Achromatic Prisms and Lenses
Achromatic Prisms and Lenses
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Dispersion
When light passes through a prism the
amount of deviation depends on the
refractive index, and since the refractive
index is different for different wavelengths
the deviation differs for different colours of
light.
Therefore for a prism of small angle the angular dispersion (φ) is given by the formula:
The mean deviation for a prism is taken as being that produced with yellow light and is given by:
where nY is the refractive index of the glass of the prism for yellow light.
'Blue', 'red' and 'yellow' are rather vague terms, however, since each colour represents a range of
wavelengths and so for accurate work we choose one particular wavelength within each area of the
spectrum:
The refractive indices of two types of glass for these three standard wavelengths are given in the
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table below:
nC nD nF
Crown glass 1.5150 1.5175 1.5233
Flint glass 1.6434 1.6550 1.6648
Example problem
Calculate the angular dispersion produced by a flint glass prism of refracting angle 20o.
(Take the refractive indices for red and blue right to be as shown in the table above.)
Dispersive power
A useful property to consider when calculating the dispersion is the dispersive power of a material.
This depends only on the type of material of which a prism or lens is made and not on its shape.
Dispersive power is defined as:
For there to be zero dispersion the algebraic sum of these two dispersions must be zero, and
therefore:
(dR - dB) + (d'R - d'B) = (nB - nR)A + (n'B - n'R)A' = 0
The negative sign indicates that the prisms must be placed as shown in Figure 2
A single ray of white light passing through an achromatic prism will give rise to a parallel beam of
light which when brought to a focus will appear white again. If we take more than one incident ray
then the colours will overlap, giving a white centre with coloured edges.
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Example problem
A crown glass prism of refracting angle 6o is combined with a flint
glass prism to give an achromatic combination.
For a lens to be achromatic the focal length for red light (FR) must be the same
as that for blue light (FB). As with the achromatic prism this can be produced by
using a 'doublet' made of two thin lenses of different refractive indices (Figure 4).
For blue light: 1/FB = 1/fB + 1/fB' For red light: 1/FR = 1/fR + 1/fR'
1/fB - 1/fR = (nB – nR)(1/R1 + 1/R2) and 1/fy = (nY – 1)(1/R1 + 1/R2)
Therefore:
1/fB - 1/fR = w/fY and 1/fB' – 1/fR' = w'/fY' This gives: w/fY + w'/fY' = 0
Therefore:
ω/fY + ω'/fY' = 0
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In this formula the negative sign means that one of the lenses is convex and the other concave.
Notice that we have only made the lens truly achromatic for two colours, red and blue. There will still
be a spread of colour due to the other wavelengths.
It is possible to make an achromatic lens using two thin lenses of the same material if they are
separated by a distance equal to the mean of their focal lengths.
Defects of lenses
In addition to chromatic aberration described above, lenses suffer from several other defects.
(a) Spherical aberration
This is a result of the inner and outer portions of a lens having different focal lengths, that of the
outside being shorter than that of the centre.
One way of reducing this is to make the deviation at the two surfaces as nearly equal as possible.
Spherical aberration is therefore particularly marked when using a piano-convex lens with parallel
light hitting the plane face.
Spherical aberration is also reduced by decreasing the aperture of a lens and by increasing its focal
length.
(b) Coma
This defect produces a comet-like tail added to all images. It results from off-axis objects coupled
with the different magnifications of different zones of the lens.
The rays from the vertical plane intersect in a horizontal line while those from a horizontal plane
intersect in a vertical line.
(c) Astigmatism
If the object point lies off the axis of the lens then the rays from the horizontal and vertical planes
come to a focus at different distances from the lens.
(d) Distortion
The magnification of the lens varies from its centre to its edge and so the magnification of the image
will vary as well. This gives rise to distortion.
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© Keith Gibbs 2013
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