Radu I of Wallachia. Deciphering A Mystery
Radu I of Wallachia. Deciphering A Mystery
Radu I of Wallachia
Deciphering a mysterious coat of arms from
the Universal Armorial of herald Gelre
Tiberiu Frăţilă-Felmer
2017
2
From file 52 (verso) to file 55 (front), counting from no. 500 to 547, we
find the arms of the king of Hungary and his vassals. Between years 1370 and
1382 Hungary and Poland were part of a personal union under the sceptre of
Louis I the Great, so it’s no surprise to find listed here Polish knights. On file
52 is drawn the coat of arms of king Louis (marshalled Anjou-Hungary,
Poland, Arpad-Hungary, and Croatia) followed by his main vassals. Browsing
the list we will try to set also the hypothetical time frame when the herald
painted the coats of arms in this chapter. Top eight emblems belong to some
well known armigers, dukes from Central-North Europe. None of these
blazons need discussion, as they are undisputed. The only problem consists in
some really questionable links between the noted armigers and king Louis as
their overlord (below: file 52 verso in the Universal Armorial of herald Gelre).
4
First (no. 501) are placed the arms of one duke of Masovia (at Gelre:
H'toge van d' Masovia). This duchy was placed in the mid-northern region of
Poland and in the thirteenth century had a history of its own. In the eyes of
Claes Heynenszoon, the ruler of Masovia and member of Hungarian-Polish
establishment was one of three different people: Siemovit III, member of the
House of Piast, Masovian branch, was Polish vassal between 1351-70, and
independent after king Casimir III's death. He never formally submitted to
king Louis until his death (1381). However, our Flemish herald definitely was
aware that around 1373-74, Siemovit's two sons, Janusz and Siemovit IV the
Younger, started as co-rulers in given parts of Masovia: the former in Warsaw
and the latter in Rawa. In traditional Polish heraldic style, both brothers
shared the coat of arms of House Piast: gules, eagle displayed silver. Duke
Janusz became one of the king Louis' friends and faithful since year 1373,
when he pledged allegiance for his part of dukedom. Siemovit IV strongly
opposed Angevin intercession in Poland, and reluctantly became Louis' per-
sonal vassal only for a very short interval, between the deaths of his father
and the king's (1381-82). From this complicated situation, Adam-Even choose
to attribute the Masovian coat of arms to Siemovit IV, the adversary of king
Louis, instead of much friendlier Janusz.
Next on page we find the arms of the dukes of Brieg/Brzeg (no. 502, Hrt'
v'n Brige). Louis I of Brieg was a Piast from the Silesian branch, a long-lived
and capable administrator of his dukedom between 1358-98. He was a nominal
vassal of the Luxemburg’s from Bohemia, and is no proof, except his Polish
descent and the joint participation in 1372 to the anti-Lithuanian crusade, of
any feudal connection with Louis of Anjou. Gelre clearly placed his coat of
arms in this chapter due to this conjecture. In addition, let's note the European
stature of the Silesian duke, who was called by his contemporaries both “the
Righteous” and “the Shrewd”.
Further we see the arms of the duke of Munsterberg (no. 503, Hrt' v'
Munsterberch). Bolko III of Munsterberg/Ziębice (1358-1410), ruled over a
small dukedom in the North of Lower Silesia. He sold gradually most of his
posses-sions and didn't have direct links with Hungary. His presence in the
armorial in the chapter dedicated to Hungary and Poland is probably due to
his membership to the Silesian Piasts, like some of his other cousins (i.e.
Konrad of Oels or Rupprecht of Leignitz).
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Duke Vladislav II of Opeln/Opole (no. 504, Hrt' v' Rusen en v'n Napel)
started as vassal of Bohemia for the inherited dukedom of Opole, but his
entire political life was closely linked with Louis of Anjou. He was raised and
educated at the Hungarian Court, becoming an effective count palatine in
Buda (1366-72), then governor of Halych-Volhynia (also Ruthenia or Rus,
1372-78, therefore the appellation used by Heinenszoon), count palatine of
Poland and later governor of Kujavia.
Konrad II the Grey of Oels/Oleśnica (no. 505, Hrt' vn'd Ulzen) was along
Bolko III of Munsterberg/Ziębice an unimportant member of Silesian House
of Piast and, as the former, not linked politically to the king Louis of Anjou.
Schweidnitz/Świdnica (no. 506, Hrt' van de Zwiednits) was a Silesian
dukedom ruled in time of Gelre Armorial compilation by Anna von Habsburg,
widow of the last independent Piast ruler, Bolko II the Small (d. 1368). Maybe
his alliance from 1345 with Louis of Hungary and Cazimir of Poland was
materialized by a form of allegiance, as it was the medieval custom, so is
natural for having his coat of arms alongside the Hungarian-Polish king.
