Eric Hobsbawm: Socialist Studies / Études Socialistes 8 (2) Autumn 2012
Eric Hobsbawm: Socialist Studies / Études Socialistes 8 (2) Autumn 2012
Remembering
ERIC HOBSBAWM
By Wade Matthews 1
Eric Hobsbawm died in London on October 1, 2012. He was among the leading
historians of the twentieth-century. Indeed at the time of his death he was almost
universally described as “arguably Britain’s most respected historian,” (Kettle and
Wedderburn, 2012) and this despite his long-standing commitment to Marxism. It’s not
hard to see why. His productivity was extraordinary, stretching from the 1940s to the
2010s, and his intellectual range was immense, moving effortlessly from the Swing Riots
and the Industrial Revolution to popular rebellion and global terrorism. In these terms,
comparisons don’t come easily to mind.
***
1
Wade Matthews' book International of the Imagination: The New Left, National Identity, and the Break-Up
of Britian will be published early next year in Brill's Historical Materialism series. He recently finished a
SSHRC Postdoctoral Fellowship at York University working on a project called “History and Politics: The
Communist Party Historians' Group.”
more than 50 years, and he taught occasionally at the New School for Social Research in
New York in the 1980s and 1990s. After the war, he was a leading member of the
Communist Party Historians’ Group (founded in 1946), a group of influential Marxist
historians who had a profound influence on historiographical developments from the
1950s onwards. Unlike many of his fellow Marxist historians (Christopher Hill, Rodney
Hilton, John Saville, Dorothy and Edward Thompson, and Victor Kiernan) he stayed in
the CPGB following the Soviet invasion of Hungary in 1956, when the Historians’ Group
was basically dissolved. He remained a member of the CPGB up until the 1990s, though,
paradoxically, he played a more influential role in debates within the Labour Party in the
era of Benn and Kinnock.
Indeed it was partly due to his involvement in internal Labour disputes that
Hobsbawm was transformed from academic historian to public intellectual during the
1980s. This owed as much to his political writings as it did to the international acclaim
that increasingly greeted his historical work. In addition to a series of influential essays
on Left politics in Marxism Today - later collected as Politics for a Rational Left - and New
Left Review, he wrote extensively for New Statesman, the Guardian, and London Review of
Books. In his final years he had become, somewhat improbably, a celebrity, feted not just
in Blair’s England but also in Lula’s Brazil. “His name and work,” as Gregory Elliott has
commented, “are as familiar in Italy or Brazil, the USA or India, as they are in the UK”
(Elliott 2010, p. x).
Whether as a reflection of this celebrity, or part cause of it, Hobsbawm’s late
writings were decidedly contemporary; this was perhaps even true of How to Change the
World, a collection of his writings on Marx, which included new essays considering
Marxism in light of the 2008 financial crisis. He greeted ‘the new century’ with a book-
length conversation with Antonio Polito (published as The New Century) that discussed
“problems as they appear today,” (Hobsbawm 2000, p. 2) a sort of coda to Age of
Extremes, his masterly interpretation of the ‘short twentieth century’. Globalisation,
Democracy and Terrorism followed in the mid-2000s. Incisive and pungent comment on
the contemporary, these books were proof that age in no way diminished his capacities.
To reinforce the point: three months before his death he handed his publishers a final
manuscript titled Fractured Spring, described in the Guardian as an “exploration of
culture and society in the 20th century” (Flood 2012).
***
Hobsbawm’s works will be familiar to many readers of this journal. Most will
know him as the author of a magnificent four-volume history of modernity. The first
volume - The Age of Revolution - was published in 1962, the last, perhaps Hobsbawm’s
most well known book, Age of Extremes, was published in 1994. Conceived in grand
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nineteenth-century style, Hobsbawm’s tetralogy arcs from the French and Industrial
Revolutions of the eighteenth-century to the twentieth-century end of communism and
rise of capitalist globalization. As a symphony of modernity, Hobsbawm’s interpretation
is orchestrated - broadly, and without theoretical loud hailing - by a Marxian inspired
movement from economics through politics and society to the arts and ideas. Together,
these volumes represent the implementation of what, in a famous 1971 programmatic
essay, Hobsbawm called “the history of society” (Hobsbawm 1998). As an interpretation
of the making of the modern world it is unlikely to be surpassed anytime soon.
