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Joel Rothmans Roll Control

Snare drum

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Marco Antonio Arias Benavides
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964 views36 pages

Joel Rothmans Roll Control

Snare drum

Uploaded by

Marco Antonio Arias Benavides
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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X PREFACE Rolls are one of the main problems that face beginning drummers. Indeed, many professionals, as well as students, never overcome the problem completely. Developing a “clean” roll, with an even sound is a problem of technique, and this book aims to develop the skill for executing rolls through 4a series of exercises that are essentially technical in nature. | suggest that this study be used in conjunction with my previous book, ROLLS, ROLLS, ROLLS, in which an extensive amount of reading material can be found incorporating a wide variety of rolls at different tempos. In other words, rolls are contained within the framework of reading, rather than being presented as technical ‘exercises, as is the case with this study. ‘There are two basic methods for teaching rolls, Ona is the press roll approach, where the student is able to produce a sustained roll in a comparatively short period of time. Rolls produced in this manner, however, initially sound sloppy and uneven. As the student progresses, it is expected that he will develop a finer skill to execute these rolls with smoothness and finesse. Proponents of this apprnsch assert that for all practical purposes, since the press roll is the roll that is actually used, especially in orchestral playing, students should be trained early in their studies to think of a roll simply as a continuous and smooth sound for « given length of time. The second method for teaching rolls is based upon the rudimental or traditional approach, which requires a student in the early stages of learning to play a precise number of “open” doubles strokes ‘when he reads a written roll, As the student's technical prowess increases, he is able to play the open doubles at an increasingly greater speed. Eventually, the student will reach a maximum speed with ‘open doubles, at which point the closed or press roll comes almost naturally takes an average student anywhere from one to two years to play a smooth closed roll thre: .n the rudimental ‘approach. Although this method is initially tedious and time-consuming, its aavocates claim that 3 ‘an end result, the student gains much greater control and overall technique than in the press roll ‘approach. Moreover, this grester control with open doubles and its resulting machine gur-like sound ‘on the snare is extremely useful when it comes to playing jazz and rock solos around the drum set. {In general, this author tends to agree with the advocates of the latter method, and the approach that is notated on the foliowing pages is basically a traditional or rudimental one. All exercises are presented as “‘messured” rolls, with a predetermined number of double strokes for each beat. The ‘two approaches, however, are not mutually exclusive, Teaching the press roll should be initisted and incorporated at an early stage, in combination with the approach that I have chosen to illustrate. In fact, the exercises in this study not only can be played as written, with a predetermined number of double strokes per beat, but they can also be played with press rolls. It should be added that the same exerciss could even be playes with alternating sticking, thereby providing the reader with the opportunity 12 develop his singles BEAT) ety ey SPECIAL EXERCISES (COMBINATIONS OF ROLLS BASED UPON 1/16th NOTES AND 1/léth NOTE TRIPLETS) (= SSS SS ‘ 5 ‘ ‘ we RT SS 4 eee ee eeee oll RRLLAA CUARLL A CEARLG A ALLR AGT SORRY PART THREE ROLLING IN “EIGHTH” TIME (2 & 8, 8, 8&8, “The rolls in this section are presented in three distinctly different tempos; slow, moderatefast, and | | fastvery