FILE - 20210618 - 112644 - Tailieu Mon IC
FILE - 20210618 - 112644 - Tailieu Mon IC
INTERCULTURAL COMMUNICATION
The plane finally landed in Tokyo, after the long flight from the West Coast
of the United States. Annie Nimos had changed into fresh business clothes
before arrival, because she would be met by the owner of the firm with whom
she had corresponded for a year for her import business. She had placed sev-
eral orders by correspondence, and business had gone smoothly, but this
would be the first time she and the owner would meet. After finally getting
through customs, she saw a gentleman with a sign in his hand that said
“Mrs. Nimos” and made her way toward him. Tanaka-San, the owner of the
firm, as well as another man and woman who were employees, had come to
meet her. There were bows and herros, and the younger man stepped for-
ward to offer to carry her laptop computer. She started slightly when he
greeted her: “Hello. Welcome to Tokyo. How old are you?”
C O M M U N I C AT I N G W I T H T H E O T H E R
Some communication specialists propose that all communication is inter-
cultural,2 because there are microcultural differences between one family
and another, or even idio-cultural differences between two persons. But this
is not a useful stance in the attempt to communicate successfully across
What Constitutes a Culture? 13
Communicating with the Other may be the key to our survival,8 and the
identity and attributes of the Other are rooted in culture.9 Central, then, to
the issue of intercultural communication is the concept of what constitutes
a culture.
C O N C E P T O F C U LT U R E
There are many concepts of culture, ranging from the simple to the complex:
the relational aspect of communication, because the latter keeps the com-
munication system in operation and regulates the interaction process. Com-
munication in the broadest sense is the active aspect of cultural structure.16
The information content of communication often takes the form of a low-
context verbal message, and the relational aspect is more often communi-
cated nonverbally as a contextual metamessage.17
To understand how humans adapt to their society, we can conceptually
break down the social system of a culture into units of prescribed behavior
for given situations. Hall characterizes these units as situational frames in
society. A situational frame is the smallest viable unit of a culture that can
be “analyzed, taught, transmitted, and handed down” as a complete entity.
Examples of such units might be “greeting,” “gift-giving,” “introductions,”
“eye contact,” and “table manners.” As children, we start learning in units
the behavior for each situation that is considered appropriate for our cul-
ture. These situational units are culture’s building blocks, and they contain
social, temporal, proxemic, kinesic, linguistic, personality, and other com-
ponents. Since we can more easily learn a new culture by using manageable
analytic units,18 looking at common cultural “situations”— the units that
differ from culture to culture and constitute potential obstacles— can aid us
in achieving effective intercultural communication.
Difference in the situational units of a culture creates communication ob-
stacles in the process of verbal and nonverbal interaction between persons.
But since culture as a whole gives rise to obstacles of perception, it is also
imperative to broadly consider cultural information such as history, reli-
gion, form of government, preconceptions, and values.
Culture gives humans their identity. It is the total communication frame-
work for words, actions, body language, emblems (gestures), intonation, fa-
cial expressions, for the way one handles time, space, and materials, and for
the way one works, makes love, plays, and so on. All these things and more
are complete communication systems. Meanings can only be read correctly
if one is familiar with these units of behavior in their cultural context.19
Anything that can properly be called cultural is learned, not hereditary.20
But these learned ways of interacting gradually sink below the surface of the
mind and become hidden controls that are experienced as innate because
they are ubiquitous and habitual. Culture organizes the psyche, how people
look at things, behave, make decisions, order priorities, and even how they
think.21
We are, all of us, already cultural experts, but we are experts in our own
cultures and almost totally at a subconscious level. Our trained subcon-
16 Intercultural Communication
scious antennae can read insincerity when words and nonverbal communi-
cation are incongruent, and we can anticipate aggressive actions from subtle
cues. But this same finely tuned sub-subconscious interpretative ability will
misread cues that have a different meaning in another culture, and when this
happens we have a reaction based on misinformation, often without our be-
ing aware of the mechanics leading to our response.
Our own cultural maps are so familiar, like a home neighborhood, that
we do not need to make them explicit; it is only in foreign cultural territory
that we need an externalized map.22 When one can successfully describe an
informal pattern in a culture, then others in the same culture can immedi-
ately recognize it because they already have acquired this pattern. By ex-
plicitly putting cultural patterns or rules into words, these informal and sub-
conscious patterns can be more easily taught.23 In fact, the only important
process in the survival of cultures is transmission,24 i.e., communication.