Still, acute commentators have drawn attention to the significant break between
the first three volumes - originally conceived as an interpretation of the ‘long nineteenth
century’ - and the last. The first three volumes were structured by the “rise of the
bourgeoisie”; Age of Extremes barely notes its existence. Even the working class - so
important to The Age of Capital and The Age of Empire - is absent from Hobsbawm’s
account of ‘the short twentieth century’. If the continued rise of global capitalism is a
feature of the last volume, its ascent now takes place largely without the involvement of
classes. Ideas, as well as extended discussion of the US and China, are missing from Age
of Extremes too. Consideration of these matters now forms a growing literature on
Hobsbawm’s tetralogy, though even his most incisive critics maintain Age of Extremes
standing as a ‘masterpiece’.
Others will associate Hobsbawm with the mid-twentieth-century rise of social
history. He was among those early ‘historical modernizers’ who moved the discipline
away from a narrative history of elites to a ‘total history’ informed by the social sciences.
It is now customary, perhaps even obligatory, for historians to draw on insights from
anthropology, demography, economics, and sociology. As one measure of Hobsbawm’s
merits, this melding of history and the social sciences was already a feature of his early
works in the 1950s and 1960s, including Primitive Rebels, Labouring Men, Bandits,
Industry and Empire, and Captain Swing, the last co-authored with George Rudé. If it
was a good time to be a social historian, perhaps even a Marxist social historian, by the
early 1970s, then Hobsbawm had done much to make it so.
But we should be careful to distinguish Hobsbawm’s from other currents of social
history. Despite the tenor of Primitive Rebels, and some of the essays in Labouring Men
such as ‘The Tramping Artisan’ (arguably his finest historical essay), Hobsbawm
eschewed much of the ‘people’s history’ or ‘history from below’ perhaps best associated
with the History Workshop movement. His contributions to social and labour history
were untiringly unsentimental. This is not to say that he didn’t portray the peasant or
common labourer of the past with sympathy and imagination, as evidenced by his
intervention in ‘the standard of living debate’ and his sometime-vituperative dismissal of
those historians who purveyed an optimistic view of the Industrial Revolution. Still, he
could be concisely contemptuous of a people’s history that strayed too far from his own
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Socialist Studies / Études socialistes 8 (2) Autumn 2012
conception of history as a discipline: “The problem about this kind of history…is that it
sacrifices analysis and explanation to celebration and identification. It encourages a
vogue for antiquarianism…and for a dislike of generalization which in itself is no more
satisfactory in red versions than in true-blue ones” (Hobsbawm 1981).
This judgment gives a clue to some of the defining features of Hobsbawm’s
histories. He favoured the broad overview and generalization over what Christopher Hill
once called “the worm’s eye view” (Hill 1972, p. 14). As suited this preference, his tone
was most often Olympian and detached, even if his prose was interspersed with firm likes
and dislikes. The basic historical problem for Hobsbawm was explanation of how
humanity had moved from the stone age to the nuclear age. From such a perspective,
worms were of little consequence. “We all know,” he once wrote, “that the history of
railways begins when it is taken out of the hands of train-spotters and historic
demography when it emancipates itself from the genealogists” (Hobsbawm 1981).
Hobsbawm also made a series of influential contributions - at once historical and
theoretical - to nationalism studies. Both his essays in The Invention of Tradition - a book
co-edited with Terence Ranger - and Nation and Nationalism since 1780 are now
standard texts of the subject - texts that defend a version of the ‘modernist’ view of the
nation-state and nationalism’s origins. No less influential were his contributions to an
understanding of his own discipline, many of which were collected in 1997 in On History.
