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Add Links Send readers directly to specific items or pages with shopping and web links. There are
indeed a few places in Paris where the poor can live, but the requirement is that those places be
inhuman, soulless, windswept. He refers to prostitutes as the girls and points out that prostitution
was part of the fabric of Paris. Instead of citing the works and deeds of the famous people often
associated with Paris, Sante digs into its history by looking at outsiders and fringe elements of its
population. When she takes her mom to see the Eiffel Tower for the first time, it's too expensive for
them to ride the elevator to the top. In the past the poor were left to hustle on their own, which
might mean accommodating themselves to squalor, with accompanying vermin; the bargain they are
offered today assures them of well-lit, dust-free environs with up-to-date fixtures, but it relieves
them of the ability to improvise, to carve out their own spaces, to conduct slap-up business in the
public arena if that is what they wish to do. It can’t function as a guidebook, because most of the
streets Sante describes no longer exist, thanks to Baron Hausmann, but it’s nevertheless a good
introduction to Paris, both as a city and as a population. A portfolio of previously unpublished
photographs by Francesca Woodman. On the surface, the material improvement in their lives seems
indisputable but Luc Sante reminds us that much was lost with the tearing apart of long established
neighbourhoods where Parisians were born, toiled and died among people with whom they had lived
their entire lives. Wine dives had their own special provenance—the tapis franc, for example, a
cavern where all the customers could be assumed to be criminals. Breweries, pubs and cafes all
appear, along with their social histories. Embed Host your publication on your website or blog with
just a few clicks. Denis north of Paris to their residence in the Louvre, following roughly the same
path as the wooly mammoth. He tells anecdotes about ragpickers, thieves, the Communards and
anarchists, the Roma, show people, prostitutes, and more, weaving a picture of a very
unromanticized city. Sante notes that yes the poor Paris lived in poorly built buildings, but now there
are endlessly bad buildings being thrown up around central Paris. Thieves, pickpockets, beggars,
street walkers, and street performers still inhabit the same haunts they did in the Middle Ages, in this
case the Rue Pierre-Lescot, somewhere in the tangle of streets east of the Louvre, though sadly the
tangle was nearly erased the infamous Baron Hausmann’s “makeover of Paris” during mid-century at
the behest of a flummoxed old clod named Napoleon III. Teams Enable groups of users to work
together to streamline your digital publishing. The Louvre has as little to do with her life as does a
North African village celebrating the arrival of a firstborn son. There were points that I wished I had
read more history before picking up this book. Each section is essentially a mini-history, focusing on
the topic of that particular chapter. When people collected bones, hair, cigarette butts and anything
else they could gather to sell and make ends meet. And in that vein, Sante clamors for a city that
rewards that exploration. To be frank, it’s a kind of convoluted structure that Sante only sticks to
about half the time anyway, but it allows him to divide his book into easily separated sections, so the
reader doesn’t get too lost. Same applies to Manhattan, my previous borough, and my current city,
San Francisco. The book is to Parisian history what Howard Zinn's book is to American history.
Joyfully written, it is at the same time a lamentation of the city as she once was, and its diminished,
if not quite extinguished, spark. They are numerous, but many of the old photos are so murky as to
defy appreciation even with captions. Here you will find a lot of details and information about Paris
in Paris essay. Tomas Hachard reviews books for NPR, Maclean's, the Globe and Mail, and others.
The hardcover was a quality product, and the large format with the illustrations and photos occurring
in the margins seemed somewhat wasteful for the size of the book, but then on the other hand it was
appropriate in-line with where each essay was presenting it.
