MASTERCLAS

MASTERCLASSS BO
BOOKLET
OKLET

Luca Mantovanelli

PENTATONICS
MASTERCLASS
 AD
 ADVANCED

INTRODUCTION

Hi everybody, thanks for checking out the advanced volume of my pentatonics masterclass.

In this volume I’ll show you lots of things you may never have thought about doing with
pentatonic scales, including altered pentatonics and double pen tatonics. Once again, I’ve
designed lots of exercises to help you master the new concepts, and then we put these concepts
to work in 10 licks and a full solo.

DOUBLE PENTATONICS

Ready for the first challenge? A cool idea is to mix together two adjacent shapes, creating the
kind of 3-note-per-string
3-note- per-string lines that you’d
you’d normally associate with regular 7-note scales and
modes. The main problem here is the larger intervals
inter vals in a pentatonic scale, meaning that you
need to STRETCH! It’s tough at first, but you’ll
you’ll get there with a little practice.

Anyway, check out the “double”

“double” Tab
Tab file… there are five exercises, one for each pair of shapes.
The first exercise uses Shape 1 and Shape 2, the second uses Shape 2 and Shape 3, and so
forth. I’ve used the same pattern in each exercise, and there’s a nice 5-note legato phrase on
both the ascending and descending parts.
 PENTATONICS
PENTATONICS MASTERCLASS
ADVANCED
LUCA MANTOVANELLI

As you’ll see, one interesting feature of this technique is that you play the same note twice as
you cross strings… the highest note on the D string is the same as the lowest note on the G
string, etc.

By combining two regular shapes like this, we get a series of larger 3-note-per-string pentaton-
ic shapes. If you can also memorise all the double shapes, you’ll develop a good ‘’wide angle’’
visualisation of the fretboard.

Have you checked out the 10 licks yet? Let’s take a detailed look at one where I use a double
pentatonic pattern.

LICK 3

The double pentatonic exercises were all in A minor pentatonic (A C D E G) but now we’ll
switch to F minor pentatonic (F Ab Bb C Eb) for the licks. In Lick 3 I’m using Shape 1 and Shape
2 together.
together. In bars 1 and 2 I play the same cool pattern four times… twice over the Fm7 and
twice over the Bb13. For practice, try playing that same pattern all the double shapes in differ-
ent keys.

In bars 3 and 4 I play a descending pattern through the same double pentatonic shape.
Through the whole lick I use legato and hybrid picking to create a smooth sound.

P P P CP DP
Fm7
 = 118
118 ( )

e e 4 V gV V 8va

V V V V V V V V V V V V V V V V V V V V V
 Ie e 4
1

3 3 3 3
3 3 3 3
13 16 13 13 13 16 13 13
T 13 16 18 18 18 16 18 16 13 16 18 18 18 16 18 16
A
B
`
B 13
13
H H P P P P H H P P P P

 I
2 e e e e
8va

V V V V V gV V V V V V V V V V V V V V V V V V V
3 3 3 3
3 3 3 3
13 16 13 13 13 16 13 13
T 13 16 18 18 18 16 18 16 13 16 18 18 18 16 18 16
A
B
H H P P P P H H P P P P
Fm7
8va

 I
3 e e e e V gV V V V V V V V V V V V V V V V V V V V V V V 3 3

3 3 3 3 3 3
13
T 13 16 18 18 16 13 13 13
17 15 17 15 13 15 17 17 15 13 13
A 18 15 18 15
B
` H H P P P P P H H P P P P P

V V gV V V V V V V V V V V V V V V V V V gV V V V W
B 13
13

4 e e
 I ee
3 3

3 3
3 3 3 3
 PENTATONICS
PENTATONICS MASTERCLASS
ADVANCED
LUCA MANTOVANELLI

As you’ll see, one interesting feature of this technique is that you play the same note twice as
you cross strings… the highest note on the D string is the same as the lowest note on the G
string, etc.

By combining two regular shapes like this, we get a series of larger 3-note-per-string pentaton-
ic shapes. If you can also memorise all the double shapes, you’ll develop a good ‘’wide angle’’
visualisation of the fretboard.

Have you checked out the 10 licks yet? Let’s take a detailed look at one where I use a double
pentatonic pattern.

LICK 3

The double pentatonic exercises were all in A minor pentatonic (A C D E G) but now we’ll
switch to F minor pentatonic (F Ab Bb C Eb) for the licks. In Lick 3 I’m using Shape 1 and Shape
2 together.
together. In bars 1 and 2 I play the same cool pattern four times… twice over the Fm7 and
twice over the Bb13. For practice, try playing that same pattern all the double shapes in differ-
ent keys.

In bars 3 and 4 I play a descending pattern through the same double pentatonic shape.
Through the whole lick I use legato and hybrid picking to create a smooth sound.

P P P CP DP
Fm7
 = 118
118 ( )

e e 4 V gV V 8va

V V V V V V V V V V V V V V V V V V V V V
 Ie e 4
1

3 3 3 3
3 3 3 3
13 16 13 13 13 16 13 13
T 13 16 18 18 18 16 18 16 13 16 18 18 18 16 18 16
A
B
`
B 13
13
H H P P P P H H P P P P

 I
2 e e e e
8va

V V V V V gV V V V V V V V V V V V V V V V V V V
3 3 3 3
3 3 3 3
13 16 13 13 13 16 13 13
T 13 16 18 18 18 16 18 16 13 16 18 18 18 16 18 16
A
B
H H P P P P H H P P P P
Fm7
8va

 I
3 e e e e V gV V V V V V V V V V V V V V V V V V V V V V V 3 3

3 3 3 3 3 3
13
T 13 16 18 18 16 13 13 13
17 15 17 15 13 15 17 17 15 13 13
A 18 15 18 15
B
` H H P P P P P H H P P P P P

V V gV V V V V V V V V V V V V V V V V V gV V V V W
B 13
13

4 e e
 I ee
3 3

3 3
3 3 3 3
 PENTATONICS
PENTATONICS MASTERCLASS
ADVANCED
LUCA MANTOVANELLI

 ALTERED
 ALTERED PENT
PENTATONICS

Maybe if you have seen some of my other work you already heard about altered pentatonics.
Let’s see what it means.

The concept is easy – we just

jus t move the root note down a semitone (one fret). This creates a
new pentatonic scale based around the
t he Superlocrian, but in a different key.
key.

In the following diagram, we’re

we’re taking A minor pentatonic (A C D E G) at the 5th fret and
dropping all the root notes (A) by one fret. This gives us a new scale (Ab C D E G) which is part
of E Superlocrian (E F G Ab Bb C D). The diagram show the principle applied to Shape 1 of A
minor pentatonic…

Check out the separate “altered”

“altered” Tab files to see our new altered scale in all five shapes.

