MELBOURNE

MUSIC PLAN
2018-21
SUPPORTING, GROWING
AND PROMOTING THE CITY’S
DIVERSE MUSIC INDUSTRY
 CONTENTS

Message from Councillor Leppert 3

Introduction 4

Background 4

City of Melbourne’s role 6

Strategic context 6

Relationship with other levels of government and industry 7

Our new Music Plan 8

Detailed consultation 8

Key focus areas 8

Vision 9

Definition of ‘music’ 9

Key Focus Area 1: Industry development and diversity 10

Key Focus Area 2: Innovation and technology 14

Key Focus Area 3: Visitor economy and international profile 16

Key Focus Area 4: Regulation, urban growth and infrastructure 20

Implementation 24

Evaluation and reporting 24

Acknowledgments 24

April 2018

Cover Image: Melbourne Music Week 2017. Photo Credit: Jayden Ostwald
Womin-je-ka (Welcome)
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melbourne.vic.gov.au
 MESSAGE FROM
COUNCILLOR LEPPERT

With a vibrant music scene and rich cultural history, Melbourne has long been recognised
as a leading global music city. In fact, music has been part of Melbourne’s story long before
Europeans first arrived on the banks of the Yarra River.

From intimate bars tucked down laneways, to century-old From artists, collaborators and producers, to educators,
pubs and super-sized stadiums, Melbourne is home to more innovators, buskers and audiences, we’ll continue to work
than 500 live music venues – that’s more per capita than closely with the music industry and community to help
any other major global city. Our local live music scene is grow our reputation. We want to see our music scene
the perfect incubator for emerging artists, while our major continue to thrive and make sure our music culture remains
entertainment venues play host to some of the world’s diverse and resilient.
biggest music names.
We encourage you all to support our music industry and
Music is an industry that brings enormous social and cultural get involved in our legendary local music scene.
enrichment, along with significant economic benefit. The
City of Melbourne plays a vital role in supporting our music
industry – and that’s why we’ve developed the Melbourne
Music Plan 2018-2021. This plan will continue to build on the
solid foundations of the last eight years, strengthen support
for local artists and help empower the next generation of
Melbourne musicians. Councillor Rohan Leppert
Chair, Arts, Culture and Heritage Portfolio

Yirramboi First Nations Arts Festival 2017. Artist: Uncle Larry Walsh and Tongbernag’i Ngarga. Photo Credit: Bryony Jackson

2 melbourne.vic.gov.au/music Melbourne Music Plan 2018-21 3

INTRODUCTION

Background
The City of Melbourne released its first music strategy in
2010, in the midst of a vibrant public discussion about live
music in Melbourne that opened up a conversation with
musicians, venue operators, government, educators and
industry about how we could work together to build on
Melbourne’s reputation of being a great music city.

Launched in 2014, our second strategy built on this

platform and gained international acclaim by promoting
Melbourne’s strengths as a music city and destination, and
facilitating new collaborations, projects and partnerships
with local, national and international stakeholders and
industry representatives.

Our new Melbourne Music Plan 2018-21 consolidates the

city’s reputation as a global music capital by focusing on
Melbourne’s wider music ecosystem, providing grassroots
support for the next generation of musicians and music
entrepreneurs, and opening up opportunities for people
from diverse backgrounds.

