Milano, libro secondo”. 36 compositions for solo
Transcription of the Music by Brian Jeffery. lute in Italian tablature. The Francesco works in this volume are his most mature.
London, 2013 15 x 22 cm, 85, 59, 36 pp. Line-cut of the Madrid, 1799 edition. Introduction in It-Eng. Wrappers. $51
Wrappers. $38 http://www.omifacsimiles.com/brochures/francesco_lauto.html

FERNÁNDEZ DE HUETE, Diego, f.1699-1704 FRANCISQUE, Antoine, c.1575-1605

7085 [Method, harp/organ] 1029 [Le trésor d’Orphée, lute]
Compendio numeroso de zifras armónicas, con theorica, y practica, para harpa Le trésor d’Orphée. Livre de tablature de luth contenant une susane un jour,
de una orden, de dos ordenes, y de organo. [Par] María Rosa Calvo Manzano. plusieurs fantaisies, préludes, passemaises, gaillardes, pavanes d’Angleterre,
Madrid, 1992. Oblong, 32 x 22 cm, 2 vols, 206, 247 pp. Line-cut of the Madrid, pavannes espagnolle, fin de gaillarde, suittes de bransles tant à cordes avalées
1702-1704 edition. The earliest known manual devoted mainly to the harp. Gives qu’austres voltes et courantes.
instructions for the diatonic harp with one string row and the chromatic harp with Geneva, 3/ 1993. 22 x 30 cm, 64 pp. Line-cut of the Paris, 1600 edition. The original
two. Includes popular dances of the day notated in Spanish keyboardtablature. French tablature for these pieces, 71 in all. Fantasias, preludes, passamezzi,
Wrappers. $88 pavanes, gaillards, branles, courantes and waltzes. Wrappers. $40
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.10

FRESCOBALDI, Girolamo, 1583-1643 GARCIA, Manuel, 1805-1906

276 [Arias, 1-3 voices, bc, books 1 & 2] 4707 Caprichos líricos españoles. Cahiers 5 et 6.
Primo e secondo libro d’arie per cantarsi nel gravicimbalo, e tiorba, a una, a Geneva, 1993. 21 x 30 cm, 32 pp. Line-cut of the Paris, 1830 edition. Contents:
dua, e a tre voci. “Que tentacion de risa”, “Baxelito nuevo”, “San Anton”, “Venid paxaritos”,
“Llevame à zurguen”, “Malito estava”, “Y no lo digo”, “Que ay dinero”, “Tu que
Archivum Musicum: La Cantata Barroca, 10. Florence, 1982. 24 x 33 cm, ii, 40 pp. no puedes”, “Poderoso cavallero”, “Aotro selasvenda”, and “Vogo”. Wrappers.
Line-cut of the Gio. Batista Landini edition, Florence, 1630. Contains 21 sonetti, $40
canti, madrigali, & arie in a wide range of styles (recitativo, spirituale,
passagaglia, romanesca) in staff notation. Preface in It by Piero Mioli. Wrappers in
decorative paper. $45
GARDANO, Angelo, b.?-1610 [publisher]
9459 Balletti moderni facili per sonar sopra il liuto : dove si contengono brandi,
FUENLLANA, Miguel de, c.1500-d.? saltarelli, gagliarde, balletti francesi, tedeschi, arie diverse, passamezi, padoane
1031 Libro de música para vihuela, intitulado Orphenica lyra. e canzoni francese.
Geneva, 1981. 18 x 24 cm, 369 pp. Line-cut of the M. de Montesdoca edition, Lübeck, 2012. 4°, 31 pp. Line-cut of the Venice, 1611 edition (reproduced 2 up per
Seville 1554. One of the richest and most varied Italian lute tablatures for vihuela page). 57 unknown pieces in Italian lute tablature, most of them dances. Rare
including fantasias, transcriptions for voice and instrument, ensaladas and tientos. example of the Venetian lute school. 2 canzoni francese, arie da cantar, and a
Cloth. (out of print - included only for bibliographic reference) transcription of a piece by O. Vecchi. Ring binder. $35

FUHRMANN, Georg Leopold, 16-17th c. GAULTIER, Denis, c.1597-1672

8452 Testudo gallo-germanica 1615. Faksimile (in zwei Teilen) nach dem Exemplar 9095 Livre de tablature des pièces de luth sur plusieurs diferents modes, avec
im Besitz der Stadt Leipzig Städtische Bibliotheken Musikbibliothek (Signatur quelques reigles qu’il faut observer pour le bien toucher. [Library of Congress,
PM 1216). Washington, DC].
Lübeck, 2003. 21 x 30 cm, 2 vols, vi, 113; iii, 82 pp. Line-cut of the Nuremberg, Performers’ Facsimiles, 279. New York, [2009]. Oblong, 21 x 14 cm, 88 pp. Line-cut
1615 edition. Rich anthology of lute music, some transcribed from vocal models, of the Paris, c.1680 edition. One of the main sources of the music by “Gaultier de
including preludes, fantasies, ricercari, canzoni, motets, madrigals, canzonette, Paris”, in French tablature, together with pieces by “Vieux Gaultier”. Begins with
pavanes, passomezzi, galliards, intrade, branles, voltes, alemand, & courantes. a short set of instructions. Wrappers. $25
French tablature with Renaissance tuning. Hardbound. $75
8878 La rhétorique des dieux. A Facsimile of Berlin, Staatliche Museen Preußischer
GALILEI, Michelangelo, b.?-1631 Kulturbesitz, Kupferstichkabinett, MS. 78 C 12. Edited by David J. Buch.
3931 Il primo libro d’intabolatura di liuto. Introduction by Douglas Alton Smith. Recent Researches in the Music of the Baroque Era, LXII (supplement). Madison,
Munich, 1980. 21 x 29 cm, x, 56 pp. Line-cut of the Munich, 1620 edition. 56 pieces 1990. 23 x 30 cm, 83 pp. Halftone of the manuscript (printed two-up per page),
(mostly dances) for ten course lute in French tablature. Introduction in Eng-Ger. together with table of contents and mode formulae. Wrappers. $35
Wrappers. $38
GEMINIANI, Francesco, c.1680-1762
8962 Il primo libro d’intavolatura di liuto. München 1620. [Biblioteka Jagiellońska, 7707 [method, guitar]
Krakow]. The Art of Playing the Guitar or Cittra containing Several Compositions with
Faksimile-Edition Krakau, 13. Stuttgart, 2008. 21 x 33 cm, 116 pp. Line-cut of the a Bass for the Violoncello or Harpsichord. [Library of Congress, Washington,
Munich, 1620 edition. Printed on the recto pages only, after the original. 56 pieces DC].
(mostly dances) for ten course lute in French tablature. Hardbound, with
decorative paper boards. Wrappers. $41 Performers’ Facsimiles, 216. New York, [1999]. 4º, 52 pp. Line-cut of the
Edinburgh, 1760 edition. Wrappers. $20

GALILEI, Vincenzo, 1520-1591

8116 [method, guitar]
2591 Dialogo della musica antica et della moderna. A Facsimile of the 1581 Florence
Edition. The Art of Playing the Guitar or Cittra. A cura di Carlo Mascigli Migliorini.
[Library of Congress, Washington, DC].
Monuments of Music and Music Literature in Facsimile, II/20. New York, 1967. 23
x 35 cm, 162 pp. Line-cut of the Florence, 1581 edition. In Italian lute tablature and Musurgiana: Sources and Materials for the History and Theory of Music, 20.
mensural notation. Laid paper, clothbound. Lucca, 2002. 4º, vi, 52, 26 pp. Line-cut of the Edinburgh, 1760 edition, together
with a new practical edition (on single clef) of the 11 music examples. Preface in It.
Wrappers. $42
2704 Fronimo. Dialogo sopra l’arte del bene intavolare et rettamento sonare.
[Musikbibliothek der Stadt Leipzig]. GERLE, Hans, c.1500-1570
Leipzig, 1978. 22 x 31 cm, 188 pp. Line-cut of the Venice, 1584 edition. Handsome
binding in linen and vellum paper. $88 9290 Musica teusch, auf die Instrument [der grossen unnd kleinen Geygen, auch
Lautten]. Nürnberg, H. Formscheider 1532. [British Library, London].
Faksimile-Edition Laute, 10. Stuttgart, 2012. Oblong, 22 x 17 cm, 128 pp. Line-cut
2402 [Intabulations, lute] of the 1532 edition. Gerle introduces students to the rudiments of playing the
Libro d’intavolatura di liuto [nel quale si contengono i passemezzi, le renaissance lute, the viol and rebec, including the way they were tuned, held, and
played. Musicologists have called it the first viol tutor. Hardbound with
romanesche, i saltarelli, et le gagliarde et altre cose ariose, ms. Gal. 6 (1584) decorative paper boards. $45
della Biblioteca Nazionale di Firenze].
Archivum Musicum: Monumenta Musicae Revocata, 11. Florence, 1993. 25 x 33
cm, xii, 276, v pp. Line-cut of the 1584 autograph manuscript. Large collection of 7437 Ein newes sehr künstliches Lautenbuch, Formschneider 1552 / [Newsidler]:
pieces for solo lute in Italian tablature. Introduction in It-Eng by Orlando Das ander Buch, Laub 1549; Das dritt Buch, Günther 1544.
Cristoforetti. Quarter linen. $85
[Schmermar-Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 18. Stuttgart, 1997. Oblong, 19 x 15
GALLOT, Jacques, b.?-c.1690 cm, c.460 pp. Line-cut of one book of lute music edited by Gerle (Nuremberg,
1552), and two edited by Hans Newsidler (Nuremberg, 1549 & 1544). German
8188 Stücke für Barocklaute [Pieces for Lute]. Reproduktion der Handschrift im tablature. Hardbound. $89
Besitz der Stadt Leipzig Städtische Bibliotheken Musikbibliothek (Signatur
II.6.14).
8348 Ein newes sehr künstlichs Lautenbuch, 1552. Facsimile of Leipzig II.6.5.
Lübeck, 1999. Oblong, 4˚. iv, 40 pp. Line-cut of 72 pieces, reproduced 2 per page,
almost exclusively devoted to Gallot. Signatur II.6.14 is one of the main sources Munich, 2003. Oblong, 19 x 15 cm, c.460 pp. Line-cut of the 1552 edition. A
for the works of the composer. French tablature, baroque tuning. Ring binder. $58 collection of 69 pieces by Giovanni da Crema, Antonio Rotta, Francesco da
Milano, Pietro Paolo Borrono, Marco d’Aquila and others, in German tablature.
Wrappers. $70
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.11

GIULIANI, Mauro, 1781-1829 7399 [Works, v.10, guitar, solos, op.98-102]

1043 [Cavatine & romanze, voice, guitar, op.13] Guitar Solos: Opus Numbers 98, 99, 100, 101, and 102.
Cavatine e romanze per voce e chitarra. a. 3 cavatine ridotte per The Complete Works in Facsimiles of the Original Editions, 10. London, 1987. 4º,
8, 65 pp. Line-cut. Wrappers. $31
l’accompagnamento di chitarra, s.n.; b. 3 romances pour la guitare op.13.
Archivum Musicum: L’Arte della Chitarra, 11. Florence, 1983. Oblong, 30 x 23 cm,
iii, 12 pp. Line-cut of the Vienna, 1807 & 1810 editions. Introduction in It by Paolo 7401 [Works, v.12, guitar, solos, op.111-125]
Paolini. Wrappers in decorative paper. $19
Guitar Solos, opp.111-125.
The Complete Works in Facsimiles of the Original Editions, 12. London, 1987. 4º.
1046 [Lieder, voice, guitar/piano, op.89] Line-cut. Wrappers. $31
Sechs Lieder, Op.89, for Voice and Guitar or Piano. Edited by Thomas F.
Heck. Facsimile. 7402 [Works, v.13, guitar, Le Rossiniane, op.119-124]
London, 1976. 4º, 27 pp. Line-cut of the first edition. Wrappers. $10
Guitar Solos: The Six Rossiniane, Opus Numbers 119-124.
The Complete Works in Facsimiles of the Original Editions, 13. London, 1986. 4º,
2880 [Serenade, flute/violin, guitar] 14, 85 pp. Line-cut. Wrappers. $31
Serenade für Flöte oder Violine und Gitarre. Reprint der Originalausgabe.
Musik für Gitarre. Vienna, n.d. 4º, i, 16 pp. Line-cut of the Hofmeister edition, 7403 [Works, v.14, guitar, op.128-145]
Leipzig, [1825]. Preface by Karl Scheit. Wrappers. $15
Guitar Solos, opp.128-145.
The Complete Works in Facsimiles of the Original Editions, 14. London, 1988. 4º.
3654 [Works, complete, guitar] Line-cut. Wrappers. $27
The Complete Guitar Works in 39 Volumes.
London, 1980-1988. 4º, c.3700 pp. Line-cut of the early or first editions. Contains 7404 [Works, v.15, guitar, op.147-150]
all known works including studies, solos, concertos, and chamber music with
guitar. Index. Wrappers. $1120 Guitar Solos, opp.147-150.
The Complete Works in Facsimiles of the Original Editions, 15. London, 1988. 4º.
Line-cut. Wrappers. $31
3156 [Works, v.1, guitar, studies, op.1]
Studio per la chitarra, op.1. 7405 [Works, v.16, guitar, w/o opus no.]
The Complete Works in Facsimiles of the Original Editions, 1. London, 1984. 4º,
Line-cut. Wrappers. $27 Seven Works for Guitar without Opus Number.
The Complete Works in Facsimiles of the Original Editions, 16. London, 1987. 4º.
Line-cut. Wrappers. $31
3157 [Works, v.2, guitar, solos, op.2-12]
Guitar Solos, opp.2-12. 7406 [Works, v.17, guitar, operatic arrangements]
The Complete Works in Facsimiles of the Original Editions, 2. London, 1984. 4º,
Line-cut. Wrappers. $31 Seven Operatic Works Arranged for Guitar Solo.
The Complete Works in Facsimiles of the Original Editions, 17. London, 1987. 4º.
Line-cut. Wrappers. $27
3158 [Works, v.3, guitar, solos, op.14-22]
Guitar Solos, opp.14-22. 7407 [Works, v.18, guitar, arr. of Semiramide]
The Complete Works in Facsimiles of the Original Editions, 3. London, 1984. 4º,
Line-cut. Wrappers. $31 Seventeen Arrangements for Guitar Solo from Rossini’s Semiramide.
The Complete Works in Facsimiles of the Original Editions, 18. London, 1987. 4º.
Line-cut. Wrappers. $31
3159 [Works, v.4, guitar, solos, op.24b-34]]
Guitar Solos, opp.24b-34. 7408 [Works, v.19, 2 guitars, Ländler]
The Complete Works in Facsimiles of the Original Editions, 4. London, 1985. 4º,
Line-cut. Wrappers. $31 Six Sets of Länder for Two Guitars.
The Complete Works in Facsimiles of the Original Editions, 19. London, 1988. 4º.
Line-cut. Wrappers. $31
3160 [Works, v.5, guitar, solos, op.37-44]
Guitar Solos, opp.37-44. 7410 [Works, v.21, 2 guitars]
The Complete Works in Facsimiles of the Original Editions, 5. London, 1985. 4º,
Line-cut. Wrappers. $31 Three Works for Guitar Duet.
The Complete Works in Facsimiles of the Original Editions, 21. London, 1987. 4º.
Line-cut. Wrappers. $31
3161 [Works, v.6, guitar, solos, op.45-50]
Guitar Solos, opp.45-50. 7411 [Works, v.22, 2 guitars]
The Complete Works in Facsimiles of the Original Editions, 6. London, 1985. 4º,
Line-cut. Wrappers. $31 Four Works for Guitar Duet.
The Complete Works in Facsimiles of the Original Editions, 22. London, 1987. 4º.
Line-cut. Wrappers. $31
7198 [Works, v.7, guitar, solos, op.51-60]
Guitar Solos: Opus Numbers 51, 54, 56, 57, 58, 59, and 60. 7412 [Works, v.23, 2 guitars, operatic overtures]
The Complete Works in Facsimiles of the Original Editions, 7. London, 1986. 4º,
10, c.70 pp. Line-cut. Wrappers. $31 Three Operatic Overtures Arranged for Two Guitars.
The Complete Works in Facsimiles of the Original Editions, 23. London, 1986. 4º.
Line-cut. Wrappers. $31
7397 [Works, v.8, guitar, solos, op.61-73]
Guitar Solos, opp.61-73. 7413 [Works, v.24, 2 guitars, operatic overtures by Rossini]
The Complete Works in Facsimiles of the Original Editions, 8. London, 1986. 4º,
Line-cut. Wrappers. $31 Four Operatic Overtures by Rossini Arranged for Two Guitars.
The Complete Works in Facsimiles of the Original Editions, 24. London, 1986. 4º.
Line-cut. Wrappers. $31
7398 [Works, v.9, guitar, solos, op.78-97]
Guitar Solos: Opus Numbers 78, 83, 87, 88, 90, 91, 96, and 97.
The Complete Works in Facsimiles of the Original Editions, 9. London, 1987. 4º,
10, 67 pp. Line-cut. Wrappers. $31
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.12

7414 [Works, v.25, concerto, op.30, guitar & orchestra] 7427 [Works, v.38, guitar, voice, pf, vc]
Concerto for Guitar and Orchestra, Opus 30. Orchestra Parts. La Sentinelle, Der Abschied der Trobadours, and Various Songs.
The Complete Works in Facsimiles of the Original Editions in Facsimiles of the The Complete Works in Facsimiles of the Original Editions, 38. London, 1988. 4º.
Original Editions, 25. London, 2/ 2002. 4º, ix, 72 pp. Line-cut of the Haslinger Line-cut. Wrappers. $105
edition (parts), Vienna, c.1810. Scored for guitar, vln I-II, vla, vc/db, ripieno vln
I-II, fl I-II, ob I-II, clar I-II, hn I-II, bsn I-II (parts bound together). Wrappers. $31
7428 [Works, v.39, index]
7415 [Works, v.26, concerto, op.30, guitar & strings] The Complete Works - Index.
The Complete Works in Facsimiles of the Original Editions, 39. London, 1988. 4º.
Concerto for Guitar, op.30. Wrappers. $9
The Complete Works in Facsimiles of the Original Editions, 26. London, 1985. 4º.
Line-cut. Wrappers. $36
GORZANIS, Giacomo, c.1525-c.1575
7416 [Works, v.27, concerto, op.30, guitar & pf, arr. Diabelli] 1049 Intabolatura di liuto. Novamente da lui composto et per Antonio Gardano
Concerto for Guitar, Opus 30, Arranged by Diabelli for Guitar and Piano. stampato et dato in luce. Libro primo [-tertio]. Index.
Geneva, 1982. Oblong, 8°, 224 pp. Line-cut of the Gardano editions, Venice, 1561,
The Complete Works in Facsimiles of the Original Editions, 27. London, 1986. 4º, 1563, & 1564. Repertoire of Italian dances and 10 ricercari in Italian lute tablature.
8, 46 pp. Line-cut. Wrappers. $36 Wrappers. $57

7417 [Works, v.28, concerto, op.36, guitar & strings]

GRANATA, Giovanni Battista, c.1620-1680
Concerto for Guitar and Strings, Opus 36.
1267 Capricci armonici, Bologna 1646.
The Complete Works in Facsimiles of the Original Editions, 28. London, 1985. 4º,
vi, 5 parts, 43 pp. Line-cut of the Artaria edition (parts), Vienna, 1812. Scored for Archivum Musicum: Strumentalismo Italiano, 2. Florence, 1978. Oblong, 24 x 17
guitar, vln I-II, vla, vc/db. Wrappers. $36 cm, v, 79 pp. Line-cut. 60 compositions in mixed tablature. Introduction in It by
Paolo Paolini. Wrappers in decorative paper. $31

7418 [Works, v.29, concerto, op.36, guitar & pf, arr. Diabelli]
1050 Novi capricci armonici musicali in vari toni per la chitarra spagnola, violino, e
Concerto for Guitar and Strings, op.36.
viola concertati, et altre sonate per chitarra sola.
The Complete Works in Facsimiles of the Original Editions, 29. London, 1985. 4º,
Line-cut. Wrappers. $36 Bibliotheca Musica Bononiensis, IV/183. Bologna, 3/ 2005. 22 x 32 cm, 55 pp.
Line-cut of the Giacomo Monti edition, Bologna, 1674, in mixed tablature.
Wrappers. $32 http://www.omifacsimiles.com/brochures/granata.html
7419 [Works, v.30, concerto, op.70, guitar & orch]
Concerto for Guitar and Orchestra, Opus 70. 3720 Nuove suonate di chitarriglia spagnuola. [Civico Museo Bibliografico
The Complete Works in Facsimiles of the Original Editions, 30. London, 1987. 4º, Musicale, Bologna].
vi, 17 parts, 89 pp. Line-cut of the Cappi & Diabelli edition (parts), Vienna, 1822. Bibliotheca Musica Bononiensis, IV/181. Bologna, 1991. Oblong, 24 x 17 cm, 21 pp.
Scored for guitar, vln I-II, vla, vc/db, fl, ob I-II, clar I-II, hn I-II, bsn I-II, tpt I-II, Line-cut of the 1651 edition, in mixed tablature. Laid paper. Wrappers. $23
tmp. Wrappers. $40 http://www.omifacsimiles.com/brochures/granata_nu.html

7420 [Works, v.31, concerto, op.70, arr. guitar & strings] GREAVES, Thomas, 16-17th c.
Concerto for Guitar and Orchestra, Opus 70. Arranged for Guitar and String 3008 Songes of Sundrie Kindes 1604. Edited by David Greer.
Quartet.
English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 22. London, 2/
The Complete Works in Facsimiles of the Original Editions, 31. London, 1987. 4º, 1978. 27 x 37 cm, iii, 42 pp. Line-cut of the London, 1604 edition, in table book
vi, 5 parts, 59 pp. Line-cut of the Cappi & Diabelli edition, Vienna, 1822. format. 9 ayres for solo voice with lute and bass viol accompaniment; 6 songs of
Wrappers. $36 sadness for solo voice and viol consort; 6 madrigals for 5 voices, with or without
instrumental accompaniment. French tablature. Wrappers. $36
7421 [Works, v.32, concerto, op.70, guitar & pf, arr. Diabelli]
Concerto, op.70, Arranged by Diabelli for Guitar and Piano. GRENERIN, Henri, 17th c.
The Complete Works in Facsimiles of the Original Editions, 32. London, 1987. 4º, 1052 Livre de théorbe.
Line-cut. Wrappers. $36 Geneva, 1984. 8º, 32 pp. Line-cut of the Paris, c.1602 edition. Wrappers. $25

7422 [Works, v.33, guitar & string quartet]

GUERAU, Francisco, 1659-d.?
Four Works for Guitar and String Quartet.
1054 Poema harmónico (Madrid, 1694). Complete Facsimile Edition with an
The Complete Works in Facsimiles of the Original Editions, 33. London, 1988. 4º.
Line-cut. Wrappers. $40 Introduction and English Translation by Brian Jeffery.
London, 1977. Oblong, 29 x 22 cm, viii, 68, 9 pp. Line-cut of the Madrid, 1694
edition, in Italian tablature. Variations on airs and dances popular in Spain at the
7423 [Works, v.34, guitar & keyboard] time, pavans, galliards, canaries, folías, pasacalles, etc. Includes English
translations of the texts. Wrappers. $52
Five Works for Guitar and Keyboard.
The Complete Works in Facsimiles of the Original Editions, 34. London, 1987. 4º,
Line-cut. Wrappers. $94 HAGEN, Bernhard Joachim, c.1720-1787
8450 [Concerti, lute, violin, violoncello]
7424 [Works, v.35, guitar & flute/violin] Due Concerti con liuto obligato. 2 Concertos for Baroque Lute, Violin &
Ten Works for Guitar and Flute or Violin. Violoncello. Facsimile of the Manuscript in the Augburg Staats- und
The Complete Works in Facsimiles of the Original Editions, 35. London, 1986. 4º, 2 Stadtbibliothek.
vols. Line-cut. Wrappers. $62 Lübeck, 2004. 4˚. Line-cut. French tablature with Baroque tuning. Staff notation
for bowed instruments. Ring binding. $30
7425 [Works, v.36, guitar & flute/violin]
Twelve Works for Guitar and Flute or Violin. 4741 Kammermusik für Laute herausgegeben von Joachim Domning.
The Complete Works in Facsimiles of the Original Editions, 36. London, 1987. 4º. Hamburg, 1984. 21 x 30 cm, 3 partbooks, ii, 137 pp. Line-cut. Music for lute, violin
Line-cut. Wrappers. $130 I & II, viola & violoncello. Wrappers. $79

7426 [Works, v.37, guitar, voice] 9457 [Sonata, lute, Bb maj.]

Ten Songs and Song Collections. Sonata a liuto solo B Dur.
The Complete Works in Facsimiles of the Original Editions, 37. London, 1986. 4º. Lübeck, 2004. 4˚. 8 pp. Line-cut. French tablature with Baroque tuning. Ring
Line-cut. Wrappers. $105 binding. $21
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.13

4740 Werke für Laute herausgegeben von Joachim Domning. 4323 [Delitiae musicae, selection]
Hamburg, 1983. 21 x 30 cm, ii, 103 pp. Line-cut. Wrappers. $39 Delitiae musicae [sive cantiones, e quamplurimis praestantissimorum nostri
aeui musicorum libris selectae. Ad testudinis usum accomodatae. . . ]. Utrecht
HANDFORD, George, 16-17th c. 1612. Auswahl.
Munich, 1991. 21 x 30 cm, 13 pp. Line-cut of the Utrecht, 1612 edition. Selection of
3009 Ayres to be Sunge to the Lute [ca. 1609]. Edited by David Greer. 19 numbers (from a total of 114 in the original) for 6-8 course Renaissance lute in
English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 23. London, 2/ French tablature. Wrappers. $16
1980. 27 x 37 cm, iii, 50 pp. Line-cut of manuscript R.16.29 from Trinity College,
Cambridge. Ayres for solo voice, lute and bass viol, in table book format. Staff
notation and French tablature. Wrappers. $40 8529 Florida, sive cantiones [. . .] ad testudinis usum accommodatae (Utrecht 1601).
Uitgegeven door / Edited by Taco Walstra met medewerking van / with the
co-operation of David van Ooijen & Rudolf Rasch.
HASSE, Johann Adolph, 1699-1783
Utrecht, 2004 4˚, 31, 224 pp. Line-cut of the Utrecht, 1601 edition. Dutch lute music
9458 [Opera arias transcribed for the lute] (fantasies, intabulations of Italian vocal music, gaillardes, passamezzi,
Hassische Opern Arien auf die Laute versetzt von R. : Reproduktion der allemandes, etc.) written for 7 and 8 course renaissance lute in French tablature.
Cloth. $128
Handschrift im Besitz der Stadt Leipzig, Städtische Bibliotheken,
Musikbibliothek : (Signatur III:11.46a).
Lübeck, 2002. 4°, 2 vols. Line-cut of a contemporary ms copy. Contents: 8742 Lautenbuch, Leiden 1615, Gesamtfaksimile / Complete Facsimile. Faksimile
Demofoonte. In te spero, o sposa amante; Ezio. Ogni tua brama e mia; L'eroe nach der Lautenhandschrift in der Staatsbibliothek Berlin Signatur: Mus. ms.
cinese. Perdonna l'affetto; Ezio. Se un bell ardire ; Quanto mai felice; Solimano. A autogr. Hove 1. Kommentar: Ralf Jarchow.
lusingarti; Ciro riconosciuto. Basta cosi l'intendo; Leucippo. Pupille care;
Solimano. March; Ezio. March; Soliman. Sinfonia; Ezio. Caro padre; Solimano. Gia Glinde, 2006. 21 x 30 cm, 37, 53 pp. The “Lautenbuch” is the only known
so di amar degg'io; Ciro riconosciuto. Partero; Ezio. Gia del mio zelo antico ; Vi manuscript by Joachim van den Hove, who, around 1600, with Emanuel
fida io sposo; Ciro riconosciuto. No no non vedrete mai ; Perfidi; Demofoonte. Adriaenssen, Nicolas Vallet and Gregorio Huwet was counted among the most
March; Artemisia. March; Ezio. Pensa a serbarmi o cara ; Caro mio bene addio ; important lutenists of the Netherlands. The pieces for 6- to 10-course lute
Per tutto il timore ; Peni tu per un ingrata; Leucippo. A bastanza io ti parlai; intabulated in French tablature are retrospectively closer in style to the
Solimano. Ah se il tuo cuore oblia ; Unite a lupi andranno; Ciro riconociuto. Chi a Renaissance rather than to early Baroque and emphasize the more traditional
ritrovar respira; Solimano. Serbami o caro in tanto ; Ah fra timori ; Ti sembro compositional style of Hove known from the prints. Contents: Ballard, Bataille,
ingrato; Ciro riconociuto. Dammi o sposo; Solimano. Ordi contento in lagrime; Caccini, J. Dowland, D. M. Ferrabosco, Gastoldi, Hove, Praetorius, Hagenbach,
Ciro riconociuto. Parto; Attilio Regolo. Vuol tornar la calma ; Non e la mia Lasso, Robinson, Saman, A. Striggio, Vallet. Commentary in Ger-Eng.
speranza; Padre ingiusto : aria; Cleofide. Quanto mai felice (basso cont.) ; Appena Hardbound. $66
amor se nasce ; Se costa tante pene ; Se tropo crede ; Che vive amante (basso
continuo) ; Per te perdo ; Perder l'amato ; Pupillette ; Se mai turbo (basso cont.) ;
Spero si che amor (basso cont.) ; Son qual misera Colomba (basso cont.) ; Digli 1149 Praeludia testudinis. Inleiding-Introduction: Godelieve Spiessens.
ch'io son fidele ; Che sorte crudele (basso cont.). Ring binder. $63 Fontes Musicae Bibliothecae Regiae Belgicae, II/2. Brussels, 1982. 25 x 32 cm, ii, 42
pp. Line-cut of the Leiden, 1616 edition. 19 preludes for solo lute in French
tablature. Introduction in Flam-Fr. Wrappers. $12
9476 [Sonatas, lute]
Suonata accommodata per il liuto di Sigr. Hasse.
Lübeck, 2000. 4°, 66 pp. Line-cut reproduction of MS III.11.46b/c from the Stadt HUME, Tobias, c.1569-1645
Leipzig, Städtische Bibliotheken, Musikbibliothek, 80% of the original size. 8319 [Ayres, voice, lute/viola da gamba]
Contents: Sonata per il cembalo dal Signr. Hasse; IV Suonate di signr. Hasse, fatte
per la Real delfina di Francia. Hasse and Weiss were close associates, both The First Part of Ayres 1605. With an Introduction by Frank Traficante.
employed at the Dresdner Court. For baroque lute, in staff notation and French [British Library].
tablature. Ring binder. $63 Hebden Bridge, 2002. 4˚. iv, 64 pp. Line-cut of the London, 1605 edition, in table
book format. For voice with instrumental accompaniment, and instruments alone
in various combinations. Staff notation and French tablature (suitable for bass viol
HECKEL, Wolff, 16th c. and/or lute). Spiral binding. $45
9210 Lautenbuch, Straßburg, Christian Müller 1562. RISM 1562(24). http://www.omifacsimiles.com/brochures/hume.html
[Universitätsbiblioek Basel; Stadtbibliothek Trier].
Faksimile-Edition Laute, 9. Stuttgart, 2010. Obong, 21 x 17 cm, 2 partbooks, 228; 8455 Captain Humes; Poeticall Musicke 1607. With an Introduction by Frank
238 pp. Line-cut of the Straßburg, 1562 edition. Marvelous collection of pieces for Traficante.
two lutes—”discant & tenor”—reproduced from the surviving partbooks in Trier
and Basel respectively. One of the very earliest prints of renaissance lute with 111 Hebden Bridge, 2004. 27 x 37 cm, iv, 52 pp. Line-cut of the London, 1607 edition,
works notated in German tablature. Heckel’s work is comprised of four sections: in table book format. For voice with instrumental accompaniment, and
“Teütsche stuck”, “Lateinische stuck”, “Frantzösische stuck”, “Italianische stuck”, instruments alone in various combinations. Staff notation and French tablature
“Allerley Täntz auff teütsche aufgesetzt”. Hardbound with decorative paper, (suitable for bass viol and/or lute). Spiral binding. $32
with matching slipcase. $95 http://www.omifacsimiles.com/brochures/hume.html
http://www.omifacsimiles.com/brochures/heckel.html
HUMMEL, Johann Nepomuk, 1778-1837
HOFFMANN, Ernst Theodor Amadeus, 1786-1822 2808 [Potpourri, harpsichord, guitar, op.53]
7624 [Quintet, harp, strings] Potpourri pour le clavecin avec accomp. de guitarre Op: 53. Introduction:
Quinette pour harpe e quatuor à cordes (manuscrit autographe), 1807. Peter Pieters. [Österr. Nationalbibl., Vienna].
Présentation par Norbert Kaltz. [Hoffmann, E.T., 14 AKZ Nr.M.1185, Facsimile Series, III/2. Peer, 1989. Oblong & upright, 33 x 24 cm, ii, 13 pp. Line-cut
Deutsche Staatsbibliothek, Berlin]. of the Vienna, c.1815 edition. Contains fragments from Jean de Paris, La Vestale,
Collection Dominantes. Courlay, 1998. Oblong, 32 x 23 cm, 23, 29 pp. Line-cut of Don Juan, etc. Wrappers with folder. $8
the autograph fair copy. Introduction in Fr-Eng-Ger. Wrappers. $29
HUREL, Charles, 17th c.
HOVE, Joachim van den, 1567-1620 1057 Tablature de luth et de théorbe, ca.1675. Fac-similé du Ms PLM 17524 BDG,
8157 Delitiae musicae [sive cantiones, e quamplurimis praestantissimorum nostri The Pierpont Morgan Library, New York. Préface de François Lesure.
aevi musicorum libris selectae]. Utrecht, de Roy 1612, RISM 1612(18). Manuscrits, 6. Geneva, 1996. Oblong, 24 x 17 cm, 8, 56 pp. Line-cut. 34 dances and
[Stadtbibliothek, Mainz]. free compositions arranged in 5 suites and notated in French tablature. Wrappers.
Faksimile-Edition Laute, 5. Stuttgart, 2002. 20 x 32 cm, 136 pp. Line-cut of the $59
Utrecht, 1612 edition. Contains c.40 works by Hove, plus intabulations of a
number of Italian masters. Preludes, pavans, passamezzi, galliards, etc., in French
tablature. Hardbound with decorative paper. $95 JANOVKA, Tomas, 1669-1741
2115 Clavis ad thesaurum magnae artis musicae. . . Prag 1701. [Bibliothèque Royale
Albert II, Brussel].
Dictionarium Musicum, 2. Buren, 1973. 15 x 23 cm, 343 pp. Line-cut of the Prag,
1701 edition. Along with Brossard’s Dictionnaire de musique one of the first
modern dictionaries of musical terms. Wrappers. $66
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.14

JOBIN, Bernhard, b.?-c.1594 1063 [Intabulations, lute, book 1]

1058 Das erste [-ander] Buch newerlessner fleissiger ettlicher viel schöner Libro primo d’intavolatura di lauto.
Lautenstück [von artlichen Fantaseyen, lieblichen teütschen, frantzösischen Bibliotheca Musica Bononiensis, IV/41. Bologna, 2/ 1988. 22 x 31 cm, 32 pp.
und italiänischen Liedern, künstlichen lateinischen Muteten, mit vier und Line-cut of the Rome, 1611 edition. 8 tocattas, 12 galliards, & 12 correntes for solo
lute notated in Italian tablature. Laid paper. Wrappers. $33
fünf Stimmen, auch lustigen allerhand Passomezen].
Geneva, 1997. 17 x 24 cm, 160, iii pp. Line-cut of the Strasbourg, 1572-1573
editions. German tablature containing fantasias, dances and numerous 9008 [Intabulations, chitarrone, book 3]
transcriptions of works by Lasso. Wrappers. $101
Libro terzo d’intavolatura di chitarrone. Introduzione di / Introduction by
Franco Pavan. [Yale University Library, New Haven CT].
JOHNSON, Robert, c.1583-c.1633 Bibliotheca Musica Bononiensis, IV/83. Bologna, 2009. 4°, 32, 44 pp. Line-cut of
3207 Sechs Stücke für Laute aus den Tabulaturen übertragen und für Gitarre the Rome, 1626 edition. Many had thought this work to be lost but a copy recently
surfaced at auction which Yale University Music Library was able to acquire. This
eingerichtet von Reinbert Evers und Hildegard Ruhe. [Fitzwilliam Museum, facsimile edition reproduces that unique copy. Franco Pavan sketches out the
Cambridge, mus. ms. 168]. exciting episodes of the appearances and disappearances of an edition that has
Cologne, 1981. 4º, 16, 8, i pp. Halftone of a contemporary ms copy, in French been often cited during the centuries in the repertories and catalogues of several
tablature, together with a new practical edition. Historical note in Ger. Wrappers. book collections. He also describes the main features of its important musical as
$12 well as theoretical and practical contents. Wrappers $52
http://www.omifacsimiles.com/brochures/kapsberger.html

JONES, Robert, c.1577-c.1615

7776 [Intabulations, chitarrone, ms]
3012 The Muses Gardin 1610. Edited by David Greer.
English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 30. London, G. Kapsberger, A. Piccinini, G. Viviani. Intavolature di chitarrone. Mss.
1978. 27 x 32 cm, iii, 30 pp. Line-cut of the London, 1610 edition, in table book Modena. [Archivio di Stato, Modena, Prot.n.2087/V.9].
format. 21 pieces for soprano, lute and bass viol (in French tablature and staff Archivum Musicum: Strumentalismo Italiano, 83. Florence, 1999. 24 x 33 cm, 13,
notation). Wrappers. $40 78 pp. Line-cut of a contemporary ms copy transmitting 39 compositions in Italian
tablature for chitarrone (canzoni, toccatas, correnti, gagliardas, danzas, etc.).
Wrappers in decorative paper. $35
3013 A Musicall Dreame 1609. Edited by David Greer. http://www.omifacsimiles.com/brochures/kaps_pic_viv.html
English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 29. London, 2/
1980. 27 x 32 cm, iii, 47 pp. Line-cut of the London, 1609 edition, in table book
format. Pieces for 2 voices, lute and viola da gamba; 4 voices, lute and viol; and 1065 [Villanelle, a1-3, books 1-4]
solo voice with lute and/or viol accompaniment (in French tablature and staff Libro primo [secondo, terzo & quarto] di villanelle a 1, 2, & 3 voci, Roma,
notation). Wrappers. $40
1610 [1619, 1619, & 1623].
Archivum Musicum: Strumentalismo Italiano, 28. Florence, 1982. 24 x 34 cm, ii, 4
3014 [Songs & ayres, book 1] books, 96 pp. Line-cut of the Rome, 1610, 1619, 1619 & 1623 editions. Contains 83
villanelle. Notated in score (staff notation) with lute accompaniment in Italian
The First Booke of Songes and Ayres 1600. Edited by David Greer. tablature for books 1 & 3. Books 2 & 4 are printed in movable type using staff
English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 26. London, 2/ notation. Introduction in It by Orlando Cristoforetti. Wrappers in decorative
1978. 27 x 32 cm, iii, 46 pp. Line-cut of the London, 1600 edition, in table book paper with slip case. $40
format. 21 pieces for 4 voices with lute accompaniment (in French tablature and http://www.omifacsimiles.com/brochures/kapsberger_vill.html
staff notation). Wrappers. $36

KÄRGEL, Sixt, c.1540-d.?

3015 [Songs & ayres, book 2]
1060 [Novae, elegantissimae, lute]
The Second Booke of Songes and Ayres 1601. Edited by David Greer. Novae, elegantissimae, gallicae, item et italicae cantilenae, mutetae et
English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 27. London, 2/ passomezo, adjunctis suis saltarellis . . . in tabulaturam.
1978. 27 x 32 cm, iii, 47 pp. Line-cut of the London, 1601 edition, in table book
format. 21 pieces for soprano and bass voices with lute and viol accompaniment Geneva, 1983. 4º, 68 pp. Line-cut of the Jobin edition, Strasbourg, 1574. 4
(in French tablature and staff notation). Wrappers. $40 Fantasias, 10 French chansons by Lasso and Rore, 8 madrigals by Rore, Arcadelt,
& Lasso, 3 motets by Lasso, and 6 passemezi and saltarelli. Italian tablature.
Wrappers. $30
3016 Ultimum Vale 1605. Edited by David Greer.
English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 28. London, 2/ 1061 [Nova exque artificiosa, cittern]
1978. 27 x 32 cm, iii, 46 pp. Line-cut of the London, 1605 edition, in table book
format. Pieces for solo voice, lute and viola da gamba; 4 voices, lute and viol; and Nova exque artificiosa et valde commoda ratio ludendae cytharae.
two treble voices with lute and/or viol accompaniment (in French tablature and Geneva, 1990. 8º, 80 pp. Line-cut of the Jobin edition, Strasbourg, 1575. Anthology
staff notation). Wrappers. $36 of 48 pieces for the cittern written in the Italian tablature: fantasias, French, Italian,
German chansons and dances (Arcadelt, Rore, Senfl, Lassus, etc.). Wrappers. $32
KAPSBERGER, Johann Hieronymus, c.1575-c.1640
1269 [Arias, voice, bc, book 1-2; Motets, voice, bc, book 1] KELLNER, David, 1640-1748
Libro primo di arie passeggiate a una voce con l’intavolatura del chitarone, 1066 XVI auserlesene Lauten-Stücke.
Roma 1612; Libro primo di motetti passeggiati a una voce, Roma 1612; Libro Geneva, 1986. 8º, 56 pp. Line-cut of the Brandt edition, Hamburg, 1747. Wrappers.
secondo d’arie a una e più voci, Roma 1623. $25
Archivum Musicum: Strumentalismo Italiano, 32. Florence, 1980. 24 x 34 cm, 3
booklets, v, 80 pp. Halftone and line-cut. Over 60 monodies among the 3 KIRCHER, Athanasius, 1602-1680
publications, the first and third from engraved plates, the second in movable type.
Italian lute tablature occurs only the arias of book I, otherwise staff notation has 2556 Mursurgia universalis. Zwei Teile in einem Band. Mit einem Vorwort,
been employed. Introduction in It by Orlando Cristoforetti. Wrappers and slip Personen-, Orts-, und Sachregister von Ulf Scharlau. [Niedersächische
cover in decorative paper. $49
Landesbibl., Hannover].
Hildesheim, 4/ 2006. 20 x 27 cm, 2 vols, xxxii, 1413 pp. Line-cut of the Rome, 1650
1062 [Intabulations, lute, book 1; Intab., chitarrone, books 1 & 4] edition. Linen. $429
Libro primo d’intavolatura di lauto, Roma 1611; Libro primo d’intavolatura di
chitarrone, Venezia 1604; Libro quarto d’intavolatura di chitarrone, Roma KOHAUT, Karl, 1726-1784
1640.
8052 [Divertimento, lute, 2 vln, bc]
Archivum Musicum: Strumentalismo Italiano, 46. Florence, 1982. 24 x 34 cm, 3
vols, vi, 140 pp. Line-cut of 3 important solo lute collections in Italian tablature. Divertimento primo für obligate Laute, 2 Violinen & Basso. Leipzig, 1761.
Introduction in It by Orlando Cristoforetti. Wrappers and slipcover in decorative Reproduktion (in 80% der originalen Grösse) nach dem Exemplar im Besitz
paper. $45 http://www.omifacsimiles.com/brochures/kapsberger2.html der Stadt Leipzig Städtische Bibliotheken Musikbibliothek (Signatur
III.10.51a).
Munich, 2001. Oblong, 30 x 21 cm, 20 pp. Line-cut of the J.G.I. Breitkopf, 1761
edition. Suite in 4 movements, in French tablature with baroque tuning. Ring
binder. $17
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.15

KRUMPHOLTZ, Jan Krtitel, 1742-1790 8090 [Arie, voice, bc, 1643; Concerti e arie, 1-3 voices, 2 vln, bc, 1641]
3287 [Method, harp] Arie a una voce per cantarsi nel clavicembalo ò tiobra [composte per] La Finta
Principes pour la harpe avec des exercices et des préludes d’une difficulté Savia, Drama di Giulio Strozzi (Venezia 1643) e Concerti et Arie, a una, due,
graduelle. Recueillis et mis au jour par J.M. Plane. e tre voci, con una serenata à 5. e doi violini, e chitarrone (Venezia, 1641).
Geneva, 1977. 4º, 76 pp. Line-cut of the Paris, 1809 edition. An important tutor Musica Drammatica, 6. Florence, 2000. 24 x 34 cm, x, c.180 pp. Line-cut of Venice,
dealing with all aspects of harp playing. Wrappers. $56 1643 and 1641 editions in staff notation movable type. Preface in It by Alessandro
Magini. Wrappers. $48

LAMBERT, Michel, 1610-1696

LEGNANI, Luigi, 1790-1877
8968 [Airs, 2 voices, bc]
9085 Gran Studio, op.60. Urtext edition with Facsimiles of the Original
Les airs, corrigez de nouveau de plusieurs fautes de graveure. [Library of Manuscripts Edited by Giuseppe Gazzelloni.
Congress, Washington, DC]. Heidelberg, 1990. 4°, 16, 5 pp. Line-cut in reduced format (2 up per page) of the
Performers’ Facsimiles, 258. New York, [2008]. Oblong, 25 x 21 cm, 85 pp. Line-cut autograph ms, together with new practical edition and preface. Wrappers. $10
of the Paris, 1669 edition. Airs for two voices and basso continuo in elegant staff
notation. Contents: “Mon ame faisons un effort”; “Permettez qu’à mon dernier
jour”; “Inutiles pensers”; “Il est vray son humeur”; “Mais comment avoir”; “O
dieux comment se peut faire”; “Tous mes respectz attirent son couroux”; “A quoy LEMOINE, Antoine Marcel, 1763-1817
me serttant de constance”; “Il faut aymer”; “Superbes ennemis du repos de mon 3239 [Method, guitar]
âme”; “Je garde le respect”; “Hon n’aprehendez point”; “Je dirois que vous”;
“Jugez si ma peine est extresme”; “Helas ne suis je pas a plaindre”; “Mon coeur Nouvelle méthode courte et facile pour la guitarre à l’usage des commençans.
qui se rendavous coups”; “Malgre la rigueur de mon sort”; “Pourquoy vous [A. Bailleux:] Méthode de guittarres par musique et tablature.
offencer”; “Au lieu d'avoir pitié”; “Quand ie voudrois celer”; “Pourquoy faut-il, Geneva, 1972. 4º, 104 pp. Line-cut of the Paris, n.d. edition and Paris, 1773 edition.
belle inhumaine”; “Souffrir vostre rigueur extreme”; “Que me sert-il d'estre Two complementary methods on playing the guitar. Staff notation. Wrappers. $45
fidelle”; “Ah c’est trop de flatter”; “Ce seroit me tromper moy mesme”; “J'ay juré
mile fois de ne jamais aymer”; “Hélas ! de mon erreur trop tard je m'apperçois”;
“Puisque chacun doit aymer à son tour”; “Si c’est un mal que c’est un mal LE SAGE DE RICHEE, Philipp Franz, 17th c.
charmant”; “Jay merois mieux souffrir la morte”; “Quand ie voudrois pour me
vanger”; “D'un feu secret je me sens consommer”; “Quand je mourrois pourroit”; 7114 Cabinett der Lauten, [in welchem zu finden 12. neue Partien, aus
“Puisque cett’inratte beauté”; “Mais quoy la cruelle le qu’elle est”; “Loin de vos unterschiedenen Tonen und neuesten Manier so anietzo gebrauchlich, welche
yeux belle filuie”; “Lassé de vostre iniuste hayne”; “Il est vray Philis ie vous bestehen in Praeludien, Allemanden, Couranten, Sarabanden, Giquen,
ayme”; “Le plaisir d’aymer est extreme”; ”Puis que labsence a trop peu de
pouvoir”; “Quel que rigueur que ie puisse prevoir”; “Philis j’arreste en fin mon Gavotten. . . Denen Liebhabern zu einer Distraction an das Licht gegeben],
humeux”; “Aymons nous aymons nous”. Wrappers. $23 1695.
Munich, 1995. Oblong, 30 x 21 cm, 43 pp. Line-cut. 98 pieces engraved in French
lute tablature with Baroque tuning arranged in 12 suites. The only known work to
8795 Airs de Monseiur Lambert non imprimez, c.1692 . Présentation par Jean survive of this composer and student of Mouton. Wrappers. $33
Saint-Arroman. [Bibliothèque de l’Arsenal, Paris, Ms. 3043; Bibliothèque
Nationale, Paris, Ms. Rés 584].
LIETO (Panhormitano), Bartolomeo, 16th c.
La Musique Française Classique de 1650 à 1800, 192. Courlay, 2006. 24 x 33 cm, 47,
139 pp. Line-cut of two complementary mss (one of them prepared by the 3797 Dialogo quarto di musica [dove si ragiona sotto un piacevole discorso sulle
Foucault, c.1692), transmitting the later repertoire of Lambert’s Airs. Ms. 3043 cose pertinenti per intavolare le opere di musica et esercitarle con la viola a
resembles a printed edition and is reproduced in full size, while Ms. Rés. 584 has
been reproduced in reduced format. Elegant staff notation. Preface in Fr-Eng-Ger. mano over liuto con sue tavole ordinate per diversi gradi alti e bassi]. A cura di
Wrappers. $69 Patrizio Barbieri.
Musurgiana: Sources and Materials for the History and Theory of Music, 10.
Lucca, 1993. 15 x 20 cm, xxvii, 43, ii pp. Line-cut of the Naples, 1559 edition. Short
LANDI, Stefano, 1587-1639 treatise explaining how to transcribe any contrapuntal score into tabulature for
viola a mano or lute. Includes 14 tables showing the gamut, clefs, staves,
361 Il secondo libro d’arie musicali ad una voce. Roma 1627. accidentals, and the corresponding signs for Italian lute tablature. Introdution in
Archivum Musicum: La Cantata Barocca, 4. Florence, 1980. 24 x 28 cm, iii, 20 pp. It-Eng. Bibliography. Cloth. $27
Line-cut of the Rome, 1627 edition. 14 cantatas for soprano and basso continuo in
staff notation movable type (with additional alfabeto lute notation). Contents:
“Odi glorie chiara”; A che più l’arco”; “Chi udete l’orecchi”; “Non s scherzi”; LOCKE, Matthew, 1630-1677
“come m’ami tù Clori”; “V’amati se voi”; “In van lu sing hi”; “Qu’asi intrepida
Amazone”; “Amarillide deh vieni”; “D’ami gella tutta bella”; “T’amai gran 8074 His Little Consort of Three Parts: Containing Pavans, Ayres, Corants and
tempo”; “O legl’occhi de sole”; “Non è più tempo”; “Pian si un tempo”. Sarabands, for Viols or Violins. In Two Several Varieties: The First 20 are for
Introduction in It by Piero Mioli. Wrappers, in decorative paper. $22 Two Trebles and a Basse. The Last 20 for Treble, Tenor & Basse. To be
Performed either Alone or with Theorbo’s and Harpsecord. [The Chapter
LAROUSSIÈRE, 17th c. Library, The College, Durham].
Performers’ Facsimiles, 193. New York, [2002]. Oblong, 24 x 19 cm, 3 parts, 36 pp.
7465 Mandor Buch. Schermar-Bibliothek, Stadtbibliothek, Ulm, Sign. misc 239]. Line-cut of the London, 1673 partbook edition, in staff notation. Wrappers. $25
Faksimile-Edition Schermar-Bibliothek Ulm, 38. Stuttgart, 1997. Oblong, 15 x 10
cm, 112 pp. Line-cut of a ms collection for mandora, c.1620, in French tablature.
Contains fantasies, sarabands, pavanes, gavottes, brandles, etc. Hardbound, in LUSCINIUS, Othmar, 1487-1537
vegetable vellum. $44
9408 Musurgia seu praxis musicae (Strassburg: Johann Schott 1536). Kommentar
von Martin Kirnbauer.
LAUFFENSTEINER, Wolff Jacob, 1676-1754 Faksimile-Edition Theoretica, 7 Suttgart, 2014. Oblong, 20 x 16 cm, 108, xvi pp.
7967 Partie in B Flat Major for 11-Course Baroque Lute, Entrée, Courente, Bourée, Line-cut of the Strasbourg, 1536 edition. Essentially a free translation of Virdung’s
Musica getutscht of 1511, preserving the dialogue format and copies of many of
Menuet, Guique, Sarabande. Facsimile of a Manuscript (c.1720) with the original woodcuts. The translation was made upon the request of a Milanese
Introductory Notes and Modern Tablature Edition by Peter Lay and the bookseller who wanted to make Virdung’s treatise available to his Italian
Owner, Robert Spencer. clientele. Besides the Virdung redux it also provides a treatise on mensural
notation and polyphonic composition. Hardbound in decorative paper. $48
The Lute Society Facsimiles, 1. Guildford, 1987. Oblong, 30 x 21 cm, i, 25 pp.
Line-cut of a ms believed to be from the library of Graf Harrach of Vienna.
Wrappers. $15 MACE, Thomas, c.1613-1709
1778 Musick’s Monument. A Facsimile of the 1676 London Edition.
LAURENZI, Filiberto, 17th c. Monuments of Music and Music Literature in Facsimile, II/17. New York, 1966. 22
4153 [Arie, voice, bc, 1643] x 33 cm, 291 pp. Line-cut of the London, 1676 edition. Laid paper, clothbound.
Arie a una voce per cantarsi nel clavicembalo ò tiorba (1643).
Monumenta Romandiola, [Fototypice Expressa] 4]. Bologna, 1979. 21 x 31 cm, 32
pp. Line-cut of the Bartolomeo Magni edition, Venice, 1643. Wrappers. $24
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.16

MAJER, Joseph Friedrich Bernhard Caspar, 1689-1768 MEGERLE, Abraham, 1607-1680

4221 Neu-eröffneter theoretisch- und praktischer Music-Saal, das ist: Kurze, doch 9070 Speculum Musico-Mortuale [Das ist: Musicalischer-Todtenspiegel], 1672.
vollständige Methode, so wohl die Vocal- als Instrumental-Music gründlich [Staatliche Bibliothek, Regenburg].
zu erlernen. Faksimile-Edition Theoretica, 3 Suttgart, 2008. 11 x 17cm, 54 pp. Line-cut of the
Dokumentationen, Reprints, 23. Michaelstein, 1990. Oblong, 21 x 15 cm, 125 pp. Salzburg, 1672 edition. Megerle was from Innsbruck and was once a choirboy
Halftone of the Nuremberg, 1741 edition (second, vastly reset edition of Museum under Stadlmayer, later a treble singer and organist with the court music
Musicum). Fascinating treatment of music theory, including 10 woodcuts of ensemble at Innsbruck. Speculum Musico-Mortuale contains a few pages of
instruments and a glossary of musical terms taken from Greek, Latin, Italian and autobiography but its extraordinary content are mainly its 12 engravings showing
French. Wrappers. $24 a human skull in the center, surrounded emblematic symbols and beautiful
depictions of musical instruments (almost 50 in all). Hardbound in decorative
paper. $29
MARCHETTI, Tomaso, 17th c.
1079 Il primo libro d’intavolatura della chitarra spagnola. MERSENNE, Marin, 1588-1648
Geneva, 1982. 16º, 72 pp. Line-cut of the Moneta edition, Rome, 1660. Sonate 2754 Harmonicorum libri XII. In quibus agitur de sonorum natura, causis, et
semplici and sonate passeggiate in alfabeto notation, preceded by a tutor for the
guitar and followed by a “giardino di varie villanelle”. Wrappers. $25 effectibus: de consonantiis, dissonantiis, rationibus, generibus, modis,
cantibus, compositione, orbisque totius harmonicis instrumentis.
Geneva, 1973. 22 x 30 cm, 367 pp. Line-cut of the Paris, 1648 edition. Complements
MARESCOT, Charles de, 18-19th c. the Harmonie universelle. The copy used for this facsimile includes many
2213 La guitaromanie. Recueil de rondeaux, valses, contredanses, chasse, fanfare, manuscript notes and corrections in the author’s hand. Hardbound. $182
polonaise, marches, bolero, Sonatine, air varié et préludes d’une éxécution
brillante. MERTZ, Johann Kaspar, 1806-1856
Archivum Musicum: L’Arte della Chitarra, 16. Florence, 1985. Oblong, 21 x 15 cm, 9086 Divertissement über Motive der Oper: Der Prophet (Meyerbeer), op.32. Flute
54 pp. Line-cut of the Paris edition. With beautiful full-color reproduction a
Parisian concert scene. Wrappers. $35 (Violin), Viola, and Guitar. Edited by Brian Torosian.
n.p., 2008. 4°, 19, 13 pp. Line-cut of the Jos. Aibl edition, Munich, 1851, together
with preface and new practical edition. Meyerbeer’s music was rarely used as a
MARTINI, Giovannni Battista, 1706-1784 source for guitar arrangements and these works by Mertz provide a pleasing
addition to the 19th-c. guitar repertoire. Wrappers. $20
2938 Compendio della teoria de’numeri per uso del musico.
Bibliotheca Musica Bononiensis, II/63. Bologna, 1984. 17 x 24 cm, iv, 14 pp.
Line-cut of the Bologna, 1769 edition. Basso continuo treatise. Preface in It by 3898 [Duets, guitar, piano]
Giuseppe Vecchi. Laid paper. Wrappers. $20 Duetten für Guitarre und Pianoforte. Unterhaltende Tonstücke verschiedenen
Characters. Mazurka, Barcarole, Divertissement, Einsiedlers Waldglocklein,
MASON, George, 16-17th c. Wasserfahrt am Traunsee. Introduction: Peter Pieters. [Det Kongelige Bibl.,
3017 [& John Earsden] Copenhagen].
Facsimile Series, III/17. Peer, 1991. 4º, 2 parts, 52, i pp. Line-cut of the Jos. Aibl
The Ayres that were Sung and Played at Brougham Castle 1608. Edited by edition, Munich, 1852-53 & 1864. Not written for standard guitar with E pitch, but
David Greer. a terz-guitar, a smaller instrument, tuned a minor third higher. Wrappers, in
English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 31. London, 2/ portfolio. $18
1978. 26 x 37 cm, iii, 20 pp. Line-cut of the London, 1608 edition. Settings for 1-2
voices & lute, in staff notation and French tablature. 1 work calls for bass viol in
addition. Wrappers. $36 9087 Opern-Revue, Op.8, Nos.1-8. Volume I. Edited by Brian Torosian.
n.p., 2006. 4°, 11, 78 pp. Line-cut of the Vienna, 1843-1844 edition. The first 8 Hefte
of “Opern-Revue. Ausgewählte Melodien für Guitare” feature exclusively the
MATELART, Ioanne, b.?-c.1600 operas of Gaetano Donizetti and Vincenzo Bellini. Wrappers. $20
5203 Intavolatura de leuto (Roma 1559).
Monumenta Testudinea, Fototypice Expressa, 1. Bologna, 1977. 21 x 31 cm, 24 pp. 9088 Opern-Revue, Op.8, Nos.9-16. Volume II. Edited by Brian Torosian.
Line-cut of the Rome, 1559 edition, in Italian lute tablature. 24 compositions: 15
"recercate o vero fantasie"; intabulations of 2 mass movements by Morales; 7 n.p., 2007. 4°, 17, 84 pp. Line-cut of the Vienna, 1843-1844 edition. The works in
fantasias ("recercate concertate") by Francesco da Milano and Giovanni Maria da this volume illustrate a significant elevation of musical and technical demands
Crema to which Matelart composed parts for a second lute. Wrappers. $25 compared to those of vol. I, and represent Mertz’ longest and most virtuosic
works published during his lifetime. The composers included here are: Balfe,
Bellini, Donizetti, Stradella, Adam, & Verdi. Preface. Wrappers. $20
1081 Intavolatura de leuto, Roma 1559.
Archivum Musicum: Strumentalismo Italiano, 10. Florence, 1984. 24 x 34 cm, ii, 24
pp. Line-cut of the Rome, 1559 edition. Line-cut of the Rome, 1559 edition, in MILÁN, Luís, c.1500-d.?
Italian lute tablature. 24 compositions: 15 "recercate o vero fantasie"; intabulations 9156 Libro de música de vihuela de mano intitulado El maestro. Valencia, 1536.
of 2 mass movements by Morales; 7 fantasias ("recercate concertate") by Francesco [Biblioteca Nacional, Madrid].
da Milano and Giovanni Maria da Crema to which Matelart composed parts for a
second lute..Wrappers. Introduction in It by Orlando Cristoforetti. Wrappers in Madrid, 2008. 20 x 29 cm, xxvi, 202 pp. Full-color reproduction of the Valencia,
decorative paper. $25 1536 edition. Of utmost importance not only to vihuela enthusiasts but also to
renaissance lute players and modern classical guitarists. “El Maestro” (“the
Teacher”) was created as a method and is the earliest known example of Spanish
MAYNARD, John, c.1577-c.1614 tablature for the vihuela in print. The music it contains is exquisite: 40 fantasies,
40 preludes, 6 pavanas, 6 Christmas carols for vihuela and voice, 4 old romances
3018 The XII Wonders of the World 1611. Edited by Ian Harwood. and 6 sonnets. El Maestro is presented in levels from simple to complex, so that a
English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 32. London, 2/ beginning vihuelist can proceed from elementary to more complicated pieces as
1978. 26 x 37 cm, iii, 48 pp. Line-cut of the London, 1611 edition, in table book he or she learns. Many are of considerable virtuosity and compositional styles
format. Collection of songs for solo voice with lute/lyra viol and bass viol vary from simple homophony to polyphonic with virtuoso passagework. One
accompaniment (staff notation & French tablature). Instrumental pieces for bass notices immediately the great care with which the work was created and
viol and lute. Wrappers. $40 engraved. Alternate passages are given for players who wish to avoid more
virtuosic parts, sections of pieces are indicated as optional, and Milan provides
verbal tempo indications. The "vocal" notes in the tablatures for the Christmas
MÉDARD, Remy, 17th c. carols have been painstakenly printed with red ink (a precursor of Bach’s use of
red ink for the Biblical texts of the St. Matthew Passion). The music of Luis Milan
1084 [Pièces, guitar] is popular with performers to this present-day—both classical guitarists and
Pièces de guitarre. lutinests regard El Maestro as an integral part of their repertoire. Introduction in
Spanish by Gerardo Arriaga. Beautifully hard bound, with coverboards being a
Geneva, 1988. 8º, 56 pp. Line-cut of the Ganière edition, Paris, 1676. Collection replica of the original. $125
notated in French guitar tablature containing 44 pieces mostly arranged as suites. http://www.omifacsimiles.com/brochures/milan.html
Wrappers. $25
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.17

MILIONI, Pietro, fl.1610-1650 MOY, Louys de, 17th c.