Of course you now need to remember a whole new set of root notes. We have an E (altered
dominant) scale, not an A minor scale, and that’s why I would use thist his altered pentatonic over
an E dominant chord (E7,
(E7, E9, E7#9 etc). The full Superlocrian is a really popular jazz scale for
dominant and altered dominant chords, so you know this pentatonic will work!

Here’s a good way to practise

prac tise using this concept. Imagine you’re playing over a repeating
Am-E7 progression. Over the Am you just use A minor pentatonic (A C D E G) as normal. When
you come to the E7, drop
drop all the root notes (A) by one fret, creating the new scale (Ab C D E G)
which is related to E Superlocrian.

Let’s see how I used the altered pentatonic in one of the licks…

LICK 5

The licks and full solo are all in F minor, so our “home” scale is F minor pentatonic (F Ab Bb C
Eb). This lick is played over this chord progression…
p rogression…
 PENTATONICS MASTERCLASS
ADVANCED
LUCA MANTOVANELLI

This is basically a IV-V-I progression in F minor. Over the Bbm7, the F minor pentatonic (F
Ab Bb C Eb) works fine (I used double pentatonic shapes in this lick). Then when the chord
changed to C7#5, I dropped my final F note down to Fb (or E) and then descended through the
altered pentatonic (Fb Ab Bb C Eb). This is our partial form of C Superlocrian (C Db Eb Fb Gb
Ab Bb) which works perfectly over a C7#5 chord.

The progression ends on Fm7-Fm6 which means we’re back in regular F minor pentatonic.

P` P P CP DP  = 118 ( )
B m7

gV V V V V V V V V V V V
e e e 4
 I e 4 V V gV
1 V V V V V
3

V V V V 3

3 3
3 3
3 3
13
T 13 16
13 17 13 15 17 17
A 13 18 13 15 18
B 13 18 13 16 18
13 18 13 16 18

bfV eV V
H P H H
H P H H H P H H H P H H

e e V
C7 5

V V V V fV V V V eV V fV e V V 3 3

 Ie e
2
3
V V fV 3
3 3
12
T 16 13 16 13
15 15 13 15 13
A 14 14 13 14 13
B 15 15 13
16 12
P P P P P P P
P
Fm7
V V Fm6
V V Pz V W
 Ieeee W
3 gV
V V V
3 3

T
A 13 (13)
13 15 15 13 15
B 15 15 15
13
 sl. H

STRING SKIPPING

String skipping can always be used to find new melodic lines from any scale. It ’s good to
practise it in a formalised fashion, in order to find what’s possible. I’ve designed an exercise
here, based on two different patterns, one ascending and one descending.

We then take both patterns up through the five pentatonic shapes. It’s not always easy to play
that pattern over all the shapes, so play slowly and use the hybrid picking/legato technique.
To see how I apply the string-skipping technique in proper playing, check out the separate Tab
files (and audio/video) for these licks…

LICK 1:In bar 3 I play an ascending Fm7 arpeggio in triplets and then move into a string
skipping pattern using Shape 4.
It seems easy but the goal is to play all the notes at the same volume.

LICK 2: After some double pentatonic legato stuff, I switch to string skipping in bars 3 and 4.
 PENTATONICS MASTERCLASS
ADVANCED
LUCA MANTOVANELLI

LICK 8: Super legato lick! This is double pentatonics AND string skipping.
I’m using my pick to hit the first note of each legato line, and then popping the G -string and
B-string notes with my 2nd finger (hybrid picking).

STRING SKIPPING WALK

Here’s another cool new concept for getting more from your scale shapes. As the name
suggests, the concept is to play the pentatonic shapes with string skipping, but also moving up
and down the fretboard.

Lets start with the first triplet sequence (the file “walk1triplet”). As you can see, it’s a simple
five-note pattern, and we join each shape with a slide. Because we’re playing a five-note
pattern against triplets (5:3) we get a more interesting melodic line. We’re not just playing the
pattern on the beat every time.

For each example I’m using my pick and then legato for the low notes, popping the high notes
with my 2nd finger (hybrid picking).

There are four sequences in triplets, working on different string pairs, and then there are
four sequences in quintuplets. A quintuplet is five notes played evenly across a beat. This
means that the pattern fits exactly into the beat, BUT it’s a little harder because the notes are
faster and you have to get used to the unfamiliar 5- note feel. The quintuplet pattern is slightly
different, starting with the high note.

For some real-world examples, check out the separate Tab files (and audio/video) for these
licks…

LICK 6: The string skipping walk pattern starts in even 16th notes, but then speeds up. Don’t
worry if you can’t play the fast note groups exactly the same – the important thing is to fit the
pattern into the bar.

LICK 9: Here we see the ascending line from our string skipping exercises, followed by some
string skipping walking.

LICK 10: This is a little different. I used the pattern of the string skipping walk exercise, but
there’s no string skipping! This just shows how you can combine and mix techniques. Richie
Kotzen plays lines like this a lot.

LICK 7: This is similar to Lick 10, and the (non-skipping) walk covers a huge area of the
fretboard. It’s really important to practise this kind of thing in different keys, in order to improve
your fretboard knowledge and “navigation”. You need to know where your fingers are going
next, without having to stop and think: “ok, the pattern went from the 5th fret to the 8th, so I
need to go from, er… 17th to… er, huh?”

LICK 4: Thisis my favourite lick! This is all about the non-skipping walk, and I play the patterns
on different string groups.
 PENTATONICS MASTERCLASS
ADVANCED
LUCA MANTOVANELLI

We’ve covered some serious stuff in this package, and if you worked through all three volumes,
you have plenty to practise! All these licks and exercises are designed to show you what’s
possible and to help you find disciplined ways of building your technique. I hope you have fun!

I look forward to seeing you in future masterclass series at JTC!

