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Matys - Gondellied

This document appears to be sheet music for two pieces for horn and piano titled "Zwei Salonstücke" by Karl Matys. The first piece is marked "Romanze" and is in a slow tempo such as Andante. The second piece is titled "Gondellied" and is marked Allegro, indicating a faster tempo. The sheet music contains musical notation using symbols such as quarter notes, eighth notes, and other indications for dynamics, tempo, and expression.

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Alberto Galoppini
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166 views5 pages

Matys - Gondellied

This document appears to be sheet music for two pieces for horn and piano titled "Zwei Salonstücke" by Karl Matys. The first piece is marked "Romanze" and is in a slow tempo such as Andante. The second piece is titled "Gondellied" and is marked Allegro, indicating a faster tempo. The sheet music contains musical notation using symbols such as quarter notes, eighth notes, and other indications for dynamics, tempo, and expression.

Uploaded by

Alberto Galoppini
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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ZWEI SALONSTÜCKE

für Waldhorn und Klavier Karl Matys


Op.15
1- ROMANZE

         
Andante

      
 
    
      
8

        
3

  

         
             
15

    
 
 
                  
23

          
   

 
     
rall.

      
a tempo

       
30

   

        
             

37

 

  
       
45 3

         
  dim.
 
        
52


       

2

              
L'istesso Tempo

     
58

  
 espressivo

      
   
 

             
  
66

  

                  
           
72



    
                           
78

   
                     
84 quasi Recitativo


     
   

                  
 
lento

       
89 rall.

  
3

   
      
     

3

                

a tempo

  
93

   
   


   
Cadenza ad libitum

              
lento

  
100

     
 
3

               
Tempo I°

     
101


 
  
      
            
107 3

 

  

                   
114

   
 

                  
123

         
    

  
                    
130 a tempo

         
rall.  

        
136

 
      


               
141

 

4

2- GONDELLIED

    
                 
      
Allegro


    

                   

15


                                
22

 

    

                           
 
30

 


cresc.

         
                 
37

  
 

            
      
45

           

      
                      
53

     

 
L'istesso tempo
      
       
62

   
 espressivo
5

         
       

72


                  
82

 
                    
93

 

     
   
     
 
104

   

     

 
Tempo I°
        
           
112

      

             

120

                
dim.   

         
                
129

  
    

          
 
           
139

   
  

    
      
146

  
morendo

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