Learner Centered Lesson Exemplar
Learner Centered Lesson Exemplar
An Overview on the
Teaching
of the Macro Skills
Learning
Objectives:
Concept
Macro Skills
Learning:
Preliminary Activity:
Concept Mapping
What Do I
Know? Materials Needed:
Instructions:
1.
What is the central word or concepts around which build
your map?
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2. What are the concepts, items, or descriptive words that can you associate with the
word macro skills?
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4. Based from the activity, how would you define macro skills, listening, reading,
speaking, and writing?
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Fun _____________________________________________________
To prepare students for the writing activity (demonstrating their productive skills in
the language) it’s important that they first have many opportunities to listen to and/or
read model recounts (developing their receptive skills in the language). The models
could be written or told in language by the teacher and/or examples of recounts written
by other students in previous years. The students read those models and answer
questions about them. The teacher uses those models to help the students understand
the meaning of the texts and analyse the language structures.
We all know about the traditional four skills of reading, writing, speaking and
Viewing is the listening. But what about the fifth skill of ’viewing’? Kieran Donaghy, expert in the use of
fifth macro- visual arts in language teaching, explains what viewing is, why it’s important and how
skill today. It you can implement it in the classroom.
refers to We are living in a visual world. The advent of the internet and the digital revolution, the
perceiving, ubiquity of mobile devices which allow us to capture still and moving images easily, the
examining, appearance of video-sharing platforms such as YouTube and Vimeo, and the emergence
interpreting, of social media networks such as Instagram and Facebook whose users upload largely
and visual content, have all contributed to an extraordinary rise in visual communication and
construction to the image, and increasingly the moving image, becoming the primary mode of
meaning from communication around the world.
visual images The majority of texts young people are encountering and creating are multimodal.
and is crucial (A multimodal text is one where the meaning is communicated by more than one mode –
to improving e.g. written text, audio, still pictures, moving pictures, gesture, use of space, etc. Digital
comprehensio multimodal texts can include, for example, videos, slideshows and web pages, while live
n of print and multimodal texts can include theatre, storytelling and dance.) The fact that
nonprint communication nowadays is largely multimodal changes the construct of communicative
materials. competence. This has huge implications for our educational systems.
Alla Echolt
The changing nature of communication is reflected by the fact that in the English
(2020)
language curricula of a number of countries – for example, Singapore, Canada and
Australia – two new skills, ‘viewing’ and ‘visually representing’, have been added to the
traditional skills of reading, writing, listening and speaking.
Viewing Defined
Majority of texts the students are accessing outside the classroom are visual texts
and multimodal texts which use images, surely we should give them opportunities to
‘read’ – analyse and evaluate – these types of texts in the classroom. Furthermore, the
majority of these multimodal texts – YouTube videos, infographics, websites, blogs,
social media sites – are a combination of print text and image, where the image, far from
distracting from the text, actually enhances it.
Therefore, viewing is important because as students are dealing with mainly
multimodal texts they need to understand them and to become more effective, active and
critical viewers to be able to participate fully in society. Viewing helps students develop
the knowledge and skills to analyse and evaluate visual texts and multimodal texts that
use visuals. Viewing also helps students acquire information and appreciate ideas and
experiences visually communicated by others.
It’s important that students are aware that understanding the viewing process is as
important as understanding the listening and reading process. Students should
understand that effective, active viewers engage in the following procedure:
1. Pre-viewing: Students prepare to view by activating their schema (the prior knowledge
they bring to the study of a topic or theme), anticipating a message, predicting,
speculating, asking questions, and setting a purpose for viewing.
2. During viewing: Students view the visual text to understand the message by seeking and
checking understanding, by making connections, making and confirming predictions
and inferences, interpreting and summarising, pausing and reviewing, and analysing and
evaluating. Students should monitor their understanding by connecting to their schema,
questioning and reflecting.
Viewing Frameworks
Facts
There are three frameworks which have been developed by Canadian Common
Curriculum Framework to help students become better viewers. These models, which
have been tried and tested with thousands of students at schools and universities
around the world with great success, help to systematise viewing effectively into the
Your eyes can language classroom.
distinguish 10
million
different Film and video: The 3Cs and 3Ss
colors.
This framework was developed by Into Film and is used widely in schools in the UK.
The 3Cs (Colour, Camera, Character) and the 3Ss (Story, Setting, Sound) framework can
be used to help students discuss and analyse all the elements of a film text.
