HOOVES AND HORNS GOLD

Rhinox Hide basecoat Auric Armour Gold

Steel Legion Drab drybrush Seraphim Sepia wash TONGUE
Karak Stone drybrush
Screaming Skull drybrush GHOST Tanned flesh
Pure brown ink at bottom of horns + Tanned flesh + skull white
lines up to tip of horns The Fang
Black wash TEETH
DARK ELF SKIN (BB) The Fang
The Fang + White scar Rhinox Hide
Rakarth Flesh base White scar Steel Legion Drab
Xereus Purple wash Screaming Skull
Rakarth Flesh highlight White primer White Scar
Wash with Nihilakh
BEASTMEN oxide Balor Brown
White Scar drybrush Screaming Skull stripes
Skin
Rhinox Hide WOOD ROPE
Mournfang Brown drybrush
Black wash Black undercoat Balor Brown
Mournfang Brown blend highlight Mournfang Brown Agrax Earthshade
drybrush Tallarn Sand Highlight
Fur Black ink
Rhinox Hide Mournfang Brown 50/50 mix of Screaming Skull
Black wash drybrush + add and Balor Brown
Screaming Skull highlights nuln oil
Mouth edge Elysian Green highlight
50/50 Mournfang Brown + Bronzed Stormvermin Fur
flesh Steel Legion Drab PAINTING WHITE
Karak Stone
Breasts Black wash (watered Longbeard gray - white scar highlight
Cadian Fleshtone down)
Ratskin Flesh Karak Stone PAINTING WHITE ARMOR

GHOULS Rhinox Hide Corax white primer

Steel Legion Drab Ceramite white gaps
Mechanicus Standard Grey Watery Nuln oil Soft Body Black wash (Secret
Mechanicus Standard Grey + Steel Legion Drab Weapon minis)
Celestra Grey drybrush Drybrush
Pure brown wash THATCHED ROOF
RED EYES
SKELETONS Rhinox Hide + black (90/10 mix)
Full Wazdakka Red eye Tau Light Ochre drybrush
Baneblade Brown Smaller Evil Sunz Scarlet Zamesi Desert drybrush
Delvan mud eye inside Tallarn Sand drybrush
Screaming Skull drybrush (2x) Paint black round Screaming Skull drybrush
Light Delvan mud wash Put white dot in black eye
BATTLE DAMAGE ON COLOR
CHAOS WARRIORS ORK EYES
Paint base color + highlight
Armor Evil Sunz Scarlet eye Doombull Brown + black, sponge it
Black undercoat Yriel Yellow center In the center paint Doombull Brown +
Boltgun drybrush Black Pupil less black paint
Pure black ink White spot Paint thin lines (your highlight color)
Edges and bolts Runefang Steel underneath each of the chips
MONSTER EYES following the battle damage

50/50 The Fang/Abaddon black

Highlight bottom line with space Agrax Earthshade wash
wolves gray or Screaming skull Nurgling Green highlight

BATTLE DAMAGE ON WHITE Pale Skin

Charadon granite line + pensil over Vampire female skin.

Basecoat in Kislev Flesh
BATTLE DAMAGE ON METAL Highlight with White Scar.

White sponge then paint

Abaddon black using a paint brush GEMSTONES
over the white leaving a white small
line underneath the black Basecoat with Khorne Red:

Vampire male

Rakarth Flesh base Evil Sunz Scarlet:

Longbeard gray highlight
White Scar highlight

SKINTONES PAINTING FEMALE

FACES
Caucasian Skin Mephiston Red bellow khorne red:
Bronzed Flesh
Bronzed flesh or Ratskin Flesh Flesh Wash
Thinned down Flesh Wash highlight with Bronzed
highlight base color and up Flesh without covering the
recesses. Troll Slayer Orange as shown:
Black Skin
Basecoat in Rhinox Hide
Highlight with Mournfang Brown
Maybe Highlight Balor Brown
Yriel Yellow to the bottom of the gem:

Highlight the cheeks, chin,

nose and forehead with
Kislev Flesh

Dot of white scar. Ardcoat onto the

Egyptian/Indian Skin stone.
Basecoat in Balor Brown.
Paint the stone copper, silver, bronze
Shade with Rhinox Hide.
or gold.
Highlight with Balor Brown.
Paint the stone with Tamiya Clear
Highlight with a mix of Balor Brown. Khorne Red lips Don't put paint.
and Screaming Skull. too much paint on the Ardcoat onto the stone.
upper lip add Evil Sunz
Scarlet as shown and a White Paint entire gem one dark base color
scar reflection (Caliban Green)
Paint about 2/3's of the gem rounded
off in a medium color (Warpstone
Glow)
Paint 1/3 in a light shade (Warboss
Rotting flesh Green)
ink to smooth and deepen the color
Nurgling Green (Waywatcher green)
Dot of white scar.
Ardcoat onto the stone.

A really important aspect of this

technique is the amount of paint on
the brush. When working with thinned
paints, there should be very little
paint on the brush. If you load the
WET BLENDING LAYERING brush with lots of paint, you won’t be
able to control the flow and you won’t
be able to create a good blend.

Wet blending: Place two colours (that

are still wet) next to each other and
mix the paint ON the model.

These sketches illustrates the

principle:

Basecoating

The two colours are placed next to

each other on the figure.
The first layer of diluted
paint is applied.

Start mixing the colours to create a

smooth blend.
And another layer....

When you are done, you should have

a gradual change in colour without Several layers later. In the
any abrupt transitions. When wet sketches the transitions
blending I always use some kind of are visible. I just did that to
extender or retarder to make the illustrate the technique.
paint dry slower. Without those, wet The result of the process
blending is almost impossible. should look like this: