WILL ALMA

M.I.M.C. (LONDON)
 Programmes
o f

Famous Magicians
By M A X HOLDE.N

Published b y
MAX HOLDEN Copyright b y
220 West 42nd St., New Y o r k City M A X HOLDEN
U s A New Y o r k City, 1937
 T h e State Library of Victoria
"ALMA CONJURING COLLECTION"
2 PROGRAMMES OF FAMOUS MAGICIANS

PROGRAMMES OF FAMOUS MAGICIANS

PERCY ABBOTT
Celebrated Australian Magician
Dress—Tuxedo
Magical Melange — Vanishing Cane, 100
Silks and Flag Staff Production
Card Manipulation—Bouquet
Torn Newspaper
"Find the L a d y "
Walking T h r u a Keyhole
Chinese Linking Rings
Vanishing Elephant (Small dog used made
up to represent an elephant)
Rising Cards
Comedy Interlude (Boys from audience)
Chinese Fantasy — Combination of Silk
and Water Effects, including Stack of
Bowls Production. (Costume u s e d
secured by Mr. Abbott during his last
visit to China)
Intermission
Hindu Turban
Mental Masterpiece (Cards)
Chapeaugraphy
Ventriloquism
Substitution Trunk (Using a canvas cov-
ered box)

AM AC
W i t h the Elusive Lady — Special Drops — Full Stage — Full Dress
Three Giant Cards are suspended from a batten and behind each card is
a small pedestal. Girl assistant stands on pedestal in the center. One
of the large cards is placed or hung in front of her. This card entirely
covers the girl. Between each card there is a space of about three
or four feet. Still the girl vanishes from behind the center card and
is found behind the card on the right. Again girl stands behind the
center card and after a little by-play the girl has vanished and appears
from the front of the theatre. This is repeated but this time Amac
explains there is an invisible curtain and to illustrate his explanation
he hangs a red curtain on center card and a coat in back to completely
isolate the girl. A sucker effect is then used by Amac after w h i c h the
cards are removed—the girl has vanished—and she makes her appear-
ance from off stage.

STAGE EXPRESSIONS
Full Stage — M e a n s using the full stage.
In One or Front C l o t h — W o r k i n g in the first drop from the footlights.
In T w o — Working in the second drop.
 Annemann
/

Private Entertainment
1930

Dress — Tuxedo
P R O P E R T I E S — T w o slates, reg-
ular pack of cards, One Jumbo
Pack, and a few slips of paper.
P A T T E R — Serious, opening with
a f e w words relating to the pow-
er of mind-reading.

Magic vs. Mindreading—(Annemann's Complete One Man Mental P s y c h i c Rou-

tine, page 5). A card is mentally selected after w h i c h Annemann shuffles
the Jumbo pack, and then spells out the name of the selected card. He
then takes up the regular pack to prove that he w a s a w a r e of the card
that w a s going to be selected. This pack is n o w handed to another spec-
tator to spell out the name of the card from the top of the pack. The card
proved to be the selected card.

Rite-It—A prediction is written on a slip of paper w h i c h is then deposited in

a b o r r o w e d hat. A young lady is n o w asked to take a pack of cards in her
own hands and to select any one of the cards. She then names the card
and the slip is removed from the hat and the prediction is found to be
correct.

Three Pellet T r i c k ^ ( A n n e m a n n ' s Complete One Man Mental and Psychic Rou-
tine, page 18). T h r e e people each select a card and w r i t e the names of
the cards on slips, after w h i c h Annemann w i t h dramatic effect, discloses
the selected cards.

Rope T r i c k — ( U . F. Grant's Routine).

T h e Test of the T i b e r — A telephone directory is handed to a spectator. Another
spectator is n o w handed a paper to w r i t e down three figures. Another
spectator is asked to w r i t e one figure b e l o w the three figures. This paper
is handed to the first spectator w h o has the phone book w i t h a request
that he turn to the page indicated b y the first three figures, then to count
down to the number indicated by the single figure, look at the name and
the telephone number and to concentrate upon it. Annemann then picked
up a slate, w r o t e upon it, and on turning the slate around, the same name
and number is revealed.
The Dead Name T e s t — ( O n e Man Mental and P s y c h i c Routine, page 8). Spec-
tator asked to w r i t e the name of someone w h o has passed on. This slip
w a s handed to a second person to hold. Annemann n o w writes something
on a second slip and hands this slip to a third member of the audience.
The slip of the first person is opened and read and the third person asked
to read aloud from the slip that Annemann had foretold. The same name
w a s on this slip. A most convincing test.
T e l e p a t h y P l u s — ( A . C. O. M. M. and P. R., page 13). Spectator d r a w s any
picture or design on a slate. Annemann also d r a w s a design on another
slate w h i l e standing on the opposite side of the room. Both slates are
turned around—the designs are the same.
 AL. B A K E R
T U X E D O — P A T T E R AND SITUATIONS OF A HUMOROUS N A T U R E
A1 Baker is one of the greatest entertainers in magic and combines original
effects w i t h a natural sense of humor.
Production of a giant pencil from a small purse.
Cake in the I l a t — W i t h the assistance of a boy and a girl from the audience he
mixes a batter of egg, milk and flour. This is then poured into a borrowed
hat. The hat is held over the head of a red haired boy and a cake is then
produced from the hat with no ill effects to the hat.
Card From the Hat—A famous masterpiece of A1 Baker's. A card is freely se-
lected and returned to the pack, w h i c h is shuffled and dropped into a bor-
rowed hat and placed on the table. Slowly and mysteriously, a card is
seen to peep from within the hat, then to rise, slide across the brim of the
hat and fall to the table. It proves to be the selected card.
Dyeing S i l k s — A small sheet of paper is formed into a tube and secured by
a white silk. T w o white silks are placed into the tube. The white silks
are found to have changed colors and everything is passed for inspection.
Knot in the S i l k — E a c h time a knot is tied it falls apart. The silk is then tied
around the wrist, after w h i c h it is apparently pulled right through the
wrist (A1 Baker's Book, page 9.)
T h e Pack That Cuts Itself (Baker's Book, page 1 ) — A card is selected and
returned to the pack. Pack is laid on Mr. Baker's hand and s l o w l y the
upper half of the pack mysteriously moves over and then returns, but one
card is left protruding. This of course is found to be the selected card.
T h i r t y Card Trick (Original)—Three selected cards pass from one spectator's
hands to another's and at the conclusion of the effect they return to their
original position.
Torn and Restored Paper Napkin (Including an original twist).
Glass of water produced from bag.
Cut and Restored Silk Ribbon (Baker's Original).
C h e w i n g Gum T r i c k — A selected card and a stick of chewing gum change
places while held by members of the audience.
Mental Slate T e s t — A prediction is made on one slate and placed aside. Four
members of the audience each write a r o w of figures on another slate.
A spectator adds the figures and calls the total. The prediction is found
to be correct.

ROY BENSON — Magical Master of Ceremonies

F U L L D R E S S — D R O P IN ONE
Torn and Restored Newspaper.
Chinese Sticks.
Manipulation w i t h two inch Billiard Balls. A great line of clever, f u n n y
chatter is used throughout the act.
 W A L T E R B A K E R & CO.
SPECIAL DROPS — O N E ASSISTANT
Growth of Flowers (Using two metal cones.)
Vanish of White Rats—Breakaway Box Vanish, with sucker effect.
Cards on the Sheet of Glass—Three cards selected and returned to the pack.
The pack of cards now placed on a pane of glass which is suspended
from a stand. A member of the audience is handed a gun. He shoots at
the cards but a china vase on the opposite side of the stage breaks.
Baker now takes the gun and prepares to shoot, when the girl assistant
removes the vase from other side of stage. When the gun is lired the cards
fall leaving the three selected cards on the pane of glass.
Chinese Rings.
Wine and Water.
Bill in the Cigarette.
Spirit Cabinet—Assembled on the Stage. Bells ring and tambourines dance,
and then the girl assistant appears from the cabinet.

MCDONALD BIRCH & co.

F U L L STAGE — S E V E R A L ASSISTANTS
The Magician's Rabbit. "Say it with Flowers". Mystic Parasol. Crystal Aquar-
ium. Knotty Problem. "Alarmo."
Levitation of Girl.
Flight of the Birds. The Phantom Bowl. A Popping Good Handkerchief. Just
a Bit o' Fun. Chapeaugraphy. The Watchmaker's Dream. A Study in
Silhouettes. Surprise. Duck Production. Duck Vanish—"Where do the
ducks go." The Enchanted Bungalow, introducing Miss Mabel S p e r r v
as "The Mechanical Doll."
Challenge Box Escape.
INTERMISSION
The Eccentric Decanter. A Parasol Fantasy. The Golden Cage. Vanishing
Canary found in the electric bulb. Cutting a Girl into Four. "Find the
Queen." The Elusive Doves, Flower Production. The Vanishing Pony.
The Volunteer Assistants. Miser's Dream and Inquisition. A Lesson in
Marksmanship. The Silk Mirage (silk production).

JOHN B L A C K L E D G E — Private Entertainment

Cigarette case is passed for examination and shown to contain nineteen
cigaretttes. The case is held by a member of the audience.
A card is n o w selected and a corner torn off. This corner is handed to
the spectator holding the cigarette case. The remainder of the card is rolled
into a small package and changes to a cigarette. When the case is opened
the missing card is found and the corner matches. The cigarettes are counted
but only eighteen are found. Mr. Blackledge has caused the cigarette and
card to change places.

JOHN BOOTH — Club Magician

TIME OF ACT — 1 0 MINUTES
Barehand Production of T w o Silks.
Three silks change into a large butterfly silk, from w h i c h are extracted in
turn, first a bouquet of flowers and then a stack of fish bowls.
Catching Fish in Mid-Air—(Sometimes alternates with Billiard Balls.)
Untying Knot Effects—Self untying silk followed by production of a glass
routine.
Lighted Cigarette Production.
E n c o r e — F l y i n g Bird Cage; allowing members of the audience to hold the
cage but still it vanishes.
 HARRY BLACKSTONE
May 1935 — N e w York City. Full Stage — T i m e 40 Minutes — F u l l Dress
I consider Harry Blackstone the greatest magician that we have in Amer-
ica. About fourteen assistants on the stage to help with the various effects and
illusions.
Productions from a Paper Frame mounted on a metal stand. Blackstone
punches through the paper and each time produces a large silk shawl, and
from each shawl a production of roosters, ducks and other live stock. A
surprise finish to this effect is when the paper breaks through and Mrs.
Blackstone makes her appearance in a dazzling costume display.
The Spirit Handkerchief—A small spirit cabinet shown. A bell placed into
the cabinet jiunps around and finally out of the cabinet. A tambourine
then goes through similar antics. A handkerchief is now borrowed from
a spectator. Blackstone shows that it is rather small, but stretches it to
a suitable size. A knot is tied in one corner and then is placed inside the
small cabinet. T o spooky music the handkerchief mysteriously peeks
out and then jumps to the floor and Blackstone picks it up. Handkerchief
still moves about from side to side and up and down over the entire stage.
It dances to music and at the finish Blackstone brings it down in the au-
dience and it still wriggles as if alive until the last second it is returned
to the owner.
Production of Ducks—A tub in center of stage. Pails of water are poured into
the tub. Each pail bears a letter and as they are placed on the stage the
letters form the name BLACKSTONE. Eggs broken into the tub and at a
pistol shot ducks appear from the tub.
"Duck Inn Vanish"—A small house on the side of the stage labelled "Duck Inn"
and into this Inn the ducks go, but on the Inn being taken apart the ducks
have vanished.
"Production of Ducks from Barrel"—A barrel brought on stage is shown
empty. Barrel is suspended in air, but out drop the missing ducks into a
mat held by the assistants.
"The Floating Light"—An electric light bulb is removed from a socket and
floats around in mid-air and finally Blackstone comes right down into
the audience and up the aisle of the theatre with the light bulb floating
at his finger tips and still illuminated.
"Dove Catching in a Net" (Several doves).
"Dove Vanish"—This alternates sometimes with a large cage held by an assist-
ant. A dove is removed from same and placed into a paper bag. It van-
ishes and appears back in the cage.
"The Lady Without a Middle Illusion".
"Nest of Boxes"—A watch is borrowed, placed in a paper bag, vanished and
eventually is found in the innermost of a nest of boxes, tied to the
neck of a rabbit. A boy is invited up on stage and is given the rabbit, but
finds he has a box of candy instead of the rabbit. The rabbit again makes
its appearance, then one rabbit changes into two.
 B L A C K S T O N E — (Continued)
"Production Box"—Large bottles of beer are produced and beer is served to
members of the audience by several of the assistants.
"Walking Thru a Ribbon Illusion".
"Auto Tire Illusion—The vanish and production of a girl from a stack of tires.
"Electric Light Cabinet"—Cabinet shown with long light bulbs. A girl stands
inside the cabinet, the door closed, and seemingly the light bulbs pierce
the girl's body as they extend through the holes in the door.
"Vanishing Bird Cage"—After the cage vanishes several members of the audi-
ence are invited on the stage to hold the cage, but it vanishes again just
the same.
"Kellar Levitation".
"Afghan Bands".
"Sleights with Cards". (To allow for setting stage.)
" T w o Box Illusion"—Two boxes are shown empty—five girls are then p r o -
duced from the boxes.
"Teddy Bear Illusion" — Blackstone vanishes from behind a sheet, and ap-
pears unexpectedly.
"Buzz Saw Illusion".

