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Planning 2

The document discusses the concepts of placemaking, centering, and urban design, emphasizing the importance of social spaces and community interactions in creating meaningful places. It outlines the principles of urban design, including context, connectivity, character, and community, while highlighting examples of successful urban spaces and their impact on livability. Additionally, it addresses the challenges of urbanization, displacement, and the need for sustainable practices in urban planning.

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0% found this document useful (0 votes)
7 views4 pages

Planning 2

The document discusses the concepts of placemaking, centering, and urban design, emphasizing the importance of social spaces and community interactions in creating meaningful places. It outlines the principles of urban design, including context, connectivity, character, and community, while highlighting examples of successful urban spaces and their impact on livability. Additionally, it addresses the challenges of urbanization, displacement, and the need for sustainable practices in urban planning.

Uploaded by

m.peralta.516275
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© © All Rights Reserved
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Planning 2  Points of attraction to talk, gossip or tell

Exam 3 - Reviewer stories. (e.g village or urban


neighborhood)
Centers
 An important 4th criterion to the formation of Lived Spaces
places.  Ex. Neighborhoods: small, inhabited, cherished
 Spaces of encounter and gathering by most of those who live there.
 Structural Impermative for places to “come  Centered as revealed in it’s sacred spaces,
into being”.  Daily drama of small events is enacted for the
benift of everyone who cares to watch.
Sample:  Have a history: a past as well as a future.
Tsu-Sze Template (Shan-hsia Tzushr Temple)
 Taoist Temple in Sasia, Taiwan. Unconscious “Attractive” Places
 Center of religious life in Sansia
 It’s boundaries are unspecified but clearly
have local dimensions.

Centering
 Small scale territorialization
 A series of actions and their repetition.
 Centring/Centering: “making a place”

Centering: A vague process for


Feuchtwang
 The origin of contemporariness
(modernity: spatially signified by arrow of
progress or development and not the
center.
 It is the pursuit of the vanishing point of
abundance and infinity.
 Had a distinct chinese sense of public
space.
 Public space: tacit space of gathering, Networks: Placemaking
linking and centring.  Networks are based on familiarity and trust,
 Placemaking: encounter and gathering  Brings a sense of what it means to “live”
 Centering: coming together for a  May lead to belonging or attachment to a
purpose. sense of place and ultimately of one’s place
 Placemaking <_ Centering in the cosmos.

Centering: A vague process for Placemaking: Sense of Place Modifiers


Feuchtwang (as lived spaces)
 Time and space of modernity remains a
space and not a place.
 Modernity is the chaos of ordinary life;
 Out of abstract space and it’s lines to
infinity, places and networks of trust
(friendship).
 Networks of traditional practices and
rituals, the building of ancestral halls, a
temple dedicated to a local deity.
Centered but not bounded  Vandalisms and defacement of private
 Territorial places in Feuchtwang’s sense are property= Eviction/condemnation of dwellers
centered but not bounded. from their homes.
 Boundary of centering: ragged, dynamic,  Demolition= immense human costs
indeterminate edge.  Trauma of eviction from their inner
 Shades off into other territories or the unloved neighborhood.
spaces of random events that surround us.
Sample:
“Territorial Openness without Walls” Hutong - Beijing
 Idea of place: environment conducive to  “Alleyway”
sociality or civility  Centuries old and overcrowded.
 Communication among people (stranger,  Badly in need of updating and repair.
repetitive or purposeful) as at the nub of this  Interiority for the 500 years.
process.
 Centering” into being interiority Coffin Homes - Hong Kong
 Identified usually by a name and by one or  Dark side to the property boom in wealthy
more center; Hong Kong.
 Focal points: buildings with enclosed places  People priced out of the market must love in
 May contain smaller-scales or differently partitioned apartments “coffin homes”
defined places of the same name according
to different mental or symbolic maps. Pseudo Places
 Places are “stages of intensity”
Interiority  Traces of speed and circulation
 Inwardness or the identiy of a place.  A.k.a. “Almost places”
 One identity among others.  Pseudo places in lieu of “places”
 Sense of place and place identity.  “Distantiated” world: which is neither here or
 Centered places are always open to the world; there but always suspended in between”
inevitable to change.
 Places udergo their own transformations; they New Technology and Relativity of Places
are not forever; still important.  New technology(e.g. internet, the cellphone,
etc.) the annihilates communicative space.
Sample:  Embedded in people.
Manteo Village - Roanoke Island, Dare County.  What is place?
North Caroline, United States of America.
 Sacred places: buildings, outdoor spaces, and 1. INTRODUCTION TO URBAN DESIGN
landscapes.
 Manteo’s Sacred Structures: humble places What is Urban Design?
a.k.a. “holes-in-the-wall” Urban design is the process of shaping the
 Settings for the community’s daily routines. physical environment of cities, towns, and
communities. It involves the arrangement and
The Invisible Costs - Displacment design of buildings, public spaces, transport
systems, services, and amenities. The goal is to
Displacements make urban areas functional, attractive, and
 Destruction of buildings: opposite of place sustainable.
making.
 No place is forever: overcrowding and Example: Barcelona’s Superblocks
redevelopment issues. The Superblock model in Barcelona
 Erasure is not a natural phenomenon but a restricts car traffic within specific blocks to
consequence of human action. create more pedestrian-friendly areas. It
has transformed neighborhoods by
introducing green spaces, playgrounds,
and shaded areas, enhancing livability integrates nature, such as green walls, rooftop
and reducing pollution. gardens, and public parks, making the city
more sustainable and pleasant for residents.
The 4 C’s of Urban Design:
The "4 C's" often stand for Context, Connectivity, 2. SPACES IN URBAN DESIGN, URBAN AESTHETIC,
Character, and Community: AND URBAN PATTERN

