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Schirmer’s Military Band Compendium, No.29
Children’s March: “Over the hills and far away”
[For my phan th
[This composition is also published]
by @. Schirmer, Inc., for
‘Two Pianos
(Room-Music Titsits Nod)
price$ 2.00,n0¢
and for
Piano Solo (a short excerpt)
price, 40 cents,nct
composed for
MILITARY BAND
(Piano ad libitum)
by
PERCY ALDRIDGE GRAINGER
fall 1916— Feb. 1918
Feb 1910
Composed:
‘Scored: summer and fall 19
Important entries and voices that should be played so as to stand out
prominently are indicated by the names of the instruments being engraved
in larger type, such as ALTO # TEN. SAXS., efe.
If there are not enough players to play all the percussion parts, then
play the Snare-Drum ete. part and the Bass Drum e¢e. part and leave
out the Kettle Drum ofe. part.
The piano part can be left out at will. But in that case the conductor
should tell all his players to play, thru-out, all cues marked “Piano” in
their band part
In Symphony Orchestra performances, if there is no Euphonium, no Alto
Clarionet and no Saxophones, all players should be careful to play, thru-
out, all cues marked “Alto Clar”, “Sop.Sax", “Alto Sax’,"Ten. Sax!", “Bar.
Sax?,“Bass Sax’, “Baritone (or Bar)’, in their band parts.
CONDUCTOR’S SCORE
[Fairly fasta. 4
ALTO & TEN, SAXS., BASS OBOE (or Engi.Horn), BASSOON I
fp
bout 126
SS —__ OP care, -yDase Clas.
Copyright, 199, by Perey Grainger. ‘Glare, Alte Clar Beso las
International Copyright Secured
20080 ¢ Published by 6. Schirmer, Lue, New YorkConductor
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8
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ng Pp sr crc
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SOLO & Bd CLARS.
BASS OBOE, ALTO SAX.
detached
thee a
Low Reeds,
‘Tabas,
Str. Bass (pizz.)
Alto &
Bar, Saxs,
P,
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Ciars,, Horns
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by
Low tet
Haba,
aac
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(Clare in Eb&Bh, Oboos,
Sop. éTen. Saxs., Baritone
>
+
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*
“Kite Sexe? ,,|/ouden
Low Reeds
& Basses
{ Suare-Da)
aed
:
CORSETS somewhat elingingly
HORNS,
‘TROMBS,
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‘TROMB.II,
‘TUBAS,
STR.BASS (pizz,)Conductor 7
ates of “TOMES
‘& Reeds STN
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7 7
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Alsp octave above
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Snare-Drum, mene Sn-Dr,
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[x These vocal parts can be sung (4 Solo voices, or small Male Chorus, at will) by the members of the]
uments at this particular moment. The same applies to the vocal
*
Yooal Male
Quartet
(ad lib)
BASS CLAR)
(or Bassoon Tl)
eo ORE
= lars. deAlto Clar,
= Pp
cS Ss
PIANO, SF SS —— O=—
BASSOONS, SAXS, “ Bass-Cler.Conductor 9
[133]
CLARS., OBOES
FICC. (88), FLUTES)
SOLO & Eb CLARS,
ato Cora!) SPER
‘added
SS
PIANO
(or Clars.&Saxs.)
Goto & Ast Clara HORNS
sop. Sax. only,
To pS _—_
J = SS S= >
“oor.
Piano, Ste.
‘Low Reeds
28950Conductor
nf feelingly
(sy Alito «
{Low Reedy P
STR. BASS (pize))
TENORI
Vocal Male
Quartet
(ad tib.)
pens P genfly
S
detached|
ooo:
T
REEDS v
? tached
28080Conductor u
» v =——= »
i fa) te —
2 P louden ~
Reeds without Saxs.
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ft
cg dd i.