test. However, since “eighth” time signatures (3/8, 6/8, et.) are most often plaved at moderate fast tempos, the exercises for rolling at these tempos specifically, will prove 10 be the most useful from a practical point of view. SLOW TEMPOS ay. ROLLS on TIED ee NOTES STROKE ROLL mas be Ed hE E og oes, ROLLS ON TIED QUARTER-NOTES (9 STROKE ROLLS) Aswritten — Asplayed ROLLS ON TIED DOTTED QUARTER-NOTES (13 STROKE ROLLS) AS OMY ED, ae MODERATE TO FAST TEMPOS ROLLS ON TIED DOTTED QUARTER-NOTES (9 STROKE ROLLS BASED UPON DOUBLING QUADRUPLETS) i NOTE: “Eighth” time signatures are generally played at moderate to fast tempos; therefore, the following exercises should be considered the most useful from a practical point of view. Sica i iS | hE a ’ — PLT Sh ROLLS ON TIED QUARTER-NOTES (5 STROKE ROLLS BASED UPON DOUBLING DUPLETS) As played As writen o Aswainter soging from moderate to fas, § stroke roll ace played for both ted quarter nBtes and upbeat eighth-notes the ralon the sighth-note must be slightly clos (aster). This difficult ro deseribe in words, But the coneapt will bacoma apparent as the reader plays the following exercises hh} ty Py PR tg OPEN DRAGS 2 ee ee ARE ho ba be CoE . COMBINATIONS OF OPEN DRAGS 1 = —_— == = > = =— gf ey [ieee ee es ey re 4 — == = ==, - == SR ba a ROLLS USING COMBINATIONS OF DRAGS (FAST TO VERY FAST TEMPOS)- cella COMBINING OPEN DRAGS RESULTS IN OPEN ROLLS OF VARYING DURATION THE OPEN ROLL EXERCISES ON THE PREVIOUS TWO PAGES, THEREFORE, ACTED AS A PREPARATION FOR THE MEASURED ROLLS ON THIS PAGE. noes eee -senee we MSE BOE SS eg fp gt ae my ' “PART FOUR ROLLING WITH DYNAMICS Until now, al the exercises have bee without dynamic marks. This next part will present rolls In a distinctly more musical format, for the reader will be called upon to execute roils according 0 various degrees of loudness and softness. The dynamic marks used include, p, mf, and f. Once in 3 while pp or 1 is used, but there is no attempt to differentiate between the various gradations of loudness and softness. In order words, an exercise might be p-f, or p-mf, but there are no exercises calling for p-pp or ff, It was felt that these particular subtleties in dynamics are better approached through actual reading material than through roll exercises which are essentially technical in nature. ‘The reader should also note that the rolls are no longer presented with a specific sticking, nor are they “measured” with @ precise number of double strokes to a beat. Instead, the reader is now free to practice each exercise at various tempos using whatever roll and fingering he so desires, DYNAMICS WITH QUARTER-NOTE ROLLS (FRC ‘A THE DOWN BEAT) gg ae “Raper on bebe REE PEO P ¥ P P f ~ pi. d 1 | \ \ ! ke y y i if i V = { wz i PEE ped PELE ‘crese. poco 4 poco decresc. pow a poco P Big st : ged ded el pee Ek tet P f —=sr P ———r 4 EB I ee 4 4 P y P t DYNAMICS WITH EIGHTH-NOTE ROLLS 1 (FROM THE DOWN BEAT) , HELE 4 PED OE » » DYNAMICS WITH DOTTED QUARTER-NOTE ROLLS (FROM THE DOWN BEAT . : a 3 2 32 3 ' EOF ,-2 s' \ thet poy eae nf » f P f Pos At P Lm tf ~~ tf Le peas P erese. powo a poco DYNAMICS WITH EIGHTH-NOTE ROLLS (FROM THE UP BEAT) qh ieee 4 ae an. F ee rh. Pp Pst P P f sua dih. Ely pepibi bly ped hee ard be a hee DYNAMICS WITH QUARTER-NOTE ROLLS (FROM THE UP BEAT) MED 4 ples ie 4 bod VE BY rE DYNAMICS WITH DOTTED QUARTER-NOTE (FROM THE UP. BEAT) 1 tpt P of J ee prt ————_—_—__—__ sf Peres. poea poco u 7 4 i tk The ; jd il |. ¢ 9 # ___#'—# pot at — P nf f P on Ss eae oes ee ee | P crese. poco a poco i= Say potted Sy ee y DYNAMICS WITH HALF-NOTE ROLLS ' 4 I SS T T T 4 mt tf mf P 8 het t +f f= P tf P if 8 ne OM 1 Sd 5 Soy we ‘Big 8 s Weed Pe Wey P tf t P -—_—s 12 13 TF DYNAMICS WITH DOTTED HALF-NOTE ROLLS, WHOLE-NOTE ROLLS, AND DOTTED WHOLE-NOTE ROLLS Be z “3 beet tee ete teeth P f f P—?P PP HF decrese. poco a poco petit by pR Lk tf , HARD-COVER BOOKS THE COMPLEAT JAZZ DRUMMER Tha comosnion book to THE COMPLEAT ROCK ORUM MER gents exclusvely with jazz drumming. There