Bernard Lahire The Plural Actor
Bernard Lahire The Plural Actor
fal
The a =
‘Plur |
Actor |
pdr Lahire |
THE PLU R A L A CTO R
To my son Nathan
I slept constantly during these two days of the journey to Sicily* where
I had not returned since the death of my mother. Someone seemed to
have called me. I did not properly understand who* but I was happy to
leave my house in Rome.
As soon as I entered the house* I felt that I was not alone. Something
was going on in the shadows* in the corners of the rooms; shadows that
looked at me so insistently that in the end* naturally* I turned round:
‘But of course* Mama* it’s you who called me.1
‘It is me* Luigi.1
‘And that5s your music. I recognize it. I remember when you sung it
to us.1
‘I called you to tell you everything that I wasn’t able to explain to
you* because you were so far away* before I leave this life.1
“ ‘ Be strong” * that’s what you want to say today* Mama.1
‘You’re laughing at me .. . Don’t cry* Luigi.1
‘I’m crying because you can’t think of me any more. When you were
sitting there* in that corner* I often said to myself: “If she is thinking of
me so far away* it means that I’m alive for her.” That was my support
in life* my comfort. Now that you’re dead and don’t think of me any
more* I am no longer alive for you. I never shall be again.’
‘I get tired quickly* my son* trying to follow all your talk. All this has
become too hard for me. And yet I feel that I can still tell you something:
learn to see things with the eyes of those who don’t see any more* and
although you’ll feel pain* no doubt* this pain will make those things
more sacred and beautiful for you. Perhaps it’s only to tell you this that
I’ve made you come here to me.’
‘I know now what your eyes are looking at* Mama. The sail of that
fishing-boat* isn’t it? You told us a hundred times about that famous
journey* and a hundred times I wanted to write about it.’
(extract from Kaos, a film by Paolo and Vittorio Taviana*
after A Year's News by Luigi Pirandello)
THE PLURAL ACTOR
BERNARD LAHIRE
polity
First published in French as L’bomme pluriel © Armand Colin, 2001
Liberté
© Agaltes »
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Prologue 1
vi
C O N T EN T S
Notes 223
References 253
Index 264
v ii
PREFACE
x ii
P R E FA C E
x iii
PREFA CE
x iv
PR E FA C E
xvi
P R E FA C E
more free and conscious. What I emphasize is, on the contrary, the
fact that actors are multi-socialized and multi-determined^ and that
it is for this very reason that they are not in a position to 'feel* or
have a practical intuition of the weight of these determinisms. When
the actors are plural and the forces at work on them differ accord
ing to the context in which they find themselves, they can only have
the sense of a freedom of behaviour. It could be said that we are too
multi-socialized and multi-determined to be able to be readily aware
of our determinisms. If people insist on calling the product of this
multi-determinism a 'sense of freedom*, what is wrong with that? But
this feeling has nothing in common with the sovereign and conscious
freedom that certain philosophies of action present to us.
We can basically see that the misunderstandings in the reception of
this book around the questions micro/macro, qualitative/quantitative,
individuals/social classes and determinism/freedom are all more or
less directly bound up with a questioning or disquiet as to the reasons
that impel sociologists to study the social on the individual scale. By
choosing this kind of perspective for the knowledge of reality, are
they not in the process of espousing the movement of individualiza
tion that is under way in our social formations, of actively supporting
individualist ideologies, even neo-liberal ones?
Outside the specific dynamic of the sociological field, what makes
this kind of sociology, this kind of interest, run clearly in the direc
tion of an advance in the scientific autonomy of the discipline16 is
that it responds, in my view, to the historical necessity of conceiving
the social in a strongly individualizing society. At a time when the
individual tends to be ever more commonly conceived or dreamed of
as an isolated, autonomous, responsible being endowed with reason,
opposed to 'society* and defending his or her 'authenticity* or 'singu
larity* against it,17 sociology has the duty more than ever before of
bringing to light the social fabrication of individuals and proving that
the social is not reducible to the collective or the general, but dwells
in the most singular folds of each individual. It should seek to propose
a vision of man in society that is finer and more scientifically correct
than the caricatures made of it when the individual is represented on
the basis of cases that serve to exemplify or illustrate social groups,
historical eras or institutions.
The social world is within us as much as outside of us. As the
origin of our unhappiness as well as our happiness, individual and
collective, it is differentiated and complexified to the point of produc
ing the sentiment that the intimate, the singular, the personal, is by
nature distinct from society (as two clearly different objects) and even
x v iii
PR E FA C E
x ix
ACKNOW LEDGEM ENTS
xx
PROLOGUE
1
PRO LO G U E
approach that ignores its own origins and denies its own limits. In
this perspective a theory is always total, never partial. At least this
is the way in which 'grand theories’ like to see themselves. One can
succumb to the charms of unconsciousness and mystery. Or one may
prefer lucidity, clarity and scientific pragmatism.
Rational actor theories {or rational choice theories), theories of
habitus, of the actor-as-strategist, of the actor in interaction, theories
of experience and lived worlds, etc., objectively conflict with one
another today, without any real clash or confrontation, in a scientific
space where the crossing of arguments and the results of comparative
empirical research might permit certain advances. And one could say
about sociology the same as Jean-Pierre Cometti has of philosophy:
The paradox is that philosophy has become one of those fields of
intellectual activity in which discussion tends to become nonexistent,
advantageously replaced as it is by diligent commentaries inspired by
the pre-existing convictions around which insular consensuses are
formed’ (Cometti, 1996, p. 21).
It is customary for theories of action and the actor to come into
conflict around a series of interpretative tensions: between theories
that privilege the actor’s singleness and homogeneity (his or her iden
tity, his or her relationship to the world, his or her 'self’, his or her
system of dispositions . . .) and those that describe for us an endless
fragmentation of 'selves’, roles, experiences, etc.; a tension, again,
between theories that place the determining weight on the actor’s past
and those that virtually ignore this; and, finally, a tension between
theories of conscious action, of the actor as strategist, rational calcu
lator, vector of intentionalities or voluntary decisions (theories that
sometimes believe they can deduce from these calculating, conscious,
rational capacities a fundamental freedom on the actor’s part) and
theories of unconscious, subconscious or non-conscious action that
present actions as pre-reflexive adjustments to practical situations.
Throughout the present work I shall use the word 'actor*, though
this is not particularly current in French sociology given its implicit
link with ideas of 'freedom’ and 'rationality’ that certain theories of
action end up imposing, but it has the advantage of going together
with the term 'action’. In current theories of the social, the vocabulary
ranges through the terms actor, agent, subject, individual, member,
author, social being, person, personality, etc. Territorial markers that
trigger conditioned theoretical reflexes, the words used to denote
'people in the forms of social life’, thus generally serve also as clas-
sificatory signals. By using them, their authors themselves choose to
{let themselves) be classified, to rehearse their clan identity, to denote
2
PRO LO GUE
both the camp they belong to and their potential enemies, enclosing
themselves in advance, before having even asserted any proposition at
all on the social world, in the confined social spaces of schools, cur
rents or theoretical traditions. Sticking to the word 'actor* does not
mean form e adopting a theatrical metaphor (actor, stage, role, cues,
backstage, scenario, script. . .), or proposing an umpteenth version of
the theory of the free (because!) rational actor, or romantic theories
of 'man as actor of his destiny*, but rather making use of a relatively
coherent network of terms: 'actor*, 'action*, 'act*, 'activity*, 'activate*,
'reactivate*, and so on. But how are we to avoid the automatic asso
ciations of ideas attaching to the word 'actor*, except by explicitly
asking the reader to read this term here without its customary adver
sarial connotations (e.g. anti-agent), which we in no way intend to
reactivate?
Any theoretical reflection is necessarily developed in a critical rela
tionship to others; that is commonplace enough. And yet 'dispute*
is stigmatized in an academic world that more often generates a
facade of consensus along with assassination behind the scenes, the
hyper-euphemizing of public judgements and the extreme violence of
'strokes* or 'private* assertions, rather than an interest in or passion
for reasoned discussion and the frank criticism of theses (rather than
of the individuals that support them, which is not at all the same).
Criticism is respectable and should be rehabilitated.
In the present work, I shall not discuss with the same intensity and
systematicness the whole series of theories of action that exist in the
field of the social sciences, even if they are all present in my arguments
to one degree or another. I thus claim a freedom of choice in my dia
logues. My own sociological procedure has been inspired principally
by the theory of practice and habitus developed by Pierre Bourdieu.