THE LATE HERBERT BROOKS

CHICAGO 1925 — D R O P IN T W O
Card Routine—Three cards selected in the audience are located by various
methods.
Card in the Cigarette.
Cards from the Pocket—This effect was first introduced in America by Mr.
Brooks, and in his hands was a miracle.
The Famous Brooks Trunk—Mr.. Brooks was locked in an examined trunk which
was then covered with a canvas cover laced tightly all around. Mr. Brooks
escaped with the greatest of ease.

MILBOURNE CHRISTOPHER
TUXEDO — T I M E 8 MINUTES
"Stretching a Rope"—Small piece of rope shown and b y pulling on it, it ap-
parently stretches to many times its original length.
Series of Knots—Knots passed on and off the rope.
Tom Osborne Rope Trick—Three pieces of rope are shown and counted singly,
then tied end to end and a shake and the rope is n o w in one piece.

THE GREAT CARMO

LONDON 1931 — S P E C I A L SETTINGS — FULL DRESS
Production of wine from an empty cask.
Magic Kettle—Any drink called for was produced.
Canary Catching—After the style of the Miser's Dream. Live canaries are
caught in the air. The birds are given away after the performance.

KEITH CLARK
FULL D R E S S — D R O P IN O N E — S I L E N T ACT
Sleights with Cigarettes.
Cigarette Production.
Sympathetic Silks.
 CARDINI
T h e Peer of A l l Sleight of H a n d Artists
FULL DRESS — SILENT — SPECIAL DROP IN TWO — TIME 12 MINUTES

Mrs. Cardini attired in Bell Boy costume enters calling "Paging Mr. Car-
dini". Cardini enters from center attired in silk hat and cloak with cane
under arm and reading a newspaper. Handing the paper to M'rs. Cardini
he proceeds to
Catch Fan After Fan of Cards at the Fingertips, and as each fan is produced
it is dropped into the newspaper held by Mrs. Cardini. The cane taken
from under the arm and more cards produced. Bemoving a silk handker-
chief from the pocket it is drawn through the fingers and several additional
fans are produced. Bemoving the cloak, a card case is discovered in the
right hand. Takes out the pack from c a s e -
Riffle Shuffles and Picturesque Card Fans with color design.
Diminishing Cards, Enlarging Cards and Large Fans. Riffle fan in each hand,
one hand cut and shuffles, up sleeve riffle. One card is dropped and an
attempt is made to pick up the card from the stage with the foot, but another
fan of cards is produced from the foot. Throughout the entire manipulation
Cardini has been wearing gloves which are now removed but still more
card fans are produced at the finger tips.
Untying Silk.
Harlequin Cigarette Holder and a comedy bit of business where the cigarette
vanishes from the holder. From the cigarette smoke a billiard ball is pro-
duced followed by color changes and manipulations (with two inch balls).
Catching of Lighted Cigarettes—As each cigarette is produced it is tossed into
a metal vase and the smoke is seen to ascend from the vase to show that
the cigarettes are lighted. Cardini closes with a surprise production of a
lighted cigar and then a pipe.
Cardini had the honor of appearing before the King and Queen of England
at a Royal Command performance in 1933 and also appeared before President
Roosevelt.

CORTINI
EUROPEAN MAGICIAN — FULL STAGE — F U L L DRESS
The curtain rises on a neat stage setting of several small stands, each holding
a vase.
Vanish and Reproduction of a Glass of Water.
Torn and Burned Strip of Green Paper—A strip of paper is torn into pieces,
which are then burned. The ashes float in the air and as they descend
to his hand Cortini reproduces the restored paper in its original form.
 CORTINI— (Continued)
Torn and Restored Newspaper—As far as can be ascertained Cortini is the
originator of this effect.
Coin Catching—The coins are produced one" at a time and tossed into a
metal pail. The rapidity with which he works is amazing. He goes down
into the aisle of the theatre and produces coins from everywhere. At the
finish there is a veritable shower of coins from above, and from the
vases or jars the coins flow over the tops like water. Other containers
shoot coins into the air until the entire stage seems to be covered with them.
Many coins as they are produced, are thrown out to the audience. This is
a good advertising stunt.

CHRIS

M g ^ j ^ R L T O N

SPECIAL DROP IN FULL STAGE — 3 ASSISTANTS — FULL DRESS

TIME 18 MINUTES

As the curtain rises, two assistants are seen on the stage. Charlton makes
his appearance through the center drop.
Sympathetic Silks.
Cut and Restored Rope—Similar to the U. F. Grant routine.
Torn and Restored Papers—Two pieces of paper, black and white, about
20 inches square are shown. Papers are torn and crushed up. When open-
ed Felix the cat is shown in black on a white background.
Levitation of a Paper Ball—The same piece of paper is crumpled up and re-
mains suspended in the air, when a h o o p is passed around it.
"Magic Kettle"—A small kettle is shown together with a tray containing
glasses. Any drink called for is immediately poured out and passed to
the audience. At the finish the kettle is passed for inspection.
"Sack Vanish"—Assistants n o w dressed as policemen arrest Charlton for
serving the drinks. A sack comes down from above. Charlton, handcuffed,
is placed into the sack which is then hoisted into the air. A shot is fired
and the sack falls down empty. The Police Officer removes his hat dis-
closing Charlton himself.
"The Sun and Moon" (In One)—A table is brought on stage and the assistance
of a boy from the audience is requested. A b o r r o w e d handkerchief then
falls in pieces in the boy's hands, but is afterwards restored. Later when it is
found that Charlton's colored handkerchief and the spectator's white hand-
kerchief have their centers reversed, but at the conclusion the handker-
chiefs are found in their original condition and unharmed.
"Bathing Belle Illusion"—Girl assistant is placed in a cabinet which is sus-
pended in mid-air. At a shot the cabinet falls apart, the girl has vanished.
"Torn and Restored Strip of Paper"—Into one again to close and a clever
patter story accompanies this clever trick.
 KEITHS THEATRE, FLUSHING, N. Y „ 1930
STAGE SETTING ONE — DRESS — BUSINESS SUIT — P A T T E R HUMOROUS
Sleights With Cards—Flourishes, Fan Productions—Running cards up the sleeve
and catching them with the right hand (Hugard's Card Manipulation
No. 1, page 40.)
Egg and Silk—An egg is placed into a glass, covered with a handkerchief and
all is placed on a small pedestal. A small flag rolled between the hands
changes to an egg, and the missing flag is n o w found in the glass. An
. explanation of this effect with a sucker finish is then given in which the
egg is broken into a glass at the finish.
Egg Bag—With the assistance of a boy and a girl from the audience.
The Spirit Hand (on the board)—Hand raps out the answers to questions,
names selected cards, and tells fortunes, all accompanied by very clever
patter.

Judson Cole is one of the cleverest magicians on the stage with a wonderful
personality.

HENRY CLIVE
A PROGRAMME OF 1917 — S T A G E SET ONE — F U L L DRESS
"First of all I want to tell you that I am good". This is the introduction
of Clive as he walks on. Turning back his shirt cuffs he continues, " A little
present I got from my mother and father on my first birthday. I belong to the
Magician's Union, so I have to turn up my cuffs".
Torn and Restored Paper Napkin (with the sucker explanation.)
The Sliding Die Box.
Color Changing Cards.
Diminishing Cards.
Reproduction of a Picture—Clive shows several postcards of famous paintings
and one is selected. A reproduction of this picture appears inside a photo
frame.
A previous act in which he was assisted by Mae Sturgis Walker.
Burlesque Passing of Coins from One Plate to Another.
Several Card Effects.
Burlesque Mind Reading Bit.
 Famous English Magician and Comedian, assisted by Miss Jan Glenrose
Vanishing Cane (Original Version)—Cane is wrapped in paper — vanishes —
is reproduced.
Burlesque Mind Reading—"I want to s h o w you some thought reading, or in
other words, poking your nose into other people's business".
The Poster Trick (Another original effect)—A large picture of a girl in a
bathing costume and wearing a bath robe is shown. The picture is rolled
up, but the bath robe is seen to drop out. Unrolling the picture the girl
is n o w shown in the bathing costume only. The picture is rolled up again
and this time the costume fails out. As Culpitt attempts to unroll the
picture, Miss Glenrose tries to stop him, but despite all argument the
picture is opened out, but it is discovered that during the argument the
tide has come in. The girl is seen to be in the water with only her head
and shoulders showing.
Comedy Silk Bit—An attempt to change the color of a silk with a surprise
finish. Culpitt displays a ladies' stocking.
Doll House Illusion—I wish to record it here that Fred Culpitt is the originator
of the Doll House Illusion, Practically every magician throughout the
world has taken this without permission.
The Flying Plates—Plates are taken from a cabinet, stacked, and vanish only
to reappear in the cabinet.
Telephone Booth Mystery, Travelling Books, Oriental Thoughts, are other
illusions and effects of Culpitt's.

Alhambra Theatre, London 1936 — Special Drops — Full Stage — Evening Dress
and wearing a grey opera cloak on the opening
Production of a large bowl of water f r o m foulard.
Various Live Stock Productions—Production of ducks from a board, produc-
 D A N T E — (Continued)
tion of a duck from a cloth, production of flowers and two ducks from
t w o trays, production of two ducks from a duck pan.
A Box is shown empty after w h i c h live stock, including a small pig and
a goat are produced in rapid succession. Red silk appears on tip of sword.
Silk shot from rifle into glass carafe.
Catching of Pigeons in a Net. The Unfortunate Parasol.
Vanish of Alarm Clock from T r a y .
Transposition of a white hall in a white tube w i t h a black ball in a black tube.
"Get A w e i g h " — I l l u s i o n — G i r l vanishes while standing on an automatic weigh-
ing machine.
Production of Eggs from an Egg Bag (all sizes and colors.)
"Manikin to L i f e " — S i x small dolls w i t h different costumes are shown on a
stand and one is shot down b y a spectator w i t h rifle. A girl similarly
dressed is thereupon produced from a doll's house previously shown empty.
Beer B a r r e l — E n d s of the barrel are covered w i t h paper after w h i c h a girl is
produced from the barrel.
Card Manipulation—Back and front palming before a black velvet stand.
T h e Creation of a W o m a n — A rag, a bone, and a hank of hair illusion.
Billiard Ball Manipulation—In front of a black velvet stand.
Shooting Through a Woman.
Live Version of the Sliding Die B o x — A young girl in place of the usual die.
Vanishing of Rings and finding them in the nest of boxes.
Barber Shop Change—Dante as a barber changes places w i t h a customer.
Inexhaustible Beer B a r r e l — E n d s of an empty barrel covered w i t h paper. A
small tap is fitted to one end and an apparently endless quantity of beer
is then produced.
Great Triple Mystery—Transposition of t w o girls in a cabinet and a third
girl appears from the back of the theatre.
INTERMISSION
Production of Lighted Chinese Lanterns (12) followed b y several parasols and
finally a girl.
Behind the Scenes w i t h a Magician—Dante offers to s h o w h o w it is all done,
but as he cannot take the w h o l e audience back-stage, he w i l l turn the
stage around. Assistants are shown clearing the stage and setting for the
next effect—apparently, the twin boxes illusion. T w o boxes on a platform,
and a girl hanging to the back of one box. One box is shown empty, next
the girl creeps into this box w h i l e the second box is being shown. The
empty box is nested into the one containing the girl. Dante then produces
not the girl, but an entirely different p e r s o n — T h e Indian Male Assistant.
Kellar Rope T i e — w i t h a committee from the audience.
Spiritualistic Cabinet — Worked on black art l i n e s — M y s t e r i o u s shadows
appear on the screen—screen drawn aside—tambourines and bells are
twirled and thrown about. Dutch wooden shoes dance without human
feet. At the conclusion the cabinet is shown to be perfectly free from guile.
Television Outdone—Girl placed in a cabinet visibly fades f r o m v i e w and ap-
pears in a second and similar cabinet.
F a k i r of Oola.
Girl wrapped in a silk cover changes places w i t h a man similarly w r a p p e d .
Cut and Restored Rope.
T h e Floating Ball.
Asrah-Girl is produced from sedan chair, then hypnotised, and floats in the
air. Finally the covering cloth is snatched a w a y and the girl disappears.
Jap. Handkerchief Box and the production of silks—Silks and candle transpo-
sition.
 D A N T E — (Continued)
The Girl from the Box—Production, vanish, and reproduction from a nest
of trunks.
The Girl Without a Middle Illusion.
Stratosphere—Vanish of a balloon w i t h three assistants.
Chinese Rings.
Chinese Water Spectacle—in w h i c h the entire company turns into water foun-
tains, This concluding item is lavishly staged in Chinese style w i t h gor-
geous costumes.

