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Aula 11 Mes 3 Palhetada Hibrida

The document contains exercises for hybrid picking techniques on the guitar presented by guitarist Kiko Loureiro. It includes 6 exercises shown through standard musical notation staff with fingering, picking hand indications, and rhythmic notation. The exercises introduce hybrid picking patterns of varying complexity for developing right and left hand coordination.
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0% found this document useful (0 votes)
11 views3 pages

Aula 11 Mes 3 Palhetada Hibrida

The document contains exercises for hybrid picking techniques on the guitar presented by guitarist Kiko Loureiro. It includes 6 exercises shown through standard musical notation staff with fingering, picking hand indications, and rhythmic notation. The exercises introduce hybrid picking patterns of varying complexity for developing right and left hand coordination.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Licensed to Lucas Pereira Arruda - Email: lucas_p_arruda@hotmail.

com

Guitar Evolution
Aula 11 - Mês 3
Kiko Loureiro
Palhetada Híbrida
  Exercício 1
1

                
       
       
 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

 2
Exercício 2
         3

            
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 
    
           
5 8 8 5
5 8 8 5
 5 7
5 7 7 5
7 5
5 7 7 5
 5 8 8 5

Exercício 3
  4
     5
    
                       
   
               
         
 4 5 0 5 0 5 0 5 0 5 0 3
3 3 3 3
4 5
0
3
5
0
3
5
0
3
5
0
3
5
0
3


3 3 3 3 3 3 3 3
 Exercício
6
4
   7
3 3 3 3

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          
       
           
3 3 3 3
   
               
 503503503503301301301301 2
0
1
2
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2
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2
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1
3
0
1
3
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3
0
1
3
0
1


 Exercício 5
8
    9
    
                      
         
         
           
3 3 3 3 3 1 1 1 1 1
 5 0 5 0 5 0 5 0 5 0 5 3
0
3
0
3
0
3
0
3
0
3

Licensed to Lucas Pereira Arruda - Email: lucas_p_arruda@hotmail.com

 10 11

                                
                   
           
1 1 1 1 1 1 1 1 1 1
 2 0 2 0 2 0 2 0 2 0 2 3
0
3
0
3
0
3
0
3
0
3

Exercício 6
 12
     13

                     
                         
           
 9
9
9
9
9
9
9
9
9
9
7
7
7
7
7
7
7
7
7
7

 7 7 7 7 7 7 5 5 5 5 5 5

 14 15

                          
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           
 5
5
5
5
5
5
5
5
5
5
7
7
7
7
7
7
7
7
7
7
3 3 3 3 3 3 5 5 5 5 5 5

 Exercício 7
16
   17
   
                        
           
           
       
 5 0 0 5 0 0 5 0 0 5 0 3 0
3 3 3
3
0
1
0
3
0
1
0
3
0
1
0
3
0
1
0


 18 19

                    
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                       
       
 2 0 1 0 2 0 1 0 2 0 1 0 2 0 1 0 3
0
1
0
3
0
1
0
3
0
1
0
3
0
1
0


 Exercício 8
20
    21

                           
         
         
           
3 3 3 3 3 1 1 1 1 1
 5 0 5 0 5 0 5 0 5 0 5 3
0
3
0
3
0
3
0
3
0
3

Licensed to Lucas Pereira Arruda - Email: lucas_p_arruda@hotmail.com

 22 23

            
   
    
          
                   
           
1 1 1 1 1 1 1 1 1 1
 2 0 2 0 2
0
2
0
2
0
2 3
0
3
0
3
0
3
0
3
0
3

   
24         25     
                
                   
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 10 0 8 10 0 8
10
0
8
10
0
8
10
0
8
10 9
0
8
9
0
8
9
0
8
9
0
8
9
0
8
9

 26      27     
                       
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           
8 8 8 8 8 8 8 8 8 8
 8 0 8 0 8
0
8
0
8
0
8 9
0
9
0
9
0
9
0
9
0
9

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