1089 [Method, Spanish guitar] 1581 Le petit boucquet, de frise orientale, contenant quelques chansonnettes
Vero e facil modo d’imparare a sonare et accordare da se medesimo la chitarra musicales pour toucher du luth join deux violes de gambas parmy les vois: et
spagnola. [Civico Museo Bibliografico Musicale, Bologna]. autres padvanes pour le luth et violons communs. Introduction: M. Jape
Bibliotheca Musica Bononiensis, IV/214. Bologna, 1977. Oblong, 17 x 10 cm, 32 pp. [Universitätsbibl., Rostock].
Line-cut of the Rome, 1647 edition, in alfabeto notation. Cloth. $21 Facsimile Series, I/B.14. Peer, 1987. 14 x 21 cm, 142 pp. Line-cut of the 1631
edition. Contains French chansons for soprano, bass and lute (French tablature), 1
Dutch polyphonic song and pavanes for descant and bass viol with lute
MINGUET Y YROL, Pablo, fl.1733-1775 accompaniment. Hardbound. $41
3308 Reglas y advertencias generales que enseñan el modo de tañer todos los
instrumentos mejores, y mas usuales, como son la guitarra, tiple, vandola, MOZART, Wolfgang Amadeus, 1756-1791
cythara, clavicordio, organo, harpa, psalterio, bandurria, violin, flauta 8761 [Lieder, voice & piano, collected works]
traversera, flauta dulce, y la flautilla.
30 Lieder und Gesänge für eine und mehrere Singstimmen mit
Geneva, 1982. 8º, 120 pp. Line-cut of the Madrid, 1754 edition. An instrumental
encyclopedia by a pupil of Sanz. Includes examples of dances in the Castillian, Klavierbegleitung. Faksimileausgabe des Erstdrucks aus den Œuvres
Italian, Catalonian and French styles, notated either in the author’s alfabeto-like complettes, Leipzig 1799 herausgegeben von Ulrich Leisinger. Nachwort mit
notation or mensural notation. Wrappers. $25 Bemerkungen zur Textgestalt.
Stuttgart, 2006. Oblong, 30 x 21 cm, 100, x pp. Line-cut of the Breitkopf & Härtel
edition, Leipzig, 1799. (= Œuvres Complettes de Wolfgang Amadeus Mozart.
MOLINARO, Simone, c.1565-1615 Cahier V, XXX). Hardbound, with decorative paper boards. $130
1090 Intavolatura di liuto. Libro primo. Nel quale si contengono saltarelli, pass’e http://www.omifacsimiles.com/brochures/moz_lie.html
mezi, gagliarde, e fantasie. Nouamente composto, & dato in luce.
Archivum Musicum: Strumentalismo Italiano, 6. Florence, 1978. 34 x 24 cm, iii, 148 MUDARRA, Alonso, c.1508-1580
pp. Line-cut of the Venice, 1599 edition. 79 compositions for solo lute in Italian
tablature. Introduction in It by Orlando Cristoforetti. Wrappers in decorative 1094 Tres libros de música en cifras para vihuela (1546). Complete Facsimile
paper. $59 Edition with an Introduction by James Tyler. (Reproduced by Permission of
the Biblioteca Nacional Madrid).
Monte Carlo, 1980. Oblong, 21 x 15 cm, 15, 257 pp. Line-cut of the Seville, 1546
MOLINO, Francesco, 1768-c.1847 edition. Italian lute tablature & harp (or organ) tablature, in mensural notation. 3
3899 Grande ouverture, grande sonate, Robin & Adair, God Save the King. Pour books, one for solo vihuela or guitar, one for solo vihuela, and one for voice and
guitare. Op.17, 51, 58 & 59. Introduction: Peter Pieters. [Bibl. Nationale, vihuela. Fantasias, dances, villancicos, romances, sonnets, glossas, versos, tientos
y canciones. Wrappers. (out of print - included only for bibliographic reference)
Paris].
Facsimile Series, III/18. Peer, 1991. 4º, 40, i pp. Line-cut of the Paris, c.1825 &
c.1826-29 editions. One of the most celebrated guitarists of the 19th c., along with MURCIA, Santiago de, 17-18th c.
Carulli and Carcassi. Wrappers. $18
7475 [Códice Saldívar, no.4]
Saldívar Codex No.4”. Santiago de Murcia Manuscript of Baroque Guitar
2777 [Nocturnes, guitar, piano, op.36, 44 & 57] Music (c.1732) found and Acquired in September 1943 in León, Guanajuato,
Premier, second et troisième nocturne pour piano et guitarre, Opus 36, 44 & Mexico by the Mexican Musicologist Dr. Gabriel Saldívar y Silva
57. Introduction: Peter Pieters. [Bibl. Nationale, Paris]. (1909-1980). Volume I: The Manuscript, Complete Facsimile Edition with
Facsimile Series, III/3. Peer, 1989. 4º, 3 books, i, 46 pp. Line-cut of the Paris, Preface and Commentary. By Michael Lorimer.
c.1825-29 editions. Wrappers, in folder. $11 Santa Barbara, Cal, 1987. 4º, xxii, 95, vi pp. Line-cut, produced 2 originals per
page, in mixed tablature. Wrappers. $40
7971 [Works, selections, op.15, 17, 31, 34, 41, 51, 58, guitar]
Opere scelte per chitarra. A cura di Mario Dell’Ara. NAUWACH, Johann, c.1595-c.1630
Ancona, 1993. 4º, 12, 82 pp. Line-cut of the original Paris editions. Contents: Trois 3933 Libro primo di arie, passegiate a una voce per cantar, e sonar nel chitarrone, et
sonates op.15, Grande ouverture op.17, Douze variations op.31, Grande polonaise altri simili istromenti. [Bayerische Staatsbibl., Munich].
op.34, Variations brillantes op.41, Grande sonate, op.51, Robin Adair op.58.
Wrappers. $48 Munich, 1984. 21 x 30 cm, 23, 23 pp. Line-cut of the Dresden, 1623 edition. 12
numbers in mensural notation. Includes additional score with realization of the
basso continuo in French tablature for lute in g by Konrad Jünghänel. Wrappers.
MORETTI, Ferdinando, 18th c. $28
1091 [Method, guitar]
[Principj per la chitarra]. [Ms., Bibl. Estense, Modena]. NEGRI, Cesare (“il trombone”), c.1546-d.?
Archivum Musicum: L’Arte della Chitarra, 10. Florence, 1983. Oblong, 30 x 23 cm, 1784 Le gratie d’amore.
iv, 27 pp. Line-cut of a carefully produced ms copy of the Naples, 1792 edition. 17 Bibliotheca Musica Bononiensis, II/104. Bologna, 2/ 1983. 18 x 25 cm, 306, vi pp.
tables, frets, scales, chords, ornaments, accompaniments, etc. Introduction in It by Line-cut of the Milan, 1602 edition. One of the great early works on Renaissance
Mirko Caffagni. Wrappers in decorative paper. $19 dance similiar to that of Caroso. Contains 58 engravings by Leon Palavicino after
designs by Mauro Rovere showing dancers executing the figures of the gaillarde,
pavane and other dances of the period. The accompanying music is in lute
MORLAYE, Guillaume, c.1515-c.1560 notation (Italian tablature), along with detailed instructions for steps and
1092 Premier [-second] livre de tablature de leut. movements. Fine portrait of Negri. Afterword and bibliography by Rossana
Dalmonte. Cloth. $108
Geneva, 1983. Oblong, 21 x 15 cm, 144 pp. Line-cut of the Fezandat edition, Paris,
1552-1558. For solo lute in French tablature. Fantasias, transcriptions of motets (by
Piéton & Verdelot), chansons (by Sermisy, Sandrin, Arcadelt, etc.) and dances. 2225 Le gratie d’amore. A Facsimile of the Milan, 1602 Edition.
Wrappers. $40
Monuments of Music and Music Literature in Facsimile, II/141. New York, 1969.
8º, 306 pp. Line-cut of the Milan, 1602 edition. One of the great early works on
MORLEY, Thomas, 1557-1602 Renaissance dance similiar to that of Caroso. Contains 58 engravings by Leon
Palavicino after designs by Mauro Rovere showing dancers executing the figures
3019 [Ayres] of the gaillarde, pavane and other dances of the period. The accompanying music
is in lute notation (Italian tablature), along with detailed instructions for steps and
The First Book of Ayres 1600. Edited by David Greer. movements. Fine portrait of Negri. Laid paper. Cloth.
English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 33. London, 2/
1977. 26 x 37 cm, iii, 36 pp. Line-cut. Wrappers. $36
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.18

NEWSIDLER, Hans, c.1508-1563 3952 [Sonata, guitar & violin, Ms. 3]

8497 Ein newgeordent künstlich Lautenbuch. Nürnberg, Petreius 1536. RISM Grand Sonata for Guitar & Violin (M.S. 3). Urtext Edition with a Facsimile of
1536(12). [Musikbibliothek, Leipzig]. the Original Manuscript Edited by Giuseppe Gazzelloni.
Faksimile-Edition Laute, 6. Stuttgart, 2004. Oblong, 19 x 15 cm, 174 pp + 3 Heidelberg, 1990. 4º, vii, 10, 30 pp. Line-cut of the autograph, together with a new
foldouts. Line-cut of the Johan Petreius edition, Nuremberg, 1536, based on the authoritative practical edition. Introduction in Eng. Wrappers, in slipcase. $25
exemplar formerly owned by Johannes Galbleber. 73 pieces for solo lute in
German lute tabulature, preceded by instructions for playing the lute, including a
number of musical examples. Includes additional pieces in manuscript. 3655 [Works, guitar, complete]
Hardbound with decorative paper boards. $42
Complete Works for Solo Guitar Edited by Giuseppe Gazzelloni. [43 Ghiribizzi
(M.S. 43); 37 Sonate (M.S. 84); Composizioni varie (M.S. 85-105)].
3210 [Ein newgeordent künstlich Lautenbuch, part 1] Heidelberg, 2006. 4º, 172, 34 pp Line-cut of the autograph (composing copy) in
Das Newsidler-Helf / The Newsidler Book. Twelve Easy Pieces and a Manual reduced format reproduced 2 up per page, together with a new authoritative
practical edition. Introduction in Eng-It. Wrappers, in slipcase. $40
for German Lute Tablature Edited by Johannes Jansen, with Drawings by
Achim Weichert.
Cologne, 1983. 4º, vii, 17, with 5 pp. New practical edition with 5 halftones from PAIXAO RIBEIRO, Manoel da, 18th c.
Ein newgeordnet künstlich Lautenbuch. Historical introduction in Ger-Eng.
Wrappers. $15 3314 Nova arte de viola que ensina a tocalla com fundamento sem mestre, dividida
em duas partes, huma especulativa, e outra practica. Com estampas das
posturas, ou pontos naturaes, e acidentaes; e com alguns minuettes, e
7437 [Hans Gerle]: Ein newes sehr künstliches Lautenbuch, Formschneider 1552 / modinhas por musica, e por cifra.
[Newsidler]: Das ander Buch, Laub 1549; Das dritt Buch, Günther 1544. Geneva, 1985. 4º, 76 pp. Line-cut of the Coimbra, 1789 edition. Wrappers. $45
[Schmermar-Bibliothek, Stadtbibliothek, Ulm].
Faksimile-Edition Schermar-Bibliothek Ulm, 18. Stuttgart, 1997. Oblong, 19 x 15
cm, c.460 pp. Line-cut of one book of lute music edited by Gerle (Nuremberg, PALADINO, Giovanni Paolo, b.?-c.1566
1552), and two edited by Hans Newsidler (Nuremberg, 1549 & 1544). Solo lute 3932 Tablature de lutz, Lyon 1549. [Bayersiche Staatsbibl., Munich].
repertoire written in German tablature. Hardbound. $89
Munich, 1986. Oblong, 21 x 15 cm, i, 30 pp. Line-cut of the Jacques Moderne
edition, Lyon, 1549. Intabulations of chansons, fantasias, galliards, pavans, and a
NEWSIDLER, Melchior, 1531-1591 large battalia, in Italian tablature with renaissance tuning. Wrappers. $21
7726 Il primo libro intabolatura. . . RISM 1566(29). Il secondo libro
intabolatura. . . RISM 1566(39). Venedig, Gardano 1566. [British PELLEGRINI, Domenico, b.?-1630
Library]. 1105 Armoniosi concerti supra la chitarra spagnola, Bologna 1650.
Faksimile-Edition Laute, 2. Stuttgart, 1999. 20 x 29 cm, 92 pp. Line-cut of the Archivum Musicum: Strumentalismo Italiano, 8. Florence, 1978. 17 x 24 cm, v, 60
Gardano editions, both issued in Venice, 1566. 24 & 23 compositions for solo lute pp. Line-cut of the Bologna, 1650 editino. Allemande, brandi, correnti, passacagli,
notated in Italian lute tablature. Includes madrigals, canzon, pass’e mezi and sarabande, toccate, balletto and “battaglia francese”. Introduction in It by Paolo
recercari. Hardbound in decorative paper. $54 Paolini. Wrappers in decorative paper. $33

7698 Teütsch Lautenbuch [darinnenn kunstliche muteten, lieblich 1106 Armoniosi concerti sopra la chitarra spagnuola.
italianische, französische, teütsche Stuck fröliche teütsche Täntz...]. Geneva, 1986. 4º, 60 pp. Line-cut of the 1650 Bologna edition. Allemande, brandi,
Straßburg, Berhard Jobin 1574, RISM 1574(13). [Universitätsbibl. correnti, passacagli, sarabande, toccate, balletto and “battaglia francese”.
Heidelberg]. Wrappers. $51
Faksimile-Edition Laute, 1. Stuttgart, 1999. Oblong, 21 x 34 cm, 108 pp. Line-cut of
the Strasbourg, 1574 edition. 46 compositions for solo lute notated in German lute
tablature. Hardbound in decorative paper. $69 PERI, Jacopo, 1561-1633
493 Le musiche sopra l’Euridice.
OCHSENKHUN, Sebastian, 1521-1574 Bibliotheca Musica Bononiensis, IV/2. Bologna, 2/ 1995. 4º, 58 pp. Line-cut of the
Florence, 1600 edition. Monodies with figured bass accompaniment and choruses
7941 Tabulaturbuch auff die Lauten [von Moteten, frantzösischen, welschen und for 3-5 voices. Wrappers. $44
teütschen geystlichen und weltlichen Liedern], Heidelberg, J. Kohlen 1558. http://www.omifacsimiles.com/brochures/peri.html
[Herzog-August-Bibl., Wolfenbüttel].
Faksimile-Edition Laute, 4. Stuttgart, 2001. 22 x 31 cm, 187 pp. Line-cut of the 7797 Le varie musiche a una, due, e tre voci con alcune spirituali in ultimo. Per
Heidelberg, 1558 edition. 76 pieces for solo lute notated in German lute tablature.
The intabulations of German lieder include several stanzas of text for each piece. cantare nel clavicembolo, e chitarrone, & ancora la maggior parte di esse per
Works by Josquin, Petschin, Senfel, Crequillon, Isaac, Hofhaimer, Mouton, sonare semplicemente nel organo.
Archadelt & others. Hardbound with decorative paper. $98 Performers’ Facsimiles, 235. New York, [2000]. 25 x 35 cm, 32 pp. Line-cut of the
Florence, 1609 edition. 20 monodies for 1 to 3 voices and basso continuo.
Wrappers. $20
8186 Tabulaturbuch auff die Lauten 1558. Facsimile of Leipzig II.2.45.
Lübeck, 2002. 4˚. Line-cut of folios 54-81 only, which tranmit 47 intabulations of
German songs and motets by Isaac, Senfl, Stoltzer and others. German tablature, PERRINE, b.?-c.1700
renaissance tuning. Wrappers. $33 1107 Livre de musique pour le lut.
Geneva, 1973. 4º, 54 pp. Line-cut of the Paris, 1679 edition. Method for learning
PAGANINI, Niccolò, 1782-1840 how to play the lute with mensural notation, a general demonstration of intervals,
diagrams illustrating the instrument’s harmonic proportions, and a table showing
2072 [Quartet, vln, vla, guit & vc, op.5] how to play the lute with bc as an accompaniment. Wrappers. $51
Tre quartetti a violino, viola, chitarra e violoncello.
Archivum Musicum: L’Arte della Chitarra, 15b. Florence, 1985. 24 x 34 cm, 4 PETRUCCI, Ottaviano, 1466-1539 [publisher]
partbooks, x, 68 pp. Line-cut of the G. Ricordi, 1820 edition. Introduction in It by
Adriano Sebastiani. Wrappers in decorative paper with slipcover. $47 1342 Canti B numero cinquanta. A Facsimile of the Venice, 1501/2 Edition.
[Unique copy, Civico Museo Bibliografico Musicale, Bologna].
Monuments of Music and Music Literature in Facsimile, I/23. New York, 1975.
3951 [Sonata, guitar & violin, Ms. 2] Oblong, 26 x 17 cm, 111 pp. Line-cut of the Venice, 1501/2 edition. Continuation
Sonata Concertata for Guitar & Violin (M.S. 2). Urtext Edition with a of Harmonice musices odhecaton A. Laid paper, handsomely bound in white
Facsimile of the Original Manuscript Edited by Giuseppe Gazzelloni. linen. $72
Heidelberg, 1990. 4º, vii, 9, 26 pp. Line-cut of the autograph, together with a new
authoritative practical edition. Introduction in Eng. Wrappers, in slipcase. $15 1344 Canti C numero cento cinquanta. A Facsimile of the Venice, 1503/4 Edition.
[Copy, Österreichische Nationalbibl., Vienna].
Monuments of Music and Music Literature in Facsimile, I/25. New York, 1978.
Oblong, 26 x 17 cm, 334 pp. Line-cut of the Venice, 1503/4 edition. Continuation
of Odhecaton A and Canti B. Laid paper, clothbound. $110
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.19

8204 Harmonice musices odhecaton A. Introduzione di / Introduction by Iain 990 [Des chansons, bk. 1-3]
Fenlon. [Civico Museo Bibliografico Musicale, Bologna]. Chansons reduictz en tablature de lut à deux, trois et quatre parties. Livres
Bibliotheca Musica Bononiensis, IV/95. Bologna, 2003 Oblong, 26 x 17 cm, xxviii, I-III. Introduction d’Henri Vanhulst.
210 pp. Line-cut of the Venice, 1501 edition. Contains the earliest part-music Geneva, 1984. Oblong, 22 x 15 cm, viii, 242, 8 pp. Line-cut of the 1547, 1546 & 1547
printed from type, and produced by a triple impression process (staves, then text, editions. Set of instructions for the lute and a large collection of preludes and
then music); it is also the earliest instance of a complete volume of part-music. fantasias (by Narvaez), galliards and pavanes, as well as transcriptions of
Includes works by the most important composers of the day: Issac, Ockeghem, chansons by Sermisy, Clemens non Papa, etc. Wrappers. $61
Obrecht, Josquin, Hayne, de la Rue, Compère, Tinctoris, Agricola, and others.
Introduction in It-Eng. Wrappers. $87
http://www.omifacsimiles.com/brochures/petrucci_od.html 3101 [Des chansons, bk. 5]
Des chansons gaillardes, paduanes et motetz réduitz en tablature de luth. Livre
7949 Harmonice musices odhecaton A. Edited by Stanley Boorman and Ellen S. cinquième. Avec une introduction d’Henry Vanhulst. Index.
Beebe. Introduction by Stanley Boorman. [Library of Congress, Washington, Geneva, 1991. Oblongn 15 x 11 cm, xxviii, 64 pp. Line-cut of the Louvain, 1547
DC]. edition. A recently re-discovered French lute tablature. 4 fantasias, 5 dances, 2
Critical Facsimiles, 7. New York, 2001. Oblong, 26 x 17 cm, xvii, 234 pp. Line-cut motets and 24 French chansons, including works by Mouton, Sermisy, Richafort,
of the third edition, Venice, 1504. “Corrected” facsimile edition reflecting the Mahiet, Willaert, Maille, Payen and Certon. Wrappers. $30
views of the editors. With critical apparatus listing all errors and inconsistencies.
Laid paper, wrappers. $45
1367 Liber primus leviorum carminum. Premier livre de danseries contenant
plusieurs pavanes, passomezo, almandes, le tout convenable sur tous
8463 Laude libro primo, Venezia 1508. Ristampa Anastatica, presentazione di instruments musicals. Préface d’Henri Vanhulst. [Stadtarchiv, Heilbronn].
Giulio Cattin e introduzione di Francesco Luisi. Musique de Chambre, 5. Geneva, 1989. Oblong, 22 x 15 cm, 4 partbooks, xxx, 224
Serie VII, A: Ottaviano Petrucci, 1. Venice, 2001. Oblong, 28 x 17 cm, 83, 130 pp. pp. Line-cut of the P. Phalèse & Bellère edition, Louvain 1571. Liber primus
Halftone reproduction of the Venice, 1508 edition, from the copy preserved at the leviorum carminum—or “first book of easy songs”—consists of 103 dances a4
Biblioteca Capitolare Colombina, Seville. The only anthology of lauda (66) intended for all instruments. Mostly by Jean d’Estrée, the works include
published by Petrucci devoted to a single composer—Innocentius Dammonis, a pavane-galliard pairs, allemandes and numerous branles, all written in mensural
prior of San Salvador in Venice. This is the "second" edition (the 1506 “first” notation in partbook format. Index. Wrappers. $110
edition survives incomplete). Introduction in It-Sp-Eng. Hardbound. $100
http://www.omifacsimiles.com/brochures/dammonis.html
7287 Liber primus leviorum carminum. Premier livre de danseries. Löwen, P.
Phalèse und Antwerpen, J. Bellère 1571. [Stadtarchiv, Heilbronn].
8725 Laude libro secondo (Venezia, O. Petrucci, 1507). RISM 1508(3). [Biblioteca
Faksimile Heilbronner Musikschatz, 2. Stuttgart, 1995. Oblong, 19 x 15 cm, 4
Colombina, Seville]. partbooks, 438 pp. Line-cut of the Louvain, 1571 edition. Liber primus leviorum
[Yellow Book Series, 7]. Højbjerg, 2006. Oblong, 23 x 16 cm, 112 pp. Line-cut of the carminum—or “first book of easy songs”—consists of 103 dances a4 intended for
Venice, 1507 edition. Contains 60 setting for 3 and 4 voices by Bartolomeo all instruments. Mostly by Jean d’Estrée, the works include pavane-galliard pairs,
Tromboncino and his contemporaries. Wrappers. $58 allemandes and numerous branles, all written in mensural notation in partbook
http://www.omifacsimiles.com/brochures/petrucci_laudes.html format. Hardbound in vegetable vellum. Slipcase. $126

8724 Motetti de passione de cruce de sacramento de beato virgine et huiusmodi. B 9025 Selectissima elegantissimaque guiterna carmina, 1570. Fantasien, Lieder &
(Venezia, O. Petrucci, 1503. RISM 1503(1). [British Library, London]. Tänze für 4-chörige Renaissance-Gitarre. Reproduktion von Musica XVI-58
[Yellow Book Series, 6]. Højbjerg, 2006. Oblong, 23 x 16 cm, 144 pp. Line-cut of the Universitätsbibliothek Rostock.
Venice, 1503 edition. Contains 30 motet settings by Josquin and his Lübeck, 2007. 4º, iv, 87 pp (= 170 pp). Line-cut of the Lyon & Antwerp, 1570
contemporaries. Wrappers. $72 edition, reproduced two-up on a page. Important anthology of music for 4-course
Renaissance guitar comprising fantasies, galliards, almains, branles, songs and
motets from France and Italy, c.250 works in all. French tablature. Wrappers. $44
9269 Motetti libro quarto (Venezia, O. Petrucci, 1505). RISM 1505(2).
[Wolfenbüttel, Herzog-August Bibliothek].
7100 Theatrum musicum [in quo selectissima optimorum quorumlibet autorum. . .
[Yellow Book Series, 10]. Højbjerg, 2011. Oblong, 23 x 16 cm, 4 partbooks, 256 pp.
Line-cut of the Venice, 1505 edition. Contains 55 settings (counting separate carmina. . . fantasiae. . . catilenae quatuor et quinque vocum. . . muteta
movements) for 4 voices by Josquin, Brumel, Obrecht, Mouton and their quatuor, quinque et sex vocum], 1563. Et suppléments manuscrits Oxford,
contemporaries. Wrappers, with slipcase. $130 Bodleian Library. D.4.10 Art.; Utrecht, Universiteitsbibliotheek, AA-fol-28
http://www.omifacsimiles.com/brochures/petrucci_motetti4.html
Rariora. Introduction d’Henri Vanhulst.
Geneva, 2005. 4º, xxv, 140, 6, i pp. Line-cut of the Phalèse edition, Louvain 1563.
4156 Strambotti, ode, frottole, sonetti, et modo de cantar versi latini e capituli. Libro Anthology of 140 instrumental works–fantasias, dances, transcriptions of
chansons, madrigals and motets–selected with the help of Fredericus Viaera from
quarto. RISM 1507(2). Friesland. Seven pieces are for two lutes. Preface in Fr-Eng. Wrappers. $126
[Yellow Book Series, 3]. Højbjerg, 1991. Oblong, 23 x 16 cm, 112 pp. Line-cut of the
Venice, 1507 edition. Includes 91 Italian secular songs in four parts; choirbook
format with mensural notation. Wrappers. $44 PICCININI, Alessandro, 1566-1638
http://www.omifacsimiles.com/brochures/petrucci_stram.html
1109 [Intabulations, lute, archlute & chitarrone, book 1]
Intavolatura di liuto e di chitarrone, libro primo nella trascrizione di Mirko
968 Tenori e contrabassi intabulati col sopran in canto figurato per cantar e sonar Caffagni con presentazione di Francesco Flora. I: Testo originale.
col lauto. Libro primo. Francisci Bossinensis Opus. Monumenta Bononiensia, 11/1 (Opera Alexandri Piccini). Bologna, 1965. 23 x 32
Geneva, 1977. Oblong, 22 x 15 cm, 112 pp. Line-cut of the Petrucci edition, Venice, cm, 136 pp. Line-cut of the Bologna, 1623 edition. Wrappers. $61
1509. One of the earliest sources of Italian lute music. Wrappers. $45

PICO, Foriano, 16-17th c.

