Although 4/4 is by far the most common time signature,

another popular choice for music through the ages and

including the modern day is 6/8. Why is this time signature
distinctive, how does it work, and how can you learn to hear
and play it? That's what we'll be digging into in this 6/8
tutorial.

Have you struggled to understand​ ​time signatures1 in music?

Wondered why a piece is written in 4/4 instead of 2/2, or if a
composer using 6/8 is just trying to make your life difficult? Time
signatures are as fundamental to a piece of music as its key signature.
Before you can worry about the intricacies of rhythm you need to be
rock-solid on the underlying beat. To do that, you'll need to know what
the time signature is and how to count it.

We often expect pop and rock music to be written in the classic 4/4
beat, but it turns out a surprisingly large number of songs we all know
and love actually use 6/8.

On first encounter 6/8 can seem complicated and even baffling but, as
we'll see below, there's really not much to it and there is a fun and
easy way to get the "feel" of 6/8 for your own music-making.

Read on for the essential explanations and then plenty of listening

examples to practice with.

1
https://www.musical-u.com/learn/introduction-to-time-signatures/
1

© Copyright Musical U, https://www.musical-u.com/

How to count in 6/8
There are two ways to count a bar in 6/8 time. This can seem
unnecessarily confusing when you first encounter 6/8, but as we'll see
the difference is not as big as it first appears.

You can either count it as:

● 6 eighth-note beats: 1,2,3,4,5,6

● 2 dotted-quarter-note beats: 1... 2...

6/8 counted as six eighth notes

6/8 counted as two dotted quarter notes

At first this might seem like two very different ways of counting: in the
first case you're counting out six beats every bar, while in the second
case just two. However, when you count all six you actually emphasise
beats 1 and 4, so it's more like ​1​, 2, 3, ​4​, 5, 6. Those two places
2

© Copyright Musical U, https://www.musical-u.com/

correspond to where your two dotted-quarter note beats would fall so
you are emphasising those two beats even if you're counting out all
six.

Likewise, when you count just the two beat version, in your head you
would actually be thinking of the subdivision of each of them into
three, meaning you're feeling each of the six eighth-note beats even if
you aren't speaking them.

So whether you count out all six beats or just the two
emphasised ones, you are still ​feeling​ the same pattern: two
groups of three eighth notes.

Why are both options used? It mostly comes down to tempo, and
sometimes the musical arrangement. When the piece is very fast it's
too much of a mouthful (or mental challenge) to count out every
eighth-note beat and it's easier to just count the two emphasised
beats each bar. Some pieces have an arrangement, for example a
guitar strumming pattern, which gives a musical feel that matches one
style of counting or the other. Read on for some song examples.

How 6/8 is different from 2/4

One other area that causes confusion with 6/8 is: if you're counting
just the two main beats, isn't that the same as a 2/4, two beats per
bar?

The answer lies in the subdivision of the beats. We call 2/4 time
"simple duple" meaning there are two beats per bar ​and​ each beat
divides in ​two​ (the "simple" part). By contrast, 6/8 time also has two
quarter note beats per bar so it's "duple" too, but each one divides into
three​, making it a "compound duple" time signature.

In other words, although in both cases you're counting ​"1, 2, 1, 2, 1,

2, etc."​ in the 2/4 time signature each of those beats would divide in
two (e.g. ​"1 and 2 and 1 and 2 and"​) while in the 6/8 time signature

© Copyright Musical U, https://www.musical-u.com/

each one divides in three (e.g. ​"1 and ah 2 and ah 1 and ah 2 and
ah"​).

The difference between 6/8 and 2/4 time signature

How 6/8 is different from 3/4

Similarly, you might wonder if those 6 eighth notes could be grouped

together as three groups of two rather than two groups of three.

Well, you ​could​ group them like that, but because you're dividing each
of the three beats into two, it's then "simple" meter again. With three
beats each divided in two, what you actually have is 3/4 time!

This is the difference between 3/4 and 6/8. Although it might seem
like numerically they are interchangeable (there are six eighth notes in
a bar), the grouping is different. If the rhythms used in the piece
group emphasise the first and fourth of those eighth notes, implying
they are grouped in threes, it's 6/8. If the rhythms emphasise just the
first (and perhaps the third and fifth), it implies the eighth notes are in
groups of two, and the time signature will be 3/4.

The difference between 6/8 and 3/4 time signature

© Copyright Musical U, https://www.musical-u.com/

Getting the hang of 6/8
What we've covered above is pretty much all the music theory behind
6/8. As you can see, there really isn't much to it! Apart from the small
points of confusion noted here, it's not actually the concepts which
cause trouble for musicians.

