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Sweet Dreams (Are Made of This) : Marilyn Manson/ Eurythmics Piano Solo Version Adapted From Trent Reznor

This document contains a piano solo musical score adaptation of the song "Sweet Dreams (Are Made of This)" by Marilyn Manson and Eurythmics. The score is notated with musical notation symbols like quarter notes, half notes, and rests across 26 lines representing the progression of the song.

Uploaded by

Kendra Koehler
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992 views

Sweet Dreams (Are Made of This) : Marilyn Manson/ Eurythmics Piano Solo Version Adapted From Trent Reznor

This document contains a piano solo musical score adaptation of the song "Sweet Dreams (Are Made of This)" by Marilyn Manson and Eurythmics. The score is notated with musical notation symbols like quarter notes, half notes, and rests across 26 lines representing the progression of the song.

Uploaded by

Kendra Koehler
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Sweet

Dreams (Are Made of This)


Piano Solo Version adapted from Trent Reznor Marilyn Manson/ Eurythmics

                  
   
    
                             
    

                        
     
6

            
      


                        
            
Chorus
11

                 
    


         
                
     
16

                      
            

         
                   
 
21

                                    


   
                      
    
  
26


 
                              
  

              


     
Chorus


31

                 
    

 
                
           
36

          
      

                     
                
41

                                  
             

               
    


  

 

   
 
 
46

                            
                     

                       
 
 
    
50

 
                              
  
 
2
              
     
Chorus


55

          


    

 
    
         
          

60

          
      

                     
                
65

                                    
      

          
      
 


 
 

       
 
70

 
                                
                   

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