Next is depicted (no. 507, Troppau) the coat of arms of duke John I of
Troppau-Ratibor/Opava-Racibórz, scion of the bastard line of Bohemian Pre-
mislid House, who co-ruled his dukedom between 1367-77 with his half-
brothers Nicholas III, Wenceslas and Přemysl. They were part of Bohemia’s
feudal establishment and they had no political ties with Hungary-Poland.
Rupprecht I of Liegnitz/Legnica (no. 508, Hrt' v Liegenits), nephew of
Louis I of Brieg, was a Silesian Piast who ruled his dukedom in the time frame
1373-1409, having as co-ruler his brother Wenceslas II. His political interests
covered only the intestine struggles within Silesia and equally had no ties with
Louis of Anjou.
Thomas of Saint Georgen (no.509, Grave v. Sunte Jorien) was a Hunga-
rian noble issued from a Northern branch of Hont-Pázmány clan. His family
domains were circumscribed to three castles, St. George/Sväty Jur, Bösing/
Pezinok and Eberhard/Malinovo, situated North of Bratislava. His father
Peter was the first mentioned with the title of count, when holding the office
in Bereg County (1360). Thomas was raised at the Angevin Court together
with his brother Peter the Younger and both were mentioned in 1363 as king
Louis' familiares. In king's service, count Thomas was diplomat, toll adminis-
trator, and between 1375-78 castellan of Holič. Next he was appointed master
6
5 Paravicini and Clemmensen identified this coat of arms as belonging to stem Schaffgotsch alias Schoff from Lower Silesia.
Ghyczy Pál added in his work, Gelre herold czimerkönive (The Armorial of herald Gelre), 1904, that Ulrich was member
of one Schaffgotsch branch named Dallwitz. Wikisource states in article Schaffgotsch, das Grafengeschlecht, Genealogie
that Ulrich was mentioned in year 1369 as Burggraf of Kinsberg/Hrozňatov. Due to name Ulrich and the chronic absence
of Hungary's main vassals from the South, in my work Basarab House of Wallachia. Heraldic and genealogical study,
2016, www.academia.edu, I considered this coat of arms a misrepresentation to one of the most important vassals of king
Louis of Anjou, the count of Celje/Cilly. I was utterly wrong and I make here the necessary amends.
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waker = night vigil6, or weken = soft, weak7. Accordingly, the owner of the
shield may well be the count Stephen II Lackfi (1367-1397), Ban of Croatia
(1372-74) and voivode of Transylvania (1373-76), known protégé and
favourite of king Louis the Great. Other option is the last Tsar of Serbia,
Stephen Uroš V Nemanjić (1355-1371), known also as Nejak (the Weak), due to
his glaring kindness and diffidence, unusual in those brutal, bellicose times.
He was also a reluctant vassal of Louis the Great since the 1350's. The
problem consists in the difficulty to tie any of those two medieval leaders with
the salmon silver head couped depicted by Gelre with its respective crest:
golden crown, a moor's head sable crowned with golden wing on a twist of
pearls. It's true, both of them had red shields with argent charges, but with
totally different heraldic beasts: Lackfi – a flying dragon, Uroš – a double-
headed eagle.
In this mixed succession of high nobles, petty vassals
and regional neighbours, the next coat of arms (no. 513) is
of particular interest, because in my opinion it could des-
cribe for the first time in a Western armorial the
personal coat of arms of a voivode of Wallachia. It is
blazoned azure dimidiated by barry of six, argent and
gules (see beside). The crest shows a fish sable supporting
a semi-circular plume of the same issuing from a golden
crown, lambrequins of ermines (counter-ermine).
The armiger, noted by Heinenszoon as Her Raeskin v. Scoonavaer, was
identified by Adam-Even as Raczek Wloskowic of Moravia. But I don't think
that is necessarily true. Moravia was led by the House of Luxembourg, who
ruled the wealthy and peaceful Bohemian kingdom, which is having two
separate chapters in the armorial, on files 33 and 68-69. Its wise king Charles
IV didn’t support the Prussian crusades, nor uphold his subjects to participate.
The same marshalled arms from no. 513 are found within the
Burgundian Bershammar Roll, largely using Gelre as inspiration, but there
they are attributed to Raczek de Vleskovic, alias Derslawiz.8 At Gelre, the
Middle Flemish name Scoonavaer is in fact a rebus. It is based on theme
6
According to the historical-etymological dictionary De Geïntegreerde Taal-Bank (GTB) – Historische woordenboeken op
internet – Instituut voor de Nederlandse taal, on site gtb.inl.nl
7
According to http://www.etymologiebank.nl/trefwoord/weken, word from Middle Flemish.
