Nusae - Company Profile - 2019 PDF
Nusae - Company Profile - 2019 PDF
Table Of Content
Preface
Profi l e 6
A bo ut Us 7
Th i nki ng 8
Works
Amba 12
A l u n -A l u n B a n d u n g 16
K EC D I n te r n a t i o n a l Po s te r Ex h i b i t i o n 2 0 1 7 - 22
B e a u t y of A si a
B i n t a ro D e si g n D i st r i ct 26
Buss 32
CICC 38
Czarre 42
Gasibu 46
H a r a & Ko l l e kt i v 52
H ot Yo S t u d i o 60
H u se i n S a st r a n e g a r a I n te r n a t i o n a l A i r p o r t 66
I AWS 2 0 1 7 72
Ke m e n ke u 78
Khoma 82
Noble One 86
R a j a S e r ay u 90
S H AU 94
S k y h i ve 98
Ve n i c e A rc h i te ct u re B i e n n a l e 2 0 1 8 - 10 2
E l eva t i o n
Yu m a j u C of f e e 10 8
Appendix
Awards List 118
Ou r Team 120
Client s 121
4 / 5
Preface
D u r i n g t h e 6 ye a r s of o u r ex i ste n c e , we a re l u c k y to h ave w o r ke d i n a
d i ve r s e r a n g e of p ro j e ct s w i t h d i f f e re n t t y p e s of c l i e n t s a n d c o l l a b o r a to r s .
C o n t a i n e d i n t h i s b o o k i s a s e l e cte d a rc h i ve of o u r w o r k d u r i n g t h a t p e r i o d
of t i m e — i n c l u d i n g b u t n ot l i m i te d to : e nv i ro n m e n t a l g r a p h i c s , b r a n d i n g ,
ex h i b i t i o n s , a n d p u b l i c a t i o n s.
6 / 7
Profile
N u s a e i s a B a n d u n g b a s e d c re a t i ve g r a p h i c d e s i g n , b r a n d i n g , a n d
e nv i ro n m e n t a l d e s i g n s t u d i o w i t h d i ve r s e ex p e r i e n c e a n d a n eye f o r
d et a i l s . O u r d e s i g n i n g p ro c e ss b e g a n w i t h t h e c o n s i d e r a t i o n of m u l t i p l e
a s p e ct s of b r a n d i n g a n d t h e e nv i ro n m e n t . M o s t of o u r w o r ks a re d r i ve n
by re l eva n t i n p u t s f ro m t h e c l i e n t ’s p ro j e cte d i n te n t i o n s f o r t h e p e o p l e
a n d t a r g et m a r ket to re s p o n d . I n e a c h of o u r w o r k , we a l ways st r i ve to
t r a n s l a te o u r c l i e n t ’s va l u e s i n to si m p l e a n d re a d a b l e d e si g n s t h ro u g h t h e
u s e of g o o d t y p o g r a p hy, c o m p o s i t i o n , a n d p ro p o r t i o n .
I t s t a r te d w i t h 2 f o u n d e r s t h a t c a m e f ro m d i f f e re n t b a c kg ro u n d s , g r a p h i c
d e s i g n e r A n d i R a h m a t a n d a rc h i te ct D i c k y S u k m a n a . T h i s d i f f e re n c e
f ro m e d u c a t i o n a l b a c kg ro u n d s c o n t i n u e d t h ro u g h o u t t h e ye a r s w i t h o u r
ex p a n d i n g te a m , a l l o w i n g u s to s e e w h a t we d o i n d i f f e re n t p e r s p e ct i ve s.
We a i m to c re a te g o o d t h i n g s, a s ev i d e n c e d t h ro u g h o u r n a m e . N u sa e i s
t a ke n f ro m t h e S u n d a n e s e p h r a se w h i c h t r a n sl a te s to “ w h a t i s g o o d ” . We
d e s i g n f o r t h e e nv i ro n m e n t , f o r p e o p l e , a n d to f u l f i l l a f u n ct i o n w h e re we
a re n e e d e d .
We a l ways t r y to e n g ag e i n d i a l o g u e s a n d c o l l a b o r a t i o n s w i t h i n t h e
l a r g e r c re a t i ve e nv i ro n m e n t a ro u n d u s. W h et h e r i t ’s a rc h i te ct s,
p ro d u ct d e s i g n e r s , i n te r i o r d e s i g n e r s, p ro g r a m m e r s, u r b a n i s t s,
l a n d s c a p e d e s i g n e r s , o r e n g i n e e r s , we b e l i eve t h a t c re a t i n g a n o p e n
m u l t i d i s c i p l i n a r y d i s c o u r s e , we c a n f l o u r i s h o u r l o c a l c re a t i ve e nv i ro n m e n t
m o re p ro m i n e n t l y .