And I especially love histories like this one, that look at other sides of the famous city, sides that
maybe the French tourism board would prefer you not see. If you have no background in French, or
Parisian, history, you might find this book frustrating. They vouch for the authenticity of all items
offered for sale. The Other Paris is part historical discourse and part a long lost travelogue, a love
letter to a lost part of the City that is disappearing fast. It had a fugitive lyricism almost impossible to
recapture. That already says something about the nostalgic content of this book. The hardcover was a
quality product, and the large format with the illustrations and photos occurring in the margins
seemed somewhat wasteful for the size of the book, but then on the other hand it was appropriate in-
line with where each essay was presenting it. While I have read many books about Paris, this
particular one seems to present its history and people over the past few centuries in an engaging and
magnetic manner. He explains how they were affected by the grand turns of history with which we
are more familiar. The project mirrors l’Opera Garnier upside-down to sculpt the proposed volume
below-grade. The height of the tower is 324 meters and was made of iron. Paradise is a place where
people look after each other, neighbors bringing Doria and her mom bags of groceries and slipping in
20 euro notes. Social Posts Create on-brand social posts and Articles in minutes. In The Other Paris,
Luc Sante has written what can be considered a wonderful essay illustrated by some wonderful
pictures and illustrations. Cool people are still here they just create new cool places. Autographs are
guaranteed to be authentic and items are returnable for any reason within 7 days of receipt. One can
see why Sante has examined the Other Paris, as the monied Paris of old is the same today as it ever
was. Each section is essentially a mini-history, focusing on the topic of that particular chapter. Here
you will find a lot of details and information about Paris in Paris essay. The modern Paris is for the
rich and connected and the poor watch from outside rather like a Polo Mint. A portfolio of
previously unpublished photographs by Francesca Woodman. I don't think it's for everyone but I
would recommend it for dyed in the wool Francophiles and fanciers of lurid historical detail. New
fiction from Zadie Smith, Ben Lerner, Luke Mogelson, and Bill Cotter. Sometimes I have no idea
what critics are talking about.”. GIFs Highlight your latest work via email or social media with
custom GIFs. All items are first printings unless otherwise stated. In the mid-nineteenth century it
puzzled and delighted one chronicler of the city that certain squares or intersections, through
“mysterious forces”, always seemed devoted to a “single specialty”, an instinct that impelled the
same classes or professions towards the same places. He is the visiting professor of writing and the
history of photography at Bard College and lives in Ulster County, New York. I wanted to be a
reader.” And a visit with Evan S. Connell. “I just do it the way I think it should be done. Notions of
the lousy can be taught”: Donald Barthelme on the Art of Fiction.
Shipping costs are based on books weighing 2.2 LB, or 1 KG. If your book order is heavy or
oversized, we may contact you to let you know extra shipping is required. It did not go all that far,
maybe a couple of miles over four or five centuries, but it entailed a larger movement of fashion.
They are numerous, but many of the old photos are so murky as to defy appreciation even with
captions. Video Say more by seamlessly including video within your publication. By two-thirds of
the way in, it is almost impossible to put down. Writer: Luc Sante Abridger: Pete Nichols Reader:
Simon Russell Beale Producer: Karen Rose A Sweet Talk production for BBC Radio 4. But while
Sante has a soft spot for that very particular version of Paris, his book also points to a messier
takeaway. Digital Sales Sell your publications commission-free as single issues or ongoing
subscriptions. Each chapter is enlightening and strong, mirroring today's worldwide events in the
context of humanity's behaviors in the microcosm of Paris. It must be remembered that the Gestapo
and SS were based on the richer side of Paris during the occupation years, clearly not wanting to
provoke the poor too much. And they prefigure all guerrilla street-fighting. Etc. etc. I wish I could
give it 6 stars. GIFs Highlight your latest work via email or social media with custom GIFs. Most
Western women do not have to rely on men or prostitution to survive. Every parish had its
eccentrics, its indigents, its clerics, its savants, its brawlers, its widows, its fixers, its elders, its
hustlers, its busybodies. Wine dives had their own special provenance—the tapis franc, for example,
a cavern where all the customers could be assumed to be criminals. A lively survey of labor
conditions, prostitution, drinking, crime, and popular entertainment, and of the reporters, realiste
singers, pamphleteers, and poets who chronicled their evolution, The Other Paris is a book meant to
upend the story of the French capital, to reclaim the city from the bons vivants and the speculators,
and to hold a light to the works and lives of those expunged from its center by the forces of profit.
