Minor Pent. Scale
Minor Pent. Scale
However, when compared to a minor scale, the notes of the minor pentatonic scale are unaltered. (Below right) The only
difference between a minor pentatonic scale and a natural minor scale is that scale steps 2 and 6 are eliminated. Looked at it this
way, the minor pentatonic scale is like playing the minor scale (or five notes from it), even when you're in a major key. In other
words, whether a song is in the key of say, G major or G minor, you can use the G minor pentatonic scale. Of course, you can
also use other scales. It all depends on the style of the music and the sound that you want to acheive through that scale.
& œ #œ œ & bœ œ œ
1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8
œ œ œ œ œ œ œ bœ œ œ
G Major Scale G Minor Scale
G A B C D E Fs G G A Bf C D Ef F G
(3rd & 7th flatted) (No notes are altered)
G Bf C D Fn G Bf C D F
& nœ & œ
bœ œ œ bœ œ œ
G Minor G Minor
œ œ
Pentatonic Scale Pentatonic Scale
1 f3 4 5 f7 1 3 4 5 7
The numbers indicate the fingering (not frets) and the circled numbers indicate the tonic (the first note in the scale). In other words,
all the circled numbers below are G's. If we used pattern 1 (which is the most common pattern), we would begin the pattern on the
3rd fret, because that is where G is on the 6th string. In the key of A, we would begin pattern 1 on the 5th fret, since that's where A is.
Notice how the patterns overlap each other. For instance, compare the notes in the first two frets of Pattern 2 (frets 5 & 6) with the
last two frets in Pattern 1 (frets 3 & 4). They're the same notes. The brackets indicate the overlap between all patterns.
1 3 1 4 2 4 1 3 1 4
3
1 3 1 4 2 4 1 4 2 4
4
1 4 2 4 2 4 1 4 2 4
5
6
3rd Fret 5th Fret 7th Fret 10th Fret 12th Fret
bœ œ œ
Below is an exercise using Pattern 1 of the G minor pentatonic scale. Use an alternating, up ( ≤ ) and down ( ≥ ) picking pattern.
# 4 . ≥ ≤ ≥ ≤ etc.
& 4 . œ bœ œ œ nœ œ œ œ bœ œ nœ ..
œ œ n œ œ œ bœ œ
œ bœ
. .
. .
3 6 3
3 6 6 3
3 5 5 3
3 5 5 3
3 5 5 3
3 6 6 3