M2 | M4 | M6

™ ™ ™

User Guide

1280 Massachusetts Avenue

Cambridge, MA 02138
Business voice: (617) 576-2760
Business fax: (617) 576-3609
Title Page Web site: www.motu.com
Tech support: www.motu.com/support
SAFETY PRECAUTIONS AND ELECTRICAL REQUIREMENTS FOR THE M2, M4 and M6 (“PRODUCT”)
CAUTION! READ THIS SAFETY GUIDE BEFORE YOU BEGIN INSTALLATION OR OPERATION. FAILURE TO COMPLY WITH SAFETY INSTRUCTIONS
COULD RESULT IN BODILY INJURY OR EQUIPMENT DAMAGE.
HAZARDOUS VOLAGES: CONTACT MAY CAUSE ELECTRIC SHOCK OR BURN. TURN OFF UNIT BEFORE SERVICING.
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRICAL SHOCK, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR OTHER MOISTURE.
CAUTION: TO REDUCE THE RISK OF ELECTRICAL SHOCK, DO NOT REMOVE COVER. NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED
SERVICE PERSONNEL.
WARNING: DO NOT PERMIT FINGERS TO TOUCH THE TERMINALS OF PLUGS WHEN INSTALLING OR REMOVING THE PLUG TO OR FROM THE OUTLET.
WARNING: IF NOT PROPERLY GROUNDED THE MOTU PRODUCT COULD CAUSE AN ELECTRICAL SHOCK.

IMPORTANT SAFEGUARDS
1. Read these instructions. All the safety and operating instructions should be read before operating the product.
2. Keep these instructions. These safety instructions and the product owner’s manual should be retained for future reference.
3. Heed all warnings. All warnings on the product and in the owner’s manual should be adhered to.
4. Follow all Instructions. All operating and use instructions should be followed.
5. Do not use the product near water.
6. Cleaning - Unplug the product from the computer and clean only with a dry cloth. Do not use liquid or aerosol cleaners.
7. Ventilation - Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.
8. Heat - Do not install the product near any heat sources such as radiators, heat registers, stoves, or another apparatus (including an amplifier) that produces heat.
9. Overloading - Do not overload wall outlets and extension cords as this can result in a risk of fire or electrical shock.
10. Power cord - Protect the product power cord from being walked on or pinched by items placed upon or against them. Pay particular attention to cords and plugs, convenience receptacles, and the point where they exit
from the unit.
11. Power switch - Install the product so that the power switch can be accessed and operated at all times.
12. Disconnect - The main plug is considered to be the disconnect device for the product and shall remain readily operable.
13. Accessories - Only use attachments/accessories specified by the manufacturer.
14. Placement - Use only with the cart, stand, tripod, bracket or table specified by the manufacturer, or sold with the product. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury
from tip-over.
15. Surge protection - Unplug the product during lightning storms or when unused for long periods of time.
16. Servicing - Refer all servicing to qualified service personnel. Servicing is required when the product has been damaged in any way, such as when a power-supply cord or plug is damaged, liquid has been spilled or objects
have fallen into the product, the product has been exposed to rain or moisture, does not operate normally, or has been dropped.
17. Power Sources - Refer to the manufacturer’s operating instructions for power requirements. Be advised that different operating voltages may require the use of a different line cord and/or attachment plug.
18. Installation - Do not install the product in an unventilated rack, or directly above heat-producing equipment such as power amplifiers. Observe the maximum ambient operating temperature listed below.
19. Power amplifiers- Never attach audio power amplifier outputs directly to any of the unit’s connectors.
20. Replacement Parts - When replacement parts are required, be sure the service technician has used replacement parts specified by the manufacturer or have the same characteristics as the original part. Unauthorized
substitutions may result in fire, electric shock or other hazards.
21. Safety Check - Upon completion of any service or repairs to this MOTU product, ask the service technician to perform safety checks to determine that the product is in safe operating conditions.
ENVIRONMENT, HEAT AND VENTILATION
Operating Temperature: 10°C to 40°C (50°F to 104°). The product should be situated away from heat sources or other equipment that produces heat. When installing the product in a rack or any other location, be sure there
is adequate space around the product to ensure proper ventilation. Improper ventilation will cause overheating and can damage the unit.
TO REDUCE THE RISK OF ELECTRICAL SHOCK OR FIRE
Do not handle the power cord with wet hands. Do not expose this apparatus to rain or moisture. Do not place objects containing liquids on it.

This equipment has been type tested and found to comply with the limits for a class B digital
device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable
protection against harmful interference in a residential installation. This equipment generates,
uses, and can radiate radio frequency energy and, if not installed and used in accordance with the
instruction manual, may cause harmful interference to radio communications. However, there is
no guarantee that interference will not occur in a particular installation. If this equipment does
cause interference to radio or television equipment reception, which can be determined by
turning the equipment off and on, the user is encouraged to try to correct the interference by any
combination of the following measures:
• Relocate or reorient the receiving antenna
• Increase the separation between the equipment and the receiver
• Plug the equipment into an outlet on a circuit different from that to which the receiver is
connected
If necessary, you can consult a dealer or experienced radio/television technician for additional
assistance.
PLEASE NOTE: only equipment certified to comply with Class B (computer input/output devices,
terminals, printers, etc.) should be attached to this equipment, and it must have shielded interface
cables in order to comply with the Class B FCC limits on RF emissions.
WARNING: changes or modifications to this unit not expressly approved by the
party responsible for compliance could void the user's authority to operate the
equipment.
Contents

5 Quick Start Guide

7 M2 Quick Reference
8 M4 Quick Reference
9 M6 Quick Reference
10 Packing List and System Requirements
11 Software Installation
15 Hardware Installation
21 Working with Host Audio Software
25 Troubleshooting
27 Audio Specifications
29 Index