Although culture is learned, Hall points out that it is very difficult for
culture X to teach culture Y to use nonverbal communication forms, be-
cause all groups tend to interpret their own nonverbal communication pat-
terns as universal.25 We constantly and silently communicate our real feel-
ings in the language of nonverbal behavior, which is elaborately patterned
by our culture.26
Consequently, to communicate across cultures, we need formal training
not only in the language but also in the history, government, and customs of
the target culture, with at least an introduction to its nonverbal language.27
Humans are linked to each other through hierarchies of rhythms of lan-
guage and body movement that are culture-specific. We cannot adequately
describe a culture solely from the inside without reference to the outside,
nor vice-versa,28 which dictates an etic-emic approach.
C U LT U R E I S N O R M AT I V E
As children, we learn through subliminal, but clearly discrete, signals the
directives, the prohibitions, the encouragements, and the warnings that
govern our consistent association with other members of our society. Our
systems of verbal and body-motion languages are flexible and malleable,
but they are adaptive and functional only because they are systematically
organized.29
Every society seems to have strict normative regulations of communica-
tion, a kind of communication traffic order.30 In fact, all human behavior is
What Constitutes a Culture? 17
subject to normative social control, and each bit of behavior (Hall’s situa-
tional unit) becomes an element in a code. This normative structure is what
gives human behavior its communicative power.31 One communicates by
how one adheres to or deviates from the norm. The particular set of rules
that transforms a person into a human being derives from requirements
established in the ritual organization of social encounters.32 However, we
should bear in mind that at some time in history some culture has justified
or condemned every conceivable human action.
When a person is born into a society, a system already exists into which
the person must be assimilated if the society is to sustain itself. If the per-
son’s behavior does not become predictable to the degree expected, then he
or she must be accorded special treatment, which can range from deifica-
tion to incarceration. In some societies the person who does not assimi-
late will be allowed to die. Ultimately the goal is to make the person’s be-
havior predictable enough that society can go about the rest of its business.
In every society, in order to attain membership, a person must gain control
of the pattern of, and be incorporated into, the society’s communication
system.33
Human communities select their cultural institutions from a great range
of possibilities; the resulting configuration of choices from this matrix makes
up the pattern of a culture, and patterning is what gives culture its intelligi-
bility.34 These cultural patterns are unique, not universal, but human beings
have difficulty getting outside their own cultural skins in order to see this.
To communicate effectively across cultures, we need to increase our under-
standing of our own unconscious culture.35
D E V I AT I O N F R O M C U LT U R A L N O R M S
There is a public order. All of our interactions with others are governed by
a learned set of rules— our cultural pattern—most of which unconsciously
guide our behavior and consequently affect our communication. We draw
on our learned rules to understand others’ behavior.36 Interacting through
verbal and nonverbal language usage (what is said when, how it is phrased,
and how one coordinates language with nonverbal signs) is not simply a
matter of free choice; such usage is affected by subconscious and internal
constraints that lie out of our immediate awareness.37 We are sharply con-
scious of another’s deviation from these rules—and we interpret meaning
from such deviation. When engaging in intercultural communication, we
18 Intercultural Communication
C U LT U R E C L A S H E S
Millions of North Americans traveled to Europe after World War II, and a
large number of European writers, intellectuals, and students traveled to the
United States. Occasionally, the opportunity to live in and learn about a dif-
ferent society helped shatter the preconceived stereotypes that each had
about the other. But most of these transatlantic explorations and cultural
exchanges led not to mutual understanding but mutual suspicion, and not
to greater sophistication but greater provincialism. Most of the travelers were
champions of their own culture with an inability to appreciate any country
but their own or to accept another society on its own terms.40 Simple expo-
sure to another culture does not guarantee better intercultural communica-
tion. Such encounters may result only in culture clashes and the reinforce-
ment of negative stereotypes.
Antonina and Teresa’s greeting behavior lay below their conscious
thought. Antonina reacted strongly to the negatively eventful act of avoid-
ance of contact on the mouth because she interpreted it as judgmental. It
brought Teresa’s behavior to a conscious level, although Antonina seemed
able to verbalize only her reaction and not its cause. For Teresa the morn-
ing greeting was not a negative event, and the ritual stayed below a con-
scious level. It would have been helpful if Teresa had become consciously
aware of her own and Antonina’s cultural conditioning earlier in the rela-
tionship, because the offense perceived by Antonina added fuel to a long-
lasting fire of contention. This type of misunderstanding is typical of how
cultural differences cause difficulties in intercultural communication.
