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MAPEH Module

This document provides an overview of the traditional arts, crafts, clothing, architecture, and music of the different ethnic groups in Mindanao, Philippines. It discusses the vocal and instrumental styles of Moro/Islamic music, including chants, lullabies, and kulintang ensembles. Non-Islamic indigenous music of the Lumads is also described. The traditional attire, textiles, and weaving techniques of groups like the B'laan and Bagobo are outlined. Architecture such as the Maranao torogan houses and mosques are highlighted. Sculptures, crafts, body ornaments, and functional art forms complete the summary of Mindanao's rich cultural heritage.

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Rojake Fernandez
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0% found this document useful (0 votes)
112 views3 pages

MAPEH Module

This document provides an overview of the traditional arts, crafts, clothing, architecture, and music of the different ethnic groups in Mindanao, Philippines. It discusses the vocal and instrumental styles of Moro/Islamic music, including chants, lullabies, and kulintang ensembles. Non-Islamic indigenous music of the Lumads is also described. The traditional attire, textiles, and weaving techniques of groups like the B'laan and Bagobo are outlined. Architecture such as the Maranao torogan houses and mosques are highlighted. Sculptures, crafts, body ornaments, and functional art forms complete the summary of Mindanao's rich cultural heritage.

Uploaded by

Rojake Fernandez
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© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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MODULE IN MUSIC 7 3.

Solo Instruments
QUARTER 3: MUSIC OF MINDANAO  Kudyapi – a string instrument made of
wood which resembles an elongated
I. Moro/Islamic Music guitar usually having 2 strings.
a. Vocal Music of Mindanao  Suling – is made mainly of “tamiang”
1. Chants – a lyrical rendition of different bamboo, a long, thin-walled bamboo
improvised text. tube with a mouthpiece circled wiith a
Yakans do their chantings through solo and counter thin band made of rattan near a small
singing or group singing. Their three famous everyday hole.
style chants are the:
 Lugu – chants used in reading their Qur’an and II. Non-Islamic Music
books they used in their Islam religion  Lumad
 Kalangan – songs used in serenading loved  A group of indigenous people of the
ones Southern Philippines
 Sa-il/Lunsey – a chant to be sung by the wife-  A Cebuao term meaning
to-be during the ceremony “native/indigenous”, short for
Maranao’s vocal repertoire: Katawhang Lumad
 Dikker – sacred song highlighted by quotations  Known as Non-Muslim and Non-
from the Qur’an Christians
 Bayok – semi-generic term for a lyrical  El Galina Capituda – Chavacano song
rendition of different improvised text.  Ye Tunding and Tu Man – T’boli songs
2. Lullaby – a chant-style or chant formula  The instruments of Lumads are all originally
used for rocking a baby to sleep hand-made out of bamboo – carved, cut sliced,
 Ya-ya – song of the Yakans to put the baby to made into smaller sticks; then drums are made
sleep of woods and animal skins.
 Bayok – maranao term for lullaby
*The most prestigious form of vocal expression is  Ensemble – a group of musicians, actors, or
reading the Qur’an, heard during the Friday noon dancers who perform together
service, before and after Ramadan, during Maulud.

