Artpreneur+Workbook+ +the+Inspiration+Place
Artpreneur+Workbook+ +the+Inspiration+Place
Miriam Schulman
Welcome to the Artpreneur Bootcamp!
No matter what kind of art you sell or where you are in your art journey, you're
going to get so much out of our time together.
Whether you're just starting to think about the idea of selling your art, or you're
just getting started, or you've had some success in the past, what used to work
now only brings in a trickle of art sales.
Maybe you've heard from the experts that you need a big social media following
or “Artist S’morefronts” in order to make sales.
@SchulmanArt
How do I know this? When I first started selling my art over
20 years ago, I had the same thoughts and fears.
Since then, I've built a multiple 6-figure art business. and it's a sustainable art
business that I can count on year in and year out. I've sold thousands of artworks
online through various venues like Etsy, eBay, print-on-demand sites, and my
own website, and I've completed literally hundreds of high-end portrait
commissions.
As seen on...
However, I know not everyone who
sells their art is successful, not people
around me then and certainly not
now.
There are 5 areas that make up the foundation of any successful business,
including art businesses:
Production Plan
Prospecting Plan
Pricing Plan
Promotion Plan
Productivity Plan
Don't worry. I will explain what each of these are in detail in part 2.
If you're struggling, it's because you have a problem with one or more of those
areas and you probably have misidentified your problem. That's why I want to
share the 5 most common problems that I see so that you can help self-diagnose
which ones are sabotaging your results.
5 MOST COMMON PROBLEMS THAT KEEP ARTISTS
STARVING
Lots of times artists who have this problem think the problem is they just don't
have enough sales, traffic, or customers. However, the real problem is they're
trying to sell low-profit products at a volume. It's much easier to change what
you're creating.
TO LISTEN, GO TO:
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EPISODE 278: GOING ALL IN ON YOUR ART CAREER
What feedback on your current body of work have you received from
potential buyers?
What fears or doubts hold you back from wholeheartedly pursuing your art
business goals?
Well, ask yourself: is most of your art under $500? Or worse, under $100? Or even
under $50? You might think you have a prospecting problem, meaning you want
a bigger audience and think, "Oh, If only I had more people to sell to."
Consider this: if you're selling $5 items and want to make $50,000 a year, you'll
need to find 10,000 customers. Really, you have a production problem, because
you're selling low profit art.
DAWN’S STORY
That's why I want you to meet Artist Incubator client Dawn Trimble. When she
first started working with me, she was selling art for $50.
She doubled her prices in 3 months, and she increased her email list 4 times!
The first month she used these strategies, she made $5,000.
The next time that she promoted through email, she sold $8,300 in original
art (in one month)!
She stopped selling $50 art and started selling art for $1,400, and she started
believing in the value of herself and her art. She also focused on email
marketing rather than social media.
She understood that there were collectors out there willing to pay a premium
for her art… they were waiting for her to believe in herself!
DIVE DEEPER
You can listen to artist Dawn Trimble to The Inspiration Place Podcast and
we’re talking all about how she went from a struggling artist to sold out
collections!
Make a list of 10 “asks” you can make this week and then do them with
courage.
Identify 2-3 specific strategies or mindset shifts that you could apply to your
own creative journey based on Dawn's story.
Here's an example. Would you buy a Rolex watch for $49.50? Well, probably not.,
because if you ever looked at Rolex watches, an authentic Rolex watch is going to
be $4,000, $5,000, even $6,000 (or much more!). It would actually be harder to
sell a Rolex watch for even $400 than it would be to sell a Rolex watch for $4,000.
Let's talk about where else in life you may be less price sensitive. For example,
would you hire the cheapest babysitter?
If I told you that you can hire Johnny for $15 an hour, you hesitate, and then I said,
"Well, you can hire Johnny for $10." Would that make it more enticing to you to
hire Johnny? Probably not. Yet, we do this all the time with our art. People
hesitate to buy our art, and what do we do? We discount the prices.
Where else in life are you less price sensitive? What about when you go to the
vet? Do you hire the cheapest vet? If your vet said "Chocolate needs life-saving
surgery, It's going to be $1,400 to do the surgery," would you say, "Oh no, no, no.
I'm going to look for a cheaper vet"? Probably not. There are many areas in your
life where you are less price sensitive.
How do you know if you have a pricing
problem? Well, if you said to yourself any
of these low-profit thoughts:
How else do you know if you have this problem? You don't have an email list,
or your email list is less than 500 subscribers, or you have an email list but aren't
using it. Artists with this problem think they have a promotion problem, meaning
they think they don't know how to promote on Instagram. Really, they have a
prospecting problem, meaning they don't know how to turn the people who like
their art into prospects.