SILENT ACT — F U L L STAGE O W N D R O P S — F U L L DRESS —

THREE ASSISTANTS
Vanishing Cigarette and Holder—The cigarette and holder wrapped in a piece
of paper vanishes.
Glass of Milk Transposition.
Thimble Manipulation.
Billiard Ball Manipulation—Mr. Davenport is one of the greatest manipulators
of thimbles, cigarettes and billiard balls.
Bouquet of F l o w e r s and Dove Transposition.
Silks and Soup Plate.
Expanding D i e — A sheet of newspaper is folded and thrown on a small stand.
S l o w l y this paper takes on life and gradually opens up until it becomes a
die about 12 inches square. Suddenly this small die visibly enlarges until
it is three times the size. The die then breaks open and an assistant is dis-
closed dressed as Mickey Mouse.
The Vanishing Football.
Color Changing V e s t s — T h i s method is original with Mr. Davenport. Each
time Mrs. Davenport appears with a different colored dress Mr. Daven-
port's vest changes to the same color. Some fourteen changes in all take
place during the act and at the finish there are several instantaneous
changes.
Parasol and S i l k s — T h i s version is an origination of Mr. Davenport's and has
been used by many without his permission. T h e parasol is w r a p p e d in a
piece of paper. Several silks now s h o w n — a shake and they change to the
cover of the parasol. On opening the parasol, the silks are found hanging
from the empty ribs. The parasol is again placed back in the paper
and the cover changes in the hands back to the silks and once more the
parasol is complete. A most novel magic act w h i c h combines excellent
sleight of hand w i t h mystifying illusions.
 THE LATE ARNOLD DE BIERE
LONDON 1931 — F U L L DRESS —STAGE SETTING TWO
DeBiere was one of the greatest showmen on the stage.
Production of a Bird Cage—The assistance of two members of the audience
is requested. As one stands on each side of him, a handkerchief is
removed from the pocket, and while held away from the body, a bird
cage is produced from same.
Vanishing Bird Cage—Cage vanishes while held between the hands, but DeBiere
uses a different and original vanish. He removted his coat and allowed
the spectators to search him in an effort to find some trace of the cage
and the canary.
Cut and Restored Rope Trick (Conradi)—A length of rope about 12 feet long
is held at the ends b y the two spectators. DeBiere then cuts through the
center. Rope is immediately restored and spectators are asked to pull on
the ends of the rope.
The Egg Bag—A rather small egg bag was used and the routine of DeBiere's
was undoubtedly the best of all routines.
The Thumb Tie—This was a feature effect with DeBiere and I don't k n o w of
any other magician that presented this as well as DeBiere.
DeBiere also had a large spectacular show of magic and illusions in three
scenes which was considered to be the most entertaining magic act of its
time. The Clock Dial and Billiard Ball Manipulations were added on occasions.

DOUGLAS DEXTER
NEW YORK CITY —1934
One of the greatest shows ever witnessed by New York Magicians.
Dexter explained that it was useless to try and invent new tricks, so he had
decided to try to improve some of the old ones—for example:
Golf Ball and Bag (a la Egg Bag)—An egg routine with a golf ball and some
original moves, particularly that one in which the ball is dropped into the
bag and immediately vanishes although Mr. Dexter's hands do not enter
the bag.
Rising Cards—Three cards are selected and shuffled back into the pack which
is then placed in a glass goblet. The three selected cards rise from the
pack one after the other. One card on command goes back into the pack.
Demon Silk Wonder Box—Many silks are produced from this small box which
is shown empty at any time and at the finish is passed for examination.
Famous Stabbing Trick (an original effect)—An assistant is requested from
the audience. T w o unopened packs are shown and one is selected. As-
sistant is requested to open the pack, shuffle it and allow three spectators
each to select a card. Mr. Dexter meanwhile remained on the stage and
three blindfolds were shown. The first was fitted closely to the eyes,
which in turn, was covered by the second and the third blindfolds. The
 D E X T E R — (Continued)
pack of cards was n o w spread face down over a small board on the table
(Mr. Dexter did not touch the cards at any time). Three small daggers
in a case are s h o w n — o n e dagger taken and pierced through a card on the
board, a second dagger pierced through another card and likewise a
third dagger. Spectators were then asked to name their cards and as each
card w a s named the dagger was picked up and impaled on the blade of
each was one of the selected cards.

DE ROZE
N E W Y O R K C I T Y 1935 — F U L L D R E S S — O N E A S S I S T A N T
A small portable bar is disclosed on the stage with the usual array of
glasses and three pitchers of water. Picking up one pitcher DeRoze shows
that the water is clear and asks someone to taste it.
Any Drink Called For — F r o m this same pitcher — Port, Sherry, W h i s k e y is
poured out as requested. Several other drinks poured out and passed
around on small trays to members of the audience. Someone kept insist-
ing on a glass of Tomato Juice. This was eventually poured out and
w h i c h created a big laugh as it was thought that DeRoze had been stumped.
Visible Change f r o m W a t e r to Ink—Glass tilled with water and handed to a
spectator and he is requested to say "Change to I n k " , and immediately the
change occurs. This is n o w poured back into another glass and spectator
is n o w asked to say "Change Back to W a t e r " , and again a visible change
from ink to water takes place.

FRANK DUCROT
NEW YORK CITY — 1 9 3 4
Production and Multiplication of Silks
from the Bare Hands.
Torn and Restored Strip of Paper —
(with the sucker explanation).
Coin in the Silver B o x e s — A borrowed
and marked half dollar is vanished
from a small piece of paper and is
found in the innermost of t w o met-
al boxes that are taped, tied, locked
and inside a leather case.
T h u m b Tie — Presented in a masterly
manner that leaves everyone talk-
ing about a truly wonderful m y s -
tery.

T. N E L S O N DOWNS
T H E O R I G I N A L K I N G OF K O I N S — F U L L DRESS—1912
T h e Miser's D r e a m — A hat is borrowed. D o w n s n o w turns up his sleeves. Hat
is taken in left hand and with the right he proceeds to catch coins, one
after another until about twenty have been caught and deposited in the
hat. B y w a y of variation, a coin is sometimes passed through the side of the
hat, or a coin is thrown in the air, completely vanishing, and the hat held out
(a second afterwards) to catch the coin, which is also heard to fall into
the same. T h e coins are turned out on to the table and several sleights
with coins, such as passing through the knee, f r o m hand to hand, etc.
Turn over with a large number of coins spread on the hand. Vanish
from hand and reproduction of forty coins.
Card Manipulations (reverse palm and sleights in connection with s a m e ) .
Nelson D o w n s had a style all his o w n and a great magician.
 W. W. DURBIN
OWN STAGE SETTING—SEVERAL ASSISTANTS—A PROGRAMME OF 1910
The first part of the programme was a series of constant surprises, which
kept the spectators on edge with excitement and interest every moment.
Passing of a Silk from one Bottle to Another.
Twentieth Century Silks—Dyeing Silks—Borrowed Rings—Vanished and found
tied by ribbons to two live guinea pigs—Rising Cards—Transposition of
a Cannon Ball and Guinea Pig—"Flags of all Nations" Illusion.
Production of Flags from the Wonder Screen.
The Ark of Mystery—Vanish of Doves from a box in full view and reappearance
in a glass—Duck Pan—Rose Bush Production, using four flower pots.
Spirit Clock and Glass Lined Trunk—Mail Sack Escape—Flyto Illusion—Astra
(Floating Lady)—Floating Ball.

TWO ASSISTANTS — F U L L STAGE — E L E V E N MINUTES — F U L L DRESS

One of the most beautiful magic acts on the stage. A fast act
and pleasing to the eye.
Twentieth Century Silk Routine—Saven separate silks appear, disappear, and
reappear. Performed on the bare stage with no tables or stands. The
production of the silks is real magic. Showing the hands empty—a grasp
in the air and a silk unfolds at the finger tips. A second silk is produced
from the first. The two silks are now tied corner to corner and placed
into a small glass. Hands shown empty again and another silk is produced.
This silk is vanished but is found tied between the two silks in the glass.
Other silks are produced, vanished and make their reappearance between
the silks that are tied.
Silk Blowing Routine (The original Duval Method)—After a paper tube is
shown empty, several large white silks are poked in at one end of tube,
blown through, and emerge from the other end in various colors. This
is repeated with several smaller silks and at the conclusion the paper tube
is torn in pieces to show that nothing remains in the tube.
Parasol and Silks.
Silk Production—From a metal tube, about 10 b y 3 inches, an endless produc-
tion of silks and streamers is made that finally cover the entire stage with
color. A beautiful production that defies detection.
DUNNINGE
Ihe
MASTER
MIND OF
MODERN
MYSTERY

WALDORF-ASTORIA HOTEL, NEW YORK 1934 — F U L L DRESS

I consider Dunninger the foremost magician and showman of the present
day. As a forceful talker he is at the top of the tree. His act on this occasion
consisted chiefly of Close-Up Magic and Mind-Reading, and was timed to last
one hour and forty minutes. It is difficult in this brief description to do justice
to the succession of surprises that delighted the audience.
First some card effects. T w o cards w e r e selected, and the pack placed in
a spectator's pocket. The spectator finds one card and the performer finds the
other. Again a card is selected and the pack shuffled. The chosen card cannot
be found in the pack. The spectator names his card upon request, and Dunnin-
ger replies: "That's peculiar. Look through your pack and you won't find any
Seven of Spades for I distinctly remember placing that card in my pocket-book
before leaving home". On removing pocket-book from pocket, the rubber band
is removed and the clasp opened, and the missing card is found inside.
Next a pack of cards is shown and the spectator is asked to go outside and
remove a card and remember it. Meanwhile Dunninger takes another pack
and shows the audience just what he is doing. He runs through the pack and
removes the King of Hearts in plain view. The spectator is now recalled and
asked to name the card he noted. He names the King of Diamonds while Dun-
ninger shows that his own choice was the King of Hearts. A sympathetic feat-
ure effect that may well be described as a knock-out.
In the Chinese Ring routine that follows, Dunninger explains that he
does not make use of a key ring, such as some of the audience may have heard
of in children's magic sets, but that the rings he uses are genuine Chinese
Rings presented to him by the late Ching Ling Foo. His routine for the rings
is extremely brilliant.
The Egg Bag is thrown entirely into the shade by his next number. Dun-
ninger shows a large bag empty inside and outside. He calls for a suggestion
from the audience as to what he shall produce from the bag. The occasion was
a dinner for the American Can Association, and somebody suggested that he
produce an American can, and so, while two spectators hold his wrists, he im-
mediately produces a large can of water from the bag.
His Mind-Beading routine was equally extraordinary. The questions are
written on slips and placed in envelopes. One spectator is asked to place the
sealed envelope in his shoe and another is asked to keep his envelope in his
pocket. Still Dunninger answers the questions without hesitation. Other
questions are answered in the most amazing manner. 'Phone numbers are
named. Dunninger holds a shoe-lace by one tip and has a girl hold the other
end. He asks her to try and get a vibration as questions are asked She re-
plies that she got the vibrations on figures 8 and 4. These prove to be the an-
swer to a question by one of the diners as to the age of his mother
 DUNNINGER — (Continued)

F o l l o w i n g this, a card is selected and placed face down on the table. One
of the diners is given a small crystal ball to hold and asked to look into the
crystal. Gradually he gets the impression of the Six of Hearts. While there
really wasn't any need for turning the card over, that is just w h a t it proved
to be!

The final test w a s with the telephone book. S h o w i n g a large slate Dunnin-
ger w r i t e s upon it and places it on a chair w i t h the w r i t i n g hidden. One of the
spectators opens the 'phone book and running a finger around in a circle on
the page, he is asked to stop at random and then to read aloud the name at his
finger tip. He reads out the name: HOUGHTON. T h e slate is turned around
b y a member of the audience and on the slate is the name: HOUGHTON.

This closed a most w o n d e r f u l and convincing exhibition of Mind-Reading

and Miracles in Magic.

GUS F O W L E R

TWO ASSISTANTS — F U L L S T A G E — S P E C I A L DROPS

TIME OF A C T 17 MINUTES

Sleights w i t h Watches—Watches are produced and suspended from a stand.

Production of a small clock from a hat b y the girl assistant. F o w l e r then picks
up the hat and produces a giant watch.

Clock Through the H a t — A derby hat is shown empty and then placed on a
table. A clock is n o w placed on top of the hat and covered w i t h a hand-
kerchief. At command the handkerchief is seen to sink s l o w l y until it
reaches the top of the hat. It is then tossed to one side and the clock is
shown to have penetrated the hat.

Production of Watches on L y r e Stand.

Building a C l o c k — T w o tambourine rings are shown and w i t h a piece of pa-

per a tambourine is formed. A ring is attached to the rings and immediately
it transforms itself into a ringing Alarm Clock.

Vanishing Marble Clock and T r a y .

Production of L y r e Clock w i t h Chimes.

Vanish of Octagon Clock and reproduction from a hat.

Production of Six B a b y Alarm Clocks from Hat followed immediately by eigh-

teen full sized alarm clocks. The curtain falls on a stage filled w i t h ring-
ing alarm clocks w h i c h makes an excellent finish.

E n c o r e — A wrist w a t c h is vanished and reappears on a garter on girl assist-

ant's leg.
 FRAZEE
C L U B MAGICIAN — D R E S S T U X E D O

Twentieth Century Silks.

Sympthetic Silks.
D y e i n g Silks (through paper tube).
Card in the Balloon.
Several Card Effects.
Imitations of various characters that stop the show.

FRAKSON
S T A G E IN O N E — F U L L D R E S S — O N E A S S I S T A N T — 1 4 MINUTES

Production of Cards at the Finger T i p s — B l a c k cotton gloves are w o r n during

the production. A production of ten cards is made w i t h the left h a n d —
they vanish, and are produced in a fan from the right hand.
Rising Cards (Jumbo P a c k ) — T h r e e cards are selected and shuffled back into
the pack, after w h i c h they rise in succession from the pack to the hand
held above it. The last card is not one of the selected, but the pips change
visibly to the proper card.
Coin P a i l — C o i n s are produced from the air, and from the hats, gloves and
coats of several members of the audience. A champagne pail is used.
Cigarette C a t c h i n g — A f t e r lighting a cigarette, several passes are made and
the cigarette is thrown away, but immediately another cigarette makes
its appearance. This is repeated until seven cigarettes in all have been
produced. Frakson w o r k s in a fast snappy manner and his broken Eng-
lish brought plenty of laughs.

