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This document provides an overview of architecture in Japan and India throughout history. It discusses key features of Japanese architecture like wooden construction, sliding doors, and tatami mats. It then outlines the major historical periods of Japanese architecture such as the Asuka and Heian periods. For Indian architecture, it notes the influences of religions like Hinduism and Buddhism. It also describes common architectural styles from different periods in India like the use of stone and cultural influences from Persia.

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Shanne Collera
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0% found this document useful (0 votes)
8 views6 pages

Hoa Reviewer

This document provides an overview of architecture in Japan and India throughout history. It discusses key features of Japanese architecture like wooden construction, sliding doors, and tatami mats. It then outlines the major historical periods of Japanese architecture such as the Asuka and Heian periods. For Indian architecture, it notes the influences of religions like Hinduism and Buddhism. It also describes common architectural styles from different periods in India like the use of stone and cultural influences from Persia.

Uploaded by

Shanne Collera
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
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“ARCHITECTURE IN JAPAN THROUGHOUT

THE HISTORY”

Japanese Architecture  The Five Story Pagoda


 Five stories represent the five elements:
 Climate
Earth, water, fire, wind, sky
 China
 Main Worship Hall (Kondo)
 Buddhism
 Found at the center of temple grounds
Features of Japanese Architecture  Interior are Buddha, other Buddhist images,
altars with various objects and spaces for
 Roof – made with heavy timbers monks and worshippers.
 Made of wood  Shinto Shrines
 Post-and-lintel structure  Places for worship/dwelling of the kami, the
 Interior-multitude of partially-screened, Shinto “Gods”
geometrically- arranged rooms with Main features:
sliding doors o Komainu – stone dogs
 With nails or none
facing each other at the
Features of Traditional Japanese Home entrance of the shrine.
-One has open
 Made of wood mouth (A) and the other
 Has tatami mats one is closed (Un)
 Sliding shoji doors o Torii/gate- symbol of the
 Coffered ceiling shrine
 Lath and plaster walls -represents the
 Tokonoma (display alcoves) division of the everyday
 Genkan (entrance) world and the divine world.
HISTORY OF ARCHITECTURE (by period) o Chozuya- the small pavilion
near the main hall.
o The Main Sanctuary.
PREHISTORIC PERIOD HEIAN PERIOD
 Reconstructed Storehouse  Shinden – Zukuri / The Phoenix Hall
 Small buildings  symmetrical buildings placed as arms that
 Thatched roofs defined an inner garden
 Dirt floors
 Wood floors if the area is humid KAMAKURA PERIOD

ASUKA PERIOD  Political power run by Samuri


 Plain, symmetrical and contained houses
 used to describe a period in the but sturdy.
history of Japanese fine-arts and
architecture.
 Influenced by Buddhism from China  Tea House
via Korean Peninsula  For tea ceremonies
 Calm and meditation atmosphere
 Hanging scroll with calligraphy or flower
arrangement as adornment.
 The Thousand-Armed Kannon ARCHITECTUAL CHARACTER
 hall w/ 33 spaces between columns
 Generally obscured
 has 1000 life-sized statues
 Rhythmical multiplication of pilasters,
AZUCHI-MOMOYAMA PERIOD comics, mouldings, roofs, finials and an
overgrowth of sculptural decorations.
a defensive structure built to keep out
intruders or attackers Indian Architecture is the outcome of:
 HIMEJI CASTLE/ WHITE HERON CASTLE
 diverse religious belief
 the best Japanese castle
 pattern of worship
 few of the original interior and exterior
 prevailing climatic conditions
intact
 available building materials
 built by Ikeda Terumasa
 available building technologies
 has neither been destroyed by fire or
 prevailing social structure
natural disaster nor attacked.
 topography
Defense Features:  climate
 culture
 mazes of halls, corridors and tunnels
 historical and linguistic patterns
 walls with triangular and circular holes for
 symbolism
firing arrows, guns, pouring boiling oil and
 sculptures
rocks.
 paintings
EDO PERIOD  shape of superstructure
 defense against invaders/wild animals
 classic Japanese architecture
INFLUENCES (Religion):
 TYPICAL MACHIYA (townhouses)
 HINDUISM
 Simplified architecture for easy rebuilding
 main religion in Asia along with Judaism as
 Often struck by fires
the oldest surviving religion.
MEIJI PERIOD  From indigenous Dravidians and Aryan
invaders
 NARA NATIONAL MUSEUM  Chief Gods: Brahma, Vishnu, Shiva
 Emperor Meiji was in charge
 Believes in reincarnation
 New and different forms of culture moved
 Caste System: priests, warriors and nobles,
into Japan
farmers and traders, laborers and servants,
 Influenced by European architecture
untouchables

