The document details the arrangement of the Spanish march 'Amparito Roca' by Jaime Texidor, arranged by Gary Fagan, designed for younger bands with a duration of 2:40. It includes performance notes emphasizing tempo, dynamics, and instrumentation for various instruments. Additionally, it provides a brief biography of Gary Fagan, highlighting his accomplishments and contributions to music education.
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AMPARITO ROCA EPRINT-Conductor Score Full Score
The document details the arrangement of the Spanish march 'Amparito Roca' by Jaime Texidor, arranged by Gary Fagan, designed for younger bands with a duration of 2:40. It includes performance notes emphasizing tempo, dynamics, and instrumentation for various instruments. Additionally, it provides a brief biography of Gary Fagan, highlighting his accomplishments and contributions to music education.
We take content rights seriously. If you suspect this is your content, claim it here.
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Jaime Texidor
Arranged by Gary Fagan
Amparito Roca
(Spanish March)
Grade 3 Edition
Duration - 2:40
Instrumentation
1 — Full Score 4—F Horn
1 Piccolo 3 —Trombone |
8 — Flute 3 ~Trombone 2
2 Oboe 2~ Baritone B.C.
2— Bassoon 2- Baritone T.C.
4—B> Clarinet | 4—Tuba
4—B» Clarinet 2 1 — String Bass
4—B» Clarinet 3 2—Percussion |
2 Bb Bass Clarinet Snare Drum, Bass Drum
2—Percussion 2
Crash Cymbals
2—Percussion 3
2-E? Alto Saxophone |
2-E? Alto Saxophone 2
2— BP Tenor Saxophone Xylophone
2 Baritone Saxophone | ~Timpani
4—B Trumpet |
4— BP Trumpet 2
Additional Parts U.S. $2.50
Score (48019817) US. $7.50
BOOSEY (oy HAWKES
Msorsonace
3 copy sold to Marie Escobar by J.W. Pepper & Son Inc. on 02/24/2025Performance Notes
In the early 1930s Jaime Texidor wrote Amparito Roca, a wonderful Spanish march. Played by
many bands inthis country and around the world for a number of years, it has became standard
repertoire. This arrangement is an attempt to bring the excitement of that piece to younger bands,
as wel, in @ somewhat simplified and updated version
‘The conductor should establish the indicated tempo and not lt it slow down, especially during the
sofier sections. The low woodwinds and brasses should dominate the sound atthe beginning, being,
careful not to let the instruments playing “static” notes overpower the moving parts. Strive at m.
16 to keep the counter-melody in the alto saxophones and baritones balanced under the melody.
[Also strive fora subite dynamic contrast when moving fromm. 23 to m. 24 and again from m. 34
tom. 35. There should also be as much dynamic contrast as possible between the sections at m. 48
and m, 66, Throughout the piece make sure that notes that are not slurred are played in a crisp
marcato style,
Biography
(Gary Fagan was born and raised in Frederick, Maryland. He completed his undergraduate work
at Bridgewater College (VA) with a degree in Music Education in 1973 and began teac
middle and high school choral musi in Louisa County Virginia. He received a masters degree
in music education from James Madison University in Harrisonburg, Virginia. In 1975 he
became a band instructor in Albemarle County, Virginia where he is stil teaching at J.T. Henley
Middle School with his wife, Phyllis, who is the choral director,
In 1989 Mr, Fagan was elected Central Virginia Outstanding Middle School Teacher by
the University of Virginia Chapter of Phi Delta Kappa. He received an Outstanding Educator
‘Award from the Virginia Governor's School for the Visual and Performing Arts in 1999. In 2001,
hie received the outstanding educator award from the Piedmont Council of the Arts, He has also
‘been twice listed in “Who's Who Among America's Teachers.”
Mr. Fagan is uetive in the Musie Educators National Conference and the Virginia Band
and Orchestra Directors Association. He is also a member of A.S.C.AP, the Percussive Arts
Society, Phi Beta Mu International Bandmasters fraternity, and the National Band Association
He is a percussionist withthe Charlottesville Municipal Band and also serves as the assistant
director of that organization, He is active asa clinician and adjudicator in addition to composing
and arranging for band,
Gary has had over thirty-five compositions for concert band published by Heritage
Music Press, MSB Publishing Co., Grand Mesa Music Publishers, Dachn Musie Publications,
Ludwig Music, Alfred Publishing and Boosey and Hawkes. Eight of these have been performed
atthe prestigious Midwest Band and Orchestra Clinic in Chicago. His compositions have also
‘been performed at the White House and atthe inauguration ceremony for former Virginia
Governor Douglas Wilder.
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