GALI GALI

E G Y P T I A N MAGICIAN — N E W Y O R K C I T Y 1935
DRESS E G Y P T I A N R O B E A N D F E Z

Cups and B a l l s — A smart opening and w o r k i n g fast. At the finish a small

chicken is found under each cup.
Bill Changing (In the audience)—Gali Gali shows a five dollar bill w h i c h a
spectator is asked to hold in his hands. T h e spectator is then asked w h a t
he holds in his hands and the answer, of course, is "A five dollar bill". No,
says Gali Gali, " Y o u have a piece of p a p e r — t h e bill is in y o u r inside poc-
ket", and reaching into the spectator's pocket, Gali Gali extracts the bill.
Next he produces a chicken and vanishes same w h i c h is also found in the
spectator's pocket, followed b y the production of three other chickens in
rapid succession. Clever showmanship and misdirection.
 GROVER GEORGE
FULL STAGE — F U L L DRESS
Production and Vanish of Doves.
Production of a large bowl from foulard followed by another bowl with two
ducks, and still a third bowl filled with flowers.
Vanish of the T w o Ducks.
Needle Trick (worked in one to allow stage to be reset).
Production of a girl from an empty trunk.
Vanish of the girl from a small cabinet.

OWN SPECIAL DROPS—FOUR ASSISTANTS—TIME OF ACT 16 MINUTES

NEW YORK CITY 1936
Gwynne enters dressed in Chinese Robe
Production of Rabbit from Box—A box is built up on a tray and reaching
into the box a large rabbit is produced. The rabbit jumps from the hands
of Gwynne back to the box, a distance of about four feet.
Production of two Girls from "tip-over" box.
The Turban Trick—Chinese Robe is removed and Gwynne is wearing an In-
dian Jacket underneath.
Sword House—A small doll house shown in the form of an Indian Pagoda.
After the house is shown empty, and although swords are pierced through
it from every direction, a girl emerges through the top. Indian Jacket is
removed and Gwynne appears in a white dress suit.
Rooster Vanish—A live rooster is vanished from a small box. A sucker effect
is used for the finish. The stand holding the box is folded and a feather
which protrudes through an opening proves to be only a feather duster.
Carpet of Bagdad—A bit of by-play with the carpet and then the production
of three large bowls of water, one after the other and placed on a small
tri-stand. One bowl is placed on a small tabouret and reaching into the
bowl Gwynne produces a large quantity of silks.
Stack of Bowls—(A production from the silks produced previously).
Torn and Bestored Magazine Page—with a sucker explanation.
Vanish of a Large Bowl of Water (from b o x ) .
Cut and Restored Rope—Using several different methods to combine one clev-
er routine.
Mermaid Production—A large fish bowl is shown empty. A line comes down
from above. At command the rope is pulled up and on the end is a girl in
a mermaid costume with a silver shimmering tail. This concludes one of
the fastest and finest magic acts of the present day.
 GIOVANNI
THE PICKPOCKET MAGICIAN — N E W YORK CITY 1933 — F U L L DRESS
The entire act is performed by Giovanni while surrounded by a
committee of eight spectators on the stage.
Changing of the Bills—A twenty dollar bill is borrowed, rolled into a ball b y
Giovanni and handed to one of the committee. A dollar bill is then bor-
rowed and this bill also rolled into a ball and handed to another person.
When the bills are unrolled they arc found to have changed places. At
various times during the act, Giovanni removes articles from the pockets
of members of the committee and wrist watches from off their wrists,
which is one of the real features of the act.
The Ring on the Wand.
Card Routine of several effects.

GOLDIN

LONDON 1933 — F U L L DRESS — O W N SPECIAL DROPS

Production of Flags from Paper Covered Drum.
Egg Transposition—Egg is placed in glass and covered with a handkerchief.
A silk is fired f r o m the point of a pistol, vanishes, and is found in the
glass in place of the egg which reappears in the mouth of an assistant.
Canary and Light Bulb.
Vanishing Alarm Clock on Tray.
Rabbit Vanish—Several rabbits are placed in a wooden box and caused to
vanish. Box and table are dismantled to prove "no deception".
Production of Pigeons and Rabbits from a Paper Covered Stand.
Chair Folds Up and becomes a Handbag.
Production of a Girl from a Sidecar of a Motorcycle.
Girl reclining on Couch is covered with a cloth, and carried down to the foot-
lights by Goldin. Suddenly the girl vanishes and the drape is shown empty.
Aerial Fish Catching.
Hole is Drilled Through the Body of an Assistant.
Mignon Illusion—Two boxes with hinged sides are opened out flat, then reas-
sembled and nested. A girl is then produced.
Walking Away from a Shadow Illusion.
Vanishing Piano—A girl is seated at a piano which is standing on a raised
platform. Girl and piano are covered with a cloth and suspended in mid-
air. At a pistol shot the cloth drops to the floor—the girl and piano have
vanished.
Cut and Restored Rope.
Through a Pane of Glass Illusion—Goldin displays a large pane of clear plate
glass set in a frame. Then a girl stands behind the glass as a screen is
placed in front. Apparently the girl passes through the glass, as a mo-
ment later she is found standing in front of it.
The Mystic Die—The well known effect involving a die, a frame and a length
of ribbon, all freely shown.
 GOLDIN (Continued)
Sympathetic Silks.
Assistant Shot from the Mouth of a Cannon—Assistant takes his position at
the mouth of a cannon. The cannon roars and the man vanishes.
The Circular S a w Illusion—A girl is placed on a small stand. A large circular
saw (4 feet) then apparently saws right through the girl. No covering
of any description is used in this effect.

LARRY GREY
" T H E DIZZY W I Z A R D " — 1 9 3 6
Silk Trick.
Giant Card Tricks.
Glass of Wine Production—An impression of Stan Laurel, the movie actor, per-
forming this effect.
"Red Ashes" (Burning a strip of paper and restoring same from the a s h e s ) —
Impression of George Arliss performing this stunt.
Impression of Ed W y n n explaining h o w Arliss does the trick.
Vanishing Bird Cage—Impression of Jimmy Durante.
Cut and Restored Rope—Impression of W. C. Fields.
Card Manipulations—Impressions of Cardini.
Cigarette from Nowhere—Impression of a drunk rolling a cigarette.
Each impression is a true character in both dress and expression.

HARDEEN
F U L L STAGE — F U L L D R E S S — 4 ASSISTANTS—1931

The Flight of T i m e — S e v e r a l clocks are

vanished one at a time and appear mys-
teriously suspended from a small stand
at the other side of the stage.

Girl in the Moon Illusion.

Card Star—Several selected cards appear

on the point of the star.

Crystal Casket—Coins vanish and appear

inside the casket.

Substitution Trunk Illusion.

Milk Can E s c a p e — A giant milk can is filled

w i t h water after w h i c h Hardeen in a
bathing suit, is placed inside the can.
The top is securely locked but in a f e w
seconds only. Hardeen makes his ap-
pearance. When the milk can is opened
it is found to be still filled w i t h water.

Theo. Hardeen is a brother of the famous

H a r r y Houdini.
 C H A R L E S HOFFMAN, "The Doctor of Deception"
ASTOR CLUB, NEW YORK CITY 1936 — F U L L DRESS
Production of Fans of Cards at the finger tips.
Osborne Rope Trick.
Magical Cocktail Bar—All kinds of fancy and mixed drinks are poured f r o m
a seemingly empty cocktail shaker.
Cigarette Manipulation.
Chinese Sticks.

HENRY HILTON
ENGLAND
The Exchange of a large Alarm Clock and an ordinary Watch—An alarm clock
placed in a metai receptacle on one table. A small watch is placed in a
similar receptacle on another table. At a pistol shot the clock and the
watch are found to have changed places.
Card Sleights.
Black and White Doves—The heads of the doves are apparently pulled off and
then restored, but with the wrong heads on each, white dove with a black
head and vice versa.
Collar and Tie—A selected necktie is vanished and makes its appearance on
a previously shown white linen collar.
Bill and Candle—A borrowed bill placed in a pistol and shot at a candle. The
candle is cut into three parts and one part selected and inside this part
is the borrowed bill.
Fish Bowl Production and Vanish.

S. S. H E N R Y A N D CO.
BEAVER FALLS, PA. —1933
Fish Bowl Production and Vanish.
The Drum That Can't be Beaten.
Six Foot Flower Growth.
Torn and Restored Paper Napkin.
Checker Cabinet.
Enlarging and Diminishing Cabinet—Girl in one cabinet vanishes and reap-
pears in the other cabinet, meanwhile one cabinet diminishes in size and
the other cabinet enlarges.
Three Card Monte.
Production of Ducks from Empty Tub.
Handkerchief to Egg.
Production of Four Doves from a Paper Frame.
Vanish of the Ducks followed by the Vanishing Goat.
Sand Pictures,

S T A N L E Y HUNT
NEW YORK CITY —1934
Milk Transposition—Small bottle of milk is shown and poured into a hat
which is on the table. There is a laugh but Hunt quietly removes a glass
of milk f r o m the hat. A paper tube is n o w placed over the glass which is
placed on a tray. Glass of milk vanishes and is reproduced from the hat.
Stamp Album Trick—Album is shown with blank pages. A b o x of stamps is
 STANLEY HUNT (Continued)

emptied into a paper bag. The stamps vanish from the bag and reappear
in their respective positions in the album.
Illusive "STOP" Trick (as worked by Edward Victor).
Rupert the Mind Reading Dog—A comedy stunt with cards using a cut out
of a funny looking dog on a stand. The dog wags his tail to denote the
selected card.

H O L D E N and GRAHAM
(Reprinted from "Billboard", Aug. 1929)
SETTING FULL S T A G E — O W N SPE-
CIAL DROP — T I M E 12 MINUTES
Under the title of "Versatile Original-
ities", Max Ifolden and Mae Tessie Gra-
ham, a man and a pretty girl display a
novel and well conceived act. They pro-
ceed to blacken two white enamelled
squares on easels at opposite sides of the
stage, and after rapidly deleting smoked
portions on the squares they are then
joined together to form a pretty moon-
light picture of the Grand Canal and
Doge Palace in Venice. Holden delivers
excellent and witty patter. Next, three
enormous playing cards are used to fool
the audience in picking the Queen af-
ter openly manipulating. The illusion
of the self-untying handkerchief is also
used for a good laugh and is convincing-
ly demonstrated by Max Holden. A
modern touch is secured with the girl
huskily warbling "Don't Be Like That",
and adding a clever novelty skipping
rope dance routine. Many laughs were
drawn with the comedy antics of hand
formed shadows on a screen by both
performers which took the greater part
of the running time. The humorous
subjects, "His First Cigar," "Sweet Six-
teen" (an old maid making up in front
of a mirror), old man and his pipe, and the two little monkeys on the tree, cre-
ate considerable amusement. The big novelty of this part of the act is that the
shadows are all in colors with colored scenic effects. There is not a dull spot
and they came in for a rousing applause finish.—C. G. B.

HENRY HUBER AND COMPANY

FULL STAGE—SPECIAL DROPS — F U L L DRESS — 4 GIRL ASSISTANTS
Production of Silk from Bare Hands followed by a foulard.
From the Foulard two fire bowls, a fish bowl, basket of flowers then two doves
are produced in rapid succession.
The Spirit Ball—Bell suspended from a stand predicts the names of three
selected cards. Bell, removed from stand and placed on the end of the
wand, continues to answer miscellaneous questions.
Three Selected Cards then rise from the deck, followed by a fountain of cards.
 HITBER (Continued)
Bran Vase—The transposition of a watch assisted by two children from the
audience.
Spirit Cabinet.
Substitution Trunk.