THE MYTH: Artists believe the problem is not a big enough audience.
FACT: The better you are at connecting, the fewer people you need.
Average engagement rate on Instagram is 0.43%. This means that out of 1,000
people, only 4 people engaging with your account. You know those influencer
guys and gals who say, “I'm going to teach you how to get a bigger engagement
rate and teach you how to sell”? Their engagement rate is still only 0.75%. Out of
1,000 people, only 7 or 8 people are engaging with them on average.
THE FIX: Move prospects from Instagram to your email list.
The average open rate on email is 24%. That means if you have 100 people on
your email list, 24 people will see what it is that you're saying. Compare that to
Instagram where you would need 6,000 people to follow you for 24 people to
actually engage with you.
INSTAGRAM EMAIL
The numbers don't lie. By the way, the numbers have only gotten worse since
Threads and all kinds of other social media platforms have popped up.
DIVE DEEPER
What does your current weekly schedule look like? Are you carving out
dedicated, uninterrupted chunks of time for your art practice and business
tasks?
If not, how could you restructure your schedule to make this a priority? How
can you set boundaries to avoid burnout?
What are some baby steps you can take this week/month to build your skills
and confidence as an artist and entrepreneur?
Things like...
THE FIX: Sell your art in an authentic way that doesn’t feel cringey or salesy.
TO LISTEN, GO TO:
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LISTEN NOW
EPISODE 256: 3 ART SELLING MISTAKES TO AVOID
When people buy art, they’re often buying the feeling or experience
associated with the art, not just the physical piece itself.
How can you better capture and convey the feeling/experience you want
collectors to associate with your artwork?
What are some potential obstacles or friction points in your current art-
selling process that could be removed or improved upon?
You can embrace your inner weirdo and make more sales. That's why I want to
introduce you to artist Ashley Longshore.
TO LISTEN, GO TO:
SCHULMANART.COM/001
LISTEN NOW
EPISODE 001: GET INSPIRED BY GLOBAL POP ARTIST
ASHLEY LONGSHORE
How can you embrace your inner weirdo in expressing your art?
What strategies can artists use to stay motivated and combat negativity
during the inevitable lows in your creative journey?
PROBLEM #5: Indulging in overwhelm
This is a productivity problem for sure. Artists who have this problem think they
don't have enough time.
THE FIX: Focus only on what's important, and eliminate what doesn't work.
TO LISTEN, GO TO:
SCHULMANART.COM/58
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EPISODE 58: OVERCOMING OVERWHELM
What negative emotions (e.g. fear, doubt, confusion, overwhelm) hold you
back from taking action on your goals? What thoughts are causing those
emotions?
What is one concrete, measurable 30-day goal you can set for your art
business that makes you a bit uncomfortable (a sign you’re stretching
yourself)? Why is this goal important to you?
Who can you enlist for accountability to support you in achieving your 30-
day art goal and overcoming any overwhelm that arises?
What do all 5 of these problems have in common?
These problems are caused by a scarcity mindset, and the scarcity mindset
causes us to focus on the wrong things. Most artists struggle not because they
aren't working hard enough, but because they focus on the wrong things.
If you recognize yourself in any of these problems, don't worry. You're not alone,
and it's not your fault! No one has shown you a better way. There's so much bad
advice out there from coaches who lack experience and integrity. So I get why
you feel doubtful about there being a better way.
I have a powerful exercise for you beginning on the next page. From this point
forward, intentionally declare your identity as an artist. This will let the world
know that you're ready to claim that identity. At the same time, you'll develop the
skill of articulating what you do and why.
Every time you state what you want or believe, you're the first to hear it. It's a
message to both you and others about what you think is possible.
TO LISTEN, GO TO:
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EPISODE 240: CHOOSE TO BELIEVE
What’s one affirmative statement you could start writing down daily about
your desired future as an artist?
What are some of your own doubts or perceived limitations that you need to
push aside in order to fully believe in your artistic dreams?
ARTIST MANIFESTO
Lesson Recap: 5 Most Common Problems
4. Afraid of selling
5. Indulging in overwhelm
Many of these
problems are caused
by a scarcity mindset
and result in
focusing on the
WRONG things!
Let’s start by facing your fears and do a mindset check in. Which of
the fears that we talked about on the last page are holding you back?