All the best,

Luca.
 TAB

Luca Mantovanelli
PENTATONICS
MASTERCLASS:
 ADVANCED
Altered Pentatonics
JTC SAYS:

Please refer to the main masterclass PDF for the details and concepts in this TAB file.
 ALTERED PENTATONICS
As recorded by jamtrackcentral.com
(From the 2016 Album LUCA MANTOVANELLI PENTATONICS MASTERCLASS 3: ADVANCED)

A Shape 1
P  = 90
V V gV fV V V V
 I 43 gV V V V V gV V V
1
V V gV gV fV V V V gV
4 8 8 4
T 5 8 8 5
5 7 7 5
A 5 6 6 5
B 5 7 7 5
4 8 8 4

B Shape 2

V gV V V V V gV fV V V
 I V V V V gV V V V
3 V gV fV V V V
8 10 10 8
T 8 9 9 8
7 9 9 7
A 6 10 10 6
B 7 10 10 7
8 10 10 8

C Shape 3

V gV V V V V V V gV fV V
 I V V V gV V V V
5 V V gV fV V V
10 12 12 10
T 9 13 13 9
9 12 12 9
A 10 12 12 10
B 10 11 11 10
10 12 12 10

D Shape 4
8va

 I V gV V V V V gV V V V V V V V V gV fV
7

V V V V gV fV V
12 15 15 12
T 13 15 15 13
12 13 13 12
A 12 14 14 12
B 11 15 15 11
12 15 15 12

E Shape 5
8va

 I V gV V V V V gV V V V V gV gV f V V V V gV fV V
9
V V gV fV
15 16 16 15
T 15 17 17 15
13 17 17 13
A 14 17 17 14
B 15 17 17 15
15 16 16 15

JamTrackCentral Ltd 2016

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
 TAB

Luca Mantovanelli
PENTATONICS
MASTERCLASS:
 ADVANCED
Double Pentatonics
JTC SAYS:

Please refer to the main masterclass PDF for the details and concepts in this TAB file.
 DOUBLE PENTATONICS
As recorded by jamtrackcentral.com
(From the 2016 Album LUCA MANTOVANELLI PENTATONICS MASTERCLASS 3: ADVANCED)

A Shapes 1 and 2
P  = 90
V V V
4 V V V V V V V V V V V V V V V V
 I 4 V V V V V V V V V V V V V
1

5 10 5 8 10 5
T 5 10 5 8 10 10
5 9 5 7 9
A 5 10 5 7 10
B 5 10 5 7 10
5 10 5 8 10
H P H H H P H H H P H H H P H H H P H H P P
H P H H

V V V V V V V V V V V V
 I
3
V V V V V V V V V V V V W
T 5 8 10 5
9 5 7 9 5
A 10 5 7 10 5
B 10 5 7 10 5
10 5 8 10 5
H H P P H H P P H H P P H H P
P H H P

B Shapes 2 and 3

V V V V V V V V V V V V V V
 I V V V V V V V V V V V V V V V V V V
5

8 12 8 10 12 8
T 8 13 8 10 13 13
7 12 7 9 12
A 7 12 7 10 12
B 7 12 7 10 12
8 12 8 10 12
H P H H H P H H H P H H H P H H H P H H P P
H P H H

V V V V V V V V V V V V V V V
 I
7
V V V V V V V V V W
T 8 10 13 8
12 7 9 12 7
A 12 7 10 12 7
B 12 7 10 12 7
12 8 10 12 8
H H P P H H P P H H P P H H P
P H H P

C Shapes 3 and 4
8va

V V V V V V V V V V V V V V V V V V V V VV
 I V V V V V V V V
9
V V
10 15 10 12 15 10
T 10 15 10 13 15 15
9 14 9 12 14
A 10 14 10 12 14
B 10 15 10 12 15
10 15 10 12 15
H P H H H P H H H P H H H P H H H P H H P P
H P H H

JamTrackCentral Ltd 2016

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
 DOUBLE PENTATONICS - jamtrackcentral.com Page 2 of 2

8va

V V V V V V V V V V V V V V V V V V V V
 I V
11
V V V W
T 10 13 15 10
14 9 12 14 9
A 14 10 12 14 10
B 15 10 12 15 10
15 10 12 15 10
H H P P H H P P H H P P H H P
P H H P

D Shapes 4 and 5

V V V V V V V V V V V V V V V V V V V V V V V VV
8va

 I V V V V V V V
13

12 17 12 15 17 12
T 13 17 13 15 17 17
12 17 12 14 17
A 12 17 12 14 17
B 12 17 12 15 17
12 17 12 15 17
H P H H H P H H H P H H H P H H H P H H P P
H P H H

V V V V V
8va

V V V V V V V V V V V V V V V V V V V W
 I
15

T 13 15 17 13
17 12 14 17 12
A 17 12 14 17 12
B 17 12 15 17 12
17 12 15 17 12
H H P P H H P P H H P P H H P
P H H P

E Shapes 5 and 1

V V V V V V V V V V V V V V V V V V V V V V V V V
8va

V
 I V V V
17 V V V
15 20 15 17 20 15
T 15 20 15 17 20 20
14 19 14 17 19
A 14 19 14 17 19
B 15 19 15 17 19
15 20 15 17 20
H P H H H P H H H P H H H P H H H P H H P P
H P H H

V V V V V
8va

V V V V V V V V V V V V V V V V V
 I
19
V V W
T 15 17 20 15
19 14 17 19 14
A 19 14 17 19 14
B 19 15 17 19 15
20 15 17 20 15
H H P P H H P P H H P P H H P
P H H P

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 TAB

Luca Mantovanelli
PENTATONICS
MASTERCLASS:
 ADVANCED
Full Solo
JTC SAYS:

This track is intended for you to put to use all of the great concepts that can found in the
main masterclass PDF in a ‘real world’ example.
 FULL SOLO
As recorded by jamtrackcentral.com
(From the 2016 Album LUCA MANTOVANELLI PENTATONIC MASTERCLASS 3: ADVANCED)

x
Fm7 8 fr. x
`
B 13 6 fr. D maj7 4 fr.
x x
` x x
b
C7 5 8 fr.
x
Fm6 6 fr.
x x
`
B m7 6 fr.
x

P P P CP DP
 = 118 (
` )

e e 4 V V
Fm7
V V V gV V l V l V l V V V l V l
B 13
3

e
 I 4
1
e u } V V gV V V V V
M M Full

8
1/4

T 11 9 9
10 8 10 10 8 10 8 x
A 10 10 10 8 6 8 6
B 8 8
 sl. P

e e
Fm7

l gV V V V gV V V V V V V V V V V V
3
V V V
 I
3 e e V V V
3 3
3 3 3 3
8 11 8 11 8 11 8 8 11
T 9
8 10 10 10 8 10 8 10 10
A 10
B 8 11
H P H P P P P H

`
e e V V
B 13

V V V V V V V V V V V V
3 3

 I
4 e e gV
8
3
M 3
1/4

T
10 8 10 8 8
A
B 11 11 8 11 8 8 11
11
P P P P

Fm7 ` B 13

e e e e l V gV f V V V V gV V3
f V gV fV V V V V V gV fV V fV V V V gV V fV gV V V 3

 I V gV
5

T 9 7 8
8 7 10 8 7
A 10 10 10 10 8 8 8
B 8 9 11 10 11 10 8 7 10 7 8 11 8 10 11 11
H  sl.  sl.  sl. P P P  sl. P H

JamTrackCentral Ltd 2016

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
 FULL SOLO - jamtrackcentral.com Page 2 of 6