HANSON AND THE BURTON SISTERS

NEW YORK CITY 1928 — F U L L STAGE — SPECIAL DROPS
Open with the Sisters singing a song of introduction and Producing Bouquets,
Lanterns and Ribbons from their Empty Hats. This is followed by the
Production of Live Doves from the Ribbons by Hanson.
Gloves to Egg and Multiplying Eggs and Magical Incubation in which the egg
grows to about 18 inches in height. The giant egg is broken open and out
comes a full grown hen.
Song, "My Kewpie Baby," by Miss Burton w h o complains of the toys, including
the kewpie doll she holds and wishing the magic man would do something
about it. During the chorus sung to Hanson she asked that the doll be
changed to a live doll and Hanson complies with the Kewpie Block Illusion.
A small doll placed in a large toy block and the block grows to twice its size
and falls apart displaying a grown live Kewpie. The Sisters finish the
number with a dance.
Watch Changes to a Canary—Canary placed in a paper bag and the bag hung
over the bull's eye of a target. A shot is fired and the target changes to
a cage with the canary inside. The watch is finally recovered when it is
found tied to a teddy bear in a nest of boxes.
Hanson Flag Production—Hanson produces a stage full of silk flags from the
empty hands.
Flag Cabinet—Cabinet is shown empty and the curtains drawn. Immediately
the top of the cabinet springs up and the sides open out forming a flag tab-
leau 9 by 14 feet accompanied by the production of the two Sisters in novel-
ty costume representing the Army and the Navy followed by a short novelty
dance. March taps for the Army alternating with the Sailor's hornpipe
for the Navy with Hanson joining the Sisters for the final f e w steps.
 THE LATE HOUDINI

(Reprinted from Max Holden's Column in the "Sphinx", March, 1926)

PHILADELPHIA — WEEK OF FEBRUARY 8th, 1926
T w o dainty lady assistants enter,
one from either side, advance to the
center of stage and open the front
curtain, disclosing a neat stage with
magical apparatus, tables, etc., at the
same time the striking of a clock
lends a mysterious atmosphere. Hou-
dini enters and removes the sleeves
of his dress coat, to show the absence
of trickery from the sleeves. A crys-
tal box is swinging, eight coins are
produced and thrown across stage
and appear in a small glass. They are
taken out, counted on table, and
again thrown, this time appearing in
the crystal casket.
The Vanishing Lamp on table, which
appears later on another table.
Another lamp vanishes and in its
place there is a beautiful rose bush.
Box shown empty and a "bunny"
appears.
Silk placed in a bottle, flies across to another bottle.
Handkerchief ties, very large silks being used.
Sympathetic Silks, every item making a hit.
Girl vanishes from under cone and a giant rose bush appears under a second
stand; now girl comes up from audience.
The Turban Trick.
The Famous Houdini Needle trick.
Trunk Trick as performed by Mr. and Mrs. Houdini years ago and still using
the original performers; wonderful.
Large metal tube with doors which produces silver dollars or 5-franc pieces.
Girl tied to stake and covered with a screen, instantly she is released with the
addition of a very pretty and striking costume.
Radio Illusion.
Cards, Card Star (original Herr Doebler's masterpiece).
Torn and Restored Chinese Paper Trick.
Production of Gold Fish Bowls with Silks.
Vanish Alarm Clocks and Reappearance.
Between the first and second part of the program a ribbon curtain is lowered,
the curtain is made from ribbons from managers of different European
theatres, and presented 35 years ago.
ACT II. The act is devoted to spiritualistic exposes and talks on fraudulent
mediums. The monetary test, Harry duplicating the test, taking the audi-
ence into his confidence.
The Slate Test, again showing the cleverness and how the fraudulent medium
works, thereby cheating the clients and securing money by fraud.
A third test, hands and feet are held but still the medium manages to ring bells
and rattle tambourines.
The Houdini show was one of the most interesting I have ever witnessed.
The spiritualistic part of the entertainment being worth many, many times the
price of admission, and it was real entertainment, besides being an education
to every one. Time of show, two hours and thirty minutes.
 JEAN H U G A R D
MODERN M I R A C L E S — ORPHEUM T H E A T R E , SAVANNAH. C,A.
FULL STAGE
Aerial Cards—Manipulations and Tricks including Card to Pocket and Fif-
teen Card Trick.
Rope Releases, including Wrist Tie, and Cords and Watch Thumb Tie (original
method).
The Four Aces followed by shower of cards from the spectator's coat and pro-
duction of small dog from back of coat.
The Great Rifle F e a t — w i t h modern high powered rifles. Audience invited to
bring their o w n rifles and cartridges, marking latter in any w a y desired.
Hugard undertakes to stop the bullets and return them hot and rifle groov-
ed. $500 w a s offered to any one proving that the bullets w h i c h w e r e
caught w e r e not the originals marked by the audience. This is one of
the rare feats never duplicated by any other performer.
P A R T II — A T R I P T O CHINA
The Golden Floating Ball.
Bewitched Flags.
Rice of the Mandarins.
Paper Tearing Extraordinary.
T h e Chinese Rings.
F l o w e r Growth (Kellar's trick).
Birth of a Pearl.
Human Volcano.
Chinese Water Fountains.

HUMOROUS T R I C K S T E R — I N ONE
Paper T e a r i n g — W i t h a great line of comedy chatter " H o w is it done? None
of your business".
Bill in the L e m o n — J arrow made this effect famous throughout the w o r l d .
A lemon is shown and tossed out to the audience for examination. A ten,
a five and a one dollar bill are then borrowed. They are rolled up, placed
in a handkerchief, and handed to a member of the audience to hold. T h e
bills vanish from the handkerchief, and w h e n Jarrow cuts open the lemon
the b o r r o w e d bills are found inside.
T h e Tobacco T r i c k — S o m e line ground tobacco is poured into Jarrow's empty
right hand. A second later it is poured from his left hand and the right
is shown empty. This is one of the cleverest sleight of hand effects k n o w n .
Changing of Coins—A coin is borrowed f r o m a member of the audience w h i c h
a spectator holds on his outstretched hand. He is instructed to close his
hand at the count of three. He does so, but when he reopens his hand the
coin is found to have changed to an entirely different one.
 FULL DRESS — N E W YORK CITY 1931 — IN O N E — O N E ASSISTANT
With this clever act Keating was the hit of New York. Since then Fred
has achieved unusual success in Hollywood and for the present has forsaken
magic.
Thimble Production—The usual routine of one to eight thimbles—one on each
linger.
The Color Change of a Silk—The silk changes color by passing it through the
closed hand.
The Vanish of a Silk in a Glass.
The Torn and Restored Card is Found in a Cigarette.
The Chinese Sticks.
The Needle Trick.
The Vanishing Bird Cage.
Keating has a great personality and his patter brought one continuous
stream of laughs.

J. W A R R E N K E A N E A N D CO.
NEW YORK —1936
One of the cleverest and most novel magic acts on the stage. As the cur-
tain rises a girl is playing a grand piano on the stage. Keane makes his ap-
pearance and his patter is all in song or rhyme.
Cane and Hat Forms a Table.
Production of T w o Silks.
Smoke Appears in Glass—Vanishing Cigarette.
Vanishing Silk.
Torn and Restored Paper.
Untying Silk.
Diminishing Cards.
Silk Into Pocket.
Card Sleights—Including the production of a full pack of cards from the air.

FRANK LANE
1933
Frank Lane as a Master of Ceremonies and Magician is in great demand.
A series of tricks with Giant Cards, including:
"What My Grandfather Said."
The Lazy Man's Trick (The Gramophone Trick)—Lane explains that he will
give the impression of a lazy Magician performing a trick—he will have
his gramophone do the work. The gramophone is started after which a
spectator selects a card which is replaced and shuffled. The spectator con-
tinues to follow instructions as given by the gramophone and in this way
the selected card is found.
 F U L L DRESS — I N ONE
T w o or more spectators are requested to come upon the
stage to act as a committee.
Leipzig Four Ace T r i c k — A c e of hearts is placed on the bottom of the pack and
the Ace of Clubs on top. The Ace of Diamonds and the Ace of Spades are
placed in the center. The pack is riffled and Leipzig runs through the pack
to show that the Aces have vanished. Still on slapping the pack w i t h the
right hand each Ace makes its appearance on the face of the pack.
Three Cards are Peeked at by different spectators and the pack is dealt on
the table one at a time after being shuffled by Leipzig. The spectator w h o
peeked at the first card is asked to stop him anytime as Nate reinarkes
" T h e card that y o u peeked at will be the exact card at w h i c h you stop me."
T h e correct card is found. The second peeked at card is now found by
the spectator when he deals the cards himself and stops at a free choice.
The third card w a s found by spectator by inserting a knife into the pack.
This card w a s not the selected card but when the spectator named his
card, it w a s found to have changed to the correct card.
Stabbing T r i c k — T w o cards are selected and returned to the pack w h i c h is
then shuffled and wrapped in a piece of newspaper. A knife is thrust into
the packet and the paper torn a w a y . On each side of the knife are found
the two selected cards.
T w e n t y Card T r i c k — A spectator is requested to count ten cards on Leipzig's
outstretched right hand. Another ten cards are counted on the left hand.
The cards in the left hand are wrapped in a handkerchief a n d handed to one
spectator. The other ten cards are once more counted by Leipzig. One
card is commanded to pass over to the packet held by the spectator. The
cards are counted and only nine cards remain. Again a card passes over
leaving eight cards in Leipzig's hands. Still another card passes over
leaving only seven cards and when the spectator opens his packet he finds
that he is holding thirteen cards.

THE GREAT LEON

N E W Y O R K C I T Y 1931 — F U L L S T A G E — F R E N C H M I L I T A R Y UNIFORM
B o w l Production.
Dove Catching.
Bullet Proof Lady.
Mysterious Glasses of Wine.
" F i r e and Water Illusion"—An enclosed stand of w i r e screen is on one side
of the stage. Mrs. Leon stands inside this screen. On the opposite side
of the stage a glass enclosed box is suspended from a stand. This glass
casket is filled w i t h water and hidden from v i e w w i t h a curtain. Flames
n o w envelop the stand containing Mrs. Leon, and immediately the curtain
is pulled from in front of the glass casket disclosing Mrs. Leon inside the
casket in the water. Of course w h e n the flames have died down the w i r e
screen is seen to be empty.
 NEW YORK CITY 1933 — I N ONE — F U L L DRESS — E L E V E N MINUTES
Removes his gloves, places in hat, and all placed on the table.
Card Manipulations—Production of fans of cards. One hand cut and shuffles
brought to a conclusion by springing the entire pack from the right hand
into his hat on the table in a very showy manner.
Back and Front Palm and a production of fans of cards one after the other.
As each fan is produced it is dropped in the hat. Cards are produced in
rapid succession and dropped into the footlights.
T w o boys are requested to assist which results in a great deal of comedy. One
boy counts ten red backed cards on LePaul's left hand. The other counts
ten blue backed cards on the right hand. One boy wraps up the red
backed cards in a handkerchief and holds them. Three cards pass across
from the blue backed cards held by Le Paul to the packet of red backed
cards held, by the boy.
The Vanish of a Glass—A glass tumbler vanishes and is reproduced from the
hoy's coat collar.

THE GREAT LEVANTE

LONDON 1935 —SPECIAL DROPS — F U L L DRESS
Levante enters in full evening dress and proceeds to don the costume of an
Egyptian Magician. Stepping into an apparently empty cabinet he pro-
duces a mysterious form under cover of a large cloth. Again and again
he produces a form and when the drapes are thrown off they are found to
be two girls and Levante himself.
Walking Away from a Shadow.
Razor Blades and Length of Thread.
Production of T w o Girls from a Curtained Cabinet (dressed as pirates).
Nest of Boxes—Three borrowed finger rings shot from a pistol are found
inside the boxes.
Oven Illusion—(A variation of the Doll House).
Shooting Through a Girl.
Vanishing Dove—A dove, removed from a cage and placed into a wooden con-
tainer, vanishes and reappears in the cage.
"Where do the Ducks G o ? "
Magic Kettle—Any drink called for produced.
Three Card Trick (with Giant cards).
Substitution Trunk—(A metal trunk is used).
 LONDON 1935 — F U L L S T A G E
As the curtain rises a cocktail bar is seen in the center of the stage. A
girl enters and takes a seat at the bar, followed by Lyle, w h o introduces him-
self as "The Magical Milliner".
Bottle to H a t — P i c k i n g up a bottle from the bar, L y l e instantly transforms it
into a ladies' hat.
Silk from Glass—As the girl is about to sip her drink, Lyle reaches over and
abstracts from the glass a silk handkerchief, w h i c h becomes another
ladies' hat.
Production of a Hat from a Fashion Magazine.
Production of Hats from an Empty Box.
Production of Hats and Boxes from a N e w s p a p e r — L y l e picks up a newspaper
from w h i c h he produces a hat and three large hat boxes, from w h i c h in
turn are removed a hat for the lady, a hat for the barman, and a silk hat
for Lyle himself.
Removal of the Cocktail Bar—and on a darkened stage a paper covered hoop
is held before the light of a strong lamp. Plunging his hand through the
paper, another hat is produced. T w o other hoops yield similar results.
Giant Sized Hat Box, from which a large hat is taken, then shown. The sides
and the back of the box are opened out and then closed. The hat is rested
lightly on the top edge of the box, w h e n a girl magically makes her ap-
pearance.
Vanishing Gramophone—A gramophone is standing on a thin topped table.
While playing the latest record it is covered with light cloth and lifted
clear of the table. A shake of the drape and the gramophone has vanished.
L y l e is the originator of this effect.
Rose Bud Illusion—Silks are attached to a blackboard to form a rose. The
Board is revolved bringing into view a ladies' large hat, the c r o w n of w h i c h
opens disclosing a large rose bud. This in turn opens slowly disclosing a
girl's head.
Production of a Girl—A large platform is shown. Several screens and curtains
surround it for a second and when w i t h d r a w n a girl is seen seated before
her dressing table.
Costume T r u n k — A girl makes her appearance from an empty trunk w e a r i n g
a costume selected previously by the audience.
Cake in the Hat—Assisted by a boy from the audience.
Levitation of a Girl—Girl assistant is covered w i t h a cloth and caused to float
in the air. A hoop is passed around her and for a finish the girl vanishes
as the cloth falls to the stage.