About Us
O u r te a m i s c o m p r i s e d of i n d i v i d u a l s f ro m d i f f e re n t b a c kg ro u n d s . T h e s u m
of o u r d i ve r s e ex p e r t i s e e n a b l e s u s to a p p ro a c h a p ro j e ct f ro m d i f f e re n t
a n g l e s . T h i s i s w h a t m a ke s u s a b l e to p u sh t h ro u g h w i t h n ew i d e a s f o r
eve r y p ro j e ct .
8 / 9
Thinking
A l l a ro u n d u s a re s t r u ct u re s a n d a r r a n g e m e n t s , w h et h e r i n v i s i b l e f o r m o r
n ot . H o w we p e rc e i ve t h e d et a i l s i n o u r su r ro u n d i n g i s d e e p l y c o n n e cte d
i n h o w we w o r k . We b e l i eve i n c re a t i n g d e s i g n s t h a t a re c o n tex t u a l a n d
u n o bt r u s i ve to t h e e nv i ro n m e n t , e m b e d d i n g w h a t we u n d e r s t a n d i s
n e e d e d w i t h i n t h e a r r a n g e m e n t s a ro u n d u s. To c re a te d e si g n s t h a t a re i n
t u n e w i t h i t s s u r rou n d i n g , i s o u r f u n d a m e n t a l p r i n c i p l e .
1 0 / 11
Works
A s a s t u d i o , we a re f o r t u n a te e n o u g h to w o r k w i t h a d i ve r se r a n g e of
c l i e n t s a n d p ro j e ct s. Eve r y p ro j e ct p re s e n t s n ew c h a l l e n g e s a n d re q u i re s
n ew a p p ro a c h , a l l of w h i c h a re c r u c i a l to o u r D N A .
12 / 13
Amba
2016 Ed i to r i a l / Ed i to ri al , Ex hi b i t i o n
Fr ankfur t, Ger many
I n 2 0 1 6 , B E K R A F I n d o n e s i a a n d A D G I i nv i te d 1 0 g r a p h i c d e s i g n s t u d i o s
f ro m I n d o n e s i a to re p re s e n t t h e c o u n t r y i n t h e ye a r ’s Fr a n kf u r t B o o k Fa i r .
S t a r te d s i n c e 1 4 5 4 i n Fr a n kf u r t , G e r m a ny, i t i s o n e of t h e m o st p ro m i n e n t
c u l t u r a l eve n t s i n t h e w o r l d . I n 2 0 1 5 , I n d o n e si a wa s t h e g u e s t of h o n o u r
of Fr a n kf u r t B o o k Fa i r w i t h t h e t h e m e of 1 7. 0 0 0 I n se l n d e r I m ag i n a t i o n
( 1 7. 0 0 0 I s l a n d s of I m ag i n a t i o n ) . We we re e n t r u s te d to b e o n e I n d o n e s i a’s
participants.
1.
2.
1 4 / 15
works / AMBA
Alun-Alun Bandung
2015 EG D / Si g nag e
Bandung, Indonesia
T h i s e nv i ro n m e n t a l g r a p h i c p ro j e ct i s f o c u s e d o n t h e b e h av i o r of p a r k
v i s i to r s a ro u n d A l u n -A l u n B a n d u n g . T h e i n te n t i o n wa s to c re a te a s i g n ag e
sys te m t h a t s t a n d s o u t yet a l so i n t u n e w i t h t h e s u r ro u n d i n g a rc h i te ct u r a l
l a n d s c a p e . T h e s i g n ag e sys te m c o n s i s t s of 1 , 8 - m ete r h i g h i n st a l l a t i o n
of re d g a l va n i c c u b e “ tote m s ” w h i c h wa s d e s i g n e d a s a re sp o n se to t h e
ex i s t i n g c u b e -s h a p e d s to n e s a ro u n d t h e p a r k . A l o n g w i t h t h a t , a b o u t
2 . 6 - m ete r h i g h i n s t a l l a t i on of g a l va n i c p l a te s d i s p l ays t h e o r i e n t a t i o n
sys te m i n A l u n - a l u n B a n du n g . A l l p i cto g r a m s a re a c r y l i c - b a se d .
1.
works / ALUN-ALUN BANDUNG
2.
1 8 / 19
1. Pictogram grid
3. Pictogram details
4.
works / ALUN-ALUN BANDUNG
4.
2 0 / 21
5.
works / ALUN-ALUN BANDUNG
6.