Melbourne Music Week. Photo Credit: Jayden Ostwald

4 melbourne.vic.gov.au/music Melbourne Music Plan 2018-21 5
 City of Melbourne’s role Relationship with other levels of “The work the City of
Our achievements The City of Melbourne has an important role to play government and industry Melbourne has delivered
Some of the key successes of the Melbourne Music
in creating the right environment to help emerging
and established musicians explore their creativity, find
During the development of this Music Plan for 2018-21, we through the Melbourne Music
Strategy 2014-17 include: opportunities to perform and collaborate, and become
considered recent changes in the music landscape that
have occurred since the last strategy was released in 2013, Strategy 2014-17 has been
increasingly self-sustaining.
Celebrating Melbourne’s music story including the work of industry stakeholders, and other levels remarkable for the way it
of government.
• Melbourne Music Week, an annual
As a global music capital, with an inclusive and culturally
diverse community, Melbourne has the infrastructure,
has maintained focus on the
The City of Melbourne works collaboratively with industry
celebration held over nine days, featuring
around 100 events, 250 artists, 40 venues and
experience and passion to celebrate music in all of its forms
organisations, surrounding local Councils, other capital objectives of the program…
– across the city and around the world.
a changing performance hub including St Paul’s city local government departments and State Government
to support music performance, promote music education,
As Melbourne looks to develop
Cathedral, State Library of Victoria and Queen The City of Melbourne has a significant leadership role in
Victoria Market acknowledging the deep and ongoing cultural and musical facilitate industry development, and share best practice. a new (plan) for the future,
• Laneway named in honour of the legendary traditions of Melbourne’s First Nations people.
This collaborative approach is demonstrated by a number it is important to recognise
Chrissy Amphlett, lead singer of Divinyls
By engaging with key government and industry partners, of partnerships, including with Music Victoria, and a recent
Memorandum of Understanding signed between the City
the great work that has been
• Self-guided walking tour exploring Melbourne’s facilitating new connections, and supporting new talent,
music history and venues ideas and music technology, we can ensure Melbourne of Melbourne and Creative Victoria aimed at strengthening delivered to date.”
remains a prosperous, creative and well connected the liveability and reputation of Melbourne through its
Sharing international ideas and practice global city. creative industries. John Wardle, Director, National Live Music Office

Melbourne Music Plan 2018-21 aligns with Creative Victoria’s

• Inaugural 2015 Melbourne Music Symposium,
which attracted over 100 industry representatives
Strategic context Creative State 2016-20, and particularly Action 29 that
from around the world to discuss ‘what makes a aims to position Melbourne as a global cultural destination,
Melbourne Music Plan 2018-21 sits within a broader policy based on having the right mix of cultural infrastructure,
successful music city’ context that seeks to build on the strengths and attributes organisations, programming and investment. As a capital
that have made Melbourne the world’s most liveable city for city government, the City of Melbourne has worked closely
Gathering data and reviewing regulation seven years running. 2 with the national Live Music Office on research into the
• Co-author with the Live Music Office of a report contribution of live music to the Australian economy as
The plan has been designed to further the aspirations of
outlining the cultural and economic contribution well as collaborated on regulatory issues through the
Future Melbourne 2026, including the community’s vision
of live music to the national economy1 State’s Live Music Roundtable. We keep up-to-date on best
for Melbourne to be a ‘sustainable, inventive and inclusive
practice from other cities and states and look at ways of
• The city’s first venue operators’ forum, Melbourne city that is vibrant and flourishing’.
maximising creative, commercial and cultural opportunities
Venues Day, to enable open discussion about for Melbourne’s music sector.
current industry challenges and opportunities It contributes to the goals and priorities of the Council Plan
including noise regulation 2017-21, particularly Goal 3: A creative city, which focuses on
investing in the creativity of people of all backgrounds and
Supporting local talent abilities, and Goal 4: A prosperous city, which looks at ways
of assisting entrepreneurs and businesses to thrive in their
• Melbourne Music Sampler distributed to festivals chosen fields and give back to the local community.
and events around the world
Melbourne Music Plan 2018-21 supports Melbourne’s music
• Funding for dozens of music-related projects
industry to be a place that inspires experimentation,
including $30,000 for a new recording studio in
innovation and creativity, and fosters leaders of ideas
West Melbourne, a virtual reality Music Room, a
and courage.
Sounds of the City magazine showcasing new
local music, and the landmark Yirramboi First
Nations Arts Festival.