A dialogue with this theory, from my point of view, does not mean
discussing just one theory among others. Contrary to what a certain
form of interpretative democracy might suggest, not everything is
equivalent in the world of interpretation of the social sciences (Lahire,
1996b). I see Bourdieu as proposing one of the most stimulating and
complex theoretical orientations in the social sciences - one of those
that most successfully integrates theoretical and methodological sub
tleties (succeeding in particular in making productive use of a number
of philosophical problems) into the great current of critical soci
ologies (critiques of the forms of exercise of power, of inegalitarian
structures and of relationships of domination). In France, Bourdieu*s
sociology is either hated (even ignored) or worshipped. If we overlook
the former totally negative attitude, we may note that adoration is not
3
PRO LO GU E
4
PRO LO GU E
5
PRO LO GU E
6
PRO LO GU E
7
Act I
Outline of a Theory of the Plural Actor
On Singleness
Like the terrestrial globe, the ensemble made up of various theories
of the actor has two great poles: that of the singleness of the actor
and that of an internal fragmentation. On the one side, the quest is
for their vision of the world, their relationship to the world or The
generating formula of their practices*; on the other, the multiplicity of
embodied knowledge and skills, of lived experience, is accepted, like
wise of "egos* or "roles* that are internalized by the actor (repertoire
of roles, stock of knowledge, reserve of available knowledge, etc.). In
both cases, however, the choice of singleness or fragmentation is made
a prion; it constitutes an undiscussed postulate and in some cases is
based more on ethical assumptions than on empirical observations.
The chief interest of the first position was well expressed by Pierre
Bourdieu, when he explained that The virtue, at once heuristic and
explanatory* of his theory of habitus Ts never seen better than in
the case of practices that are often studied separately* (Bourdieu and
Wacquant, 1992, p. 131).1 But this leads at the same time to insisting,
too exclusively no doubt, on the "systematic* and "unifying* aspect of
habitus:
11
O U T L IN E OF A T H E O R Y OF THE PLU R A L A C TO R
12
T H E PLU RA L A C T O R
14
TH E PLU RA L A C T O R
What they discover from their gleanings will apparently point to what
this fellow is like beyond the current situation. But every situation he is
in will provide his others with such an image. That is what situations
can do for us. That is a reason why we find them (as we find novels)
engrossing. But that is no reason to think that all these gleanings about
himself that an individual makes available, all those pointings from his
current situation to the way he is in his other occasions, have anything
very much in common. (Goffman, 1974, p. 299)
16
TH E PLU R A L A C T O R
17
O U T L IN E O F A T H E O R Y OF TH E P L U R A L AC TO R
18
TH E PLU RA L A C T O R
19
O U T L IN E O F A TH EO R Y OF THE PLU R A L A C T O R
vigorously concentrated towards one and the same goaL This can be
achieved only by making children live in one and the same moral envi
ronment, which is constantly present to them, which enshrouds them
completely, and from whose influence they are unable, as it were, to
escape. (Ibid., p. 29)
Education is then 'organized*, Durkheim goes on to say, 'in such
a way as to be able to produce the profound and lasting effect
demanded from it* (ibid., pp. 30-1). It follows that individuals can
have general and coherent dispositions that are transferable from one
sphere of activity or one practice to another if - and only if - their
social experiences have always been governed by the same principles.
Far from this being regularly the case, it may well be a historical
exception.12
Erwin Panovsky also indicates very clearly, in his celebrated Gothic
Architecture and Scholasticism, what an 'exception* is the historical
context he is studying, one that makes it possible to explain the deep
homology of structure between Gothic art and scholastic philosophy
on the basis of the scheme of 'mental habit* or 'habit-forming force*.
Panovsky*s remark deserves to be taken seriously, instead of consider
ing this admission of the exceptionality of the period and geographi
cal zone studied as simply a rhetorical effect that the author produces
with the aim of attracting the reader to his object of research. In
order for this 'habit-forming force* to be observable, socio-historical
conditions must be right for it, as Panovsky tells us by insisting on
the particular homogeneity of the historical conditions in which the
architects of the time lived - a homogeneity that was the result of an
educational monopoly: 'Often it is difficult or impossible to single
out one habit-forming force from many others and to imagine the
channels of transmission. However the period from about 1130-40
to about 1270 and the “ 100-mile zone around Paris” constitute an
exception. In this tight little sphere Scholasticism possessed what
amounted to a monopoly in education* (1957, pp. 21-2).
Pierre Bourdieu wrote a postface to the book, and was broadly
inspired by Panovsky*s implicit sociology in developing and reinforc
ing his theory of habitus. But he did not stress in his commentary the
exceptionality of the context studied here. Taking this into account
would no doubt have forced him to relativize the singleness, durabil
ity and transposability of the constitutive schemes or dispositions of
habitus.
Paradoxically, however, the same author’s first works, on Algeria
in the 1960s, were what led him towards the construction of a theory
of the actor and of action that was more sensitive to the plurality of
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TH E P L U R A L A CTO R
21
O U T L IN E OF A T H E O R Y OF THE P L U R A L AC TO R
maxima), where there are thus hardly any different, competing, con
tradictory models of socialization, and, on the other hand, contem
porary societies, which are incomparably larger both spatially and
demographically, with a strong differentiation of spheres of activity,
institutions, cultural products and models of socialization, and with
less stability in the conditions of socialization. Between the family,
school, peer groups, various cultural institutions, the media, etc., that
they are often led to frequent, the children of our social formations
are increasingly confronted with heterogeneous and competing situa
tions, which are sometimes indeed in contradiction with one another
in terms of the principles of socialization that they develop.
I have noted above the difficulties that are encountered today by
those total institutions that dream of a homogeneous world and a
homogeneous socialization, in a social formation that is deeply dif
ferentiated and with heterogeneous principles of socialization. But
there is another kind of social world, i.e. the world of work, especially
when this involves a profession endowed with an esprit de corps,
which - within very specific social and mental limits, since actors are
never reducible to their existence at work - reproduces, even within
differentiated societies, conditions of socialization that are relatively
coherent and homogeneous. It is to Maurice Halbwachs that we owe
the most penetrating sociological analyses of these corporate profes
sional worlds. First of all, 'each individual who enters a profession
must, when he learns to apply certain practical rules, open himself
to this sensibility that may be called the corporate spirit, and which
resembles the collective memory of the professional group.* This
esprit de corps is explained by the long past of the function, by the fact
that "the people who exercise it are in frequent contact . . ., that they
accomplish the same operations or in any case are engaged in opera
tions of the same nature . . . [and] have the perennial feeling that their
activities are combined with a view to a common undertaking*; but
also because 'their function can be distinguished from other functions
of the social body*; that it 'is important for them, and in the interest of
their own profession, to emphasize these differences and make them
clearly visible* (Halbwachs, 1992, p. 139). And Halbwachs grasps
right away the fragility of such an enterprise in a differentiated society
in which the 'spirit* of these 'professional bodies* can potentially be
challenged by competing and heteronomous logics, all the more so in
that the members of these groups do not belong exclusively to them,
and that even in the context of their professional activity they live in
permanent contact with outsiders who do not share the same values.
The members of such a body are thus obliged to create institutional
22
T H E PLURAL A C T O R
There exist, in the same way, family worlds that are non-contradic
tory, made up of adults who are highly coherent among themselves,
in which different principles of socialization do not interfere with
one another, and that exercise their socializing effects on children
in a regular, systematic and lasting fashion. But these family worlds,
which objectively tend once again towards the model of the total
institution, encounter almost the same social difficulties in persisting.
We can observe in research, for example, higher or less high levels
of educational energy and coherence in terms of practices of reading
and writing, stronger or less strong densities and coherences in edu
cational work (Lahire, 1995d). There can be various encouragements
to reading and writing: precocious initiation to reading and writing
(sometimes with the purchase of reading methods), printed matter
mobilized with the aim of extending family discussions, educational
themes or cultural visits, subscription to various children's magazines
that creates such a need in the child early on (certain parents describe
waiting for such magazines at the end of the month as an exhilarating
23
O U T L IN E OF A T H E O R Y OF T H E PLU RA L AC TO R
24
T H E PLU R A L A C TO R
illusion that the actors want to give, but also and above all that they
give themselves. In fact, one need only objectify - in other words,
describe with precision and systematically certain everyday situations
- for the hidden educative work to become apparent, and even the
subterranean educative discipline that is equally necessary to have
children who are highly successful at school and have the taste for
reading and writing.16
The strongest educative densities and coherences, which assume
a constant presence and are most often realized when mothers have
‘chosen* not to work in order to devote themselves entirely to their
children's education, then lead to a kind of very tight control over the
implicit and/or explicit programme of socialization (e.g. in respect to
the inculcation of tastes and of reading and writing skills: keeping
the child away from the television and video player or very strict
control of programmes that are watched, restriction of children's
propensity to read only comics, control of the choice of books read by
the children - with respect to style as well as content - etc.). Despite
this tight regulation of the family experience of socialization, which
demands a real fighting spirit in daily life, the children experience
social situations outside the family that make the task of these adults
particularly difficult.