8
See http://wappenwiki.org/index.php/Bershammar_Armorial_Folio_214.
9
9
See http://www.etymologiebank.nl/trefwoord/aver.
10
The Honorary Table Panel (Erhentischtafel), armorial from Oriental Prussia occasioned by the military campaign from
1385, indicates one Racz von Schonanger who, according to Werner Paravicini (op. cit., page 141), could be the same with
Raeskin van Scoonavaer. Schönanger is the old name of today’s village Orlóv (Borowa) in Poland. Let’s mention that
according to site Germans from Russia Heritage Society, http://www.grhs.org/vr/vc-other.htm, this German colony was
founded only in 1783.
11
Adam-Even, backed by Paravicini (op. cit., page 141), placed as Moravian the coat of arms attributed in Belleville Armorial
(folio 61r, no. 9) to Jan van Valezau (uncertain localization), a sun gules on silver (at Gelre, no. 533, golden) shield.
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compiled, voivode was Radu I from the Princely House of Basarab. The
distorted Raeskin derived from his name, as that Bershammar’s Raczek is in
fact Radek/Radu.
One more indication that Heinenszoon knew precisely which historical
character wanted to describe as Raeskin v. Scoonavaer is shown in the crest.
The fish is the emblem of Făgăraș dukedom, region from which originates
Radu's family, the House of Basarab. The earliest heraldic symbol of Făgăraș
preserved to date is a very frail seal dated 1413 and sheltered by the
Hungarian archives showing two fish superposed on a plain field.
smoothly carried out internally. Radu could anytime become the leader of a
pro-Catholic political faction, close to Hungary. If he ever acted outside the
established framework, we would have heard from Hungarian historical
sources, but they remain silent. This fraternal loyalty, rather unusual in that
time of personal ambition, suggests even a temporary absence from public
life, maybe secluded in a monastery. An argument would be the strange name
Godon attributed to the Wallachian prince in year 1377 by a Hungarian text, a
name consonant with the monastic Gideon. On the other hand, to write by
mistake “Godon” instead of “Rodon", name similar phonetically in Hungarian
with Radan, is would be easy for a chancellery scribe. Radan(us) was the
name Radu was known for by the Venetian diplomacy.
Whatever the case, his dynastic loyalty was rewarded sometime around
1372, when Vlaicu associated him as co-ruler, ensuring the throne succession
in absence of direct descendants from his marriage with lady Ana. 1374 is the
last year when we have documentary proof that Vladislav Vlaicu was alive.
The change of reign took place without any commotion and Radu showed from
the beginning that he was a deserving successor.
Radu I was consistent to claim his praised ancestry through coinage, using
the Basarab coat of arms, barry of eight dimidiated by plain field12, on both
versions of deniers preserved from him. Type I introduces a good number of
heraldic charges in the shield’s senester field. The most frequent symbol is the
monogram Θ. Other logos are the fleur-de-lys, a two-petal flower shaped as
Greek? Iota (erroneous fleur-de-lys?), and a bow without arrow shaped like a
D (clumsy representation of Θ?).
Radu I deniers (type I). Only the first version appears on Slavonic legend’ coins, the rest only on issues
with Latin legend
12
Discussion of the true colors of the Basarab coat of arms is made in Tiberiu Fratila-Felmer, Basarab House of Wallachia.
Heraldic and genealogical study, www.academia.edu/30095489.
12
All these less used charges are placed on the obverse of coin issues
bearing Latin legend. This interesting exclusivity should have significance in
itself, linked maybe to the circulation area of coins. Not even in this particular
case we don’t think that logos are in fact mint marks. They are all heraldic
symbols related to certain political moments from which we did not received
information. Genealogist Octavian Lecca observed over a century ago the
widespread custom of Romanian noble family members to alter, sometimes
radically, their inherited coat of arms, “even from father to son”13. Given that
in the medieval world the arms talk about the armigers who actually bear
them, cadency was justified by need for individualization, by biographical
stages covered, or, as the predecessor of prince Radu I have done, by histo-
rical moments deserving to be remembered. From there to engraving them as
comprehensible rebuses on the material with the widest circulation in the
country – the currency – was only one step.
