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Marvel Fanfare

This document provides musical notation for an arrangement of music from the Marvel Cinematic Universe movies. It includes the themes from movies such as The Avengers, Guardians of the Galaxy, Age of Ultron, Black Panther, Spider-Man and Infinity War. The musical score is arranged for a full orchestra including sections for woodwinds, brass and percussion.

Uploaded by

Carlos Guzman
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© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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50% found this document useful (2 votes)
559 views5 pages

Marvel Fanfare

This document provides musical notation for an arrangement of music from the Marvel Cinematic Universe movies. It includes the themes from movies such as The Avengers, Guardians of the Galaxy, Age of Ultron, Black Panther, Spider-Man and Infinity War. The musical score is arranged for a full orchestra including sections for woodwinds, brass and percussion.

Uploaded by

Carlos Guzman
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Music of the Marvel Cinematic Universe Arr.

Jesus Aguilera

(Marvel Studios Fanfare•The Avengers•Guardians of the Galaxy•Age of Ultron•Black Panther•Spider-man•


Infinity War)

Music of the MCU


-Flute 1, 2
-Oboe, English Horn
-Bassoon
-B♭ Clarinet 1
-B♭ Clarinet 2, 3
-Bass Clarinet
-Alto Saxophone 1, 2
-Tenor Saxophone
-Baritone Saxophone
-B♭ Trumpet 1
-B♭ Trumpet 2, 3
-French Horn 1, 2
-Trombone 1, 2
-Euphonium
-Tuba
-Percussion 1: Snare Drum, Bass Drum, Drum Set, Concert Toms
-Percussion 2: Crash Cymbal, Suspended Cymbal, Bass Drum, Bongos, Congas
-Mallet Percussion: Bells, Chimes, Vibraphone, Xylophone, Marimba
-Timpani
"Marvel Studios
 Fanfare  3    3   3   3   3   3 
 = 164  3  3    5
                              
 4                        
Flute 1, 2 4             
3
 3
3  3
 3 3
 3 3


Oboe
4
 4                                                    
3
 3 3
 3 3
 3 3
 3 3
 3
 3
 3



Bassoon
 44      
 3   3   3   3   3   3   3   3   3   3   3   3 
B♭ Clarinet 1
4                                                            
4       3    3   3    3
3 3 3 3 3 3 3 3
  3  3
   3  3
   3  3
   3  3
 
4                             
B♭ Clarinet 2, 3  4                                 
3
 3 3
  3 3
  3 3
  3 3
 3
 3
 3


Bass Clarinet
4      
4
 3   3   3   3   3   3   3   3   3   3   3   3 
Alto Saxophone 1, 2
44                                                             
  3     3     3     3     3    3   3    3
3 3 3  3
 
   
Tenor Saxophone
4
4
               
3
 

Baritone Saxophone
4 3   3
  3
  3
  3
  3
  3
  3
    3
  3
  3
  3

 4                                                


B♭ Trumpet 1
4      
4

 44
B♭ Trumpet 2, 3
     

 4 3 
French Horn
      
4        
  
 

Trombone 1, 2
 44      
   
        
Euphonium
 44      
 3
 
3 3 3 3 3 3 3 3 3 3 3 3
4                       
Tuba 4                                               
      
   
Percussion 1  44      


  
 


  
  3    3 
   
Percussion 2  4    
 4   
   
Chimes
 44
Mallet Percussion
     

2 
 4 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Timpani
 4                                                                        

 3   3   3   3   3   3   3   3   3   3  3
7                        
                                                   
Fl. 1, 2           
   3   3 3
 
3
  
3
 
3
  
3
  3 
3
3 
                                       
Ob.           
3
 3
 3
 3
     3
 3

3 3 3 3

Bsn.
     