On top of that there is no real system in his references: for some aspects (marginalization,
prostitution, crime, rebellion) he draws them mainly from the 19th century, for others (such as the
chanson culture) from the first half of the 20th century. There was a flavor to the city that has now
been eradicated. And Sante’s argument, that the Paris of the past will never exist again because the
city has become too disconnected and sanitized, is certainly an interesting one to consider. It’s
definitely not perfect, but at least Sante gives us passages like these, when he’s describing artists’
communities in the 19th century and how they were their own particular brand of ridiculous: “On
occasion, they drank wine from human skulls, sometimes dispensed with clothing, gave recitals on
instruments they did not know how to play. All the illustrations are tiny and in black-and-white, and
a book like this deserves more. Because, after all, if the low houses that ringed the square before
urban renewal claimed it had been cleaned and repaired instead of being razed, no one living there
could today afford the neighborhood. To be frank, it’s a kind of convoluted structure that Sante only
sticks to about half the time anyway, but it allows him to divide his book into easily separated
sections, so the reader doesn’t get too lost. City dwellers take note that before the 1920s there were
no commuters in Paris. This is truly a wonderful book, not quite a love letter of the lost, but a
reminder that you can try and forget the poor but they are there and part of Paris’ rich heritage. The
geography and topography of the city was both material and human—the walls of the city were
successive; Philippe-August’s wall in the thirteenth century, the Farmers-General just before the
Revolution; Adolphe Thiers in the 1840’s, and finally the Peripherique highway completed in 1973.
This is no romantic view of the French capital, this lifts up those stones people would rather not let
you disturb. Notions of the lousy can be taught”: Donald Barthelme on the Art of Fiction. It can’t
function as a guidebook, because most of the streets Sante describes no longer exist, thanks to Baron
Hausmann, but it’s nevertheless a good introduction to Paris, both as a city and as a population. So
there are big gaps in his story, which also lacks a clear finality.
The best part of the book, perhaps, is Sante's diction. Is it an outburst against the technocratic policy
of recent decades, that has eliminated this popular culture. And if it is surrounded by monolithic
highrises with all the charm of industrial air-conditioning units, doesn’t that at least mean they are
designated for low-income housing. Add Links Send readers directly to specific items or pages with
shopping and web links. Markedly, the second half of the 20th century is almost completely missing;
even the notorious May 1968 episode remains virtually unmentioned (but maybe for Sante that only
is a pseudo-rebellion of elite students). Abweichende Bedingungen des Bestellers werden nur im Fall
unserer ausdrucklichen schriftlichen Bestatigung anerkannt. Person des. More Information. And
what is he yearning for exactly: the Paris of 1820, or that of 1850, 1890, 1930.? It is not clear to me,
and I do not think it was clear for Sante himself. I really enjoyed it, particularly the exploration
between urban design and revolutionary uprisings. Most Western women do not have to rely on men
or prostitution to survive. Denis north of Paris to their residence in the Louvre, following roughly the
same path as the wooly mammoth. On the surface, the material improvement in their lives seems
indisputable but Luc Sante reminds us that much was lost with the tearing apart of long established
neighbourhoods where Parisians were born, toiled and died among people with whom they had lived
their entire lives. I have been there at least six times in my life, and yet, it never disappoints, just
gives me a thrill whenever I'm confined in Paris. The exigencies of money and the proclivities of
bureaucrats—as terrified of anomalies as of germs, chaos, dissipation, laughter, unanswerable
questions—have conspired to create the conditions for stasis, to sanitize the city to the point where
there will be no surprises, no hazards, no spontaneous outbreaks, no weeds. The text itself is very
dense, the chapters rambling on without pause, and it made for a fairly dry and slow read for me.
The hustlers, the whores, the cons, the street singers and much more. Highly recommended! 1 like
Like Comment John 497 reviews 3 followers May 24, 2016 very in depth reading 1 like Like
Comment Richard 668 reviews 12 followers December 23, 2016 Stories and topics of interest about
the other side of Paris, the grittier side of the City of Light. The Other Paris, Luc Sante's work of
cultural history, focuses on the latter: The rough and disreputable citizens of the French capital, the
parts of the city that have remained figuratively, and at times literally, in the dark — but which,
Sante argues, are directly responsible for making the city of light what it is today. With every
succeeding wall, some more of the surrounding countryside and its villages were absorbed into the
city; what had once been periphery was directed toward the middle. Articles Get discovered by
sharing your best content as bite-sized articles. Chapter 2 (Ghosts), on flaneurs and Debord's concept
of drift is a highlight. I hope Sante continues his Frommer-esque travelogues to a time that has left
its place long ago. There were no commuters to speak of, at least before the 1920s; everyone you saw,
barring the occasional tourist or trader, lived right there in town, usually in the very neighborhood in
which you spotted them. Fullscreen Sharing Deliver a distraction-free reading experience with a
simple link. Here you will find a lot of details and information about Paris in Paris essay. By two-
thirds of the way in, it is almost impossible to put down. It should be. As well as being, without a
doubt, one of the great books in English on the great city of my imagination and therefore known as
Paris. Much of the center was shared and then disputed; even after Haussmann’s reconfiguration, the
gentry could not claim Saint-Denis or the Plateau Beaubourg or Les Halles. All the illustrations are
tiny and in black-and-white, and a book like this deserves more. I do feel that the book deserved -
ironically - a shinier layout. Sometimes I have no idea what critics are talking about.”.