1
The Economic and Cultural Value of Live Music in Australia 2014
2
Economist Intelligence Unit's (EIU) Liveability Index, 2011 to 2017

6 melbourne.vic.gov.au/music Melbourne Music Plan 2018-21 7

OUR NEW
MUSIC PLAN
Melbourne Music Plan 2018-21 is a three-year plan for
Melbourne’s music ecosystem that expands on work already
Key focus areas
underway across the city to support diverse local talent, Melbourne Music Plan 2018-21 includes four key focus areas:
provide safe and inclusive spaces to present music, and
leverage international best practice. 1. Industry development and diversity

The Music Plan addresses a key action in Council Plan 2. Innovation and technology
2017-2018 to ‘build on the achievements to date in
collaboration with the music industry and key partners’. 3. Visitor economy and international profile
It also responds to a number of opportunities and
challenges that emerged during consultation with 4. Regulation, urban growth and infrastructure
industry and the wider community in mid to late 2017.
Each key focus area is linked to an overarching goal and a
set of clear priorities for realising that goal.
Detailed consultation
Consultation for the new Music Plan included two
workshops with the Music Advisory Committee, interviews
with key industry representatives and consultation with “In our global network of
internal stakeholders across Council to develop an updated
vision and key focus areas. The draft vision and key focus music cities and music
areas were released for public comment in October 2017
via Participate Melbourne, the City of Melbourne’s online
advocates, Melbourne stands
community engagement portal. out as a shining example of
Community feedback identified that specific priorities a city that puts great value
were needed to support Melbourne’s music ecosystem
at a grass roots level and provide more opportunities for
on music and the health
non-professional musicians and people of all ages, cultural of the music community.
backgrounds and abilities. Feedback also highlighted the
importance of promoting local exports, new programs and We often point to Melbourne
emerging talent, and supporting innovative local music
businesses and ideas.
as a source of inspiration
and best practices and it
Another key observation, based on the experience of
implementing the 2014-17 strategy, is that actions are will be exciting to see the
sometimes more effective if worked on collaboratively
by a subgroup of industry, education, community and
achievements that come from
committee representatives. We want to continue to engage a renewed music strategy.”
with the wider music industry on key priorities and larger
projects, and will invite feedback from a diverse range of Amy Terrill, Executive Vice President, Music Canada
stakeholders through various channels.

Vision Definition of ‘music’

Melbourne is a global music capital with an inclusive ‘Music’ is defined in this plan as any live or recorded
and culturally diverse music culture. Our city leads the performance by a singer, instrumentalist, band,
world in helping emerging and established musicians DJ or street performer that takes place indoors or
to be creative and self-reliant. Outward looking and outdoors, in a traditional or non-traditional venue or
entrepreneurial, Melbourne knows how to showcase is experienced through digital technology such as live
its rich musical offering, including its unique, enduring streaming or virtual/augmented reality.
and continually evolving Aboriginal culture and its
broad mix of post-settlement cultural influences and The ‘music industry’ includes emerging and
genres. We export musical talent, ideas and technology established musicians, ensembles, groups, venue
around the world. operators, promoters, managers, peak bodies,
recording studios, journalists, bloggers, commercial
and community broadcasters, professional arts
companies, production and equipment providers,
music educators and universities

Freya Josephine Hollick – The Age Music Victoria Awards 2016. Photo Credit: Martin Philbey