7.
sign
22 / 23
K EC D ( Ko re a E n s e m b l e of C o n te m p o r a r y D e s i g n ) i s Ko re a’s m a i n
i n s t i t u t i o n f o r t h e a d va n c e m e n t of d e s i g n s , w i t h t h e g o a l of s e r v i n g t h e
s o c i et y w i t h d e s i g n a n d t a k i n g p a r t i n i t s d eve l o p m e n t . A m o n g i t s a r r ay
of p ro g r a m s , K EC D o r g a n i ze d I n te r n a t i o n a l Po s te r Ex h i b i t i o n a n n u a l l y .
F o r i t s 2 0 1 7 eve n t , K EC D’s I n te r n a t i o n a l Po ste r Ex h i b i t i o n to o k t h e t h e m e
of “ T h e B e a u t y of A s i a ” . I t s h o wc a se d 2 9 6 w o r ks f ro m 1 0 A si a n c o u n t r i e s
a n d we h ave t h e h o n o r of p a r t i c i p a t i n g a l o n g w i t h 8 ot h e r I n d o n e s i a n
c o n t r i b u to r s .
To u s , t h e b e a u t y of A s i a l i e s i n i t s c u l t u re s . O u r c i v i l i za t i o n i s so d i ve r se
t h a t t r a c e s of t h e i r b r i l l i an c e c a n b e s e e n i n a l l a s p e ct s of o u r d a i l y l i f e ,
w r i t i n g sys te m s b e i n g a p a r t of i t . We d e c i d e d to u s e d i f f e re n t l et te r A’s
f ro m A s i a , a s i t i s a n i n te g r a l p a r t of eve r y l a n g u ag e . O u r w o r k i s a m a r k of
t h e p re s e n t b e c a u s e w h e n i t c o m e s to t h e eve r- c h a n g i n g m e a n s of h u m a n
c o m m u n i c a t i o n , w h a t t h e f u t u re h o l d s m i g h t b e ve r y d i f f e re n t f ro m w h a t
we k n o w to d ay .
1. Catalogue
2. Poster design
3. Exhibition display
1.
works / KECD INTE RNATI ONAL P OSTE R EXHIBIT I ON 2 0 1 7 - B E AU T Y OF A SI A
2.
24 / 2 5
26 / 27
T h e b r a i n c h i l d of A n d r a M a t i n , B u d i P r a d o n o , a n d D a n ny W i c a kso n o ,
B i n t a ro D e s i g n D i s t r i ct F e s t i va l i s a i m e d to b r i d g e J a ka r t a’s c re a t i ve
c o m m u n i t i e s w i t h t h e p u b l i c a t l a r g e . T h e e n t i ret y of t h e f e s t i va l i s se l f-
i n i t i a te d , w i t h s t u d i o s h o s t i n g t h e i r o w n eve n t s su c h a s P r i va te Ex h i b i t i o n ,
I n s t a l l a t i o n , O p e n S t u d i o , O p e n H o u se , O p e n A rc h i te ct u re , Ta l ks h o w, a n d
ot h e r t y p e s of eve n t .
F o r i t s v i s u a l i d e n t i t y, we to o k i n s p i r a t i o n f ro m t h e s h a p e of a f r u i t k n o w n
a s B i n t a ro ( c e r b e r a m a n g h a s ) , a n i n e d i b l e f r u i t w i t h l ot s of u se s . T h e
f r u i t ’s tex t u re wa s t h e n t r a n sl a te d i n to t h e l o g o , f u r t h e r c o m m u n i c a t i n g
t h e eve n t ’s t h e m e ; Pe r m e a b l e S o c i et y .
1.
works / BINTA RO DESIGN DISTRICT
28 / 29
works / BINTA RO DESIGN DISTRICT
3 0 / 31
works / BINTA RO DESIGN DISTRICT
6.
BUSS
2018 EG D / Si g nag e
Jakarta, Indonesia
B U S S i s a n of f i c i a l b u s i n e s s p a r t n e r of A l l i a n z L i f e I n d o n e s i a . F o r i t s
n ewe s t of f i c e s p a c e a n d c af é , B U S S re q u i re d a m o d e r n d e s i g n a p p ro a c h
to c re a te a re l a x i n g a m b i e n c e . O u r w o r k s t a r te d f ro m t h e c o n c e pt “ a
c o n t i n u i n g w o r k i n p ro g re s s” , w h e re we p e rc e i ve d l i f e a s a c o n st a n t
s t r i ve to re a c h n ew h e i g ht s. We d i v i d e d t h e a re a s by t h e n a m e s of d a i l y
a ct i v i t i e s , c o m m u n i c a t i n g w h a t m a ke s a b a l a n c e d l i f e . Fu r t h e r m o re , t h e
v i s u a l d i re ct i o n f o r t h i s p ro j e ct i s a c o m b i n a t i o n of t y p o g r a p hy a n d s i m p l e
i l l u s t r a t i o n s , ex p re s s i n g l i f e’s c o n s t a n t c h a n g e to b e b et te r .
1.
works / BU SS
2.
3 4 / 35
3.
works / BU SS
4.
5.
6.
3 8 / 39
CICC
F o u n d e d by t h e M u s l i m c o m m u n i t y i n J a p a n , C h i b a I sl a m i c C u l t u r a l C e n te r
i s a n i n te r n a t i o n a l l y c ro wd - f u n d e d p ro j e ct f o r t h e a ct i v i t i e s of C h i b a’s
M u s l i m re s i d e n t s . F o r i t s v i su a l i d e n t i t y, we c re a te d a l o g o w i t h d e si g n
c u e s f ro m m i n i m a l i s t J a p a n e se d e si g n s a n d I s l a m i c c u l t u re . T h e l et te r
“ C ” re p re s e n t s t h e c re s c e n t m o o n — a sy m b o l of I sl a m — a n d t h e l et te r “ I ”
i n c o r p o r a te d a r i s i n g s u n sy m b o l , re p re s e n t i n g t h e h a r m o n i o u s m e et i n g
b et we e n c u l t u re s .
1.
works / CICC
1. CICC logo
2. Identificational signs
2.
40 / 41
3.
3. Pictogram set
4.
42 / 43
Czarre
Cza r re i s a h o m e a n d l i v i n g b r a n d t h a t s p e c i a l i ze s i n p ro d u c i n g p re m i u m
ro o m a n d b e d e q u i p m e n t f o r 5 -st a r h ote l s. O u r w o r k f o r Cza r re wa s to
i m p rove t h e p ro p o r t i o n s of t h e i r ex i st i n g l o g o w h i l e a l s o a d d i n g a v i n t ag e
to u c h . I n a d d i t i o n to re d e s i g n i n g t h e i r l o g o , we a l so a ss i s te d t h e o w n e r
i n d eve l o p i n g i t s we bs i te i n c o l l a b o r a t i o n w i t h p h oto g r a p h e r M e l a n i e
Ta n u s et i awa n f ro m S t u d i o M e l t . L i g h t b l u e wa s c h o s e n a s Cza r re’s m a i n
c o l o r to p ro j e ct a s e n s e of c o m f o r t
1.
works / CZA RRE
44 / 45
3. 4.
1. Logo design
Gasibu
G a s i b u h a s l o n g b e e n k n o w n a s B a n d u n g ’s i c o n . To g et h e r w i t h t h e
g ove r n m e n t , we w o r ke d to rev i t a l i ze t h i s h i sto r i c a l p l a c e to re p re s e n t
t h e m i l e s to n e s of We s t J ava t h ro u g h e nv i ro n m e n t a l g r a p h i c . F o r G a si b u’s
l o g ot y p e , we a d a pte d t h e s h a p e s of S u n d a n e se l et te r s. T h i s l o g o wa s t h e n
i m p l e m e n te d i n a r u s t- t re a te d si g n , i n te g r a t i n g i t w i t h i t s su r ro u n d i n g
l a n d s c a p e a rc h i te ct u re d e si g n . I n p r a ct i c e , t h e t re a t m e n t i s a l s o u se d to
p reve n t t h e s i g n f ro m b e i n g va n d a l i ze d .
1.
48 / 49
works / GA SIBU
4.
1. Area ambience
3. Signage details
5 0 / 51
5.
works / GA SIBU
4. Pictogram set
5. Infographic placement
5 2 / 53
H a r a i s a n ew c af é i n N o r t h B a n d u n g se r v i n g f u s i o n c u i si n e f ro m a l l ove r
t h e w o r l d . I t s e nv i ro n m e n t i s d e si g n e d to b e i n l i n e w i t h i t s m e n u a s we l l
a s to i n c i te c o nve r s a t i o n s . O u r l o g o i s b a se d o n t h e c o n c e pt of “ c re a t i o n
t h ro u g h c o n n e ct i o n ” , j u s t l i ke h o w H a r a c o n n e ct s d i f f e re n t c u l i n a r y
c u l t u re s , s o m et h i n g n ew a n d exc i t i n g c a n o n l y b e m a d e f ro m c o n n e ct i o n .