And in that vein, Sante clamors for a city that rewards that exploration. Community Reviews 3.98
502 ratings 87 reviews 5 stars 155 (30%) 4 stars 212 (42%) 3 stars 110 (21%) 2 stars 21 (4%) 1 star
4 ( Search review text Filters Displaying 1 - 30 of 87 reviews Madeline 773 reviews 47.8k followers
April 1, 2019 Is it basic of me to say that I love Paris. The project mirrors l’Opera Garnier upside-
down to sculpt the proposed volume below-grade. And what is he yearning for exactly: the Paris of
1820, or that of 1850, 1890, 1930.? It is not clear to me, and I do not think it was clear for Sante
himself. On the surface, the material improvement in their lives seems indisputable but Luc Sante
reminds us that much was lost with the tearing apart of long established neighbourhoods where
Parisians were born, toiled and died among people with whom they had lived their entire lives. Each
chapter is enlightening and strong, mirroring today's worldwide events in the context of humanity's
behaviors in the microcosm of Paris. He draws on testimony from a great range of witnesses - from
Balzac and Hugo to assorted boulevardiers, rabble-rousers, and flaneurs - whose research is matched
only by the vividness of Sante's narration. It is a history of those who don't usually make it into the
official histories. In the past the poor were left to hustle on their own, which might mean
accommodating themselves to squalor, with accompanying vermin; the bargain they are offered today
assures them of well-lit, dust-free environs with up-to-date fixtures, but it relieves them of the ability
to improvise, to carve out their own spaces, to conduct slap-up business in the public arena if that is
what they wish to do. Illustrated with more than 300 historic images, this journey through its dance
halls and whorehouses, its absinthe bars and hobo shelters, finds their traces in the bricks and stones
of the modern city, revealing lives that were a far cry from those of the haute bourgeoisie. I learned
about this book in a selection from my Delancey Place daily email, and was excited to check it out.
The Other Paris is part historical discourse and part a long lost travelogue, a love letter to a lost part
of the City that is disappearing fast. Luc Sante gives us a panoramic view of the dark and shadowy
Pairs, which has nearly vanished but whose traces are in the bricks and stones of the contemporary
city, in the culture of France itself, and, by extension, throughout the world. If you're up for a
challenging read, the text is deeply rewarding. I began by listening to him read on an Audible edition
but quickly decided that I needed to have the book as well, not only for the photos and drawings
which were discussed, but because there were parts that I wanted to review as I moved further along
in the book. Rich, expensive cities do lose much of their essence and it hurts. If you don't see
something in our inventory, feel free to let us know what your specific wants are. A side of beef is
being butchered alongside a big factory wall that looks like a prison. Since her mother wasn't able to
have any other children, her dad abandoned the two of them for his native Morocco, in search of a
suitably fertile new wife who could produce a son. His prose is not mere nostalgic reflection as
much as a battle cry to stop the madness of progress which leaves much of our humanity in its wake.
And they prefigure all guerrilla street-fighting. Etc. etc. I wish I could give it 6 stars. Most Western
women do not have to rely on men or prostitution to survive. Is it an outburst against the
technocratic policy of recent decades, that has eliminated this popular culture. The hardcover was a
quality product, and the large format with the illustrations and photos occurring in the margins
seemed somewhat wasteful for the size of the book, but then on the other hand it was appropriate in-
line with where each essay was presenting it. Like Comment Bill Wallace 1,057 reviews 34 followers
January 9, 2019 Intensely enjoyable, this history of sub-society Paris reminds me a lot of Herbert
Asbury's books on American cities. M. Sante provides brief, loosely but deftly connected histories of
Paris' crime, insurgencies, prostitution, club life, and more in a beautifully written reverie for a city
he feels has vanished under the hand of urban planning and the economic tides of the 20th Century.