It was no accident that this volume appeared when postmodernism was affecting its
strongest influence on young - and not so young - historical minds. He also wrote a
fabulous short book on the historiography of the French Revolution, Echoes of the
Marseillaise, published shortly after the Revolution’s bi-centenary - a book that defended
the ‘social interpretation’ of the Revolution against a growing army of historical
revisionists. Sometimes disdainful of the history of ideas, he nonetheless produced a
work (in his 93rd year!) on the intellectual history of Marxism that built on an earlier
collection of essays, Revolutionaries. There will be few who have recently come to Marx
who won’t have come to him through the works of Eric Hobsbawm.
Indeed most will recognize, and remember, Hobsbawm as a Marxist historian,
and it was this association, ironically, which partly lay behind the fame of his later years
(the ‘last Marxist’ as he was dubbed by the British press). In a late essay he wrote that
most historians who became Marxists “did so because they wanted to change the world in
association with the labour and socialist movements which, largely under Marxist
inspiration, became mass political forces” (Hobsbawm 2007, p. 180). This was certainly
true of Hobsbawm. Initially attracted to literature, a product of his late schooling in
England, Hobsbawm became a historian because he was a Marxist. He always considered
Marx to be primarily a historical writer, if not a historian, rather than an economist or a
sociologist, and he would have agreed with Michel Foucault, if about little else, that in
order to be a historian one had in some way to be a Marxist.
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Socialist Studies / Études socialistes 8 (2) Autumn 2012
the twentieth-century will use his numerous political writings as both primary and
secondary source. Whatever he wrote, others had and will have to take account.
If this is not enough, there is the written product of his enduring musical passion
to consider. From the mid-1950s, Hobsbawm became the Jazz critic for the New
Statesmen under the name Francis Newton, borrowed from the communist Jazz
trumpeter on Billie Holiday’s ‘Strange Fruit’. He wrote weekly on Jazz for the next decade
or so, and a book, The Jazz Scene, appeared in 1959 (a revised edition appeared 30 years
later). Later writings on the subject appeared in Uncommon People: Resistance, Rebellion
and Jazz, published in 1998. First attracted to the form as a teenager, he considered Jazz
the “music of protest and rebellion,” a “people’s music” that had “rescued the qualities of
folk-music in a world… designed to extirpate them; and…so far maintained them against
the dual blandishments of pop music and art-music” (Elliott 2012, p. 44). A friend, a
well-known Canadian historian who holds Hobsbawm’s histories in the highest regard,
once commented that among Hobsbawm’s oeuvre it was his obituary of Billie Holiday
that he treasured most. It ends this way:
***
Hobsbawm once wrote that not only was “it wrong to assume that workers have
no country” (Hobsbawm 1988, p. 58) it was also wrong to assume that they only have one
and that we know what it is. It would also be wrong to suggest that Hobsbawm had no
country, despite his cosmopolitan background and his association with a discipline he
once described as necessarily a-national and allergic to ‘identity’. But if Hobsbawm did
have a country we should nonetheless be careful about identifying what it is. Indeed, it is
difficult to get a fix on where Hobsbawm positioned himself - and was involuntarily
positioned - in order to write anything at all. But an understanding of that positioning
will be essential to any accounting of Hobsbawm. He would have been the first to admit
that social being has an important influence - broadly understood - on social
consciousness.
Hobsbawm’s Jewishness was not unimportant to his intellectual and political
development, even though, as an Enlightenment rationalist, he dismissed religion as
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myth. Indeed, he once described his Marxism as an effect of his ‘ethnicity’. “As Jews,” in
early 1930s Germany he suggested,
In this sense, communism, for Hobsbawm, was a matter of survival rather than an “opiate
of the intellectuals” in Raymond Aron’s acerbic phrase.