We could pose the theoretical and historical problem of the social
foundations of singleness (or of homogeneity) by borrowing the
insightful words of Roger Benoliel and Roger Establet: ‘The produc
tion of homogeneous habitus in all spheres of life is a schoolteacher's
dream. The cultural transfers that are intended or desired come up
against many forms of resistance: social interests mobilized in oppos
ing directions, indifferent audience, rebellious cultural material,
competing sources of legitimacy. On the one hand the intentions of
educational convicts, on the other social life in the open air' (1991, p.
29). And it is certainly not the state that is in a position, as is some
times said in an abstract and superficial way,17 to compensate for
the multiplicity and heterogeneity of social worlds (and of social and
socializing experiences) by a work of homogenization of the ensemble
of national habitus.
The coherence of the habits or schemes of action (sensory-motor
schemes, schemes of perception, appreciation, evaluation, etc.) that
the actor has internalized thus depends on the coherence of the prin
ciples of socialization to which they have been subjected. Once an
actor has been placed, simultaneously or successively, within a plural
ity of social worlds that are non-homogeneous, and sometimes even
contradictory, or within social worlds that are relatively coherent but
25
O U T L IN E OF A TH EO R Y O F THE P L U R A L A C TO R
26
TH E PLU RA L A C T O R
27
O U T L IN E OF A T H E O R Y OF TH E PLU RA L A C TO R
of a nurse who came from a very different social world from that of
the child’s parents, even spoke of the possibility of an 'unsuccessful
socialization’, resulting from 'the mediation of acutely discrepant
worlds by significant others during primary socialization’ (1979,
p. 188), Without introducing the (normative) notion of 'failure’, we
have to note that the experience of a plurality of worlds has every
chance of being precocious in our ultra-differentiated societies.
Finally, the secondary socializations, even when carried out in differ
ent socio-affective conditions, may profoundly put in question and
compete with the family monopoly on the socialization of the child
and the adolescent. The case of individuals 'upwardly declassed’,
which we shall describe further on, is a most flagrant example of this.
We therefore live (relatively)20 simultaneously and successively
in differentiated social contexts. There are on the one hand classic
social institutions (around which sociology has organized some of its
fields of research): the family, the school, the professional world, the
church, the association, the sports club, the worlds of art, politics,
sport, etc. But these different social worlds are not equivalent. For
example, while the family context (in all its observable variations)
remains, in our societies, among the most universally widespread
socializing matrices, the church and the sports club are not just social
worlds frequented only by a section of the actors of a society; they
are places where certain actors exercise their principal social activity
(the priest, the sports coach). In certain social worlds, it is possible to
be a 'consumer’, a spectator or an amateur, whereas others are rather
producers and professionals. But this distinction makes no sense in
the family world or in that of the workplace.
These worlds are sometimes - but not systematically - organized
in the form of fields (of forces and struggles) in the sense that Pierre
Bourdieu gave to this term. The historical process of differentiation of
spheres of activity is not in every case reducible to the appearance of
relatively autonomous 'social fields’ as structured spaces of positions,
with their specific stakes, rules of the game, interests, capitals and
struggles (between the different dominant and dominated agents that
seek to maintain their position, if not to improve it), where what is at
stake is the (unequal) structure of distribution of capitals. The family
universe, for example, does not in the strict sense form a field, any
more than do the sporadic meetings of friends in a bar; the meetings
of lovers or the holiday practices of windsurfing or climbing are not
situations that can be assigned to a particular social field. Contrary
to what the most general formulations may lead one to believe, not
every social interaction or social situation can be classified in this
28
TH E P L U R A L AC TO R
29
O U T L IN E OF A T H E O R Y OF T H E P L U R A L A CTO R
30
THE P L U R A L AC TO R
guish, within these institutional and spatial spaces that are separate,
relatively enclosed and apparently homogeneous, major internal dif
ferences in the types of interaction that take place there, in the social
situations that are lived (a discussion around the coffee machine
between colleagues is not an official meeting, nor is it individual or
collective working-time). For example, far from constituting homoge
neous realities, working-class family configurations, which 1 studied
in their relationship to the educational world, displayed more than
one case of heterogeneity (Lahire, 1995a). The child may be sur
rounded by persons that represent very different and even opposing
principles of socialization and types of orientation towards school.
An opposition or contradiction may arise, according to the particu
lar case, between very strict moral control and indulgence, between
'amusement* and 'educational effort’, between a very great sensitiv
ity and a lesser sensitivity towards everything to do with the school,
between a taste for reading and an absence of practices and tastes, etc.
Whatever the detail, it is rather rare to find family configurations
that are absolutely homogeneous, either culturally or morally. There
are few cases that make it possible to speak of a coherent family
habitus, producing general dispositions completely oriented in the
same direction. Many children live concretely within a family space
of socialization with variable demands and characteristics, where
examples and counter-examples jostle against one another (an illiter
ate father and a sister at university, brothers and sisters some of whom
are 'successful’ at school while others have 'failed’, etc.), a family
space in which contradictory principles of socialization intersect. Vis-
a-vis the ensemble of their family members they are often faced with a
wide spectrum of possible positions and possible systems of tastes and
behaviours. And there is all the greater chance of finding contradictory
elements if one examines large families in which several generations of
children live under the same roof or that include, for various reasons,
uncles, aunts, cousins and grandparents of the child in question.
Because we do not occupy identical or similar positions in such
social contexts (we can be and have variously been 'son or daughter’,
'school pupil’, 'schoolfriend’, 'father or mother’, 'husband or wife’,
'lover or mistress’, 'colleague at work’, 'goalkeeper*, 'member of
an association’, 'attendant at church’, 'worker’, and so on), we live
experiences that are varied, different and sometimes contradictory. A
plural actor is thus the product of an - often precocious - experience
of socialization in the course of their trajectory, or simultaneously in
the course of the same period of time in a number of social worlds
and occupying different positions.
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32
T H E PLURAL A C T O R
33
O U T L IN E OF A T H E O R Y OF TH E PLU RA L A C TO R
one self and another (‘the true sound of our heart’)* The ‘self’ that
produces literary works is not any more ‘deep’, ‘authentic’ or ‘true’
than the ‘self’ that acts and interacts outside the hours of writing.
Besides, focused on the difference to be made between ‘literature’
(‘the sphere in which one writes’) and ‘outside-literature’, Proust
develops a particularly strong acuteness for everything in the former
domain but remains blind to the internal differences within ‘outside-
literature’, doubtless conceding this ground to his opponent (Sainte-
Beuve). Instead of speaking of the ‘outward self’ (taken as a solid and
undifferentiated block), he should rather (though this was not his
main concern) distinguish ‘the selves’ that express themselves in the
different domains of extra-literary existence. But once his hierarchi
cal conception is abandoned, along with the dichotomic tendency
that perceives only the differences between the literary self and the
‘outward self’, Proust’s analysis proves to be a little theoretical gem
for grasping the internal plurality of social actors*
T he self that produces works is obscured by the other self, which
may be very inferior to the outward self of many other men’ (Proust,
1988, p. 13). How then, in these conditions, can one correctly judge
the literary work of Stendhal, Baudelaire or Balzac on the basis of
what is known of them in terms of the relationships that they had
with certain of their contemporaries? As opposed to Sainte-Beuve,
one has to ask what is the specifically literary domain in which the
writer places himself each time he writes:
34
THE P L U R A L A C TO R
All this bears out what [ was saying to you, that the man who lives in
the same body with any great genius has little connection with him,
but he it is whom his intimates know, so it is absurd to judge the poet
by the man, as Sainte-Beuve does, or by the hearsay of his friends. As
for the man himself, he is only a man and may be utterly ignorant of
what the poet who dwells in him wants. (Proust, 1988, p. 39)
35
O U T L IN E OF A T H E O R Y OF T H E PLU R A L AC TO R
The sole exception to the rule that the tradition that generally
preaches the singleness of the actor is ready to accept is that which
can be considered in a sense as arising - to a greater or lesser degree -
from a form of mental pathology or disturbance of identity. Referring
cases of internal plurality to the model of a "divided self’26 and of
"mental conflict*, it seeks assurance in a certain sense by telling (itself)
implicitly that the "normal* (in the sense of the most common), and
thus the "law*, is indeed on the side of singleness.
