Backstage
Backstage
Professionalism
is expected at all times.
1. No food or beverages allowed onstage. Only closeable bottled beverages allowed and they
must be kept backstage or in hallway.
2. Do not put your personal items on the set or props table.
3. No open-toed shoes (i.e. sandals, flip-flops) or high heeled shoes. Soft-soled shoes only. No
shoes with lights on them.
4. No horseplay or pranks allowed.
5. No public display of affection (PDA). This includes hugging, kissing, sitting on laps, etc. Keep
your hands to yourself.
6. During rehearsals and shows be in your place or on your way to your place when 5 minutes is
called. Remember, at five minutes,
you're early, at places, you're late.
7. No one is allowed backstage or onstage during rehearsals or shows unless they are current
crew, cast, staff, or a board member.
8. No playing, sitting, or lying on sets or props.
9. No damaging or abusing props or set. Report violators to stage manager, assistant stage
manager, or backstage coordinator.
10. No distracting actors during rehearsal or shows.
11. Once “all black” is called, wear only black clothing and shoes (this includes socks).
12. No roaming. Stay in your area of responsibility or where a person on headset can find you.
13. No mingling with audience members before or during shows except during the meet-and-
greet after the show.
14. During intermission, do all preparations before taking a break.
15. Headset wearers should not let anyone use a headset except current crew or staff. Do not
let directors, actors, or non-
current crew use them without the permission of the stage manager or assistant stage manager.
16. All backstage volunteers should be age 14 or over.
17. No breaking curtain after house is open.
18. Talking during a performance should be kept to a minimum and should pertain to the
production only. Quiet backstage.
19. Try as much as possible to keep consistent with your job responsibilities. Trading of jobs
should be avoided.
20. Once you commit to working backstage, try to be available for all technical rehearsals and
performances. If this is not possible,
you must clear it with the backstage coordinator prior to tech week.
21. Technical rehearsals can be long and sometimes frustrating. Patience is required and
expected at all times.
22. Have fun and remember the applause is for you too!
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The Stage Manager will love you for it and so will your Director.
Absences
As soon as you know you cannot attend rehearsal or will be late - you must contact the director or
designated person to let them know your situation, even though you are amateurs you are expected to
bring professional ethics and work habits to the company.
Help your director and stage manager in their efforts to create an ensemble.
That means we all work together with mutual respect and support for one another.
Experienced actors and technicians know very well audiences will sense your energy.
Again, you're all amateurs but this is how professionals work. Be positive, open minded, and flexible.
This can create endless problems. Spilling could completely ruin furniture or painted scenery.
Costumes can become stained or things will get knocked over in the dark. Only water bottles will be
permitted.
Backstage space is pretty cramped, and the last thing the crew needs is to have to work around an extra
body. Things can happen pretty quickly backstage, and you could find yourself causing a disaster by
blocking someone's view when a visual cue is needed, or being in the way during a quick entrance, exit
or scene change. Stay in the dressing room until you are called
Background -
This is a hard rule to follow. We have all done it. It is vital you do not distract your fellow actors or
technicians. A whispered conversation in the wings can be very annoying to actors on stage, actors
about to make an entrance and can even be heard in the house. The crew are waiting for a cue, just like
you. If you distract them they may miss a cue. If you have something that you must communicate to a
crew member because it affects your performance or the show, then do so, but make sure you're not
interrupting something else that may be going on. If your crew uses headsets, always make the
assumption that they're listening to something when you approach them and you won't go wrong.
The crew can't call you if they can't find you. And while you may know perfectly well where you are,
they don't. If the actors on stage skip ten pages, you're going to be needed on stage sooner than you
thought, so don't count on going somewhere and making sure you're back
"in time for your cue." If you need to be someplace to run lines, make sure the crew know and be there
when they come to get you.
Arriving in the wings before you're cued. The number of times I've seen crew frantically trying to track
down a missing actor who is subsequently found nonchalantly waiting in the wings on the opposite side
of the stage.
Mobile Phones
Please ensure your mobile phone is switched off during the performance as they will interfere with the
radio mics.
Don't play with or move the stage and hand props, and don't sit on the furniture backstage
What's the big deal with in moving a prop to a corner so you can perch there, or even just sitting on the
chairs used for the dance sequence? The rule is "don't touch."
Props should only be handled in the context of the performance - you'd be surprised how easy it can be
to break or damage a prop that looked sturdy enough when you picked it up.
Never move a prop -stage managers and prop crew have specific spots for certain props, making it
easier to find things in dim backstage lighting. If a prop or set piece backstage is a safety hazard, talk to
the stage manager about it.
If you inadvertently take a prop that should remain in the wings to the green room with you, try to get it
back up the prop table as soon as possible, or preferably by handing it of to a crew member who comes
to the dressing room to call someone. Don't just lay it down somewhere, promising to put it back later.
Check your props before each performance, any that are pre-set for you to use on stage will be the
responsibility of the stage crew, don't be afraid to ask the crew if the prop is set.
They might really want to see the place where you dress and what the backstage and set looks like. Just
let them know it's one of the rules and you have no choice.
This goes along with not hanging out in the wings, you're in the way of the crew. Actors should only set
foot on stage before the curtain opens to make a quick check of their props, and then they need to
scram
Needless to say, looking out through the curtains or playing with soft leg curtains during a performance
is strictly prohibited - under any and all circumstances.
All actors want to look good on stage. The director and wardrobe mistress, quite honestly, are more
concerned about how appropriate costumes are for the concept they are creating. They are not
designing costumes so you look really good for your friends and family. If there is a problem with the
way it fits or inhibits movement, just let the wardrobe mistress know
The director will give you notes either during or at the close of a rehearsal. It is vital you simply write it
down and apply it to the next rehearsal or the next performance.
If you don't understand just raise your hand. The notes you are given are not to tell you how bad you are
- quite the contrary - they are to help you become even better. Believe me, your director wants you to
look as good as you can.
Your space in the Dressing Room must be kept orderly. Do not toss costumes to the floor or draped on a
chair or bench. You will be told specifically how to handle costumes and to fail will mean looking bad on
stage.
When wearing radio equipment it is vital that you are very careful with the pack and mic they are
expensive and will not take rough treatment.