PHALÈSE, Pierre, c.1510-1574 [publisher]
1113 Nuova scelta di sonate per la chitarra spagnola.
9365 [Des chansons, bk. 1] Geneva, 1982. Oblong, 15 x 11 cm, 64 pp. Line-cut of the Pace edition, Naples,
Des chansons reduictz en tablature de lut [à deux, trois, et quatre parties. 1628. Sonatas “ordinaires” and “passegiate” in alfabeto notation preceded by a
Avecq une brieve & familiaire introduction pour entendre & apprendre par soy tutor for the instrument. Arie, balli, gagliarde, passemezi, villanelle, etc.
Wrappers.
mesmes à iouer dudict lut, liure premier]. Löwen/Jaques Bathen und Reynier
Velpen 1545. [Bibliothèque d’étude de conservation Besançon].
Faksimile-Edition Laute, 12. Stuttgart, 2014. Oblong, 18 x 22 cm, 96 pp. Line-cut of PIERRE, Constant, 1855-1918
the Louvain, 1545 edition, the first edition of this distinguished print. 61 pieces for
solo lute in French tablature, including preludes, fantasies, French chansons and 4262 Les facteurs d’instruments de musique. Les luthiers et la facture
Dutch songs. Comparison with the 1547 edition provides wonderful insight how instrumentale. Précis historique.
the Phalèse printing house reedited the edition, using the same woodcuts but Geneva, 1971. 8º, 460 pp. Line-cut of Paris, 1893 edition. Treats French musical
altering the metal type to create a slightly different format. Hardbound in instrument makers, covering the period from the 15th to the 19th century.
decorative paper. $32 Wrappers. $61
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.20

PIFARO, Marcantonio del, 16th c. PORTER, Walter, c.1588-1659

1114 [Intabulations, lute, book 1] 3021 Madrigales and Ayres, of Two, Three, Foure and Five Voyces, with the
Intabolatura de lauto de ogni sorte de balli novamente stampati et posti in luce. Continued Base, with Toccatos, Sinfonias and Rittornellos to Them, after the
Libro primo. Manner of Confort Musique, To be Performed with the Harpesechord, Lutes,
Geneva, 1981. Oblong, 8º, 48 pp. Line-cut of the Gardano edition, Venice, 1546. Theorbos, Base Violl, Two Violins, or Two Viols.
Italian lute tablature. 14 dances, each accompanied by a saltarello. Wrappers. $25 English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 35. London, 2/
1981. 23 x 35 cm, 6 partbooks, ii, c.120 pp. Line-cut of the London, 1632 edition, in
the original partbook format. 22 pieces. Wrappers. $78
PILKINGTON, Francis, c.1562-1638
7723 Complete Works for Solo Lute. Edited and Transcribed by Brian Jeffery. PRAETORIUS, Michael, 1571-1621
Music for Lute, 3. Oxford, 1970. 4º, 30, 13 pp. Line-cut of the original lute
tablature, together with a new practical edition. Wrappers. $39 8126 Syntagma musicum: Band II, De Organographia. Wolfenbüttel 1619.
Faksimile-Nachdruck herausgegeben von Wilibald Gurlitt.
Kassel, 1929 17 x 24 cm, 311, iv pp. Line-cut. This volume, in German, describes
3020 The First Booke of Songs or Ayres 1605. Edited by David Greer. the instruments known to the author and includes beautiful woodcut illustrations
English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 34. London, 2/ of them. Hardbound. $95
1978. 27 x 37 cm, iii, 48 pp. Line-cut. Wrappers. $40
1889 Syntagma musicum: Band II, De Organographia. Wolfenbüttel 1619.
4207 The First Booke of Songs or Ayres of 4. Parts: with Tableture for the Lute or Faksimile-Nachdruck herausgegeben von Wilibald Gurlitt.
Orpherian, with the Violl de Gamba. [Folger Shakespeare Library, Documenta Musicologica, I/14. Kassel, 6/ 1985. 17 x 24 cm, 311, iv pp. Line-cut.
Washington, D.C.]. This volume, in German, describes the instruments known to the author and
Performers’ Facsimiles, 95. New York, [1991]. 25 x 35 cm, 46 pp. Line-cut of the includes beautiful woodcut illustrations of them. Hardbound. $87
London, 1605 edition. Wrappers. $20
7972 Syntagma musicum: Musicae artis analecta / De Organographia / Termini
PISADOR, Diego, c.1509-c.1557 musici. Reprint der Originalausgaben von 1614-15 und 1619. Herausgeben
1115 Libro de música de vihuela. von Arno Forchert.
Geneva, 1973. 22 x 31 cm, 184 pp. Line-cut of the Salamanca, 1552 edition. Kassel, 2001. 8º, 3 vols, 1153 pp. Line-cut. Wrappers. $95
Compositions for the vihuela or for voice and vihuela, written in Italian tablature.
7 books: Romances, sonnets and dancing-songs; villancicos; fantasias; 8 Masses of
Josquin (in 2 bks); 13 motets by Franco-Flemish and Spanish composers; & Italian, PUCCINI, Domenico, 1772-1815
Spanish and French songs. (out of print - included only for bibliographic
reference) 8426 [Arias, soprano, guitar]
Sei ariette a voce sola di soprano con accompagnamento di chitarra.
Lucca, 2004. Oblong, 4˚, viii, 10 pp. Beautiful color reproduction of the autograph.
PITTONI, Giovanni, 17th c. Note by Paola Tommasi Antonio and preface by Giulio Batteli. Wrappers. $24
1116 [Intabulations, theorbo, op.1-2]
Intavolatura di tiorba. Opera prima e seconda, Bologna 1669. [Printed edition RADINO, Giovanni Maria, fl.1575-1600
& Ms. G.289, Bibl. Estense di Modena]. 909 [Intavolatura di balli, lute/harpsichord]
Archivum Musicum: Strumentalismo Italiano, 29. Florence, 1980. 25 x 34 cm, v,
122 pp. Line-cut. 12 sonatas in tablature. Together with a reproduction of a ms Il primo libro d’intavolatura di balli d’arpicordo di Gio. Maria Radino,
that transmits the violin part for sonatas a 3. Introduction in It by Orlando organista in S. Gio. di Verdara in Padova Venetia MDXCII. Facsimile with
Cristoforetti. Wrappers in decorative paper. $35 Transcription by Rosamond E.M. Harding. [Copy, Bibl. Royale, Brussels].
Cambridge & New York, 1949. 8º, v, 26, 45 pp. Halftone of the Venice, 1592
edition, together with new practical edition and historical introduction. First
PLAYFORD, Henry, 1657-c.1709 Italian collection of dances to specify the harpsichord. Hardbound. $40
7048 [Harmonia Sacra, part 1]
Harmonia Sacra: or, Divine Hymns and Dialogues: with a Through-Bass for RAIMONDI, Pietro Paolo, b.?-1647
the Theorbo-Lute, Bass-Viol, Harpsichord, or Organ.
1119 [Sonatas, lute]
Huntingdon, 1988. 4º, i, 135 pp. Line-cut of the third edition, London, 1714.
Wrappers. $39 Libro di sonate diverse, 1601. [Biblioteca Comunale, Como].
[Appendice: Como, 2]. Como, 1980. Oblong, 24 x 17 cm, viii, 187 pp. Line-cut of
the 1601 manuscript. 63 pieces for lute solo. Introduction in It by Oscar Tajetti.
7049 [Harmonia Sacra, part 2] Wrappers.
Harmonia Sacra: or, Divine Hymns and Dialogues: with a Through-Bass for
the Theorbo-Lute, Bass-Viol, Harpsichord, or Organ. RAVENSCROFT, Thomas, c.1590-c.1633
Huntingdon, 1988. 4º, i, 117 pp. Xerographic reprint of the second edition,
London, 1714. Wrappers. $31 7610 Deuteromelia: or the Second Part of Musicks Melodie, or Melodius Musicke, of
Pleasant Roundelaies, K.H. Mirth, or Freemens Songs, and Such Delightfull
Catches. [Library of Congress, Washington, DC].
PORRO, Pierre-Jean, c.1759-1831 Performers’ Facsimiles, 227. New York, [1998]. 17 x 24 cm, 46 pp. Line-cut of the
1118 [Sonatas, guitar, violin, op.11] William Adams edition, London, 1609. Wrappers. $18
6 sonates pour la guitare avec accompagnement de violon op.11; Dixième
ouverture en sonate pour guitare et violon d’Iphigénie en Aulide de Gluck. 7611 Melismata. Musicall Phansies, fitting the Court, Citie, and Countrey
Complete Facsimile Edition with an Introduction by Robert Spencer Humours, to 3.4. and 5. Voyces. [British Library, London].
(Reproduced from Copies Owned by Robert Spencer). Performers’ Facsimiles, 228. New York, [1998]. 17 x 24 cm, 45 pp. Line-cut of the
Heidelberg, 1981. Oblong, 31 x 23 cm, iii, 31 pp. Line-cut of the Paris, n.d. editions. William Stanley edition, London, 1611. Wrappers. $18
Wrappers. $20

7612 Pammelia. Musicks Miscellanie, or, Mixed Varietie of Pleasant Boundelayes,

PORTA, Ercole, 16-17th c. and delightfull Catches, of 3.4.5.6.7.8.9.10 Parts in one. [British Library,
5179 Ore di recreazione musicale [a una & due voci, per cantare, et sonare nel London].
chittarone, ò altri instrumenti] (1612). Performers’ Facsimiles, 226. New York, [1998]. 17 x 24 cm, 55 pp. Line-cut of the
Monumenta Bononiensia, Persicetana, Fototypice Expressa, 1. Bologna, 1977. 21 x William Barley edition, London, 1609. Wrappers. $18
31 cm, 20 pp. Line-cut of the Venice, 1612 edition. 17 numbers for 1 or 2 voices,
with and without accompaniment by lute or keyboard. Hardbound. $21
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.21

REGONDI, Giulio, 1822-1872 RUIZ DE RIBAYAZ, Lucas, 17th c.

3950 Concert Works for Guitar. In Reprints of the First Editions with Historical 1130 Luz y norte musical para caminar por las cifras de la guitarra española, y arpa,
Notes and a Commentary by Simon Wynberg. tañer y cantar á compás por canto de organo; y breve explicación del arte, con
Heidelberg, 3/ 2001. 4º, viii, 40 pp. Line-cut of the original 19th-c. editions, preceptos faciles, indubitables, y explicados con claras reglas por teórica, y
together with one newly edited piece. Contents: Rêverie op.19, Fête villageoise practica.
op.20, 1er Air varié op.21, 2me Air varié op.22, Introduction et caprice op.23. Geneva, 1972. 8º, 172 pp. Line-cut of the Madrid, 1677 edition. Method for the
Wrappers. $30 guitar and harp with pieces in tablature (españoletas, turdion, matachines,
galerias de amora, torneos, marionas, chaconas & passacalles). (out of print -
included only for bibliographic reference)
REUSNER, Esaias, 1636-1679
7662 Erfreuliche Lauten-Lust, darinnen befindlich praludia, paduanen, allemanden,
couranten, sarabanden, gigs & gavot. SABBATINI, Pietro Paolo, c.1600-c.1657
Musica Repartita, 60. Amsterdam, 1997. Oblong, 32 x 21 cm, 44, iv pp. Halftone of 7769 [Villanelle, 1-3 voices, guitar, bc]
the Leipzig, 1697 edition. Wrappers. $30 Prima scelta di villanelle, Roma, Vitale Mascardi 1652; Il terzo de villanelle,
Roma, Paolo Masotti 1631; il quarto de villanelle, Roma, Giovanni Batista
7322 Neue Lauten-Früchte 1676. Robletti 1631; Prima scelte de villanelle.. di nuovo ristampe... Rome, Vitale
Munich, 1996. Oblong, 30 x 21 cm, 34 pp. Line-cut of the Leipzig, 1676 edition. Mascardi 1652; Seconda scelta de villanelle, Roma, Vitale Mascardi.
Wrappers. $30 Faksimile-Edition Canto e Continuo, 2. Stuttgart, 1999. 23 x 35 cm, 100 pp.
Line-cut of five complementary villanelle collections for 1 to 3 voices with bc
accompaniment, but specifically for Spanish guitar in alfabeto notation.
REYMANN, Matthias, c.1565-d.? Hardbound, in marbled paper. $49
1125 Noctes musicae.
Geneva, 1978. 4º, 212 pp. Line-cut of the Leipzig, 1598 edition. Lute tablature, in Santa Cruz, Antonio de, 17th c.
French notation. Preludes, fantasies on German melodies, passamezzi, pavanes
and gaillardes. Wrappers. $111 9456 Libro donde se verán pazacalles de los ocho tonos i de los trasportados.
Lübeck, 2013. 4º, 37 pp. Line-cut of the manuscript (from between 1633 and 1640)
held in the Biblioteca Nacional Madrid, shelfmark Ms. M. 2209. Wrappers. $35
RIGAUD, Louis de, 17th c.
2244 Airs faits et mis en tablature de luth. [Bibl. Munic., Nancy]. SCHEIDLER, Christian Gottlieb, c.1750-c.1815
Béziers, 1986. 19 x 27 cm, 35 pp. Line-cut of the Ballard edition, Paris, 1623. 14
settings for voice with lute accompaniment. Wrappers in beautiful hand-made 1133 [Duo, guitar, violini, no.1]
marbled paper. $21 Duo No. 1 pour guitarre et violon chez Zulehner (ca. 1800). Facsimile Edition.
Kaldeck Collection Ms. 41.988, Austrian National Library, Vienna.
RODRIGUES CŒLHO, Manuel, c.1555-c.1635 Heidelberg, 1980. 4º, 5 pp. Line-cut. Wrappers. $10

825 Flores de música para o instrumento de tecla & harpa.

Geneva, 1986. 17 x 24 cm, 250 pp. Line-cut of the P. Craesbeeck edition, Lisbonne, 1134 [Sonatas, guitar, nos.1-2]
1620. For harpsichord or harp. 24 tientos and 4 suzanas (variations Lasso’s famous Two Sonatas for Guitar: No. 1 in C Major; No. 2 in G Major. Complete
chanson spirituelle). Wrappers. $182
Facsimile Edition with an Introduction by Simon Wynberg.
Heidelberg, 1980. 4º, 20 pp. Line-cut. Wrappers. $10
ROSSETER, Philip, 1568-1623
3022 A Booke of Ayres, 1601. SCHLICK, Arnolt, c.1455-c.1525
English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 36. London, 2/
1977. 23 x 35 cm, i, 48 pp. Line-cut. Songs by Thomas Campion arranged for voice, 1758 Tabulaturen etlicher Lobgesang und Lidlein uff die Orgeln un Lauten, ein
lute and bass viol in table-book format. Wrappers. $36 Theil mit zweien Stimmen zu zwicken und die drit dartzu singen, etlich on
gesangk mit dreien.
Leipzig, 1977. Oblong, 20 x 15 cm, 92 pp. Line-cut of the Peter Schöffer edition,
4482 A Booke of Ayres, Set Foorth to be Sung to the Lute, Orpherian, and Base Mainz, 1512. The earliest printed collection of keyboard tablature. Schöffer’s
Violl. beautiful work employs triple impression printing (as practiced by Petrucci).
Performers’ Facsimiles, 119. New York, [1992]. 24 x 36 cm, 48 pp. Line-cut of the Coverboards in laid paper with reproduction of the woodcut of the original title
London, 1601 edition. Wrappers. $20 page. $45

8349 Tabulaturen etlicher Lobgesang, 1512. Reproduktion nach dem Exemplar im

ROTTA, Antonio, c.1495-1549
Besitz der Stadt Leipzig Städische Bibliotheken Musikbibliothek (Signatur
1129 Intabolatura de lauto, di ricercari, motetti, balli, madrigali. Canzon francese da II.6.13).
lui composti & intabulati & novamente posti in luce. Libro primo. Lübeck, 2003. Oblong, 30 x 21 cm. ii, 95, iv pp. Line-cut of the Peter Schöffer
Geneva, 1982. Oblong, 8º, 112 pp. Line-cut of the Venice, 1546 edition. For solo edition, Mainz, 1512, the earliest printed collection of keyboard tablature. Includes
lute in Italian lute tablature. 27 dances, 6 French chansons (by Maille, Meigret, 12 lute pieces with “zwo stimmen zu zwicken und ein zu singen”, and 3 works for
Payen), 4 motets (by Jachet, Mouton, Willaert, Gombert), 6 madrigals (by lute with “drei stimmen zu zwicken”. Schöffer’s beautiful work employs triple
Arcadelt, Festa, Pathie) and 6 ricercari. Wrappers. $33 impression printing (as practiced by Petrucci). Wrappers. $35

RUDE (Rudenius), Johann, c.1555-c.1615 8587 Tabulaturen etlicher Lobgesang. Peter Schöffer / Mainz 1536. RISM 1512(2)
8639 Flores musicae... ... per Joannem Rudenium... Heidelberg, Voeglin 1600; Flores [Stadtbibliothek, Leipzig].
musicae a Joannem Rudenium... ... liber secundus... Heidelberg, Voeglin 1600. Faksimile-Edition Laute, 7. Stuttgart, 2005. Oblong, 21 x 16 cm, 95 pp. Line-cut of
[Herzog-August-Bibliothek, Wolfenbüttel]. the Peter Schöffer edition, Mainz, 1512, the earliest printed collection of keyboard
tablature. Includes 12 lute pieces with “zwo stimmen zu zwicken und ein zu
Faksimile-Edition Laute, [8]. Stuttgart, 2005. 22 x 33 cm, 144; 120 pp. Line-cut of singen”, and 3 works for lute with “drei stimmen zu zwicken”. Schöffer’s
Heidelberg, 1600 edition. An extensive collection, in 2 books, of music for 8-course beautiful work employs triple impression printing (as practiced by Petrucci).
lute, notated in French tablature. It was intended as a companion publication to Harbound with decorative paper boards. $42
Reymann’s “Noctes musicae”. Most of the works are intabulations of vocal
originals, and the list of composer’s is vast: some 40 composers, including
Marenzio (9), Gabrieli (6), Ferretti (13), Hassler (10), Vecchi (10); the collection also SCHUBERT, Franz, 1797-1828
includes 7 intradas, 1 fantasia, 30 pavan-type pieces, 21 gailliards and 1 chorea.
Hardbound with marbled paper boards. $79 566 [Cantata: Zur Namesfeier des Vaters, D.80]
Terzetto für Männerstimmen (2 Tenöre, Baß) und Gitarre, mit einem
Faksimile des Autographs. [Ms. Stadt- und Landesbibliothek Wien].
Gitarre-Kammermusik, 40. Vienna, 1960. 4º, 2, 11 pp. Line-cut of the autograph
score, together with practical edition and parts. Edited by Karl Scheit. Wrappers.
$9
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.22

9442 [Songs, selections] STEPAN, Josef Antonin, 1726-1797

Lieder mit Gitarrenbegleiitung / 39 Songs with Guitar Accompaniment. 4962 [Concertos, harpsichord/harp, flute/violins & bc, op.3,4]
Faksimile aus der Handschrift des Franz von Schlechta herausgegeben von Six Concertos pour clavecin ou harpe avec accompagnement, op.3, no.4.
Stefan Hack / Facsimile of a Manuscript by Franz von Schlechta. Edited by Biblioteca Classica, 157. Rotterdam, 1986. 4º, 20 pp. Line-cut of the Paris, 1772
Stefan Hackl. edition. Wrappers. $13
Germolles-sur-Grosne, 2014. Oblong, 44 x 32 cm, 192 pp. Facsimile, with
commentaries, of a historic document of the highest importance: a collection of 39
Schubert songs arranged for voice and guitar, transcribed by one of the STRAUBE, Rudolf, 1717-c.1780
composer's oldest and most faithful friends. It is not only the sole known source of
one of Schubert’s compositions - Die Nacht - but moreover a unique testimony 1139 [Sonatas, guitar]
from the romantic age which once again calls attention to Schubert's relationship Three Sonatas for the Guitar with Accompanyments for the Harpsichord or
with the guitar. Commentary in Ger/Eng. Hardbound. $99 Violoncello. With an Addition of Two Sonatas for the Guittar Accompanyd
http://www.omifacsimiles.com/brochures/schub_39.html
with the Violin. Likewise a Choice Collection of the Most Favourite English
Scotch and Italian Songs for One and Two Guittars of Different Authors
SEIDEL, Ferdinand, 1705-d.? Properly Adapted for the Instrument. Also Thirty Two Solo Lessons by
1135 Zwölf Menuetten für die Laute, von Herrn Ferdinand Seidel, samt einer Several Masters.
Fantasie von Herrn Baron, Königl. Preußischen Lautenisten. Als eine Probe Heidelberg, c.1980. 4º, ii, 56 pp. Line-cut of the London, 1768 edition. Wrappers.
eines neuen Drucks von musicalischen Caracteren für die Laute. $13
Leipzig, 1969. 32 x 27 cm, 10, iv, 16 pp. Line-cut of the Johann Gottlob Immanuel
Breitkopf edition (Leipzig, 1757); Breitkopf used here a new printing 1137 [Sonatas, lute]
technique—employing a precision-made highly flexible font—that helped
revolutionize 18th-c. music printing. Together with a new practical edition and Due sonate a liuto solo.
commentary in Ger by Adalbert Quadt. Quarter linen with coverboards in Geneva, 1986. 4º, 20 pp. Line-cut of the Leipzig, 1746 edition. 2 sonatas by one of
decorative paper. $40 http://www.omifacsimiles.com/brochures/baron.html Bach’s pupils in Leipzig. Wrappers. $30

SILVESTRI, Florido, 17th c. [compiler] 1138 [Sonatas, lute]

9487 Ariette di musica, [a una, e due voci, di eccellentissimi autori. Raccolte dal Due sonate a liute solo (1746). Complete Facsimile Edition.
canonico D. Florido de Silvestris da Barbarano]. Bracciano, Andrea Fei 1646. Heidelberg, 1980. 4º, 11 pp. Line-cut. Wrappers. $13
[Library of Congress, Washington, D.C.].
Faksimile-Edition Rara, 68. Stuttgart, 2016 Oblong, 22 x 11 cm, 153 pp. Line-cut of
the Bracciano, 1646 edition. A lovely little book consisting of 10 settings for solo TÁRREGA, Francisco, 1852-1909
voice and accompaniment (harpsichord or lute), and 6 for for two voices and 9329 The Collected Guitar Works. A Reprint Edition of the Complete Early Spanish
accompaniment. The arias, each with attribution, is edited by Florido Silestri:
Mazzocchi (4), Savioni (2), Boccarini, Cecchelli (2), Luigi Rossi (2), Marciani (2), Edition. With a Foreword and Critical Commentaries by Rafael Andiá.
Silvestri, Carissimi (2), Hardbound, in decorative paper with matching slipcase. Centennary Edition 1909-2009. Monte Carlo, 2007. 4º, 352 pp. Unaltered line-cut of
$53 first and early editions of Tárrega’s music published in Spain from 1902-1920. This
single volume supersedes the 2-volume edition published in the 1990s.. Wrappers.
$65
SOR, Ferdinando, 1778-1839
8890 Les folies d’Espagne avec variations et un menuet. TELEMANN, Georg Philipp, 1681-1767
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 8 pp. Line-cut of the Simrock
2nd edition, Bonn/Cologne, c.1824-25. Wrappers. $9 1765 [Essercizii musici; sonatas/trio sonatas, vln/fl, bc, TWV 42]
Essercizii musici overo dodeci soli e dodeci trii à diversi stromenti. [Library of
Congress, Washington, DC].
SOTOS, Andres de, 17th c. Performers’ Facsimiles, 140. New York, [1996]. 25 x 31 cm, 3 partbooks, 138 pp.
7228 [Method, guitar] Line-cut of the Hamburg, 1739-1740 edition. Telemann’s “pedagogical” sonatas, 2
Arte para apprender con facilidad, y sin maestro, á templar y tañer rasgado la for keyboard or lute (TWV 32:3 & 4), 2 for violin (TWV 41:F4 & A6), 2 for flute
(TWV 41:D9 & G9), 2 for viola da gamba (TWV 41:a6 & e5), 2 for recorder (TWV
guitarra, de cinco órdenes o cuerdas, y tambien la de quatro o seis órdenes, 41:d4 & C5), 2 for oboe (TWV 41:B6 & e6), and the 12 trios: olo instrument and bc,
llamada guitara española, bandurria y vandola, y tambien el tiple. and 12 trio sonatas (TWV 42..) for rec.+ob. (c2), vdg.+harps.obl. (G6), vln.+ob.
[Colección Biblioteca Valenciana]. Valencia, n.d. 11 x 16 cm, 63 pp. Line-cut of the (g5), fl.+harps.obl. (A6), rec.+vln. (a4), fl.+vdg. (h4), rec.+vdg. (F3), rec.+harps.
Lopez edition, Madrid, 1760-1766. One of the earliest and most popular printed obl. (B4), fl.+vln. (E4), vln.+vdg. (D9), fl.+ob. (d4) and
treatises on the five-course guitar in the rasgado style, based on Amat’s Guittarra ob.+harps.obl. (Eb3). Wrappers. $50
española. Wrappers. $15
TERZI, Giovanni Antonio, c.1580-1620
SPIGHI, Bartolomeo, 17th c. 1143 [Intabulations, lute, book 1]
2088 Musical concerto d’arie e canzonette à una, dua, e tre voci, per cantare nel Intavolatura di liuto. Libro primo nella trascrizione di Mirko Caffagni.
gravicembalo ò chitarrone. Opera quarta. Monumenta Lombarda, C/1 (Opere Giovanni Antonio Terzi, 1). Milan, 1966. 23 x
Archivum Musicum: La Cantata Barocca, 21. Florence, 1985. 21 x 31 cm, ii, 30 pp. 31 cm, 136 pp. Line-cut of the Venice, 1593 edition. Wrappers. $37
Line-cut of the Florence, 1641 edition. 19 pieces in score format. Introduction in It
by Claudio Cerretelli. Wrappers, in decorative paper. $31
TODINI, Michele, 1636-d.?
STADEN, Johann, 1581-1634 2895 Dichiarazione della Galleria Armonica, Roma, 1676. Edizione a curae di
Patrizio Barbieri.
7660 Hertzens-Trosts Musica geistlicher Meditationen mit einer Stim. neben dem Musurgiana: Sources and Materials for the History and Theory of Music, 2. Lucca,
Basso Continuo, für einen Org. Theorb. oder Lautenisten. [Stadtbibliothek, 1988. 11 x 16 cm, xxii, 92 pp. Line-cut of the Rome, 1676 edition. Introduction,
Nuremberg, Will II, 436a]. bibliography and index. Cloth. $21
Faksimile-Edition Stadtbibliothek Nürnberg, 2. Stuttgart, 1998. 21 x 32 cm, 13 pp.
Line-cut of the Nuremberg, 1630 edition, 12 strophic songs for tenor/cantus with
basso continuo accompaniment (organ/theorbo/lute), concluding with a fugue a3 TOMEONI, Pellegrino, 1729-1816?
at the unison. This exemplar includes a page of organ tablature entered in
manuscript on the last page. Hardbound in marbled paper. $23 3752 Regole pratiche per accompagnare il basso continuo.
Bibliotheca Musica Bononiensis, IV/205. Bologna, 1972. 8º, c.40 pp. Line-cut of the
1795 edition. Basso continuo treatise. Laid paper. Wrappers. $24
STEIBELT, Daniel, 1765-1823
4988 [Airs varié, harp, piano (or 2 pianos), op.32] TORRES, Joseph de, c.1665-1738
Airs varié “Enfant cheri des dames” pour Harpe et Piano. Œuvre 32. 2258 [Method, keyboard/harp, accomp.]
Biblioteca Classica, 121. Rotterdam, 1986. 4º, 16 pp. Line-cut of the Pleyel edition,
Paris, c.1800 edition. Wrappers. $8 Reglas generales de acompañar, en órgano, clavicordio y harpa.
Música Facsímil, 28G. Madrid, 1983. Oblong, 17 x 12 cm, x, 288 pp. Line-cut of the
Madrid 1702 & 1736 edition. Basso continuo treatises. Hardbound. $44
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.23

TROMBONCINO, Bartolomeo, 15-16th c. VIVALDI, Antonio, 1678-1741

7289 [Frottole, voice & lute], in 1761 [Concerti, RV 540, 552, 558, & Sinfonia, RV 149]
Frottole di B. Tromboncino e M. Cara “Per cantar et sonar col lauto”. Saggio Concerti con molti istromenti. Faksimiledruck nach der Musikhandschrift
critico e scelta di trascrizioni [a cura di] Francesco Luisi. 2389-0-4 der Sächsischen Landesbibliothek Dresden. Mit einem Nachwort von
Studi e Testi, 3. Rome, 1987. 8º, 149 pp. Study, transcription, and line-cut facsimile Karl Heller.
of 10 frottole (8 by Tromboncino and 2 by Cara) from a 1520 Gardano print. Leipzig, 1978. Oblong, 22 x 17 cm, 163, xi pp. Extremely clear halftone. Concerto
Contents: Chi se pò slegar d’amore; Se glill dico, che dirà; Almen vedesti et cor RV 540 is scored for viola d’amore and lute, RV 552 for 4 violins, 558 for 2 violins
mio; Mia ventura al venir se fa piú tarda; Ogni mal d’amor procede; Voi, gentil’ and orchestra. Linen. $95
alme accese; Forse è ver, forsi che no; Monchos son d’amor perdidos; Se la
lumacha che s’abrusa iin foco; Se amor non è, ch’è dunque quel ch’io sento.
Wrappers. $26 8994 [Concerti, RV 540, 552, 558, & Sinfonia, RV 149]
Concerti con molti istromenti. Manoscritto Dresden, Sächische
VALDERRÁBANO, Enriquez de, c.1500-c.1557 Landesbibliothek - Staats- und Landesbibliothek. Concerto in Do maggiore per
1147 Libro de música de vihuela intitulado Silva de Sirenas. 2 violini “in tromba marina”, 2 flauti [dritti], 2 mandolini, 2 chalumeaux, 2
Geneva, 1981. 22 x 30 cm, 223 pp. Line-cut of the Valladolid, 1547 edition.
tiorbe, violoncello, archi e basso continuo, RV 558; Concerto in La maggiore
Tablature for 1 and 2 vihuelas. Transcriptions of motets and songs by Gombert, per violino principale. 3 violini in eco, archi e basso continuo, RV 552;
Josquin, Mouton, Verdelot, Willaert, and villancicos, sonnets, and romances by Concerto in Re minore per viola d’amore, liuto, archi e basso continuo, RV
Ortiz and Vasquez. Wrappers. (out of print - included only for bibliographic 540; Sinfonia in Sol maggiore per archi e basso continuo, RV 149. A cura di
reference) Karl Heller.
Archivum Musicum: Vivaldiana, 5. Florence, 2007. Oblong, 30 x 24 cm, 38, 158 pp.
VALENTINI, Pietro Francesco, 1586-1654 Halftone of a copyist MS (being the work of 2 scribes) which offers an interesting
glimpse into a multi-work “concert program” rather than a single work.
1795 Il leuto anatomizzato, ms. Roma s.d. / Ordine . . . il quale serve a sonare et Introduction in It-Ger. Wrappers, in decorative paper. $81
intavolare nel lauto, ms. Roma s.d. [Bibl. Apostolica Vaticana]. http://www.omifacsimiles.com/brochures/vivaldi_molti.html
Archivum Musicum: Strumentalismo Italiano, 67. Florence, 1989. Oblong &
upright, 34 x 24 cm, 2 booklets, xix, 165 pp. Line-cut. Introduction in It by Orlando
Cristoferetti. Wrappers, with slipcover in decorative paper. $54 WAISSEL, Matthäus, c.1535-1602
7948 Tabulatura continens insignes et selectissimas quasque cantiones.
[Herzog-August-Bibliothek, Wolfenbüttel].
VALERIUS, Adriaen, 1575-1625 Faksimile-Edition Rara, 25. Stuttgart, 2001. 21 x 31 cm, 96 pp. Line-cut of the
1895 Neder-Landtsche Gedenck-Clanck. A Facsimile of the Haarlem, 1626 Edition. Frankfurt a.d. Oder, 1573 edition. 52 pieces for solo lute in German lute tablature.
Monuments of Music and Music Literature in Facsimile, II/63. New York, 1974. Includes transcription of vocal music (Clemens non Papa, Sermisy, Senfl,
Oblong, 29 x 21 cm, 306 pp. Line-cut of the Haarlem, 1626 edition. Laid paper, Arcadelt, etc.) and numerous dance numbers. Hardbound, with decorative paper
clothbound. boards. $85