Freud, in fact, used the term "splitting of the ego* to denote the idea
of the "coexistence at the heart of the ego of two psychical attitudes
towards external reality* that "know absolutely nothing of the other*
(Laplanche and Pontalis, 2006, p. 427).27 The subject thus experi
ences an internal conflict between two impulses, desires and feelings
towards the situations that they live. This perpetual friction28 is lived
with inescapable suffering, which can even lead in certain cases to the
verge of schizophrenia.
This type of plurality, while quite essential to understand, cannot,
however, be taken as the general model of internal plurality of the
actor. It is a particular case of the model of the plural actor as we
conceive this. The first limitation of the idea of splitting, in fact, is
precisely that the multiple is squeezed into the figure of the double
and binary opposition (duplication of the personality, double bind,
double consciousness, double game . ..). But the plural actor is not
necessary a double agent. He or she has embodied several reper
toires of schemes of action (habits)29 that do not necessarily produce
(major) suffering, in so far as they can quite well coexist peacefully
when expressed in social contexts that are different and separate from
36
T H E PLU R A L AC TO R
37
O U T L IN E OF A T H E O R Y OF THE P L U R A L AC TO R
39
O U T L IN E OF A T H E O R Y OF TH E P L U R A L A C TO R
socks are all screwed up!’ There was a world between the tw o .. .. This
unease, this shock, everything the teachers said or did about anything,
I listened to and watched, it was light, formless, calm, always to the
point. Real language was what [ heard at home: booze, victuals, get
screwed, old meat. Everything was immediate there, shouts and grim
aces, overturned bottles. The teacher spoke and spoke, but things didn’t
exist.. . . The school was acting as if things were funny, interesting, all
right. The teacher gave her own radio broadcast, reading stories while
she twisted her mouth and rolled marbles to play the big bad wolf.
Everyone laughed, even I forced myself to laugh. Talking animals didn’t
interest me that much. I thought she was making fun of us by telling us
these stupid things. She jumped up on her chair so well that I took her
to be a bit backward and stupid for telling us these stories of dogs and
sheep. (Ernaux, 1974, pp. 53—4)
But the question of a ‘choice* between one world and another was not
yet raised.
Then, as educational success confirms, the world of school takes
the upper hand and becomes the "point of reference*: "Now there was
only books and school; the rest I began no longer to see* (Ernaux,
1974, pp. 85-6).
At the moment of that solemn communion, the transition to secondary
school, this odd feeling began to grow, of not being at ease anywhere
except with my homework, an essay, a book in the corner of the court
yard, under the bedcovers on Thursday and Sunday, hidden at the top
of the stairs. . . . I began not to notice anything. To ignore it all. The
shop, the cafe, the customers, and even my parents. I wasn’t there, [ was
in my homework, in my books, as they say. ‘Don’t you get a headache
with all that?’ [ spoke less and less, it upset me. (Ibid., p. 91)
It is hard not to be upset by one’s parents when one gradually comes
to see them through the eyes of another world, on the basis of other
ways of speaking, looking, acting and feeling. But it is hard as well to
forget the ineradicable family and emotional tie that joins parents and
children. Because parents are within a child, through all the habits it
has constructed in its relationships with them, to despise them is to
despise oneself: "It is me that 1 hate. 1 rebel against their slaving away
at the counter, and despise them. . . . Perhaps it is me who prevented
them from buying a nice grocery* (ibid., p. 164). The transfuge or
"scholarship boy’ thus feels "cut in two*, "between two stools* (ibid.,
p. 181), belonging to ‘both the worlds of school and home’ at once
(Hoggart, 1998, p. 227).34
To return to the start of my argument - i.e. the impossibility of
making cases of "splitting of the ego* a general paradigm for an
40
T H E P L U R A L A C TO R
approach to the plurality of the actor - 1 can note the fact that, like
any actor, the "class transfuges' are familiar with many other inward
contradictions or differentiations - in terms of schemes of action and
repertoires of these. They focus, however, on the main contradiction
that occupies the foreground - i.e. their consciousness. To forget
other differences that do not appear so clearly and consciously to the
eyes of the actor, those that only reveal themselves in the close analy
sis of long interviews35 or in the wake of direct and systematic obser
vation of behaviours in varying social contexts, that reveal unknown
to the person being studied their manifold little contradictions, their
behavioural heterogeneity - this would be placing too much emphasis
on the conscious subjectivity of the actor and the socially maintained
illusion of the coherence and singleness of the self.
41
Scene 2
42
TH E W E L L SP R IN G S OF A C T IO N
concern is essentially less with the actor who acts than with the action
per se (its contexts, course, modalities, grammar), no matter what
the past of the actor effecting it. A sociology relieved of any theory
of memory, habit and embodied past, a sociology of anti-Proustian
inspiration, you could say. But it is just as legitimate that other litera
ture can inspire other sociologies. My intention is therefore to take up
theoretically the question of the embodied past, of earlier socializing
experiences, while by no means neglecting or denying the role of the
present (of the situation) by pretending that our whole past acts 'like
a single person’ at each moment of our action, or by claiming that
what we are and are engaged in at each moment is the synthesis of
everything we have previously experienced, so that it is this synthe
sis, this unifying principle, this (magic) formula generating all our
practices, that has to be reconstructed.
In fact, the question of the relative weight of past experiences
and the present situation in accounting for actions is fundamentally
bound up with that of the internal plurality of the actor, which is
itself correlative with that of the plurality of the logics of action in
which actors are inscribed or are led to inscribe themselves. If the
actor is the product of a homogeneous and unambiguous family con
figuration X and encounters in the course of their life only situations
identical or analogous to X, then past and present are one and the
same thing. There is no longer any difference between what the actor
knew previously and what she knows now, and one can then observe,
in an expression of Pierre Bourdieu’s drawn from phenomenology,
a profound relationship of ontological complicity between mental
structures and the objective structures of the social situation, a com
plicity that is at bottom that of the illusio - i.e. the enchanted rela
tionship to the situation: the actor lives the situation in his element.
But then there is no longer either past or present (which is precisely
a formula like: ‘ [hjabitus spontaneously orchestrated among them
selves and pre-adjusted to the situations in which they operate and of
which they are the product* (Bourdieu, 2000, p. 145), since the actor
has lived and continues to live in a homogeneous social space that
is never transformed. In a formula of the kind: ‘a present past that
tends to perpetuate itself into the future by reactivation in similarly
structured practices’ (Bourdieu, 1990a, p. 54), the homogeneity and
singleness of the past is presupposed, and the problem of the encoun
ter between an ‘embodied past’ and a ‘present’ that are different and
contradictory is prematurely closed.
The articulation of past and present, therefore, acquires its full
sense only when (embodied) ‘past’ and (contextual) 'present* are
43
O U T L IN E OF A TH EO RY O F TH E P L U R A L AC TO R
44
TH E W E LLSPR IN G S O F A C TIO N
46
TH E W E L L SP R IN G S OF A C TIO N
47
O U T L IN E OF A T H E O R Y OF THE PLU R A L AC TO R
49
O U T L IN E O F A T H E O R Y OF T H E P L U R A L AC TO R
only those memories or habits that can 'fit’ into the 'present attitude’
('that which resembles the present perception from the point of view
of the action to be accomplished’). This same 'present attitude’ ('the
necessities of the present action’) also possesses the negative 'power
to inhibit’ that part of the embodied past which cannot find a way of
activation in the context in question. As Bergson writes, 'it is from
the present that comes the appeal to which memory [or we could say
'habit’] responds’ (1912, pp. 114, 220, 199,197).
It is also quite surprising to see how the sociological tradition that
emphasizes the 'weight of the past* is basically able to neglect the
role of the present situation, even though it is this that often 'decides’
what of the past is allowed to resurface and act within the present
action. This is the case when Bourdieu evokes the analysis that Erich
Auerbach offers of a passage in Virginia Woolf’s To the Lighthouse,
to argue for the importance of the past in everyday actions and reac
tions (Bourdieu and Wacquant, 1992, p. 124), even though this very
example equally reveals the importance of the triggering event (i.e.
trying on a stocking). We need only think of those schemes of action
that, because of radical social transformation or more or less enforced
individual transplantation from one social universe to another (e.g.
imprisonment, long-term hospitalization, migration, war, sudden
social decline or lightning social ascent, etc.), no longer find the con
ditions of their happy and harmonious actualization to remind or
convince ourselves of the importance of the present situation.
Conditional dispositions
The essential characteristic of the dispositional term, its conditionality
- if Sj then b. most of the time becomes degraded into an unconditional
‘act’.