iii
About the Mark of the Unicorn License Limited Warranty on Hardware
Agreement and Limited Warranty on Software Mark of the Unicorn, Inc. (“MOTU”) warrants this equipment against defects in
TO PERSONS WHO PURCHASE OR USE THIS PRODUCT: carefully read all the terms and materials and workmanship under normal use for a period of TWO (2) YEARS from the
conditions of the “click-wrap”license agreement presented to you when you install date of original retail purchase. The Warranty Term begins on the date of purchase
the software. Using the software or this documentation indicates your acceptance of from an authorized MOTU reseller and applies solely to the original retail purchaser,
the terms and conditions of that license agreement. who must activate the warranty by creating a user account at motu.com to register
the product within 90 days of purchase. This warranty applies only to hardware
Mark of the Unicorn, Inc. (“MOTU”) owns both this program and its documentation. products; MOTU software is licensed and warranted pursuant to separate written
Both the program and the documentation are protected under applicable copyright, statements.
trademark, and trade-secret laws. Your right to use the program and the
documentation are limited to the terms and conditions described in the license If you discover a defect, first contact MOTU technical support by phone, email or web
agreement. (motu.com/support) to verify the warranty on your MOTU equipment and obtain a
Return Merchandise Authorization (RMA). No service will be performed on any
REMINDER OF THE TERMS OF YOUR LICENSE product returned without prior authorization. MOTU will, at its option, repair or
This summary is not your license agreement, just a reminder of its terms. The actual replace the product at no charge to you, provided you return it during the warranty
license can be read and printed by running the installation program for the software. period as instructed by MOTU, with transportation charges prepaid. If you purchased
That license agreement is a contract, and clicking “Accept”binds you and MOTU to all your equipment in any country other than the US or Canada, you will be instructed to
its terms and conditions. In the event anything contained in this summary is return the equipment to an authorized MOTU distributor or representative in the
incomplete or in conflict with the actual click-wrap license agreement, the terms of country of purchase. You must use the product’s original packing material for the
the click-wrap agreement prevail. shipment, and insure the shipment for the value of the product. Please include your
YOU MAY: (a) use the enclosed program on a single computer; (b) physically transfer name, address, phone number, email address, a description of the problem, and the
the program from one computer to another provided that the program is used on original, dated bill of sale with the returned unit; do NOT include additional
only one computer at a time and that you remove any copies of the program from the accessories such as cables, power supplies, manuals, etc. Please clearly print the
computer from which the program is being transferred; (c) make copies of the Return Merchandise Authorization Number on the outside of the box below the
program solely for backup purposes. You must reproduce and include the copyright shipping address. Repaired or replaced equipment will be returned to you via UPS
notice on a label on any backup copy. Ground prepaid. (Expedited shipping methods such as UPS next day, 2-day, and 3-day
services are available for an additional cost.) Repaired equipment will be warranted
YOU MAY NOT: (a) distribute copies of the program or the documentation to others; for a period equal to the remainder of the original Limited Warranty or for 90 days,
(b) rent, lease or grant sublicenses or other rights to the program; (c) provide use of whichever is longer.
the program in a computer service business, network, time-sharing, multiple CPU or
multiple user arrangement without the prior written consent of MOTU; (d) translate, WARRANTY EXCLUSIONS: This warranty does not apply if the equipment has been
adapt, reverse engineer, decompile, disassemble, or otherwise alter the program or damaged by accident, abuse, misuse, or misapplication; has been modified without
related documentation without the prior written consent of MOTU. the written permission of MOTU; or if the product serial number has been removed or
defaced. The following examples, without limitation, are NOT covered by this
MOTU warrants to the original licensee that the disk(s) on which the program is hardware warranty:
recorded be free from defects in materials and workmanship under normal use for a
period of ninety (90) days from the date of purchase as evidenced by a copy of your • Equipment purchased through any reseller not directly authorized by MOTU or its authorized
receipt. If failure of the disk has resulted from accident, abuse or misapplication of the international distributors.
• “Used”equipment purchased from a third party.
product, then MOTU shall have no responsibility to replace the disk(s) under this • Equipment purchased in another country.
Limited Warranty. • Normal cosmetic and mechanical wear of the equipment.
• Equipment damaged by improper installation or connections.
THIS LIMITED WARRANTY AND RIGHT OF REPLACEMENT IS IN LIEU OF, AND YOU • Equipment damaged in transit to/from MOTU for warranty repair.
HEREBY WAIVE, ANY AND ALL OTHER WARRANTIES, BOTH EXPRESS AND IMPLIED, • Physically damaged equipment, including but not limited to water damage, cracks or dents,
INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY AND FITNESS missing or bent parts, burns or other damage caused by faulty or failed electric power
FOR A PARTICULAR PURPOSE. THE LIABILITY OF MOTU PURSUANT TO THIS LIMITED
WARRANTY SHALL BE LIMITED TO THE REPLACEMENT OF THE DEFECTIVE DISK(S), AND ALL IMPLIED WARRANTIES, INCLUDING IMPLIED WARRANTIES OF MERCHANTABILITY
IN NO EVENT SHALL MOTU OR ITS SUPPLIERS, LICENSORS, OR AFFILIATES BE LIABLE AND FITNESS FOR A PARTICULAR PURPOSE, ARE LIMITED IN DURATION TO TWO (2)
FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES, INCLUDING BUT NOT LIMITED TO YEARS FROM THE DATE OF THE ORIGINAL RETAIL PURCHASE OF THIS PRODUCT. THE
LOSS OF USE, LOSS OF PROFITS, LOSS OF DATA OR DATA BEING RENDERED INACCURATE, WARRANTY AND REMEDIES SET FORTH ABOVE ARE EXCLUSIVE AND IN LIEU OF ALL
OR LOSSES SUSTAINED BY THIRD PARTIES EVEN IF MOTU HAS BEEN ADVISED OF THE OTHERS, ORAL OR WRITTEN, EXPRESS OR IMPLIED. No MOTU dealer, agent, or
POSSIBILITY OF SUCH DAMAGES. THIS WARRANTY GIVES YOU SPECIFIC LEGAL RIGHTS employee is authorized to make any modification, extension, or addition to this
WHICH MAY VARY FROM STATE TO STATE. SOME STATES DO NOT ALLOW THE warranty. MOTU IS NOT RESPONSIBLE FOR SPECIAL, INCIDENTAL, OR CONSEQUENTIAL
LIMITATION OR EXCLUSION OF LIABILITY FOR CONSEQUENTIAL DAMAGES, SO THE DAMAGES RESULTING FROM ANY BREACH OF WARRANTY, OR UNDER ANY LEGAL
ABOVE LIMITATION MAY NOT APPLY TO YOU. THEORY, INCLUDING LOST PROFITS, DOWNTIME, GOODWILL, DAMAGE OR
REPLACEMENT OF EQUIPMENT AND PROPERTY AND COST OF RECOVERING REPRO-
UPDATE POLICY GRAMMING, OR REPRODUCING ANY PROGRAM OR DATA STORED IN OR USED WITH
In order to be eligible to obtain updates of the program, you must complete and
MOTU PRODUCTS.
return the attached Mark of the Unicorn Purchaser Registration Card to MOTU.
Some states do not allow the exclusion or limitation of implied warranties or liability
COPYRIGHT NOTICE
Copyright © 2024, 2023, 2022, 2021, 2020, 2019 by Mark of the Unicorn, Inc. All for incidental or consequential damages, so the above limitation or exclusion may not
rights reserved. No part of this publication may be reproduced, transmitted, apply to you. This warranty gives you specific legal rights, and you may have other
transcribed, stored in a retrieval system, or translated into any human or computer rights which vary from state to state.
language, in any form or by any means whatsoever, without express written Manual version 2.01
permission of Mark of the Unicorn, Inc., 1280 Massachusetts Avenue, Cambridge, MA,
02138, U.S.A.
Quick Start Guide

Thank you for purchasing an M series USB If your computer has USB-C ports, use a
interface! Follow these easy steps to get started USB-C to USB-C cable (rated for USB2), or a
quickly. USB-C to USB-A adapter, (both sold separately).

FOR MAC USERS 3 Go to the Windows Sound Control Panel and

1 Connect the M series interface to your Mac choose MOTU M Series as the default input and
using the included USB cable. output device.

If your computer has USB-C ports, use a

USB-C to USB-C cable (rated for USB2), or a
USB-C to USB-A adapter, (both sold separately).

2 Go to the Apple menu and choose System

Preferences.

3 Click Sound and choose the M2, M4 or M6 as

the input and output device.