Ko l l e kt i v i s a b o u t i q u e h ote l w i t h t h e c o n c e pt of c re a t i n g so m et h i n g
ex t r a o rd i n a r y o u t of t h e o rd i n a r y . I t s e nv i ro n m e n t i s c o n st r u cte d o u t of
m i xe d m a te r i a l s w i t h a to u c h of n a t u re . T h e l o g o we c re a te d re p re s e n t s
t h e m i x b et we e n Ko l l e kt i v ’s c o n st r u ct s a n d i t s s et t i n g w i t h i n t h e n a t u r a l
e nv i ro n m e n t .
1.
2.
5 4 / 55
3.
4.
works / HA RA & KOLLE K TIV
3. Hara stationeries
4. Hara logo
5.
5 6 / 57
6.
7.
works / HA RA & KOLLE K TIV
8.
6. Ko l l e kt i v a m e n i t i e s s et
7. Ko l l e kt i v l o g o
9. 10.
11.
60 / 61
Hot Yo Studio
2014 EG D / Si g nag e
Kuala Lumpur, M alaysia
Lo c a te d i n D e s a S r i H a r t a m a s M a l aysi a , H ot Yo S t u d i o i s o n e of t h e b e s t
yo g a s t u d i o s i n Ku a l a Lu m p u r . M a l ays i a’s ve r y o w n S t u d i o Ka r ya , o u r p a s t
c o l l a b o r a to r, d i d t h e a rc h i te ct u re a n d i n te r i o r d e s i g n . I n t h i s p ro j e ct ,
we c o l l a b o r a te d ag a i n w i t h S t u d i o Ka r ya o n c re a t i n g t h e a m a l g a m a t i o n
b et we e n a rc h i te ct u re , i n te r i o r a n d g r a p h i c d e si g n . O u r s c o p e of w o r k
o n m a k i n g t h e e nv i ro n m e n t a l g r a p h i c e l e m e n t s i n c l u d e s d e si g n i n g
p i cto g r a m , a m b i e n t g r a p h i c a n d way f i n d i n g sys te m . F o r t h i s p ro j e ct , o u r
a p p ro a c h i s to c o m m u n i c a te H ot Yo S t u d i o’s i d e n t i t y a s a yo g a s t u d i o . We
to o k c u e s f ro m t h e p o s e s a n d m ove m e n t s i n yo g a , a n d t h e n i n c o r p o r a te
t h e m i n a l l t h e i r d e s i g n n e e d s , i n c l u d i n g t y p o g r a p hy a n d p i cto g r a m .
1. 2.
works / H OT YO STUDIO
3.
1. H o t Yo S t u d i o l o g o
3. Pictogram set
62 / 63
4. Custom typeface
5. Graphic implementations
6. Poster designs
4.
works / H OT YO STUDI O
5.
6.
64 / 65
7.
7. Identification sign
around the site
8. Identification sign
works / H OT YO STUDIO
8.
6 6 / 67
2015 EG D / Si g nag e
Bandung, Indonesia
T h e o r i e n t a t i o n sys te m i n H u s e i n S a s t r a n e g a r a g u i d e s p e o p l e t h ro u g h
t h e n ew l y d e s i g n e d a i r p o r t i n B a n d u n g , w h i c h c o m b i n e s l i s te d b u i l d i n g s
w i t h m o d e r n a rc h i te ct u re a n d i n te r i o r d e s i g n . T h e way f i n d i n g a n d
i n f o r m a t i o n sys te m i s d e s i g n e d b a se d o n a s t ro n g c o n c e pt ; i t i s f u n ct i o n a l
a n d s u p p o r t s a u n i f i e d v i su a l i d e n t i t y, t a k i n g i n to a c c o u n t t h e ex i s t i n g
g u i d e l i n e s of a i r p o r t s i g n ag e by D i re kto r a t J e n d e r a l Pe r h u b u n g a n
U d a r a . We c h o s e N e u e H a a s G rote s k a s t h e d e f a u l t t y p o g r a p hy b e c a u se
i t h a s r i g i d s t r u ct u re b u t s t i l l v i su a l l y p l e a s i n g . C o l o r s a re b a s e d o n
s t a n d a rd i ze d g u i d e l i n e a n d a s f o r p i cto g r a m we m o d i f i e d i t u s i n g g r i d
sys te m to e n s u re i t s l e g i b i l i t y .
1.
works / HU SEIN SA STRANEGA RA INTE RNATI ON A L A IR PORT
2.
68 / 69
3.
4.
works / HU SEIN SA STRANEGA RA INTE RNATI ON A L A IR PORT
3. Pictogram set
4. Installed signs
5. C h e c k- i n c o u n t e r
6. Tr a n s i t a r e a d i r e c t i o n a l s i s g n
5.