(J, Van Heerden and A. J. Smolenaars, ‘On traits as
dispositions: an alleged truism’)
50
TH E W E L L SP R IN G S OF A C T IO N
51
O U T L IN E OF A T H E O R Y OF THE P L U R A L AC TO R
the water and it will be seen to dissolve. Can the result of this experi
ment be summed up by saying that the 'quality* or 'property* of sugar
is to be soluble in water? Can we say that sugar 'has* this property
('solubility*) in the sense of a 'potentiality already there’, a 'disposi
tion* that exists before any contact with water, taking up therefore the
Aristotelian distinction between 'disposition* and 'action* ('hexis and
energeia’)? That the 'disposition to be soluble’ (solubility) is revealed
by water? Or again that the 'solubility* of the sugar is 'actualized* in
contact with water? Is water simply a ground of actualization, a site
of 'revelation* of a property 'in itself’, a substantial property? Or is the
water itself a co-producer of this 'solubility*, which belongs neither to
the water nor to the sugar, but to the point of their encounter?
Water does not have the power to dissolve any product; sugar does
not dissolve in air. And so there is no property-in-itself that is lodged
somewhere in the sugar, and it may even appear desirable, from a heu
ristic point of view, to avoid speaking of the 'solubility* of sugar, so
as not to reify the product of an interaction. Instead we can describe,
as we began by doing, the act of dissolution of the sugar in the water.
The property or the disposition in question is a 'relational property’,
a 'property of interaction’, and it sometimes seems preferable to keep
to the description of actions rather than to assume a 'potential* that
'actualizes* itself on the occasion of the encounter (in the 'accident*
that this 'occasion* constitutes). In all cases, to attribute a 'disposi
tion* to an object, a substance or an actor is to wager (though in some
cases, such as the physical and chemical sciences, the wager is a sure
bet, whereas in others we remain in probabilistic reasoning) on the
propensity or tendency of the object, substance or actor to act (or
react) in a certain fashion in determinate circumstances.
In the order of social behaviour, it would be far too naive to play
with (or on) words by rhetorically distinguishing what is only the
occasional 'trigger* of these behaviours (the event or the context)
from their 'real determinant’ (the embodied disposition). In point
of fact, neither the 'triggering* event nor the disposition embodied
by the actors can be designated as the real 'determinant* of practices
(which would assume a quite improbable model of human action).
The reality here is in fact relational (or interdependent); the behaviour
or the action is the product of an encounter in which each element is
neither more nor less 'determinant* than the other.13 By positing the
triggering event or the context as simply the 'occasion* for liberating
the virtual power or potential of schemes or dispositions, we would
surreptitiously draw on the Saussurian model of speech as simple
actualization (exemplification or illustration) of language (code or
52
TH E W E L L SP R IN G S OF ACTIO N
system) - a mode) which we well know prevented in its day the study
of practices of language and contexts of utterance. Besides, by pro
ceeding in this way, we completely avoid the fact that the absence
of the triggering or contextual events in question (or the presence
of other types of trigger) has the negative power of leaving dormant
(or silencing), or at least inhibiting, according to the particular
case, memories, skills, dispositions, attitudes, habits, and schemes
of action. As J. Van Heerden and A. J. Smolenaars emphasize: It
is imaginable that an object or person has a certain disposition that
never or rarely reveals itself because its manifestation is blocked by
other factors’ (1990, p. 299).
A first limit to the comparison between the lump of sugar and
the actor on the one hand, the water and the present situation on
the other, lies in the fact that the sugar has no ‘past* and reacts in
exactly the same fashion no matter what particular water (H20 ) is
involved. The sugar has not constituted its ‘disposition to dissolve*
by way of a history of past contacts with water, whereas the actor is
the product of his or her multiple past experiences, multiple acquisi
tions - more or less complete - made in the course of situations that
have been lived previously.14 There is thus a profound complicity
between actors and social situations, a kind of natural communion,
the actor being the product of the embodiment of multiple situations.
The question raised is therefore that of the mode of accumulation and
restructuring of lived experiences and the actualization of this capital
of experiences (embodied in the form of schemes) as a function of the
situations encountered.
A second limitation follows from the fact that, if dispositions -
whether physical or social - are manifested only in particular condi
tions or circumstances (e.g. the solubility of sugar in water; a social
situation S), the result of the encounter is more ambiguous with social
dispositions and conditions. There is always an uncertainty here, as
to (1) what actor A will ‘retain* in the situation S, and (2) what in
actor A will be triggered by the situation S. It is hardly possible to
find ‘social conditions* and ‘actors* of whom it would be possible
to predict with certainty the manifestation of a singular disposition
equivalent to the dissolving of sugar in water. Sociological determin
ism is never as unambiguous as physical or chemical determinism
(Becker, 1994). The behaviour of an actor may well be completely
socially determined, but it is impossible to predict as easily as in the
case of the chemical experiment the appearance of this behaviour.
That depends on the social complexity of the situation (never reduc
ible by the sociologist to a limited series of parameters, contrary to
53
O U T L IN E OF A T H E O R Y OF TH E PLU RA L A C TO R
the reduction of the situation to a formula of the kind "H20 ’), which
is also never totally identical to those that the actor has lived previ
ously (as distinct from the water, which remains identical to itself),
as well as the internal complexity of an actor whose stock of habits
(schemes) is more or less heterogeneous. Apart from these differences,
the example of the sugar and the water pinpoints the tendency to
verbalism and reification that lies in wait for anyone who speaks too
rapidly the language of "dispositions* and substantializes the realities
of interactions.
There is always a great risk of (1) forgetting the conditional (cir
cumstantial, contextual) dimension of dispositions and (2) ignoring
their scientifically constructed15 nature, or (3) increasingly disasso
ciating the potential from the acts that have socio-genetically consti
tuted it. The cases of abuse of language (in Wittgenstein’s sense) are
thus very numerous among adepts of dispositional explanation in the
social sciences.
For example, in everyday life (and sometimes also in science) we
face the temptation of reifying into personality traits the behaviours
or attitudes of an actor that are the product of past socialization
and the situation in which the embodied past is actualized. Then a
person is said to be "calm*, "anxious*, "scornful*, aggressive*, etc.,
whereas these "dispositions* are not properties inscribed in them but
rather relational realities (of interactions) that are observed only in
the encounter between this person and something or someone else.
To convert into dispositional language (solubility, aggressiveness,
etc.) what can be described more simply as a situated behaviour (it
dissolves in water, he was aggressive towards his classmate . . .) does
not increase our knowledge of the social world. In effect, if an actor’s
disposition can be seen only in moments of action, in various prac
tices, one may wonder whether the distinction between "dispositions*
and "practices* is really useful. In such a case, it is always preferable
to privilege the precise description of the action in its context (Lahire,
1998b). But one could even say that, if dispositional language some
times does not add a great deal to the circumstantial description
of an action, it can also say too much, in so far as it transforms a
disposition under certain conditions into a general and transposable
disposition. From aggressiveness towards a classmate, we move - by
excessive generalization - to a general aggressive disposition towards
other people.
Once the slippage is made from "conditional* dispositions to per
manent dispositions, generalizable and transposable to any situation
whatever - in other words, once the clause "under certain conditions*
54
TH E W E L L SP R IN G S OF A C TIO N
56
THE W E L L SP R IN G S OF A C TIO N
58
THE W E L L SP R IN G S OF ACTIO N
often asking for explanations but especially for affection, not autono
mous at work, laborious from the standpoint of comprehension,
irregular in work effort, not very logical, not very cultivated, not
particularly curious, not particularly gifted, 'pedestrian*, not very
careful and influenced by her schoolfriends. She also assessed her
as kind and agreeable in interaction with adults but very aggressive
and disagreeable with her schoolfriends, reserved with adults but
talkative with schoolfriends. Above all, the teacher emphasized Anne-
Sophie’s radical change of behaviour between class and playground.
'She is completely different in recreation with other children. She
always rushes in with the boys; she is very boyish, she wants to play
football with the boys, and Pd say she had a very masculine side to
her.* According to the situation in question, the adjectives used for
her could often be opposed: ‘One could almost have put down the
opposite.*
The same type of situation was found in a completely different edu
cational context (state school in a Lyon suburb). Akim was a pupil
with some educational difficulty, but posed no problem to his teacher
in the classroom. Contrary to many pupils who were very weak aca
demically, ‘got nothing out of working in a group* and ‘remained
passive*, Akim had good relations with his classmates in the groups:
‘He is quite able to join in with the group; he can take his place
and even has things to say.* But the particular reason he is assessed
as 'special* is that his behaviour in class is quite the opposite of his
behaviour in the playground. 'Although he*s just a child, when you
see him in the playground you say: “ He must be horrible” , and it*s
true that he behaves hatefully, he defies the teachers and people whom
he doesn*t know. When he*s in class, he gets down to work.* Though
the teachers are horrified by his behaviour in the playground (T saw
him there again early in the afternoon. He approached a pupil with
his "little ruffian” side and began to threaten him . . .*), he turns out
to be very disciplined in the classroom: 'Whereas in class, apart from
asking me questions, l*m hardly aware that he*s there. 1 don*t have to
do anything. Not a thing!* His teacher reacts very clearly to the list
of adjectives shown her: 'Careful about this one, he*s completely dif
ferent in class and in the playground. There*s nothing in common at
all. In class I hardly hear him*, (whereas in the playground) 'he kicks
up a racket, he*s aggressive, a leader, everything that he isn*t in class!*
Akim seems to have made a division of his habits according to the
situation (classroom or playground), disciplining himself in class and
letting his more aggressive dispositions run riot in the playground ('a
horror*).