7561 Nederlandtsche Gedenck-Clanck. Herdrukt naar de oorspronkeljke uitgaaf von WALTHER, Johann Jakob, c.1650-1717
1626 ingeleid en voorzein van biografische, taalkundige. Historische en 7250 [Scherzi, violin, bc]
musicologische aanteekenigen door Dr. P.J. Meertens, Prof. Dr. N.B. Tenhaeff Scherzi da violino solo con il basso continuo per l’organo ò cimbalo,
en Mevr. A. Komter-Kuipers. Bandversiering van Georg Rueter. Derde Druk. accompagnabile anche con une viola ò leuto.
Amsterdam-Antwerp, 1947. Oblong, 29 x 21 cm, lxxii, 288 pp. New edition of the Musica Repartita, 58. Amsterdam, 1996. 4º, 49, iii pp. Line-cut of the Mainz, 1687
text with line-cut reproductions of all musical examples from the Haarlem, 1626 edition. Wrappers. $28
edition. Full musicological commentary in Dutch. Hardbound. Rare. $135

WEBERN, Anton, 1883-1945

VERACINI, Antonio, 1659-1733
671 Sketches (1926-1945). Facsimile Reproductions from the Composer’s
8314 [Sonatas, violin, violoncello/archlute, bc, op.3] Autograph Sketchbooks in the Moldenhauer Archive. Commentary by Ernst
Sonate da camera a due, a violino, violoncello o arcileuto, col basso per il Krenek with a Foreword by Hans Moldenhauer.
cimbalo. Opera terza. New York, 1968. Oblong, 37 x 30 cm, 16, 47 pp. Fine line-cut reproduction of the
Huntingdon, n.d. Oblong, 4˚, 3 partbooks, 146 pp. Xerographic reprint of the autograph. Webern made preliminary drafts for his compositions which show
Modena, 1696 edition. Wrappers. $30 stages of evolution and the unending thought and care that he bestowed upon
them. While Stravinsky called the finished products “those dazzling diamonds”,
this volume allows us a glimspe into the composer’s workshop. These fascinating
VEROVIO, Simon, fl.1575-1608 sketches, extracted from five sketchbooks from the Webern Archive, illustrate the
meticulous step-by-step process of the composer’s 12-tone technique.
1288 Lodi della musica a tre voci. Compositions include op.19, 20, 21, 22, 24, 31 and several unidentified works.
Bibliotheca Musica Bononiensis, IV/38b. Bologna, 1971. 22 x 32 cm, 38 pp. Handsome binding in beige and brown linen, with slipcase. $50
Line-cut of the Rome, 1595 edition. 10 numbers in mensural notation, keyboard http://www.omifacsimiles.com/brochures/webern.html
score, and Italian lute tablature. Hardbound. $36
WEIGEL, Johann Christopf, 1661-1726
VIRGILIANO, Aurelio, 17-18th c. 4622 Musicalisches theatrum . . . auf welchem alle zu dieser edlen Kunst gehörige
1289 Il Dolcimelo. Variati passaggi e diminutioni cosi per voci. Riproduzione Instrummenta in anmuthigen Posituren lebhafft gezeiget.
eseguita dall’esemplare del Civico Museo Bibliografico Musicale di Bologna. Faksimile-Nachdruck herausgegeben von Alfred Berner.
Archivum Musicum: Strumentalismo Italiano, 11. Florence, 1979. 24 x 34 cm, v, Documenta Musicologica, I/22. Kassel, 1/ 1961. 22 x 36 cm, 36, xii pp. Line-cut of
113 pp. Halftone of a rare manuscript illustrating ornamentation “tutti modi da the original copper engravings of musicians with their instruments. This facsimile
sonar qualfiuoglia istrumento”. Introduction in It by Marcello Castellani. brings together for the first time four separate groups of surviving single sheets
Wrappers in decorative paper. $42 from this publisher. Mattheson’s Das neu-eröffnete Orchestre (specifically the
chapter “Von den musicalischen Instrumenten”) evidently served as a guide for
its planning. The engravings date from c.1715-1725. Afterword in Ger-Eng-Fr.
VISÉE, Robert de, 17th c. Coverboards and slipcase in decorative paper. $95
2268 [Suites, melody instrument, bc]
Trois suites de pièces pour dessus et basse (violon, flûte à bec ou traversière, 2861 Musicalisches theatrum . . . auf welchem alle zu dieser edlen Kunst gehörige
hautbois . . . et clavecin, théorbe, viole de gambe . . .). Restitution de Instrummenta in anmuthigen Posituren lebhafft gezeiget.
Jean-Claude Veilhan. Faksimile-Nachdruck herausgegeben von Alfred Berner.
Archives de la Musique Ancienne. Paris, 1980. Oblong, 4º, 52, with 12 pp. Line-cut Documenta Musicologica, I/22. Kassel, 2/ 1964. 22 x 36 cm, 36, xii pp. Line-cut of
of the Paris, 1716 edition, together with a new practical edition. Wrappers. $46 the original copper engravings of musicians with their instruments. This facsimile
brings together for the first time four separate groups of surviving single sheets
from this publisher. $77
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.24

WEISS, Silvius Leopold, 1686-1750 8377 [Works, lute, complete]

9171 Lautenmusik aus Schloß Rohrau. Werke von Silvius Leopold Weiss und Sämtliche Werke für Laute. Band 5: Die Handschrift, Faksimile der Tabulatur.
anderen. Zwei Manuskripte für Barocklaute aus der Graf Harrach’schen Teil I. Herausgegeben von Tim Crawford / Complete Works for Lute. Volume
Familiensammlung. Als Faksimile herausgegeben und kommentiert von 5. The Dresden Manuscript, Facsimile of the Tablature, Part I. Edited by Tim
Michael Freimuth, Frank Legl und Markus Lutz. Crawford.
Frankfurt, 2010. Oblong, 4º, xlviii, 268 pp. The world-famous art collection of the Das Erbe Deutscher Musik, 11. Kassel, 2002. Oblong, 31 x 24 cm, xxvii, 254 pp.
Harrach family is preserved in their castle at Rohrau near Vienna. In 2004 the Halftone of the first 3 volumes of Dresden, Sächische Landesbibliothek, Mus.
curator of the collection, count Arco-Zinneberg, came across 7 manuscripts (2 of 2841-V-1. New diplomatic transcription of illegible pages. Linen. (last copy) $299
them lute tablatures) preserved together with the art collection. Christoph http://www.omifacsimiles.com/brochures/weiss_sw.html
Angerer and Michael Freimuth were called to evaluate the mss and soon realized
the value of the find, particularly of the lute tablatures. The first volume mostly
contains works by Sylvius Leopold Weiss, among them 11 suites of several 9182 [Works, lute, complete]
movements that have been previously unknown, 1 complete lute duet in 4 Sämtliche Werke für Laute. Band 7: Die Handschrift Dresden, Übertragung.
movements, and the suite in A that has so far survived as solo music, but here it is
in the form of a trio for violin, lute and bass. The title of the second volume, Teil I. Herausgegeben von Tim Crawford / Complete Works for Lute. Volume
"Lautenmusik von unbekannten Componisten" (lute music by unknown 7. The Dresden Manuscript, Transcription of the Tablature, Part I. Edited by
composers) was obviously caused by the scribe’s ignorance of the music, since Tim Crawford.
already as many as 4 suites could be ascribed to Weiss by concordances. Other
suites in the collection are composed in a style that is quite similar to Weiss’ style Das Erbe Deutscher Musik, 13. Kassel, 2007. Oblong, 31 x 24 cm, xii, 234 pp.
as well. Quite unexpectedly, the volume also contains 4 pieces for lute in Critical edition of the first 3 volumes of Dresden, Sächische Landesbibliothek,
renaissance tuning, notated in Italian tablature. The present volumes, comprising Mus. 2841-V-1. Linen. $359
200 pages, bridge a gap in the group of sources of lute music by Weiss, http://www.omifacsimiles.com/brochures/weiss_sw.html
complementing other Weiss manuscripts in London and Dresden, as they mainly
contain pieces of his early creative period. The 2 manuscripts in Rohrau contain a
total number of 167 movements for the lute, organized in 26 suite-like sequences. 9183 [Works, lute, complete]
Without doubt, these volumes are of the highest significance both for active lute Sämtliche Werke für Laute. Band 8: Die Handschrift Dresden, Übertragung
players and for scholars. $230 der Tabulatur. Teil II. Herausgegeben von Tim Crawford / Complete Works for
http://www.omifacsimiles.com/brochures/rohrau.html
Lute. Volume 8. The Dresden Manuscript, Transcription of the Tablature,
Part II. Edited by Tim Crawford.
4625 The Moscow “Weiss” Manuscript. M.I. Glinka State Central Museum of Das Erbe Deutscher Musik, 14. Kassel, 2007. Oblong, 31 x 24 cm, 292 pp. Critical
Musical Culture, MS 282/8, formerly at the P.I. Tchaikowsky State edition of the second section (vols. 4-6) of Dresden, Sächsische Landesbibliothek,
Conservatorium, MS 297. Transcribed and Edited by Tim Crawford. Facsimile Mus. 2841-V-1. Linen. $373
and Transcription. http://www.omifacsimiles.com/brochures/weiss_sw.html
Monuments of the Lutenist Art, I. Columbus, 1995. 4º, xxxiii, 74, 130 pp. Halftone
of a Weiss manusript copied in the 1760s that nicely supplements the major Weiss 9279 [Works, lute, complete]
sources in London and Dresden. Contains an excellent selection of pieces (some
with the occasional use of unusual inflections in minor keys) including many Sämtliche Werke für Laute. Band 9: Werke aus verstreuten Handschriften.
unica. Wrappers. $72 Faksimile. Herausgegeben von Tim Crawford und Dieter Kirsch / Works from
http://www.omifacsimiles.com/brochures/weiss_mos.html Miscellaneous Manuscripts. Facsimile. Edited by Tim Crawford and Dieter
Kirsch.
4194 Music for the Lute. Ernst Gottlieb Baron & Sylvius Weiss. Introduction: Das Erbe Deutscher Musik, 15. Kassel, 2013. Oblong, 31 x 24 cm, viii, 567 pp.
Andreas Schlegel. [Koninklijke Bibl., Brussels, ms. II 4087, formerly private Halftone of the miscellaneous manuscripts. Linen. $818
http://www.omifacsimiles.com/brochures/weiss_sw.html
library of F.J. Fétis, 2912].
Facsimile Series, III/19. Peer, 1992. 23 x 33 cm, 10 fasc, 97 pp. Halftone of a c.1770
ms transmitting music in French lute tablature, for 12- to 13-course lute of the 9280 [Works, lute, complete]
music of Ernst Gottlieb Baron and Sylvius Leopold Weiss. 10 fascicles with folder.
$34 Sämtliche Werke für Laute. Band 10: Werke aus verstreuten Handschriften.
Übertragung. Herausgegeben von Tim Crawford und Dieter Kirsch / Works
from Miscellaneous Manuscripts. Transcription. Edited by Tim Crawford and
9562 [Works, lute, complete] Dieter Kirsch.
Sämtliche Werke für Laute. Band 1: Die Handschrift London, British Library Das Erbe Deutscher Musik, 16. Kassel, 2012. Oblong, 31 x 24 cm, 2 vols, xiv, 288;
Add. 30387. Faksimile der Tabulatur. Teil I. Herausgegeben von Douglas viii 316 pp. Critical edition in staff notation of the works from miscellaneous
Alton Smith. manuscripts. Linen. $818
http://www.omifacsimiles.com/brochures/weiss_sw.html
Leipzig, n.d. Oblong, 33 x 26 cm, xi, 155 pp. (authorized rpt. of the Leipzig, 1983
edition) Halftone of the ms (fols. 1-78). Contains Sonatas, Nos.1-16. Spiral bound.
$144 8051 [Works, lute, selections, Dresden Ms]
Suites for Baroque Lute from the Manuscript Dresden Ms. Mus. 2841-V-1.
4816 [Works, lute, complete] Volume I.
Sämtliche Werke für Laute. Band 2: Die Handschrift London, British Library Munich, 2001. Oblong, 30 x 28 cm, iv, c.80 pp. Line-cut of 8 complete suites: nos. 4,
Add. 30387. Faksimile der Tabulatur. Teil II. Herausgegeben von Douglas 5, 6, 7, 9, 10, 12, & 16, altogether 52 pieces. French tablature with baroque tuning.
Alton Smith. Wrappers. $61
Leipzig, 1988. Oblong, 33 x 26 cm, iv, 162, 20 pp. Halftone of the ms (fols. 78v-158).
Contains Sonatas, No.17-28, & 32. Index & supplement. Linen. $199 9481 [Works, lute, selections, Vienna Ms]
http://www.omifacsimiles.com/brochures/weiss_sw.html
9 Pieces fom the Vienna Ms (Austrian National Library) A-Wn S.M. 1078.
Facsimile Edition.
4817 [Works, lute, complete] Lübeck, 2016. Oblong, 30 x 28 cm, 21 pp. Line-cut of 9 pieces from Ms
Sämtliche Werke für Laute. Band 3: Die Handschrift London, British Library. Österreichische Nationalbibliothek Wien Suppl. Mus. 1078: 1) Allemande, 2)
Courante, 3) Bourré, 4) Sarabande, 5) Menuet, 6) Gigue, 7) Prélude, 8) Paisane, 9)
Add. 30387. Übertragung. Teil I. Herausgegeben von Douglas Alton Smith. Mad:la grondeuse, menuet. French tablature with baroque tuning. Wrappers. $20
Leipzig, 1985. Oblong, 33 x 26 cm, ix, 186 pp. Critical edition to above (Sonatas,
Nos.1-16). Linen. $182
http://www.omifacsimiles.com/brochures/weiss_sw.html WYSSENBACH, Rudolf, 16th c. [publisher]
1763 Tabulaturbuch uff die Lutten von mancherley lieplicher italienischer
4818 [Works, lute, complete] Dantzliedern mitsampt dem Vogelsang und einer Fäldschlacht, uß wälhscher
Sämtliche Werke für Laute. Band 4: Die Handschrift London, British Library. Tabulatur flyssig in Thütsche gesetzt.
Add. 30387. Übertragung. Teil II. Herausgegeben von Douglas Alton Smith. Leipzig, 1980. Oblong, 20 x 16 cm, 90 pp. Halftone of the Zürich, 1550 edition.
Leipzig, 1990. Oblong, 33 x 26 cm, 228 pp. Critical edition (part 2, Sonatas, Quarter linen with coverboards in decorative paper. $68
No.17-28 & 32 plus an appendix of 8 works). Critical apparatus. Linen. $215
http://www.omifacsimiles.com/brochures/weiss_sw.html
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.25

8189 Tabulaturbuch uff die Lutten, 1550. Reproduktion nach dem Exemplar im 7317 Berliner Lautentabulaturen. Zwei Handschriften aus der Mitte des 17.
Besitz der Stadt Leipzig Städtische Bibliotheken Musikbibliothek Signatur Jahrhunderts für Laute und Gitarre. Faksimileausgabe der Handschriften
II.6.6. Mus. ms. 40600 (Staatsbibl. zu Berlin) und Mus. ms. 40626 (ehedem
Lübeck, 1999. Oblong, 4˚. ii, 94 pp. Line-cut. Ring binder. $56 Preußische Staatsbibl. Berlin, jetzt Biblioteka Jagiellońska Kraków).
Konkordanzen von François-Pierre Goy.
Schriften der Musikhochschule Würzburg, 4. Mainz, 1996. 23 x 30 cm, 19, 120 pp.
ZACCONI, Lodovico, 1555-1627 Line-cut of two complementary 17th c. mss of French provenance, transmitting
2512 Prattica di musica utile et necessaria si al compositore si anco al cantore. togther 130 pieces for solo lute or guitar. Composer’s include the Gaultiers,
Dufaut, Pinel, Gallot, Dubut, Mesangeau, Dufresneau, & Mercure. Introduction in
Bibliotheca Musica Bonon3iensis, II/1-2. Bologna, 1983. 17 x 25 cm, 2 vols: 477 pp. Ger-Eng. Wrappers. $56
Line-cut of the Venice, 1596-1622 edition. An amazing treatment of practical
concerns in music, with sections on emotional effect, music as science, the art and
responsibility of the singer, director, and composer, mood, time, prolation,
techniques of counterpoint, improvisation, and imitation. Includes whole sections 4452 The Brogyntyn Lute Book, with an Introductory Study by Robert Spencer and
of musical examples taken from the works of Tigrini, Cerreti, Zarlino, Banchieri, Jeffrey Alexander. [Ms. National Library of Wales, Aberystwyth].
and Diruti. Wrappers. $120 Musical Sources, 12. Aberystwyth, 1978. Oblong, 24 x 19 cm, xxxii, 42 pp. Halftone
of 2 music collections from c.1595: solos by Pilkington and others, a few duets
(missing part to no. 20 in the Sampson Lute Book); and accompaniments to more
COMPOSITE & MISCELLANEOUS SOURCES than 20 songs. Some titles use letter-substitution ciphers. Wrappers. $40
954 Airs de différents autheurs mis en tablature de luth. 7e à 15e livre.
Geneva, 1985. 15 x 22 cm, 5 vols, 672 pp Line-cut of the Ballard edition, Paris, 4479 The Burwell Lute Tutor, with an Introductory Study by Robert Spencer.
1617-1632. Monodies with lute accompaniment by Antoine Boesset & others.
Sequel to the airs intabulated for lute by Gabriel Bataille. Wrappers. (also Musical Sources, 3. Kilkenny, 1974. 21 x 32 cm, viii, 130 pp. Halftone. Tutor (in ms,
available singlely). $160 c.1672) for the 11- or 13-course baroque lute. Pupil’s copy of a method written by
an Englishman (perhaps John Rogers) who appears to have been himself a pupil
of E. Gaultier. Includes 12 pieces by Gaultier and others. Wrappers. $89
7512 Anleitung zur Intavolierung. [Schermar-Bibliothek, Stadtbibliothek, Ulm,
sign.132]. 7476 Celestial Airs of Antiquity. Music of the Seven-String Zither of China. Edited
Faksimile-Edition Schermar-Bibliothek Ulm, 34. Stuttgart, 1997. 22 x 19 cm, 72 pp by Bell Yung.
+ 14 foldouts. Line-cut of an anonymous ms dating from c.1610. Facsinating
manual for transcribing pieces in white mensural notation into French lute Recent Researches in the Oral Traditions of Music, 5. Madison, 1997. 4º, 93, 64, 5
tablature. Hardbound in vegetable vellum. $34 pp. Introduction, transcription into modern staff notation, and facsimile of six
compositions for quqin (7-string zither) preserved in a three volume collection of
notation called Shenqi Mipu (Celestial Airs of Antiquity). Includes CD recording
9455 [“Arpinus” Ms, Zwickau, Ratsschulbibliohek, Codex Mus. 115.3 (CXV. of the works performed by Yao Bingyan (1920-1983), a noted master of the guqin.
Wrappers. $81.55
3)]
Lautenbuch des Johannes Arpinus.
Lübeck, 2007. Oblong, 20 x 18 cm, 84 pp. Line-cut. German lute tablature (6- and
7-course) compiled during the last decade of the 16th c. in the vicinity of Zwickau, 3892 Chamber Music for Lute, Viol and Wind Instruments. Brussels, Bibliothèque
Leipzig or Wittenberg. Diverse collection of pieces of German, Polish, & Italian Royale, Ms. II 4089. Introduction: Greta Haenen.
origin. Introduction and inventory. Quarter linen with coverboards in decorative
paper. $42 Facsimile Series, III/11. Peer, 1991. 4º, 208 pp. Line-cut. Contains lute solos and
chamber music for a variety of instruments (transverse flute, viola da gamba,
oboe, violin, cello). Composers include Blohm, Lauffensteiner, Pichler, Bleditsch,
Johann Michael, Kühnel, and others. Wrappers. $48
3236 Art du faiseur d’instruments de musique et lutherie extrait de l’Encyclopédie
méthodique, Arts et métiers mécaniques.
Geneva, 1972. 8º, 240 pp. Line-cut of the Paris, 1785 edition. Historical and 8919 The Chaplet, being a Collection of Twelve English Songs. [private collection
technical articles on musical instruments with 38 original plates. Wrappers. $61 John H. Burkhalter III].
Britannia’s Invitation: A Treasury of 18th Century English Vocal Music, 4. Hebden
Bridge, 2007. 21 x 30 cm, 39 pp. Line-cut of the London, n.d. edition. 12 settings for
9211 The Balcarres Lute Book. Edited by Matthew Spring. voice and bc. Contents: “The Chaplet”; “A Plague”; “Life is Chequer’d”; “Ye Sons
Glasgow, 2010. 25.4 x 35.6 cm, 2 vols, 412 pp. Copied out in Scotland at the close of the Platter”; “Phoebe the Rose”; “In vain the Force”; “Hence thou deceiver”;
of the 17th c., the Balcarres Lute Book is the largest and most important post-1640 “The Flea”; “Sweet Annie”; “Jealous Amie”; “Fair Sally”; “Hob was come down”.
British source of lute music. It contains 252 compositions arranged for the Wrappers. $26
eleven-course instrument, among them settings of native Scots airs and of English
popular tunes, and French baroque lute music by mid- and later 17th-c. masters.
Possibly compiled by or for Margaret Campbell, fourth wife of Colin Lindsay, 9384 [“Danzig” Lutebook]
third Earl of Balcarres, the manuscript has remained in the Lindsay family, being The Danzig Lute Book. D-B Danzig 4022 Staatsbibliothek zu Berlin PK.
owned currently by Lord Balniel, son and heir to the present Earl of Crawford and
Balcarres, who has deposited it in the National Library of Scotland. It is here Edited by Magdalena Tomsińska.
published for the first time in a pair of volumes comprising a black-and-white Lübeck, 2013. 21 x 30 cm, 160 pp. The Danzig Lute Book (Danzig/Gdańsk,
facsimile and a transcription, along with an extended introduction, notes on tablature 4022) is a collection of early
related musical sources, and an informative critical commentary on each 17th-c. lute music of Gdańsk provenance, now kept in Berlin. This tablature was
individual piece. Softbound, with slipcase. $165 “lost” during WW2 but has since resurfaced. It turned out that during the war
http://www.omifacsimiles.com/brochures/balcarres.html part of the Gdańsk library collection was taken to Moscow, and from there the
whole collection was transferred to the Deutsche Staatsbibliothek in East Berlin in
the 1950s (it is now in the possession of the Staatsbibliothek Preußischer
1075 [“Barbe” Ms.] Staatsbibliothek). The MS contains 222 pieces, mainly dances (Polish, French,
English, German, Italian, Netherlands, Hungarian and Ruthenian) and
Manuscrit Barbe. Pièces de luth de différents auteurs en tablature française. arrangements of popular songs. Hardbound. $75
Fac-similé du ms. de la Bibliothèque nationale, Paris, Rés. Vmd. ms. 7. ca. http://www.omifacsimiles.com/brochures/danzig.html
1690. Introduction de Claude Chauvel.
Manuscrits, 8. Geneva, 1985. Oblong, 4º, 220 pp. Line-cut. Pieces by Boquet,
Dubut, Dufaut, the Gallots, the Gautiers, Mézangeau, Mouton, Pinel, and Vincent. 3934 [Divisions, flute/recorder/violin, Greensleeves]
Introduction in Fr-Eng. Wrappers. Greensleeves to a Ground. Divisions for Flute (Recorder/Violin), with a
Ground for Lute (Guitar/Keyboard), with the Violl da Gamba.
7785 [Barley, William] Munich, 1983. 4º, iv pp. Line-cut of the 17th-c. edition. Divisions for recorder, flute
or violin, with a simple ground for lute, guitar or harpsichord. Wrappers. $9
A new Booke of Tabliture, [containing sundrie easie and familiar Instructions,
shewing howe to attaine to the knowlege, to guide and dispose thy hand to play
on sundry Instruments, as the Lute, Orpharion, and Bandora: Together with 8050 [Dlugorai lute book]
divers new Lessons to each of these Instruments]. [British Library, London]. Sogenanntes Lautenbuch des Albert Dlugorai, 1619. Reproduktion in
Faksimile-Edition Laute, 3. Stuttgart, 2000. Oblong, 20 x 17 cm, 108 pp. Line-cut of originaler Grösse nach der Handscrhrift im Besitz der Stadt Leipzig Städtische
three companion methods printed for William Barley, respectively for lute, Bibliotheken Musikbibliothek (Signatur II.6.15).
orpharion, and bandora. Hardbound in decorative paper. $54
Lübeck, 2001. 21 x 30 cm, xx, 541 pp. Line-cut. Anthology from 1619 in German
tablature with works by Polak, Besarde, Cato, Howet, Newsidler, Hassler,
Haussmann, Schein, Mertel and others. Renaissance tuning. Hardbound. $150
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.26

9227 [Dobney, Jayson Kerr] 7934 Flute & Guitar Facsimiles from the Romantic Salon (Facsimile Edition).
Guitar Heroes: Legendary Craftsmen from Italy to New York. Jayson Kerr Music by Hummel, Meyerbeer & Auber. Introduction by Janice Dockendorff
Dobney. Boland and John Dowdall.
The Metropolitan Museum of Art Bulletin, Winter 2011. New York, 2011. 50 pp. Nashua, 2000. 4º, iii, 44 pp. Line-cut of selections from Hummel, Neue Walzer mit
Illustrated exhibition catalog with 70 color illustrations. Wrappers. $25 Trios, op.91 (182?), Arnold (arr.), Potpourris sur des motifs des opéras modernes
http://www.omifacsimiles.com/brochures/guitarheros.html (184?), and Forest (arr.), Choix d’airs pur une flûte avec accompagnement de
guitare de l’opera Zanetta (184?). Arranged for flute/violin & guitar. Wrappers.
$19
2689 Libro di leuto di Gioseppe Antonio Doni, ms. Perugia, sec. XVII. [Ms.
VII-H-2, l’Archivio di Stato di Perugia].
8471 Frühe Lautentabulaturen im Faksimile / Early Lute Tablatures in Facsimile.
Archivum Musicum: Strumentalismo Italiano, 70. Florence, 1988. 34 x 24 cm, x,
117 pp. Line-cut of the 17th-c. ms. Collection of 91 pieces (suonate, gagliarde, Herausgegeben von Crawford Young und Martin Kimbauer. Redaktion:
corrente, etc.), including works by the celebrated masters Falconieri, Kapsberger, Thomas Drescher.
& Baglioni. Introduction in It by Dinko Fabris. Wrappers in decorative paper. $55 Pratica Musicale. Veröffentlichungen der Schola Cantorum Basiliensis, 6.
Winterthur, 2003. 4º, 285 pp. Facsimiles of some of the earliest lute tablatures
(hitherto unpublished) from the late 15th c. up until ca.1525 from Italian and
8610 [“Elisabeth’s lute book”] German regions: Ms. Pesaro 1144 (produced in full color); and B/W reproductions
Lautenbuch der Elisabeth von Hessen / Elisabeth’s Lute Book. Facsimile 4° of Ms Freibourg CU Cap. Res. 527 (olin Falk Z 105), Ms Vienna Mus.Hs. 41950
(Blindhamers Lautentabulatur), and Ms D-Mu, 4˚ cod. ms. 718 (Das Mathematik-
Ms. Mus. 108.1. Universitätsbibliothek Kassel. Herausgegeben von / Edited by & Tabulaturbuch des Jorg Wiltzell). The Pesaro source is a splendid manuscript in
Axel Halle. Mitarbeiterinnen / Collaborators: Angelika Horstmann cordiform shape (extremely rare in music history) and transmits Italian poetry
(Einleitung), Betty C. Bushey, Translation. and music for lute and lira da braccio. Preface and commentary in Ger-Eng.
Kassel, 2005. Oblong, 18.5 x 15 cm, 24, 200 pp. Beautiful halftone facsimile of a Binding in leatherette, with handsome dust jacket with picture of an opening from
collection of solo lute music, German, French and Italian songs with lute the Pesaro MS; slipcase. $265
accompaniment and finger exercises formerly in the possession of Elisabeth http://www.omifacsimiles.com/brochures/fruh.html
(1596-1626), the eldest daughter of the Landgraf Moritz von Hessen. The
instrumental pieces are notated in French lute tablature while the vocal
compositions are notated in white mensural notation. Composers include Victor 7574 Fundamenta der Gallichon. “Amberger Mandora-Tabulatur”. [Stadtarchiv,
de Montbuysson and George Schimmelpfennig. 7-course lute. Hardbound with Amberg, HS 39].
coverboards that duplicate the original (sumptuously decorated with the family’s Faksimile-Edition Rara, 11. Stuttgart, 1998. Oblong, 22 x 17 cm, 230 pp. Line-cut of
coat of arms). Few copies remaining. $95 c.1650 mandora manuscript containing a large anthology of dance pieces
http://www.omifacsimiles.com/brochures/elisabeth.html (menuets, arias, bourée, gavotas, entrees, rigadons, rondeaux, etc.). Hardbound.
$76
8320 English Lute Songs V: 8) Cavendish. Ayres in Tabletorie 1598; 20)
b Ferrabosco. Ayres 1609; 21) Ford. Musicke of Sundrie Kindes 1607; 22) 9438 Gitarrentabular. Italien 17. Jh. [MS AN 63, Bischöfliche Bibliothek
Greaves. Songs of Sundrie Kindes; 23) Handford. Ayres to be Sung to the Regensberg].
Lute. Faksimile-Edition Laute, 14. Stuttgart, 2015. Oblong, 27 x 14 cm, 48 pp. Full-color
London, 1971. 26 x 37 cm, c.250 pp. Hardbound. $100 reproduction a charming MS collection of 20 dance numbers for solo guitar in
alfabeto notation. The title page contains the coat of arms of Domenico Romani
who also might be the main scribe. The manuscript comes supposedly from the
9341 [Fabricius Lute Book] private library of Dominicus Mettenleiter. Decorative paper boards. $36
http://www.omifacsimiles.com/brochures/gitarrentab.html
Petrus Fabricius (1579–1650): Lauten- und Liederbuch, Renaissance-Laute (&
Gesang). Faksimile nach der Handschrift in der Königlichen Bibliothek
Kopenhagen 3935 The Goëss Lute Manuscripts, I (c1655-1670). Introduction and Concordances
Signatur: Thott. 4° 841. Gesamtausgaben / Complete Edition. Transkription & by Tim Crawford. [Ms., Ebenthal Castle].
Kommentar: Ralf Jarchow. Munich, 1988. Oblong, 22 x 15 cm, 20, 249 pp. Line-cut. 112 pieces for lute in
French tablature, including music by Vieux Gautier, Dubut, Fresneau, Gautier,
Glinde, 2013. 21 x 30 cm, 2 vols, 756 pp. An important lute and song anthology Strobel, Boquet, Emond, Mercure, Le Moyne and others. Cloth. $88
from the German-Danish cultural sphere, compiled c.1605-1615 by the pastor
Petrus Fabricius. Some of the pieces are unique, while others stand out for their
exceptional compositional technique. In addition, the numerous, sometimes quite
earthy marginal notes provide insight into the cultural milieu of Fabricius and his 3936 The Goëss Lute Manuscripts, II (c1660-70). Introduction and Concordances
time as a student in Rostock. The collection shares concordances the with the by Tim Crawford. [Ms., Ebenthal Castle].
Nauclerus lute book. Composer include: Aelst, Ammerbach, Azzaiolo, Babst, Munich, 1993. Oblong, 22 x 15 cm, 22, 183 pp. Line-cut. 43 pieces for baroque solo
Balletti, Besard, Borrono, W. Brade, Brechtel, Burmeister, Cato, Dalza, Dedekind, lute, including compositions by Mercure, the Gautiers, Dufaut, and Dubut. 48
Demantius, J. Dowland, Drusina, Elsbeth, Gerle, Fabricius, Forster, Franck, pieces for solo viol (also in tablature), including pieces by Hotman, Young,
Friderici, G.L. Fuhrmann, V. Fuhrmann, Gastoldi, Gutknecht, Haussmann, Herwich, and Betkofsky. With introduction to the manuscript and listing of
Heckel, Janequin, Jobin, J. Johnson, Klug, Köpphel, Krengel, Lange, Lauremberg, concordances compiled with the assistance of Claude Chauvel, Gordon Dodd,
Lechner, Luther, Malchinger, Meiland, H. & M. Newsidler, Phalèse, Regnart, and François-Pierre Goy. Cloth. $75
Reymann, Rhau, Rore, Rotta, Scandello, Selnecker, Spatz, Staricius, Susato, Tertre,
Thym, Vento, Waissel, Walter, Wyssenbach, and Zangius. Hardbound. $265
http://www.omifacsimiles.com/brochures/fabricius.html 9477 [Goëss, MS III]
The Ebenthal Tablature Mss. Goëss III (ca.1660-1670). Pieces for Lute.
8451 Fantasia & mottete für Barocklaute über den Choral “Nun sich der Tag Munich, 1997. Oblong, 29 x 21 cm, vi, 75 pp. Line-cut of a 1685-1710 lute ms. 87
geendet hat. . .” Reproduktion in 80% der originalen Grösse nach dem pieces for Lute in French tablature by François Dufaut, Johannes Fresnau, Jacques
Exemplar im Besitz der Stadt Leipzig Städtische Bibliotheken Musikbibliothek Gallot, Denis Gaultier, Johann Anton Losy, Jean Mercure, Charles Mouton,
Germain Pinel, and Esaias Reusner. French tablature/baroque tuning.
(Sign. III.11.33). Introduction by Tim Crawford. Hardbound. $75
Lübeck, 2001. 4˚. 7 pp. Line-cut. French tablature with Baroque tuning. Ring
binding. $16
7765 Goëss IV (ca 1685-1670). Pieces for Lute.
Munich, 1997. Oblong, 29 x 21 cm, vi, 70 pp. Line-cut. 55 pieces for lute, including
8118 15 Stücke für Renaissance-Laute. Reproduktion nach der Handschrift im some pieces by Johann Anton Graf Losy. French tablature/baroque tuning.
Besitz der Stadt Leipzig Städtische Bibliotheken Musikbibliothek (Signatur Introduction by Tim Crawford. Cloth. $75
III.11.26).
Lübeck, 1998. 21 x 30 cm, iii, 8 pp. Line-cut of a contemporary ms copy. 3937 The Goëss Lute Manuscripts, V (c.1680-1700). Introduction and
Anthology of lute pieces, mostly anonymous, with two works by Besard. Ring
binder. $16 Concordances by Tim Crawford. [Ms., Ebenthal Castle].
Munich, 1990. Oblong, 22 x 15 cm, 158 pp. Line-cut. 42 pieces for solo lute and 12
lute duets. Works by Losy, Ginter, Dufault and others. Introduction by Tim
3209 Flint, James. Crawford. Cloth. $75
A Selection of Popular Sacred Songs Arranged with Accompaniments for the
Spanish Guitar. With an Introduction by Peter Danner.
Boston, 1984. 4º, iv, 9 pp. Line-cut of the Boston, 1837 edition. 10 popular religious
pieces intended for home use. Composers include George James Webb, George
Kinsley, Oliver Shaw. Two numbers are based on music by Mozart and Haydn.
Historical introduction. Wrappers. $8
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.27

7849 [Goëss, MS VI] 4324 [“Herold” or “Herholder” Ms.]