8 melbourne.vic.gov.au/music Melbourne Music Plan 2018-21 9

KEY FOCUS AREA 1:
INDUSTRY DEVELOPMENT AND DIVERSITY
Link musicians and entrepreneurs from diverse
backgrounds with tools, technologies and
Priorities
mentors to help them create new music, reach
new audiences and distribute music through 1. Continue to develop Melbourne Music
new and existing platforms. Week as a diverse music festival that serves
and is guided by Melbourne’s music industry
One of the hallmarks of a healthy music city is a culture of and venues, and predominantly showcases
diversity and resilience where musicians, managers and local musicians.
venue operators support each other and work together to
find new audiences and opportunities for professional and 2. Continue to support Melbourne’s education
non-professional musicians. sector by working collaboratively to provide
professional development opportunities for
Melbourne is a city of music lovers. We are committed local musicians and young entrepreneurs.
to giving people of all ages, socioeconomic and cultural
backgrounds access to music and music making. 3. Support music performance and curatorship
opportunities for emerging, grassroots artists,
The City of Melbourne will continue to support Melbourne’s buskers, Aboriginal artists and musicians from
music ecosystem at a grass roots level through its existing all backgrounds. Lead by example by engaging
activities, collaborations and partnerships, and by working emerging musicians from diverse backgrounds
collectively with industry, education and community at City of Melbourne events.
partners to build a strong, sustainable music sector.
4. Support Melbourne’s music ecosystem at all
A key part of our approach will be to support up and levels through ongoing research and data
coming musicians, entrepreneurs, unsigned artists and collection through partnerships and key
buskers by connecting them to opportunities in music projects such as the Live Music Census and
education, youth programming and performance. We will Music Infrastructure Mapping.
also be more innovative in how we program music, with
guest curators and mentors from different backgrounds,
ages, ethnicities and musical genres.

Through the Live Performance Award Pay Guide, the City

of Melbourne will continue to set a precedent for paying
Fair pay for Melbourne musicians
all musicians fairly. And we will support the work of other
agencies and projects to promote safe, non-discriminatory, As an organisation that regularly employs
non-smoking, alcohol free events. musicians for a range of events and initiatives, the
City of Melbourne recognises it has a leadership
As a leading music city, we are always looking at best
role in terms paying artists fairly for their work.
practice models from around the world and we will
We will be guided by and promote musicians and
continue to initiate, contribute to and share research that
performer rates according to the Live Performance
increases our understanding about the changing nature of
Award Pay Guide, which is endorsed by the Fair
Melbourne’s music industry.
Work Ombudsman.

Gawurra - The Age Music Victoria Awards 2016. Photo Credit: Martin Philbey

10 melbourne.vic.gov.au/music Melbourne Music Plan 2018-21 11

 Supporting local talent @ Sunday Lounge

Providing mentoring and development opportunities specialising in touring culturally diverse acts, said
for local musicians is a key aim of Melbourne Music Plan projects like Sunday Lounge “play a crucial role in
2018-21 and a consistent theme across all of our industry having a cohesive, diverse community.”
and community consultation.
Fellow creative producer, Chelsea Wilson, herself an
Sunday Lounge Music Program, an initiative of our acclaimed soul/jazz artist and DJ, said Sunday Lounge
previous music strategy, looked at how best to use was “hugely useful in developing (her) own career”
new and existing community hubs for low-scale and offered artists and producers valuable experience
performances as well as create mentoring opportunities and connections.
for mid-career producers and musicians.
Each lounge performance is followed by a question
Launched as a six-month pilot in 2015 at the Library at and answer session, which allows for a more intimate
the Dock, the program celebrates Melbourne’s diverse conversation about musical craft and provides an
music culture while supporting the health and wellbeing opportunity for diverse musicians and audiences to
of local communities. It has been so successful that it is come together and share personal stories in a safe,
now into its third series, with current creative producer accessible environment. Around 10 per cent of audience
Yeo Choong. members are from interstate or overseas.

Three creative producers have worked on Sunday The program is now being used as a model for
Lounge to date, engaging 18 paid acts, with audiences activating other community hubs across Melbourne
averaging 50 to 80 people. and providing mentoring to non-professional musicians
from diverse backgrounds.
The program’s first creative producer, Murat Yucel,
who runs a Melbourne-based production company

Year one supporting actions

“Great event, please • Deliver a new plan for Melbourne Music Week by
keep running this evaluating the current model to ensure an event which is
unique to Melbourne, in line with audience and industry
community program…” trends, and supports our Music Plan’s vision to be a global
music capital with an inclusive and diverse music culture.