What else? Can you question those thoughts? Not everything we
think are facts but our brain’s way of keeping us safe and small. Our
brains have survived to keep us safe, not reach for higher goals.
~Oprah Winfrey
WRITING YOUR MANIFESTO
Now it’s time to declare yourself an artist! In the box below write “I,
[YOUR NAME], am an artist!” and put a date on it!
My dream collectors are… (Hint: These are the people who would
most want your art and happily pay for it.)
By this time next year I’d love to have made $ ____________________
in revenue from my art.
(Choose a number that makes you really excited and maybe a bit nervous )
What would it mean for you to create total financial freedom from
your art business? What does that look like, beyond money in the
bank? What does it allow you to do?
Eg. (this is what it looked like for me) pay for my kids extracurricular
activities, pay for speech therapy, music lessons, summer camp
It will look something like this. I will write this as my past self from the
year 2001 after 9/11 happened.
It doesn't matter what kind of art you create. This advice isn't just for painters;
this applies to all kinds of artists.
You're going to walk away from this training with a roadmap for what to do next,
and at the end, you’ll do an even more powerful exercise than what we did in
part one. You’ll learn how to build your own personalized artist profit plan!
GO TO:
SCHULMANART.COM/SELLMOREART
MOVE OVER, ART WORLD GATEKEEPERS
There's never ever been a better time to sell art on your own outside the
traditional gallery system. You see, the art world gatekeepers who used to decide
what was worthy of being featured are being pushed aside by the internet, and
now anyone with a laptop and a dream can make a thriving living from their
art.
Even if you’re an artist who has gallery representation and are doing well, you
can accelerate your results and push yourself past that six-figure mark when
you implement marketing strategies that work in addition to what your galleries
are already doing.
This is usually when I get asked, “what about talent?” As we talked about in part
one, marketing and mindset are going to trump talent every time.
There's something else I want you to
know. Your collectors, the people who
fall in love with your work, don't care if
you're famous or not. They collect your
art, because they feel a connection with
you. No fame is required.
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EPISODE 241: WHY MARKETING AND MINDSET
TRUMP TALENT
Analyze the role of marketing using the examples of Rubens, Van Gogh's
sister-in-law Jo Van Gogh, and Alice Neel.
Go to: SchulmanArt.com/299
THE 5-PART PASSION TO PROFIT FRAMEWORK
Let's go over the Passion to Profit Plan: a 5-part framework that helps you cover
all the bases for a thriving business.
1. Weekly Planning Sessions: Dedicate one hour at the beginning of each week
to plan your studio time and marketing activities. Use a planner or digital
calendar to block out specific times for creating art and separate times for
marketing tasks.
2. Art Production Goals: Set specific, measurable goals for the amount and type
of artwork you aim to produce each month. For example, "Complete three large
canvases and five smaller pieces this month."
If you want to make $50,000 a year, you need to find 5,000 humans to make
$50,000. If you were to sell something for $50 each and you wanted to make
$50,000, you still have to find 1,000 humans.
If you're selling things that are $1,000 each, you only need 50 humans.
You see how the math continues to get easier as you are asking higher prices
and offering high-value art? People are willing to invest more in things that
make a bigger impact in their life. They're willing to invest more in a car,
because it's what helps them drive. Don't get caught up in that “cheaper is easier
to sell.”
Successful artists learn how to price for profit at premium prices. The key to
raising your prices is to communicate with confidence.
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EPISODE 186: PRICING YOUR ART: PRESTIGE
VERSUS CHARM PRICING
How could you apply “prestige pricing” to your own art offerings in a way
that conveys quality and value?
When might it make sense to use “charm pricing” instead for certain
offerings? Brainstorm a list here.
Many artists worry that their sales will plateau
when they raise their prices. That's why I want you
to meet Kayla Thompson, an Artist Incubator
alumni.
After working with me inside the Artist Incubator, she booked her largest
commission to date. This time she charged $3,500 for the same size. In other
words, $2,000 more.
Nope. Not only did he not complain, but he ordered $1,100 more of her art,
spending $4,400.
This is building a list of people who want what you've got and are prepared to
pay top dollar.
Building a list of collectors who love you and your art is easier than you think,
without expensive or complicated advertising. That's something I share in my
book Artpreneur, and It's something I share in my book Artpreneur, and It's
something I teach all my Artist Incubator clients.
When I talk about charging premium prices for your art, the question I'm always
getting asked is, “How the heck do we find these high-end art collectors?”