V gV V `
e e V
Fm7

V V V V V V gV V f V c
B 13

7
 Ie e V V V V V V V V gV V V V V  k
V f V
8 11 8
T 9 9 11 8
7 10 10 8 10 7
A 10 10 8 10 7 6 6
B 10 8 8 8 8
10 6
H P P P P

e e
Fm7

gV V V V V V V V V V V 3 3

9
 Ie e V V V gV V V V V V V V V V
3 3

3 3
3 3

T 9 13 9 11
8 13 8 10 13
A 8 13 8 10 13
B 8 13 8 11 13
8 13 8 11 13
H P H H H P H H H P H H H P H H
H P H H

` V V V V
B 13

e e V V V V V gV V V V V V V V V V V V V V V
e
 I e
10
3 3
3 3
3 3
3 3
8 13 8 11 13 11 8
T 13 13 9 11 13 11 9
13 8 10 13 10 8
A 13 8 10 13
B
H P H H P P P H H P P P H H P P P H H

` gV
V
Fm7

 V V gV V  V V V V V  V gV V V V V V V V V V V V V V V
B 13

e
 I e
11
e e l gV l l V V V V 3 3
3 3

M 1/4

11 13 16 13 13
3 3

T 9 16 13 13
10 8 10 10 13 10 13 13 15 13 15 15 13 15 13 13
A 15 15 13 15 13
B 15 13
P P H P P P P P P P P

Fm7

e e e l f
 I e V V V V
13 V e V
8va

f V V V V V gV V f
8va

V gV V V V e V V V
3 3 3 3 3
15 13
T 13 15 13 16 13 15 16 16 13 11 13
13 16 13 15 16 16
A 15 15
B
H P H H P H P H H P P

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 FULL SOLO - jamtrackcentral.com Page 3 of 6
`
B 13

V V V gV V V V V V V V V V V V V V V V V V gV V V V V
8va

 Ieee e
14

3 3 3 3
3 3
16 13 16 13 11
T 11 13 16 16 13 11 13 13 11 13 16 16 13 11 13 13 11 9 11 11 9
A
B
 sl. H P  sl. H P  sl. H  sl. H P  sl. H P  sl.

Fm7
8va

 I
15 e e e e V V V V V V V gV V V V V V V V gV V V V V V fV gV V V fV V
3
3
3

fV 3
13 11 8 6 1
T 11 13 13 11 9 11 11 9 6 8 8 6 4 6 6 4 1 3 4 4 3 1
4
A
B

`  sl.

B 13
P  sl. H P  sl. H P  sl. H P  sl. H H P P

e
 Ie e
16 e V R
fV gV eV fV eV V V P V V V V V V
3 3

T 1
4 1 3 4 3 1 3 5 1
A 3 3 1 3
B 3

`
D maj7 b P H H P P
C7 5
 sl.

e e e V V V V V V V V
e
 I V V V V V
17
V V VVV VVV V V V V V V VVVV
V
T 4 6 4 6 9 6
A 1 3 3 1 3 6 6 3 1 3 3 1 3 6 6 3 6 8 8 6 3 6 6 3 6 8
B
H P  sl. H P  sl. H P  sl. P  sl. H P  sl. H P  sl. H

e e V V Fm7
V V V V
 Ie e V V V V V V V V V V V V V V V V V V V V
19

3 3 7  3 3 7 

T 9 11 9 11 9 11
A 8 6 8 10 10 8 6 8 8 6 8 10 10 8 6 8 8 6 8 10
B
P  sl. H P  sl. H P  sl. H P  sl. H P  sl. H

e e V f V
Fm6

V V V V V V V V V V e V V V
e
 I e fV
20 V f V V V V e V V
7  7  3 3

T 12 13 12 11 9
A 7 8 9 11 11 9 10 12 12 10 9 11 11 9 8 10 10 8
B
H  sl. H P  sl. H P  sl. H P  sl. H
Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
 FULL SOLO - jamtrackcentral.com Page 4 of 6

` b
B m7

gV V Pz V V V V V
C7 5

V V V V V V V fV eV V V fV
 Ieee e
21

M M Full Full

8 9 11 8
T 11 (11) (11) (11) 9
10 8 10 (10) 8 9 8
A 10 8 9
B
H P P P

e e e e V V Fm7

V bPz V P
z V V f V gV fV V V V V V V V V fV V V V  j
Fm6
3

 I
23
V
T 9 7 8 7 8
10 8 7
A 10 10 10 8 8
B 11 10 11 10 8 7 10 7 8
8
 sl.  sl.  sl. P P P P  sl. H P  sl.
 sl.

`
D maj7
V V
e e V V V V V V V V V
3 V V V V V V 3

e V
 I e V V V
25 V V V 3 3
3 3
3 3
13
T 13 16
13 17 13 15 17 17
A 13 18 13 15 18
B 13 18 13 15 18
13 18 13 16 18
H P H H H P H H H P H H  sl.
H P H H

bfV eV V
e e V V V
C7 5

V V f V V V V eV V fV eV V V V fV
3 3

 Ie e
26
3 3
3 3
12
T 16 13 16 13
15 15 13 15 13
A 14 14 13 14 13
B 15 15 13
16 12
 sl. P P P P P P P
P  sl.

 Ieee e V
27
Fm7

 j V gV V V V V
Fm6
V V V V V V V V
3
3 3
M
1/4

T
13 (13) 13 15
A 13 15 15 13 15 15
B 15 15 15
13
 sl. H
 sl. sl.

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 FULL SOLO - jamtrackcentral.com Page 5 of 6
` B m7
8va
b C7 5

e
 I z
29
e e e P V V V f V e V V
gV V V V V V V V V V fV eV V V V V V fV V V V V V
3

3
V
13 12
T 16 13 16 13 16 16 16 13
15 17 15 16 15 13 15 13 15 15 15 15 13 15 13
A 15 14 14 14 15
B 15
 sl.  sl.  sl. P  sl. P P

e e V V V
Fm7

V gV V } V V V } V V V V V V V Fm6

 j
 Ie e
31

1/4 M M 8
1/4

T 9 11 9
13 12 10 8 x 10 8 10
A 15 13 x 10 10
B

Fm7

e e e e V gV
8va

V V V V V V V V V V V V V V V V V V V V V V
 I
33

3 3 3 3
3 3 3 3
13 16 13 13 13 16 13 13
T 13 16 18 18 18 16 18 16 13 16 18 18 18 16 18 16
A
B

` B 13
H H P P P P H H P P P P

 I
34 e e e e V V
8va

V V V gV V V V V V V V V V V V V V V V V V V
3 3 3 3
3 3 3 3
13 16 13 13 13 16 13 13
T 13 16 18 18 18 16 18 16 13 16 18 18 18 16 18 16
A
B
H H P P P P H H P P P P
Fm7
8va

e
 I e
35
e e V gV V V V V V V V V V V V V V V V V V V V V V V 3 3

3 3 3 3 3 3
13
T 13 16 18 18 16 13 13 13
17 15 17 15 13 15 17 17 15 13 13
A 18 15 18 15
B

` H H P P P P P H H P P P P P

 I
36 e e e e V V gV V
B 13
V V V V V V V V V V V V V V V V gV V V V 3 3

3 3
3 3 3 3

T
13
A 13 15 18 18 15 13 13 13
B 18 15 18 15 13 15 18 18 15 13 13
18 16 18 16
H H P P P P P H H P P
P P
Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
 FULL SOLO - jamtrackcentral.com Page 6 of 6

1 e e
 I e e
Fm7

V V
T
A
B
13 (13)
 sl.

