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Balance and Blend

This document discusses the importance of balance and blend in a symphonic band. It defines balance as the strength of each section, like saxophones or flutes, while blend refers to merging different instrument sounds or combining all instruments into a homogenous sound without dominance. The pyramid approach is introduced as a method developed by Francis McBeth where softer volumes are used by higher-pitched instruments so they can be heard but not overpower the lower instruments, helping with balance and intonation. Instruments are grouped from highest to lowest pitch with softest to loudest recommended volumes.

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Aiden Macleod
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147 views

Balance and Blend

This document discusses the importance of balance and blend in a symphonic band. It defines balance as the strength of each section, like saxophones or flutes, while blend refers to merging different instrument sounds or combining all instruments into a homogenous sound without dominance. The pyramid approach is introduced as a method developed by Francis McBeth where softer volumes are used by higher-pitched instruments so they can be heard but not overpower the lower instruments, helping with balance and intonation. Instruments are grouped from highest to lowest pitch with softest to loudest recommended volumes.

Uploaded by

Aiden Macleod
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
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WMHS Symphonic Band

Balance, Blend & Intonation

Balance and Blend

It is important to keep in mind the difference between balance and blend as it applies to the
band. “Balance” refers to the strength in sound of a section (saxophone, flute, percussion, etc.). Some
instruments naturally produce a more dominant sound and can “throw-off” the overall pleasant
sound of a band's balance. Good balance cannot be achieved by having everyone play at the same
dynamic level! Sometimes, more attention is needed to a melody, single note, or moving inner line.

“Blend” has two meanings: (1) merging the sounds of two different instruments (like oboe and
clarinet) in such a way that they produce a sound more interesting than the sum of their parts, and
(2) the combination of sounds from many instruments into a single, homogenous sound so that no
one player or section dominates.

Balance and blend both depend on careful listening, not necessarily playing. There is no quick
fix to achieving balance and blend. Every band member must know their role in the overall sound
and be aware of the sound of the ensemble.

The Pyramid Approach

A more sophisticated approach to the problem of balance and intonation is identified with the
composer and music educator, Francis McBeth . It is based on the theory that, at any given dynamic
level, the higher pitched instruments should be playing softer than the lower pitched ones. This is
consistent with the notion that players should be able to hear the bottom notes of the chord so that
they can tune to them. McBeth illustrates the concept with the use of a triangle (see below). Today,
however, the idea is more commonly known as the pyramid approach.
The width of the triangle is a measure of volume, so that the higher the voice, the softer the sound.
Group 1
Piccolo, Flute, Oboe, First Trumpet, First Clarinets

Group 2
Second and Third Trumpets & Clarinets

Group 3
Horns, Alto and Tenor Saxophone, First Trombone

Group 4
Second and Third Trombones, Baritone/Euphonium,
Baritone Saxophone, Bass Clarinet, Bassoon and Tuba

Percussion
The Percussion Section's sound is not heard, it is felt.

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