4 Go to Step 5 below.

FOR ALL USERS

5 Connect speakers and/or a pair of headphones
to the M series interface so you can hear your
computer’s audio output. For speakers, connect
them to the outputs on the back panel.

6 You are now ready to start using your M series

interface.

7 Visit motu.com/m2-start, motu.com/m4-start or

4 Go to Step 5 below. motu.com/m6-start to register your product,
download the included software and watch brief
FOR WINDOWS USERS how-to videos, including:
1 BEFORE you connect the M series interface to
your computer, visit motu.com/m2-start, Q How to connect a mic, guitar, keyboard or other

motu.com/m4-start or motu.com/m6-start to line-level audio source.

download and install the Windows driver.
Q How to use your M series interface with your

recording software.
2 Connect the M series interface to your PC
using the included USB cable.

5
Q How to get the most out of your M series

interface.

PLEASE REGISTER TODAY

Please visit motu.com/m2-start, motu.com/
m4-start or motu.com/m6-start to register your
M series interface and gain access to all the
software, virtual instruments, loops and sounds
that are included with your purchase. Registered
users also qualify for technical support and
information about software updates, so please
register today!

Thank you for taking the time to register your new

MOTU product!

FINDING YOUR SERIAL NUMBER

You can find your M series product serial number
on the bottom of the unit and the side of the box.

6
 M2 Quick Reference
1 2 3 4 5

8 7 6

9 10 11 12

13

1. These two XLR/TRS combo jacks accept a mic cable or a 6. Connect your headphones here. This signal matches the 11. These unbalanced RCA analog outputs mirror the signal on
quarter-inch cable, balanced or unbalanced, from a guitar signal on the MONITOR outputs on the rear panel, but the quarter-inch outputs (12). You can connect them to a
or line level source. volume control (5) is independent. second set of speakers or other destination.
2. Use GAIN knob to add up to 60 dB of boost to the input 7. Engage the 48V button to turn on phantom power for a 12. Connect these balanced, DC-coupled quarter-inch outputs
signal. Watch the input level meter in the LCD while condenser microphone connected to the input. to your studio speakers, PA or other desired audio destina-
adjusting gain. Try to adjust gain as high as possible tion. They can also accept an unbalanced plug.
without clipping, which is indicated by the red rectangle at 8. Engage the MON (monitor) button to enable hardware
the top of the meter. (direct) monitoring, which routes the channel’s input Note: the analog outputs are not cross-coupled. Therefore,
signal directly to the outputs and pans the mono signal when connecting them to an unbalanced input, use a TRS
3. The full-color, high-resolution LCD (160x120 pixels) shows evenly across both outputs (1-2). A blue box appears plug with the ring disconnected. Not floating the negative
full-length meters for all inputs and outputs. An around the input channel number in the LCD to indicate terminal will short it to the sleeve ground and cause
overloaded signal is indicated by a red box at the top of the that hardware monitoring is engage. Press and hold the distortion.
signal. If you see the red box, reduce the signal level. A blue MON button to engage stereo monitoring for both inputs.
box around the input channel number indicates that In this mode, Input 1 is routed to Output 1 and Input 2 is 13. Connect the M2 to your host computer with the supplied
hardware (direct) monitoring (the MON button) is routed to Output 2, allowing you to monitor in stereo while USB-C to USB-A cable. If your computer has USB-C ports,
engaged for that channel. recording in stereo. use a USB-C to USB-C cable (rated for USB2) or a USB-A
adapter (both sold separately). The M2 is powered by its
4. Volume control for the MONITOR outputs on the back 9. POWER SWITCH: You can switch off the M2 and turn it back USB connection to the host computer. For information
panel. on without restarting your computer. about connecting to an iOS device, see “Connecting to an
iOS device” on page 18.
5. Volume control for headphone output. 10. Connect MIDI gear to these standard MIDI ports.
 M4 Quick Reference
1 2 3 4 5 6

10 9 8 7

11 12 13 14 15

16

1. These two XLR/TRS combo jacks accept a mic cable or a 7. Connect your headphones here. This signal matches the 13. These unbalanced RCA analog outputs mirror the signal on
quarter-inch cable, balanced or unbalanced, from a guitar signal on the MONITOR outputs on the rear panel, but their corresponding quarter-inch outputs (14). You can
or line level source. volume control (6) is independent. connect them to a second set of speakers or other destina-
tions.
2. Use GAIN knob to add up to 60 dB of boost to the input 8. Engages hardware (direct) monitoring for inputs 3-4 on
signal. Watch the input level meter in the LCD while the rear panel. See (10) below for more information. 14. Connect these balanced, DC-coupled quarter-inch outputs
adjusting gain. Try to adjust gain as high as possible to your studio speakers, PA or other desired audio destina-
without clipping, which is indicated by the red rectangle at 9. Engage the 48V button to turn on phantom power for a tion. They can also accept an unbalanced plug. Each output
the top of the meter. condenser microphone connected to the input. pair is independent and can be found as separate output
pairs in your host software.
3. INPUT MONITOR MIX: Controls the balance (relative 10. Engage the MON (monitor) button to enable hardware
volume) between computer output (over USB) and live (direct) monitoring, which routes the channel’s input Note: the analog outputs are not cross-coupled. Therefore,
inputs being monitored through the hardware using the signal directly to the outputs and pans the mono signal when connecting them to an unbalanced input, use a TRS
MON (monitor) button (10). Turn it counterclockwise to evenly across both outputs (1-2). A blue box appears plug with the ring disconnected. Not floating the negative
hear more inputs; turn it clockwise to hear more computer around the input channel number in the LCD to indicate terminal will short it to the sleeve ground and cause
audio. that hardware monitoring is engage. Press and hold the distortion.
MON button to engage stereo monitoring for both inputs.
4. The full-color, high-resolution LCD (160x120 pixels) shows In this mode, Input 1 is routed to Output 1 and Input 2 is 15. These LINE INPUTS accept either a balanced or unbalanced
full-length meters for all inputs and outputs. An routed to Output 2, allowing you to monitor in stereo while plug. Connect a keyboard or other similar line level audio
overloaded signal is indicated by a red box at the top of the recording in stereo. source.
signal. If you see the red box, reduce the signal level. A blue
box around the input channel number indicates that 11. POWER SWITCH: You can switch off the M4 and turn it back 16. Connect the M4 to your host computer with the supplied
hardware (direct) monitoring (the MON button) is on without restarting your computer. USB-C to USB-A cable. If your computer has USB-C ports,
engaged for that channel. use a USB-C to USB-C cable (rated for USB2) or a USB-A
12. Connect MIDI gear to these standard MIDI ports. adapter (both sold separately). The M4 is powered by its
5. Volume control for the MONITOR outputs on the back USB connection to the host computer.
panel.
6. Volume control for headphone output.
 M6 Quick Reference
1 2 3 4 5 6 7