Australian Jill Ker Conway, in her autobiography True North, recounts
that she was irrationally irked by what she perceived as the inefficiency of
English life, the slowness with which things got done, and the relaxed con-
fidence of all concerned that they lived at the center of the greatest intellec-
tual community in the world. John, her North American husband, gave her
advice to help her objectively observe rather than react. He urged her “to
view the British as though they were an African tribe, complete with nose
rings and elaborate tattoos, delightful to observe, just as one would any
other strange culture.” 41 She states that, like “every émigré, I was always
keeping score, somewhere in the back of my mind, weighing and assessing
what was good and bad about my new situation, testing the new society
against my native one.” 42
Conway writes that there are climates of the mind. “Some expatriates
never arrive spiritually in the new land.” The light remains foreign, and the
20 Intercultural Communication
tity was inescapably North American. Other writers and intellectuals had
similar epiphanies and spoke of a cultural reawakening and of their greater
awareness of the strengths and deficiencies of their own North American
culture.54
To understand and accept the ways in which the minds of those in an-
other group work constitutes the essence of cultural understanding; a by-
product of such acceptance affords a rare glimpse of the strengths and weak-
nesses of our own system. Transcending or freeing ourselves from the grip
of unconscious culture cannot be accomplished without some such self-
awareness. The real job may be to understand our own culture, and to take
other cultures seriously forces us to pay attention to the details of our own.55
We may, in fact, need each other for self-definition. How can we know what
is distinctively British, French, or Mexican without describing what is pe-
culiarly German, Italian, or Dutch? How can we know what is distinctively
Latin American without defining what is North American? 56
I N T E R C U LT U R A L C O M M U N I C AT I O N O B S TA C L E S
The successful intercultural communication process best begins with good-
will on both sides. However, an individual’s negative reactions and evalua-
tions of a foreign culture may create intercultural communication barriers.
Negative evaluations cause dislike rather than like, and avoidance rather
than approach. They occur because the foreign culture deviates from the
norms to which we are acculturated. These barriers are bicultural and mono-
directional, reflecting unwillingness or inability to understand the norms
of a foreign culture. The barriers are not necessarily reciprocal. Further, a
single cultural difference may, in fact, be an absolute barrier if it violates one
of a communicator’s core values.61 The isolation of women in harems and
the practice of infanticide violate Western core values. Female sexual free-
dom violates core values of most Arab and Asian nations.
Culture is the matrix in which perception and verbal and nonverbal com-
munication processes develop.62 Factors in these three general communica-
tion groupings in turn affect culture as well as each other. The interrela-
tionships are complex but can be usefully diagrammed (see Table 1).
T A B L E 1. Cultural Matrix
CULTURE
Behavior
VERBAL NONVERBAL
PERCEPTION PROCESSES PROCESSES
T A B L E 2 . Potential Obstacles to Intercultural Communication
Culture
Perception Behavior
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2
3
4
5
Verbal Patterns
[A] Have you noticed how often Americans use the expression "thank
you"? A customer, after paying $100 for a meal in a restaurant, says
"thank you" to the person who hands him the bill. In response to "I like
the color of your car," an American might answer "thank you." In both of
5 these cases no great favor or compliment was extended, yet "thank you"
was the automatic response.
[B] When you listen to people speak a foreign language that you under
stand, have you noticed that the native speakers of that language use
words and phrases in a manner different from what you are used to? In
American English, for example, people say "thank you" frequently. A
5 word for "thank you" exists in almost every language, but how and when
it is used is not always the same. In your language, do you thank people for
trivial as well as important or unusual favors? For Americans, this
expression is used as a polite response to different kinds of favors and 10
compliments, and is often automatic (e.g., "Thanks for calling" to someone
on the phone or "Thank you" to a teller in a bank).
[C] In language there are tacit rules of speaking that, unlike rules of
grammar or spelling, are not usually studied in a formal manner. These
unspoken "rules" exist in every language but differ significantly from culture
to culture. Acquiring a second language demands more than 5 learning
new words and another system of grammar. It involves developing sens it ivity
to aspects of language that are usually not taught in language textbooks.
Some important rules include permissible degrees of directness in speech
and forms of politeness used in daily conversation.
19
20 Verbal Patterns
In this conversation between two Americans, the host does not repeat
5 the offer more than once. (Hosts may offer food twice but usually not
more than that.) If guests are hungry, they need to say directly, "Yes, I'd
like some more, thank you." If they are hungry but say, "No, thank you,"
out of politeness, they may remain hungry for the rest of the evening. A
host will assume that a guest's refusal is honest and direct.