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 TAB

Luca Mantovanelli
PENTATONICS
MASTERCLASS:
 ADVANCED
Lick 01
JTC SAYS:

Please refer to the main masterclass PDF for the details and concepts in this TAB file.
 ADVANCED LICK 1
As recorded by jamtrackcentral.com
P P P CP DP
(From the 2016 Album LUCA MANTOVANELLI PENTATONIC MASTERCLASS 3: ADVANCED)

V
 = 118 (

V ` )

e e
Fm7

4 V V V gV V l V l V l V V V l V l
B 13
3

e
 I 4
1
e u } V V gV V V V V
M M
Full

8
1/4

T 11 9 9
10 8 10 10 8 10 8 x
A 10 10 10 8 6 8 6
B 8 8
 sl. P

e e
Fm7

l gV V V V gV V V V V V V V3

V V V V V V V
e
 I e V V
3 V
3 3
3 3 3 3
8 11 8 11 8 11 8 8 11
T 9
8 10 10 10 8 10 8 10 10
A 10
B 8 11

` H P H P P P P H

e e V
B 13

V V V V V
3 3

 I
4 e e gV V V V V V V V V
8
3
M 3
1/4

T
10 8 10 8 8
A 6
B 11 11 8 11 8 6 8
P P P P  sl.

JamTrackCentral Ltd 2016

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
 TAB

Luca Mantovanelli
PENTATONICS
MASTERCLASS:
 ADVANCED
Lick 02
JTC SAYS:

Please refer to the main masterclass PDF for the details and concepts in this TAB file.
 ADVANCED LICK 2
As recorded by jamtrackcentral.com
P P P CP DP
(From the 2016 Album LUCA MANTOVANELLI PENTATONIC MASTERCLASS 3: ADVANCED)

 = 118 ( )

e e 4
Fm7

gV V V V V V V V V V V 3 3

 Ie e 4 V V V gV V V V V V V V V V
1
3 3

3 3
3 3

T 9 13 9 11
8 13 8 10 13
A 8 13 8 10 13
B 8 13 8 11 13
8 13 8 11 13

` V V V V
B 13
H P H H
H P H H H P H H H P H H H P H H

e e V V V V V gV V V V V V V V V V V V V V V
e
 I e
2
3 3
3 3
3 3
3 3
8 13 8 11 13 11 8
T 13 13 9 11 13 11 9
13 8 10 13 10 8
A 13 8 10 13
B

Fm7
H
` P H H P P P
B 13
H H P P P H H P P P H H

V  V V gV V  V V V V V gV V V
8va
3 3

e
 I e
3
e e l gV l l  V gV V V V VVVVVVVVVVVVV
3 3

3 3
11 13 16 13 13
T 9 16 13 13
10 8 10 10 13 10 13 13 15 13 15 15 13 15 13 13
A 15 15 13 15 13
B 15 13
P P P P P P P P P P

 Ieee e
5
Fm7
V V
T
A 15 (15)
B
 sl.

JamTrackCentral Ltd 2016

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
 TAB

Luca Mantovanelli
PENTATONICS
MASTERCLASS:
 ADVANCED
Lick 03
JTC SAYS:

Please refer to the main masterclass PDF for the details and concepts in this TAB file.
 ADVANCED LICK 3
As recorded by jamtrackcentral.com
P P P CP DP
(From the 2016 Album LUCA MANTOVANELLI PENTATONIC MASTERCLASS 3: ADVANCED)

 = 118 ( )
Fm7

e e e 4 V gV V 8va

V V V V V V V V V V V V V V V V V V V V V
 I e 4
1

3 3 3 3
3 3 3 3
13 16 13 13 13 16 13 13
T 13 16 18 18 18 16 18 16 13 16 18 18 18 16 18 16
A
B
` B 13
H H P P P P H H P P P P

e
 I e
2
e e V V V
8va

V V gV V V V V V V V V V V V V V V V V V V
3 3 3 3
3 3 3 3
13 16 13 13 13 16 13 13
T 13 16 18 18 18 16 18 16 13 16 18 18 18 16 18 16
A
B
H H P P P P H H P P P P
Fm7
8va

e
 I e
3
e e V gV V V V V V V V V V V V V V V V V V V V V V V 3 3

3 3 3 3 3 3
13
T 13 16 18 18 16 13 13 13
17 15 17 15 13 15 17 17 15 13 13
A 18 15 18 15
B
` H H P P P P P H H P P P P P

V V gV V V V V V V V V V V V V V V V V V gV V V V W
B 13

 Ieee e
3 3

3 3
3 3 3 3

T
13
A 13 15 18 18 15 13 13 13
B 18 15 18 15 13 15 18 18 15 13 13
18 16 18 16 13
H H P P P P P H H P P
P P  sl.

JamTrackCentral Ltd 2016

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
 TAB

Luca Mantovanelli
PENTATONICS
MASTERCLASS:
 ADVANCED
Lick 04
JTC SAYS:

Please refer to the main masterclass PDF for the details and concepts in this TAB file.
 ADVANCED LICK 4
As recorded by jamtrackcentral.com
P P P CP DP
(From the 2016 Album LUCA MANTOVANELLI PENTATONIC MASTERCLASS 3: ADVANCED)

1 e e
 I ee 44
 = 118 ( )
 j k dV
T
A 3
B
`
D maj7

 Ieeee V V V V V V V V V V V V V V V V V V V V V V V V
3 3 3 3 3 3 3 3

T
1 3 1 1 3 5 3 3
A 3 3 1 3 6 6 6 3 6 8 6
B 6 8 8 8 6

C7 5 b P

V V
P  sl. P P  sl. P P

e V
V V V V V V V V V V V V V V V V V V V V V
 I ee
3 e
3 3
3 3
3 3 3 3

T 13 16
6 8 10 8 8 10 13 10 10 13 15 15
A 8 10 10 10 8 10 13 13 13 10
B
 sl. P P  sl. P P  sl. P
Fm7 Fm6

e e e V V V V V V gV V V V V f V V f V V V V V V V V
8va

V V V V f V e V V V V V
 I e
4
3 3
3 3 3
3 3

M3
M M 3

16 18 16 16 20
1 1/2

(20) 20 19 18
Full

18
Full

T 13 13 16 18 16 16 17 18 18 18 16 21 21 18
15 13 15 17 17 17 16
A
B
P  sl. P P  sl. P P