It is obviously impossible to include tile p r o g r a m s of all professional m a g i c i a n s i n this

book. I a m well aware that m a n y skillful and talented performers who have possiblv
achieved greater reputation than m a n y in these pages are not included. My selections, to a
certain extent, have been decided b y the n u m b e r s of requests received to include the pro-
g r a m s of certain magicians and as many v a r i e d routines as possible.
 EUGENE LAURANT
EVENING DRESS — ONE ASSISTANT

Blcndo—Laurant picks up several silks and transforms them into a large but-
terfly silk.
Production of F l o w e r s from the Paper Cone.
Dove F r a m e — A production of twelve doves from a paper frame.
Production of Ducks from a Tub resting upon a Taboret.
Good Luck Cards are Scaled to the Audience.
Turban T r i c k — O c c a s i o n a l l y alternates w i t h the Rope Trick.
Sleights with Silks—Knot T y i n g — C h a n g i n g S i l k s — D y e i n g Silks.
The Cage and C a n a r y — A live canary is removed from its cage and placed in
a paper bag only to reappear in the cage.
Doll House.
A Candle, a Glass Tube, a Necktie and a Rabbit—A favorite juvenile trick.
Nest of Boxes.
Candy Trick and the Balloons—(Special f o r the Children.)
Chapeaugraphy—With a rim of felt and a cloak, Laurant makes many char-
acters
INTERMISSION
The Clock D i a l — C a r d s and numbers revealed b y the clock.
Rising Cards.
The Sands of the Desert (Laurant's own v e r s i o n ) — V a r i o u s colored sands are
placed in a b o w l of water and thoroughly mixed. Anyr color sand is pro-
duced from the b o w l as called for. Everything is shown at the finish.
Arabian Water Jars—Jars are shown empty, but fill on command and the w a t e r
is poured into a larger jar. This jar is filled to capacity. Upon being turned
upside down the water has vanished and two doves make a surprise ap-
pearance.
Doves and Rooster—Doves are produced but again vanish and in their place
is a live rooster.
The Drum That Can't Be Beaten—A massive production of silks.

GEORGE LA FOLLETTE
NEW YORK CITY —1931
Production of B o w l s of Water on Small Stands.
Three Card Monte w i t h Giant Cards.
T h e Jam Illusion—(Production of two girls.)
Production T a b l e — A b o w l of water is produced followed b y a b o w l filled
w i t h ducks.
Rice and Checkers.
Milko.
Rice Combination.
Cage and Box of Rice Transposition.
Cage Cannister and Glass Box.
A Chinese Scene and LaFollette in Chinese Make-up its Rush Ling T o y , the
Chinese Magician.
T h e Parasol and Mat.
"Where do the Ducks G o ? " (Duck Vanish)—LaFollette's routine.
Lota B o w l s — F o u r h o w l s arc used and a lot of comedy is injected w i t h the
pantomime action of catching the w a t e r in the air.
The Rooster Pan.
Quick Changes and Impersonations—LaFollette is seated at a table and the
various characters are created very rapidly behind a mammoth book. F o r
a finish he creates the character of Creatore, the famous Italian Band Con-
ductor, w i t h a burlesque of him leading the orchestra.
Cremation Illusion and Vanish from Cabinet.
 ARTHUR LLOYD
NEW YORK CITY 1935 — I N ONE
Opens dressed as a College Professor.
Several effects with Jumbo Cards, including the Four Ace Trick.
Chinese Sticks.
Production of any card called for from the pockets. These include menu
cards, meal tickets, rain checks, license cards, marriage certificates, lodge
cards and thousands of others are all at his fingertips the instant they are
called for. Lloyd's complete collection numbers over ten thousand cards
and his coat when fully loaded, weighs over forty pounds. He is contin-
ually adding to his list so that his collection has become the most complete
assortment of cards in the world.

LONG TACK SAM

The Oriental Master of Magic, assisted by his Troupe of Chinese Artists
FULL STAGE — SPECIAL DROPS
Magic, Juggling-Acrobatic Feats. The Magical portion of the act includes:
The Production of a Large Bowl of Water—Long Tack Sam executes a somer-
sault and at the completion it is discovered that he holds a large bowl of
water in his hands.
The Burned and Restored Tapes—A roll of double tapes are thrown out across
the stage. The ends of the tapes are held by two girl assistants and the
center of the tapes are burned through. The smouldering tapes are tapped
with a fan and found completely restored.

LESTA
WORLD TRAVELER AND MAGICIAN — 4 0 M I N U T E S — O N E ASSISTANT
Vanishing Cage and Canary.
Chalk Talks.
Rag Pictures (Three pictures with special music and lights.)
Card F a n s — F i f t e e n Card Trick—Giant Rising Cards.
Cut and Restored Rope.
Glass Through Glass.
Vanishing Rooster.

MIACO
NEW YORK CITY 1936 — F U L L D R E S S — O N E ASSISTANT
Cane to Silk—Miaco enters swinging his cane, which is tapped to prove that it
is solid. It instantly changes to a "Jack of Spades" silk. This silk is
shown on both sides but immediately a fan of cards is produced.
Card Fans and Sleights.
Rabbit Vanish (Nixon Sucker Vanish)—A small box is brought on and a live
rabbit is placed in the box. A pistol is taken and the audience expects to
hear a loud report of the gun, but instead the pistol springs open and dis-
closes a silk with the letters B A N G . The b o x is n o w taken apart but
there is n o trace of the rabbit.
Billiard Ball Manipulation.
Cigarette Routine—The catching of Lighted Cigarettes.
 CAPITOL THEATRE, NEW YORK 1935—SILENT ACT — 1 2 MINUTES
Martin is dressed in a neat business suit, soft hat and gloves with cane in
hand. He removes his hat and places same on table together with gloves
and cane.
Production of a Glass of Wine from Handkerchief. He drinks the wine.
Production of Twelve Silver Dollars from tbe Air—As each coin is produced, it is
dropped into the glass held in the hand. The hand is repeatedly shown
back and front.
Coin Passes.
Production of T w o Silks.
The Knot in Silk that Vanishes.
Blendo—The two silks are tied at one corner. A shake and the silks have
changed into a large 36 inch rainbow silk.
Production of a Cage and T w o Doves (From the Rainbow Silk) — Cage is
hung from a hook on the table. The cage is fourteen inches high and twelve
inches in diameter.
Card Fans and Sleights—Hat is picked up from the table. Continuous fans
of cards are produced at the fingertips and dropped into the hat.
Sterling Egg on the Fan—Martin shows a large black fan and a piece of paper.
Tearing off a corner of the paper this is moistened at the lips and crumpled
into a ball and tossed on the fan. Slowly the ball assumes the shape of an
egg as it is bounced on the fan. Reaching into his right coat pocket Martin
removes a small plate and the egg is allowed to roll onto the plate. Picking
up the egg it is now broken and dropped onto plate to show it is a genuine
egg.
Cigarette Production—A cigarette is removed from a case and lighted. This
is followed by the familiar routine of catching lighted cigarettes at the
finger tips. These are dropped on the stage until about ten cigarettes have
been produced and as he walks off for the finish Martin is seen smoking a
pipe.

MURRAY
LONDON —1933
Shooting Through a Woman (With the assistance of two spectators from the
audience) — A length of red ribbon is attached to a marked bullet.
The bullet is loaded in a rifle, the trigger is pulled and the bullet is impaled
in the target behind a girl assistant. The ribbon is pulled back and forth
through her body and through a selected card held in front of her body.
The Pincushion Girl—Walking sticks are passed through girl assistant's body.
Selected Cards Caught on the Point of a Sword.
The Girl Without a Middle.
Siberian Handcuff Escape.
Escape from a Slotted Box while Immersed in a Tank of Water.
 NEW YORK CITY 1935— World Renowned Magician and Wonder Worker
Mulholland makes his appearance w e a r i n g a mask of an Indian Magician
and the full costume of an East Indian Magician.
Cut and Restored Rope Trick.
The Mango Tree T r i c k — A metal bowl is shown, some earth is placed in the
b o w l and all is covered with a silk handkerchief. Very soon a shape rises
under the silk—something appears to be g r o w i n g and expanding. When
the silk is removed, a full grown plant is revealed in full bloom. The flow-
ers are cut from the plant and thrown to the audience to prove that they
are actual living flowers. The mask and costume are then removed and
Mulholland is seen attired in Tuxedo.
Thimble Moves and Manipulations.
Sympathetic Silks.
20th Century Silks.
Cut and Restored B o r r o w e d Handkerchief.
Pack Torn in Half and then Quarters—A card is selected, returned to the pack
and shuffled by a spectator. Mulholland now tears the pack in two. One
half of the pack is shuffled until requested to stop. One piece of a card is
n o w removed and placed on a stand back out towards audience. T h e
remaining part of torn pack is again torn in half and, a piece of card is
selected and removed from each part in the same manner as previously.
The selected card is then named for the first time. The three pieces of the
card are turned round and when placed together, form the selected card.
The Fifteen Card Trick.
Cigarette Case T r i c k — A cigarette case is shown to contain several cigarettes
and handed to a member of the audience. A card is selected and torn by
a spectator—but the card vanishes and is found restored inside the cigar-
ette case.
Passing of the C o i n s — S h o w i n g three silver coins in one hand and three Chinese
coins in the other. The coins are commanded to pass from one hand to the
other, one at a time. Each time a coin is passed it is verified by counting
the coins. The last coin is shown in outstretched hand. A second later
the hand is opened and the coin has vanished. Then the other hand is
opened and the six coins are counted.
T h e Chinese Rings.
The Vanishing Bird Cage—After the vanish an exit is made to don a Chinese
Mask of Ching Ling Foo with full Chinese Costume.
Springtime in China—Small piece of paper that changes to confetti.
Production of a Hugh B o w l of Paper Balls to represent Snow Balls.
Mulholland presents a clever show that holds interest throughout. He is
also one of the cleverest close-up magicians of the present day.
 THE GREAT MAURICE

NEW YORK CITY —1936

Card Shuffles.
Court Cards Mixed in Pack—After the pack is well mixed Maurice produces the
Court cards by various methods.
Jumping Matches—After lighting a cigarette the match jumps from his fingers.
Bill in the Cigarette—Hands are shown empty and a bill is produced. This
bill is placed in a handkerchief and vanished, but is found in the center
of a cigarette Maurice has been smoking.
Rope and Rings—A clever variation in which the rings are removed visibly.
For this effect Maurice makes use of his hat which has a hole in the center
and through this hole he passes the ropes.
Cards from the Pocket—Cards are shuffled and placed in the inside coat pocket.
Any card called for is instantly produced and only one hand is used. Any
hand including a full house, flush and four of a kind are also produced.
Maurice uses a broken French accent and such expressions as "I cut myself in
half" and "Ass of Spuds" are used throughout his act, which is one contin-
uous laugh.

SILENT MORA
Vanishing Lamp on Table.
Billiard Ball Manipulation.
Vanishing Bowl of Water.
Chinese Sticks.
Egg Bag.
Candle and Silks—A great comedy effect.
Small Rubber Ball Manipulation—An original
effect adapted for stage by Mora by using
two spectators to hold a small net. Mora
manipulates the balls so that they appear
and disappear at will.
Pool Cue from a Spectator's Pocket and a
huge production from the spectator's coat
of silks, paper ribbons and other articles.
Table Changes into a Walking Cane and Fan
—A surprise closing for a very clever act.

CHARLES NAGLE

CLUB AND PRIVATE ENTERTAINER — NEW YORK CITY 1936

Color Change of a Silk—("Shake hands with Charlie").

Egg Bag—Dove Pan—Ribbon Trick—15 Card Trick—Houclini Escape (Sliding
Card Frame)—Tearing a Newspaper with the name of the Organization.
Fish Bowl Production—Torn and Restored Paper Ribbon with explanations.
 NEW YORK CITY —1928
Opens with a beautiful draped stage in oriental black, red and gold setting.
Duck Pan—Production of duck from a small pan.
Sympathetic Silks.
Checker Cabinet with a production of small baby chickens at the finish.
Triple Bowl Production.
Needle Trick.
Production of T w o Doves, a Rabbit and a Duck from a paper covered frame.
"Where do the Ducks Go"—Four ducks are placed in a paper covered box and
then vanish.
Cut and Restored Rope Trick.

LOUIS NIKOLA
MASKELYNES, LONDON —1931
One of the most original magicians I have ever seen.

Attache Case to Table.

Umbrella from Hat—After removing his hat, Nikola reaches inside and pro-
duces an umbrella. Opening the umbrella, a solid umbrella stand is pro-
duced from inside the umbrella. The stand is placed on stage and um-
brella is placed inside.
Table top is raised and forms an easel for a card effect.
Torn and Restored Sheet of Paper.
Topsy Turvy Bottle.
Card Castle—A pack of cards is shuffled, placed on a small table, and covered
with a silk. The silk rises slowly and Nikola removes the silk revealing
a castle of cards. A shake of the table and the castle falls down.
Paper is folded to form a cone and filled with water. Immediately the paper
bursts into flames. The water has disappeared.
Orange and Silk Transposition.
A Blank Check filled in by a spectator for any amount. The check is n o w burned
and the ashes wrapped in a piece of paper. Another person is asked to sign
for the ashes. When the first spectator opens the paper he finds the orig-
inal check with the second person's signature.
Hand Shadows of Celebrities—Real life-like silhouettes conclude a great act.
 BILLY O'CONNOR
LONDON 1920 — T I M E OF ACT 12 MINUTES — I N ONE
Small table and two chairs on the stage.
Opens briskly requesting the assistance of two
gentleman from the audience to assist him. O'Con-
nor is blindfolded and a card is selected. O'Con-
nor names the card correctly, this is repeated and
O'Connor concludes the effect by naming the
cards on the face of the pack w h i l e it is held to-
wards the audience. The Blindfold is removed
and a number between one and twenty is request-
ed. Immediately O'Connor riffles through and
hands a portion of the cards to be counted. They
prove to be the correct number of cards. Anoth-
er number is requested between twenty and thirty
and again a portion is removed and again found to
be correct. Selected card is shuffled back into
the pack by spectator himself, but O'Connor finds
the card easily. Another card is selected but this
proves to be the same card. This card is placed
on the stage and a spectator requested to place
his foot on same and to select another card, but
again it is the same card. On picking up the card
from the floor it is found to have changed to
another one.
Cards from the P o c k e t — P a c k is divided in two and each half placed in a dif-
ferent pocket. Any card called for is immediately produced.
Working easily w'ith a running fire of clever comedy patter, O'Connor
makes a great hit.