The Ebenthal Tablature Mss. Goëss VI (ca.1685-1670). Pieces for Lute. Ms. Herold, Padua 1602. In tavolatura de liuto. Außgeschrieben ihnn Padova
Munich, 1997. Oblong, 29 x 21 cm, vii, 92 pp. Line-cut of a late 17th c. lute ms. 70 Auß dess e[hrbaren] Christophori Herholdess sein[em] geschriebene[m]
pieces for Lute by Losy, Gautier, Dufaut, Lully Ginter and others. French Lauttenbuch. A[nn]o: 1602. E. Faksimile mit einer Einführung von Andreas
tablature/Baroque tuning. Introduction by Tim Crawford. Hardbound. $75 Schlegel und François-Pierre Goy. [Private collection, Hans von Busch].
Munich, 1991. Oblong, 25 x 17 cm, 46, 95 pp. Line-cut of a recently rediscovered
7267 Goëss Hueber 1740. Lautenpuch von 1740. lute book by Christoph Herold (1578-d.?) in the hand of an unknown copyist.
Contains 40 works in French tablature and renaissance tuning. Hardbound. $84
Munich, c.1996. Oblong, 22 x 15 cm, c.250 pp. Line-cut. Compiled for Countess
Maximiliana von Goëss by her lute teacher Joseph Anton Hueber. Six suites for
lute, 102 solo pieces, sometimes parts of duets, bu Graf Pergen, Pichler, Prinz 4478 The Hirsch Lute Book, c. 1595 (London, British Library, MS Hirsh M 1353).
Lobkowitz and other. Hardbound. $75
Containing 52 Solos and 1 Duet for 6-Course Renaissance Lute and 2 Solos
for 7-Course Renaissance Lute. With an Introductory Study and Guide to
7268 The Goëss Tablature Manuscripts. Theorbo Book (ca.1650-1670). Pieces for Concordances by Robert Spencer.
Theorbo/Archlute. Pieces for Lute. Musical Sources, 21. Kilkenny, 1982. 25 x 38 cm, xxx, 58 pp. Halftone. Contains
Munich, 1996. Oblong, 29 x 21 cm, viii, c.162 pp. Line-cut. 65 pieces for theorbo works by Byrd, Strogers, Allison, Dowland, Marchant, Cutting, Holborne,
and archlute. 26 pieces for baroque lute. Composers include Pinel, Hautman, Ferrabosco I, Pierce, da Milano and many anonymous fantasias. Wrappers. $58
Angelo Michele, Saint Luc, Reusner, Dupre, DuFaut and others. Hardbound. $75
9206 [Holmes lute book]
7615 The Goëss Tablature Mss. Goëss Vogl (1696). Pieces for Baroque Guitar. The Matthew Holmes Manuscripts I: Cambridge University Library MS
Pieces for Lute. Introduction and Concordances by Tim Crawford and Dd.2.11.
Francois Pierre Goy. The Lute Society Facsimiles, 7. Guildford, 2009. 4º, 3 vols, 200, 78 pp. The crown
Munich, 1997. Oblong, 29 x 21 cm, xxiv, 74 pp. Line-cut. 47 solos for five-course jewels of the English renaissance lute repertoire, in a beautiful full-color facsimile.
guitar (a d g b e’) and 28 solos of eleven-course lute. The repertoire consists 324 pieces, mostly for 6-course lute, some for 7-course lute or bandora, by
basically of French and Austrian music from the 1670s and 80s, mostly Dowland, Holborne, Cutting, Pilkington, Bacheler, Allison, Ferrabosco, Francesco
anonymous dances. Hardbound. $75 da Milano and others. The unique source of 5 pieces by Dowland, and some
remarkable anonymous works. A must for any serious devotee of the lute; and
even includes some easy pieces for beginners, added by the scribe as page-fillers.
7888 The Goëss Manuscripts. Music Manuscripts in Tablature from Ebenthal Hardbound. $160
Castle, Klagenfurth, Carinthia, Austria. Music for Baroque Lute, Baroque
Guitar, Theorbo, Viol. Index. 9281 Intavolatura manoscritta per liuto del duomo di Castelfranco Veneto. A cura /
[Lübeck], 2000. Oblong, 29 x 21 cm, 106 pp. Index, with CD ROM of the entire Edited by Franco Rossi. [Civico Museo Bibliografico Musicale, Bologna].
contents of the Goëss Manuscripts, compiled by Douglas Alton Smith, Tim
Crawford, François Pierre Goy, Claude Chauvel, David Ledbetter, & Gordon Bibliotheca Musica Bononiensis, IV/103. Bologna, 2012. 4°, 38, 216 pp; CD.
Dodd. Cloth. $70 Full-color facsimile (in CD format) plus B&W monochrome facsimile. This
manuscript, beautifully copied by Giovanni Pacolini for an English patron,
provides testimony to the repertoire intended for solo lute as well as pieces
8690 [”Harling” Lutebook] conceived for the unusual ensemble of three lutes. The collection includes music
by the most important composers of the first half of the XVI century, and contains
Lautenbuch des Wolff Christian von Harling, ca.1618. Herausgegeben von a wealth of extraordinary unica pieces, above all some works by Francesco da
Joachim Lüdtke. Milano. Introduction in It-Eng. Wrappers. $87
http://www.omifacsimiles.com/brochures/intav.html
Lübeck, 2005. 21 x 30 cm, 117 pp (89 facs). Halftone. Lutebook formerly in the
possession of Wolf Christian von Harling, a nobleman from Eversen, Lower
Saxony. The manuscript, in several hands, contains dances of French provenance
(some of them clearly based on the four-voice versions of Michael Praetorius’ 9441 The Kalivoda Manuscript (c. 1715 – 1723). D-Fschneider Ms 33. Music for
Terpsichore), English music (sometimes with German titles, including versions of Baroque Lute and Mandora from Prague. Edited by Matthias O. Schneider
Dowland’s Battle Galliard and Frog Galliard), and Lutheran chorales and other [with contributions by Miloslav Študent, Mathias Rösel, Joachim Lüdtke, &
German pieces. French tablature for nine-course lute (nearly all the pieces may be
realized on lutes with 7 or 8 courses). Clothbound. $84 Markus Lutz].
http://www.omifacsimiles.com/brochures/harling.html Frankfurt, 2015. Oblong, 19 x 10 cm, 132, 52. Full-color facsimile in the original
size of Ms 33 from the private library of Matthias Schneider (Frankfurt/Main)
with introductory texts and a critical commentary in Ger/Eng. Ms 33, a holograph
9171 [Harrach Ms.] manuscript by the lutenist Georg Adalbert Kalivoda, was probably written in
Prague. It contains 35 pieces for 11-course lute (partly in Partie) and a suite in
Lautenmusik aus Schloß Rohrau. Werke von Silvius Leopold Weiss und three movements for 6-course mandora. Much of the early history of this lute
anderen. Zwei Manuskripte für Barocklaute aus der Graf Harrach’schen book remains unknown. In the 20th c. it passed through the hands of collectors
Familiensammlung. Als Faksimile herausgegeben und kommentiert von and researchers among them Alfred Cortot, Robert Spencer and probably Paul
Michael Freimuth, Frank Legl und Markus Lutz. Nettl, who also owned at least two other lute manuscripts, which are both in
American libraries today. Cloth. $67
Frankfurt, 2010. Oblong, 4º, xlviii, 268 pp. The world-famous art collection of the http://www.omifacsimiles.com/brochures/kalivoda.html
Harrach family is preserved in their castle at Rohrau near Vienna. In 2004 the
curator of the collection, count Arco-Zinneberg, came across 7 manuscripts (2 of
them lute tablatures) preserved together with the art collection. Christoph 2900 The Königsberg Manuscript. A Facsimile of Manuscript 285-MF-LXXIX
Angerer and Michael Freimuth were called to evaluate the mss and soon realized
the value of the find, particularly of the lute tablatures. The first volume mostly (olim Preußisches Staatsarchiv, Königsberg, Msc. A 116. fol.). Central Library
contains works by Sylvius Leopold Weiss, among them 11 suites of several of the Lithuanian Academy of Science, Vilnius. With an Introduction,
movements that have been previously unknown, 1 complete lute duet in 4 Inventory and Index by Arthur J. Ness and John M. Ward.
movements, and the suite in A that has so far survived as solo music, but here it is
in the form of a trio for violin, lute and bass. The title of the second volume, Columbus, 1989. 4º, 208 pp with 153 plates. Halftone of an early 17th-c. anthology
"Lautenmusik von unbekannten Componisten" (lute music by unknown of pieces for lute and bandora from the Brandenburg Court at Königsberg. Nearly
composers) was obviously caused by the scribe’s ignorance of the music, since 260 works in all, including compositions by Dowland, Johnson and Hoskins.
already as many as 4 suites could be ascribed to Weiss by concordances. Other Hardbound. $97
suites in the collection are composed in a style that is quite similar to Weiss’ style
as well. Quite unexpectedly, the volume also contains 4 pieces for lute in
renaissance tuning, notated in Italian tablature. The present volumes, comprising 7966 Kraków Mus. ms 40641 (ex Berlin). With an Introductory Study by Robert
200 pages, bridge a gap in the group of sources of lute music by Weiss, Spencer. [Biblioteka Jagiellońska, Kraków].
complementing other Weiss manuscripts in London and Dresden, as they mainly The Lute Society Facsimiles, 2. Guildford, 2000. 4º, xii, 28 pp. Halftone of a c.1620
contain pieces of his early creative period. The 2 manuscripts in Rohrau contain a ms in French lute tablature, 7 to 10-course (but mostly playable on a 7-course),
total number of 167 movements for the lute, organized in 26 suite-like sequences. containing 26 works for solo lute, including 7 works by Robert Johnson, 4 by John
Without doubt, these volumes are of the highest significance both for active lute Sturt, and 1 each by Bocquet and R. Dowland. Wrappers. $23
players and for scholars. $230
http://www.omifacsimiles.com/brochures/rohrau.html
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.28

7943 [Ladys Entertainment, book 1] 4451 The Marsh Lute Book, c.1595, Containing 152 Solos and Duets for 6-Course
The 1st Book of the Ladys Entertainment or Banquet of Musick Being a Choice Renaissance Lute, Four Solos for 7-Course Renaissance Lute and Nine Pieces
Collection of the Newest and Most Airy Lessons for the Harpsicord or Spinnet. for 6-Course Bandora with an Introductory Note by Robert Spencer.
[Nederlands Musiek Instituut, The Hague]. Musical Sources, 20. Aberystwyth, 1981. 24 x 34 cm, xxv, 256 pp. Halftone. 220
Performers’ Facsimiles, 204. New York, [2001]. 22 x 32 cm, 26 pp. Line-cut of the pages of tablature, 165 pieces. Music by Johnson, Dowland, Holborne, Cotton,
Walsh edition, London, n.d. Works by Amadori, Simonelli and others (title page Newman, da Milano & Morlaye. Many unica. Introduction and contents list by R.
note: lessons can also be preformed on the lute or harp). Wrappers. $18 Spencer. Wrappers. $96

7944 [Ladys Entertainment, book 2] 8749 [Methods, continuo, France, 1600-1800, parts 1-6]
The 1st Book of the Ladys Entertainment or Banquet of Musick Being a Choice Basse Continue-France 1600-1800. Méthodes, études, ouvrages généraux. Six
Collection of the Newest and Most Airy Lessons for the Harpsicord or Spinnet. volumes réalisés par Jean Saint-Arroman.
[Nederlands Musiek Instituut, The Hague]. Méthodes et Traités, I. Courlay, 2006. 4º, 6 vols, c.1185 pp. Line-cut, arranged
chronologically, of 63 treatises on basso continuo practice by an anonymous
Performers’ Facsimiles, 205. New York, [2001]. 22 x 32 cm, 26 pp. Line-cut of the writers, Bartolotti, Bovin, Buterne, Carre, Charpentier, Chaumont, Henry
Walsh edition, London, n.d. Works by Fontana, D. Purcell, H. Hall, Richardson d’Anglebert, De la Barre, Delair, Feury, Marais, Nivers, Perrine/Saint-Lambert, F.
and others (title page note: lessons can also be performed on the lute or harp). Campion, T. Campion, Cheron, Clerambault, Couperin, Dandrieu, Delair, Leclair,
Wrappers. $18 Rameau, Dornel, Forqueray, Gervais, Goudat, Guillemain, Monnier, Monteclair,
Pingre, Rameau, Serre de Rieux, Telemann, Travenol, Alembert, Blanville,
Corrette, Dubugrarre/Geminiani, Laporte, Bethisy, Biferi, Clement, Dubreuil,
4743 Lautentabulaturen fränkischer Lautenisten. Staats- & Stadtbibliothek, Garnier, Gianotti, Gougelet, Labbet, Le Boeuf/Rameau, Roussier, Simon, Tapray,
Augsburg, Tonkunst 2º, Faszikel III. Bd. I, Solowerke, herausgegeben von Bemetzrieder, Froestler, Gournay, Langle, Rodolphe, and Roussier. Wrappers.
Joachim Domning. $423
Hamburg, 1986. 21 x 30 cm, vi, 75 pp. Line-cut. Wrappers. $49
8750 [Methods, continuo, France, 1600-1800, part 1]
4744 Lautentabulaturen fränkischer Lautenisten. Staats- & Stadtbibliothek, Basse Continue-France 1600-1800. Méthodes, études, ouvrages généraux. Six
Augsburg, Tonkunst 2º, Faszikel III. Bd. II, Sammelhefte, herausgegeben von volumes réalisés par Jean Saint-Arroman.
Joachim Domning. Méthodes et Traités, I. Courlay, 2006. 4º, c.240 pp. Line-cut of original articles or
Holtsee, 1989. 21 x 30 cm, v, c.75 pp. Line-cut. Wrappers. $59 treatises on continuo practice from these sources: Fleury: Methode pour
apprendre facilement - 1660; Bartolotti: Table pour apprendre facilement - 1669;
Carré: Livre de Guitarre contenant plusieurs pièces - 1671; Perrine: Livre de
7383 Lautenbuch Ms. Ulm 1556. [Schermar-Bibliothek, Stadtbibliothek, Ulm, Sign. musique pour le Lut - 1680; Anonymous: Petites regles generalles qui peuvent
servir de methode - 1680; Nivers: Motets a voix seule - 1689; Henry d’Anglebert:
113b]. Pièces de clavecin - 1689; Marais: Basse-continuës des pieçes a une et a deux violes
Faksimile-Edition Schermar-Bibliothek Ulm, 19. Stuttgart, 1997. Oblong, 23 x 17 - 1689; Anonymous: (traité abrégé d’accompagnement) - c. 1690; Anonymous:
cm, 22 pp. Line-cut of a facsinating lute manuscript in German tablature notation. Règles pour l’accompagnement - 1690; Delair: Traité d’accompagnement pour le
The scribe, Matthäus Gregg (1540-1590), was a member of a patrician family from theorbe - 1690; Charpentier: Abrégé des règles de l’accompagnement - c. 1692;
Ulm. Hardbound. $33 Chaumont: Pieçes d’orgue sur les 8 tons - 1695; Buterne: Petites regles pour
l’accompagnement - 1700; Boyvin: 2. livre d’orgue - 1700; Anonymous: Traité
d’accompagnement du clavecin - c. 1700; La Barre: 1. livre de pièces pour la flûte -
9523 Lautentabulatur Italien um 1600. [Trento, Biblioteca Comunale]. 1702; Saint-Lambert: Nouveau traité de l’accompagnement - 1707. Wrappers. $93
Faksimile-Edition Laute, 15. Stuttgart, 2016. 27 x 36 cm, 45 pp. Halftone of Trento
Ms. 1947 No.5 [RISM B VII, p.333-334] containing 57 pieces for lute and theorbo in
French tabulature. Decorative paper boards $38 8751 [Methods, continuo, France, 1600-1800, part 2]
http://www.omifacsimiles.com/brochures/trento_1947_5.pdf Basse Continue-France 1600-1800. Méthodes, études, ouvrages généraux. Six
volumes réalisés par Jean Saint-Arroman.
9464 [“Leipzig Mandora Book”] Méthodes et Traités, I. Courlay, 2006. 4º, c.220 pp. Line-cut of original articles or
treatises on continuo practice from these sources: Couperin: Règles pour
Mandora Handschrift ca. 1730. [Leipzig, Städtische Bibliotheken, l’accompagnement - s.d.; Campion: Traité d’accompagnement et de composition -
Musikbibliothek, III.12.18]. 1716; Clerambault: Règles d’accompagnement - 1716; Clerambault: Principes
Lübeck, 2003. 4°, 95 pp. Line-cut. Mandola music in French tablature. Ring binder. d’accompagnement - 1716; Dandrieu: Principes de l’accompagnement - 1719;
$35 Rameau: Traité de l’harmonie - 1722; Delair: Nouveau traité d’accompagnement -
1724; Leclair: 1. livre de sonates - 1723; Rameau: Nouveau système de musique
théorique - 1726; Cheron: Sonates en trio - 1727; Campion: Lettre du sieur
9465 [“Leipzig Baroque Lutebook”] Campion a un philosophe - 1729; Campion: Addition au traité d’accompagnement
- 1730. Wrappers. $85
Leipziger BarockLautenBuch, ca. 1680. Handschrift II.6.24, Stadt Leipzig,
Städtische Bibliotheken, Musikbibliothek. Faksimile in zwei Teilen.
Lübeck, 2006. 4°, 2 vols, 237 pp. Line-cut. Collection of 347 lute pieces in French 8752 [Methods, continuo, France, 1600-1800, part 3]
tablature. $69 Basse Continue-France 1600-1800. Méthodes, études, ouvrages généraux. Six
volumes réalisés par Jean Saint-Arroman.
4008 Lutherie. Encyclopédie sciences et arts liberaux. Méthodes et Traités, I. Courlay, 2006. 4º, c.230 pp. Line-cut of original articles or
treatises on continuo practice from these sources: Pingre: Traité de l’harmonie -
Bibliotheca Musica Bononiensis, II/101. Bologna, 1981. 25 x 35 cm, 46, with 34 illus s.d.; Rameau: Observations sur la méthode d’accompagnement - 1730; Rameau:
pp. Line-cut of the Livorno, 1774 edition. Beautiful full-page illustrations of Plan abrégé d’une méthode nouvelle - 1730; Monteclair: Réponse du second
instruments. Cloth. $48 Musicien au premier - 1729; Rameau: Réplique du premier Musicien à la réponse
du second - 1730; Monteclair: Réponse du second Musicien au premier Musicien -
1730; Rameau: Réplique du premier Musicien à l’écrit du second - 1730; Rameau:
1074 Mandora. Recueil de pièces pour la mandore, en tablature française XVIIIe Dissertation sur les différentes métodes - 1732; Gervais: Line-cut of original
siècle. [Brussels, Bibl. Conservatoire Royal, mus. ms. 5619]. articles or treatises on continuo practice from these sources: Méthode pour
l’accompagnement - 1733; Campion: 2. recueil d’airs - 1734; Serre de Rieux: Les
Thesaurus musicus, nova series, A/2. Brussels, 1979. 23 x 31 cm, 204 pp. Line-cut dons des Enfans de Latone - 1734; Telemann: Nouveaux quatuors en six suites -
of ms collection, c.1700-50. 7 preludes and “harpeggio”, followed by 198 1738; Goudat: Principes de L'accompagnement - 1738; Travenol: 1. livre de sonates
numbered pieces, predominately dances. Elegantly notated in French tablature a violon seul - 1739; Guillemain: Six sonates en quatuors - 1743; Monnier le Cadet:
with letters on 5 lines. Cloth. $66 L’art de toucher le clavecin dans son propre caractêre - c.1745; Dornel: le tour du
clavier - 1745; Forqueray: Pièces de viole avec la basse continüe - 1747;
Anonymous: (Méthode d’accompagnement) - s.d. Wrappers. $88
7543 Mandora-Tabulatur. [Schermar-Bibliothek, Stadtbibliothek, Ulm, sign.
Misc.133a/b].
Faksimile-Edition Schermar-Bibliothek Ulm, 35. Stuttgart, 1997. Oblong, 20 x 15 8753 [Methods, continuo, France, 1600-1800, part 4]
cm, 2 vols, 218 pp. Line-cut of an anonymous ms dating from c.1600 in French Basse Continue-France 1600-1800. Méthodes, études, ouvrages généraux. Six
tablature with 123 dance numbers (courants, branles, voltes, galliards, etc.).
Hardbound & supplement in wrappers. $64 volumes réalisés par Jean Saint-Arroman.
Méthodes et Traités, I. Courlay, 2006. 4º, c.230 pp. Line-cut of original articles or
treatises on continuo practice from these sources: D'Alembert: Elemens de
musique - 1752; Blainville: Essay sur un troisième mode - 1751; Corrette: Le maître
de clavecin - 1753; La Porte: Traité théorique et pratique - 1753; Geminiani: L’art
de bien accompagner - 1754; Dubugrarre: Méthode plus courte et plus facile -
1754. Wrappers. $88
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.29

8754 [Methods, continuo, France, 1600-1800, part 5] 8465 [Methods, lute, France, 1500-1800, part 1]
Basse Continue-France 1600-1800. Méthodes, études, ouvrages généraux. Six Luth. Méthodes - Dictionnaries et encyclopédies - Ouvrages généraux. [Deux
volumes réalisés par Jean Saint-Arroman. volumes réalisés par Joël Dugot]. Volume 1: Bonaventure des Périers, Fine
Méthodes et Traités, I. Courlay, 2006. 4º, c.210 pp. Line-cut of original articles or (1-2), Le Roy (1-2), Phalèse.
treatises on continuo practice from these sources: Tapray: Abrège de Méthodes et Traités, I. Courlay, 2004. 4º, 192 pp. Line-cut of 6 essays or treatises
l’accompagnement - 1755; Labbet & Leris: Sentiment d’un Harmoniphile - 1756; on the lute, organized chronologically from Bonaventure des Périers to Phalèse.
Clement: Essai sur l’accompagnement - 1758; Gianotti: Le guide du compositeur - Wrappers. $71
1759; Rameau: Code de musique pratique - 1760; Bethisy: Exposition de la théorie
et de la pratique - 1764; Roussier: Traité des accords et de leur succession - 1764;
Le Bœuf: Traité d’harmonie et règles d’accompagnement - 1766; Garnier: Nouvelle 8466 [Methods, lute, France, 1500-1800, part 2]
méthode pour l’accompagnement - 1767; Dubreuil: Manuel harmonique - 1767;
Biferi: Traité de musique abrégé, divisé en trois parties - 1770; Simon: Théorie Luth. Méthodes - Dictionnaries et encyclopédies - Ouvrages généraux. [Deux
pratique d’accompagnement - s.d.; Gougelet: Méthode ou abrégé des règles - 1771. volumes réalisés par Joël Dugot]. Volume 2: Bésard (1-2-3), Encyclopédie
Wrappers. $80 méthodique, Garsault, Gaultier (D.), Gaultier (D. et E.), Laborde, Mersenne,
Mouton, Perinne (1-2-3), Trichet, Vallet.
8755 [Methods, continuo, France, 1600-1800, part 6] Méthodes et Traités, I. Courlay, 2004. 4º, 200 pp. Line-cut of 15 essays or treatises
on the lute, organized chronologically from Bésard to Vallet. Wrappers. $75
Basse Continue-France 1600-1800. Méthodes, études, ouvrages généraux. Six
volumes réalisés par Jean Saint-Arroman.
Méthodes et Traités, I. Courlay, 2006. 4º, c.255 pp. Line-cut of original articles or 9395 [“Milleran” Ms.]
treatises on continuo practice from these sources: Roussier: L’harmonie pratique -
1775; Corrette: Prototipes contenant des leçons d’accompagnement - 1775; The Milleran Lute Book.
Anonymous: Abrégé des règles de composition - 1777; Bemetzrieder: Nouvelles Lübeck, 2014. 18 x 18 cm, 120 pp. Full-color facsimile of a ms copied c.1655,
leçons de clavecin ou instructions générales - 1782; Rodolphe: Théorie considered to be the finest from the French lute school. Compiled by René
d’accompagnement - c.1785; Gournay: Lettre à M. l’abbé Roussier - 1785; Langle: Milleran, grammarian and interpreter to Louis XIV, and former student of Ch.
Traité de la basse sous le chant - 1797; Froestler: Traité d’harmonie et de Mouton. Pieces by Bocquet, Gallot, Gaultier & Mouton. 11-course baroque lute.
modulation - 1800; Anonymous: Principes de l’accompagnement - s.d.; Reproduced 2 up per page with black background. Hardbound. $145
Anonymous: Règles d’accompagnement - s.d. Wrappers. $98 http://www.omifacsimiles.com/brochures/milleran.html

8381 [Methods, guitar, France, 1600-1800, part 1] 1073 The M.L. Lute Book, c.1610-40, London, British Library, Additional MS
Guitare – Méthodes – Dictionnaires et Encyclopédies – Ouvrages généraux – 38539, Generally Known as John Sturt’s Lute Book Reproduced Four-Fifths
Préfaces d’œuvres. Volume I: Ancelet - Carpentier (1-2) - Corbetta - Corrette - Original Size... with an Introductory Study and Guide to Concordances by
De Visée - Derosiers – Don*** - Encyclopédie - Garsault - Lecocq - Merchi (1) Robert Spencer.
- Mersenne - Trichet. Musical Sources, 25. Kilkenny, 1985. 23 x 37 cm, xl, 70 pp. Halftone. 89 pieces for
Renaissance lute tuning requiring 6, 7 and up to 10 courses. Duets by Johnson,
Méthodes et Traités, I. Courlay, 2003. 4º, 272 pp. Complete theoretical writings on Allison and solos by Dowland, Stuart, Batchelar & Cutting; dances by French
the guitar. Contents: Mersenne: Harmonie Universelle - 1636; Trichet: Traité des composers and from Jacobean masques. Continuo harmony table for 10-course
instruments - c.1640; Corbetta: La guitarre royale - 1671; Visee: Livre de guitarre - lute in Renaissance G tuning. Hardbound.
1682; Derosiers: Les principes de guitarre - c.1690; Le Cocq: Recueil des pièces de
guitare - 1729; Encyclopédie: Encyclopédie ou Dictionnaire raisonné des sciences -
1751/1772; Ancelet: Observations sur la musique - 1757; Don***: Méthode pour 7710 The Mynshall Lute Book, with an Introductory Study by Robert Spencer.
apprendre à joüer - 1760; Garsault: Notionnaire ou mémorial raisonné - 1761;
Merchi: Le guide des écoliers - c.1761; Corrette: Les dons d’Apollon - 1762; Musical Sources, 6 [= Reproductions of Early Music, 3]. Aberystwyth, 1975. 21 x
Carpentier: Méthode pour apprendre, 1e partie - 1771; Carpentier: Méthode pour 31 cm, xxxi, 24 pp. Halftone of a c.1597-99 ms owned by R. Spencer. 36 solos and
apprendre, 2e partie - 1773. Wrappers. $86 the upper parts of 4 duets, various acrostics and verses by Mynshall. Draft of the
famous letter from the Earl of Essex to Queen Elizabeth. Wrappers. $48