 BUDDHISM
 People disliked the Hindu Society dividing
the people into castes
 Gautama Siddhartha 563-483BC gave up his
princely life for wisdom
“INDIAN ARCHITECTURE”  Found enlightenment after 6 years through
 Indian Subcontinent meditation. Overcome human weakness,
 Hindu and Buddhist Monuments greed and anger.
 Structures share the same site, rhythmic  Salvation or Nirvana
stratified motif, profuse carved
ornamentation combining religious and the
sensuous.
Styles of Different Periods: - Cultural influence of Persia and the first use of
dressed stone. (smooth stone with desired
1. Buddhist Architecture
shape)
 Stambah or Lath – columns carved with
 the Site of Sanchi
inscriptions crowned by emblems such
o a group of Buddhist
as elephant or lion from Persipolitan
monuments: monolithic pillars,
Architecture.
palaces, temples and
 Stupa or tope – mounds containing
monasteries
sacred relic called “Dagoba”
o oldest Buddha sanctuary and
- dome-shaped mound
the major Buddhist center in
on platform, crowned by a chattri,
India
surrounded by ambulatory stone Vedika
 The Great Stupa, Sanchi
with four toranas.
o oldest Stupa in India
Parts of a Buddhist Stupa:
- Torana – carved GUPTA DYNASTY
ceremonial gateway
in Indian Buddhist - Court – center of classical Indian Art and
and Hindu Literature.
Architecdture. - Pallava – Hindu state in Southern India,
- Vedika – railings contributed to the expansion of Indian Culture
enclosing the stupa into Southeast Asia
- Chattri – umbrella- - Dravidian – Indian architecture in the Pallava
shaped finial Period
symbolizes dignity,  Kiva
composed of stone o Large underground chamber
disc in a vertical used for religious ceremonies or
pole. councils by men.
- Medhi – shallow
berm ringing the
base of the “BUDDHISM”
hemispherical
mound.  Believing that if a person releases their
 Chaitya – assembly halls excavated out attachment to desire and the self, they
of solid rocks resulting a presentation of can attain Nirvana. This is a state of
one external façade. liberation and freedom from suffering.
 Vihara – monastery designed with court
or shrine with central square
surrounded by priest’s chambers. MAHABODHI TEMPLE
2. Jain architecture  Great Awakening Temple located at
 temples patterned from Buddhist Bodh Gaya
temples.  Unesco World Heritage Site
3. Hindu/Brahman Architecture  The temple where Buddha attained
 Combination of Verdict Cult, Buddhism enlightenment
and Brahmanism  Built directly to the east of the Bodhi
Tree which is the direct descendant of
the original Bodhi Tree.
MAURYAN DYNASTY

- Ancient Indian people established an empire, NALANDA


320 BC
 Renowned Buuddhist Monastic SHIVA vs VISHNU TEMPLES
University in Magadha, India
SHAIVITE TEMPLES
 World’s very first residential university
- for Shiva
”HINDUISM”
- faces east
 Belief in a Supreme Being and adherence to
certain concepts such as Truth, Dharma, Karma,
Reincarnation and Belief in the authority of the • VAISHNAVITE
Vedas (sacred scriptures)
 The Caste System: Brahmin, Kshatriyas, Vaisyas, - for Vishnu
Shudras, Untouchables - faces west

HINDU TEMPLE Sri Ranganathaswamy Temple

 “Mandir” in India o World’s largest functioning Hindu Temple;