are hun. Gran of omper of exercins compiled {tom moce than flteen Soivcover books on the topic of wit, Included also. are nu. Imarous pager of important material which has never Deen pub lane before Geared ¢9 intermediate and ‘sdvanced Students a4 well #8 oro (ons! players, he One volume holds tha Key t0 the devel iy every aspect of this original American, \Y player interested in the subject can Be. tome s uly COMPLEAT JAZZ DRUMMER. Price $25.00 THE COMPLEAT ROCK DRUMMER Hare it sone culmination of more than ten years of writing. With over 500 pages, this book is 2 viral encyclopedia of ‘rock drumming, covering practically every imaginable aspect of the topic. Almost 200 pager demoretrate an extensive sity of beanks and fills, There's a va array of coor fercins for the cymbal, snare drum and bate, 38 he hh hat. Rock beats are presented in many different meter, Incloding odd time signatures, nd an entire section # devoted te playing with two bam drums. Price $25.00 AROUND THE DRUMS COMPLEATLY Playing sound the oruma nes many spect, reauiting soeciat site Now you can have exercitan {0 prepare you fOr trary ptwm of the topic, and chay're available alin one volume There's rateriat dealing with rucimants sound the drum [RIx and rock breaks around the Grume. et well # COM-OCE Ing sound the drura, Aiko included are special exact for ng from one cram 16 anothar wth tingiee, doubles. 47 Dericiddls. In all. this one vokume containe material which het been selaced from over twehet books, and some of it hat eww been published before Here it 4 volume urque nto ital, prewanting « “compiqat” stacy of the tome Price $25.00 THE COMPLEAT SHOW DRUMMER Proficiency in reading deum charts should be of prime concern to any student oF erofessional drummer. The ke to read and intworet charts correctly it exper several years before a player lawns to handle charts with smoothness and aise, Unfortunately, however, drummers nee fr get much of an opportunity 10 view wrangements. The Compleat Show Drummer ha been written to help remedy this situation. This one volume contain hand-witten ange: iments compiled trom several softcover books dealing withthe topic of show drumming. The book has Been edited and #mem bled 50 that the material progress developmentally trom eesy.tovead charts to fairly difficut arrangements. Two see Gal sections at the eng contain discussions related to how charts should be interpreted, Price $28.00 COMPLEAT DRUM TECHNIQUE This one volume focuses entirely on the development of dit ferent aspects of techanque including speed, control, endur ance, evennen of sound, and the aquilization of faiity in acm har ‘There are ten sections, atch on devoted to specie areas uch as accents, rolk, triplet control, left hand contol, practical technique, af weil as traditional radiments, [A special section at the ere prasants an extensive array of pew and original material which has never bean published before No other volume has ever srasantad such an in-depth study of the mbject, 10 if you're interested in developing Comoleet Drum Techaique, this it the book for you. Price $20.00) THE COMPLEAT DRUM READER Being « good reader « one of the most important requirements of any watleounded musician, Many drummers, however, Deang wank 9 tha ares, find they are Hmited in the type af more thay can handle If you want 12 imerove your reading Skil, here is a book thot containa a wide variety of materi fatected ftom many different rourcan, Syncoprtion Rit, + ming in odd time vrature, racing with rok, iced rete, and duets are only # few of the many topics covered. Get your ranging together, with 4 book that puts ial topes £0 bacorne # COMPLEAT ORUM READER, Prict $25.00 DRUM BOOKS BY J.R. PUBLICATIONS Pr ante’s BEE ROU HE SIMI are tes fs TECHNION Se rns Font S427 BRL MOUN MPV VS IMP ANE SEE ES SIU EiFS FOR SHOW DRUMMING Ayise ELL ANEOUS STUDIES SPEC EAL COOK DEN TION © VTTERSS HARDCOVER HOURS SEL bibs FOR SROL SD THE ARE RECORDS Notas.

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