 Context: Understanding the physical, Spaces in Urban Design:


social, and historical context of an area to Public spaces like parks, squares, and streets are
create a design that respects its identity. key to urban design, acting as centers for social
life. These spaces support the community's need
In the Higashiyama District of Kyoto, Japan, for gathering, recreation, and interaction,
the design respects traditional Japanese enhancing quality of life.
architecture with low-rise wooden buildings
and narrow pathways, preserving the area’s Example: Piazza San Marco in Venice, Italy
historical character. Known as the “Drawing Room of Europe,” this
public square is designed to accommodate large
 Connectivity: Enhancing accessibility and gatherings, events, and tourism. Its architectural
movement within urban spaces. beauty, fountains, and cafes create an inviting
space for both locals and visitors.
The High Line in New York City is a former rail
line turned into an elevated park, connecting Urban Aesthetic:
neighborhoods while providing green space in Urban aesthetics refer to the visual appeal of
a dense urban area. urban spaces, shaped by architecture,
landscaping, street furniture, and lighting. Good
 Character: Developing a unique aesthetic urban aesthetics contribute to place identity,
and architectural identity. making cities more memorable and enjoyable.

Notting Hill, London is known for its colorful Example: The Shard in London, UK
townhouses, a defining feature that creates a As one of Europe’s tallest buildings, The Shard has
distinct neighborhood identity. a unique glass façade that reflects the sky,
changing its appearance with the weather. This
 Community: Encouraging social landmark contributes to London’s skyline and
interactions and creating inclusive spaces. exemplifies modern urban aesthetics.

Zócalo Plaza in Mexico City serves as a hub Urban Pattern:


for festivals, protests, and community The urban pattern is the spatial layout or form of a
gatherings, creating a sense of belonging and city, often seen in street networks, building
social interaction. arrangements, and open spaces. Patterns like
grids or organic layouts influence walkability,
Need for Urban Design: accessibility, and the overall character of urban
Urban design addresses challenges such as spaces.
rapid urbanization, environmental
sustainability, and social cohesion. It aims to Example: Savannah, Georgia, USA
create livable, safe, and vibrant communities Savannah’s city layout is famous for its grid
by optimizing land use, improving public pattern with 22 park-like squares. This design
spaces, and supporting cultural and creates green spaces within walking distance for
economic growth. residents, contributing to a more structured and
accessible urban pattern.
Example: Singapore’s Garden City Initiative
With limited land and a growing population,
Singapore emphasizes urban design that
3. THEORIES, RULES, AND PROCESS IN URBAN through a comprehensive urban design process
DESIGN involving planning, public feedback, and detailed
design. Now a popular tourist and cultural hub, it
Theories in Urban Design: features open spaces, entertainment areas, and
Various theories guide urban design, including waterfront access.
New Urbanism, Smart Growth, and Sustainable
Development. These theories advocate for 4. DOCUMENTING THE URBAN DESIGN: SYSTEM
walkable neighborhoods, mixed-use AND PROCESS
development, and environmentally friendly
practices. System of Documentation:
Documenting urban design projects includes
Example: New Urbanism in Celebration, mapping, visual documentation, reports, and data
Florida, USA analysis. This systematic approach ensures that
Celebration, a town developed by The Walt Disney all aspects of a design are recorded for reference
Company, was designed based on New Urbanism and evaluation.
principles. It prioritizes walkability, mixed-use
buildings, and a small-town feel to foster Example: Urban Documentation of New York
community engagement. City’s Central Park
Central Park's design process and renovations are
Rules in Urban Design: meticulously documented through maps, photos,
Urban design rules often relate to zoning and planning documents. This system ensures
regulations, building codes, and design guidelines every change respects the park’s historical design
that ensure harmony, functionality, and safety in and improves its functionality.
urban development.
Process of Documenting Design:
Example: Building Height Regulations in Paris, Documenting involves the steps taken from
France conceptualization to the final design, including
Paris has strict building height regulations to sketches, renderings, and technical drawings.
maintain its classic skyline and prevent Documentation is essential for communicating
skyscrapers in central areas. This rule preserves ideas, securing approval, and guiding
the character of historic neighborhoods while construction.
supporting a harmonious aesthetic.
Example: The Reconstruction of Berlin’s
The Process of Urban Design: Reichstag
The urban design process typically involves The Reichstag building in Berlin, a historic
research, analysis, visioning, planning, and government building, was redesigned with a glass
implementation. Designers begin by dome by architect Norman Foster. Throughout this
understanding a site’s constraints and process, detailed sketches, floor plans, and
opportunities, then create plans that are reviewed visualizations were documented to communicate
and revised based on community input and the design intent, which respects the historical
feasibility studies. structure while incorporating modern elements.

Example: Sydney’s Darling Harbour


Revitalization
Originally an industrial area, Darling Harbour went

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