59
O U T L IN E OF A TH EO R Y OF THE P L U R A L A C TO R
60
THE W E L L SP R IN G S OF A C TIO N
minority groups, in fact, pass a large part of their days in sites where
the dominant norms prevail. . .. This juxtaposition, symbolized by a
permanent to and fro between modes of action and expression that are
internal to the group and others that are external, produces consider
able effects on everyday behaviour. .. . Those who belong to majority
groups and have never lived this disjunction between public and private
behaviour often find it hard to appreciate its effects. (1989, p. 80)
What is particularly to be observed with such actors is the change
of language between one ‘sentence’ and another (‘code switching’),
and even in the course of the same ‘sentence’ (a mixture of languages
or ‘code mixing’). These changes are never the result of chance or an
incoherence due simply to repeated cultural contacts with a tongue
different from the maternal one. The subject of conversation associ
ated with the world of the mother tongue (Spanish, for example)
can suddenly trigger a shift into this language.26 When the theme of
discussion becomes more formal, or the relationship between the two
interlocutors is less warm and friendly, the bilingual subject may pass
from his or her mother tongue to English - in the same way as one
moves in French from the familiar to the polite form of address. And
similar facts are observed within the same language, between differ
ent styles of speech (in a social hierarchy from the more prestigious to
the more stigmatized), as William Labov notes in his account of a case
of sudden triggering of language habits that were kept carefully inhib
ited up until then thanks to a great self-control (hyper-cor recti on):
I interviewed a foreman on the railroads in Atlanta, and my wife, who
is a sociologist, interviewed his wife. The wife had an educational level
and social origin that was lower than her present position. What was
surprising, given the social characteristics of this subject, is that no
double negative - a form highly stigmatized in English - appeared in her
discourse. Up to the moment that my wife asked her a question about
cooking: ‘Do you measure the quantities?’ Spontaneously, she replied:
‘Honey, I don’t measure nothin’.’ The researcher here touched on a
key theme of symbolism in cooking. A good cook does not measure.
Measurement is bound up with a superficial knowledge drawn from
recipe books. The symbolic of vernacular cooking implies use of the
vernacular language, in particular the double negative. (Labov, 1983,
p .71)
But it is David Efron’s (1941) anticipatory analysis that offers the
prototype of all sociolinguistic studies. Efron studied gestural behav
iour, starting with the provisional hypothesis that this varied cultur
ally from one group to another. To test his hypotheses, he undertook
primarily in New York, and secondarily in the Adirondacks, the
61
O U T L IN E OF A T H E O R Y OF TH E PLU RA L A C TO R
62
TH E W E L L SP R IN G S O F A C TIO N
63
O U T L IN E OF A T H E O R Y OF THE P L U R A L AC TO R
64
THE W ELLSPR 1N G S OF A C TIO N
65
Scene 3
A N A LO G Y AND TRANSFER
66
AN ALOGY A N D TR A N SFE R
68
A N A LO G Y A N D T R A N SFE R
69
O U T L IN E OF A T H E O R Y OF T H E PLU RA L A C T O R
70
A N A LO G Y A N D TR A N SFE R
71
O U T L IN E OF A T H E O R Y OF TH E P L U R A L AC TO R
72
A N A LO G Y AND TR A N SFE R
73
O U T L IN E O F A T H E O R Y OF THE P L U R A L AC TO R
74
A N A LO G Y AND T R A N SF E R
75
O U T L IN E OF A T H E O R Y OF THE PLU R A L A C TO R
76
A N A L O G Y AND T R A N SFE R
A relative transferability
There is some justification for basing a judgment of a man on the most
ordinary facts of his life; but in view of the natural instability of our
conduct and emotions, it has often seemed to me that even good authors
are wrong to insist on fashioning a consistent and solid fabric out of us.
(Montaigne, The Complete Essays)
Sociology has lived for too long on the unquestioned self-evidence of
necessary transferability (transposability) and the similarly "generaliz
able* character of cultural schemes or dispositions. To the extent that
sociologists have borrowed here once again - without too explicit a
reference - from the scientific findings of a particular historic state
of psychological research (essentially the school of Piaget), it may
be useful to reopen the doors of past and contemporary psychology
in order to put in question what formerly functioned, at best, as a
theoretical academic routine making it possible, despite everything, to
study the links and transitions from one domain of activity or exist
ence to another, and, at worst, as simply a kind of tic (bad habit) of
language, with no consequence at all in terms of the construction of
objects for research and the production of knowledge about the social
world.
A return to the repressed (psychology) makes it possible not only
to locate the origin of the problems raised by the notions of transfer
or transposition, but also to stress the growing distrust of many con
temporary psychologists towards these notions - concerned as they
are to escape from the laboratory and the logic of experiment to work
"outdoors* in varied and contrasting social contexts.
The fundamental problem that the notions of "transferability*,
"transposability* or "generalizability* present could be called one of
"excessive or premature generalization* (or, alternatively, "lack of
theoretical modesty*). What makes for this problem, in fact, is a
subtle and scarcely detectable slippage from the potentially trans
ferable and generalizable to the empirically observed and attested
generalization. It is not scientifically questionable that a scheme or a
disposition is "disposed* to be activated in contexts different from -
but analogous to - those in which it was acquired, constructed and
constituted. What is more questionable is the idea that these schemes
or dispositions are all transferable and generalizable on every occa
sion.17 This simple semantic slippage leads to a series of errors of
interpretation and a great deal of laziness on part of researchers.
Passing directly to the "presumed transferable and generalizable*,
they thus short-circuit the normal investigative procedure and avoid
77
O U T L IN E OF A T H E O R Y OF TH E P L U R A L AC TO R
One can recognize in this text the main source of the more ‘technical*
- i.e. more precise - definition of habitus given by Pierre Bourdieu.
This definition particularly deserves the contemporary reader’s atten
tion, since it contains both what Bourdieu took over from his reading
of Piaget (in the first part of the quotation) and what he left out (the
second part).
As regards the first part of the quotation, we find the definition
of schemes as what in an action is generalizable and transposable
from one action to another, but we also find the same certainty as
regards the transposability of schemes of action from one situation
or domain of activity to another. There seems to be no doubt for
Piaget (as also for his prestigious successor) that the ‘combination
scheme’ that the baby applies in piling up bricks is actualized later
on in connection with ‘logical operations such as the linking of two
classes of things’ .19 As a psychologist, Piaget developed an ideal
and linear conception of child development. For him, in fact, ‘the
sensorimotor schema is applied to new situations and thus dilates to
embrace a larger realm’ (Piaget, 1952, p. 139). By way of its multiple
experiences, the child comes to ‘generalize the schema* by applying
it to other objects, other situations and other problems (by sucking
the mother’s breast, objects placed in its mouth, its thumb, tongue,
bottle, etc., the child establishes the ‘sucking’ scheme a bit more on
each occasion). A balanced process of assimilation of situations to
embodied schemes is thus developed, and of accommodation (cor
rection) of schemes earlier acquired to variations and changes in the
situation. In this model, no place is left for anything of the order of
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O U T L IN E OF A T H E O R Y OF THE P L U R A L A C T O R
80
A N A LO G Y AND T R A N SFE R
82
A N A LO G Y AND T R A N SFE R
1988, p. 27). But if many studies cast doubt on the evidence of cogni
tive transfer from one experimental situation to another in the case of
resolving a problem - even when these situations are homogeneous
contextually (they are always tests) and cognitively (the same type
of task: a problem to resolve), and are conceived so as to maximize
the probability of a transfer appearing (distinct formal problems
proposed immediately after one another, with the explicit indication
of a possible transfer)23 - transfer is still more debatable when we
are faced with the transition from experimental or educational situa
tions to those of everyday life, or from one situation of everyday life
to another. For example, rather than a transfer of arithmetical skills
acquired through education to other situations of everyday life that
require an activity of calculation (such as purchases in a supermarket),
we observe different practices of arithmetic in different situations
(ibid., p. 63; Carraher, Carraher and Schliemann, 1985).
