NON-VERBAL COMMUNICATION
NON-VERBAL COMMUNICATION
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that you’re interested and engaged in the conversation. Good eye contact
often conveys the trait of honesty to the other party.
vi. Appearance: Your clothing, hair, and jewelry are also a part of nonverbal
communication. If you put a dachshund pin on your lapel each morning
(because you have a pet dachshund), that says something about you as a
person. Similarly, the quality and condition of your clothing, how it fits, if it’s
appropriate for the season all of these things speak nonverbally about you as
a communicator.
vii. Over use of hands- this is commonly in people who speaks rapidly while his
or hands are flying all over the place. It is an indicator that the person is
nervous or manic (overexcited)
viii. Looking at a watch, phone or clock during a conversation shows that they
are in a hurry for it to be over or they are no longer interested or your time is
up.
ix. Frowning- is an indicator of emotions especially if the speaker is telling a sad
story, frowning by a listener may be emphaticizing.
x. Sweating- this is a sign that someone is nervous or uncomfortable. It is
attributed to lack of confidence.
Roles of Non-Verbal Communication
i. Relational purposes- non-verbal communication is used for relational
purposes. To communicate with another, we must make eye contact with a
few exceptions. Thus, relationships begin with nonverbal communication.
ii. Repetition- it repeats and often strengthens the message you are making
verbally.
iii. Contradiction- it can contradict the message you are trying to convey thus
indicating to your listener that you may not be telling the truth.
iv. Substitution- it can substitute for a verbal message. For example, your facial
expression often conveys a far more vivid message than words.
v. Complementing- it may add to or complement your verbal message. As a
boss, if you pat an employee on the back in addition to giving praise, it can
increase the impact of your message.
vi. Accenting- it may accent or underline a verbal message, pounding the table
for example can underline the importance of your message.
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How to read body language
i. Study the eyes- looking away frequently or avoiding eye contact can indicate
that the person is uncomfortable, trying to hide something or distracted.
Frequent blinking can also indicate that the person feels uncomfortable or
upset.
ii. Facial expression- facial expressions can indicate happiness, anger, sadness,
confusion, contempt, fear and excitement.
iii. Arms- keeping the arms close to the body to draw less attention. It also
indicate feelings of self-protection, defensiveness or being closed-off.
iv. Feet and legs- crossed legs may indicate the person feels disinterested or
closed-off.
v. Hands and fingers- giving a thumb up is a sign of approval. Rapidly tapping
fingers to express irritation.
vi. Mouth- biting the lower lip to indicate insecurity or worry. Smile to show
happiness, approval, content, etc.
vii. Having good posture- if someone is sitting up straight, it’s a sign they are
paying attention to what you are saying.
viii. Eye contact- if someone stares or glares at you, it’s usually not a positive sign.
ix. A firm hand shake- if someone gives you a firm a hand shake, it’s a sign that
they respect you. A firm hand shake should not be painful as that can be
intimidating.
Evaluating non-verbal signals
i. Eye contact- is the person making eye contact with intense or just right?
ii. Facial expression- look at the display of face with unexpressive or filled with
interest?
iii. Tone of voice- check if the person’s voice indicate interest or it is strained
and blocked.
iv. Posture and gesture- is their body relaxed or stiff and immobile? Are their
shoulders tense and raised or relaxed?
v. Touch-is there any physical contact? Is it appropriate to the situation? Does
it make you feel uncomfortable?
vi. Intensity- does the person seem flat, cool, and not interested?
vii. Timing and place- is there an essay flow of information back and forth? Do
nonverbal responses come too quickly or too slowly?
viii. Sounds- do you hear sounds that indicate interest, caring or concern from
the person?
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Group work
TOPIC TWO: NON VERBAL COMMUNICATION
Answer:
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contain nonverbal elements known as paralanguage, including voice quality,
emotion and speaking style, as well as prosodic features such as rhythm,
intonation and stress. Likewise, written texts have nonverbal elements such as
handwriting style, spatial arrangement of words, or the use of emoticons.
However, much of the study of nonverbal communication has focused on face-
to-face interaction, where it can be classified into three principal areas:
environmental conditions where communication takes place, the physical
characteristics of the communicators, and behaviors of communicators during
interaction Kinesics looks at (body) movement as a factor in non-verbal behavior
whereas eye behavior, looks at the influence of visual contact on the perceived
message that is being communicated.
C. In this case eye contact, waving, and facial expression (smiling) have been
used.
2) Would any of the non-verbal communications in this spot (ad) not work
well in another culture?
Answer: The gesture of holding thumbs up in Japan means “boss.” So, this
won’t work in this ad
In Iran, the thumbs up sign is considered vulgar, so the young man in this ad
may have to do away with it.
3) What role does music play in this spot? Who is the target market?
Music plays an important role in this spot; the whole idea is about promoting a
music channel. The young man gets this sudden insight of tuning in to ‘Five’
when he notices that the gorgeous lady is dancing to a song. This suggests that
listeners to ‘Five’ enjoy their music and can connect to it, in solo and in
group/community. Playing music to convey this message does the job of the
advertisers in a simple, direct and effective manner. Target audience is young
generation of the country. Youngsters who may like to party and enjoy their life
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and keep their surroundings happening with hustle and bustle are targeted by
this commercial.
The music is in fact the heart of this commercial, rather than distracting; it
actually is de facto conveying the message