JamTrackCentral Ltd 2016

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
 TAB

Luca Mantovanelli
PENTATONICS
MASTERCLASS:
 ADVANCED
Lick 05
JTC SAYS:

Please refer to the main masterclass PDF for the details and concepts in this TAB file.
 ADVANCED LICK 5
As recorded by jamtrackcentral.com
P` P P CP DP
(From the 2016 Album LUCA MANTOVANELLI PENTATONIC MASTERCLASS 3: ADVANCED)

 = 118 ( )
B m7

gV V V V V V V V V V V V
e e 4
 Ie e 4 V V V gV V V V
1
V3
V V V V 3

3 3
3 3
3 3
13
T 13 16
13 17 13 15 17 17
A 13 18 13 15 18
B 13 18 13 16 18
13 18 13 16 18

bfV eV H

V
P H H
H P H H H P H H H P H H

e e
C7 5
V V V V V fV V V V eV V fV eV V 3 3

 Ie e
2
3
V V fV 3
3 3
12
T 16 13 16 13
15 15 13 15 13
A 14 14 13 14 13
B 15 15 13
16 12
P P P P P P P
P

V gV V V V V V V Pz V W
Fm7 Fm6

 Ieee e W
3

3 3

T
13 (13)
A 13 15 15 13 15
B 15 15 15
13
 sl. H

JamTrackCentral Ltd 2016

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
 TAB

Luca Mantovanelli
PENTATONICS
MASTERCLASS:
 ADVANCED
Lick 06
JTC SAYS:

Please refer to the main masterclass PDF for the details and concepts in this TAB file.
 ADVANCED LICK 6
As recorded by jamtrackcentral.com
jamtrackcentral.com
P` P P CP DP
(From the 2016 Album LUCA MANTOVANELLI PENTATONIC MASTERCLASS 3: ADVANCED)

D maj7
maj7
 = 118
118 (
b )
C7 5

e e e 4 V V V V V V V V
VVV VVVV
 I e 4 V V V V V V V V V V V V V V V V V
1

T 4 6 4 6 9 6
A 1 3 3 1 3 6 6 3 1 3 3 1 3 6 6 3 6 8 8 6 3 6 6 3 6 8
B
H P  sl. H P  sl. H H H P  sl. H P  sl. H P  sl. H

e VFm7
V V V V V
 Ie e e V V V V V V V V V V V V V V V V V V V V V
3

7  3 3 7  7 

T 9 11 9 11 9 11
A 8 6 8 10 10 8 6 8 8 6 8 10 10 8 6 8 8 6 8 10 10
B

f V
P

V
 sl.

V
H

e V `  sl.  sl. H P  sl. H P  sl. H P  sl. H P

e
Fm6
V V V P V V
B m7
m7

e
 I e
4 e V f V V V V V V V V V V V V e V V V V z V  j
3 3 7  3 3

T 12 13 12 11 9 (9)
10 8 10 (10) 8
A 8 9 11 11 9 10 12 12 10 9 11 11 9 8 10 10 8
B
 sl. H P  sl. H P  sl. H P  sl. H P  sl.  sl.

JamTrackCentral Ltd 2016

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
 TAB

Luca Mantovanelli
PENTATONICS
MASTERCLASS:
 AD
 ADVANCED
Lick 07
JTC SAYS:

Please refer to the main masterclass PDF for the details and concepts in this TAB file.
 ADVANCED LICK 7
As recorded by jamtrackcentral.com
P P P CP DP
(From the 2016 Album LUCA MANTOVANELLI PENTATONIC MASTERCLASS 3: ADVANCED)

 = 118 ( )

e e 4 V V V
Fm7

V gV V V V V V V V V V V V V V V V V V V V
1 e
 I 4 e 3 3
3 3 3 3 3 3
4 1 4 1 1 4 6 4 4 6 8 6
T 4 1 4 6 6 6 4 6 9 9 9 6
A
B
` B 13
8va
P P P  sl. P P  sl. P P

e e V
 Ie e V gV V V
2
V V V
V V V V V V V V V V V V V V V gV 3 3

3 3 3 3
3 3
6 8 11 8 8 11 13 11 11 13 16
T 9 11 11 11 9 11 13 13 13 11 13 16 16
A
B

Fm7
 sl.
` P P  sl. P
B 13
P  sl. P

V gV V V V V V V V V V V V V V V V V V V V P V V gV V V V V
8va

3
e
 I e e
e z V V V gV V
3 3 3 3 3 3
3
13 13 13 18 13 13
T 16 13 16 18 18 18 13 18 13 18 13 13
17 17 13 17 15 (15) 13 15 13
A 15 15 13
B 15 13 11 13
P  sl. P P P P P  sl.  sl. P  sl. P

JamTrackCentral Ltd 2016

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
 TAB

Luca Mantovanelli
PENTATONICS
MASTERCLASS:
 ADVANCED
Lick 08
JTC SAYS:

Please refer to the main masterclass PDF for the details and concepts in this TAB file.
 ADVANCED LICK 8
As recorded by jamtrackcentral.com
P` P P CP DP
(From the 2016 Album LUCA MANTOVANELLI PENTATONIC MASTERCLASS 3: ADVANCED)

 = 118 ( )

e e e e 4 V V V
D maj7

V V V V V V V V V V V V V V V V V V V V V V V V V V V fV
 I 4
1

7 

T 9 9
8 8 8
A 8 10 13 13 10 8 10 13 13 10 8 10 13 13 10 8 10 13 13 10 8 10 13 13 10 9
B
b C7 5
H

V
H

V
P P H H P P H H P P H H P P H H P P  sl.