70 / 71
7 2 / 73
IAWS
I AWS 2 0 1 7 i s a n ex h i b i t i o n of I n d o n e s i a n a rc h i te ct s’ w o r ks i n S e o u l ,
R e p u b l i c of Ko re a , c u r a te d by D a n ny W i c a kso n o a n d D e f r y A rd i a n t a . T h i s
ex h i b i t i o n i s a c o n t i n u a t i o n f ro m t h e p rev i o u s I n d o n e si a n A rc h i te ct s
We e k @ To k yo 2 0 1 1 . O u r w o r k f o r I AWS 2 0 1 7 i s f o c u se d o n d eve l o p i n g a
re c o g n i s a b l e v i s u a l i d e n t i t y a s we l l a s i t s s t a t i o n e r y s et .
1.
works / IAWS
74 / 7 5
1. IAWS 2017 logo
3.
76 / 7 7
4.
works / IAWS
7.
5.
4. Exhibition catalogue
Kemenkeu
I n 2 0 1 5 , t h e I n d o n e s i a n M i n i st r y of F i n a n c e i nv i te d u s to d e s i g n a n ew
ag e n d a b o o k a n d c a l e n d a r to b e g i ve n f o r t h e p re si d e n t a n d m i n i ste r s of
I n d o n e s i a . O u r c o n c e pt f o r t h e b o o k i s to d e p i ct t h e s c o p e of w o r k a n d
re s p o n s i b i l i t i e s of t h e M i n i st r y of F i n a n c e . E a c h c h a pte r ( w i t h a tot a l of
1 2 ) h a s a n i l l u s t r a te d c ove r t h a t sh o ws t h e re sp o n si b i l i t i e s of d i f f e re n t
s e cto r s of t h e m i n i s t r y — s u c h a s i n f r a s t r u ct u re , e d u c a t i o n , a n d h e a l t h .
F o r t h e b o o k m a te r i a l s , we o pte d to u s e l e a t h e r a s t h e c ove r a n d i m p o r te d
p a p e r c o m b i n e d w i t h p r i n te d f o i l f o r t h e c o n te n t .
1.
works / KEMEN KEU
2.
1. Illustrated content
2. To t e b a g
3.
3.
80 / 81
4.
5.
works / KEMEN KEU
4. Details
5. Calendar design
82 / 83
Khoma
K h o m a i s a f u l l s e r v i c e a rc h i te ct u r a l d e s i g n s t u d i o w i t h a sp e c i a l c o n c e r n
f o r t h e e nv i ro n m e n t . T h e n a m e K h o m a i s d e r i ve d f ro m t h e w o rd “ c o m m a ” ,
a te s t a m e n t to t h e i r b e l i e f i n c o n t i n u i t y . To t r a n sl a te w h a t K h o m a s t a n d s
f o r i n v i s u a l f o r m , we a d a pte d t h e s h a p e of a n h o u r g l a ss a s t h e l et te r K .
1.
works / KH OMA
1. KHOMA logo
2. Implementation on printed
matters
2.
84 / 85
3.
4.
works / KH OMA
5.
3. Stationery
4. Pictogram set
5. Finishing details
86 / 87
Noble One
N o b l e O n e i s a c af é i n t h e g ro u n d l eve l of Toto Of f i c e B u i l d i n g , l o c a te d
i n We s t J a ka r t a’s b u s i n e ss d i st r i ct . S u r ro u n d e d by of f i c e s, a h o sp i t a l ,
a n d ot h e r a ct i v i t y c e n te r s , N o b l e O n e of f e r s a n o p u l e n t re s p i te d u r i n g
t h e we e kd ays . F o r i t s v i s u a l i d e n t i t y, we to o k c u e s f ro m N o b l e O n e’s
a m b i e n c e a n d t r a n s l a te d i t i n to v i su a l f o r m . T h e i n te r i o r ’s c o r n e r s to o k
f o r m a s a c u r ve i n t h e l o g o m a r k , st a n d i n g b e s i d e a n i nve r te d n u m b e r 1 to
c re a te t h e l et te r N . T h e c o l o r s c h e m e f o r N o b l e O n e i s c h o s e n to f u r t h e r
c o m m u n i c a te N o b l e O n e’s i d e n t i t y .
1.
works / N O BLE ONE
2.
2. Wa l l - m o u n te d i d e n t i f i c a t i o n
signage and menu stand
88 / 89
3.
works / N O BLE ONE
4.