Jectingly
2
Se
“Alto & so
hassnas (etn) —— nF
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combs; Harms, Trombs. , Horus
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PS Fi
ae = Sif * - = a ~ a
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‘Tromb.II, Tubss,
Low Reeds, Str. Bass (arco)
m
ALTO STEN, SAXS,,(or Trombs,), |
te TUpAS, SER. BASE arco,
‘ PIANO’
R. SOLO (or Ghar. in Bok
soften gradually inne ———
- Gee
Clem
S\iJa
‘ee 7
Alo Ce Bar
(or Bass C1. 8 Bssu.1)Conductor cd
[aif the 4 Horas cannot play this passage loud enough, then let the Cornets ITATIT, the Saxophones and the’
Baritone play the cues marked “Horns” in their Band parts (from the up-beat before [aia] to (24).
As violently and roughly as possible .
>
> >> > Pd > > >.
(Horns)
SOLO & CORNETS I
PIANO
owns. A
remms, sans. enoms Jf
wh | »
* (in three octaves)
CORNETS ,
‘Tubas, Str. Bass
>| = Bas, Tromp
; ¥
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‘TUBAS, STR.BASSConductor
‘Snare-Dram (roll)
& Cymbals (roll) PIANO (or Bells, Pice., Clar. in Bb & Oboes)
of XYLO.
‘Typ voice gra.
mp =
pros Pico, Fltes, Clarein Es &B,
Alto Cr (Bass Claro Bat)
+
‘upper octave continues
gradually louden lots
BELLS, NYLO}PICC, FLUTES) CLARL in Be
‘OBORS, BASS OBOE, SOP. Te
2 upper octaves a0 oon
Plano added
2898015
Conductor
Jouden hugely bit by bit
=
Horas added Saxs. added
ALL CORNETS,
SNARE-DRUM
(Cors., Sn-Drum) .46
Low Reeds
DRUMS)
of
fr.
Kottle-Drums
Piccolo added
Conductor
Glare, TT& TIT, Alto Clar., Bass Oboe, Saxophones & C. Bass Sarrusophone play
Solo Clas ~
Bassoons
27 1g 7
Bass Clar,
tr
J
PP
SNARE-DR.
CXMB. (soft roll)
aon
ae
Tiffen Fane]
FULL BAND
~_o0tav0 higher also
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"IANO,
(or Cornets, Horns, Tromb.1) Conners 299]
z MP,
‘TROMBS, PIANO =
ano, Bells)
fetuses, S010 Clas.in Bb Xylophone, Bar. Wood-
& Clare, &Sop.Sax. — PiecySoloCor.& Horns I1&1V_\Block added
‘added
(Boro upper octaves
[Alto Clar. added
‘Brass, Low Reeds,
‘Snate-Drom
2898028980
Conductor
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cma |
‘Taba,
Bass Sax.,
Bassoons
Str, Bass (pizz,)
ctave also
Oboes
§
rau|tioncos
SF
2p
CYMB, (soft roll)
19
Pies, 8 octaves
higher
Y ” }sor0 cor)
SOP. SAX.,
SiS \opoes
‘Base Sa)
(or Bassoon Tt)
t20 Conductor
eT
=——,
»;
gradually sy =
= wa i ap
A
ae
(bar
St
Cua (B.Sar®
& Sexe, & Ste Bass
led
naman — CORB) see se
% Pym»: yo ds
my
HORNS, SOP SAX, TROMBS. —~ Pd
P
‘soften bit by bit
¥ sly
7 7 7
7
Piano, ow rams, s¢/ten bit by bit
TUBA So BASS ao)
So Piano, lar.
st COR P
opPelIn din?
. Eve F
= b ee
soften = mp PIANOy Low Reeds,
UMS Str. Bass (piz2.),
STR. BASS) Piano ,
‘asive% Flutes
jassoon.
(or Alto Sax,
aae ae Conductor
(or Ten. Sax,
Ease Clan)
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MP to the fore
> Y swn.yr0s4s,r10x0
A HORNS,
mp ) E55
7
"Prooas re?
sS SAR)
. anon
‘TROMBS.
Rp? é 7 y y 7
‘The Bass well tothe fore
TUBAS, C.B. SARR., STR.BASS (pizz,)
‘KETTLE-DROMS'
ee, ; iano, Tombs,
th Marimba ‘Tabas,Bar,,
h Marinba\, eDserr
loa a i Base
f P nf mp —sf Pp P P
GONG & CMB. SNARE-DR.. Gong &Cymb, —TAMB. SNARE-DR, CAST. Keto &
(sott Dreaticks) Bass Drums
28980