 I
2 e e e e V V V V V V V V V V V V V V V V V V V V V V V V V V V VV
7 

T 11 11
10 10 10
A 10 13 15 15 13 10 13 15 15 13 10 13 15 15 13 10 13 15 15 13 10 13 15 15 13 10
B
 sl. H P P H H P P H H P P H H P P H H P P  sl.

e V V V VFm7

V V V V V V V V V V V V V V V V V
 Ie e e gV
3 V V V V
7 
M
1 1/2

T 13 13
13 13 17
A 13 15 18 18 15 13 15 18 18 15 13 15 18 18 15 13 15 18 18 15 13
B
 sl. H H P P H H P P H H P P H H P P
Fm6
V V V V V V V
 Ieee e
4 k 3

M
Full
3

T
15 15 13 15 13
A 15
B

JamTrackCentral Ltd 2016

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
 TAB

Luca Mantovanelli
PENTATONICS
MASTERCLASS:
 ADVANCED
Lick 09
JTC SAYS:

Please refer to the main masterclass PDF for the details and concepts in this TAB file.
 ADVANCED LICK 9
As recorded by jamtrackcentral.com
P` P P CP DP
(From the 2016 Album LUCA MANTOVANELLI PENTATONIC MASTERCLASS 3: ADVANCED)

B m7
 = 118 (
b )
C7 5
8va

e e e e 4 V V V V V V V V V gV V V V V V V V V V V V V V VV
 I 4 V gV V V V
1
VV
13 16 13
T 13 16 13
13 15 13 15 15 13 15 15 13
A 13 15 13 15 15 13
B 13 15 13 15 15 13
13 16 16 16 13
P P P P P P P P P H
H P
Fm7

e e V V
8va
V V V
 Ie e V V V V V V V V V V V V V V V V V V V V
3

3 7  7  3 3
18 16 18 16 18
T
15 17 17 15 13 15 15 13 15 17 17 15 13 15 15 13 15 17 17 15
A
B
 sl. P  sl. H P  sl. H P  sl. H P  sl. H P  sl.
Fm6
8va

e e e e V V V V V V V V V V V V V V V V V
3 3

 I
4
V V V V V V V V V
7  7  3 3
16 13 16 13 11
T 9
13 15 15 13 10 13 13 10 13 15 15 13 10 13 13 10 8 10 10 8
A
B
 sl. H
`V P  sl. H P  sl. H P  sl. H P  sl. H P

 Ieee e
5
D maj7
V Pz V V V  j
T
10 8 10 (10) 8
A
B
H P

JamTrackCentral Ltd 2016

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
 TAB

Luca Mantovanelli
PENTATONICS
MASTERCLASS:
 ADVANCED
Lick 10
JTC SAYS:

Please refer to the main masterclass PDF for the details and concepts in this TAB file.
 ADVANCED LICK 10
As recorded by jamtrackcentral.com
P P P CP DP
(From the 2016 Album LUCA MANTOVANELLI PENTATONIC MASTERCLASS 3: ADVANCED)

 = 118 ( )

1 e e
 I e e 44  j k 8va

Vu
T 11
A
B
`
D maj7
 sl.

e
 I e
2
e e V V
8va

V V V V V V V V V V V V V V V V V V V V V V V V V
3 3 7  7  7 
11 13 11 13 11 13
T 11 9 11 13 13 11 9 11 11 9 11 13 13 11 9 11 11 9 11 13 13
A
B
b C7 5
P  sl. H P  sl. H P  sl. H P  sl. H P  sl. H P

e e e V V V V8va

V V V V V V V V V V V V V V V V V V V
 I e
3

7 

16 13
7 

16
3 3

13
FullM
T 11 13 16 16 13 11 13 13 11 13 16 16 13 11 13 13 11 13 16
A
B
 sl. H P  sl. H P  sl. H P  sl. H P  sl.

Fm7 Fm6
8va

 Ie e e e gV V V V V V fV eV V V V V V V gV PR V
3

V VVVV VVV VVVV

V
4

M13
M Full 1/4
P.M.

T 13 16
15 15 16 15 13 15 13 13
A 15 15 13 13 15 13 15
B 15 15 13 (13) 11 13 15 15 15 15 15
 sl.  sl. P  sl. P  sl.

JamTrackCentral Ltd 2016

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
 TAB

Luca Mantovanelli
PENTATONICS
MASTERCLASS:
 ADVANCED
String Skipping
JTC SAYS:

Please refer to the main masterclass PDF for t he details and concepts in this TAB file.
 STRING SKIPPING
As recorded by jamtrackcentral.com
(From the 2016 Album LUCA MANTOVANELLI PENTATONICS MASTERCLASS 3: ADVANCED)

A Shape 1
P  = 90
V V V V V
4 V V V
 I 4 V V V V V V V V V V V V V V
1
V V V V V V V V V V
5 8 5 8 5
T 5 8 5 8 8 5
5 7 5 7 7 5 7
A 5 7 5 7 7 5
B 7 5 7 7 5
5 8 5
P P P P P P P P P P
P

VVVVVVV VV V
 I
3
V VV VVV VVVVVVVVVVVVVVVV
8 5 5
T 8 5 5
7 5 7 5 7 5 5
A 7 7 5 7 5 7 5 5 7
B 7 7 5 7 5
8 8 5 8 5
P P P P P P P P P P
P P

B Shape 2

V V V V V V V V V V V V V V V
 I V V V V V V V V V V V V V V V V
5 V
8 10 8 10 8
T 8 10 8 10 10 8
7 9 7 9 9 7 9
A 7 10 7 10 10 7
B 10 7 10 10 7
8 10 8
P P P P P P P P P P
P

VVVVVVV VV V
 I
7 V VV VVV VVVVVVVVVVVVVVVV
10 8 8
T 10 8 8
9 7 9 7 9 7 7
A 10 10 7 10 7 10 7 7 7
B 10 10 7 10 7
10 10 8 10 8
P P P P P P P P P P
P P

C Shape 3

V V V V V V V V V V V V V V V V V V
V V V
 I V V V V V V V V
9 V V V
10 12 10 12 10
T 10 13 10 13 13 10
9 12 9 12 12 9 12
A 10 12 10 12 12 10
B 12 10 12 12 10
10 12 10
P P P P P P P P P P
P
JamTrackCentral Ltd 2016
Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
 STRING SKIPPING - jamtrackcentral.com Page 2 of 2

VVVVVVV VV V V
 I
11 V V V V V V VVVVVVVVVVVVVVV
12 10 10
T 13 10 10
12 9 12 9 12 9 9
A 12 12 10 12 10 12 10 10
B 12 12 10 12 10 12
12 12 10 12 10
P P P P P P P P P P
P P

D Shape 4

V V V V V V V V V V V V V V V V V
8va

V V
 I V V V
13 V V V V V V V V V V
12 15 12 15 12
T 13 15 13 15 15 13
12 14 12 14 14 12 14
A 12 14 12 14 14 12
B 15 12 15 15 12
12 15 12
P P P P P P P P P P
P

V V V
8va

V V V V V V V V
 I V V V V V
15 V V V V V VVVVVVVVVVV
15 12 12
T 15 13 13
14 12 14 12 14 12 12
A 14 14 12 14 12 14 12 12
B 15 15 12 15 12 12
15 15 12 15 12
P P P P P P P P P P
P P