 A symbolic house, seat of body of divinity for Largest temple in India
Hindus o Vishnu
 Designed to bring human beings and Gods o Houses the tallest gopuram (temple tower)
together to express ideas and beliefs of across Southern India
Hinduism o Dedicated to Lord Ranganatha
o Lingnam- phallus, symbol of the
god Shiva
o Garbha Griha- womb chamber, Shore Temple, Tamil Nadu, India
dark innermost sanctuary
o One of the oldest freestanding Hindu
where the statue of deity is
Temple; built with granite
placed
o Amalaka- bulbous stone finial
of a sikhara
o Sikhara- tower tapered
convexly and capped by an
amalaka
o Gopuram- ornate gate tower
o Mandapa- porch-like hall used ” ISLAMIC ARCHITECTURE”
for religious dancing and music
- Also muslim, muhammadan or Saracenic
RATH – monolithic; free standing Hindu temple out of architecture.
solid rock. - Mosque as a building type
- Triratha: Parasurameswara Temple, - Domes, tunnel vaults, round and horse shoe
Bhubaneswar, Odisha, India arches and rich surface decorations.
- Panharatha: Jagannath Temple, Baripada; - Squinches, supports under the dome
Lingaraja, Bhubaneswar - Muqarnas” stalactite” icicle like elements
- Saptaratha: Chaturbhuj Temple, Khajuharo hanging in the ceiling

Vimana – A sanctuary of a Hindu Temple in which a MOSQUE


diety is enshrined - masjid/musjid, a place of public worship.
- Four levels of prayer: the individual(masjid), the - Center is a rock known for Muhammad’s
congregation(jami), the total population of the ascension to heaven
town(igdah), entire muslim world
THE GREAT MOSQUE
MASJID
- Masjid Al-Haram
- General term for mosque, used for daily prayers - Largest mosque in the world and is the site of
ny individuals or small group Haj Pilgrimage
- Has mihrab but no minbar

JAMI

- Congregational or Friday Mosque, used for main


KA’BA
weekly service
- Larger then a masjid and provided with minbar - Ka’aba/ ka’abah (house of god)
- Small cubicle stone building in the great mosque
IGDAH
at mecca
- An open place for community prayer with a - Contains a sacred black stone and is the
Quibla wall and a Mihrab objective of pilgrimage

MADRASA MOORISH ARCHITECTURE

- A teaching mosque - Islamic architecture of north Africa


- Building and elaborate fortress palaces
Parts of a Mosque
- Structural system adapted from classical
o Minaret – tower attached to the mosque antiquity combined with Islamic architecture
o Iwan/Ivan/Liwan – opening onto the
e.g. Palace fortress of Alhambra in Granada Spain
central courtyard of a mosque
o Minbar/mimbar – pulpit which the imam MUGHAL ARCHITECTURE
delivers sermons
- Indo-Islamic
o Mihrab – decorative panel
- Blended tradition from India and Islam
o Qibla/qiblah – wall in the mosque where
- Golden age of Islamic architecture in northern
the mihrab is set India
o Sahn – atrium
o Fawwara or meda – fountain for washing e.g. Humayun’s tomb, New Delhi, India
before prayer Fatehpur Sikri
o Liwanat – colonnade
o Dikka – reading desk Jama Masjid, Delhi, India
o Maqsura – protective barrier of minbar

DECORATIONS DIWAN-I-KAS and DIWAN-I-AM


- Domes; pointed/ogee arches, walls covered in - Hall of private(diwan-i-kas) and public (diwan-
stone carving, inlays and mosaics io-am) audience
- Ornaments based on flora, geometric shapes - Divided by overhanging mouldings called Chajja
and Arabic script

DOME OF THE ROCK


TAJ MAHAL
- Influenced by Byzantine Architecture
- Used as shrine for pilgrims an is Octagonal in - Crown palace built by Shah Jahan for his dead
Plan wife Mumtaz Mahal
- Chahar bagh a platform at the end of walled
garden
- The marble façade decorated with floral motifs
and a type of inlay called pietra dura

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