[G] Of course, there are limits to the degree of directness a person is
allowed to express, especially with people of higher status such as
teachers and employers. A male student was surprised at the reaction of his
female teacher when he said, "What has happened to you? You look 5 like
you gained a lot of weight!" When the teacher replied, "That's none of
your business," he answered in an embarrassed tone, "I was just being
honest." In this case, his honesty and directness were inappropriate and
unappreciated because of the teacher-student relationship. (In addition,
most Americans do not like being told that they are fat!)
Invitations
Invitation I:
KATIE. It was nice talking to you. I have to run to class. DARLENE. OK,
maybe we can meet sometime soon. KATIE. Yeah, love to. Why
don't you drop by my house sometime? DARLENE. Great. Gotta go.
See ya soon.
22 Verbal Patterns
Invitation II:
KATIE. Before you leave for your vacation can we get together and have lunch?
DARLENE . Sure. I'd love to.
KATIE. How about Friday? Say about 12:30 at my place?
DARLENE. That sounds good. See you then.
The first invitation did not result in an appointment and was nothing
more than a "polite" expression. In the second dialogue a genuine invita-10
tion was extended because Katie had a definite plan (a lunch
date) and a specific date, time, and place in mind (Friday, 12:30). If Katie
had said only, "Drop by," Darlene probably would not have visited Katie.
[I] Many rules governing speech patterns are learned in childhood and
people grow up thinking that everyone has the same rules for speaking.
People unconsciously expect others to use the same modes of expression as
they do. For instance, not all languages use silence and interruptions in
Verbal Patterns 23
5 the same way. Have you observed the ways people from different cul-
tures use silence? Have you noticed that some people interrupt conver-
sations more than other people? All cultures do not have the same rules
governing these areas of communication.
[J] Many Americans interpret silence in a conversation to mean disap-
proval, disagreement, or unsuccessful communication. They often try to fill
silence by saying something even if they have nothing to say! On the other
hand, Americans don't appreciate a person who dominates a con-5
versation. Knowing when to take turns in conversation in another language
can sometimes cause difficulty. Should you wait until someone has finished a
sentence before contributing to a discussion, or can you break into the middle
of someone's sentence? Interrupting someone who is speaking is considered
rude in the United States. Even children are 10 are taught explicitly not to
interrupt.
[K] Individuals in every culture have similar basic needs but express
them differently. In daily life we all initiate conversation, use formal and
informal speech, give praise, express disagreement, seek information,
and extend invitations. Some of the verbal patterns we use are influenced
5 by our culture. Whereas directness in speech is common in the United
States, indirectness is the rule in parts of the Far East. Thus people from
both of these parts of the world would probably express criticism of
others differently. In parts of the Middle East a host is expected to offer
food several times but in the United States he may make an offer only
10 once or twice. The different modes of expression represent variations on
the same theme. Each language reflects and creates cultural attitudes;
each has a unique way of expressing human need.
24 Verbal Patterns
Comprehension Questions'
Choose the best answer for the following questions. You will find the
answer either stated directly or indirectly in the reading passage.
3. Why is the example of the Americans' use of "thank you" used in the
introduction of the reading? [A]
a. Americans are insincere when they say "thank you."
b. Certain words and phrases are used differently in various cultures.
c. "Thank you" is expressed only after compliments are extended.
5. The brief interaction between the student and her professor is used to
illustrate: [E]
a. Directness in seeking information.
b. The teacher-student relationship.
c. Time limitations of professors.
6. Generally hosts do not offer food more than once or twice because
they: [F]
a. Do not expect you to be hungry.
b. Expect you to say immediately what you really want.
c. Expect you to refuse politely.
*The capital letter in brackets refers to the corresponding paragraph in the reading.
Verbal Patterns 25
Vocabulary List
Vocabulary Exercises
A. Choose the appropriate synonym (or the word closest in meaning) from
Synonyms the list and rewrite each sentence, replacing the italicized word. Change
tense, singular and plural, and part of speech when necessary.
conclude voice unspoken
give way show
considerable conversation courtesy
2. He did me the favor of lending me his car for two weeks. [A]
4. The two friends had a tacit agreement not to share their secrets with
other people. [C]
6. Often interaction between two people who don't speak the same
language is difficult. [D]
*The capital letter in brackets indicates the paragraph from the reading.
Verbal Patterns 27
B. Choose the correct word form for each sentence. Make verb tense changes, Word
Forms make nouns singular or plural, and use active or passive voice as
applicable.
a. " ______________," said the student, "I prefer having a job to being
a student."
party.
a. After being hit by the car, the child was ______________ for three
days.