E Shape 5
8va

V V V V V V V V V V V V V V V V V V V V V V V V
 I V V V
17
V VV V V
15 17 15 17 15
T 15 17 15 17 17 15
14 17 14 17 17 14 17
A 14 17 14 17 17 14
B 17 15 17 17 15
15 17 15
P P P P P P P P P P
P

VVVVVVV VVVVVVVV VVVVVVVVVVV VV V

8va

 I
19
V V V
17 15 15
T 17 15 15
17 14 17 14 17 14 14
A 17 17 14 17 14 17 14 14
B 17 17 15 17 15
17 17 15 17 15 17
P P P P P P P P P P
P P

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 TAB

Luca Mantovanelli
PENTATONICS
MASTERCLASS:
 ADVANCED
String Skipping Walk
Sequence
JTC SAYS:

Please refer to the main masterclass PDF for t he details and concepts in this TAB file.
 STRING SKIPPING WALK 
As recorded by jamtrackcentral.com
(From the 2016 Album LUCA MANTOVANELLI PENTATONICS MASTERCLASS 3: ADVANCED)

A Triplets sequence 1
P  = 90
3

V V V V V V V V V V V V
3

 I 44 V V V V V V V V V V V V
3 3
3 3
1 3

T
A 5 7 10 12 14
B
3 5 5 3 5 8 8 5 8 10 10 8 10 12 12 10 12 15 15
H P  sl. H P  sl. H P  sl. H P  sl. H P

3
 I V V V V V V
VVV VVV VVVVVVVVVVVV VVVVVVW
3
3
3
3

3
3
3
3
3

T
A 17 14 12 10 7 5
B
12 15 17 17 15 12 15 15 12 10 12 12 10 8 10 10 8 5 8 8 5 3 5 5
 sl. H P  sl. H P  sl. H P  sl. H P  sl. H P  sl. H

B Triplets sequence 2

V V V V V V V V V V V V
3 3
3

 I V V V V V V V V V V V V
3 3
3
6

3
3

T
5 7 9 12 14
A
B 3 5 5 3 5 7 7 5 7 10 10 7 10 12 12 10 12 15 15
H P  sl. H P  sl. H P  sl. H P  sl. H P

V V V 3 3

VVVVVVVVVV VVVVVVW
3 3

8
 I V V V V V V V V V V V 3
3

3
3 3 3

T
17 14 12 9 7 5
A
B 12 15 17 17 15 12 15 15 12 10 12 12 10 7 10 10 7 5 7 7 5 3 5 5
 sl. H P  sl. H P  sl. H P  sl. H P  sl. H P  sl. H

C Triplets sequence 3

V V 3
3
V V V V V V V V V V V V
 I V V V V V V V V V V
3
11

3
3 3
3 3

T 5 8 10 13 15
A 2 5 5 2 5 7 7 5 7 10 10 7 10 12 12 10 12 14 14
B
H P  sl. H P  sl. H P  sl. H P  sl. H P

JamTrackCentral Ltd 2016

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
 STRING SKIPPING WALK - jamtrackcentral.com Page 2 of 4

V V V V V V V V V V V V
 I
13 V V V V V V V V V V V V V V VVV VW
3

3 3 3 3
3
3 3 3 3

T 17 15 13 10 8 5
A 12 14 17 17 14 12 14 14 12 10 12 12 10 7 10 10 7 5 7 7 5 2 5 5
B
 sl. H P  sl. H P  sl. H P  sl. H P  sl. H P  sl. H

D Triplets sequence 4
8va

V V V V V V V V V V V V
3 3
3

 I V V V V V V V V V V V V
3 3
3
16 3

3
5 8 10 12 15
T
2 5 5 2 5 7 7 5 7 9 9 7 9 12 12 9 12 14 14
A
B
H P  sl. H P  sl. H P  sl. H P  sl. H P

8va

V V V V
VVV VVV VVVVVVVVVVVV VVVVVVW
3
3
3 3
3

 I V V
18
3 3

3 3 3
17 15 12 10 8 5
T
12 14 17 17 14 12 14 14 12 9 12 12 9 7 9 9 7 5 7 7 5 2 5 5
A
B
 sl. H P  sl. H P  sl. H P  sl. H P  sl. H P  sl. H

E Quintuplets sequence 1
5 5

 I V V V V V V V V V V V V V V V V V V V V
5 5

21

T
A 5 7 10 12
B
5 3 5 8 8 5 8 10 10 8 10 12 12 10 12 15
P  sl. H P  sl. H P  sl. H P  sl. H

V
 I V V V
22
V V V V
5

VVV VVVVVVVVV VVVVVVVVVVW

5 5 5
5

T
A 14 17 14 12 10 7 5
B
15 12 15 17 17 15 12 15 15 12 10 12 12 10 8 10 10 8 5 8 8 5 3 5
P  sl. H P  sl. H P  sl. H P  sl. H P  sl. H P  sl. H

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 STRING SKIPPING WALK - jamtrackcentral.com Page 3 of 4

F Quintuplets sequence 2

 I V V V V V V V V V
5

V V V
5 5

24
V V V V V V V V
5

T
5 7 9 12
A
B 5 3 5 7 7 5 7 10 10 7 10 12 12 10 12 15
P  sl. H P  sl. H P  sl. H P  sl. H

VVVVVVVVVVVVV VVV V
5 5

 I
25
V VVV VVVVVVVVVW
5 5 5
5

T
14 17 14 12 9 7 5
A
B 15 12 15 17 17 15 12 15 15 12 10 12 12 10 7 10 10 7 5 7 7 5 3 5
P  sl. H P  sl. H P  sl. H P  sl. H P  sl. H P  sl. H

G Quintuplets sequence 3

V V V V V V V V V
5

V V V
 I
27
V V V V V V V V
5
5 5

T 5 8 10 13
A 5 2 5 7 7 5 7 10 10 7 10 12 12 10 12 14
B
P  sl. H P  sl. H P  sl. H P  sl. H

VVVVVVVVVVVVV VVV V V
 I
28 V V V V V VVV VVVVW
5 5 5
5 5
5

T 15 17 15 13 10 8 5
A 14 12 14 17 17 14 12 14 14 12 10 12 12 10 7 10 10 7 5 7 7 5 2 5
B
P  sl. H P  sl. H P  sl. H P  sl. H P  sl. H P  sl. H

V V V V V V V V V V V V V V V V V V V V
H Quintuplets sequence 4

 I
30

5 5
5
5
5 8 10 12
T
5 2 5 7 7 5 7 9 9 7 9 12 12 9 12 14
A
B
P  sl. H P  sl. H P  sl. H P  sl. H

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org