8382 [Methods, guitar, France, 1600-1800, part 2]

9197 [Nauclerus lute book]
Guitare – Méthodes – Dictionnaires et Encyclopédies – Ouvrages généraux –
Préfaces d’œuvres. Volume II: Alberti - Anonyme - Encyclopédie méthodique - Johannes Nauclerus Lautenbuch. Gesamtfaksimile / Complete Facsimile.
Gatayes - Guichard - Laborde - Lemoine - Macquer - Merchi (2) - Pollet. Faksimile nach der Lautenhandschrift in der Staatsbibliothek
Berlin—Preußischer Kulturbesitz, Signatur: Mus. ms. 40141. Kommentar
Méthodes et Traités, I. Courlay, 2003. 4º, 240 pp. Complete theoretical writings on
the guitar. Contents: Macquer: Dictionnaire raisonné - 1773; Pollet: Méthode pour und Konkordanzen: Ralf Jarchow.
apprendre - 1775; Merchi: Traité des agréments de la guitare - 1777; Laborde: Essai Glinde, 2010. 21 x 30 cm, 208 pp. The lute book of the North Frisian pastor
sur la musique - 1780; Alberti: Nouvelle méthode - 1786; Encyclopédie: Johannes Nauclerus (1579-1655) was copied between 1607 and c.1620 and it is one
Encyclopédie méthodique - 1788; Guichard: La guitare rendue facile - c.1795; of the most frequently cited “student manuscripts” of the time. Apart from pieces
Lemoine: Nouvelle méthode de guitare - c.1800; Gatayes: Méthode pour la guitare for 6- to 8-course lute written in French and some in German tablature, there are 5
- 1800; Anon.: Méthode pour jouer de la guitare - n.d. Wrappers. $83 pieces for cittern. The extensive research for his biography shows also the
acquaintance of the contemporary pastor Petrus Fabricius, to whose well-known
song and lute book, there are also numerous concordances. Composers:
8166 [Methods, harp, France, 1600-1800, part 1] Adriaenssen, Azzaiolo, Besard, Cutting, Denss, J. Dowland, Fabricius, Fuhrmann,
Gastoldi, Haussmann, Holborne, Huet, Lechner, Lorenzini, Luther, Meiland,
Harpe. Méthodes – Traites – Dictionnaires et Encyclopédies – Ouvrages Nauclerus, Otto, Regnart, Reymann, Robinson, Schröter, Senfl, Thym, Vecchi,
généraux. Volume I: Cardon, Corbelin, Encyclopédie, Garsault, Hochbrücker, Waissel, & Walter. Commentary in Ger-Eng. Hardbound. $98
Laborde, Macquer, Mersenne, Meyer (1-2), Trichet. http://www.omifacsimiles.com/brochures/nauclerus.html
Méthodes et Traités, I. Courlay, 2002. 4º, 255 pp. Line-cut of 11 original articles or
treatises on the harp, from Mersenne (1636) to Cardon (1784). Wrappers. $89
7901 Notenbuch Julius von Ponikau 1820. [Stadtbibl., Ulm].
Faksimile-Edition Ulm, 16. Stuttgart, 2001. Oblong, 33 x 24 cm, 82 pp. Line-cut of a
8167 [Methods, harp, France, 1600-1800, part 2] manuscript that contains a selection of movements (andantinos, menuets, adagios,
Harpe. Méthodes – Traites – Dictionnaires et Encyclopédies – Ouvrages waltzes, marches, contredanses), arranged for various instrumental duets,
including flageolet, guitar, & posthorn. Hardbound. $62
généraux. Volume II: Anonyme (1), Cousineau (1), Ragué (1-2).
Méthodes et Traités, I. Courlay, 2002. 4º, 282 pp. Line-cut of 4 original articles or
treatises on the harp, from Cousineau (1784) to an anonymous work (1787). 7680 Novísimo arte de tocar la guitarra par cifra, sin necesidad de maestro.
Wrappers. $93 Adornado con grabados y muchas láminas de piezas, bailes, etc. Por D.E.M.
Decimasexta editión.
8168 [Methods, harp, France, 1600-1800, part 3] Colección Biblioteca Valeciana. Valencia, n.d, [1996]. Oblong, 16 x 11 cm, 63 pp.
Line-cut of the Madrid, 1891 edition. Wrappers. $18
Harpe. Méthodes – Traites – Dictionnaires et Encyclopédies – Ouvages
généraux. Volume III: Anonyme (2), Bürckhoffer, Cousineau, Encyclopédie
méthodique, Krumpholz (1-2), Martini, Petrini (1-2). 1101 Nürnberger Lautenbuch. Handschriftliche Tabulaturensammlung um 1600.
Méthodes et Traités, I. Courlay, 2002. 4º, 210 pp. Line-cut. Contents: Krumpholz: Herausgegeben von Helmut Mönkmeyer. Gesamtausgabe. [Germanisches
Deux simphonies pour la harpe - 1787; Encyclopédie: Encyclopédie méthodique - Nationalmuseum. Bibl., Nürnberg, mus. ms. 33 748].
1788; Petrini: Etude de la main gauche - 1788; Bürckhoffer: Huitième livre (= Die Tabulatur, 23-27). Hofheim, 1979. 4º. Halftone of a large lute collection in
contenant la gamme - 1789; Anon. Méthode et gamme de harpe - c. 1790; Martini: ms. Complete facsimile, together with practical edition. $74
Mélopée moderne - 1792; Petrini: Abrégé de la méthode de harpe - 1796;
Krumpholz: Principes pour la harpe - 1800; Cousineau: Méthode de harpe (2e
édition) - c.1803. Wrappers. $75
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.30

1102 Nürnberger Lautenbuch. Handschrifliche Tabulaturensammlung um 1600. 4839 The St. Petersburg “Swan” Manuscript. A Facsimile of Manuscript O No
Herausgegeben von Helmut Mönkmeyer. [Germanisches Nationalmuseum. 124, Library of the St. Petersburg Academy of Sciences. With an Introduction,
Bibl., Nürnberg, mus. ms. 33 748]. Inventory and Index by Tim Crawford and François-Pierre Goy.
Die Tabulatur, 23-24. Hofheim, 1979. 4º. Halftone of a large lute collection in ms. Monuments of the Lutenist Art, II. Columbus, 1994. Oblong, 26 x 20 cm, 72, 209,
$78 80 pp. Halftone. This ms, written c.1620-1660 probably in Germany, contains 198
pieces for lute, baryton, viol and keyboard, plus two songs in tablature.
Composers include Ballard, Gaultier (“le Vieux”?), Guédron, Gumprecht, Lespine,
9204 Osborn fb7. Edited by Stewart McCoy. Pinel, Schop, and many others. Wrappers. $108
The Lute Society Facsimiles, 5. Guildford, 2007. 4º, xl, 39 pp. For 7-course lute,
edited by Stewart McCoy, with Ian Harwood and John H. Robinson. A
manuscript, now in the Beinecke Collection at Yale, from around 1630, with 9 1131 The Sampson Lute Book (formerly known as the Tollemache Lute Manuscript),
pages containing 42 pieces, many of them easy. With introduction, full critical with an Introductory Study by Robert Spencer.
commentary on each piece, concordances and bibliography, clear modern Musical Sources, 4 [= Reproductions of Early Music, 2]. Leeds, 1974. 20 x 31 cm,
tablature transcriptions of each piece, including reconstructions of the ensemble xv, 24 pp. Halftone of a c.1609 ms owned by Robert Spencer and formerly known
pieces (a lute duet and psalms for lute and voices); plus an appendix with closely as the Tollemache Lute Book. 16 solos, 9 duets and the lute part of an Almain for
related cittern solos. Wrappers. $51 broken consort by R. Allison. Hardbound.
http://www.omifacsimiles.com/brochures/osborn.html

8741 [“Schele” lute book]

1121 Recueil de pièces de luth en tablature française, XVIIe siècle. [Brussels, Bibl.
Conservatoire Royal, mus.ms. FA VI 10=5616]. Ernst Schele Tabulaturbuch. Musica et vinum lætificant cor hominis anno
Thesaurus musicus, nova series, A/8. Brussels, 1980. 23 x 31 cm, 74 pp. Line-cut of
1619. Faksimile der Lautenhandschrift nach dem Exemplar der Staats- und
a c.1650 ms. Some of the works have been identified as pieces by Gaulthier le Universitätsbibliothek Hamburg Signatur: ND VI 3238. Kommentar: Ralf
Vieux and D. Gaulthier. Printed with 2 original pages per page. Cloth. $46 Jarchow.
Glinde, 2004. 21 x 30 cm, 40, 164 pp. Thought to have been copied by the Dutch
lutenist Joachim van den Hove, and contains many of his own compositions, as
4454 The Hender Robarts Lute Book. c.1654-68. [Ms. Lanhydrock House, well as a selection of music by his contemporaries (Aragona, Bacheler, Ballard,
Cornwall]. Besard, Bocquet, Cato, J. Dowland, Ferrabosco, Francisque, Hove, Huet, J.
Musical Sources, 11. Aberystwyth, 1978. 22 x 33 cm, xx, 79 pp. Halftone of a ms Johnson, Kapsberger, Lorenzini, Melii, d'Orleans, Palestrina, Philips, Quaresmine,
discovered in 1973 at Lanhydrock, the Roberts family home in Cornwall. Solos for Rude, Strobel, Tuenhuysen, Vallet, Verdelot). For 6 to 11-course lute, notated in
11- to 13-course lute written out by Hender Robarts. The 65 pieces include 20 by E. French tablature. Commentary in Ger-Eng. Hardbound. $98
Gaultier, 1 by Pinel and 3 by D. Gaultier. Wrappers. $56 http://www.omifacsimiles.com/brochures/schele.html

4745 [“Schele” lute book]

7886 [Rosani lute book]
Sogenanntes Rosani Lautenbuch. Partiten und Konzerte für Barocklaute von Tabulatur-Buch / Música et vinum latificant cor hominis / Ernst Schele /
Anno 1619. (Auswahl). Herausgegeben von Lothar Fuhrmann. [Staats- &
Falkenhagen, Kropffgans, Hasse, Blohm u.a. Reproduktion in 90% der
Universitätsbibl. Ms. M. B/2768].
originalen Grösse nach dem Exemplar im Besitz der Stadt Leipzig Städtische
Bibliotheken Musikbibliothek (Signatur III,11.64). Hamburg, 1981. 21 x 30 cm, v, 53 pp. Line-cut. Reproduces all the rastered pieces
(39) from this fascinating ms. Wrappers. $39
Lübeck, 2001. 21 x 30 cm, iii, 69 pp. Line-cut of a contemporary ms copy, in French
tablature with beautiful calligraphy. Ring binder. $41
9246 [“Schwerin” Lutebook (Landesbibliothek Mecklenburg-Vorpommern,
9466 [”Rostock Lute Mss”, III] Musikaliensammlung, Schwerin)]
Musik für Barocklaute: Die Handschrift Schwerin Mus 641, [ca. 1650].
François-Pierre Goy; Albert Reyermann.
Die Lautenhandschriften der Universitätsbibliothek Rostock. Rostock III, Ms
Mus Saec XVII-18-53,1 A. Lübeck, 2011. 21 x 30 cm, 2 vols. This manuscript contains 86 pieces for Baroque
lute and is the main source for the music of the Paris master Germain Pinel of
Lübeck, 2015. 21 x 30 cm, 91 pp. 79 anonymous pieces and dances for 11-course whom we find many unica in this source. Other composers include Dufaut, Denis
lute, French tablature-baroque tuning. Softbound. $37 & Ennemond Gaultier, Strobel, Dubut, Gumprecht and Mercure. The edition
comes in 2 volumes and contains a complete reproduction of the manuscript as
well as a large essay (in German) and full index and concordances by
9467 [”Rostock Lute Mss”, IV] François-Pierre Goy. French tablature, Baroque tuning. Ring binding. $55
Die Lautenhandschriften der Universitätsbibliothek Rostock. Rostock IV, Ms
Mus Saec XVII-18-53,1 B. 7682 Siete piezas en cifra entre los papeles de Isabel de Valois. Original conservado
Lübeck, 2015. 21 x 30 cm, 59 pp. 43 mostly anonymous pieces and dances for en el Archivo General de Simancas. Transcripción por Antonio Baciero.
11-course lute, French tablature-baroque tuning. Softbound. $37 Colección el Mundo de Felipe, II. Madrid, 1998. 21 x 31 cm, 6, 66 pp. Deluxe
full-color facsimile, in the original format, of a 16th c. ms in tablature notation
9453 [”Rostock Lute Mss”, V] found among the papers of Isabel de Valois. Suitable for vihuela (or keyboard
instrument). The titles of the pieces are “Ribera berde umbrosa”, “Guárdame las
Die Lautenhandschriften der Universitätsbibliothek Rostock. Rostock V, Ms vacas”, “Contrapunto sobre el Conde Claros”, “Pabanilla”, “Por unos ojuelos
Mus Saec XVII-54, ca. 1665-1670. negros”, “Falsa m’es la’spiga”, “La moreta”. With CD recording played by
Antonio Baciero on harpsichord. Edition of 980 numbered copies, with deluxe
Lübeck, 2015. 21 x 30 cm, 2 vols, 200 pp. By far the largest lute source from the portfolio in silk. $370
Rostock University Library this MS contains 400 pieces for 11-course lute, French http://www.omifacsimiles.com/brochures/isabelvalois.html
tablature-baroque tuning. Pages 153-154 contain Germain Pinel’s very popular
Suite in G minor. Softbound. $63
719 (Spencer, Robert)
9089 Ryan’s Mammoth Collection: 1050 Reels and Jigs, Hornpipes, Clogs, 19th-Century Songs with Guitar Accompaniments of the Period. I: Beethoven,
Walk-arounds, Essences, Strathspeys, Highland Flings and Contra Dances, Haydn, Schubert. Facsimile of Original Editions (1819-1833) Introduced by
with Fugues, and How to Play Them by Patrick Sky. Bowing and Fingering Robert Spencer.
Marked together with Forty Introductory Studies for the Violin, with Heidelberg, 2/ 2005. 4º, v, 56 pp. Line-cut. Contains Beethoven’s “Adelaide”
Explanations of Bowing, etc. Op.46, “Andenken” WoO 136; Haydn’s “An den Mond”; Schubert’s “Der
Pacific, 1995. 4°, 176 pp. This comprehensive book is a line-cut facsimile edition of Wanderer” Op.4,1, “Ungeduld” Op.25,7, “Der Liedler” Op.38, “Die zürnende
the original collection published by William Bradbury Ryan in 1883. It has Diana” Op.36,1, and “Nacht Stücke” Op.36,2. Wrappers. $21
survived over the years because it is one of the richest and most interesting of the
19th c. instrumental collections as well as a resource for students of American
vernacular music. Examining the cultural exchange between minstrel show, 720 (Spencer, Robert)
ethnic music and even classical music influenced some of the genres of what we 19th-Century Songs with Guitar Accompaniment of the Period. II: Keller,
now call American music. A special section containing historical notes and Spohr, Weber. Facsimile of Original Editions (1810-1829) Introduced by
comments is included. Wrappers. $23
Robert Spencer.
Heidelberg, 1984. Oblong, 4º, iv, 72 pp. Line-cut. Contains Weber’s “Romance”
Op.25,2, “Serenade”, “Die Zeit” Op.13,5, “Wiegenlied” Op.13,2; Spohr’s
“Romance aus Zemier”, Sechs deutsche Lieder Op.37, Sechs deutsche Lieder
Op.41, Sechs deutsche Lieder Op.72; and Keller’s “Der Traum” Op.27,1.
Wrappers. $32
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.31

3338 Textes sur les instruments de musique au XVIIIe siècle. 9115 The Thysius Lute Book / Het Luitboek van Thysius. Facsimile Edition of
Geneva, 1972. 8º, 242 pp. Line-cut of the Paris, 1756-1782 editions. Large number Leiden, Bibliotheca Thysiana 1666. Volume I: Introduction - Jan W.J. Burgers
of little-known documents concerning musical instruments. Authors of booklets & Louis Peter Grijp; Concordances - Louis Peter Grijp, Simon Groot & John
include P.-J. Roussier, M. de Laborde, Trouflaut, C. Moucherel, G. de Cryseul, & H. Robinson; Volume II. Facsimile Edition Folios 1-233; Volume III: Facsimile
J.-B. Domenjoud. Hardbound. $71
Edition Folios 233v-521v.
Muziek uit de Republiek, 2. Leiden & Utrecht, 2009 23 x 33 cm, 3 vols, 158, 380,
7128 [Thesaurus Musicus, book 1] 477 pp. Halftone. The Thysius Lute Book—taking its name from the Leiden
bibliophile who acquired the manuscript in the 19th c.—is the world’s most
Thesaurus Musicus: Being, a Collection of the Newest Songs Performed at comprehensive lute volume. Compiled by Adriaen Smout from Rotterdam
Their Majesties Theatres. . . With a Thorow-Bass to Each Song, for the between the years 1595-1646, the book is a complete international repertoire
Harpsicord, Theorbo, or Bass-Viol. To Which is Annexed, a Collection of comprised of Italian dances such as passamezzi and galliardas, fancies,
Aires, Composed for Two Flutes by Several Masters. The First Book. [Library intabulations of madrigals, chansons and motets, psalms and English, French and
Dutch ballads and dances. It includes lute music by John Dowland, John Johnson,
of Congress, Washington, DC]. Thomas Morley, Thomas Robinson, Robin Jones and others, arrangements of
Performers’ Facsimiles, 145. New York, [1995]. 23 x 37 cm, ii, 41 pp. Line-cut of the chansons by Thomas Crecquillon, Pierre Sandrin, Clemens non Papa, Claudin de
London, 1693 edition. Pieces by Akeroyde, Barrett, Bannister, Courteville, Finger, Sermisy and Orlando di Lasso, madrigals by Palestrina, Ferretti and Noë
Keen, King, Purcell, Staggins & Tollet. Wrappers. $20 Faignient, motets by Peter Phillips, Pietro Lappi, Arcangelo Bussoni, Giulio Belli
and others, psalm settings by Jan Pietersz Sweelinck, Claudin le Jeune and Claude
Goudimel, and many anonymous settings of ballads and dances. Smout also
7193 [Thesaurus Musicus, book 2] showed great interest in popular culture and included many peasant ditties and
light-hearted song tunes. There are also remarkable lute quartets. All music has
Thesaurus Musicus: Being, a Collection of the Newest Songs Performed at been notated in seven-line French lute tablature. 3 vols, hardbound, in slipcase.
Their Majesties Theatres. . . With a Thorow-Bass to Each Song, for the $235 http://www.omifacsimiles.com/brochures/thysius.html
Harpsicord, Theorbo, or Bass-Viol. To Which is Annexed, a Collection of Airs,
Composed for Two Flutes by Several Masters. The Second Book. [Library of
Congress, Washington, DC]. 9159 Tonini, Giuliano.
Performers’ Facsimiles, 146. New York, [1995]. 23 x 37 cm, 43 pp. Line-cut of the Scrinium musices. La raccolta di manoscritti e stample musicali Toggenburg
London, 1694 edition. Pieces by Bannister, Bowman, Courteville, J. & S. Eccles, di Bolzano (secc. XVIII-XIX) in deposito presso l’Archivio provinciale di
Finger, Hall, King, Pack, Paisible, Purcell, and others. Wrappers. $20 Bolzano. / Die Bozner Musikaliensammlung Toggenburg (18.-19.
Jahrhundert) im Südtiroler Landesarchiv. Atti del convegno - Bolanzo, Sala
7194 [Thesaurus Musicus, book 3] Vivaldi, Giovedi, 14 dicembre 2006 / Akten des Vortrasabends - Bozen,
Thesaurus Musicus: Being, a Collection of the Newest Songs Performed at Vivaldi-Saal, Donnerstag, 14. Dezember 2006. A cura di / herausgegeben von
Their Majesties Theatres. . . With a Thorow-Bass to Each Song, for the Giuliano Tonini.
Harpsicord, Theorbo, or Bass-Viol. To Which is Annexed, a Collection of Airs, Lucca, 2010. 29 x 37 cm, xxxii, 150 pp. Conference proceedings together with
full-colorr reproductions of a selection of music works, including Johann Baptist
Composed for Two Flutes by Several Masters. The Third Book. [Library of Gänsbacher, Serenade pour Violon ou Flûte et Guitarre op.12 and Leonhard von
Congress, Washington, DC]. Call, Serenade pour Violon ou Flûte et Guitarre op.54. Linen. $140
Performers’ Facsimiles, 147. New York, [1995]. 23 x 37 cm, 44 pp. Line-cut of the
London, 1694 edition. Pieces by Courteville, D’Urfrey, Eccles, Finger, King, Pack,
Pigott, Purcell, Turner, & anonymous composers. Wrappers. $20 4453 The Trumbull Lute Book, c.1595. . . With an Introductory Note and Guide to
Concordances by Robert Spencer. [Berkshire Record Office, Reading, mus. ms.
Trumbull Add. 6].
7195 [Thesaurus Musicus, book 4] Musical Sources, 19. Aberystwyth, 1980. 24 x 33 cm, xiv, 52 pp. Halftone. 26 solos,
Thesaurus Musicus: Being, a Collection of the Newest Songs Performed at 10 duet parts and 2 mixed consort parts; 36 of them are for 6-course and two for
Their Majesties Theatres. . . With a Thorow-Bass to Each Song, for the 7-course renaissance lute. Wrappers. $54
Harpsicord, Theorbo, or Bass-Viol. To Which is Annexed, a Collection of Airs,
Composed for Two Flutes by Several Masters. The Fourth Book. [Library of 1078 [“Vaudry de Saizenay” Ms.]
Congress, Washington, DC].
Manuscrit Vaudry de Saizenay. Tablature de luth et de théorbe de divers
Performers’ Facsimiles, 148. New York, [1995]. 23 x 37 cm, 36 pp. Line-cut of the auteurs. 1699. (Bibliothèque municipale, Besançon, 279.152 et 279.153.
London, [1695] edition. Songs by Courteville, Eccles, Finger, R. King, Pack, Pigott,
Purcell, Turner and others. Wrappers. $20 Introduction de Claude Chauvel.
Manuscrits, 14. Geneva, 1980. Oblong, 31 x 23 cm, 581 pp. Line-cut of a ms named
after its copyist, a pupil of Jacquessor and R. de Visée. Works by Dubut, Gallot,
7196 [Thesaurus Musicus, book 5] Gautier, Hémond, Pinel, Visée, etc. (out of print - included only for bibliographic
reference)
Thesaurus Musicus: Being, a Collection of the Newest Songs Performed at
Their Majesties Theatres. . . With a Thorow-Bass to Each Song, for the
Harpsicord, Theorbo, or Bass-Viol. To Which is Annexed, a Collection of Airs, 7748 Vezzosetti fiori de varii eccellenti autori, cioe, madrigali, ottave, dialochi, arie,
Composed for Two Flutes by Several Masters. The Fifth Book. [Library of et vilanelle, a una, e due voci. Da cantarsi con il cembalo, tiorba, chitarra
Congress, Washington, DC]. spagnola, &c. [British Library, London].
Performers’ Facsimiles, 149. New York, [1995]. 23 x 37 cm, 38 pp. Line-cut of the Faksimile-Edition Canto e Continuo, 1. Stuttgart, 1999. 22 x 34 cm, 24 pp. Line-cut
London, [1695] edition. Songs by Bannister, Eccles, Finger, Franck, King, Paisible, of the Rome, 1628 edition. Wrappers. $15
D. & H. Purcell, R.W., & Williams. Wrappers. $20

8379 The Welde Lute Book. [Private collection, Lord Forrester].

The Lute Society Facsimiles, 4. Guildford, 2004. 25 x 38 cm, xxix, 66 pp. Halftone.
English lute ms dating from c.1600 containing 39 pieces in lute tablature by
Dowland, John Johnson, Holborne and Byrd. Commentary and inventory by Ian
Harwood, Martin Shepherd, Steward McCoy, John H. Robinson & Rainer aus
dem Spring. Wrappers. $48
http://www.omifacsimiles.com/brochures/welde.html

9205 The Wickhambrook Lute Manuscript : US-NH, New Haven (CT) Yale
University Irving S. Gilmore Music Library Music deposit 1 : (formerly Rare
Ma21 W632). Introduction by Ian Harwood; Inventory, Notes and
Bibliography by John H. Robinson.
The Lute Society Facsimiles, 6. Guildford, 2008. 4º, xxii, 32 pp. Large folio-sized
ms compiled in the 1590s, perhaps to collect and preserve lute music by John
Johnson, who died in 1594, and whose works predominate in this source. It
contains what seems to be an autograph of his son, Robert Johnson. It contains 24
pieces, all for 6-course lutes, including 2 duets; 11 by John Johnson, 4 by Dowland
(this is the unique source of ŒTarleton’s Resurrection), 2 by Philip van Wilder, 1
each by Holborne, Peter Philips, and Lassus, and 5 by anon. The original hands
are beautifully clear and easy to play from. Wrappers. $52
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.32

4450 The Willoughby Lute Book, with an Introductory Study by Jeffrey Alexander 5375 [Chilesotti, Oscar]
and Robert Spencer. [University Library, Nottingham, mus. ms. Mi Lm 16]. Musica del passato (da intavolature antiche).
Musical Sources, 13. Aberystwyth, 1978. Oblong, 22 x 17 cm, xli, 116 pp. Halftone. Bibliotheca Musica Bononiensis, IV/29. Bologna, 1968. 17 x 25 cm, 28 pp. (Rpt. of
The c.1560-85 repertory may be that of Sir Francis Willoughby (the principal Ricordi, c.1890 edition). Modern edition for keyboard of 14 lute intabulations from
scribe); consists of 37 pieces for 6-course lute in vieil ton (G) tuning, 8 pieces for the 16th c., including works by Newsidler, Da Milano, Rossetto, Corbetta, Visée,
cittern and a keyboard version of Philip van Wilder’s “Je File”. Wrappers. $54 Roncalli and Weiss. Hardbound. $21

MODERN EDITIONS 7160 Collected English Lutenist Partsongs: I. Edited by David Greer.
6185 Airs de cour pour voix et luth (1603-1643). Transcription avec une Musica Britannica, LIII. London, 1987. 4º, xxv, 237 pp. Modern critical edition with
introduction et des commentaires par André Verchaly. staff and tablature notation. Works by Cavendish (14. Ayres in Tabletorie, 1598),
Paris, 2/ 1989. 4º, lxxi, 209 pp. Critical edition. Wrappers. $60 Jones (First Booke of Songes, 1600 & Ultimum Vale, 1605), Pilkington (First Booke
of Songs, 1605), Bartlet (A Book of Ayres, 1606). Wrappers. $164

6382 Albini, Filippo. 7161 Collected English Lutenist Partsongs: II. Edited by David Greer.
Musicali concenti. Opera II (1623)–Opera IV (1626). A cura di Lorenzo Musica Britannica, LIV. London, 1989. 4º, xxii, 246 pp. Modern critical edition
Girodo. Introduzione di Cristina Santarelli. with staff and tablature notation. Works by Danyel (Songs for the Lute, Viol &
Corona di Delizie Musicali, 4. Lucca, 2002. 4º, xxv, 81 pp. Critical edition. For one, Voice, 1606), Ford (Musicke of Sundrie Kindes, 1607), Jones (Musicall Dreame,
two and four voices with bc. Wrappers. $42 1609), Campion (Discription of a Maske, 1607, First Booke of Ayres, c.1613, &
Second Booke of Ayres, c.1613), Attey (First Booke of Ayres, 1622). Wrappers.
$164
6469 Barbarino da Fabriano, Bartolomeo.
Canzonette e sonetti a una e due voci (Venezia 1616). A cura di Concetta 6923 Composizioni inedite dall’intavolatura d’organo tedesca di Torino. A cura /
Assenza. Urtext. Edited by di D. Felici.
Collezione Musicale Marchigiana. Bologna, 2003. 4˚, xlix, 39 pp. New critical Bibliotheca Musica Bononiensis, IV/104. Bologna, 2011. Oblong, 4°, xl, 153 pp.
edition. 16 canzonette for 1 voice and 12 for 2 voices. Introduction in It, with Eng Transcription of toccatas and ricercari, to a large extent unpublished, taken from
summary. Wrappers. $48 German tablatures for keyboard in the Foà Giordano holdings, preserved in the
National Library of Turin. The manuscript contains works by Italian, German and
anonymous composers which, despite the variety of styles presented, testify to the
6972 Bernardi, Stefano. rich fabric of exchanges and mutual influences that occurred between northern
Motetti in cantilena a quattro voci con alcune canzoni per sonare con ogni and southern Europe in the first 30 years of the 17th c.. Introduction in Eng-It.
sorte di stromenti, con il basso per l’organo. 1613. Edizione a cura di Marco Wrappers. $69
Materassi, trascrizioni: Flavio Cinquetti.
Lucca, 2012. 4º, xxiv, 105 pp. Critical edition. Wrappers. $45 5542 Dieupart, Charles.
Six suites pour clavecin. Publiées par Paul Brunold. Avec le fac-similé des
5391 Bottegari, Cosimo. parties originales du XVIIIe siècle pour violon ou flûte et basse chiffrée (viole
ou archiluth). Révision par Kenneth Gilbert.
Il libro di canto e liuto.
Monaco, 1990. 4º, 64, 2 partbooks: 32 pp. Newly revised critical edition of the
Bibliotheca Musica Bononiensis, V/17. Bologna, 1978. 8º, 190 pp. (Rpt. of 1898 original suites for harpsichord alone (Amsterdam, 1701), and line-cut facsimile of
edition). Modern edition of canzoni and canzonette of the celebrated Florentine the optional Roger parts for violin or recorder and viol or archlute, mises en
lutenist/singer Cosimo Bottegari (16-17th c.). Introduction by L.F. Valdrighi. concert (Amsterdam, 1711). Wrappers. $69
Includes 12 published documents concerning the musician’s life. Wrappers. (no
music). $30
6281 Dowland, John.
6487 Cadenze e passaggi diversi intavolati per tiorba dal manoscritto estense G 239 Ayres for Four Voices Newly Edited by David Greer.
(sec. XVII) a cura di Tiziano Bagnnati. Musica Britannica, VI. London, 2000. 4º, xxxvii, 215 pp. Modern critical edition
Società Italiana del Liuto, 1. Bologna, 1995. 4º, x, 33 pp. Critical edition of an with staff and tablature notation. Anthology of four voice works from Dowland’s
important ms that demonstrates ornamentation and cadential formulae for the First Booke of Songes or Ayres, 1597, Second Booke of Songs or Ayres, 1600, Third
tiorba. Wrappers. $30 and Last Booke of Songs and Aires, 1603, & A Pilgrimes Solace, 1612, 65
compositions in all. Cloth. $167