C. First choose the correct word for the definitions. Then fill in the blanks in
Definitions the sentences following the definitions. Note: You may have to change the
grammatical form of the word used in the sentence.
modes [I] disagreement [J] praise [K]
interpret [J] dominates [J] reflects [K]
disapproval [J] explicitly [J] unique [K]
6. shows _________________
on the subject.
and wrong.
9. rules or controls_________________
D. Match the words on the left with their definitions on the right. Place the
Matching letter of the definition in the space next to the word.
2. When the professor told the student to go right ahead with her ques
tion, he meant that: [E]
a. The student should go away from the room.
b. The student should wait for her turn before asking the question.
c. The student should ask the question immediately.
3. When you are asked to go out and the person who invites you says,
"How about Friday?" he means to say: [H]
a. "Can you go out on Friday? It's a good day forme."
b. "Any day is OK for me. What about you?"
c. "If Friday isn't good for you, then we can't go."
4. When the girl said that having lunch together "Sounds good," she
meant that: [H]
a. Those words are nice to listen to.
b. Having lunch together is a good idea.
c. There are good sounds at lunches.
Conversational Activities
I'm sorry to trouble you, but could you please tell me where the
library is? (formal)
Would you be so kind as to tell me where the library is? (formal)
Where is the library, please? (semiformal)
Where's the library? (informal)
Teacher:
I've been a teacher for ten years and I can always tell when students don't
know an answer in class discussion. They either look down at their
notes, stare out the window, or fix their shoelaces — but they never look
me in the eye.
College Student:
Mary says she likes me, but I don't know how she really feels about me.
We've gone out three times and she rarely laughs at my jokes or smiles at
me. She always looks bored when I talk to her.
Customer:
Jane was at the store trying to decide which television set to buy. A loud,
overeager salesman approached her, waved his hands in her face, and
nearly stood on her feet. She became so uncomfortable that she left the
shop.
43
44 Nonverbal Communication
Gestures
[E] Gestures refer to specific body movements that carry meaning. Hands
can form shapes that convey many meanings: "That's expensive," "Come
here," "Go away," and "It's OK" can be expressed nonverbally using only
hands. The gestures for these phrases may differ among languages. 5 As
children we imitate and learn these nonverbal movements and often use
them to accompany or replace words. When traveling to another country,
foreign visitors soon learn that not all gestures are universal.
The "OK" gesture in the American culture is a symbol for money in
J a pa n . T h e s a m e g e s tu r e i s o bscen e i n s o m e L a t in A m e ri c a n c o u n t ri e s.
10 ( Th is is wh y th e edito rs of a Latin Am er ican n ewspap er enjo yed
pu blishing a picture of former President Nixon giving the OK symbol
with both hands!)
Facial Expressions
Eye Contact
Space
[I] Unconsciously, we all carry with us what have been called "body
bubbles." These bubbles are like inv i sible walls which define our personal
space. The amount of space changes depending on the interpersonal
relationship. For example, we are usually more comfortable 5 standing
closer to family members than to strangers. Personality also determines
the size of this space. Introve rts often prefer to interact with others at a
greater distance than extroverts. Cultural styles are important too. A
Japanese employer and employee usually stand farther apart while talking
than their American counterparts. Latin Americans and Arabs
10 tend to stand closer together than Americans when talking.
[J] For Americans, distance in social conversation is about an arm's
length to four feet. Less space in the American culture may be associated with
greater intimacy or aggressive behavior. The common practice of saying
"Excuse me," or "Pardon me" for the slightest accidental touching 5 of
another person reveals an American attitude about personal space. Thus
when a person's "space" is intruded upon by someone, he or she may feel
threatened and react defensively. In cultures where close physical contact is
acceptable and desirable, Americans may be perceived as cold and distant.
* * * * *
[K] Culture does not always determine the messages that our body
movements convey. Contexts, personalities, and relationships also in-
fluence them. Therefore, no two people in any one society have the same
nonverbal behavior. However, like verbal language, nonverbal 5
communication cannot be completely separated from culture. Whether we
emphasize differences or similarities, the "silent language" is much louder
than it first appears.
47
48 Nonverbal Communication
Comprehension Questions*
Choose the best answer for the following questions. You will find the
answer stated either directly or indirectly in the reading passage.
*The capital letter in brackets refers to the corresponding paragraph in the reading.
Nonverbal Communication 49
7. The expression, "You can read her face like a book," means: [G]
a. She is a difficult person to understand.
b. She speaks with words.
c. She shows her feelings and emotions.