12 11 10 9 8

13 14 15 16 17 18

20 19

1. Use these GAIN knobs to add up to 60 dB of boost to the input 8. Connect your headphones here. This signal matches the signal 15. Connect these balanced, DC-coupled quarter-inch outputs to
signal for each mic input. Watch the input level meter in the LCD on the MONITOR 1-2 outputs on the rear panel, but volume your secondary (B) studio speakers, PA or other desired audio
while adjusting gain. Try to adjust gain as high as possible control (5 and 7) is independent. destination. They can also accept an unbalanced plug (see the
without clipping, which is indicated by the red rectangle at the note below about unbalanced connections). Each output pair is
top of the meter. 9. Engages hardware (direct) monitoring for inputs 5-6 on the independent and can be found as separate output pairs in your
rear panel. See (12) below for more information. host software.
2. INPUT MONITOR MIX: Controls the balance (relative volume)
between computer output (over USB) and live inputs being 10. Press and hold the A/B switch to enable or disable A/B mode. 16. Connect these balanced, DC-coupled quarter-inch outputs to
monitored through the hardware using the MON (monitor) When enabled, you can connect a 2nd pair of “B” monitors to your primary (A) studio speakers, PA or other desired audio
button (12). Turn it counterclockwise to hear more inputs; turn Line Out 3-4. Then, quickly press the A/B button to switch destination. They can also accept an unbalanced plug. Each
it clockwise to hear more computer audio. between the A monitors (connected to MONITOR Outs 1-2) and output pair is independent and can be found as separate output
the B monitors (connected to Line Out 3-4) to compare your mix pairs in your host software.
3. The full-color, high-resolution LCD (160x120 pixels) shows full- on the two sets of monitors. For details, see “A/B monitor
length meters for all inputs and outputs. An overloaded input switching on the M6” on page 19. Note: the analog outputs are not cross-coupled. Therefore,
signal is indicated by a red box at the top of the signal. If you see when connecting them to an unbalanced input, use a TRS plug
the red box, reduce the signal level. A blue box around the input 11. Engage the 48V button to turn on phantom power for a with the ring disconnected. Not floating the negative terminal
channel number indicates that hardware (direct) monitoring condenser microphone connected to the input. will short it to the sleeve ground and cause distortion.
(the MON button) is engaged for that channel.
12. Engage the MON (monitor) button to enable hardware (direct) 17. These LINE INPUTS accept either a balanced or unbalanced
4. Volume control for the MONITOR outputs on the back panel. If monitoring, which routes the channel’s input signal directly to plug. Connect a keyboard or other similar line level audio
you are using the A/B speaker select mode, this controls the the MONITOR 1-2 outputs and pans the mono signal evenly source.
volume of either your A speakers or B speakers (whichever is across both outputs. A blue box appears around the input
currently selected). channel number in the LCD to indicate that hardware monitor- 18. These four XLR/TRS combo jacks accept a mic cable or a quarter-
ing is engage. Press and hold the MON button to engage stereo inch cable, balanced or unbalanced, from a guitar or line level
5. Volume control for headphone output below it. monitoring for input pairs. In this mode, Input 1 is routed to source.
Output 1 and Input 2 is routed to Output 2, allowing you to
6. Both headphone outputs mirror the signal on the MONITOR 1-2 monitor in stereo while recording in stereo. Inputs 3-4 are 19. Connect the M6 to your host computer with the supplied USB
outputs (on the rear panel). Engage the 3-4 switch to monitor similarly routed to Outputs 1 and 2 (3 to 1 and 4 to 2). cable. When the M6 is connected to a USB-C host computer or
LINE OUT 3-4 instead on this headphone output. This allows you iPad, it can be powered by its USB connection to the host. When
to set up a separate mix from your host software for this 13. POWER SWITCH: You can switch off the M6 and turn it back on connected to a USB-A host computer, you’ll need to connect the
headphone output. without restarting your computer. DC power adapter to supply enough power.
7. Volume control for headphone output below it. 14. Connect MIDI gear to these standard MIDI ports. 20. Connect the DC power adapter here. It is optional, unless the
M6 is connected to a USB-A host that cannot supply enough bus
power. You can also power the M6 when no host is connected.
CHAPTER 1 Packing List and
System Requirements
PACKING LIST PLEASE REGISTER TODAY!
M series interfaces ship with the items listed Please visit the link below that applies to you to
below. If any of these items are not present in the register your M series interface and gain access to
box when you first open it, please immediately all the software, virtual instruments, loops and
contact your dealer or MOTU. sounds that are included with your purchase.
Registered users also qualify for technical support
Q One M2, M4 or M6 audio interface and information about software updates, so please
Q USB-C to USB-A cable register today!

Q DC power adapter (M6 only) Q motu.com/m2-start

Q Safety instruction sheet Q motu.com/m4-start

SYSTEM REQUIREMENTS Q motu.com/m6-start

Q Intel Core i3 Mac or faster (including Apple
Thank you for taking the time to register your new
silicon Macs) or 1 GHz Pentium-based PC (or MOTU product!
compatible). Faster CPUs are recommended for
best performance. FINDING YOUR SERIAL NUMBER
You can find your M series product serial number
Q 2 GB RAM; 4 GB or more recommended.
on the bottom of the unit and the side of the box.
Q macOS 10.11 or later (optional driver requires

10.13 or later); Windows 10 or later (x64 only).

Q Available high-speed USB 2.0 (or 3.0) port.
Q A large hard drive (preferably at least 512 GB).

10
CHAPTER 2 Software Installation

OVERVIEW DRIVER INSTALLATION

USB audio class-compliant operation . . . . . . . . . . . . . . . . . . 11 Driver installation is required for either of the
Driver installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 following scenarios:
M series Control Panel (Windows only) . . . . . . . . . . . . . . . . . 12
MIDI I/O on Windows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Q You are using a PC running Windows (10 or
MIDI I/O setup on the Mac. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Working with host audio software . . . . . . . . . . . . . . . . . . . . . 14 later).

USB AUDIO CLASS-COMPLIANT OPERATION Q You are using a Mac and you wish to take

Your M Series interface is a USB audio class- advantage of the extra features that the driver
compliant device. This means that you can provides: lower latency performance and loopback
connect it to your Mac (running macOS 10.11 or channels (see “Loopback” on page 23).
higher) with a USB cable and use it without
If neither scenario applies to you, then you can
installing any software drivers. The computer
skip software installation if you wish, and proceed
recognizes your M Series interface as a USB audio
to chapter 3, “Hardware Installation” (page 15).
device and makes its inputs and outputs available
to your host audio software. Basic settings, such as Download and run the M Series installer
the hardware’s sample rate, are made in your host To download the latest M Series installer for Mac
software. or Windows, visit www.motu.com/m2-start (it’s
the same installer for the M2, M4 and M6). Follow
In this scenario, your M Series interface
the directions that the installer gives you.
provides basic audio input and output, and no
software driver installation is necessary. Use the We recommend that you run the software
Mac’s Audio MIDI Setup utility to manage your M installer before you connect your M Series
Series interface audio inputs and outputs for your interface to your computer and power it on.
Mac.
Industry-leading I/O latency performance
Connection to iOS devices (iPad and iPhone) On macOS and Windows, the M series driver
Audio-class compliant operation allows you to provides exceptionally low I/O latency
connect your M Series interface to any iOS device performance. For example, with a 32-sample
to provide multi-channel audio I/O to your audio buffer size, an M Series interface operating at 96
apps. Use your audio app to configure the number kHz produces round trip latency (RTL)
of available audio channels. performance of 2.5 milliseconds (ms) on
Windows and 2.5 ms on macOS. RTL is the
For iOS devices with a USB-C port, a USB-C
measurement of the time it takes audio to pass
to USB-C cable is required.
from an analog input, through a DAW host, to an
For iOS devices with a Lightning port, an analog output.
Apple Lightning to USB3 Camera Adapter is
required (sold separately).