TOM OSBORNE
CLUB WORKER AND PRIVATE ENGAGEMENTS — TUXEDO
Rising Cane.
Torn and Restored Newspaper.
Card Flourishes While Wearing Gloves—A blindfold is then put on and flourishes and catches
are continued.
Vanishing Gloves to a Bouquet of Flowers.
Production of Cards at the Finger Tips—Roth hands used f o r finish and production of cards
is made from each hand while hands are held at a r m ' s length.
Girl Assistant Works the Vanishing Bird Cage.
Production of W a t c h e s — W a t c h Sleights.

OKITO
Full Stage — Special Drops — Silent A c t — L o n d o n 1922 — Chinese Costume
Torn and Restored Paper Strip.
Confetti Changes Into Water.
Aerial Fish Catching.
Vanish of a Bird Cage on a Tray and its Reproduction.
The Floating Ball—Small box! opens and a ball floats out. A f t e r floating all over the stage it
returns to the small box.
Fish Bowl Production—Two ducks appear f r o m under cover of a f o u l a r d , again another tray
of ducks, and lastly a tray of flowers.
Burned and Restored Tapes.
20th Century Silk EfTect.
Production of a Bowl of Water in the Typical Chinese Fashion.
Bran Effect a la Rice B o w l s — A t finish a plant is disclosed in f u l l bloom instead of the usual
water production.
Production f r o m a Cylinder Suspended f r o m A b o v e — S i l k s , Flags, F l o w e r Darts and Live Stock.

PABLO
IN ONE — FULL DRESS — SILENT ACT
The Vanishing Cane—(Cane vanishes in a flash).
Torn and Restored Newspaper.
Card Manipulations and Production of Cards at the Finger Tips.
Production of Lighted Cigarettes.
 FREDERICK EUGENE POWELL
THE DEAN OF AMERICAN MAGICIANS — N E W YORK CITY 1930
Gloves to Dove.
Flowers f r o m a Paper Cone—Flowers are poured into a bare rib jxu'iiso! set upon an upright
stand.
The Untying Silk.
Decanter, W i n e and Crystal Ball.
Table Levitation at the Finger Tips.
Sun and Moon—A borrowed handkerchief is handed to a spectator and seemingly ruined by
him as it i>l later f o u n d in pieces. The pieces are w r a p p e d in tissue paper. A jjarasol
Is then introduced and also wrapped in paper. The torn pieces of the handkerchief are
found on the bare ribs of the parasol and in the other package the cover of the parasol
is found. The torn strips of the handkerchief are torn f r o m the tips of the parasol and
rammed into a magic pistol. Two candles in candlesticks are brought f o r w a r d , one on
each side of the stage. The pistol is fired at the selected candle. It is then brought
down to the spectator, w h o breaks the candle in h a l f and finds his own handkerchief
inside f u l l y restored.
The Miser's Dream.
Crystal L a d d e r — T h e coins flow down the crystal steps of the ladder into a hat.
Cards up the Sleeve.
Production of cards in endless quantities from the pockets and coats of members of the audi-
ence. The cards produced gradually increase in size until finally y a r d s and y a r d s of
giant sized cards all strung together make their appearance.

GLEN POPE
TUXEDO — I N ONE — O N E ASSISTANT —11 MINUTES
NEW YORK CITY —1934
Parasol and Silks.
Cut and Restored Ribbon.
Cigarette Passes and Sleights.
T h i m b l e Manipulation—Billiard Ball Manipulations.
Cecil Lyle Paper Hat Trick.

ENGLISH MAGICIAN — N E W YORK CITY—1930

The Holdup T r i c k — R a e explains that he was held u p recently by a holdup man, who removed
his handkerchief f r o m his pocket, then took his wrist watch and ring and also his roll
of bills and placed them all in the handkerchief. But the bandit did not know that Rae
w a s a magician and w h e n he opened out the handkerchief there w a s nothing in it, and
the wrist watch w a s found back on his wrist, the ring on the finger and the roll of
b i l l s in the pocket.
Silk and Match Box—Transposition.
The Pip Card — A card is selected and locatcd b y Rae but it proves to be the w r o n g c a r d .
However he proves to be a magician by p i c k i n g off the extra pips until the card becomes
the correct one.
Ink Bottle and T u r n i p — H a n d k e r c h i e f is borrowed and pushed into a bottle of ink. The h a n d -
kerchief is duly discovered inside a large turnip.
Bill T r i c k — A dollar bill w a s borrowed and m a r k e d a f t e r w h i c h it w a s sealed in a small
envelope. A cigarette now borrowed f r o m another member of the audience, placed in
Rae's month and lighted b y the owner. Rae meanwhile stands w i t h his hands behind his
b a c k to show that he does not handle the cigarette. A f t e r a f e w puffs t h e cigarette w a s
broken in half and the same marked bill is f o u n d inside and the envelope, of course.
Is f o u n d to be empty.
Mr. Rae has a great line of patter and makes a w o n d e r f u l impression.
 CARL ROSINI AND CO.
NEW YORK —1934 — F U L L STAGE — F U L L EVENING DRESS
Vanishing Cane and Its Reproduction.
Billiard Ball Production—At finish he throws them into a hat and in picking up
the hat they are found to have changed into one huge ball.
T w o silks are suspended from a metal stand. They are tied corner to corner.
A red silk is then placed in a small, glass decanter and at command van-
ishes and appears between the two silks on the stand.
The Parasol Trick—'The Turban Trick—Indian Basket Trick—Thumb Tie.

PAUL ROSINI
! 1935

Card Effects.
Thumb Tie.
Cups and Balls with the finish of a live chicken under each cup.
Torn and Restored Dollar Bill.
Mental effects.

ELMER RANSOM
NEW YORK —1933
Improved Princess Card Trick.
20th Century Silks—One silk vanished in a paper bag appears tied between
two other silks.
Selected Card Penetrates a Handkerchief.
Rising Cards—Three selected cards are replaced in pack. Then they rise in
succession when requested by the spectators w h o selected the cards.

THE GREAT RAYMOND

FULL STAGE — F U L L DRESS — 6 ASSISTANTS
Up stage is a small set of stairs—A flash and Raymond appears on the steps.
T w o large bowls shown empty are covered with foulards. Immediately the
bowls are full of oranges which are thrown to the audience.
Dove Catching in Net.
A small tray is filled with boutonnieres which are thrown to the audience.
Tray changes to a taborette from which ribbon flows. Taborette suspended
from a stand and the ribbon continues to flow into a small tub. From the
tub several ducks are then produced.
Cabinet Production—Cabinet is wheeled on stage and shown from all sides.
Curtain is closed and eight girls make their appearance from inside the
cabinet, two at a time. Raymond then steps inside and vanishes.
Dance by the Eight Girls.
Production of T w o Rabbits and Six Doves from Drums used by Assistants.
Doves Vanished (a la Duck Vanish).
Shadow Cabinet (with light inside)—Cabinet is shown from all sides, the
door is closed, and mysterious shadows appear. Finally a girl bursts
through from the inside.
Cecil Lyle Paper Hat Trick.
Gone Illusion—Assistant placed in chair which is hoisted on a pulley. Then
without any covering, the girl vanishes at the shot of a pistol and the
chair falls to the stage.
Substitution Trunk.
 ALLEN SHAW
THE FAMOUS MONEY MAKER — N E W YORK —1933
The Miser's Dream—A wonderful presentation of catching coins in the air
and depositing them in a hat. Sleights with the coins.
Card Passes and Flourishes—Finishing by producing cards singly from the air.

RUSSELL SWANN
NEW YORK —1936 — I N O N E — O N E ASSISTANT — 1 2 MINUTES
Milk Transposition-—Glass of milk vanishes by covering with a milk can, but
it reappears on a tray.
Osborne Rope Trick—Three pieces shown separately are restored in one piece.
The Handkerchief Box—Production of several silks one after another with
a clever comedy story.
Rice Bowls—Miniature size and producing a cocktail at linish.
Rabbit Vanish—Rabbit is placed in box which is then taken apart but the
rabbit has vanished. A sucker finish is used in which a piece of fluff
appears to be the rabbit's tail.
A pleasing act with a line of comedy patter.

The Master Magician—(Last week of the Thurston Full Evening Show,

April 20th, 1931, Tremont Theatre, Boston, Mass.)
As the curtain rises the girl assistants are doing a few dance steps.
Thurston makes his entrance and immediately produces two large fish bowls
on small tables from a foulard.
The Enchanted Flower Pots—Two trees change into girls.
Vanish of T w o Doves—Two doves are placed in a paper bag which is blown
to bits by a pistol shot.
Catching of T w o Doves in a Large Net.
Original Card Passes (In One).
Upside Down Cabinet—Girl is placed in cabinet and the door closed, but almost
immediately it is reopened and the girl is found upside down.
Levitation of the Princess Karnac—Girl floats in mid-air although members of
the audience are invited to come up on the stage to satisfy themselves that
there are no supports. The girl descends and this time a sheet is placed
over her and the form floats down over the footlights and into the audience
with Thurston controlling the form. As the form floats back to the stage
the sheet is whisked away and the girl has vanished.
The Escape Trunk.
The Mystery of the Blue Boxes—Girl placed in one box reappears in another
which is suspended in mid-air.
 THURSTON (Continued)

The " O H " C h a i r — A f t e r a girl is placed in a chair and covered w i t h a cloth,

her hand protrudes through the cloth and fires a pistol. At the shot she
vanishes.
The Dancing Handkerchief—A handkerchief is borrowed from a spectator,while
Thurston calls attention to the spectator's hair w h i c h has begun to move
in an uncanny manner. The handkerchief then takes on life. Thurston
then produces hundreds of playing cards from the victim's pockets and
at the finish a large duck from the coat collar. Apparently he can stand
it no longer for he runs down through the audience and out of the theatre.
T h e Torn and Restored Newspaper.
Miss Jane Thurston in a Song and Dance entitled "My Daddy's a Hocus Pocus
Man".
Shooting Through a Woman. ,
The Canary and Electric L a m p — C a n a r y is shot into a light bulb.
S w o r d Box.
A Rag, a Bone and a Hank of Hair (The Creo I l l u s i o n ) — A frame is covered
w i t h a sheet and a head placed in position. After a f e w touches w i t h
makeup the figure comes to life.
Sawing Through a Woman (Goldin Method)—Spectators hold the girl's head
and feet.
T h e Million Dollar M y s t e r y — T h e production of several pails of water from
a small box on four legs, followed by blocks of w o o d and many other
articles.
P A R T II.
Vanishing Pigeons.
The Spirit Cabinet.
T h e Floating B a l l — B a l l gradually appears from the darkness of the spirit
cabinet and floats about the stage and out into the audience. It finally
settles back into the cabinet and vanishes.
Aerial Fish Catching.
Miss Jane Thurston again in the production of silks from empty tubes followed
by two stacks of fish bowls.
T h e Mystic Follies R e v u e — A production of nine people from a cabinet.
Production of Live Stock from a P a p e r Frame.
T h e Hanson F l a g Cabinet.
Thurston again in the Eggs from the Hat, using a boy and girl f r o m the
audience.
Black Art Magic—9 minutes of Black Art Magic b y Miss Thurston, assisted by
Herman Hanson.
P A R T III.

MISS JANE T H U R S T O N
T h e Chinese Water Jar and the production of strings of lighted Chinese lanterns.

HOWARD THURSTON
Metal Rod Through the Girl's B o d y — A girl stands between t w o uprights and
a metal rod is pushed through the girl's body.
Production of Animals.
Triple E s c a p e — A girl is shot from a cannon into a nest of three locked trunks.
T r u n k s have been suspended in mid-air and after they are lowered down
to stage the girl is found in the innermost trunk.
Vanish of a Rabbit—A rabbit wrapped in a piece of paper and handed to a
small girl changes to a box of candy.
Iasis Illusion—A girl placed in a small cabinet, curtains pulled down and the
cabinet and the girl suspended from the dome of the theatre. Suddenly
the curtains in the cabinet spring up and the girl has vanished leaving
only the skeleton cabinet.
Water Fountain Act—Streams of water appear from e v e r y w h e r e .
 HOWARD THURSTON
45 M I N U T E PROGRAMME —PHILADELPHIA —1935
Out of a H a t — F r o m a Giant Opera Hat fourteen opera hats, 18 parasols, 8 silk
kimonas and three girls are produced in rapid succession.
Scaling Good Luck Cards to the Audience.
The Levitation of Princess Karnac—and the vanish of the Princess.
Vanishing Pigeons—Birds produced in a cage vanish when placed in a box
and are reproduced from a pan.
Aerial Fish Catching.
Seeing Through a Woman.
Mystery of the Blue Boxes.
Sawing a Woman in T w o .
Canary and Light Bulb.
MISS JANE T H U R S T O N
T h e Chinese P a g o d a — A small lantern suddenly changes to a large o n e —
from it steps a girl.
The Chinese Water Jars.
T h e Chinese B a g — A girl is placed in a bag and suspended in mid-air. A shot
is fired and the bag falls to the stage empty. Girl appears from front of
theatre.
Sympathetic Silks.
F l o w e r s from the Paper Cone.
The Handkerchief Frame.
Duck Pan.
Hanson F l a g Cabinet.
T h e Creo Illusion.
Dance b y Miss Thurston.
T H U B S T O N AGAIN W I T H T H E
Spirit Cabinet—The Floating Ball.
Vivisection—Wherein a girl is placed across the center of a large w h e e l like
structure. Her head protrudes from one side and her feet from the other.
T h e head and feet are seemingly chopped off a la guillotine and placed
above and b e l o w — t h e girl's body remaining across the center. At the
finis the girl of course is found uninjured. This w a s the last illusion that
Thurston produced.
Piercing a Woman.
Iasia Illusion.
T h e Mystery Water Fountains.
FINIS.