1
YOUR UNIVERSE
Otherwise known as your platforms and organic marketing
2
FREE PUBLICITY
Other people’s platforms, podcasts, blog posts, press
3
PAID ADVERTISING
Facebook ads, print ads, etc.
The first way is your universe, otherwise
known as your platforms and organic
marketing. Your universe is anyone that
you come into contact with, whether
that's in person at a show, meet online,
or talk to on Instagram.
TO LISTEN, GO TO:
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EPISODE 164: HOW TO GET YOUR ART NOTICED
WITH ELIZABETH MORDENSKY
Elizabeth credits her success in part to being willing to put herself out there
and ask for opportunities, even if it means hearing "no" sometimes.
What’s one opportunity you could pursue by reaching out and asking,
despite the risk of rejection?
What limiting beliefs about pricing or the value of your art might you need
to overcome?
Elizabeth found that combining her passion for wildlife conservation with
her artwork helped give it more purpose and direction. Are there charities or
causes that you can partner with? Brainstorm them here.
#4: THE PROMOTION PLAN
This is about developing a sales and marketing plan. Now that you have a
collector base, this is the step-by-step plan to turn them into repeat collectors
and raving fans who will tell their friends about you. When you develop a sales
and marketing plan, you'll know exactly what to say so that your ideal collectors
joyfully whip out their credit cards for your art.
When I tell artists they need to build an email list to promote their art, all kinds of
fears come up. Things like…
That's why I want you to hear directly from these artists who have had the same
doubts as you.
“The email list was the biggest help, because it really just
exploded. At the time, it went from 60 people to over 600
in less than a month.”
“All these people came by, and most of them said how
much they loved my emails. They said they're upbeat,
they're positive, and we need more of that in the world.”
Why email marketing? It works. It allows you to reach people all over the world,
and yes, there's no algorithm.
TO LISTEN, GO TO:
SCHULMANART.COM/272
LISTEN NOW
EPISODE 272: CREATE MORE COLLECTORS,
NOT CONTENT
What percentage of your current work time is spent on sales, marketing and
relationship-building versus content creation? How could you adjust that
ratio?
List five things you can do this week to create a new collector for your art.
Make a list of your art collectors. What do these people have in common?
#5: THE PRODUCTIVITY PLAN
In the following exercise, we’re going to walk through each area of the 5-part
framework: production, pricing, prospecting, promotion and productivity.
1. PRODUCTION
Consistently build a body of work. Just because you’re marketing your art
doesn’t mean you should sacrifice sacred studio time. You CAN have both!
How would you rate yourself in this area on a scale of 1-10 with 10 being the
best (not perfect)
This is one of the biggest sticking points for artists at all stages of their
business.
How would you rate yourself in this area on a scale of 1-10 with 10 being the
best (not perfect) how do you feel about your ability to price your artwork?
Build a list of people who want what you've got, and are prepared to pay
for top dollar.
Building a list of collectors who love you and your art is easier than you
think. (without expensive or complicated advertising)
How would you rate yourself in this area on a scale of 1-10 with 10 being the
best (not perfect)
How do you FEEL about this area? Do you have an email list? How many
people are on it?
4. PROMOTION
Now that you have a collector base, this is the step-by-step plan to turn
them into repeat collectors and raving fans who will tell their friends
about you.
When you develop a sales and marketing plan, you’ll know exactly
what to say so that your ideal collectors joyfully whip out their credit
cards for your art.
How would you rate yourself in this area on a scale of 1-10 with 10 being the
best (not perfect)
I’ll give you the exact processes and tools to quickly get organized and
stop spinning! Plus, with a few quick handy time management
techniques, everything will move faster.
How would you rate yourself in this area on a scale of 1-10 with 10 being the
best (not perfect)
Before we go any further, I want you to give yourself a pat on the back for
making it to part 3.
So many people don't do what they say they're going to do, but not you. That's
what it takes to be a successful artpreneur!
In part 1, we talked about what not to do, and we wrote our Artist Manifesto.
When you have a scarcity mindset, you're going to be focused on the wrong
things.
In part 2, we talked about what the “5 P's” are and built your personal Artist Profit
Plan. It doesn’t matter what kind of art you create. Whether you're a digital artist,
a photographer, a ceramicist, a painter, or any kind of person who wants to make
money from whatever it is they love, these 5 P's work for every business.
THE BELIEF TRIAD
One of the reasons I wrote a book is because there were so many things I
understood about selling art that I never heard anybody else talk about. The
belief triad is one of them.