11
M Series Core Audio driver for macOS M SERIES CONTROL PANEL (WINDOWS ONLY)
On macOS, to enable your M Series interface in On Windows, you can access the M Series control
your Core Audio-compatible host software, go to panel in the Windows Start menu. In Performer
the menu item or preference in your host audio Lite, you can access it by clicking the Configure
software where you choose the audio device (Core Driver button shown in Figure 2-2.
Audio driver) you wish to use, and then select the
M2, M4 or M6 by name.

Figure 2-3: M Series control panel.

Sample Rate (Hz)

Choose the desired sample rate (Figure 2-3) for
operation with your host software. Make sure your
host software matches the sample rate you choose
Figure 2-1: Choosing the M Series Core Audio driver in Performer Lite on here.
Windows (Setup menu > Configure Audio System > Configure
Hardware Driver).
Buffer Size
M Series ASIO driver for Windows (x64 only) The Buffer Size setting (Figure 2-1 and Figure 2-3)
On Windows, to enable your M Series interface in determines the amount of latency (delay) you may
your ASIO host software, choose M Series ASIO hear when live audio is patched through your host
driver. audio software. Smaller buffer sizes produce lower
latency, with sizes of 256 samples or less producing
virtually imperceptible delay. Many host
applications report audio hardware I/O latency, so
you can see what happens to the reported latency
when making adjustments to this setting.

Be careful with very small buffer sizes, as they can

cause performance issues from your host software
or PC.

At sea level, audio travels approximately one

foot (30 cm) per millisecond. A latency of ten
milliseconds is about the same as being ten feet
Figure 2-2: Choosing the M Series ASIO driver in Performer Lite on
Windows (Setup menu > Configure Audio System > Configure (three meters) from an audio source.
Hardware Driver).

12
S O F T WA RE I N S TA LL AT IO N
Use lowest latency safety offsets Launching Audio MIDI Setup
Enable the Use lowest latency safety offsets option 1 Make sure your M Series interface is connected
(Figure 2-3) for the best possible low-latency (a USB connection is required) and turned on.
performance from the driver. Note: some
computer systems may not handle this option well. 2 Launch the Audio MIDI Setup utility.
If you hear artifacts in your audio (clicks, pops,
This can usually be found in /Applications/
glitches, etc.), disable this option.
Utilities. If it has been moved, just search for
Sync Windows sample rate to device Audio MIDI Setup.
Enable the Sync Windows sample rate to device
option (Figure 2-3) to link this sample rate setting 3 Confirm that the MIDI interface is present in
with the Sample Rate setting in Windows. This the MIDI Devices tab (or window) in Audio MIDI
option is enabled by default for best performance Setup. If the interface does not appear, or if it is
with many Windows audio applications. grayed out, check your cable connections and click
Rescan MIDI.
MIDI I/O ON WINDOWS
On Windows, the M Series driver installer Connecting MIDI devices to the M Series
provides a USB MIDI driver for your M Series Once your M Series interface appears in Audio
interface. This driver allows you to access the their MIDI Setup, you are ready to add devices, indicate
how they are connected, and identify properties
MIDI input and output ports through its USB
they may have for particular purposes. This
connection to the computer. The ports are
information is shared with all Core MIDI
published in Windows and are available to all
compatible applications.
MIDI software.
To add a device in Audio MIDI Setup:
MIDI I/O SETUP ON THE MAC
Core MIDI is the “under-the-hood” component of
1 Click Add Device.
macOS that handles MIDI services for MIDI
hardware and software. Core MIDI provides many 2 Drag on its input and output arrows to draw
universal MIDI system management features, connections to the M Series interface that match
including MIDI communication between your M its physical connection.
Series interface and all Core MIDI compatible
software.

Audio MIDI Setup is a utility included with macOS

that allows you to configure your M Series
interface for use with all Core MIDI compatible
applications. Audio MIDI Setup provides:

Q A “virtual” studio on your Mac that graphically

represents your MIDI hardware setup and that is

shared by all Core MIDI-compatible programs
Q A simple, intuitive list of your MIDI devices Figure 2-4: Connecting devices to an M Series interface. In this example,
whenever you need it in any Core MIDI- a controller keyboard is connected to the M2 MIDI IN, and a sound
module is connected to the M2 MIDI OUT.
compatible program

13
S O F T WA RE I N S TA LL AT IO N
3 Double-click the device to make settings, such
as input and output channels, that further describe
the device.

Figure 2-5: Device settings.

4 Repeat the above steps for each MIDI device

connected to the interface.

5 When you are finished, quit Audio MIDI Setup.

Your configuration is automatically saved as the

default configuration, and it is shared with all
Core MIDI-compatible software.

WORKING WITH HOST AUDIO SOFTWARE

For further information about using your M Series
interface with host audio software, see chapter 4,
“Working with Host Audio Software” (page 21).

14
S O F T WA RE I N S TA LL AT IO N
CHAPTER 3 Hardware Installation

A TYPICAL M2 SETUP

Mic Mic
or or
guitar guitar

Headphones

MIDI controller
or synthesizer Mac or PC
Speakers

MIDI synth

DJ system

Figure 3-1: A typical M2 studio setup.

15
A TYPICAL M4 SETUP

Mic Mic
or or
Guitar Guitar

Headphones

MIDI controller Mac or PC B speakers MIDI controller

or synthesizer or synthesizer

MIDI synth
DJ system
A speakers

Figure 3-2: A typical M4 studio setup.

16
HA R DWA R E IN STA L L ATI O N
A TYPICAL M6 SETUP
MIDI controller
or synthesizer

Headphones Headphones

MIDI synth

Mic Mic Mic Mic

or or or or
MIDI controller Guitar Guitar Guitar Guitar
or synthesizer

Power adapter Mac or PC B speakers

(Only required
for USB-A hosts)
Keyboard
synth
A speakers

Figure 3-3: A typical M6 studio setup.

17
HA R DWA R E IN STA L L ATI O N
CONNECTING TO A MAC OR PC Powered
Connect the M Series interface to your host USB hub AC power

computer with the supplied USB-C to USB-A

USB power
cable. If your computer has USB-C ports, use a adapter
USB-C to USB-C cable (rated for USB2) or a
USB-A adapter (both sold separately).
iOS device
POWER
The M2 and M4 are powered by the USB
connection to the host computer. The power
requirements for the M6 depend on the host
computer or iOS device, as follows:
Figure 3-4: The Apple Lightning to USB3 Camera Adapter.