80 percent of Story, Setting, Sound, Colour, Character and Camera are simple headings with
all learning discussion questions teachers can use as an easy way for exploring any film. Here are
some of the discussion questions:
comes through
viewing.
Colour
What colours do you see?
What do the colours make you feel?
Why do you think certain colours are used?
Your eyes What mood do you think the colours create?
focus on 50
different
objects every Camera
second.
What shots have been used? Can you name them?
versant health. Through whose eyes do we see the story?
com. 2020
When do we see different characters’ point of view?
When does the camera move and when does it stay still?
Character
Story
What happens in the beginning, middle and at the end of the story?
What are the most important things (events) that happen in the story?
How do we know where the story takes place?
How long does the story take place in ‘real’ time?
Setting
Sound
Students then …
The teacher …
These terms are commonly used in discussion of bilingual education and arise
from the early work of Cummins (1984) in which he demonstrated his ideas about the two
principal continua of second language development in a simple matrix. BICS describes
the development of conversational fluency (Basic Interpersonal Communicative Skills) in
the second language, whereas CALP describes the use of language in decontextualized
academic situations (Cognitive Academic Language Proficiency ).
Fun
According to Baker (2006) "BICS is
said to occur when there are contextual
Facts supports and props for language delivery.
Face-to-face `context embedded´ [boldface
in original] situations provide, for example,
Examples of non-verbal support to secure understanding.
BICS are; Actions with eyes and hands, instant
talking, feedback, cues and clues support verbal
watching language. CALP, on the other hand, is said
television, to occur in 'context reduced' [boldface in
playing on the original] academic situations. Where higher
playground order thinking skills (e.g. analysis,
with friends, synthesis, evaluation) are required in the
social curriculum, language is `disembedded´
interactions, [boldface in original] from a meaningful,
etc. supportive context. Where language is
`disembedded´ the situation is often referred
to as `context reduced´ [boldface in
original]." (Baker, 2006, p. 174)
Examples of
CALP are; The horizontal axis of the BICS/CALP
focus on matrix represents a continuum from 'context-embedded' to 'context-reduced', ranging
critical from the situation in which the learner uses external clues and information, such as
thinking and facial gestures, real objects and pictorial representation to enable understanding, to the
problem
other extreme where the learner must rely on linguistic cues, and knowledge about
solving,
demonstrated language and text to understand meanings. The vertical axis relates to the degree of
through active cognitive involvement in a task, moving from tasks that are not very demanding to
classroom increasing cognitively challenging activities. So, an activity in the upper left corner
projects (cognitively undemanding and context-embedded) such as face to face conversations
including oral, might be appropriate for a beginner, but tasks in the lower right corner (more cognitively
discussions, demanding and context-reduced) such as writing a standardized test, would be a task for
listening,
observations, advanced learners.
reading, and
writing, and
takes
approximately
5-7 years,
sometimes
longer, to
develop
fluency.
Cummings Cummins' model has proved helpful in identifying and developing appropriate
(1999) tasks for bilingual pupils. For example, in preparing tasks for a newly arrived second
language learner, teachers might start with contextualized tasks and practical activities
that are of low cognitive demand, such as naming items or a simple matching exercise.
More proficient learners would require
contextual support, but would need more
cognitively demanding tasks. This approach to
planning and assessing ELL learners was
developed and reported in Cline and
Frederickson (1996).
CONTEXT-EMBEDDED LANGUAGE:
Language that is supported by
contextual clues in the environment such
as objects, props, manipulatives, pictures,
graphs, charts and so forth helps the
second language learner make meaning
from the spoken or written world. Context-
embedded language is also a result of
students interacting with each other to get
interpersonal clues to further construct
Communicativ meaning. A "here and now" context is a
e competence necessary ingredient if the input is going to
refers to a be comprehensible.
learner's
ability to use
language to
communi-cate
successfully.C
anale and CONTEXT-REDUCED LANGUAGE:
Swain (1980)
defined it as
composing In decontextualized language there are
competence in few if any clues present to support the
four areas: spoken or written words to help make the
-Words and language comprehensible. Context-
rules reduced language is abstract and the context is usually known only to the author. i.e.,
-Appropriacy textbooks, a novel, a lecture, a CTBS test. Quadrant C and Quadrant D are context-
-Cohesion and reduced according to Jim Cummin's construct of proficiency.