Jewishness was also arguably one source of Hobsbawm’s consistently tragic vision
of the past, and the caution, increasingly evident after the 1950s, that characterized his
statements on the present and future. He repeatedly reminded readers that the
alternative version of Marx’s ‘end of history’ was ‘mutual ruin’. He rarely harboured
illusions about socialism’s prospects. He had an ear for crises and ends and forward
march’s halted. Jewishness, rather than a residual Britishness, might also help to explain
why he was so concerned to defend the territorial integrity of Britain against those, like
Tom Nairn, who would argue for its ‘break-up’ in the 1970s. The Austro-Hungarian
Empire was a safer place for Jews than the ethnically-based nation-states which replaced
it.
But, as Donald Sassoon has remarked, being Jewish for Hobsbawm “meant
cosmopolitanism and anti-nationalism” (Pfeffer 2012). Hobsbawm was perhaps an
exemplary of Isaac Deutscher’s ‘non-Jewish Jew’ - an identity which fitted his vision of
the historian, a “migrant bird, at home in arctic and tropic, overflying half the globe”
(Hobsbawm 2002, p. 415). His identity as a non-Jewish Jew helps account for his attitude
to Israel. As he explained in Interesting Times: “I have no emotional attachment to the
practices of an ancestral religion and even less to the small, militarist, culturally
disappointing and politically aggressive nation-state which asks for my solidarity on racial
grounds” (Hobsbawm 2002, p. 24). Confirmation of this view came in 2007 when, as a
Jew, he founded alongside other influential British Jews, Independent Jewish Voices, an
organization designed to take back some part of Jewishness from a Jewish establishment
which uncritically supported Israel.
Hobsbawm was undoubtedly cosmopolitan, an effect equally of the involuntary
geographical mobility of his early years, his Jewishness, and his commitment to world
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revolution. However it is not true to say, as Sassoon does, that Hobsbawm “hated any
kind of nationalism” (Pfeffer 2012). World revolution might have been the original
‘homeland’ of Hobsbawm’s political formation in Berlin in 1932, but circumstances not
long after impressed upon him the strategic value of the Popular Front. Indeed, the
raison d’être associated with the Popular Front would continually direct his political
thinking after 1945, something evident in his contribution to debates within the Labour
Party in the 1980s. It also explains the warmth he felt for ‘citizen nationalism’,
particularly in the era of Tudjman and Milosevic, and why he recommended that the Left
steal back national flags from the forces of reaction, as he did in relation to the Falklands
War.
There is also the matter of Hobsbawm’s relationship to Britain, the country he
lived in, but perhaps did not quite call home, for almost 80 years. He never hid his
affection for other places - France, Italy, Spain, Latin America - an affection demonstrated
in Interesting Times. Absent from his autobiography, however, was any reflection on his
relationship to Britain. Because of his father he was known as ‘Der Englander’ in his
German school-days, and later at Cambridge, according to one contemporary, he affected
“a large and vulgar patriotism for England, which he considered in weak moments as his
spiritual home” (Keunemann 1982, p. 366). An early love of nature and literature might
provide one explanation for this. Early on he was primarily, though never exclusively of
course, a British historian. In addition to a PhD on the Fabians (never published) he
wrote extensively on British labour and social history in the 1950s and 1960s. He
admitted affection for the British working-class, which he first encountered while a
member of a sapper regiment in the British Army during the war. There were, too, the
ambiguities associated with his conception of ‘socialist patriotism’, a patriotism which
always had Britain as its object.
If there are ambiguities surrounding his relationship to Britain, there was no
ambiguity about his relationship to major metropolitan centers. Hobsbawm was a
thoroughly metropolitan thinker. Indeed, he never hid his preference for the city over the
country. “I am a megalopolitan who has never lived in a city of less than a million…I
really have no organic connection with the country as a place where they produce things,
or for that matter with rural pastoral. I can’t even say that I go overboard for literary
graves” (Miller 2012). His preference for cities is no doubt reflected in his interpretation
of nationalism and his consistent dislike of separatist nationalisms which, as Tom Nairn
has suggested, always had rural roots.