We’ve all heard that you need to believe in your art and love your art. We've also
heard you must believe in yourself. In part 1, I asked you to call yourself an artist
and really step into that identity by writing your manifesto.
The Belief triad consists of the 3 main areas you need to believe in order to
sell anything, including art.
TO LISTEN, GO TO:
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EPISODE 147: THE BELIEF TRIAD FOR SELLING ART
Label each part: “belief in yourself”, “belief in your art”, “belief in your
customers.” Journal your thoughts about each area.
This episode covers common negative thoughts artists have about potential
customers (e.g. "they don't want to pay," "they don't like my art," etc.).
What are some positive thoughts you can replace those with to build belief
in your art collectors?
[Hint: replace the sentence with the opposite thought or a bridge thought]
Examples:
No one will pay higher prices for my art -> Some people appreciate collecting
quality art.
I told her, “No, Margaret. It's the other way around. You lack confidence,
because you procrastinate.”
Every time you don't do what you say you're going to do–in other words, you
procrastinate–you’re eroding your self-trust. When you do what you say you're
going to do and follow through with your commitments, you increase your
confidence.
SECRET #2: Surround yourself with the right people.
When you don't hang out with other artists, it's easy to give up on your dreams.
Throughout art history, successful artists have all had one thing in common; they
had artist friends. It makes a huge difference.
One of the most powerful things that successful people do that unsuccessful
people don't is they invest in their relationships.
SECRET #3: Write down your goals.
When you think about your goals and intentions for the year, instead of
creating this vague idea of the habits you want to change, think instead of
who you need to become.
TO LISTEN, GO TO:
SCHULMANART.COM/175
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EPISODE 175: MASTER THE EMOTIONAL SIDE OF
GOAL SETTING
What word resonates with you for this year and why? Write down the
dictionary definition of the word. Also, make a list of synonyms.
Write down a goal manifesto. Write this in the present tense and thank the
universe as if it has already happened.
Can you relate to those feelings of Imposter Syndrome? That’s normal, but
that doesn’t mean you need to give into those thoughts.
Write down your thoughts and see if you can rewrite each one as the
opposite.
For example:
“It’s not a good time because [your reason]” -> “Now is the perfect time
because [different reason]”
SECRET #4: Celebrate your wins.
Remember, we humans have evolved for survival and not goal achievement.
That's why we so easily sabotage ourselves when pursuing goals that push us out
of our comfort zones.
Maybe it was building an email list or selling in person. Whatever it is, you have
fear. This fear mechanism is about keeping us safe. Our brain has not evolved to
tell the difference between getting eaten by a tiger or sending out an email that
we're afraid isn't going to work or is annoying people.
Anything that makes us feel uncomfortable will cause us to feel fear, and then
our brains are going to come up with all kinds of reasons why it's a terrible idea
and won't work for us.
Guess what? The smarter and more creative you are, the better you'll be at
coming up with these stories about why it's a bad idea (notice I didn’t say
“excuses”). These stories feel real to us.
If you believe those stories you're telling
yourself, you're either going to not take
the actions you need to, or you're going to
take actions that will limit and sabotage
yourself and your results.
When you focus on the positive and celebrate your wins, you stay motivated.
We’re talking all about why you should celebrate your wins. I’ll be blending
the Law of Attraction theory with brain science and positive psychology.
TO LISTEN, GO TO:
SCHULMANART.COM/116
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EPISODE 116: WHY CELEBRATING YOUR WINS
MOVES YOU FROM FUNK TO FLOW
Pick one win from your list of three and message a friend to share it.
This isn’t bragging. This is sharing your joy. You’ll be amazed how spreading
positivity beats complaining.
At the end of the week, celebrate everything you got done from your list of
3.
SECRET #5: Invest in your dreams.
I want to share with you a true story about an artist named Priya.
Born in India, Priya's journey was meant to go a traditional route. She became an
engineer, a role society approved, but her heart sang a different tune. In the
quiet corners of her life, she sketched, her soul clinging to the art she adored.
Then came the move to Australia, a land so wild and untamed that it awakened
the sleeping artist within her. Now a mother, Priya took the daring leap. She left
her stable engineering career to dance with her true passion – painting.
Her canvases, alive with vibrant wildlife, tell her story of bold choices and the
pursuit of dreams.
Perhaps you're standing at a similar crossroads. You have this burning desire to
make your art, your voice, heard. But fears, doubts, and the ‘realities’ of life hold
you back.
When Priya joined the Incubator she was doing well… but she had BIG dreams.