b. Instrumental Music
1. Kulintang Ensemble – Gong-based ensemble MODULE IN ARTS 7
used by the Maguindanao and Maranao of QUARTER 3: ARTS AND CRAFT OF
western Mindanao, the Tausug, the Yakan, and MINDANAO
the Sama-Badjao of Sulu Archipelago.  Mindanao – is the “Land of Promise” and the
2 Types of Kulintang Ensemble: second largest and southernmost island in the
 Kulintanga/Kwintangan – gongs in a row Philippines archipelago
 Tahunggo, Agung, Salmagi, Blowon Semagi Lesson 1: Attire, Textile, and Tapestries
– suspended gong ensembles in various names I. The Traditional Clothing of the B’laan
according to each tribe  Bilaan/B’laan – an ethnolinguistic group that
*Kulintang – it is an important social property because inhabit some parts of South Cotabato, North
it is a highly valued priceless heirloom; it is a musical Cotabato, and Davao del Sur.
instrument composed of 8 different-sized brass gongs  B’laan – is a combination of 2 words, “bila”
laid upon a wooden rack. which means “house,” and “an” which means
* Agung – a large, deep-rimmed gong, vertically “people”
suspended, hanged in wooden frames  Ikat – a process of dyeing the fabric where the
2. Bamboo Ensemble – three different manners yarns are tightly wrapped with the strings and
in playing bamboo instruments: dyed before weaving.
 Aerophones – blowing II. Traditional Clothing of the Bagobo and the
 Idiophones – shaking or hitting T’boli
 Chordophones – plucking  Bagobos – are group of people that live in
*Gabbang – a native xylophone in an instrument Davao; comes from the word “bago” (new) and
bamboo keyboard on top, constructed out of wood. “obo” growth
* Seronggagandi – a guitar-like made of bamboo, cut  T’nalak – is woven from deep brown abaca
before one nod and after next. treated in the process to obtain intricate designs.
 The bagani (hero/warrior) wear blood-red
clothes and a handkerchief called tangkulu.
III. Traditional Clothing of the Maranao Lesson 3: Architecture
 Maranao – means “People of the Lake,”  Torogan – the ancestral house of the upper-
referring to the people who occupy the lands class Maranao which is the dwelling place of
surrounding Lake Lanao. the datu along with his wives and children.
 Malong – is a traditional Filipino tube skirt that  Panolong -- a wing-like ornament of a torogan
is made of hand-woven or machine made multi- flaring out from the beams
colored cotton cloth, bearing a variety of  The Grand Mosque – also called “Sultan Haji
geometric or floral design. Hassanal Bolkiah Masjid” is the largest mosque
 Kapa Malong Malong/ Sambisa Malong – a in the Philippines sitting near the idle banks of
traditional dance that demonstrates the various Tamontaka River is founded by the Philippine
ways of wearing a malong and its uses. Government and the Sultan of Brunei, after
 Basilan – is the home to the Yakans. whom the masjid was named
 Seputangan – a square cloth used by the Yakan  Fort Pilar of Zamboanga – also called “Real
women as a head cover or as a belt. Fuerza de Nuestra Senora del Pilar de Zaragoza
 Badju lapi – a tight blouse with long sleeves. was founded in 1635; it was engineered by Fr.
 Sawal – is the traditional tight-fitting trousers Melchor de Vera, a Jesuit priest.
made of Yakan fabric characterized by its  Monastery of the Transfiguration of
vertical stripes. Bukidnon – it is located atop of the hill of
 Pinalantupan – a type of skirt layered over Malaybalay, Bukidnon, founded by Abbot
trousers. Eduardo Africa and run by the Benedictine
monks.
Lesson 2: Crafts, Accessories, and Body Ornaments
 Sarimanok – a legendary bird of the Maranao; Lesson 4: Sculptures
it comes from the word “sari” meaning  Maitum Jar – a earthenware vessel for
“cloth/garment” and “manok” for chicken. secondary burial from Sarangani province.
 Okir – it means carve or “ukit”; it refers to  Rarub-A-Klong – a metallic armor made of
traditional and unique carving among Moro brass plates, carabao horn and interlocking
ethno-linguistic communities. ringlets; it is a protective armor of Moro
 Okir in Maranao while Okkil in Maguindao warriors.
I. Face Make-up and Body Ornaments  Kampilan – is a single-edged steel sword with
a. Wedding Attire: a handle made of hand carved ivory in a form
Male: of the head of the naga or a serpent.
 Pis – hand-woven cloth; worn as  Batige – a large manually carved wooden top
symbolic protection from spears or inlaid with mother-of-pearl.
knives  Kendi – is a heirloom teapot or kettle used for
 Kandit – 15-m belt or sash made of hot water, coffee, or tea.
gilim (red cloth)  Gador – a large intricate decorated white metal
Female: tobacco container.
 Short skirt over trousers
Both: Lesson 5: Functional Art
 Saruk: hat worn to add elegance  Balanghai – also known as balangay or Butuan
b. Ornaments: Boat, is a large wooden boat used by the
 Manik Tegiyas – a necklace or precolonial Filipinos to traverse the seas for
bracelet of beads from dried fruit seed trade or migration.
to protect from illness caused by evil  Vinta – this boat is traditionally made by the
spirits Badjaos who live in the Sulu archipelago.
 Manik Sembulan – necklace or  The sail, called vinta, consists of several colors
bracelets made of a bamboo stems cut and geometric shapes, representing the colorful
into short pieces. culture and history of the Muslim people.
c. Functional Articles:
 Pegupaan – bamboo container for
chewing betel nut
 Lutuan – a small bronze box with
engravings carried at the waist
II. T’boli Accessories
a. Hilot – a heavy brass belt worn by women
during festivals
b. Suwat Imimot – a wooden comb with colored
glass beads hanging from it.

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