 3   3   3   3   3   3 
                         3   3   3   3             
                         
B♭ Cl. 1            
   3 3
  3 3
  3    3   3    3   3 3

                                               
B♭ Cl. 2, 3     
 3
 3
 3
 3      3
 3
3 3 3 3

B. Cl.
    

 3   3
  3    3
 3    3    3    3    3    3  
                   
A. Sax. 1, 2                                     
        3    3   3    3   
 3  3
 3  3
 3  3
      
    
 
 
       
T. Sax. 
3 3
3

 3  3   3 3 3 3 3 3  3  3
       
Bar. Sax.  
                                            
          
B♭ Tpt. 1 
3 3
 3
3 
   
B♭ Tpt. 2, 3        

3

        
F Hn. 1, 2          
3
  3

Tbn. 1, 2
     
       
     
      
Euph.

3 3 3

 3  3  3  3 3 3 3 3  3  3
        
Tba.                                                 
              
         
Perc. 1       
  
 

 
  
 


  
 


  
 

 
  
  3    3    3    3    3 
  
Perc. 2    
  
  

Mlt. Perc.
    

 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Timp.                                    
                        
 3   3 
12
                13             
17
            
  
 
43
Fl. 1, 2  44
  3   
3
 
          3                               44
Ob.  4 
3
 3

Bsn.
  43           
   
                44
 3   3   
               
  3                         
B♭ Cl. 1       44
  3 3
4
  
          3 
                          
B♭ Cl. 2, 3
 44
   4
3 3

3 3 3 3 3 3 3 3 3
B. Cl.
 43
              44

                                         
 3    3   
         
3    
        
  
 
      44
A. Sax. 1, 2          4
 
  
3  3

  
34     44
T. Sax.  
       
   
            

3 3 3 3
  3    3  3
  3
 3   3   3   3  44
Bar. Sax.           4
                                             
   
                               opt.
B♭ Tpt. 1   43
          44
3

                    
43        
B♭ Tpt. 2, 3  44
             
3
  
                      
43
F Hn. 1, 2
44
         

            
   
             
   
43 
Tbn. 1, 2
44
 
                               
43
Euph.
44
 
3 3 3 3 3
     3 3 3 3
 3  3   3  3
 3
           43        
Tba.
  44
                                           
   3 3 3 3 3 3 3 3 3 3 3 3  3 3 3  3 3 3 3 3 3 3 3 3 3 3 3
 3    44
Perc. 1      
   4  
     
  
  

   
  
  

  
  
     
 

  

  
 
  3                
 3                        44
Perc. 2  4

43
Mlt. Perc.           44
 
4 
 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Timp.
             43                                                                     
44
        

  3    3    3 
22 22  3      3      3    
 4                            
Fl. 1, 2 4  
 3  3
 3  3
 3 
3


Ob.
4
4                           
3
 3 3
 3 3
 3


Bsn.
 44    
 3   3   3   3   3   3 
4                               
B♭ Cl. 1 4  
 3 3
 3 3
 3 3
  3  3
   3  3
   3  3
 
4 
         
         
        
B♭ Cl. 2, 3 4   
     
3 3 3 3 3 3


B. Cl.
4    
4
 3   3   3   3   3   3 
4                               
A. Sax. 1, 2 4  
  3  
3
   3  
3
   3  
3


 
T. Sax.
4     
4 

3 3 3 3 3 3
4      
Bar. Sax.        
 4                         

4          
B♭ Tpt. 1 4      
3 3

         
B♭ Tpt. 2, 3  44      
3 3

 4     
F Hn. 1, 2 4  



Tbn. 1, 2
 44    

3 3 
 44    
Euph.    
        
 
3 3 3 3 3 3
4      
Tba. 4        
                        

         3 
     
Perc. 1  44      
  
 

 
  
 

 




   
  3 33
3    3     chk.
4          
Perc. 2   
 4

 44
Mlt. Perc.
   

 5
 4 3 3 3 3 3 3 3 3 3 3 3 3
Timp.  
 4                                     

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