At the very least, it's worth spending a little time browsing. When she takes her mom to see the
Eiffel Tower for the first time, it's too expensive for them to ride the elevator to the top. Autographs
are guaranteed to be authentic and items are returnable for any reason within 7 days of receipt. Sante
then zooms in on various aspects of popular culture: the horrible life of ordinary workers and the
marginalized, the poor living conditions (housing, sanitation, health.), crime and prostitution, alcohol
abuse, escapism in the entertainment industry, and finally, the many revolutionary movements. Here
Sante looks at the rougher edges of Paris rather than the refined Paris that is often portrayed in books
and on film.
But- while reading, you ask yourself what Sante actually is trying to say with this incessant
enumeration: is it pure nostalgia, to revive what has been irretrievably lost. Same applies to
Manhattan, my previous borough, and my current city, San Francisco. Tomas Hachard reviews books
for NPR, Maclean's, the Globe and Mail, and others. Being female only makes life more difficult for
everyone she knows. There are indeed a few places in Paris where the poor can live, but the
requirement is that those places be inhuman, soulless, windswept. In this thesis project, Evan Parish
evaluates different approaches to retaining the cultural content present in. Sante then zooms in on
various aspects of popular culture: the horrible life of ordinary workers and the marginalized, the
poor living conditions (housing, sanitation, health.), crime and prostitution, alcohol abuse, escapism
in the entertainment industry, and finally, the many revolutionary movements. Every parish had its
eccentrics, its indigents, its clerics, its savants, its brawlers, its widows, its fixers, its elders, its
hustlers, its busybodies. There are parts he narrates brilliantly, but the chapters are often disjointed. A
side of beef is being butchered alongside a big factory wall that looks like a prison. Sante explores
the seemy underbelly of Paris from it's beginnings to modern times. Covers Paris from about the
middle of the eighteenth century until World War 2. Since 1984, he has been a teacher and writer,
and frequent contributor to the New York Review of Books. A portfolio of previously unpublished
photographs by Francesca Woodman. I learned more than I thought possible about groups I’d never
heard of. This is truly a wonderful book, not quite a love letter of the lost, but a reminder that you
can try and forget the poor but they are there and part of Paris’ rich heritage. I gave the book 3 stars
because the writing, and the narrative, is uneven. The thesis explores ways of mapping the souterrain
by negotiating “reality” and “fiction” in the compressed experience of node-to-node transportation.
Each chapter is enlightening and strong, mirroring today's worldwide events in the context of
humanity's behaviors in the microcosm of Paris. I began by listening to him read on an Audible
edition but quickly decided that I needed to have the book as well, not only for the photos and
drawings which were discussed, but because there were parts that I wanted to review as I moved
further along in the book. His prose is not mere nostalgic reflection as much as a battle cry to stop
the madness of progress which leaves much of our humanity in its wake. As Sante concludes: “The
game may not be over, but its rules have irreconcilably changed. And before the King moved his
palace to Versailles (suburban flight), royals regularly proceeded from the basilica of St. Many are
impressed by publisher FSG and author. Don't be. The essay is a laundry list of names, titles,
locations, brands with esoteric details here and there. So there are big gaps in his story, which also
lacks a clear finality. And I especially love histories like this one, that look at other sides of the
famous city, sides that maybe the French tourism board would prefer you not see. On the surface, the
material improvement in their lives seems indisputable but Luc Sante reminds us that much was lost
with the tearing apart of long established neighbourhoods where Parisians were born, toiled and died
among people with whom they had lived their entire lives. Markedly, the second half of the 20th
century is almost completely missing; even the notorious May 1968 episode remains virtually
unmentioned (but maybe for Sante that only is a pseudo-rebellion of elite students). He writes, “The
game may not be over, but its rules have irrevocably changed. He is the visiting professor of writing
and the history of photography at Bard College and lives in Ulster County, New York.