The challenging part of 6/8 time is learning to recognise it by ear, or

learning to express it yourself when reading from sheet music.

That requires the basic theory understanding covered above, but it

mostly comes from getting very familiar with the ​feel​ of 6/8.

How to hear and feel a 6/8 time signature

There are a few clues that a song is in 6/8. These are also things to
think about when playing 6/8 yourself.

The main attribute of a 6/8 time signature is that it has a ​waltz​ feel,
very different from a left-right marching feel of a 2/4 beat or the
steady straight-laced feel of a 4/4. Although it has a waltz feel it's not
as rigid as the traditional 3/4 waltz.

Another useful word used to describe 6/8 is ​shuffle​ or ​lilting​. It feels

looser and a bit more playful than a 3/4 time signature.

You can hear how the bars each split into two halves. You might even
initially hear it as two separate bars of 3/4 time (​"1,2,3, 2,2,3"​) before
realising that the bars always pair up in twos. You can also listen for
how each emphasised beat sounds a bit like a triplet because it's
5

© Copyright Musical U, https://www.musical-u.com/

divided in three rather than two. It would be easy to initially think a
6/8 song was actually a song in 2/4 (or 4/4) which used a lot of triplet
rhythms.

Your thinking process for recognising 6/8 might look like this:

1. Notice that there are 6 beats per bar

2. Listen for whether the first and fourth are emphasised (i.e. two
groups of three) or the first, third and fifth (i.e. three groups of
two). If it's the first, it's 6/8, otherwise it's 3/4.

or

1. Notice that there are 2 beats per bar

2. Listen for whether each beat seems to subdivide into two or into
three. If it's two then the time signature is 2/4, if each divides
into three then it's 6/8.

You won't have to think through the steps like this for long. In time
you will just instinctively recognise the 6/8 pattern when you hear a
song.

Ultimately the best way to get the hang of 6/8 is just lots of practice.
Choose to play pieces in 6/8, or simply listen to songs in a 6/8 feel and
practice counting along with the beat. We've collected a number below
for you to practice with.

Popular Songs in 6/8

Here are a selection of songs you've probably heard before which use
a 6/8 time signature, along with some notes on each to help you tune
your ear in. They're roughly grouped into similar musical style so that
you can hear the commonalities and variety in the way musicians use
6/8.

© Copyright Musical U, https://www.musical-u.com/

Neutral Milk Hotel - In the Aeroplane Over the Sea2

The guitar strum pattern in this one is great for hearing that 2-beat
split: the first beat of each set of three is emphasised clearly and the
chord moves with each bar so you can easily listen for the slow beat of
two dotted-quarter-notes on each chord. It's at about 60BPM so a
dotted quarter beat happens about once per second and each bar
takes about two seconds.

The Long Winters - Cinnamon3

A similar guitar-based 6/8 but the beat here is implied a bit more
loosely. Here the snare of the drum beat could actually throw you off a
bit because it actually isn't emphasising every beat or every third beat
as you might expect. Try to ignore it!

The Beatles - Norwegian Wood4

Note: this video is a tribute version.

Another example of a loose guitar strum carrying a 6/8. Listen to ​"She

asked me to stay and she told me to sit anywhere"​. Each syllable hits
an eighth-note beat: ​"asked,me,to,stay,and,she"​ = 1,2,3,4,5,6. The
emphasised words hit the underlying dotted-quarter-note beat:
"asked,stay,told,sit,where"​ = 1,2,1,2,1 (a.k.a. 1,4,1,4,1 if you're
counting all 6).

Queen - We Are the Champions5

A good example for counting as a straight 6 (1,2,3,4,5,6) as the

half-measure divisions (i.e. the dotted-quarter-note beat) aren't as
clear in this one. You can hear them in the instrument hits on ​"​share
of sand ​kicked​ in my ​face​"​ and somewhat emphasised in the drum
part after that.

2
https://www.youtube.com/watch?v=hD6_QXwKesU
3
https://www.youtube.com/watch?v=5fF-qSchZho
4
https://www.youtube.com/watch?v=Y_V6y1ZCg_8
5
https://www.youtube.com/watch?v=04854XqcfCY
7

© Copyright Musical U, https://www.musical-u.com/

The Animals - House of the Rising Sun6

A fast 6/8, this one. Listen for how the slow broken chord on guitar (in
the introduction and then throughout) starts each chord on the "1" and
peaks on the "4" of each 6/8 bar.