8. Why might it be inappropriate to stare at strangers? [H]
a. Staring can be an invasion of psychological privacy.
b. Staring is rude in any situation all over the world.
c. Staring can give one person too much power over another.
Vocabulary List
withdrawal-
confusion gesture
embrace
affection
*shocking
*grimace
*ethnic
exc e s si v e
obscene
*acknowledging
disgust
mistrust
* background
barriers
*wink
intimacy
*flirtatious
Vocabulary Exercises*
A. Choose the appropriate synonym (or the word closest in meaning) from
Synonyms the list and rewrite each sentence, replacing the italicized word. Change
tense, singular and plural, and part of speech when necessary.
hug love backing away
went with stressed click
indecent copied global
• send
10. The young boy was punished for collecting obscene pictures. [E]
*The capital letter in brackets refers to the corresponding paragraph in the reading.
Nonverbal Communication 51
C. First choose the correct word for the definitions. Then fill in the blanks in
Definitions the sentences following the definitions. Note: You may have to change the
g r ammatical form of the word used in the sentence.
invisible [I] counterparts [I] intruded [J]
introvers [I] associated [J] . threatened [J]
extroverts [I] accidental [] defensively [J]
52 Nonverbal Communication
3. connected _______________
The retired professor was _______________ with the university
for twenty years.
D. Match the words on the left with their definitions on the right. Place the
Matching letter of the definition in the space next to the word.
confusion _ __ a. scowl; look of disgust
shocking ____ b. movement of the body or part of the body,
especially the hands
gesture_______ c. showing awareness or recognition of
grimace d. showing sexual or romantic interest
wink e. pertaining to a minority or national group
that is part of a larger community (e.g.,
flirtatious ____ Blacks or Chinese Americans in the U. S.)
ethnic ____ f. disorder; chaos
backgrounds _ g. appalling; very surprising
h. closing and opening of one eye
acknowledging_ i. environments; surroundings; origins
Conversational Activities
A. The following are some of the more common gestures in American
Gestures English. These are specific movements that are made with hands, arms,
and shoulders; each movement has a specific meaning. Demonstrate and practice
them in class.
OK
54 Nonverbal Communication
Oh, I forgot!;
Don't tell me (surprised)
Wait a second;
Slow down;
Relax
Come here
Note: Ask your teacher to demonstrate gestures that convey boredom, excessive
talking and money.
Activity: Act out the following situations, practicing the gestures listed
above and those demonstrated by your teacher.
B. Pantomine ideas and emotions to the rest of the class. Think of sentences
Charades or phrases to illustrate nonverbally. For example:
Write down your ideas, feelings, and expressions and give them to other
class members to act out, or act them out yourself. Do not use any words.
See if the other class members can guess the meanings.
and a (—) if you feel the cue can be either. Leave empty if you have no
reaction or feel that the cue is neutral.
Discuss: Compare your responses with those of the other class members.
Were any cues positive in one situation and negative in another? Were
any neutral? Did you disagree with the other class members? If so, why?
D. In pairs (if possible, with two people from the same culture*) write a Role-
Plays dialogue in your own language and in English using the following situation.
First perform the dialogue in front of the class in your own language. Then
perform the same scene in English. The class members will comment on the
nonverbal behavior they observe in both scenes.
*Note: If class members are from one culture, role-play different situations (e.g.,
meeting a friend at a party, making a date, returning a bad product to a store
manager).
58 Nonverbal Communication
In an office:
student desk two
teacher chairs
Discuss: Did you feel or observe any nonverbal differences when lan-
guages were changed? Were you more comfortable in one language than
in another? Do your body movements change when you are speaking a
foreign language? If so, how?
Space:
between strangers:
Follow-up:
Description Opinion
H. Answer the following questions about your own culture and then dis-
Cross- cuss intercultural similarities and differences. Cultural
Questions 1. Do you recall from your childhood how you learned aspects of non-
verbal language (space, gestures, etc.)?
64 Nonverbal Communication
Cultural Notes
2. Edward Hall, in his book The Hidden Dimension, discusses four cate
gories of informal use of space among white professional-class Amer
icans:2
For intimate friends From actual physical contact
to 18 inches
For friends and personal conversation 18 inches to 4 feet
For impersonal conversation 4 feet to 12 feet
For public speaking 12 feet or more
For example:
"It was nice meeting you." (at 1 foot apart) "Hope to
see you again sometime." (at 6 feet apart) "Take
care." (at 15 feet apart)
Cultural Conflict
. . . From the moment you arrive, your [cultural and personal] back-
ground . . . will influence everything you expect [and] a great deal of
what you do and do not do. . . . Most of the people you meet will be
similarly influenced by their own backgrounds, culturally, socially, and
personally. If some of the people you meet think you act a little strangely,
they may never know whether you are peculiar, or whether most people
from your country are strange, or whether all "foreigners" are strange. . . .