90 / 91
Raja Serayu
I n 2 0 1 7, o u r ve r y o w n h e a d p ro d u ct d e si g n e r M u f t i A l e m wa s o n e of t h e
I n d o n e s i a n ex h i b i to r s i n M e s se Fr a n kf u r t ’s A m b i e n te . T h e ex h i b i t i o n
s h o wc a s e d R a j a S e r ay u’s p ro d u ct r a n g e , h o u s ewa re s m a d e f ro m b a t i k
a n d w ove n b a m b o o . T h ro u g h i t s u se of m a te r i a l s , R a j a S e r ay u h o p e d to
p re s e r ve a p a r t of I n d o n e s i a’s c u l t u re . F o r t h e ex h i b i t i o n , we c re a te d t h e
e nv i ro n m e n t a l g r a p h i c a s we l l a s p ro m ot i o n a l d e s i g n s .
1.
works / RAJA SE RAYU
2.
92 / 93
3.
1. Product catalogue
2. Promotional item
4. Promotional Items
SHAU
S H AU i s a n a rc h i te ct u r a l f i r m t h a t w o r ks i n d e si g n , u r b a n p l a n n i n g ,
a n d re g i o n a l s t r a te g y . T h e n a m e S H AU s t a n d s f o r S t u d i o f o r H o p e i n
A rc h i te ct u re a n d U r b a n i s m , d e sc r i b i n g t h e i r a sp i r a t i o n to c re a te a
s u s t a i n a b l e l i v i n g f o r t h e s o c i et y . O u r w o r k f o r S H AU wa s to re d e si g n t h e i r
l o g o f o r e a s i e r i m p l e m e n t a t i o n i n va r i o u s m e d i u m s.
F o r t h e l o g o , we a p p l i e d g e s t a l t p r i n c i p l e a n d ex p l o re d t h e n e g a t i ve
s p a c e s b et we e n t h e l et te r s t h a t f o r m e d S H AU . T h e re su l t i s a f i r m a n d
s o l i d l o g o , w h i c h a l s o re pre se n t s a rc h i te ct u r a l si te p l a n f ro m to p v i ew .
1.
works / S HAU
2.
3.
9 6 / 97
4.
3. Business card
works / S HAU
5.
98 / 99
Skyhive
S k y h i ve Ta m a n s a r i A p a r t m e n t i s a n ew l y- d eve l o p e d a p a r t m e n t i n C awa n g ,
E a s t J a ka r t a . Lo c a te d w i t h i n i t s b u s i n e s s d i s t r i ct , S k y h i ve Ta m a n s a r i
A p a r t m e n t p rov i d e s e a sy a c c e ss f o r i t s re si d e n t s’ d a i l y a ct i v i t i e s. I t s
p o s i t i o n a s a h u b b et we e n t h e a re a’s b u si n e ss d i st r i ct i n f o r m e d h o w we
a p p ro a c h e d t h e v i s u a l i d e n t i t y d e s i g n . T h e l o g ot y p e f o r S k y h i ve i s m a d e
f ro m t w o l i n e s i n te r t w i n e d to re p re s e n t ro a d s a n d i n te r s e ct i o n s . T h e
l i n e s t h a t i n te r s e cte d w i t h e a c h ot h e r f u r t h e r re p re s e n t t h e m e et i n g of
d i f f e re n t ro a d s .
2.
1.
3.
1 0 0 / 10 1
4.
5.
2. Complete logo
4. Brochure cover
I n s u p p o r t of a n d r a m a t i n a rc h i te ct s’ i n st a l l a t i o n i n Ve n i c e A rc h i te ct u re
B i e n n a l e 2 0 1 8 , we p rov i d e d t h e g r a p h i c s w i t h i n t h e i n s t a l l a t i o n
e nv i ro n m e n t . T i t l e d “ E l eva t i o n ” , t h e i n s t a l l a t i o n ex h i b i te d I n d o n e si a’s
m a ny f o r m s of ve r n a c u l a r a rc h i te ct u re . I n d o n e si a’s t r a d i t i o n a l h o u s e s
to o k o n d i f f e re n t h e i g h t s , l o c a t i o n -w i s e a n d c o n st r u ct i o n -w i se . T h e
i n s t a l l a t i o n re q u i re d t h e g u e s t s to wa l k t h ro u g h d i f f e re n t l eve l s of s t a i r s
to h ave a l o o k a t e a c h h o u se m o d e l s.
O u r w o r k f o r t h e ex h i b i t i o n i s m a d e w i t h i n t h e t h e m e of h e i g h t s a n d
l aye r s . O u r w o r k c o m p r i s e d of si g n ag e s a n d e nv i ro n m e n t a l g r a p h i c , o n e
of w h i c h i s a m a p of I n d o n e si a t h a t sh o we d t h e l o c a t i o n s of e a c h h o u se .
O n e l aye r of t h e m a p i s ma d e f ro m I n d o n e s i a n b a t i k f ro m S e j a u h M a t a
M e m a n d a n g w h i l e o n e l aye r i s m a d e f ro m s h e e r f a b r i c .