Metallica - Nothing Else Matters7

Here's a second guitar arpeggio example to follow. The first four bars
of the introduction is simply an arpeggio on the eighth notes of 6/8:
count 1,2,3,4,5,6 each bar. In the main section of the song you can
listen for the 6/8 quavers on the drummer's hi-hat cymbal.

Goo Goo Dolls - Iris8

Ignore the introduction and bridge which throw in some extra beats;
the verses are a stripped-down 6/8 and the chorus a slightly busier
one. Listen to how the slow drum beat in the verses creates a slow
2-beat framework and the guitar hints at 6/8 within that.

Seal - Kiss From A Rose9

The verses play around with the beat a bit but the chorus is a clear
6/8. The medieval-sounding ​"bah-ya-dah"​ refrain will help you connect
this up with the traditional classical music uses of a 6/8.

Paul McCartney & Wings - Let Me Roll It10

In the introduction the prominent organ moves slowly and even the
guitar is pretty static in the first half of each bar - but listen to how the
guitar and bass fill in beats on the "4,5,6" to make clear this is a 6/8,
and how the drummer's cymbal taps out those subdivisions that tell
you this is 6/8 and not 2/4. After the introduction this becomes a nice

6
https://www.youtube.com/watch?v=MJkr0DWbhTk
7
https://www.youtube.com/watch?v=tAGnKpE4NCI
8
https://www.youtube.com/watch?v=NdYWuo9OFAw
9
https://www.youtube.com/watch?v=AMD2TwRvuoU
10
https://www.youtube.com/watch?v=kWFehaQEMYI
8

© Copyright Musical U, https://www.musical-u.com/

clear example of the drummer keeping the 6/8 eighth note beat on the
hi-hat 1,2,3,4,5,6.

Radiohead - Subterranean Homesick Alien11

A busier drum part in this one and it's the the drum and vocals
together which create the 6/8 shuffle feel. Listen to how the bridge
("Uptight" at 1:26) shifts the beat - you can still hear a 6/8 but it feels
almost like a half-speed tempo change, and more like the two
dotted-quarter-note way of counting.

Jeff Buckley - Hallelujah12

Note: Skip in a minute or so to reach the main song.

Although the guitar arpeggiates the six eighth note beats the sparse
arrangement and quite loose beat here can make it hard to hear. In
the instrument fills between the chords and next verse listen for the
alternating bass part in the guitar, back and forth between two notes
to tune you in to the underlying 1,2 beat.

The Postal Service - This Place is a Prison13

Speaking of "sparse", this is one to test you.

The vague synthesiser accompaniment and vocal part don't give you
much to work with in figuring out the beat! Fortunately that distorted
synth percussion beats a fairly clear 6/8 beat.

Christina Aguilera - You Lost Me14

A piano pop ballad example with an interesting twist: the piano part
suggests the 6/8 is broken into 4 beats followed by 2 beats rather than
two sets of three. It's interesting to listen along to the first part of the

11
https://www.youtube.com/watch?v=_fTWmUlTEqE
12
https://www.youtube.com/watch?v=y8AWFf7EAc4
13
https://www.youtube.com/watch?v=NMgoQBHx12g
14
https://www.youtube.com/watch?v=WOKI_tIBWVI
9

© Copyright Musical U, https://www.musical-u.com/

song, interpreting the beat as 1,2,3,4,1,2 vs. 1,2,3,2,2,3 along the
way.

David Bowie - Five Years15

A different kind of pop piano ballad, here with a drum part playing a
syncopated pattern on the 6/8 beat.

​ laylist
If you have Spotify you can listen to all of those on this handy​ p
of 6/8 Songs16.

Go Forth and Love Six Eight!

Are you getting the feel of it? With the basic music theory above, some
tips on how to count and feel a 6/8 time signature, and a range of
popular music to practice along with, you are now well equipped to
make sense of 6/8 time. Bonus points to you if you read the heading
above and instinctively emphasised the first and fourth words.

Time signatures are fundamental to music-making and though

it can be tempting to gloss over them, their importance should
not be underestimated. Learn to recognise one of the most
popular and interesting time signatures, 6/8, and your own
musical instinct and versatility will be greatly enhanced. Have
fun with 6/8!

15
https://www.youtube.com/watch?v=4bcnO3VQ_fc
16
https://open.spotify.com/user/jerrell/playlist/3WBk18DRW3ak76bcJLAhdP
10

© Copyright Musical U, https://www.musical-u.com/