Host Type Power source Connect the M Series interface to a USB port on
Computer with a USB-C port USB connection (or, optionally, the the powered USB hub. Connect the powered USB
power adapter)
hub host port to the camera adapter with a USB
Computer with a USB-A port Power adapter (required) cable. Connect the camera adapter Lightning port
iOS device with USB-C port USB connection (or, optionally, the to the iOS device Lightning port, as shown in
power adapter)
Figure 3-4.
iOS device with Lightning port USB3 camera adapter (see below)
AUDIO CONNECTIONS
Here are a few things to keep in mind as you are
CONNECTING TO AN iOS DEVICE
making audio connections to your M Series
Recent-generation Apple iOS devices have two
interface.
types of connectors: Lightning or USB-C.
Mic/line/instrument inputs with preamps
For iOS devices with a USB-C port, simply
Connect a microphone, guitar or line-level analog
connect the M Series interface directly to the iOS
input to the XLR/quarter-inch combo jacks with
device with a standard USB-C-to-C cable (sold
either a standard mic cable or a balanced cable
separately).
with a quarter-inch plug.
For iOS devices with a Lightning port, the
Do not connect a +4 (line level) XLR cable to
following is required (to supply enough power):
the inputs (because of the preamps). Use a
Q Powered USB hub quarter-inch input instead.

Q Apple Lightning to USB3 Camera Adapter Phantom power

If you are connecting a condenser microphone or
another device that requires phantom power,
engage the corresponding 48V phantom power
switch.

Preamp gain
The M series preamps provides 60 dB of gain. Use
the front panel trim knobs to adjust gain as needed
for each input. Watch the input level meter in the

18
HA R DWA R E IN STA L L ATI O N
LCD while adjusting gain. Try to adjust gain as A/B monitor switching on the M6
high as possible without clipping, which is If you have an M6 and two different sets of studio
indicated by the red rectangle at the top of the monitors, and you would like to be able to switch
meter. between them to compare how your mixes sound
on each pair, connect your primary monitors (A)
Combo jack summary to the MONITOR 1-2 outputs and connect the
Use these guidelines for 48V phantom power and secondary monitor pair (B) to LINE OUT 1-2.
trim settings on the two combo input jacks: Then press and hold the A/B switch on the front
Input
panel. Doing so engages A/B mode. In this mode,
48V Trim
you can then quickly press the A/B button to
Condenser mic On As needed
switch between the A speakers and B speakers.
Dynamic mic Off As needed More specifically, in A/B mode, LINE OUT 1-2 no
Guitar Off As needed longer function as independent outputs. instead,
they mirror the signal on the MONITOR 1-2
Line level Off Zero
outputs, and the A/B switch controls which pair
plays (while the other is muted).
TRS quarter-inch analog inputs and outputs
Quarter-inch analog inputs and outputs are To exit A/B mode, press and hold the A/B switch.
balanced (TRS) connectors that can also accept an
unbalanced plug. The outputs are DC-coupled, so Headphones
they can be used for CV control output. Connect your headphones to the headphone
output on the front panel. The headphone output
Quarter-inch analog outputs are not mirrors the signal on the MONITOR 1-2 outputs.
cross-coupled. Therefore, when connecting them Use the volume knob above it to control its volume
to an unbalanced input, use a TRS plug with the independently. The M6 has two headphone
ring disconnected. Not floating the negative outputs. Both mirror the signal on the MONITOR
terminal will short it to the sleeve ground and 1-2 outputs and have their own independent
cause distortion. volume control. One of the headphone outputs has
a 3-4 switch. When engaged, the output mirrors
Unbalanced RCA outputs (M2 and M4 only) the signal on LINE OUT 3-4 instead. This allows
Connect the unbalanced RCA outputs to other you to set up a separate headphone mix from your
gear that has similar unbalanced RCA inputs, such host software (on outputs 3-4).
as DJ systems, karaoke equipment or consumer
audio devices.

Monitor outs
In a standard studio configuration, the monitor
outs are intended for a pair of primary studio
monitors, but they can be used as regular outputs
for any purpose.

19
HA R DWA R E IN STA L L ATI O N
MIDI CONNECTIONS Connecting additional gear with MIDI THRUs
Connect your MIDI device’s MIDI IN jack to the If you need to connect several pieces of MIDI gear,
M series MIDI OUT jack (Connection A below). run a MIDI cable from the MIDI THRU of a
Conversely, connect the MIDI device’s MIDI OUT device already connected to the M Series interface
jack to the M Series MIDI IN jack (Connection B). to the MIDI IN on the additional device as shown
below in Figure 3-6. The two devices then share
the M Series MIDI OUT port. This means that
M Series they share the same set of 16 MIDI channels, too,
rear panel so try to do this with devices that listen to only one
MIDI channel (such as effects modules), which
MIDI MIDI makes it easier to avoid MIDI channel conflicts.
OUT MIDI IN
cables
Connection A

MIDI MIDI Connection B M Series

MIDI Device IN OUT rear panel

MIDI
OUT

Figure 3-5: Connecting a MIDI device to an M Series interface.

MIDI
MIDI Device IN
One-way MIDI connections
MIDI devices that do not receive MIDI data, such MIDI MIDI
THRU cable
as a dedicated keyboard controller, guitar
controller, or drum pad, only need Connection B
MIDI IN
shown in Figure 3-5. Similarly, devices that never
send data, such as a sound module, only need
Figure 3-6: Connecting additional devices with MIDI THRU ports.
Connection A. Make both connections for any
device that needs to both send and receive MIDI
data.

20
HA R DWA R E IN STA L L ATI O N
CHAPTER 4 Working with Host Audio Software

OVERVIEW CHOOSING THE M SERIES DRIVER

M Series interfaces provide multi-channel audio
input and output for Core Audio compatible audio For macOS audio software
For macOS, go to the Sound control panel and
applications on the Mac and ASIO compatible
choose the M2, M4 or M6 for input and output. If
applications on Windows, including MOTU’s
you’ve installed the M series driver for macOS, go
Performer Lite and Digital Performer, Apple’s
to the menu item or preference in your host audio
Logic Pro and GarageBand, and other third-party
software where you choose the audio device (Core
software applications such as Ableton Live, Avid
Audio driver) you wish to use, and then select the
Pro Tools, Cockos Reaper, Propellerhead Reason,
M2, M4 or M6 by name (see Figure 2-1 on
Steinberg Cubase and Nuendo, PreSonus Studio
page 12).
One, Bitwig, and others.

Performer Lite and Ableton Live Lite are both

available as a free download for M Series owners at
motu.com. Just log in to your account and go to
your Product Registrations tab. For complete
information about all of Performer Lite’s powerful
workstation features, refer to the Performer Lite
User Guide.pdf found in the Help menu of the
Performer Lite application.
For Windows audio software
Digital Performer, MOTU’s state-of-the-art digital For audio software running under Windows, go to
audio workstation software, is available separately;
the menu item or preference where you choose the
for details about upgrading from Performer Lite to
ASIO driver you wish to use, and then choose
Digital Performer, talk to your authorized MOTU
MOTU M Series.
dealer or visit motu.com.

Preparation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Choosing the M Series driver . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Reducing monitoring latency. . . . . . . . . . . . . . . . . . . . . . . . . . 22
Loopback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

PREPARATION
Install your host audio software first if you haven’t
already done so, and complete these chapters
before proceeding:

Q chapter 2, “Software Installation” (page 11)

Q chapter 3, “Hardware Installation” (page 15)
Figure 4-1: Choosing the M Series ASIO driver in Performer Lite on
Windows (Setup menu > Configure Audio System > Configure
Hardware Driver).