6473 Caro, Annibal.

6005 [Ferretti, Giovanni]
Corona della morte di Annibal Caro. Poesia e musica per un letterato
marchigiano del cinquecento (Venezia 1568). A cura di Lucia Fava. Il secondo libro delle canzoni a sei voci (1575). Edited by Ruth I. DeFord.
Recent Researches in the Music of the Renaissance, 57-58. Madison, 1983. 4º, xx,
Collezione Musicale Marchigiana. Bologna, 2001. 4˚, xxii, 128 pp. New critical 157 pp. Critical transcription. Wrappers. $59
edition. Collection of madrigals a5 by various composers, honoring the death of
the poet Annibal Caro. Works by Merulo, A. Gabrieli, Schieti, Comis, Anville,
Adriani, Ghibellini, Raimondo, Sperindio, etc. Inroduction in It, with Eng
summary. Wrappers. $70 8893 50 Renaissance & Baroque Standards – English Version. With Variants,
Examples & Advice for Playing & Improvising on Any Instrument.
Courlay, 2007. 21 x 30 cm, 144 pp. Here, brought together for the first time, are 50
5037 Cattin, Giulio. renaissance and baroque ostinato basses, songs and dances upon which
Laudi quattrocentesche del cod. Veneto Marc. it. IX 145. composers wrote variations over the course of decades or even centuries. These
pieces circulated from country to country, from one publication or manuscript to
Biblioteca di “Quadrivium”, Serie Paleografica, 10. Bologna, 1958. 8º, 19 pp. another, and also served as a basis for improvisation by performing musicians of
Wrappers. $7 the time. Wrappers. $28

5368 [Chilesotti, Oscar] 8899 50 Standards, Renaissance & Baroque. Avec variantes examples & conseils
Danze del secolo XVI trascritte in notazione moderna [a cura di] Oscar pour jouer & improviser sur tout instruments.
Chilesotti. Courlay, 2007. 21 x 30 cm, 144 pp. Same as above, but French version. $30
Bibliotheca Musica Bononiensis, IV/22. Bologna, 2/ 1979. 8º, 66 pp. (Rpt. of
Ricordi, c.1890 edition). Modern edition of 45 of the most popular dance numbers
from the 16th c., including works from Caroso’s Nobiltà di dame and Negri’s Le 6884 Francisque, Antoine.
gratie d’amore. Cloth. $21
Le trésor d’Orphée. Transcribed for Keyboard by H. Quittard.
New York, 1967. 4˚, 80, iii pp. Reprint of the Paris, 1905 edition. Editorial notes in
5377 [Chilesotti, Oscar] French with English translation. Wrappers $18
Lautenspieler des XVI. Jahrhunderts. [Liutisti del cinquecento.] Ein Beitrag
zur Kenntnis des Ursprungs der modernen Tonkunst von Oscar Chilesotti.
Bibliotheca Musica Bononiensis, IV/31. Bologna, 2/ 1976. Oblong, 25 x 17 cm,
xvii, 248 pp. (Rpt. of 1891 edition). Modern edition of 137 pieces for lute by
Newsidler, Matelart, Gorzanis, Da Milano, Galilei, Barbetta, Fallamero, Terzi,
Molinaro, Besard, and many others. Preface in Ital-Ger. Laid paper. Cloth. $98
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.33

5373 Frescobaldi, Girolamo. 6191 Gerle, Hans.

Partite di Girolamo Frescobaldi trascrizione in notazione moderna di Oscar Tabulature pour les luths, Nuremberg, Formschneider, 1533. V: Psaumes et
Chilesotti. motets latins a IV voix. Transcription automatique par le Groupe
Bibliotheca Musica Bononiensis, IV/27. Bologna, 1969. 8º, 45 pp. (Rpt. of Ricordi, E.R.A.T.T.O du C.N.R.S. Études musicoloques par Hélène Charnassé et
c.1890 edition). Modern edition for keyboard of Frescobaldi’s Partite sopra l’aria Raymond Meylan; Réalisation informatique par Henri Ducasse.
della romanesca, Partite sopra la monicha, Partite sopra Ruggiero, and Partita Paris, 1978. 4º, xi, 40 pp. Critical edition. Wrappers. $24
sopra la follia. Hardbound. $21

5802 Gabrieli, Andrea (collected works edition) 6792 Guédron, Pierre.

Le composizioni vocali di Andrea Gabrieli in intavolature per tastiera e liuto, a Les airs de cour; édition de Georgie Durosoir ; transcription des tablatures de
cura di Dinko Fabris. Tomo I (“L’intavolatura di Torino”); Riproduzione luth par Éric Bellocq ; avant-propos de Jean-Pierre Babelon.
dell’originale. Versailles, 2009. 8º, xcix, 719 pp. Works for 4-5 solo voices, many also intabulated
for solo voice and lute. Lute part given in tablature and staff notation.
Edizione Nazionale delle Opere di Andrea Gabrieli; Edizione Critica, 17/1. Milan, Introduction and critical notes in French with English translation; bibliographical
1993. 4º (upright & oblong), 2 vols, 200, 131 pp. Edition in linen, facsimile in notes that proceed each air given in French only. Wrappers. $162
wrappers. $192

5198 Gastoldi, Giovanni Giacomo. 6789 [Hove, Joachim van den]

Balletti a tre voci (1594) a cura di G. Vecchi. Joachim van den Hove. Life and Works of a Leiden Lutenist 1567-1620.
Monumenta Lombarda Excerpta, A/2. Bologna, 1969. 4º, xi, 37 pp. Modern
[Edited by] Jan W.J. Bergers.
edition of 16 balletti in two versions: for 3 voices with lute accompaniment Muziek uit de Republiek, 3. Leiden & Utrecht, 2013 8°, 2 vols, 215, 527 pp, CD.
(tablature and staff notation), and for 1 voice and lute accompaniment (in staff The definitive book on Van den Hove. Vol. 1 covers his life, the musical sources,
notation). Wrappers. $29 attribution of anonymous works, an analysis of stylistic features and work list.
Vol. 2 provides a complete edition (in tablature) of his works. An accompanying
CD contains transcriptions in staff notation. Linen. $160
5020 Gastoldi, Giovanni Giacomo.
Canzonette a tre voci. Libro secondo (1595), a cura di Giuseppe Vecchi. 5204 Intavolatura per liuto e tiorba di anonimo. Ms. Pesaro, Cons. G. Rossini, b
Biblioteca Musicale della Rinascenza: [Corpus Mensurabilis, 4]. Bologna, 1959. 8º, 14/7346. Testo originale e trascrizione a cura di Ivano Cavalini.
34 pp. Modern edition. Collection of 10 canzonettas. Wrappers. $20
Monumenta Testudinea, 2. Bologna, 1979. 4º, xvii, 41 pp. Modern edition in Italian
lute tablature and staff notation. 21 compositions, 12 for lute and 9 for tiorba.
6378 Gastoldi, Giovanni Giacomo. Wrappers. $22
Canzonette a tre voci, libro primo, libro secondo. A cura di Isabella Grisanti
Grassi. 6909 The Mulliner Book (I). Edited by John Caldwell.
Didattica della Filologia Musicale, III / “I Testi” I-2002. Lucca, 2002. 4º, xxxviii, 57 Musica Britannica, I London, 2010. 4º, xxxii, 159 pp. Modern critical edition. The
pp. Critical edition. Wrappers. $48 Mulliner Book is published in a completely new edition on the occasion of the
60th anniversary of Musica Britannica. A major source of 16th-c. keyboard music,
it is also a compilation of music for cittern and gittern, plus a short vocal piece by
6658 Gaultier, D. Mulliner himself, available for the first time complete in one volume with a
detailed commentary. The collection is also of importance for the light it sheds on
La rhétorique des dieux. Edited by David J. Buch musical tastes and attitudes at a time when the Reformation and its consequences
Recent Researches in the Music of the Baroque Era, LXII. Madison, 1990 23 x 30, were becoming embedded in the national psyche. Buckram. $168
xxi, 92 pp. Critical edition in modern score notation. Wrappers. $48
5103 Jeppesen, Knud.
6187 Gerle, Hans. Die mehrstimmige italienische Laude um 1500.
Tabulature pour les luths, Nuremberg, Formschneider, 1533. I: Préludes. Biblioteca Storico Giuridica e Artistico Letteraria: Letteratura Music Teatro, 16.
Transcription automatique par le Groupe E.R.A.T.T.O du C.N.R.S. Études Bologna, 1971. 4º, xcviii, 170 pp. (Rpt. of Leipzig, 1935 edition). Modern edition of
musicoloques par Hélène Charnassé et Raymond Meylan; Réalisation 98 Italian laudes, together with historical and stylistic study. Cloth. $70
informatique par Henri Ducasse.
Paris, 1975. 4º, xxiii, 47 pp. Critical edition. Wrappers. $24 6489 [Kapsperger, intavolatura, chitarrone. book 1]
Intavolatura di chitarrone. Libro primo (Venezia 1604). Traslitterato per
6188 Gerle, Hans. tastiera / Transliterated for Keyboard. A cura di Kenneth Gilbert.
Tabulature pour les luths, Nuremberg, Formschneider, 1533. II: Pièces Tastar de Corde, Il Liuto Traslitterato per Tastiera, 2 Bologna, 2001. 4º, xxiii, 67 pp.
Critical edition in staff notation. Wrappers. $45
allemandes. Transcription automatique par le Groupe E.R.A.T.T.O du
C.N.R.S. Études musicoloques par Hélène Charnassé et Raymond Meylan;
Réalisation informatique par Henri Ducasse. 6488 [Kapsperger, intavolatura, lute, book 1]
Paris, 1976. 4º, xvi, 84 pp. Critical edition. Wrappers. $24 Intavolatura di liuto. Libro primo (Roma 1611). Traslitterato per tastiera /
Transliterated for Keyboard. A cura di Kenneth Gilbert.
6189 Gerle, Hans. Tastar de Corde, Il Liuto Traslitterato per Tastiera, 1 Bologna, 2001. 4º, xxiii, 48 pp.
Critical edition in staff notation. Wrappers. $44
Tabulature pour les luths, Nuremberg, Formschneider, 1533. III: Chansons
françaises et trios. Transcription automatique par le Groupe E.R.A.T.T.O du
C.N.R.S. Études musicoloques par Hélène Charnassé et Raymond Meylan; 6490 [Kapsperger, intavolatura, lute, book 1, arr]
Réalisation informatiqiue par Henri Ducasse. Intavolatura di liuto. Libro primo (Roma 1611). Traslitterato per chitarra /
Paris, 1976. 4º, xvi, 49 pp. Critical edition. Wrappers. $24 Transliterated for Guitar. A cura di Kenneth Gilbert.
Chitarra. Bologna, 1998. 4º, x, 48 pp. Critical edition in staff notation transliterated
for guitar. Wrappers. $30
6190 Gerle, Hans.
Tabulature pour les luths, Nuremberg, Formschneider, 1533. IV: Psaumes et
motets latins a troix voix. Transcription automatique par le Groupe 6914 Kleber, Leonhard.
E.R.A.T.T.O du C.N.R.S. Études musicoloques par Hélène Charnassé et Die Orgeltabulatur des Leonhard Kleber. Erster Teil. Herausgegeben von
Raymond Meylan; Réalisation informatique par Henri Ducasse. Karin Berg-Kotterba. Mit einem Konkordanzenverzeichnis von Martin
Paris, 1977. 4º, xiv, 85 pp. Critical edition. Wrappers. $24 Staehelin.
Das Erber Deutscher Musik, 91. Frankfurt, 1987. 4º, xii, 116 pp. Modern edition in
staff notation. Leonhard Kleber (c.1495-1556), possibly a pupil of Arnolt Schlick,
produced this set of 112 tablatures—playable on organ, lute or
keyboard—between 1521 and 1524; composers represented in the collection
include Paul Hofhaimer, Hayne van Ghizeghem, Heinrich Isaac, Josquin des Prez,
Jacob Obrecht, Antoine Brumel, Heinrich Finck, Ludwig Senfl, Hans Buchner.
Linen. $164
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.34

6915 Kleber, Leonhard. 6272 Music for Mixed Consort. Edited and Reconstructed by Warwick Edwards.
Die Orgeltabulatur des Leonhard Kleber. Zweiter Teil. Herausgegeben von Musica Britannica, XL. London, 1977. 4º, xxvii, 163 pp. Critical edition. One of the
Karin Berg-Kotterba. Mit einem Konkordanzenverzeichnis von Martin main modern sources of English instrumental ensemble music. 15 pieces from the
Walsingham Consort Book of 1588 and 19 pieces from Matthew Holmes's Consort
Staehelin. Books, c.1575 represent music for mixed consort, a colorful and eclectic genre that
Das Erber Deutscher Musik, 92. Frankfurt, 1987. 4º, 160 pp. Part two of above. played an important role in Elizabethan and Jacobean secular music-making.
Linen. $150 Composers include Allison, Bachiler, Johnson, Reade, Nicholson, Morley, Baxter,
Campion, and Lupo. Wrappers. $154
6600 Lambert, Michel.
Airs from Airs de différents autheurs. Edited by Robert A. Green. 6402 [Petrucci, Ottaviano]
Recent Researches in the Music of the Baroque, 139. Madison, 2005. 4º, xlvii, 151 Ottaviano Petrucci. Frottole, Buch I und IV. Nach den Erstlingsdrucken von
pp. New critical edition in modern score notation of 121 airs, primarily from the 1505 und 1505 (?) herausgegeben von Rudolf Schwartz.
anthology published by Ballard between 1658 and 1694. Wrappers. $95 Publikationen Älterer Musik, VIII. Hildesheim, 1967. 17 x 23 cm, lii, 101 pp. (Rpt.
of Leipzig, 1935 edition). Critical edition (transcription with movable C clefs).
Respectively 63 and 92 compositions. Wrappers. $51
5964 Lanier, Nicholas.
The Complete Works. Edited by Gordon J. Callon.
6369 Radesca, Enrico.
Boethius Editions, 11. Hereford, 1994. 4º, xxiv, 198 pp. Modern edition with
critical apparatus and bibliography. Wrappers. $58 Madrigali a cinque et a otto voci. Con il basso continuo e partito da sonare per
chi piacerà del Radesca di Foggia, Maestro di Cappella nella metropolitana di
Torino & della altezze serenissime di Savoia, libro primo. A cura di Rosy
6006 [Lasso, Orlando di, et al]
Moffa.
Orlando di Lasso et al. Canzoni Villanesche and Villanelle. Edited by Donna Opera Omnia Enrico Radesca di Foggia, III. Lucca, 2002. 4º, xxxi, 219 pp. Critical
G. Gardamone. edition. Wrappers. $64
Recent Researches in the Music of the Renaissance, 82-83. Madison, 1991. 4º, lxi,
149 pp. Critical transcription of the canzoni villanesche and villanelle repertoire;
nos. 29-35 are for lute, 36-40 for four-course cittern, and 41-43 for six-course 6480 Radesca, Enrico.
cittern. Both modern and tabulature notation. Wrappers. $69
Thesoro amoroso. Musiche a una, à due & à tre voci. Opera decima. A cura di
Marco Giuliani.
6931 Le Roy, Adrian, and Robert Ballard. Opera Omnia Enrico Radesca di Foggia, IV. Lucca, 2002. 4º, l, 128 pp. Critical
edition. Wrappers. $64
Second livre d’airs des plus excelants musiciens de nostre tems. Reduiz à
quatre parties par M. Di. Le Blannc. Paris, 1579 / Airs de court. Mis en
musique à 4. & 5. parties. De plusieurs autheurs. Paris, 1597. Edited by Jane 6221 Ruiz de Ribayaz, Lucas.
A. Bernstein. Luz y norte musical. Harp Tablature Transcribed and Edited with a Summary
The Sixteenth-Century Chanson, 3. New York, 1995. 4º, 182 pp. Modern edition in of the Introduction by Astrid Nielsch and Andrew Lawrence-King.
score format of 81 airs, mostly for 4 voices. Cloth. $65 Huntingdon, n.d. 8º, 36 pp. New practical edition. Wrappers. $15

6875 Libro de diferentes cifras (1705). 6928 St. Gallen Orgelbuch. Die Orgeltabulatur des Fridolin Sicher (St. Gallen,
Cifras para Tañer, 1. Madrid, 2008. 20 x 29 cm, xxiv, 73 pp. Study and Codex 530). Herausgegeben von / édité por / Edited by Hans Joachim Marz in
transcription by Francisco Alfonso Valdivia. Preserved in the Biblioteca Nacional
in Madrid, this important manuscript for 5-string guitar dated 1705 contains 107 Zusammenarbeit mit / en collaboration / in Collaboration with Thomas
anonymous pieces, with the exception of one attributed to Francesco Corbetta. Warburton. Tabulaturen des XVI Jahrhunderts, Teil 3.
Gaspar Sanz is well represented, both in the literal copy of the Instucción de Schweizerische Musikdenkmäler, 8. Winterthur, 1992. 4º, 366 pp. Modern edition
música as in the reuse of some of its differences; several pieces are related to in staff notation. Fridolin Sicher’s (1490-1546) compilation of organ tablatures are
works of Santiago de Murcia which could mark the first cronological source of principally arrangements of sacred vocal compositions. $375
this guitarist. There are many French inpired dances together with the genuinely
Spanish ones. Wrappers. $41
6550 Schoenberg, Arnold.
6625 Morphy, G. ed., Arrangements of Funiculi-Funicula (Luigi Denza); Ständchen (Franz
Les luthistes espagnols du XVIe siecle. Volume I[-II]. Schubert). Weil I a alter Drahrer bin (Johann Sioly)
New York, 1967. 4º, liv, 252 pp. Reprint of the Breitkopf & Härtel edition, Leipzig, Pacific Palisades, 1974 4˚, 12, 18 pp. Score and parts. Scored respecitively for vln,
1902 edition. Edition, in modern staff notation of: Luis Milan, “El Maestro” (1536), mandolin, cl, vla, guitar & vc; cl, bsn, mandolin, guitar, vln I/II, vla, vc; vln,
Luis de Narvaez, “Delfin para vihuela” (1538), Alonso de Mudarra, “Tres libros mandolin, cl, vla, guitar, vc. $30
de música en cifras” (1546), Anriquez de Valderrábano, “Silva de Sirenes” (1547),
Diego Pisador, “Libro de música de vihuela” (1552), Miguel de Fuenllana,
“Orphénica lira” (1554), Venegas de Hinestrosa, “copla de Jorge Manrique” 5370 Stefani, Giovanni.
(1557), and Esteban Daza, Villancicos (1576). Cloth. $95 Affetti amorosi di Giovanni Stefani.
Bibliotheca Musica Bononiensis, IV/24. Bologna, 1969. 8º, 70 pp. (Rpt. of Ricordi,
c.1890 edition). Modern edition in score--voice, guitar & bass--of 32 numbers.
5371 Marcello, Benedetto. Includes 5 pages in facsimile from the original 1621 edition. Hardbound. $18
Arianna. [Intreccio scenico-musicale a cinque voci, 1727] a cura di Oscar
Chilesotti. 8825 Vecchi, Orazio.
Bibliotheca Musica Bononiensis, IV/25. Bologna, 1969. 18 x 25 cm, xv, 201 pp.
(Rpt. of Ricordi, 1885 edition). Modern piano-vocal edition. Cloth. $51 L’Amfiparnaso. Il testo letterario e il testo musicale. A cura di Renzo Bez.
Bibliotheca Musica Bononiensis, IV/100. Bologna, 2007. 4°, 50, 94 pp. New critical
edition (score) of the musical comedy printed by Orazio Vecchi in 1597. This
6193 Milán, Luis. polyphonic masterpiece owes part of its success over the centuries to its attempt
to unite the two Parnassus’s, that of music and that of comic poetry, to which the
Libro de música de vihuela de mano intitulado del maestro. Compuesto por allegorical title (”double Parnassus”) explicitly alludes. Wrappers. $63
Luys Milan. In der Originalnotation und einer Übertragung herausgegeben
von Leo Schrade.
Publikationen Älterer Musik, II. Hildesheim, 1976. 17 x 23 cm, xxx, 382 pp. (Rpt. of 5372 Vecchi, Oratio.
Leipzig, 1927 edition). Diplomatic transcription of the original tablature, side by Arie, canzonette, e balli a tre, a quattro e a cinque voci con liuto di Horatio
side with a modern edition in staff notation. Wrappers. $147
Vecchi [a cura di] Oscar Chilesotti.
Bibliotheca Musica Bononiensis, IV/26. Bologna, 1968. 17 x 25 cm, 51 pp. (Rpt. of
Ricordi, 1892 edition). Modern edition in full score format with lute
accompaniment. Hardbound. $21
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.35

MONOGRAPHS 6004 Esses, Maurice.

6492 Augoyard, Jean-François & Henry Torgue. Dance and Instrumental Diferencias in Spain during the 17th and Early 18th
Repertorio degli effectti sonori. A cura di Adolfo Conrado. Centuries. Volume I: History and Background, Music and Dance; II: Musical
Quaderni di Musica/Realtà, 52. Lucca, 2003. 8˚, xii, 192 pp. Wrappers. $29 Transcriptions; III: The Notes in Spanish and Other Languages from the
Sources.
Stuyvesant, 1992. 4º, 3 vols, 881, 678, 161 pp. Volumes 1 & 2 hardbound, volume 3
6313 Bertrand, Daniel. in wrappers. $202
La vina d’Inde du sud. Une vina de Mysore du facteur Puttadasappa et une
vina de Tanjore de l’atelier Ramjee (S. Ramanathan) à Tiruchchirappalli. 5676 Grijp, Louis & Willem Mook.
Instruments Historiques: Monographies d’Instruments, Facteurs et Luthiers.
Courlay, 2001. 8º, 55 pp. Wrappers. $16 Proceedings of the International Lute Symposium, Utrecht 1986. Edited by
Louis Grijp and Willem Mook.
Utrecht, 1988. 8º, 168 pp. Includes contributions by H.M. Brown, A.J. Ness, L.
5408 Brondi, Maria Rita. Nordstrom, L.P. Grijp, P. O’Dette, R. Spencer, R. Nurse, J. Dugot, M. Lowe, W.
Il liuto e la chitarra. Ricerche storiche sulla loro origine e sul loro sviluppo. Mook, Anne & Anthony Bailes. Wrappers. $44
Bibliotheca Musica Bononiensis, IV/70. Bologna, 1979. 16 x 22 cm, xii, 170 pp.
(Rpt. of Turin, 1926 edition). Cloth. $44 6234 Gstrein, Rainer.
Die Sarabande. Tanzgattung und musikalischer Topos.
4247 Bruni, Antonio Bartolomeo. Bibliotheca Musicologica Universität Innsbruck, 2. Lucca, 1997. 8º, 234 pp.
Un inventaire sous la Terreur. Etat des instruments de musique relevé chez les Wrappers. $42
émigrés et condamnés. Introduction, notices biographiques et notes par J.
Gallay. 6431 Guizzi, Febo.
Geneva, 1984. 8º, 280 pp. Line-cut of the Paris, 1890 edition. Inventories
harpsichords, fortepianos, violins, violas, flutes, guitars, harps, etc. seized from Gli strumenti della musica popolare in Italia.
the homes of emigrants in an official report in 1794. Includes names of makers and Alia Musica, 8. Lucca, 2002. 8º, lviii, 502 pp. Invaluable survey of popular
sometimes the date of the instruments. Wrappers. $76 instruments in use in Italy, ranging from percussion, wind and plucked
instruments to various noise makers. Numerous drawings and plates. Wrappers.
$72
5045 Cattin, Giulio.
Contributi alla storia della lauda spirituale. 4257 La lutherie lorraine et français depuis ses origines jusqa’à nos jours, d’après les
Biblioteca di “Quadrivium”, Serie Musicologica, 2. Bologna, 1958. 8º, 51 pp. archives locales.
Wrappers. $9
Vie Musicale dans les Provinces Françaises, 5. Geneva, 1985. 17 x 24 cm, 387 pp.
(Rpt. of Paris, 1912 edition). Largely original work based on research in the
5365 Chilesotti, Oscar. Mirecourt and Nancya archives. Illustrations of instruments, violin labels, maker’s
marks, portraits, etc. Wrappers. $126
Studi sulla chitarra e altri scritti.
Bibliotheca Musica Bononiensis, III/110. Bologna, 1975. 8º, 35, 244 pp. Collection
of 13 essays, together with biographical material by Giuseppe Vecchi and Vito 5142 Piccolellis, Giovanni de.
Fedeli. Cloth. $48 Liutai antichi e moderni. Note critico-biografiche.
Bibliotheca Musica Bononiensis, III/22. Bologna, 3/ 1985. 18 x 25 cm, 239 pp with
5574 Cifariello, Giovanni. 24 illus. (Rpt. of Florence, 1885-86 edition). Cloth. $53
Alvaro Company. La chitarra in Italia nel novecento.
Hermes, Musica e Spettacolo nel Novecento, 2. Lucca, 1999. 8º, 146 pp. Wrappers. 6056 Poulton, Diane.
$30 A Tutor for the Renaissance Lute. For the Complete Beginner to the Advance
Student.
6617 De clavicordio VII. The Clavichord and the Lute. Proceedings of the VII London, 1991. 4º, 142 pp. Wrappers. $49
International Clavichord Symposium, Magnano, 7 - 10 September 2005.
Edited by Bernard Brauchli, Alberto Galazzo, Judith Wardman. 6507 Regazzi, Roberto.
Piemonte, 2006. 8º, 277 pp. Articles on all aspects of the clavichord by leading
scholars, builders and performers; authors in this issue include: P. Bavington, L. The Complete Luthiers Library. A Useful International Critical Bibliography
Bemmann, B. Brauchli, G. Crowell, Chr. D’Alessandro, M. Erdman, E. Helenius, for the Maker and Connoisseur of Stringed and Plucked Instruments Collected
U. Henning, J. Heringman, Chr. Hogwood, A. Huber, D. Ledbetter, L. Libin, G. and Compiled by Roberto Regazzi. With a Foreword by Charles Beare.
O'Brien, P. Padilla/J. L. Garcia, P. Simmonds, I. Wjuniski. Wrappers. $89 Revision of the English Text by Jane Helen Johnson.
http://www.omifacsimiles.com/brochures/declav_7.html
Bologna, 1990 8˚, xviii, 556 pp Limited edition of 600 copies. $225

6692 De clavicordio VIII. The Clavichord on the Iberian Peninsula. Proceedings of

the International Clavichord Symposium, Magnano, 5 - 8 September 2007. 3327 Savart, Félix.
Edited by Bernard Brauchli, Alberto Galazzo, Judith Wardman. Mémoire sur la construction des instruments à cordes et à archet. Lu à
Piemonte, 2008. 8º, 256 pp. Articles on all aspects of the clavichord by leading l’Académie des Sciences, le 31 mai 1819. Suivi du rapport qui en a été fait aux
scholars, builders and performers; authors in this issue include: D. Adlam, P. deux Académies des Sciences et des Beaux-Arts, par MM Haüy, Charles, de
Bavington, L. Bemmann, J. Benson, Ch. Besnainou, B. Brauchli, Chr. Prony, Cherubini, Catel, Berton, Le Sueur, Biot rapporteur.
D'Alessandro, D. Demel, G. Doderer, M. Erdman, S. Field, L. Gineis, E. Helenius,
U. Henning, A. Huber, H. E. Svensson, M. Tsalka, C. & W. Ullrich-Eberius, P. Geneva, 1972. 8º, 128 pp. Line-cut of the Paris, 1819 edition. Wrappers. $40
Verbeek, and I. Wjuniski. Wrappers. $89
http://www.omifacsimiles.com/brochures/declav_8.html
6688 Serdoura, Miguel.
Method for the Baroque Lute. A Practical Guide for Beginning and Advanced
6946 De Clavicordio X. Proceedings of the X International Clavichord Symposium Lutenists
Magnano, 6–10 September 2011 Edited by B. Brauchli, A. Galazzo, J. Bologna, 2008. 4˚, 364 pp. Comprehensive tutor for the 11- and 13-course Baroque
Wardman. lute, including an anthology of 250 pieces divided into 3 levels of difficulty.
Piemonte, 2010. 8º, 284 pp. Articles on all aspects of the clavichord by leading Wrappers. $97
scholars, builders and performers. This issue includes an article on the Swedish
lute. Wrappers. $79 http://www.omifacsimiles.com/brochures/declav_10.html
9391 Smith, Douglas Alton.
A History of the Lute from Antiquity to the Renaissance.
Lexington, VA, 2002. 20 x 26 cm, 389 pp. First comprehensive English-language
history dedicated solely to the lute with details of the history of the instrument, a
discussion of its cultural setting, facts about changes in its construction and
repertory, and biographies of its most prominent composers and exponents.
Cloth. $107
 Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • omifacsimiles.com • immels@earthlink.net Lute p.36

5568 Torta, Mario.

Catalogo tematico delle opere di Ferdinando Carulli a cura di Mario Torta.
Volume I: Opere 1-120; Volume II: Opere 121-366.
Musicalia, 3. Lucca, 1993. 8º, 2 vols, xcviii, 779 pp. Preface in It-Eng. Wrappers.
$144

5806 Van Schaik, Martin.

Aspects of the Historical Harp. Proceedings of the International Historical
Harp Symposium, Utrecht 1992. Edited by Martin van Schaik.
Utrecht, 1994. 8º, 140 pp. Contributions on the harp in Naples, harp builders in
Madrid, the role of the harp in early opera, etc. Papers by C. Bordas, S. Capp, H.
Devaere, J. Keppel, S. Leopold, N. van Ree Bernard, J. Rimmer, M. van Schaik.
Bibliography. Wrappers. $44