1.
1 0 4 / 10 5
1 0 6 / 1 07
4. 5.
1. Directional sign
2. We ave d b a m b o o f a c a d e
5. T h e m a p a n d ex h i b i t i o n n o te s i n s i te
6. Signage details
works / VENICE A RCHITECTUR E BIENNALE 2018 - E L E VAT I O N
6.
108 / 109
Yumaju Coffee
Yu m a j u C of f e e i s a m i n i m a l i st c of f e e s h o p i n B a n d u n g . T h e sp a c e w h e re
Yu m a j u s to o d n o w wa s u s e d a s a wa re h o u se b e f o re , t h u s c o n t r i b u t i n g
to Yu m a j u’s a s p i r a t i o n to t u r n a n o n - p ro d u ct i ve sp a c e i n to a p rof i t a b l e
business location.
T h e m a i n i d e a f o r t h i s p ro j e ct i s to m a ke a sp a c e w h e re p e o p l e c a n si t
to g et h e r, c o l l a b o r a te a n d c re a te n ew i d e a s . I n l i n e w i t h t h e t h e m e of
c o l l a b o r a t i o n , we w o r ke d to g et h e r w i t h BA S I O i n t h i s p ro j e ct . To m a x i m i se
i t s u s e of s p a c e , we u s e ro u n d - e d g e d f u r n i t u re s. T h i s a l s o c o n t r i b u te s to
c re a te a c o h e re n t b r a n d i d e n t i t y .
T h e l o g o f o r Yu m a j u c o n s i ste d m a i n l y of ve r t i c a l l i n e s, c o n n e cte d w i t h
c u r ve s w h i c h s h a p e d t h e m i n to l et te r s. T h i s sy m b o l i ze s Yu m a j u a s a sp a c e
t h a t c a n c o n n e ct p e o p l e .
1.
works / YUMAJU C O FFEE
1.
2.
2.
3.
110 / 111
works / YUMAJU C O FFEE
112 / 113
5.
5.
1. Yu m a j u l o g o
3. Business card
6.
114 / 115
8.
116 / 117
Appendix
Ad d i t i o n a l i n f o r m a t i o n re g a rd i n g o u r s t u d i o , i n c l u d i n g so m e awa rd s we
re c e i ve d t h ro u g h o u t t h e ye a r s, m e m b e r s of o u r te a m , a n d p a s t c l i e n t s .
118 / 119
Awards List
20 1 4 2015
L aya n g Ke n c an a Awa rd P i n a s t h i ka Awa rd
Ja ka rta, Indones ia J akart a, I nd o ne s i a
B RONZE BRONZE
Urbane A l i a D e n t a l C a re
B ran d i ng / Visual I d entit y, Signage Brand i ng / V i su al Ident i t y, Si gnage
20 1 4 2015
L aya n g Ke n c an a Awa rd P i n a s t h i ka Awa rd
Ja ka rta, Indones ia J akart a, I nd o ne s i a
B RONZE SI LV ER
B i ke B a n d u n g Diaspora
B ran d i ng / Visual I d entit y, Signage EGD/ Si gnage
APPENDIX
2015 2017
P i n as t h i ka Awa rd P i n a s t h i ka Awa rd
Jakarta, Indonesia Yo g yakart a, I nd o ne s i a
S ILVER BRONZE
H ot Yo S t u d i o Yu m a j u C of f e e
EGD/ S ignage Brand i ng / V i su al Ident i t y, Si gnage
2016 2017
P i n as t h i ka Awa rd P i n a s t h i ka Awa rd
Jakarta, Indonesia Yo g yakart a, I nd o ne s i a
BRO NZ E BRONZE
N u A r t S c u l pt u re Pa r k KIE
EGD/ S ignage Brand i ng / V i su al Ident i t y, Col l ater al
120 / 121
Our Team
Ac c o u n t Exe c u t i ve Finance
T i s a M i za n L i s n awa t i K
H e a d P ro d u ct D e s i g n e r Ad m i n
Mufti Alem Astrini N
Chief Designer E nv i ro n m e n t a n d P ro d u ct D e s i g n e r
Darindra Suraji Fa r i z R i a n p u t r a
Shady Dhamar Anggarana
C re a t i ve Wr i te r Designer
Almer Mikhail D ev i n a S a n t i ka
Yu d a K r i st i a n
APPENDIX
Clients
h e l l o @ n us a e . co
J l . I r. H . D j ua n da N o . 9 2 ,
C o bl o n g, B a n dun g
We s t J ava - I n do n e s i a
4 0 132
w w w . n us a e . co
w w w . i n s tagra m . co m /n us a e