We suspect that the result of such biographical developments must have
been Radu I issue of deniers type II (with knight), with a Western-style design
never encountered before in Wallachian mints. On the obverse is engraved for
the first time the complete Basarab achievements of arms, blazoned shield,
helmet and crest, a correct composition in terms of heraldic proportions. The
issuer appears on the reverse standing in suit of armor, lance in his right hand
and Basarab shield in his left. The arms on the obverse, Latin legend reading
on both sides † MONЄTA RADOWI TRANSALPINI and the slender figure on
the reverse are details that show the appearance in the Wallachia's mint of a
master engraver who could comply with the blazoning rules of Western
chivalry. But he could mostly mirror the voivode’s desire to be perceived in a
certain way, in a well defined moment of his political career, and to invest in
this image.
13
Octav-George Lecca, Familiile boereşti române. Istoric şi genealogie (Romanian boyar’s families. History and
genealogy), Publishing House. Minerva, Bucharest 1899, p. XLIII.
13
15
Tudor-Radu Tiron, At the border of two worlds. Hungarian and Polish Influences upon the Wallachian and Moldavian
Mediaeval Heraldry (fourteenth-sixteenth centuries) in Genealogica & Heraldica. Proceedings of the XXXth
International Congress of Genealogical and Heraldic Sciences, held at Maastricht, 24-28 September 2012,
s’Gravenhage, Stichting De Nederlandse Leeuw, 2014. underlines at pg.346: “Seeing the disaster of his army, the
monarch changed his blazoned armor with one of his magnates, who lost his life in order to insure the retreat of his
sovereign (Rex autem mutauerat armorum suorum insignia quibus induerat Deseu filium Dyonisii, quem putantes esse
regem crudeliter occiderunt’)”.
16
Thomas Robson, The British Herald, vol. III, Harvard College Library, 1917, page X: „In the days of chivalry, it was
considered lawful that the victor, upon making captive any gentleman or warrior of higher degree, might assume and bear
the shield of arms of his prisoner, enjoying it till regained by the vanquished; and the acquiring of coat armor by such
feats of valor was considered more honorable than hereditary bearings, which descend alike to the cowardly and the
brave.”
16
The supposed battle-flag with dexter lance of Radu I spotted by crusaders in 1377, very likely a piece
from the Angevin trophy captured by Basarab in 1330
17
Dan Cernovodeanu, Ştiinţa şi arta heraldică în România (Heraldic science and art in Romania), Scientific and
Encyclopedic Publishing House, Bucharest, pg.67.
17
As we saw, Radu I did not used the praised banner as personal coat of
arms. He resorted for this to the old Basarab arms, sometimes with a perso-
nal cadency, being it the Θ (theta) monogram or other logo, as shown on his
type I deniers. But in the battle heat, this was the only knightly insignia
remarked by his opponents and subsequently the only one who was advertise
in the Western heraldic world through the Gelre herald's care.
In conclusion, my opinion is that Radu I double encounter with Western
crusaders, if not Claes Heinenszoon himself, raised his European awareness
and shaped his image as valiant knight, armiger and Balkan imperial glorious
scion, Scoonavaer. After all his political and military deeds, he ended to style
himself, including on some ducats minted during his reign, not just voivode,
but Io Radu, great voivode. Unfortunately, on his accession he was already
aged, closer to the end than the beginning of life. If he had a longer reign, due
to his military prowess, administrative performance and political relevance in
this part of the world, the one who was called by Italian chroniclers Radano,
prinzipe di Bulgaria, infidele18, and by a German one Pancraz der Weise19,
would have been certainly known in Romanian historiography as Radu the
Great. This cognomen was attributed finally to one of his homonym grand-
grandson from the sixteenth century. However, largely due to the error made
by the monks drafting the Tismana monastery Commemorative list, Radu I
was called sometimes Radu Negru (the Black), being confused without
historical arguments with Thocomerius Negru voivode, the legendary founder
of the Wallachian state. Even this confusion shows the huge prestige enjoyed
by Radu the Wise in his country, decisively marking its history, although he
ruled just about a decade.
18
In Cronaca Carrarese by Galeazzo and Bartolomeo Gatari. Apparently, Radu, prince of Bulgaria, unfaithful, kept
Vladislav I preemi-nence over the Badin Tsardom, being known also for his Orthodox faith who made him unfaithful in
the Catholic Europe’s eyes.
19
Pankraz the Wise, named like this in the Eberhard Windeck chronicle Book of Emperor Sigismund, written 1430-39. The
name derives from Radu’s position as Ban of Severin (Ban Rad = Pankraz), and the honorable epithet the Wise attests his
European prestige. The same chronic, showing a predilection for merging titles and names, mentions Mircea voivode as
Merzeweidan.