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Further Reading PDF

This document lists numerous sources that provide further reading on the topics of Joseph Schillinger and his Schillinger System of musical composition. Schillinger was a Russian-American composer and music theorist who developed a systematic approach to musical composition. The sources include books, articles, theses, and other references that discuss Schillinger's life and work, applications of the Schillinger System, and analysis of compositions influenced by his theories. Many of the sources were published in the 1940s shortly after Schillinger's death or in the late 20th century as interest in his work increased.

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229 views2 pages

Further Reading PDF

This document lists numerous sources that provide further reading on the topics of Joseph Schillinger and his Schillinger System of musical composition. Schillinger was a Russian-American composer and music theorist who developed a systematic approach to musical composition. The sources include books, articles, theses, and other references that discuss Schillinger's life and work, applications of the Schillinger System, and analysis of compositions influenced by his theories. Many of the sources were published in the 1940s shortly after Schillinger's death or in the late 20th century as interest in his work increased.

Uploaded by

drklenart
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
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Further reading[edit]

 Anderson, Ruth. Contemporary American composers. A Biographical Dictionary, 2nd edition,


G. K. Hall, 1982, ISBN 081618223X
 Arden, Jeremy, "Keys to the Schillinger System, course A, Basic principles and foundations";
Rose Books 2006, ISBN 1-59386-031-5
 Arden. Jeremy, Keys to the Schillinger System, course B, Basic principles and foundations.;
Rose Books 2008, ISBN 978-1-59386-032-5
 Arden, Jeremy, "Focussing the musical imagination: exploring in composition the ideas and
techniques of Joseph Schillinger", Ph.D. thesis 1996, City University, London.
 Brodsky, Warren. "Joseph Schillinger (1895-1943): Music Science Promethean" American
Music 21/1 (Spring, 2003): 45-73.
 Butterworth, Neil. A Dictionary of American Composers, Garland, 1984.
 Lyman, Darryl. Great Jews in Music, J. D. Publishers, 1986.
 Sadie, Stanley; Hitchcock, H. Wiley (Ed.). The New Grove Dictionary of American
Music. Grove's Dictionaries of Music, 1986.
 Schillinger.J; The Schillinger System of Musical Composition (two volumes.); Rose Books
2005; ISBN 1-59386-028-5
 Sitsky, Larry. Music of the repressed Russian avant-garde, 1900–1929, Greenwood Press,
1994.
 Dowling, Lyle. A Brief Note on the Schillinger System. New York: Allied Music, 1942.
 Carter, Elliott. "The Schillinger Case: Fallacy of the Mechanistic Approach." Modern Music 23
(1946): 228-230.
 Cowell, Henry and Sidney. "The Schillinger Case: Charting the Musical Range," Modern
Music 23/3 (1946): 226-8
 Cowell, Henry. "Joseph Schillinger as Composer," Music News 39/3 (1947): 5-6
 Duke, Vernon. "Gershwin, Schillinger, Dukelsky: Some Reminiscences," Musical
Quarterly 33/1 (1947): 102-115
 Human, Alfred. "Schillinger Challenges Genius," Musical Digest 29/8 (April, 1947): 12-14, 16.
 Previn, Charles. "Schillinger's Influence on Film Music," Music News 39/3 (1947): 39-40.
 Shaw, Arnold. "What is the Schillinger System?" Music News 39/3 (1947): 37-38.
 Slonimsky, Nicholas. "Schillinger of Russia and the World," Music News 39/3 (1947): 3-4.
 Schillinger, Frances. Joseph Schillinger: a Memoir. New York: Greenberg, 1949 (Reprint:
New York: Da Capo Press, 1976)
 Solomon, Seymour. "Schillinger and 20th Century Rationalist Trends in Music," Music Forum
and Digest (Jan., 1950): 4-5
 Smith, Charles Samuel. "An Analysis of Selected Mathematical Aspects of Schillinger's
Approach to Music," M.A. Thesis, University of Iowa, 1951.
 Backus, John. "Pseudo-Science in Music," Journal of Music Theory 4 (1960): 221-232.
 Gojowy, Detlef. "Sowjetische Avantgardisten," Musik und Bildung 1/12 (Dec. 1969): 537-542.
 Vaglio, Anthony. "The Compositional Significance of Joseph Schillinger's System of Musical
Composition as Reflected in the Works of Edwin Gerschefski," Ph.D., diss. University of
Rochester, Eastman School of Music, 1977.
 Augustine, Daniel. "Four Theories of Music in the United States, 1900-1950: Cowell, Yasser,
Partch, Schillinger," Ph.D. diss., University of Texas, 1979.
 Burk, James M. "Schillinger's Double Equal Temperament System." In The Psychology and
Acoustics of Music: a Collection of Papers, ed. E. Asmus. Lawrence, KS: [publisher], 1979.
 Gilbert, Steven E. "Gershwin's Art of Counterpoint." Musical Quarterly 70/4 (1984): 423-456.
 Burk, James M. "Joseph (Moiseyevich) Schillinger," in New Grove Dictionary of American
Music, ed. By H. Wiley Hitchcock. New York: Macmillan/Groves Dictionaries, 1986.
 Isenberg, Arnold. "Analytical Philosophy and The Study of Art," Journal of Aesthetics and Art
Criticism 46 (1987)
 Heath, James. "Joseph Schillinger: Educator and Visionary," Jazz Research Papers (IAJE)
10 (1990): 126-131.
 Nauert, Paul. "Theory and Practice in Porgy and Bess: the Gershwin-Schillinger
Connection," Musical Quarterly 78 (1994): 9-33.
 Sitsky, Larry. Music of the Repressed Russian Avant-Garde, 1900-1929. Westport:
Greenwood Press, 1994.
 Beyer, Richard. "George Gershwin's Variations on 'I Got Rhythm'," Musica 49/4 (July-Aug
1995): 233-238.
 Rosar, William H. "Letter to the Editor," Musical Quarterly 80 (1996): 182-184. [response and
amplification to Nauert's article]
 Levinson, Ilya. "What the Triangles Have Told Me: Manifestations of the Schillinger System of
Musical Composition in George Gershwin's Porgy and Bess," Ph.D. diss., University of
Chicago, 1997.
 Weissberg, David Jeffrey. "Fractals and Music" Ph.D. dissertation, Rutgers University, 2000.
 Quist, Ned. "Toward a Reconstruction of the Legacy of Joseph Schillinger" MLA Notes 58/4
(June 2002): 765-786.
 Review of "Music from the Ether: Original Works for Theremin" American Music 22/1 (Spring
2004): [192]-197.

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