177
EGG-ROLL
ICECREAM
COLD
DRINKS
COFFEE
CANDIES
HOT
not have the benefit of shared experiences (i.e., language and culture)?
[B] Cultures do not communicate; individuals do. Everyone has a
unique style of communication, but cultures determine a general style
for their members. The relationship of the individual to his culture is
analogous to an actor and his director. The actor puts his own personality
5 into his acting but is nevertheless influenced by the director. We are not
always aware of the subtle influences of our culture. Likewise, we may
not perceive that others are influenced by their cultures as well.
Misinterpretations
178
Cultural Conflict 179
A young woman from one culture is looking out of the window and sees
a male acquaintance from another culture. He signals to her by puckering
his lips. She quickly looks away from the window. Later she ignores
him. He is confused and she is angry.
known more about each other's nonverbal cues, they could have avoided
the cultural conflict.
[D] Some misunderstandings are insignificant and can be easily ignored
or remedied. Other conflicts are more serious in that they can cause
misinterpretations and create persistent negative attitudes toward
foreigners.
Ethnocentrism
ROSAMINE. I think it's terrible that in your country children leave their parents
when they're so young. Something that shocks me even more is that many
parents want their children to leave home. I can't understand why children
and parents don't like each other in your country.
MERITA. In your country parents don't allow their children to become indepen-
dent. Parents keep their children protected until the children get married.
How are young people in your country supposed to learn about life that way?
Both women are insensitive to each other's values concerning family life. They
have been raised and conditioned according to cultural norms. 10
Therefore, each has a different view of what is right.
181
182 Cultural Conflict
[J] Unfortunately there was nothing that this applicant could have done
to prove that he was indeed qualified for the job. Rejected on the basis of
his nationality, the applicant was a victim of an irrational belief.
[K] Stereotypical remarks can be made casually in daily conversations
and may or may not have serious consequences. Nevertheless, people's
initial impulse is to become angry rather than to clarify the distortion.
Educating others is one way to try to correct misperceptions. At the same 5
time, individuals need to become fully aware of their own preconcep-
tions. Establishing personal relationships with individuals from different
religions, cultures, or races may be the best way to break down stereo-
types and prejudice.
Comprehension Questions'
Choose the best answer for the following questions. You will find the
answer either stated directly or indirectly in the reading passage.
*The capital letter in brackets refers to the corresponding paragraph in the reading.
184 Cultural Conflict
Vocabulary List
Pargraph A Paragraph B Paragraph C Paragraph D
complex analogous *puckering remedied
unintentionally subtle advance persistent
compounded
Vocabulary Exercises'
5. The politician's message was so subtle that no one understood it. [B]
a. wise c. creative
b. unintelligent d. inapparent
7. How could we have remedied the problem when we didn't know that it
existed? [D]
a. ignored c. corrected
b. avoided d. understood
* The capital letter in brackets refers to the corresponding paragraph in the reading.
186 Cultural Conflict
B. Decide what part of speech is needed in the blanks. Change the original
Word Forms word to the appropriate form.
1. preconceived [G]
2. portray [H]
3. distorted [H]
4. perpetuate [H]
5. inaccuracies [H]
7. intolerance [I]
8. hatred [I]
9. ambitious [I]
C. Try to guess the meaning of the italicized word by looking at the context
Definitions of the sentence. Write a definition in the space provided. Check your
in Context dictionary only after you try to determine the meaning yourself.
2. The victim, an innocent young boy, was shot three times. [J]
188 Cultural Conflict
4. When the woman saw her former husband after a ten-year separation,
her first impulse was to hug him, but she decided not to. [K]
5. "I don't understand the problem," said the student to her instructor.
"Can you clarify it for me?" [K]
D. Match the words on the left with their definitions on the right. Place the
Matching letter of the definition in the space next to the word.
Conversational Activities
long
The black area (the overlapping circles) represents what the United States
and England have in common (language, certain foods, dress, certain
values, art, religion, partly shared history). The white areas represent
what the United States and England do not share (certain customs, styles
of communication, the Royal Family).
The United States and India have less in common than the United
"States and England. This can be illustrated as follows:
The black area (the overlapping circles) represent what the United States
and India have in common (colonial heritage, political elections). The
white areas represent what the United States and India do not have in
common (religion, communication styles, family structure, dress, foods,
art).