The issue of the generalizable character of schemes as well as of
their transferability has been particularly well raised and dealt with at
length by researchers seeking to show the ‘cognitive effects’ of prac
tices of writing. One of the key points in the work of Sylvia Scribner
and Michael Cole (1981) has precisely been to cast light on the exist
ence of partial schemes that are contextualized, bound up with very
specific contexts, and whose effect is not ‘felt* (or ‘measured’) beyond
these contexts (‘Instead of generalized changes in cognitive ability, we
found localized changes in cognitive abilities’; ibid., p. 234).24 In the
debate between psychologists, historians and anthropologists, these
authors have contributed to demonstrating the fact that the presence
of ‘writing’ in certain societies can in no case be taken as an indicator
of the existence of general (meta-)cognitive competences or faculties
(ibid., p. 229).
Among the Vai peoples of Liberia whom they studied, the use of
a syllabic type of writing (and without space between the words) is
occasional, brief and belated (towards the age of twenty). It is taught
sporadically in the course of special occasions or encounters (the
need to send a letter, for example, and the presence of a friend able
to write letters and willing to show howto proceed). Instead of being
taught for their own sake in a formal and institutional relationship
of apprenticeship,25 reading and writing are learned through inter-
personal relationships, and inscribed in particular social practices (a
particular ‘need’ to write) and in forms of particular discursive genres
(you don’t learn to read and write a wide variety of texts, but to read
or write a letter, a list of donors and gifts drawn up on the occasion of
a funeral, plans, records of financial transactions, of family work, of
83
O U T L IN E OF A T H E O R Y OF T H E PLU R A L A C TO R
84
A N A LO G Y A N D T R A N SFE R
85
O U T L IN E OF A TH EO R Y OF THE P L U R A L AC TO R
86
A N A LO G Y AND T R A N SF E R
87
O U T L IN E OF A T H E O R Y OF THE PLU R A L AC TO R
88
Scene 4
For it seemed to me that they would not be ‘my’ readers but the readers
of their own selves, my book being merely a sort of magnifying glass
like those which the optician at Combray used to offer his customers -
it would be my book, but with its help [ would furnish them with the
means of reading what lay inside themselves.
(Marcel Proust, Time Regained)
the leader of the highwaymen, lives his highwayman life from inside. It
is through the eyes of the highwayman that he sees a second kid run past
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O U T L IN E O F A T H E O R Y OF TH E P L U R A L AC TO R
a third, who for his part is the traveller . . . The relationship that each
of them maintains with the event in life they have decided to play - the
attack on the stagecoach - is nothing more than the desire to take part
in the event, the desire to live this life in the capacity of participant.. . .
This relationship to life that is expressed in the desire to live it in one’s
own person is not an aesthetic relationship to life; in this sense, the
game is similar in kind to daydream or the naive reading of a novel,
in which one identifies with the principal character in order to live, in
the category of the self, their reality and their interesting life, in other
words dreaming precisely under the direction of an author, but this has
nothing in common with the artistic event. (Ibid., p. 89)1
90
LITER A R Y E X P ER IE N C E
91
O U T L IN E O F A TH EO R Y OF THE PLURAL A C T O R
92
L IT E R A R Y E X P ER IE N C E
of origin that they left many years ago), reading makes it possible to
(re)develop schemes of experience and identities.
But not all novels can fulfil this function for all readers, both on
account of the linguistic and stylistic mastery that they assume on
the part of the reader (this is the first barrier of access to books, by
linguistic code, which depends on the time spent at school in reading
texts that ate lexically and syntactically complex) and on account of
the themes that they develop, the experiences they recount (this is
the second barrier, which depends on the stock of schemes embodied
by different readers as a function of previous social experience). It is
obvious that both types of obstacle are sometimes combined, but not
systematically (and the problem is posed more acutely for less edu
cated readers than for others, to the extent that the first type of obsta
cle prevents them right away from appreciating the ‘story’, whereas
more educated readers can read certain texts without experiencing
any linguistic difficulty, but aware of their lack of sensitivity to their
‘content’).
The ‘sensitivity’ of various readers to different texts essentially
depends not on a one-to-one correspondence (e.g. that workers
would like novels that describe the working-class situation, women
would like novels speaking of women, Catholics or Jews books with
Catholic or Jewish characters . . .) between written and lived situa
tions, but rather on the possibility for the reader to enter - by some
imaginary modifications or transformations - into the world of the
text (Ricoeur, 1984-8, vol. 2, pp. 228-63). A simple analogy - even
very distant and vague - between situations facilitates this work of
imagination on the part of the reader: whether a love affair between
a woman and a man takes place in medieval England or late twenty-
first-century New York does not prevent a young Frenchman of our
own day from ‘seeing himself in it. A taste for this or that literary
work, therefore, does not presuppose a simple similarity between the
world of the reader and the world of the text: the most approximate,
distant and vague analogy is amply sufficient to produce the literary
emotion. We could even say that this literary emotion is produced at
the confluence of the near and the distant, the same and the other,
the similar and the different: the charm of the literary text, interest
ing because it ‘recalls’ a lived situation, always lies in the gap that
separates it from this same situation. One ‘finds oneself’ at the same
time as one discovers other worlds, one finds the familiar through
discovery of unfamiliar characters, places and situations.
The meaning of reading or, better, the experiences that readers
live through books is a question that sociologists have almost totally
93
O U T L IN E OF A T H E O R Y OF TH E P L U R A L A C TO R
95
O U T L IN E OF A T H E O R Y OF TH E P L U R A L AC TO R
the actors replay scenes that they experienced and that disturbed or
upset them, imagining how things might have turned out differently.
We can expand Strauss’s thesis by considering that retrospective day
dreams can just as well concern pleasant and agreeable themes which
the actor constantly replays 'in the mind* - like a scene from a film
that you particularly enjoy, except here with possible modifications.
Now, these beginnings of a sociology of daydreams - which Strauss
subsequently abandoned - could inspire a research programme for a
sociology of literary experience. Works of literature, in fact, provide
support for daydreams of this kind. Rather than creating their sce
narios out of the whole cloth, or instead of drawing on past experi
ence in order to 'replay’ scenes experienced, actors can appropriate
scenes, plots, characters and sequences of events that others have
written for them, and continue to apply the schemes of their personal
experiences.
Literary texts are thus triggers of daydreams that make it possible
to return to an action, to continue it, support it or prepare it. Far from
being a passive activity disconnected from courses of action, reading
is part and parcel of the action. Readers sometimes seek out books
with the desire to 'apply’ this or that type of experience (e.g. the case
of mothers looking for stories that present problems of adolescence,
or divorced women who appreciate stories of marital conflict. . .), but
they can always emerge from their reading with other past situations
that they had stopped thinking about having been reactivated, with
other possible scenarios that enable them to reawaken and test certain
impulses of theirs that remain unsatisfied, to 'try out’ 11 roles that
are highly improbable, or else ones that can be envisaged in a near
or more distant future. One draws from books the resources needed
to 'escape’ from or give meaning to (and sometimes sublimate) the
monotonous, boring and painful reality, as well as to prepare oneself
to confront the most problematic, embarrassing, sombre or painful
situations. The 'world of texts’ is so intimately mingled with the expe
riences of the reader that the latter may sometimes no longer be able
to distinguish a personal memory from an analogous literary scene, as
Maurice Halbwachs remarks:
First of all, [ have since read a number of factual and fictional accounts
describing impressions of a child who is entering a class for the first
time. It may very well be that, when [ read them, the personal remem
brance that [ had kept of similar impressions became intertwined with
the book’s description. [ can recall these narratives. Perhaps in time [
have preserved and can retrieve, without being certain as to what is
what, my own transposed impressions. {1980, p. 70)
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L IT E R A R Y E X P E R IE N C E
98
Act II
Ref lexivities and Logics of Action
Scene 1
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R E F L E X !V IT IE S A N D L O G IC S O F A C TIO N
103
R E F L E X IV IT IE S A N D L O G IC S O F A C T IO N
104
S C H O O L , A C T IO N AND LA N G U A G E
and has little connection with the pre-reflexive language habits that
are triggered in appropriate situations.
Basically, the school makes language the object of a particular
attention, a conscious, voluntary and intentional manipulation (to
follow Vygotsky, 1962). It develops a reflexive attitude towards
objective language, keeping this at a distance and considering it as
an object to be studied in and for itself on the basis of various per
spectives. There is a radical difference between practical mastery of
language in its various ordinary usages (linguistic practical sense) and
the kind of symbolic mastery (there could indeed be other kinds) that
the school proposes (historically, educationalists have often spoken
of this second mastery, which orders and reasons what comes from
simple habit and usage) in learning alphabetic reading and writing, in
the teaching of grammar and orthography or in that of oral or textual
production. Far more than merely becoming aware of a medium that
usage tends to make us forget, or to confuse with intentions, emo
tions, objects, individuals, situations, etc,, it involves the discovery
of a system (with its units and rules) that is totally new to the child.
