Keller2003 Article UnderstandingBrandsBrandingAnd
Keller2003 Article UnderstandingBrandsBrandingAnd
Brands
According to the American Marketing Association (AMA), a brand is a
‘name, term, sign, symbol, or design, or a combination of them intended
to identify the goods and services of one seller or group of sellers and to
differentiate them from those of competition’.2 Technically speaking,
then, whenever a marketer creates a new name, logo, symbol, etc for a
Kevin Lane Keller
new product, he or she has created a brand. It should be recognised that
Amos Tuck School of Business
Dartmouth College many practising managers, however, refer to a brand as more than that —
100 Tuck Hall defining a brand in terms of having actually created a certain amount of
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New Hampshire 03755
awareness, reputation, prominence and so on in the marketplace. In some
USA sense, a distinction can thus be made between the AMA definition of a
Tel: +1 603 646 0393 ‘small ‘‘b’’ brand’ versus the sometimes industry practice of a ‘big ‘‘b’’
Fax: +1 603 646 1308
E-mail: brand’ — a ‘brand’ versus a ‘Brand’. It is important to recognise this
kevin.l.keller@dartmouth.edu distinction, as disagreements about branding principles or guidelines can
Branding
Brands clearly provide important benefits to consumers — both
individuals and firms. An obvious question then is, how are brands
created? How do you ‘brand’ a product? Although firms provide the
impetus to brand creation through their marketing programmes and other
activities, ultimately a brand is something that resides in the minds of
consumers. A brand is a perceptual entity that is rooted in reality but is
more than that and reflects the perceptions and perhaps even the
idiosyncrasies of consumers.
Branding a product To brand a product, it is necessary to teach consumers ‘who’ the
or service product is — by giving it a name and using other brand elements to help
identify it — as well as ‘what’ the product does and ‘why’ consumers
should care. In other words, to brand a product or service it is necessary
to give consumers a label for the product (ie ‘here is how you can identify
the product’) and to provide meaning for the brand to consumers (ie ‘here
is what this particular product can do for you and why it is special and
different from other brand-name products’). Branding involves creating
mental structures and helping consumers organise their knowledge about
products and services in a way that clarifies their decision making and, in
the process, provide value to the firm.
For branding strategies to be successful and brand equity to be created,
consumers must be convinced that there are meaningful differences
among brands in the product or service category. The key to branding is
that consumers must not think that all brands in the category are the same.
Brand differences are often related to attributes or benefits of the product
itself. For example, brands such as Gillette, Merck, Sony, 3M and others
have been leaders in their product categories for decades due, in part, to
continual innovation. Other brands create competitive advantages through
non-product-related means. For example, Coca-Cola, Calvin Klein,
Chanel No. 5, Marlboro and others have become leaders in their product
categories by understanding consumer motivations and desires and
creating relevant and appealing images surrounding their products.
Brand equity
Branding is thus all about creating differences. Most marketing observers
also agree with the following basic principles of branding and brand
equity. These differences in outcomes arise from the ‘added value’
endowed to a product as a result of past marketing activity for the brand.
There are many different ways that this value can be created for a brand.
Brand equity provides a common denominator for interpreting marketing
strategies and assessing the value of a brand; and there are many different
ways as to how the value of a brand can be manifested or exploited to
benefit the firm — in terms of greater proceeds and/or lower costs.
The marketing advantages of strong brands can be summarised as:
Relationships ⫽ =
4. 4.RELATIONSHIPS Intense,
INTENSE,
Resonance
What
Whatabout
aboutyou and&me?
you me? active
ACTIVE loyalty
LOYALTY
Positive,
POSITIVE,
3. Response
3. RESPONSE ⫽ = Judgments Feelings accessible
ACCESSIBLE
What
Whatabout
aboutyou?
you? reactions
REACTIONS
Strong, FAVORABLE
STRONG, favourable
Meaning ⫽ =
2. MEANING
2.
Performance Imagery &and uniqueBRAND
UNIQUE brand
What
Whatare
areyou?
you? ASSOCIATIONS
association
or pinnacle of the brand pyramid and will only occur if the right building
blocks are put into place. The corresponding brand steps represent
different levels of the brand pyramid, as follows.
Brand identity
Achieving the right brand identity involves creating brand salience with
customers. Brand salience relates to aspects of the awareness of the brand,
eg how often and easily the brand is evoked under various situations or
circumstances. To what extent is the brand top-of-mind and easily
recalled or recognised? What types of cues or reminders are necessary?
