PHONOLOGY
PHONOLOGY
PHONOLOGY (1 point)
For questions 1-5, choose the letter (A, B, C or D) to indicate the word whose underlined part
differs from the other three in pronunciation in each of the following questions.
1. A. noon B. tool C. hook D. spoon
2. A. honour B. harvest C. heirloom D. hourglass
3. A. maximum B. anxiety C. examine D. exhausted
4. A. recipe B. commercial C. precision D. medicine
5. A. charisma B. chandelier C. champagne D. chivalry
For questions 6-10, choose the letter (A, B, C or D) to indicate the word that differs from the other
three in the position of primary stress in each of the following questions.
6. A. exist B. highlight C. decent D. archive
7. A. advocate B. politics C. database D. component
8. A. telegram B. cinema C. pagoda D. elephant
9. A. nationalist B. ceremony C. competency D. analysis
10. A. impressionable B. multicultural C. intermediate D. inaccessible
For questions 63-70, read the passage and do the tasks that follow.
WHEEL OF FORTUNE
A. Since moving pictures were invented a century ago, a new way of distributing entertainment to
consumers has emerged about once every generation. Each such innovation has changed the industry
irreversibly; each has been accompanied by a period of fear mixed with exhilaration. The arrival of
digital technology, which translates music, pictures and text into the zeros and ones of computer
language, marks one of those periods.
B. This may sound familiar, because the digital revolution, and the explosion of choice that would go
with it, has been heralded for some time. In 1992, John Malone, chief executive of TCI, an American
cable giant, welcomed the ‘500-channel universe’. Digital television was about to deliver everything
except pizzas to people’s living rooms. When the entertainment companies tried out the technology, it
worked fine – but not at a price that people were prepared to pay.
C. Those 500 channels eventually arrived but via the Internet and the PC rather than through television.
The digital revolution was starting to affect the entertainment business in unexpected ways.
Eventually it will change every aspect of it, from the way cartoons are made to the way films are
screened to the way people buy music. That much is clear. What nobody is sure of is how it will affect
the economics of the business.
D. New technologies always contain within them both threats and opportunities. They have the potential
both to make the companies in the business a great deal richer, and to sweep them away. Old
companies always fear new technology. Hollywood was hostile to television, television terrified by
the VCR (videocassette recorder). Go back far enough, points out Hal Varian, an economist at the
University of California at Berkeley, and you find publishers complaining that ‘circulating libraries’
would cannibalise their sales. Yet whenever a new technology has come in, it has made more money
for existing entertainment companies. The proliferation of the means of distribution results,
gratifyingly, in the proliferation of dollars, pounds, pesetas and the rest to pay for it.
E. All the same, there is something in the old companies’ fears. New technologies may not threaten their
lives, but they usually change their role. Once television became widespread, film and radio stopped
being the staple form of entertainment. Cable television has undermined the power of the
broadcasters. And as power has shifted the movie studios, the radio companies and the television
broadcasters have been swallowed up. These days, the grand old names of entertainment have more
resonance than power. Paramount is part of Viacom, a cable company; Universal, part of Seagram, a
drinks-and-entertainment company; MGM, once the roaring lion of Hollywood, has been reduced to a
whisper because it is not part of one of the giants. And RCA, once the most important broadcasting
company in the world, is now a recording label belonging to Bertelsmann, a large German
entertainment company.
F. Part of the reason why incumbents got pushed aside was that they did not see what was coming. But
they also faced a tighter regulatory environment than the present one. In America, laws preventing
television broadcasters from owning programme companies were repealed earlier this decade,
allowing the creation of vertically integrated businesses. Greater freedom, combined with a sense of
history, prompted the smarter companies in the entertainment business to re-invent themselves. They
saw what happened to those of their predecessors who were stuck with one form of distribution. So,
these days, the powers in the entertainment business are no longer movie studios, or television
broadcasters, or publishers; all those businesses have become part of bigger businesses still,
companies that can both create content and distribute it in a range of different ways.
G. Out of all this, seven huge entertainment companies have emerged – Time Warner, Walt Disney,
Bertelsmann, Viacom, News Corp, Seagram and Sony. They cover pretty well every bit of the
entertainment business. Three are American, one is Australian, one Canadian, one German and one
Japanese. ‘What you are seeing’, says Christopher Dixon, managing director of media research at
PaineWebber, a stockbroker, ‘is the creation of a global oligopoly. It happened to the oil and
automotive businesses earlier this century; now it is happening to the entertainment business.’ It
remains to be seen whether the latest technology will weaken those great companies, or make them
stronger than ever.
Questions 63-65: The reading passage has seven paragraphs (A-G). Which paragraph contains the
following information? There are more paragraphs than you will need.
63. the contrasting effects that new technology can have on existing business
64. the fact that a total transformation is going to take place in the future in the delivery of all forms
of entertainment
65. the fact that some companies have learnt from the mistakes of others
Questions 66-68: Match the people or companies with the points made in Questions 66-68 about the
introduction of new technology. Write the appropriate letters JM, HV, MG, WD, or CD.
67. Major entertainment bodies that have remained independent have lost their
influence.
68. News of the most recent technological development was published some years ago.
Questions 69-70: Choose the best answer (A, B, C or D) to the questions below.
69. How does the writer put across his views on the digital revolution?
A. by examining the forms of media that will be affected by it
B. by analysing the way entertainment companies have reacted to it
C. by giving a personal definition of technological innovation
D. by drawing comparisons with other periods of technological innovation
70. Which of the following best summarises the writer’s views in the passage?
A. The public should cease resisting the introduction of new technology.
B. Digital technology will increase profits in the entertainment business.
C. Entertainment companies should adapt to technological innovation.
D. Technological change only benefits big entertainment companies.
IV. WRITING (3 points)
For questions 71-80, rewrite each of the following sentences in such a way that it has a similar
meaning to the original sentence, beginning with the given word(s).
71. “That’s a lovely new dress!” Lan’s mother said to her.
→ Lan’s mother complimented .
72. The trousers were cheap; however, she couldn’t afford them.
→ Cheap .
73. The heavy snow stopped the students from going to the mountain.
→ The heavy snow made it .
74. What time does the gym open tomorrow morning?
→ Do you have any ?
75. They said that the criminal had been arrested a few days earlier.
→ The criminal .
76. Flooding in this region was the result of the heavy rain.
→ The heavy rain resulted
.
77. The town was so unfriendly that we left immediately.
→ It was such
.
78. Persuading Sarah to change her mind is a waste of time.
→ It’s not worth
.
79. The only reason she got promoted is that she’s competent.
→ Were it
.
80. As he gets older, he seems to become more sensible.
→ The older
.
For questions 81-90, complete the second sentence in such a way that it has a similar
meaning to the first sentence, using the word given in brackets. Do NOT change the word
given. You must use between THREE and SIX words, including the word given in
brackets.
81. I hope they will think of a cheaper solution. (COME)
→ I hope they will be able
expensive solution.
82. Nancy was surprised to be offered a pay rise by the company. (SURPRISE)
→ Much her
a pay rise.
83. The film was difficult to follow, but it was enjoyable. (DESPITE)
→ The film was enjoyable was
difficult to follow.
84. Sarah’s daughter has sufficient talent to become a successful actress. (ENOUGH)
→ Sarah’s daughter is become a
successful actress.
85. Rob soon recovered from the shock of losing his job. (GET)
→ It didn’t take Rob much over the shock of
losing his job.
86. The company rejected his offer. (DOWN)
→ His offer the
company.
87. Are you saying that I’m lying about what happened? (TRUTH)
→ Are you accusing about what
happened?
88. I don’t think you should watch that TV programme, children. (RATHER)
→I watch that TV
programme, children.
89. You don’t have to participate in the activity if you don’t want to. (OBLIGATION)
→ You part in the activity if you
don’t want to.
90. Entry is prohibited to those without a valid ticket. (POSSESSION)
→ Unless you are in will not be
allowed in.
91. Write a paragraph in response to the following topic:
More and more children are accessing the internet at a very young age, which can sometimes put them at
risk.
What problems do you think children face when they use the internet? How can they be solved?
Give reasons for your answer and include any relevant examples from your
knowledge, experience or observations.
Write about 150-180 words.