Whatever the residual effects of his Jewishness and his Britishness on his
intellectual output, his primary homeland was socialist internationalism - variously,
world revolution, Popular-Front communism, and the Soviet Union. It was his more
obvious allegiance to communism, particularly after 1956, that has invited most
subsequent comment. Hobsbawm has often felt the need to defend this allegiance. In
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Interesting Times he explained that, given his political formation in the shadow of
Weimar Germany’s collapse, it was simply more difficult for him to leave. He remained
in the CPGB, he said elsewhere, “out of loyalty to a great cause and to all those who had
sacrificed their lives for it” (Hobsbawm 2000, p. 159).
Why Hobsbawm remained in the CPGB after 1956 is an interesting question - and
one that has been explored ad infinitum - but what affect this had on his historical work is
more vexed. Three affects might be briefly mentioned. First, there was his uncritical
reverence for the Popular Front, a reverence which affected not just his understanding of
socialist strategy but also his understanding of the course of twentieth-century history.
This was certainly the case in Age of Extremes. But his decision to remain in the CPGB
also prevented the kind of accounting with historical Stalinism that was a feature of other
Marxist historians’ work such as E.P. Thompson and John Saville. This lack affected,
most obviously, his understanding of twentieth-century communism. Finally, it might be
noted that his communist allegiance consistently precipitated unnecessarily, and
sometimes erroneous, negative and ungenerous judgments on other movements of the
Left, whether the socialist humanism of Britain’s New Left, the Campaign for Nuclear
Disarmament, or the student radicalism of the 1960s.
***
Hobsbawm was among the most influential historians of the twentieth century,
and he was certainly unique in that his influence crossed oceans and continents (his work
has been translated into around forty languages). He was among the few historians to
exert a political influence (and once again not in just one country), and among an even
smaller few to have exerted this influence from the Left. For those on the Left, and I
suspect for others beside, his voice will be missed.
References
Primitive Rebels: Studies in Archaic Forms of Social Movement in the 19th and 20th
Centuries [1959], 3rd edition, Manchester, 1971.
The Jazz Scene [1959], revised edition, London, 1989 (originally 1959).
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Socialist Studies / Études socialistes 8 (2) Autumn 2012
(ed.) Karl Marx, Pre-Capitalist Economic Formations, trans. Jack Cohen, London, 1964.
Industry and Empire: From 1750 to the Present Day [1968], 2nd revised edition, London,
1999.
‘In Search of People’s History,’ London Review of Books, 19 March - 1 April, 1981.
‘What is the Workers’ Country?’, in F. van Holthoon and M. van der Linden (eds).
Internationalism and the Labour Movement, New York, 1988.
Nations and Nationalism since 1780: Programme, Myth, Reality [1990], Cambridge, 1991.
Echoes of the Marseillaise: Two Centuries Look Back on the French Revolution, London,
1990.
The New Century: Eric Hobsbawm in Conversation with Antonio Polito, London, 2000.
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‘Marxist Historiography Today,’ in Chris Wickham, (ed.), Marxist History-writing for the
Twenty-first Century, Oxford, 2007.
How to Change the World: Marx and Marxism, 1840-2011, London, 2011.
b. Other Works
Kettle, Martin and Dorothy Wedderburn. 2012. ‘Eric Hobsbawm obituary,’ Guardian,
Monday 1 October @ http://www.guardian.co.uk/books/2012/oct/01/eric-
hobsbawm.
Keunemann, Pieter. 1982 [1939]. ‘Eric Hobsbawm: A Cambridge Profile 1939,’ reprinted
in Raphael Samuel and Gareth Stedman Jones, (eds.), Culture, Ideology and
Politics: Essays for Eric Hobsbawm, London.
Miller, Karl. 2012. ‘Eric Hobsbawm’, London Review of Books, 34, 20, 25 October @
http://www.lrb.co.uk/v34/n20/karl-miller/eric-hobsbawm.
Pfeffer, Anshel. 2012. ‘Eric Hobsbawm (1917-2012) - In constant struggle with his Jewish
identity’, Haartez, October 1 @ http://www.haaretz.com/misc/article-print-
page/eric-hobsbawm-1917-2012-in-constant-struggle-with-his-jewish-identity.
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