coherence-Use
of
communicatio
n strategies
The theories underlying the audiolingual method and the situational language
teaching were widely criticized during the 1960s. Noam Chomsky, for instance, rejected
the structuralist view of language and demonstrated that there is a distinction between
performance and competence. The goal of the linguist is to study the linguistic
Fun competence native speakers are endowed with. He also showed, rightly, that
structuralism and behaviorism were unable to account for one fundamental aspect of
language, namely the creativity and uniqueness of individual sentences. A child is able
Facts to produce an infinite number of sentences that s/he has never encountered. This makes
the factors of imitation, repetition, and habit formation weak arguments to account for
any language learning theory.
Among the
macro-skills, A shift towards communicative proficiency
writing and The increasing interdependency between the European countries necessitated a need for
speaking a greater effort to teach adults the principal languages of the continent. New goals were
pose set in language teaching profession:
challenges in
lesson The paramount importance of communication aspects of language.
implementati The increasing interest in meaningful learning.
on. The growing centrality of the learner in teaching processes.
The subordinate importance of structural teaching of language.
Cudoo (2017)
According to the communicative approach, in order for learning to take place, emphasis
must be put on the importance of these variables:
Most teachers will know that fluency in a language (while definitely important) is not
enough to be an effective teacher. Teachers are unsung heroes, and like any great hero,
they have amazing qualities that influence all of our learning journeys.
We all have at least one teacher that we remember fondly. At least one that made a
great impact on shaping our learning. Language teachers especially are extraordinary
individuals. They face an incredible challenge teaching the intricacies of a first, second,
or even a third language. So what stands out most about our most memorable teachers
who helped us learn our first or second language without giving up on us? There is a
very long list that makes this profession a calling.
Here are some of the qualities and characteristics that make a good effective Macro Skill
teacher.
This is especially important in language teaching as many students may enter the
course as complete beginners, false beginners, or have little knowledge of the language
but lack confidence. As a teacher, recognizing what the learner knows and doesn’t know
is paramount. The learning doesn’t always happen quickly. Give it space and time to
happen. Patience with the learning process is one of the greatest qualities of a good
teacher. Patience inspires confidence in the learner. Vulnerability is a hindrance to the
learner. Having patience gives the learner the courage to learn.
3. HOPEFULNESS
The best way to accomplish this is to remain hopeful and encouraging yourself.
Your level of hopefulness is contagious and inspires students to learn and believe that
they can pick up the language. In addition to using appreciative or constructive cues in
the classroom (“Nice job!”; “Great point, can you further clarify?”; “Stick with it!”;
“You’ll get it!”; “You learned that fast!”; “Well said!”), effective language teachers are
sensitive to the learners’ discouragement and readily appease and validate learners’
feelings. A learner noticing your hopefulness is crucial as it propels further learning,
even when they feel demotivated themselves.
As a good language teacher, your job is to put aside the specialized language and
learn to explain key language concepts, patterns, and ideas in ways that students can
relate to, enjoy, and apply in real-life situations. You can try using apps/websites that
have learner-friendly activities that connect personally. It’s important to take the time to
understand why a student wants to learn the language and try to cater to that purpose.
Group Activity
Students are grouped into five. Each group brings a copy of the article “The Four Language Skills”
by Robin (2016). It can be accessed from the given Uniform Resource Locator (URL) below:
Learning
Activity https://youtu.be.IUuMf4EumsQ
Answer the following question:
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Students are grouped into five. Each group watch the video lesson about the “Genres of
Viewing” by Mitchooology (2020). It can be accessed from the given Uniform Resource Locator
(URL) below:
https://youtu.be/NoHwQTRkmEK
Group 3: Write an Essay about the differences and similarities of Movie Clip and movie
Trailer.
A. Individual Activity
Learning Read a research or study related to teaching of macro skills. Fill out the matrix below: Your work
Reinforceme will be assessed using the Writing Evaluation Rubric (See Appendix B).
nt
Research Methodology
Problem
1. Communicative Competence
2. BICS
3. CALP
4. Content-Based Instruction
5. Communicative Language Teaching
Sentence Completion
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Essay. (40pts)
Imagine you are a teacher in a multi-grade school. How can you apply the qualities of an
effective Macro skill Teacher? Cite a specific topic and elaborate using the qualities of an
effective English Macro Skills teacher.
Assignement
REFERENCES