Discuss: How would two circles representing the United States and
Canada look? How would two circles representing the United States and
the U.S.S.R. look?
189
190 Cultural Conflict
Activity: In pairs (with someone from a different country) make two lists
showing cultural areas that you have in common and areas that contrast.*
Be specific. For example:
Japan—United States
Areas in Common Areas of Contrast
After you compile your lists, draw a set of circles showing the relation-
ship between your culture and the culture you just discussed.
B. Most of us react negatively when someone expresses the attitude that his
Ethnocentrism or her race, nationality, religion, or culture is superior. Sometimes we do
not recognize that we may appear ethnocentric to others. For example, someone can
innocently say, "In my country children are much happier than in your country." How
do you think the other person will respond or feel? The purpose of the following
activity is to show how ethnocen-trism is communicated in language.
*If class members are from the same country, lists can be made comparing their
country with the United States.
Cultural Conflict 191
Revised wording
Levadel has several superb artists who have produced well-
known works of art.
c. Complete the following statement with the first idea that comes to your
Generaliza- mind. Write your answers in the spaces provided.
tions and
Generalizations
Stereotypes
Discuss: In your opinion, which of the above statements are true and
which are false? How did you form these general impressions?
Stereotypes
The difference between a generalization and a stereotype is not always
easy to understand. If generalizations are rigid—allowing for no indi-
viduality and often encouraging critical or negative judgment—then
they become stereotypes.
In this exercise specific stereotypes will be examined.4
STEREOTYPE WORKSHEET
Example:
All people from I don't know, I've only been This stereotype is false. Six
the United States in the United States for one percent of the population is
are rich. week. I haven't seen any poor and a large percentage of
poor people yet. Movies Americans are in the middle
show Americans with big class.
cars and pools.
Cultural Conflict 193
In pairs or in small groups decide which are the most effective ways
of responding to a stereotypical remark. From the stereotype worksheet
choose a stereotype and role-play a short dialogue which includes an
effective response to the stereotype. For example:
D. Answer the following questions about your own culture and then dis-
Cross- cuss intercultural similarities and differences.
Cultural
Questions 1. In your opinion, what areas of culture create the most serious
problems in intercultural communication? Explain.
2. What kinds of cultural conflicts exist in a heterogeneous society?
How are they similar to cultural conflicts between people from
different countries?
3. What is the difference between having pride in one's identity and
being ethnocentric? Why do groups of people become ethno
centric?
4. Can you think of cases where stereotypes have turned into pre
judice or hatred?
5. How can harmful stereotypes be combatted?
10
Cultural Adjustment
Culture Shock
196
Cultural Adjustment 197
by rejecting its values and instead choosing to identify with (if only
temporarily) the values of the new country. This may occur as an attempt
to overidentify with the new culture in order to be accepted by the people
in it.
[E] Reactions to a new culture vary, but experience and research have
shown that there are distinct stages in the adjustment process of foreign
visitors. When leaving the comfortably secure environment of home, a
person will naturally experience some stress and anxiety. The severity of
5 culture shock depends on visitors' personalities, language ability, emo-
tional support, and duration of stay. It is also influenced by the extent of
differences, either actual or perceived, between the two cultures.
[F] Visitors coming for short periods of time do not always experience
the same intense emotions as visitors who live in foreign countries for
longer terms. The adjustment stages during prolonged stays may last
198 Cultural Adjustment
[G] A similar process occurs when visitors return to their native coun-
tries, although the stages are usually shorter and less intense. The following
"W" shaped diagram illustrates reactions and emotions experienced when
a person leaves a foreign country and returns to his or her own 5
country.
(1) Acceptance and integration. See description given for the pre
ceding diagram.
(2) Return anxiety. There may be confusion and emotional pain
about leaving because friendships will have to be disrupted.
Many people realize how much they have changed because of
their experiences and may be nervous about going home.
(3) Return honeymoon. Immediately upon arrival in one's own
200 Cultural Adjustment
Individual Reactions
Comprehension Questions"
Choose the best answer for the following questions. You will find the
answer either stated directly or indirectly in the reading passage.
*The capital letter in brackets refers to the corresponding paragraph in the reading.
202 Cultural Adjustment
a. Honeymoon period.
b. Initial adjustment.
c. Mental isolation.
8. What stages do the adjustment cycle and the re-entry cycle have in
common? [F] and [G]
a. Return anxiety.
b. Initial elation.
c. Mental isolation.
Vocabulary List