How pervasive is this brand awareness? A highly salient brand is one that
Breadth and depth of has both depth and breadth of brand awareness, such that customers
brand awareness always make sufficient purchases as well as always think of the brand
across a variety of settings when it could possibly be employed or
consumed. As an example, soft drinks have much breadth in awareness in
that they come to mind in a variety of different consumption situations. A
consumer may consider drinking one of the different cola varieties of
Coke virtually anytime, anywhere. Other beverages have much more
limited perceived consumption situations, eg alcoholic beverages, milk
and juices.
Brand meaning
Brand salience is an important first step in building brand equity, but
usually not sufficient. For most customers in most situations, other
considerations, such as the meaning or image of the brand, also come into
Brand image play. Creating brand meaning involves establishing a brand image and
what the brand is characterised by and should stand for in the minds of
customers. Although a myriad of different types of brand associations are
possible, brand meaning broadly can be distinguished in terms of more
functional versus more abstract considerations.
‘Brand performance’ relates to the ways in which the product or service
attempts to meet customers’ more functional needs. Thus, brand
performance refers to the intrinsic properties of the brand in terms of
inherent product or service characteristics. How well does the brand rate
on objective assessments of quality? To what extent does the brand satisfy
utilitarian, aesthetic and economic customer needs and wants in the
product or service category?
‘Brand imagery’ deals with the extrinsic properties of the product or
service, including the ways in which the brand attempts to meet
customers’ more psychological or social needs. Brand imagery is how
people think about a brand abstractly rather than what they think the
brand actually does. Thus, imagery refers to more intangible aspects of
the brand such as user imagery, usage imagery, brand personality and
values and brand history, heritage and experiences. With functional
differences on the basis of brand performance becoming increasingly
competed away, creating differences on the basis of brand imagery has
gained importance.
Thus a number of different types of associations related to either
performance or imagery may become linked to the brand. Regardless of
the type involved, the brand associations making up the brand image and
meaning can be characterised and profiled according to three important
dimensions that provide the key to building brand equity.
Dimensions of brand — Strength. How strongly is the brand identified with a brand
image association?
— Favourability. How important or valuable is the brand association to
customers?
— Uniqueness. How distinctively is the brand identified with the brand
association?
Brand responses
Brand responses refer to how customers respond to the brand and all its
marketing activity and other sources of information — what customers
think or feel about the brand. Brand responses can be distinguished
according to brand judgments and brand feelings, ie in terms of whether
they arise more from the ‘head’ or from the ‘heart’.
Brand judgments and Brand judgments focus upon customers’ own personal opinions and
feelings evaluations with regard to the brand. Brand judgments involve how
customers put together all the different performance and imagery
associations for the brand to form different kinds of opinions. Customers
may make all types of judgments with respect to a brand, but in terms of
creating a strong brand, four types of summary brand judgments are
particularly important: brand quality, brand credibility, brand
consideration and brand superiority.
Brand feelings are customers’ emotional responses and reactions with
respect to the brand. Brand feelings also relate to the social currency
evoked by the brand. What feelings are evoked by the marketing
programme for the brand or by other means? How does the brand affect
customers’ feelings about themselves and their relationship with others?
These feelings can be mild or intense and be positive or negative in
nature. Six important types of brand-building feelings are warmth, fun,
excitement, security, social approval and self-respect.6 The first three are
more experiential and immediate, increasing in level of intensity. The
latter three are more private and enduring, increasing in level of gravity.
Although all types of customer responses are possible — driven from
both the head and heart — ultimately what matters is how positive they
are. Additionally, it is important that they are accessible and come to
mind when consumers think of the brand. Brand judgments and feelings
can only favourably impact on consumer behaviour if it is the case that
consumers internalise or think of positive responses in any of their
encounters with the brand.
Brand relationships
The final step, brand relationships, focuses upon the level of identification
Brand resonance that the customer has with the brand. ‘Brand resonance’ refers to the
nature of the relationship that customers have with the brand and the
extent to which customers feel that they are ‘in sync’ with the brand.
Consumers ‘own’ brands in the brand knowledge they create, but if that
knowledge is not favourable (eg if the judgments and feelings are not
positive), consumers will choose not to develop any loyalty or even
preference towards a brand.
Brand relationships can be usefully characterised in terms of two
Intense, active dimensions — intensity and activity. Intensity refers to the depth of the
loyalty psychological bond that customers have with the brand, eg how strong are
the attitudinal attachment to the brand and sense of community with other
brand users or the company itself? In other words, how deeply felt is the
loyalty? Activity refers to how frequently the consumer buys and uses the
brand, as well as engages in other activities not related to purchase and
consumption — the extent to which customers seek out brand
information, events, other loyal customers and so on. In other words, in
how many different ways does brand loyalty manifest itself in day-to-day
consumer behaviour? Examples of brands with high resonance include
such brands as Harley-Davidson, Apple, Jeep, eBay and others.