“Don’t live in Docklands • Engage with local musicians and stakeholders to identify
how the City of Melbourne can further support emerging
but I travel down for these and non-professional musicians of all genres develop their
skills and present their music in the City of Melbourne.
music sessions… I enjoy
• In collaboration with industry partners, create new
(them) so, so much.” mentoring and performance opportunities that support
career progression, knowledge and connections and
Feedback from Sunday Lounge audience members include diverse music community members.
• Release the Melbourne Live Music Census 2017 in
conjunction with industry partners.

Ben Whiting

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KEY FOCUS AREA 2:
INNOVATION AND TECHNOLOGY
Encourage connections between music and
technology to provide more opportunities for
Priorities
musicians to experiment, collaborate and reach
new audiences. 5. Facilitate connections between music
startups, musicians, innovative businesses and
Melbourne is an innovative, highly creative city that readily
the broader community through programs and
embraces new technology and its exciting possibilities in
events such as Melbourne Knowledge Week
terms of creative expression and breaking down barriers to
and Melbourne Conversations.
access and participation.
6. Support connections between musicians,
Through a range of programs, activities and partnerships,
technicians and technology developers by
the City Melbourne will work with industry and the
linking entrepreneurs, students and researchers.
community to maximise the potential benefits for
Make these groups aware of government
local musicians and audiences of new and emerging
funding opportunities and programs and provide
technologies.
access to community innovation labs or similar.
This Music Plan will link with a number of initiatives outlined
7. Explore innovative ways of presenting music
in the Startup Action Plan 2017-21, which are designed to
across the municipality and encourage startups
propel Melbourne startups and entrepreneurs to ‘start, grow
to test and prototype music products and
and go global’ over the next four years and beyond.
services through activities such as innovation
These initiatives may include new ways of: challenges and competitions.

• making, recording and sharing music 8. Promote existing City of Melbourne programs
and facilities that support music and technology
• collaborating and connecting with other musicians including Annual Arts Grants residencies and
community recording and performance facilities.
• engaging with audiences and reaching new audiences
• supporting smart music entrepreneurs, content creators
and local startup businesses.
Year one supporting actions:
We are ready to work with industry to identify issues, solve
problems faced by local musicians, and explore innovative • Promote City of Melbourne’s recording, rehearsal and
ways of connecting creators and audiences through community facilities and support experimentation in
innovation and technology. music, technology, production and performance in
these spaces.
• S
upport music innovation, new ideas and sustainability
practices in music through Melbourne Knowledge
“Technology and support Week 2018.
of smart local business is • C
ontinue to connect music businesses and innovative
imperative for (our) future.” entrepreneurs with our Small Business Grants program
to help grow innovative music startups.
Community feedback, Participate Melbourne • E
xplore new ways of supporting music startups and
entrepreneurs through engagement, connection and
City of Melbourne Smart City initiatives.

Yirramboi First Nations Arts Festival 2017. Artist: Naretha Williams / CIRCLE. Photo Credit: Bryony Jackson

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KEY FOCUS AREA 3:
VISITOR ECONOMY AND INTERNATIONAL PROFILE
Continue to promote Melbourne as a vibrant,
international music destination and work
Priorities:
with industry and other partners to maximise
opportunities for local musicians, audiences 9. Support events that embrace a range of
and music entrepreneurs. musical styles, forms and practices and
encourage musical collaboration, physically
Melbourne is a 24-hour city with its own unique and and digitally, to break down socioeconomic and
ever changing soundtrack. cultural barriers and enable visitors to experience
Melbourne like a local through our Visitor
The city offers a diverse mix of musical styles and
Economy programs and marketing channels.
performance, a myriad of live music venues from high
energy to lounge, accessible facilities for recording and 10. Strengthen Melbourne’s brand as a unique music
collaboration and a leading music education sector, all city by promoting our eclectic mix of genres,
sustained by a living Aboriginal musical culture that dates styles and scenes, and profiling local artists
back thousands of years. including Aboriginal artists, through our existing
programs and events.
The City of Melbourne plays a key role in supporting
and promoting local musicians and music entrepreneurs 11. Continue to work with State agencies and
through its existing campaigns, visitor service hubs, industry stakeholders to showcase Melbourne’s
events, conferences and partnerships. We will continue to musical strengths in interstate and international
collaborate with our industry partners to promote local promotional and tourism campaigns.
talent internationally and increase Melbourne’s profile as
one of the world’s great music destinations. 12. Work with industry partners to evaluate the
need for more research into the economic and
We will also continue to strengthen the city’s musical social contribution of music-based tourism
and cultural tourism offering through existing and new to Melbourne.
partnerships that activate city locations and reach city
workers, international students and visitors.

