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FEP ES Guide LUTs

This document provides information about 8 custom LUTs called FEP Hollywood-style LUTs that can be applied to footage to give it a Hollywood look. It explains that LUTs are lookup tables that transform input footage colors and discusses 1D and 3D LUT formats. It recommends using a 33 resolution 3D LUT that matches your camera's color space and converts to Rec. 709. Instructions are given on applying basic camera-specific LUTs first to balance the image before using one of the creative Hollywood LUTs to achieve different moods.

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Georg Fischer
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81 views2 pages

FEP ES Guide LUTs

This document provides information about 8 custom LUTs called FEP Hollywood-style LUTs that can be applied to footage to give it a Hollywood look. It explains that LUTs are lookup tables that transform input footage colors and discusses 1D and 3D LUT formats. It recommends using a 33 resolution 3D LUT that matches your camera's color space and converts to Rec. 709. Instructions are given on applying basic camera-specific LUTs first to balance the image before using one of the creative Hollywood LUTs to achieve different moods.

Uploaded by

Georg Fischer
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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FEP HOLLYWOOD-STYLE LUTS

8 custom LUTs to give your footage that Hollywood look and make your color grading
faster, easier and more professional.

General Information on LUTs


LUT is an abbreviation for the term “lookup table”. It is essentially a text-based file that contains many lines
of RGB numbers. It’s job is to take the input values of the footage from a camera and transform them all to
something else, giving the footage a different look.

LUTs come in two flavours, 1D and 3D. Don’t worry about the 1D luts, we’re here for the 3D ones! They come
in different resolutions, 17, 33 and 65. The latter is the highest quality but puts the most strain on your
computer. 33 is a really nice balance.

It’s important that you use the correct LUT for your footage. You’ll want find the LUT that corresponds to
your camera’s colour space (i.e. S-Log 3). But wait, there’s one more thing to check! We need to make sure
the LUT will convert the footage into the color space you are working in (most probably Rec709). Look out for
the numbers 709 (or rec709, or BT709) in the LUT name. Some manufactures will provide several compatible
LUTs with slightly different contrast and colour responses. Play around, find the LUT you like the most. But
ALWAYS makes sure you use a LUT designed for your colour space, otherwise it will damage the colours in
your image.

How to Use the Film Editing Pro LUTs


1. The Film Editing Pro LUTs are designed for use with balanced and color-corrected Rec709 footage. That
means that you’ll want to do a couple things first.

2. Make sure your footage has been converted from your camera’s color space to Rec709. This will require
the use of a basic transformation LUT. You’ll want to apply one that matches your camera’s output and
transforms the footage to Rec709. Some editing software will include these (DaVinci Resolve) and in other
programs you’ll want to install them. Fortunately, they’re free and are provided by all the major camera
manufacturers. Here are links to download these transformation LUTs by camera and color space:

• Sony S-Log 3 https://download.pro.sony/FNGP/protein/1237494271390/1237494271423.zip

• Sony S-Log 2 https://download.pro.sony/FNGP/protein/1237494271390/1237494271413.zip

• Canon Log https://abelcinesalesforce2.s3.amazonaws.com/article/updated-luts-for-canon-cameras/


canon_luts_2018_10_abelcine_v1.zip

• Z-Cam https://drive.google.com/file/d/1O6frXpps0mV1kQ8e-X378N-MVavc1sY9/view

• Panasonic https://na.panasonic.com/us/resource-center/v-log-v-709-3d-lut

• Panasonic https://av.jpn.support.panasonic.com/support/global/cs/dsc/download/lut/s1h_raw_lut/
index.html

• Fuji https://fujifilm-x.com/en-gb/support/download/lut/
FEP HOLLYWOOD-STYLE LUTS
3. Remember, if given the option, you’ll want to choose a 3D LUT with a resolution of 33 - but feel free to play
around to see what works best.

4. Once you’ve applied a basic transformation LUT to your footage, make any necessary adjustments to your
shadows, midtones and highlights to generally balance your image.

5. Now it’s time to apply your creative LUT! Play around with the various looks we’ve provided to see what
works best for the mood you’re going for.

If you need instructions for installing these LUTs:

LINK - How to Install LUTs (Premiere, Resolve, Avid, Final Cut)

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