DR. H A R L A N TARBELL
NEW YORK —1936
The Vanishing Wand.
The Sand T r i c k — T a r b e l l changes to Arabian costume. Colored sands are
poured into a large b o w l of water and thoroughly mixed. Placing his
hand into the b o w l of water he n o w extracts first a handful of the red
sand, then the green and finally the y e l l o w and then pours out the w a t e r .
T h e Famous Tarbell Cut and Restored Rope Trick.
In Chinese Costume.
T h e Chinese L a u n d r y Tickets.
B a k e r Chinese Rice B o w l s .
Chinese Sticks.
Pantomime w i t h a Hair.
20th Century Silks (Douglas Version).
"Eyeless Vision" (or seeing with the linger tips). He is blindfolded w i t h
pads of cotton, adhesive tape and a black velvet band over all. He n o w
comes down in audience and describes articles in detail that are placed •
a f e w inches from his finger tips.
 TENKAI AND OKINU
JAPANESE MAGICIANS — NEW YORK 1934
Production of cards by both Tenkai and his attractive and talented wife.
Hands are clasped, palms facing the audience and one card after another
appears in the hands. Hands are shown back and front after each card is
produced.
Catching of Lighted Cigarettes.
Watch Production and Sleights—An endless number of watches are produced
from the air and placed on a stand or tree. After the watches, clocks are
produced in a similar manner.
The Chefalo Knot with a Silk.
Billiard Ball Manipulation.

"THE, USHERS"
(HARRY AND FRANCES U S H E R ) — N E W YORK 1931
IN ONE SPECIAL DROP — 1 6 MINUTES
A novel routine with special drop showing a fantastic city of towering
buildings with lighted windows. One building is the Airport which contains
an elevator to the top of the building, the landing stage for the airliners. No-
tices read "Paris 40 minutes," "Los Angeles 30 minutes" and "Chicago 10 min-
utes". Announcer calls Los Angeles airplane due on platform 3. An airplane
is n o w noticed approaching in the sky and aligbts on the top of-tbe large build-
ing. An illuminated elevator then descends, the door opens, and Harry Usher
emerges as though he has just arrived from the sky.
Cane to Table—The cane acts as a table base with three small legs opening out.
A table top is removed from the pocket of his coat.
Production of Bills—A one dollar bill is shown and by manipulating it in the
hands some twenty or thirty bills make their appearance.
Turban, Trick—Bemarking that a Chinaman showed him a trick with a piece
of red muslin or cheese cloth, he removes a piece of cloth from the pocket.
Comedy is obtained b y trying to light a cigar lighter and finally taking a
lighted candle from his pocket for the purpose of burning the ends of
the turban.
Needle Trick—Twenty-four needles used.
Usher then tells about a little girl that he met in Los Angeles. This girl
is a mind reader and if he just thinks about her she will appear. Another air-
plane appears in the sky and lands on the roof and down comes the elevator
again and this time the girl makes her appearance at the door. Into a series
of tests including reading letters, numbers, name cards and description of
articles. Cueing system defies detection. A slate test for the finish in which
Harry writes down figures supplied by audience and Mrs. Usher immediately
gives the total. Both depart by the airplane, but as plane takes off a small- par-
achute is seen to leave the plane—presumably Harry is getting fresh. A great
act with clean cut showmanship.

DAI VERNON
NEW YORK 1931 — P R I V A T E ENTERTAINER
I consider Vernon the greatest man with a pack of cards of the present day.
The Cups and Balls—With many original moves.
The Sponge Ball Trick.
Torn and Restored Cigarette Paper—A cigarette paper is taken and initialed
b y spectator. The paper is torn to pieces and rolled into a ball. When
reopening the paper is found restored and still bearing the spectator's
initials.
. Ring on Stick.
Card Effects—Vernon remarks that last evening in his hurry he unfortunately
 VERNON (Continued)
mixed a red backed card in the blue backed pack and this card was
reversed. Would a spectator make a guess on the card. A card is named
and on opening the blue backed pack one card is seen to be reversed. It
has a red back, on removing this card from the pack it proves to be the
same card that the spectator guessed.
The Five Card Selection.
As an encore Vernon says he will introduce an old Chinese Magician who will
show a famous Chinese Trick. Vernon exits for a minute and then an old
Chinaman makes his appearance and performs the Chinese Rings, followed
by the surprise finish of removing a Chinese Mask and Robe disclosing
Vernon himself.

EDWARD VICTOR
ENGLAND —1924
Milk Transposition—-Victor enters with closed opera hat and a muffler over
his arm. The hat is sprung open. Victor picks up a pitcher of milk and
pours the milk into the hat, but reaching into the hat he removes a glass of
milk. Placing the muffler over the glass, the glass vanishes and is repro-
duced from the hat.
Illusive STOP Trick.
Shadowgraphs—Hand shadows featuring shadows of the King and other prom-
inent personages.

OPWALD

fcmmodtTZ*.
^Ma^ioriUtr
LONDON —1918
V a n i s h i n g Bowl of W a t e r — A n assistant on the stage has a tray, a pitcher of water, and a bowl.
W i l l i a m s enters and pours water from pitcher into the bowl. A silk is placed over the
b o w l and all placed on top of a bamboo pole. Silk and bowl vanish f r o m the top of the
pole in a flash.
The Homing Bells—Eight bells vanish from hand and appear suspended on ribbons.
L a d y of the Bath Novelty — A girl is dressed up on the stage w i t h a bath towel, bath m a t ,
Sponge f o r the hat, soap and other toilet accessories. At the finish the girl is wearing
a modern dress with hat and hand bag and saunters off stage.
Torn and Restored Paper Strip.
Three Card Monte T r i c k — W i t h Giant Cards on an easel.
Half Crown Box of T r i c k s — W i t h the assistance of a small boy f r o m the audience, W i l l i a m s
explains and p e r f o r m s the various tridks in the box. Each t r i c k is a little different
than the routine version.
Jig Saw Faces—tA novelty in which Various faces are made f r o m circles on an easel and
pieces of Jig Saw cut-outs such as making a picture of Lloyd George, then removing
Lloyd George's mustache and replacing it w i t h another.
Girl Tied at Stake—Escapes at will.
Artist Illusion—Williams in an Artist's costume paints a f u l l sized picture of himself. Picture
comes to l i f e , steps out of f r a m e and proves to be W i l l i a m s himself.
Other Illusions such as the Diamond Girl and The Dress Model Shop were also included
in this show.
 OSWALD WILLIAMS
ASSISTED BY MISS MARY MASKELYNE — MASKELYNES — LONDON 1931

Square Pig Novelty (U. F. Grant's)—Williams draws a picture of a pig on a

slate—the pig now looks round.
"Seeing is Believing"—One of the greatest magical effects I have ever witnessed.
Showing a small red box, Williams places a green silk into the box with
the remark "Maybe you think that you see me placing a green silk into a
red box,i but really I am placing a red silk into a green box," and as he
says this the box changes to green and the silk becomes red.
Topsy Turvy Bottle.
Rings to Chain—Rings shown separately and thrown in air change to a linked
chain.
Bill in the Cigarette—A bill is borrowed and owner asked to write his name
across its face. A cigarette is borrowed and placed on a small stand in
full view. The bill is n o w rolled up and placed into a small pistol which
is fired at the cigarette. The cigarette is removed and when broken open
the exact same bill is found which is returned to the owner. The same bill
that was placed in the pistol is found in the cigarette.
"Once Upon a Time"—In which Williams tells a story to Miss Maskelyne about
a Conjurer w h o was in love with a beautiful girl. A girl's bag changes
color and salt changes to a necklace during the course of the story.
"Invisible Wine"—In which wine is poured from an invisible bottle.
Ark Illusion—An ark is built on the stage followed by the production of card-
board cut-outs in the form of comic animals.
"Grandmother's Work Basket"—A piece of ribbon and a pair of scissors. Rib-
bon is threaded through the scissors, and wound around and the ends
tied. Still the ribbon is removed from the scissors and the ends remain
tied. Ribbon then cut in the center and restored.
"The Dizzy Limit Illusion"—Girl placed in a hammock vanishes in mid-air.
Williams is truly England's Greatest Magician.

WILLISTON
NEW YORK —1936

Presenting twenty minutes

of whirlwind hodge - podge
of this and that. Don't blink
your eyes or you will miss a
trick.
Vanishing Bird Cage—Removes his coat to show that cage has vanished com-
pletely.
Burned and Restored Paper Ribbon.
Torn and Restored Newspaper — Afgan Bands—Sympathetic Silks—Cut and
Restored Rope — Production of a Glass of Water from a Bag — Billiard
balls. Card Effects—Thought Transference—Find the Deuce.
Hunter Cigar Production—Egg and Silk Combination—Spirit Slates—The Ris-
ing Cards—Ring on the Wand—Card in the Cigarette—20th Century Silks—
A bit of Fun (with two assistants from the audience). Productions of
Silks, Ducks, Pool Cue, String of Frankfurters from the Coats of the Boys.
Chinese Rings.
One of the fastest magic acts in the business with a running fire of comedy
that has the audience in screams of laughter.
 WALLACE
1934
Dyeing Silks—Birds from the Air—Doll House—The Rapping Hand—Cut and
Restored Necktie—Solid Through Solid—Flower Production—The Elusive
Parasol—Torn and Restored Newspaper—Cut and Restored Rope—Miser's
Dream—Ventriloquism—Chinese Rings—Levitation of a Girl—Chalk Talk
—Vanish of a Rabbit and Duck.

HERMAN WEBER
ONE MAN FULL EVENING SHOW — 1936 — EVENING DRESS
Rising Glove—Gloves to Bouquet—Cane changes to Flower Plant.
A Production of Four Flower Plants and T w o Doves from Silk Foulard.
A Large White Silk Multiplies to Four—Dyeing Silks.
Rising Cards—Card Spider.
Ball Passes from Base to a Hat—Production of Blossom Balls from the Hat.
Silk is Shot Into a Light Bulb.
Chinese Linking Rings (Original Moves).
Mental Magic.
Production of Roses.
Chinese Costume for Parasol and Mat—Ball and Ribbon Release.
Visible Appearance of a Rabbit in Box—Aerial Fish Catching—Lota Bowls.

LUIS ZINGONE
NEW YORK CITY — 1934 — IN ONE — TIME OF ACT 12 MINUTES
Cut and Restored Rope.
Card in the Cigarette.
Sympathetic Silks.
Egg and Silk.
Torn and Restored Newspaper.
Luis Zingone is one of the cleverest card
men in magic and between playing in vau-
deville Zingone plays exclusive private
engagements for New York's Four Hun-
dred. His presentation and showmanship
is perfect and his chatter brings one c o n -
tinuous stream of laughs.
 ANNEM ANN'S
COMPLETE ONE MAN MENTAL AND
PSYCHIC ROUTINE
A n Act by Itself—A H a l f H o u r of Modern Merlinism
Mental and Psychic tests are presented in a routined order. This
routine can positively be learned f r o m start to finish and used as a
club or private party act in itself. W i t h this same act Annemann has
built up a world wide reputation.
Annemann's Choicest billet methods and e f f e c t s — " T h e Telephone
D r a m a " , "The Dead N a m e Test", "Book Mentalism", "Telepathy P l u s "
and many, m a n y more $2.00

Annemann's Mental Bargain Effects

E L E V E N C L E V E R E F F E C T S OF A MENTAL NATURE
30th Century Television The Modern Mindreader — New Dou-
ble Telepathy Routine — Mental Masterpiece — Diabolo Pellet Read-
i n g — Psychic W r i t i n g — Eyes of the U n k n o w n — I m p r o m p t u Mind
Reader, and others. In printed booklet f o r m $1.00
Blue Print of " T h e Elusive L a d y " (Amac) $1.00
Blue Print " B u z z Saw Illusion" $5.00
"Producing Lighted C i g a r e t t e s " — A clever book by Lloyd ex-
plaining in detail the most advanced methods on the Lighted
Cigarette Catching Act $1.00

"Modern Hand Shadows"

By M A X HOLDEN

is the first book in years on the Art of Shad-

owgraphy and the most practical as well as
clearly explained treatise on the subject.
This exhaustive work on Modern Hand
Shadows fully reveals the entire shadow act
as presented by Mr. Holden (including the
f a m o u s Monkeys on the Tree number) in
every civilized country of the world $1.00

Jean Hugard's Series of Real Professional Card Secrets

Card Manipulations 1 and 2 .....$1.00
Card Manipulations No. 3 .....$1.00
Card Manipulations No. 4 $1.50
Card Manipulations No. 5 $1.00
A L L IN P R I N T E D B O O K FORM
IN V I E W OF T H E F A C T T H A T THIS B O O K HAS T O BE LIMITED
TO 48 P A G E S SO AS T O SELL A T $1.00, W E CONTEMPLATE A
SERIES No. 2 T O I N C L U D E A LIST OF MAGICIAN'S PROGRAMS
N O T A V A I L A B L E A T THIS PRINTING