The strongest brands excel on all six of these factors and thus fully
execute all four steps in building a brand. The most valuable brand
building block, brand resonance, occurs when all the other brand building
blocks are completely ‘in sync’ with respect to customers’ needs, wants
and desires. In other words, brand resonance reflects a completely
harmonious relationship between customers and the brand. With true
brand resonance, customers have a high degree of loyalty marked by a
close relationship with the brand, such that customers actively seek means
to interact with the brand and share their experiences with others. Firms
that are able to achieve resonance and affinity with their customers should
reap a host of valuable benefits, including greater price premiums and
more efficient and effective marketing programmes.
Illustrative example
A brand powerhouse essentially built in the 1990s, Starbucks amassed a
great deal of brand equity by establishing a strong set of brand building
blocks. Becoming closely identified with quality coffee has led to a great
deal of brand salience. This reputation can also be found in consumer
perceptions of brand performance and imagery. Starbucks has concertedly
provided superior delivery of a desired benefit by recognising America’s
need for ‘a really good cup of coffee’. Based initially on lessons learned
overseas, Starbucks has delivered a superior product in part by extreme
vertical integration. Starbucks is involved in its coffee from start to finish
— The initial choices for the brand elements or identities making up the
brand (eg brand names, URLs, logos, symbols, characters,
spokespeople, slogans, jingles, packages and signage).
Brand equity drives — The marketing activities and supporting marketing programme and
the manner by which the brand is integrated into it (eg product,
pricing, distribution and communication strategies).
— Other associations indirectly transferred to the brand by linking it to
some other entity (eg the company, country of origin, channel of
distribution or another brand).
Conclusion
In summary, regardless of the particular definition adopted, the value to
marketers of brand equity as a concept ultimately depends on how they
use it. Brand equity can offer focus and guidance, providing marketers
References
1. For a more advanced view of the branding literature, see Keller, K. L. (2002) ‘Branding and brand
equity’, in Weitz, B. and Wensley, R. (eds) Handbook of Marketing, Sage Publications, London,
pp. 151–178.
2. American Marketing Association, www.ama.org.
3. Other approaches are based on economic principles of signalling — see Erdem, T. (1998) ‘Brand
equity as a signaling phenomenon’, Journal of Consumer Psychology, Vol. 7, No. 2, pp. 131–157.
There is also more of a sociological, anthropological or biological perspective — see McCracken,
G. (1986) ‘Culture and consumption: A theoretical account of the structure and movement of the
cultural meaning of consumer goods’, Journal of Consumer Research, Vol. 13, June, pp. 71–83;
Fournier, S. (1998) ‘Consumers and their brands: Developing relationship theory in consumer
research’, Journal of Consumer Research, Vol. 24, No. 3, pp. 343–373.
4. Aaker, D. A. (1991) Managing Brand Equity, New York, Free Press; Aaker, D. A. (1996) Building
Strong Brands, New York, Free Press; Keller, K. L. (2003) Strategic Brand Management, 2nd edn,
Prentice-Hall, Upper Saddle River, NJ.
5. Keller, K. L. (2001) ‘Building customer-based brand equity: A blueprint for creating strong
brands’, Marketing Management, Vol. 28, No. 1, pp. 35–41.
6. Kahle, L. R., Poulos, B. and Sukhdial, A. (1988) ‘Changes in social values in the United States
during the past decade’, Journal of Advertising Research, February/March, pp. 35–41.
7. Schultz, D. E., Tannenbaum, S. I. and Lauterborn, R. F. (1993) Integrated Marketing
Communications, NTC Business Books, Lincolnwood, IL.
8. For holistic perspectives on how to combine different measurement approaches, see Ambler, T.
(2000) Marketing and the Bottom Line, Pearson Education, London; Epstein, M. J. and Westbrook,
R. A. (2001) ‘Linking actions to profits in strategic decision making’, MIT Sloan Management
Review, Spring, pp. 39–49; Keller, K. L. and Lehmann, D. (2003) ‘The brand value chain:
Optimizing strategic and financial brand performance’, Marketing Management, May/June, in
press; Srivastava, R. K., Shervani, T. A. and Fahey, L. (1998) ‘Market-based assets and shareholder
value’, Journal of Marketing, Vol. 62, No. 1, pp. 2–18.
9. Murphy, J. (1989) Brand Valuation, Hutchinson Business Books, London.