Charley Drayton at Amphlett Lane Opening

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 Celebrating Melbourne as a music education city

Promoting Melbourne as a destination of choice to Cunningham said a key part of the video was its
study music is the primary aim of a new video targeted soundtrack that features new works by six highly
at students and parents around the world. talented Melbourne music students, selected via
an Expression of Interest process, including Marion
The idea for the video came from a workshop at the Grunden, Alex Eynstone, Jordan Ross, Jamie Griffiths,
Melbourne Music Symposium, hosted by the City of Ryan Cara and the daughter of iconic Australian
Melbourne in November 2015, which focused on ways singer/songwriter Paul Kelly, Memphis Kelly from the
of attracting the brightest young minds to further their band Satsuma.
music education in Melbourne.
Project partners included the University of
Following the symposium, the City of Melbourne Melbourne’s Victorian College of the Arts and
brought together academics and educators to Melbourne Conservatorium of Music, RMIT University,
brainstorm a number of ideas, with everyone agreeing Box Hill Institute, the Australian Institute of Music,
a video highlighting Melbourne’s music scene and Collarts and SAE Creative Media Institute. A steering
education sector could transcend cultural and language group was set up to provide strategic advice prior to
barriers and act as a great tool to bring students and during the production.
to Melbourne.
Now accessible online, the video attracted over
“As well as promoting the city as a destination of choice 217,800 views in a single promotional campaign,
we also wanted to show that Melbourne is a great place reaching around 668,000 people and generating more
to live and work as a young musician with so many than 4,200 likes. It is now being used by education
opportunities to perform, collaborate, be inspired partners to encourage overseas and interstate music
and pursue a music career,” said Creative Producer students to excel in education, employment and
Ben Cunningham. community life in Melbourne.

Year one supporting actions:

• Support the delivery of Melbourne Music Cities

Convention 2018 in collaboration with Music Victoria,
Creative Victoria and Sound Diplomacy.
• Seek further opportunities to work in partnership with
industry to promote and support Melbourne music
exports at international festivals and events, including
via the Melbourne Music Sampler, video content and
new marketing initiatives.
• Support music performance opportunities and promotion
of diverse local talent through our Visitor Economy
programs and hubs.
• Explore new opportunities to promote Melbourne’s music
city brand through City of Melbourne marketing and
tourism channels.

