5TH DLL Week 8
5TH DLL Week 8
GRADES 7
Teacher: JANECIL A. BONZA Learning Area: MAPEH (ARTS)
DAILY LESSON LOG
Teaching Dates and Time: JANUARY 16, 2024 Quarter: 2
The Unique Identity of the The Unique Identity of the South The Unique Identity of the South (Arts and Crafts of
II. CONTENT The Unique Identity of the South
South (Arts and Crafts of (Arts and Crafts of Mindanao) Mindanao)
(Arts and Crafts of Mindanao)
Mindanao)
III. LEARNING Lists the materials to be used in different days. Varied sources of materials sustain children’s interest in the lesson and in learning. Ensure that there is a mix of concrete and manipulative materials as well as paper-based
RESOURCES materials. Hands-on learning promotes concept development.
A. References
1. Teacher’s Guide Pages
2. Learner’s Materials Pages Pg. 1-29 Pg. 1-29 Pg. 1-29 Pg. 1-29
3. Textbook Pages
3. Discussing New Concepts Women on the other hand, are The distinct ceremonial attire of T’boli’s Traditional Clothing and Another popular ethnolinguistic group is the T’boli.
and Practicing New Skills #1 covered with inabal skirts and Bagobo, made of ikat textiles, is its Characteristics They come from South Cotabato, particularly Lake
blouses. Their clothes are likely to be referred to as Sebu. Like any other ethnoliguistic groups, T’bolis are
designed with stripes, plaids, kostyom (costume) or dress. famous for their complicated beadwork, wonderful
and other organic motifs such They use kostyom (costume) woven fabrics, and beautiful brass ornaments. T’bolis
as plants, stars, lightning and when speaking to a person are also known in using t’nalak similar to the Bagobos.
even human figures. Bagobo outside their tribe. However, However, unlike Bagobos, T’bolis are more well-known
women also wear rows of bells among themselves they use in the use of t’nalak. They also find this textile sacred
around their waist and ankles their language’s term for and important. Occasions like traditional wedding
that produce tinkling sounds garment or clothing, which is rituals usually involve the exchange of t’nalak textile.
every time they move or walk ompak'n Bagobo. Wearing
called Kolungkolung. The these clothes expresses various
sound made by the meanings, describing different
Kolungkolung is relatively modes of being a Bagobo. This
“standard” to the bagobo taste original textile helps the
which means that they use Bagobos to be more attached
Kolungkolung to give pleasing with their culture and tradition
sound as they perform their but also to connect to the
traditional dance. modernity that plays out in the
city where they live.
VI.REMARKS
Reflect on your teaching and assess yourself as a teacher. Think about your student’s progress this week. What works? What else needs to be done to help the students learn?
VII. REFLECTION Identify what help your instructional supervisors can provide for you so when you meet them, you can ask them relevant questions.
A. No. of learners who earned 80% in the _____% of the pupils got 80% mastery _____% of the pupils got 80% _____% of the pupils got 80% _____% of the pupils got 80% _____% of the pupils
evaluation mastery mastery mastery got 80% mastery
B. No. of learners who require additional ___ of Learners who require additional ___ of Learners who require ___ of Learners who require ___ of Learners who require ___ of Learners who
activities for remediation activities for remediation additional activities for additional activities for remediation additional activities for remediation require additional
remediation activities for remediation