She wanted to raise her prices and join art galleries, but she knew she needed
help. Inside the incubator, she gained clarity, focus, and commitment. She joined
two galleries off of her dream list, and she raised her prices.
When she came to me, she was
asking around $5,000 for an original
canvas at the time. Last I checked
with her, she now makes $9,000 per
canvas. She's now a full-time,
thriving, six-figure artist, and this
allows her to focus just on creating
art.
DIVE DEEPER
Priya Gore unpacks in great detail how she's been able to generate a 6-
figure income selling art to collectors.
When you consider her strategic advertising, list building, and with
investing in a coaching program, her success as an artist looks less
coincidental and more tactical in how she's approaching art as a business.
When you invest in yourself, other people will get behind you.
What are three ways you can share your work with your audience that
would promote you in this way?
Identify 2-3 key takeaways from Priya's journey that you can apply to your
own art business to help increase your sales and profitability.
Let's recap the 5 secrets.
It's not about piling more on your plate, procrasti-learning, nor theory. It's about
taking inspired action and doing the right things that will actually make a huge
difference to help you easily sell more art.
If I told you that the biggest factor impacting your ability to sell your art is
confidence, would you believe me? Deep down, you know that if you had more
confidence it would unlock all kinds of opportunities for you.
Take a moment to reflect on your art. What do you believe about your artistic
abilities?
Inside the Artist Incubator, members celebrate each other’s wins every week.
EXERCISE #3
Challenge any limiting beliefs you may have about your potential buyers.
Write down 5 positive qualities or characteristics that your ideal art collector or
customer might possess.
EXERCISE #4
Identify a task related to your art career that you've been procrastinating on.
Commit to completing it within a set timeframe.
Create a list of 5 people in your life who support your artistic goals.
Reach out to one of them, express your appreciation, and schedule a time to
discuss your artistic aspirations.
If you don’t have a community of artists, the Artist Incubator is waiting for you.
EXERCISE #6
Write down three specific art-related goals you want to achieve within the
next year.
Begin a "Wins Journal" where you document both small and significant
accomplishments related to your art journey.
Yes, there are collectors out there waiting for you to have the confidence to show
up and sell.
Let's not let another year slip by without turning those dreams into reality. With
the right strategy, support, and accountability, you can make those dreams real.
Here's to surprising yourself with what's possible when you commit, show up,
and take inspired action.
You are enough. You are more than capable, and I want you to have the same
confidence in your art business as you do in your incredible artwork.
It would be my honor to show you the way. Until next time, stay inspired.
More Resources
1 Read the Book, Artpreneur
Learn how to implement practical marketing
strategies that pave a clear path for success.
Includes exclusive bonus package!
ArtpreneurBook.com
SchulmanArt.com/SELLMOREART
SchulmanArt.com/AIC
SchulmanArt.com/PODCAST
ORDER NOW FOR EXCLUSIVE BONUSES
Artpreneur is the artist handbook for creatives who
dream of evolving into thriving passion
professionals but are stuck. Inspiring stories provide
proof that the artist's life can be both profitable and
sustainable.
ORDER NOW
Jo Packham,
-Jo Packham creator & editor-in-chief of
the Women Create magazine series
"If you are looking for success
in your career, Miriam
Schulman has written an
"If you’re ready to take charge excellent blueprint to follow."
of your art life, this is the
book for you!" Maria Brito
-Maria Brito, art advisor, curator, and
bestselling author of How Creativity Rules
Eric Maisel,
-Eric Maisel Coaching the The World
Artist Within and 50+ other books
Go to: ArtpreneurBook.com
READY TO MAKE YOUR
DREAMS COME TRUE?
I can help you build a thriving art business.
No matter what kind of art you create, if you have aspirations of
making a living from your art, this is the perfect time to turn your
creative ideas into a profitable business. In fact, that's exactly why I
created the Artist Incubator
COACHING
STRATEGY
ACCOUNTABILITY
MINDSET
LEARN MORE
GO TO: SCHULMANART.COM/AIC
ABOUT MIRIAM SCHULMAN
In case we haven't met yet, I'm an
artist and founder of The
Inspiration Place, where I help
other artists learn how to profit
from their passion or become
better artists. Through online
classes, business coaching
programs, and a top-ranked
podcast, I've helped thousands of
artists around the world develop
their skill sets and create more
time and freedom to do what they
love. My signature coaching
program, The Artist Incubator,
helps artists go from so-so sales to
sold-out collections.
When I’m not in the studio, I split my time between New York City and a
farmhouse in the country.