21
Where to go in popular audio hosts Monitoring through the M series interface
Here is the location for this setting in various If you don’t need to process a live input with
popular audio software host applications: plug-ins, the easiest way to avoid monitoring
latency is to disable your DAW’s live monitoring
Host software Location for choosing the M series interface feature and instead engage the MON (monitor)
Digital Performer Setup menu > Configure Audio System >
and Performer Lite Configure Hardware Driver switch on the front panel of your M Series
interface. Visit motu.com/m2-start (or /m4-start
Pro Tools 9 or later Setup menu > Playback Engine or Current
Engine or /m6-start) to watch a video about this feature.

Logic Pro Preferences > Audio tab > Devices tab > Core Monitoring through your host audio software
Audio tab
If you do need to process a live input with host
Garage Band Garage Band menu > Preferences > Audio/ software plug-ins, or if you are playing virtual
MIDI > Audio Output/Input menus
instruments live through your MOTU audio
Cubase and Nuendo Device Setup > Devices list > VST Audio
System menu hardware, you can significantly reduce latency by
adjusting the audio buffer setting in your host
Live Preferences > Audio tab
audio software, as explained in the next section.
Reason Preferences > Audio preferences
It is important to note that monitoring delay
Reaper Preferences > Audio prefs > Devices
has no effect on the recording, or playback, of
audio data from disk. The actual recording and
Other audio software playback is extremely precise, it is only the
Consult your software’s manual for further monitoring of your live input signal which may be
information. delayed.
REDUCING MONITORING LATENCY Adjusting your host software audio buffer
Monitoring latency is a slight delay caused by Buffers are small bundles of audio data. Your M
running an input signal through your host audio Series interface “speaks” to your computer in
software and back out. For example, you might buffers, rather than one sample at a time. The size
hear it when you drive a live guitar input signal of these buffers determine how much delay you
through an amp modeling plug-in running in hear when monitoring live inputs through your
your audio sequencer. audio software: larger buffers produce more delay;
smaller buffers produce less.
This delay is caused by the amount of time it takes
for audio to make the entire round trip through Adjusting buffer size on macOS
your computer, from when it first enters an input Under macOS, audio I/O buffer size is handled by
on the M Series interface, passes through the the host audio application (not by the M Series
interface hardware into the computer, through Core Audio driver). Most audio software
your host audio software, and then back out to an applications provide an adjustable audio buffer
output. setting that lets you control the amount of delay
you’ll hear when monitoring live inputs or
processing them with software plug-ins, as shown
for Performer Lite in Figure 4-2.

22
WO RK IN G WIT H HO ST AU D IO SO F T WA R E
 If you are at a point in your recording project
where you are not currently working with live,
patched-thru material (e.g. you’re not recording
vocals), or if you have a way of externally
processing inputs, choose a higher buffer size.
Depending on your computer’s CPU speed, you
might find that settings in the middle work best
(256 to 1024).

Transport responsiveness
Buffer size also impacts how quickly your audio
software will respond when you begin playback,
although not by amounts that are very noticeable.
Lowering the buffer size will make your software
respond faster; raising the buffer size will make it a
Figure 4-2: In Digital Performer and Performer Lite, choose Setup little bit slower.
menu> Configure Audio System> Configure Hardware Driver to open
the dialog shown above and access the Buffer Size setting.
Effects processing and automated mixing
Adjusting buffer size on Windows Reducing latency with the buffer size setting has
On Windows, the buffer size is adjusted in the another benefit: it lets you route live inputs
M Series control panel (page 12). Also see “Buffer through the real-time effects processing and mix
Size”. automation of your audio software.

Lower latency versus higher CPU overhead LOOPBACK

Buffer size has a large impact on the following: Use the Loopback 1-2 input channels provided by
the M Series audio driver to capture audio output
Q Monitoring latency from your computer. These channels return the
signal being sent to Outputs 1-2 back to the
Q The load on your computer’s CPU
computer, as Loopback inputs 1-2, so that you can
Q Responsiveness of transport controls and effect capture the signal in your host software, stream it
knobs in Performer Lite or other audio software. to the web or broadcast it with pod casting
software.
Q Real-time virtual instrument latency.
The buffer setting presents you with a trade-off Mixing loopback with live inputs
between the processing power of your computer If you need to mix loopback channels with live
and the delay of live audio as it is being patched inputs, use the Loopback 1-2 Mix channels
through your software. If you reduce the size, you provided by the M Series audio driver. These
reduce monitoring latency, but significantly channels combine audio being sent to Outputs 1-2
increase the overall processing load on your from the computer with any live signals on the
computer, leaving less CPU bandwidth for things unit’s inputs. For example, you could play back a
like real-time effects processing. On the other music (or other audio) from your computer
hand, if you increase the buffer size, you reduce software, speak or sing into a mic connected to the
the load on your computer, freeing up bandwidth
for effects, mixing and other real-time operations.

23
WO RK IN G WIT H HO ST AU D IO SO F T WA R E
M series unit, and feed the combined result back
to the computer for recording or internet
streaming.

Remember, be careful! When monitoring

loopback channels and live inputs, your host
software can cause loud feedback loops. Be sure to
disable the monitoring of loopback tracks to avoid
feedback.

24
WO RK IN G WIT H HO ST AU D IO SO F T WA R E
APPENDIX A Troubleshooting

Problem Solution Applies to open System Preferences. Select Security &

I don’t hear any sound Is the M Series selected as the All Privacy. In the General section, click the Allow
from my M Series default device for input and
interface output for your computer and/or button. The Allow button will disappear 30
host audio software? minutes after installation. To display the Allow
Is the INPUT/PLAYBACK knob M4 / M6 button, run the installer for the MOTU driver
set to the center position? again.
Is the Phones knob and/or All
Monitor knob turned up? How do I monitor live inputs?
Please refer to the documentation for the audio
(macOS Users) Does your host All
audio software require application that you are using. If your application
Microphone Access in System
Preferences > Security and does not support input monitoring, you will need
Privacy?
to use the hardware monitoring feature in your
How do I monitor in Press and hold the MON button All M Series interface. Please see “Monitoring
stereo (or mono) to enable/disable stereo
monitoring mode. through the M series interface” on page 22.
Loopback inputs don't Install the optional M Series All
appear in my macOS driver. Some DAWs will not How do I control monitoring latency?
host software show the Loopback channel See “Reducing monitoring latency” on page 22.
names by default. Go to the link
below to see the assigned I/O
numbers to use for loopback: Connecting or powering gear during operation...
https://motu.com/techsupport/ It is not recommended that you connect/
technotes/channellisting
disconnect, or power on/off devices connected to
I don’t hear any audio Is 3-4 engaged? This mirrors M6 the M Series interface while recording or playing
on the phones output output channels 3-4 (Line Out),
with the 3-4 switch rather than 1-2 (Monitor Out). back audio. Doing so may cause a brief glitch in
the audio.
“Low USB Power” The M6 must be connected to M6
the DC power adapter when the
M6 is connected to a host CUSTOMER SUPPORT
computer with a USB Type A
port (instead of a USB Type C We are happy to provide complimentary customer
port). See “Power” on page 18.
support to our registered users. If you haven’t
My MOTU interface isn’t showing up in Audio MIDI already done so, please take a moment to register
Setup on my Mac. online at MOTU.com, or fill out and mail the
Due to the updated architecture of the new macOS included registration card. Doing so entitles you to
High Sierra (10.13) or higher, the system technical support and notices about new products
extensions for all newly-installed third-party and software updates.
software will automatically be blocked from
running. If your MOTU interface is not showing TECHNICAL SUPPORT
up in Audio MIDI Setup or your DAW on High If you are unable, with your dealer’s help, to solve
Sierra or higher, you might need to enable the problems you encounter with your MOTU device,
driver in your System Preferences. To do so, first you may contact our technical support
download and install the very latest installer for department in one of the following ways at
your MOTU M Series interface. After restarting, motu.com/support:

25
 Q Live Chat: You can connect directly with a Q A brief explanation of the problem, including

technician Monday through Friday between the exact sequence of actions which cause it, and
10 AM and 5 PM Eastern Time. the contents of any error messages which appear
on the screen.
Q Schedule a call: You can schedule a callback
time to speak with a technician by phone Monday Q The pages in the manual that refer to the

through Friday between 1 PM - 5 PM Eastern features or operation of your MOTU Device or

time. Performer Lite with which you are having trouble.
Q Support ticket: You can submit an online Q The version of your computer’s operating
support ticket (TechLink) at any time, 24 hours a system.
day, 7 days a week. A technician will get back to
We’re not able to solve every problem immediately,
you in 1-2 business days.
but a quick TechLink or chat may yield a
Please provide the following information to help suggestion for a problem which you might
us solve your problem as quickly as possible: otherwise spend hours trying to track down.

Q The serial number of your MOTU device. This If you have features or ideas you would like to see
is printed on a label placed on the bottom of the implemented, we’d like to hear from you. Please
unit and on the side of the box. You must be able to write to the Development Team, MOTU Inc., 1280
supply this number to receive technical support. Massachusetts Avenue, Cambridge, MA 02138, or
use our online suggestion box at www.motu.com/
suggestions.

26
AP P E ND IX A: TR O U BL E SHO OT ING
27
APPENDIX B Audio Specifications

MIC in
Connector Type Combo-style, XLR / TRS Pin 2 hot, tip hot

XLR

Impedance load 2.65 k Ω

Phantom power +48 v, switchable per channel DIN 45596 / IEC 61938-P48

EIN -129 dBu At maximum gain, 150Ω, A-weighted

Dynamic Range 115 dB @ 10dBu (-97dB), A-weighted

THD+N -97 dB (< 0.0014%) Unweighted

Frequency Response +0 -0.1 dB, 20 Hz/20 kHz Ref. 1 kHz

Max Level In +10 dBu At minimum gain

Gain range 0 to +60 dB

TRS

Description Balanced or single ended Suitable for line or instrument (guitar)

Impedance Load 1 meg Ω Single-ended (instrument)

2 meg Ω Differential (balanced)

Phantom power No

Dynamic Range 114 dB A-weighted

THD+N -100 dB < 0.0010% @ 14dBu (-96dB)

Frequency Response 70 Hz - 20 kHz ± 0.15dB

Max Level in +16 dBu At minimum gain

Gain range 0 to +57 dB

Line In (M4 and M6 only)

Description Balanced or single ended Suitable for line input only

Phantom power No

Dynamic Range 115 dB A-weighted

THD+N -106 dB < 0.0005% @ 18dBu

Frequency Response 20 Hz - 20 kHz ± 0.07dB

Max Level in +18 dBu At minimum gain

27
 Line Out
Connector Type 1/4” Female, TRS Balanced, tip hot

Output Impedance 100 ohm Per leg

Dynamic Range 120 dB A-weighted

THD+N -110 dB < 0.00032% @ -1 dBFS, Unweighted, 1 kHz

Frequency Response +0, -0.1 dB, 20 Hz/20 kHz Ref. 1 kHz

Max Level Out +16 dBu

Maximum output voltage 3.6V

RCA Out (M2 and M4 only)

Connector Type Female RCA

Dynamic Range 119 dB A-weighted

THD+N -105 dB < 0.00056% @ 9.5dBu

Max Level Out +9.5 dBu

Phones
Connector Type 1/4” Female, TRS Stereo Tip Left, Ring Right

Dynamic Range 115 dB A-Weighted

THD+N -110 dB < 0.0003% @ -1dBFS

Max Output Level +12.5 dBu

Trim Range 128 dB 0 to -128 dB (muted)

28
AP P E ND IX B: AU DI O SP E C IF IC AT IO N S
 Index
+4dB analog input 19
-10dB analog input 19 IInstallation Performer Lite 12, 21, 22, 23
Phantom power 18, 19
8pre-es Phone outputs 7, 8, 9
specifications 27 QuickStart Guide 5 Power switch 7, 8, 9
software 11 Pro Tools 21, 22
A
iOS

Q
connection 18
A/B switch 9, 19 operation 11
Ableton Live 21, 22 iPad/iPhone QuickStart Guide 5
Analog inputs/outputs connection 18

Apple
making connections to 19 support 11
R
K
GarageBand 22 Reaper 21, 22
iOS connection 18 Reason 21
Logic Pro 22 Keyboard controller Propellerhead Reason 22
ASIO 12 connecting 20 Registration 10
ASIO driver 21
Audio
MIDI Setup utility 13
LLatency 12, 22, 23 SSample Rate
Avid Lightning connection to iOS 18 Windows operation 12
Pro Tools 22 Live 22 Software
Logic Pro 22 installation 11
B
Balanced analog 19
Logic Pro/Express 21
Loopback 23
Software installer 11
Sound module
Buffer Size 12 connecting 20
M Stage monitors

C
connecting 16
M Series Steinberg
Class compliance 11 Control Panel 12 Cubase 22
Cockos Reaper 22 M4 Nuendo 22
Condenser mic input 19 setup example 16 Studio setup (example) 16
Control Panel 12 Mac Sync Windows sample rate 13
Controller USB connection 18 Synths
connecting 20 MacOS 21 connecting 16
Core Audio driver 21 system requirements 10 System requirements
Core MIDI Main outs minimum 10
Audio MIDI Setup 13 front panel volume control 19 recommended computer 10
benefits 13 making connections to 19

TTechnical support 25
Cubase 21, 22 Mic/guitar inputs 18
Customer MIDI
support 25 software setup 13
Windows driver installation 13 Trim 18

D
Monitoring TRS connectors 19
thru main outs 19
Digital Performer 21, 22
Driver installation 11
MOTU
AVB Installer 11 U
Unbalanced analog 19
Drivers Digital Performer 22
installing USB drivers 11 USB
Performer Lite 12, 22, 23
Dynamic mic 19 class compliance 11
Pro Audio ASIO driver 21
connection 18

G N
installing drivers 11
Use lowest latency safety offsets 13
GarageBand 21, 22 Nuendo 21, 22
Guitar
W
connecting 19
O Windows

H
Optimization 23 system requirements 10

Headphone outputs 7, 8, 9
Headphones P
Patch thru
connecting 16
Host latency 23
Buffer Size 12 PC
USB connection 18
Performance 23

29
I ND EX
30
INDEX