Melbourne Music Week 2017. Photo Credit: Jayden Ostwald

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KEY FOCUS AREA 4: REGULATION,
URBAN GROWTH AND INFRASTRUCTURE
Protect and expand the current diversity of music
spaces in Melbourne by advocating for development
Priorities:
and regulation that supports music venues and keeps
pace with industry and community needs. 13. In the early stages of new urban renewal
and major infrastructure projects, consider and
To maintain its place as an international music city, where
explore ways of incorporating spaces that can
music happens in a variety of planned and spontaneous
support music performance and artist housing
ways, Melbourne must retain its culture of everyday music
in line with the Melbourne Arts Infrastructure
activity and its strong support for a wide variety of music
Framework Implementation Plan.
venues and spaces.
14. Collaborate with industry and other partners on
A rapidly growing city, Melbourne is currently experiencing
a comprehensive heritage study of Melbourne’s
significant development and urban renewal and is projected
music venues to determine their heritage
to become Australia’s largest city by 20303.
significance, with the aim of achieving greater
The City of Melbourne will continue to work with local protection under the Planning Scheme.
musicians, entrepreneurs and venue operators to support
15. Support Melbourne’s late night economy by
existing performance spaces, gain access to new spaces,
continuing to deliver core programs and forums
and think creatively about where and when music can be
that benefit local music venue operators and
performed, including as part of new developments and
licensees such as Melbourne Venues Day,
emerging city precincts.
Melbourne Licensees Forums and the Safe
Small venues will continue to be the life-blood of Nights Out for Women Project.
Melbourne’s local live music scene and need to be protected
16. As a new member of the Live Music Roundtable,
with sensible regulation that balances the benefits of a
contribute to industry and State Government
culturally rich city centre with the amenity of local residents.
regulatory discussions, including about the
We will work with industry, other levels of government and ongoing review of the EPA’s State Environment
the wider community on issues such as maintaining safe Protection Policy No. N-2, and the application
sound levels in performance venues and public spaces, and and review of State Planning Provision 52.43
educating residents about the need to protect performance (agent of change).
venues and share city spaces.

Melbourne Music Week 2017. Photo Credit: Jayden Ostwald

3
Projection based on 2016 ABS Census figures

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 Music noise regulations

State Environment Protection Policy No. N-2 ‘Agent of change’ principle

State Environment Protection Policy (Control of Music The ‘agent of change’ principle has been introduced
Noise from Public Premises) No. N-2 sets out the into Clause 52.43 of the Victoria Planning Provisions to
Victorian Government’s objectives for controlling noise manage the relationship between live music venues and
from indoor and outdoor music venues. SEPP No. N-2 residents. In planning, the agent of change principle
is aimed at protecting people on their properties and assigns responsibility for noise mitigation measures to
in their homes from unreasonable interference from the ‘agent of change’ – a new use or development in an
music from hotels, discos, public halls and outdoor existing environment.
concert venues.
This means that if a new or an existing live music venue
wants to establish or expand, they are responsible for
mitigating any noise caused by that change on nearby
residential properties. Similarly, a new residential
development close to an existing live music venue
is responsible for noise mitigation of its building to
protect future residents.

Year one supporting actions:

• Deliver Melbourne Venues Day 2018 and 2019 in

collaboration with Music Victoria, and bring together
industry organisations and live music venue operators
to present on key topics impacting venues and
workshop new issues.
• Continue to work with venues, State agencies and key
stakeholders to support a safe and vibrant late night
economy in the city, through our Melbourne Licensees
Forum and Safe Nights Out For Women project.
• Contribute to Live Music Roundtable forums by providing
strategic advice on how the Agent of Change principle
is being applied at a capital city local government level,
and provide an update on issues encountered by City of
Melbourne’s planners during the process.
• Ensure support for music infrastructure and spaces for
music performance, through the implementation of the
Melbourne Arts Infrastructure Framework.

Meat Market.

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Implementation
The City of Melbourne is committed to working closely
with the community and music industry to implement our
Music Plan priorities, and we will continue to seek input on
key projects and new initiatives to ensure the needs of the
community are met.

As opportunities arise throughout the year to implement

additional actions other than those outlined in the annual
action plan, we will provide an update through our annual
reporting process. All reports will be publicly available on
the City of Melbourne website.

Evaluation and reporting

Melbourne Music Plan 2018-21 has been developed with
input from a range of key industry representatives and
internal stakeholders across Council during the consultation
phase, and will be delivered through collaboration and close
working relationships with the music industry and other
government, education and community partners.

The City of Melbourne is committed to a transparent

reporting process. In line with the previous Melbourne
Music Strategy 2014-17, progress towards each of the
sixteen priorities will be monitored and reported annually,
highlighting achievements, partnerships and outcomes for
key projects.

Acknowledgments
The City of Melbourne would like to thank the Music
Advisory Committee, industry and community
representatives who have given their time to work with
us and provide feedback during the consultation and
development phase of the Melbourne Music Plan 2018-21.

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melbourne.vic.gov.au