As a world of written culture, the school is indeed the central place
where the attempt is made, systematically and durably, to make
children conscious of language, by multiplying the angles of attack
on language per se through a constant work on it by means of exer
cises, questions and incessant reflexive correction - a place where the
break is made with practices of language that are "spontaneous* and
"everyday*.
Research that seeks to measure the cognitive effects of school
always shows how schooled children or adults succeed better than
others in those tasks that require verbal explanation (e.g. to explain
why a sentence is grammatically correct or incorrect, and not simply
judge whether it is so), that demand the production of explicit verbal
instructions (e.g. concerning a game that is already mastered in prac
tice) or that require sticking to the verbal message alone in the reso
lution of a problem (e.g. the case of syllogisms) (Scribner and Cole,
1981; Goody, 1987, p. 235). For example, in a study conducted on
the Mayas and Mestizos of the Yucatan peninsula, D. Sharp, M,
Cole and C, Lave show that those subjects with little or no school
ing generally resolve syllogisms by referring to everyday information
about the world, rather than by keeping simply to the information
contained in the problem. To a syllogism of the type: "If Juan and
Jose drink a lot of beer, the mayor of the town gets angry. Juan and
Jose are drinking a lot of beer now. Do you think the mayor is angry
with them?’, certain subjects would respond that so many men drink
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S C H O O L , A C T IO N A N D LA N G U A G E
beer they don't see why the mayor should be angry {Cole, 1996,
p. 83) . ..
1 have myself shown in a series of observations conducted in class
rooms over three years that the pupils with educational difficulty in
primary school are those who are unable to take this distance from
language, to view it as an object that can be studied per se: they have
difficulty analysing the chain of sound right from their first introduc
tion to reading and writing, for lack of the ability to maintain their
attention on the phonological level, persistent collage or inadequate
partition of ‘words' (e.g. ‘the safternoon' for ‘this afternoon', etc.),
comprehension problems in reading that are partly bound up with
their inability to seek intra-textually the indications that make it
possible to construe the meaning of the text, difficulties in the field
of grammatical analysis and a pragmatic reappropriation of certain
grammatical demands, poor meta-linguistic mastery of the words in
a vocabulary that can also be mastered practically, frequent mistakes
in orthography (especially grammatical mistakes) that signal an insuf
ficient mastery of the paradigms and syntactical relationships that
connect the elements of different paradigms (e.g. so as not to write
‘Je les cueilles* but lJe les cueille\ you need to recognize the verb and
its subject, and to know that the verb agrees with the subject), an
oral expression in which the predominant aspects are implicit - i.e.
gesture, mimicry, posture, intonation - and which thus appears ‘poor'
in the eyes of teachers who privilege the explicit (e.g. ‘confusion of
tenses', juxtaposition rather than textual organization of ‘ideas',
profusion of facts with no connection between them apart from that
they happened in the same period of time . . .). All these manifesta
tions of educational failure remind us - by the resistance that they
show towards educational forms of apprenticeship and educational
knowledge - of the originality and specificity of the world of school.
By observing over a protracted period the reactions of pupils in crisis
to the pedagogic desire to draw them into this system of signs that is
language, one may end up doubting formalist and structural linguis
tic theories of the linguistic system. And we can be sure that one of
the elements that explains why Ludwig Wittgenstein abandoned the
‘speculative and hyper-theoretical attitude' of his Tractatus logico-
philosphicus was his experience as a country schoolteacher in the
years from 1920 to 1926 (Bouveresse, 1987, p. 569). It is certainly
not accidental that, without initially knowing this biographical fact, I
was able to use several philosophical remarks by this author to illus
trate the behaviour of children in difficulty towards the exercises and
demands of school.4
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R E F L E X IV IT IE S AND L O G IC S OF ACTIO N
This is not bounded at its two ends by the alternation of speaking sub
jects, it is not in immediate contact with reality (with the trans-verbal
situation) and no more does it have an immediate relationship with
anyone else’s utterances, it does not possess a full significance and is
unsuited to arousing a responsive attitude on the part of the other
speaker, i.e. to determining a response. The proposition as a unit of
language is grammatical in nature and has limits, a completion, a unity,
that derive from grammar. (Bakhtin, 1984, pp. 280-1)
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S C H O O L , A C T IO N A N D LA N G U A G E
las tic situations with such ease, but none the less they all undergo,
for a long period (at least ten years, between the ages of six and
sixteen), exercises that are the fruit of thousands of years of work by
these communities of scholars. They will later handle writing, which
always demands a minimum in the way of meta-linguistic awareness,
whether in terms of construction (textual order), making a sentence
(grammatical order) or simply spelling (lexical and orthographic
order).
The distanced relationship to language, therefore, is not simply
developed in any situation whatsoever, in any which way, by any
kind of practice or exercise. It is precisely constituted by educational
exercises based on a system of inscription and objectification of
language (alphabetic writing) and on bodies of accumulated written
knowledge (grammatical, orthographic, stylistic, alphabetic-phonetic
. . .) that constitute specialized and relatively autonomous reflexive
regards bearing on particular aspects or singular dimensions of lan
guage. Everything thus begins with alphabetic writing - which, as
we have seen, is in no way a natural duplicate of speech, but rather
an instrument of objectification of language and the basis of its sym
bolic mastery (and of apprenticeship to it). Specialist knowledge of
language itself varies historically (e.g. grammar was first introduced
at primary-school level in France in the mutual schools of the early
nineteenth century) and could be other than it is. One could imagine,
for example, that the primary school might partly replace the teach
ing of grammar (whose function is indissociable from the teaching of
spelling; Chervel, 1981) by that of rhetoric. Such changes, while sig
nificant, would be secondary in relation to the reflexive attitude that
it is intended to develop. These then are the indissociably social and
intellectual conditions for the construction of a reflexive relationship
to language.
If 1 emphasize here the concrete conditions for the social construc
tion of such a relationship to language, this is because there is an
alternative point of view on this question that places at the heart of
the problem the suspension of temporal urgency and removal from
economic necessity. To have free time and not to be subject to the
practical demands of existence (conceived as economic necessity) are
in this view the two major conditions for the formation of the reflex
ive and detached relationship to language, as likewise for the aesthetic
disposition, the scholarly viewpoint, etc. This is the thesis that Pierre
Bourdieu maintains, and which has been only rarely criticized, but
which 1 believe is both abstract and imprecise.
For example, the aesthetic relationship to creative works that sees
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R E F L E X IV I TIE S AND L O G IC S OF A C T IO N
As one moves away from the lower regions of the social space, char
acterized by the extreme brutality of the economic constraints, the
uncertainties diminish and the pressures of economic and social neces
sity relax. As a consequence, less strictly defined positions, which leave
more scope for manoeuvre, offer the possibility of acquiring disposi
tions that are freer in respect of practical urgencies - problems to
solve, opportunities to exploit - and seemingly preadjusted to the tactit
demands of the scholastic universes. (Bourdieu, 2000, pp. 16-17)
112
S C H O O L , ACTIO N A N D LAN GU A GE
113
R E F L E X IV IT IE S AND L O G IC S OF A C T IO N
114
Scene 2
What matters is not the subject but the eye. If there is an eye, a subject
will be found; if there is no eye, if you are blind, you won’t find anything
in the subject.
(Fyodor Dostoyevsky, A Writer s Diary)
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R E F L E X IV IT IE S AND L O G IC S OF A C TIO N
objects that are apparently minor, and that the latter imply neither a
quest for exoticism at home nor a systematic focus on the marginal
One may prefer, like Bourdieu, to 'expect a solution to such and such
a canonic problem from case studies’ (1996b, p. 178), rather than
remaining enclosed for all time in the four walls of texts that already
have been commented on to death. The theoretical insight that 1
have always kept in mind during my research on writing (whether
in school, at work or in the home) is the question of practical sense.
Little by little, from interview to interview, observation to observa
tion, case study to case study,1 it became clear to me that the everyday
practices of writing basically constitute fantastic exceptions and tre
mendous counter-examples to what the theory of practice and practi
cal sense describes. These practices represent real acts of rupture with
practical sense, practical logic, and may be understood on the basis of
the negative relationship that they have with the embodied practical
memory of the habitus. They make possible the symbolic mastery of
certain activities, as well as their rationalization.
Without this fundamental question of practical sense, at the heart
of the theory of action, the researcher perceives only the most striking
features of these practices and can only arrive at formal typologies
that are rather weak, never seeing what they have in common. Among
the many kinds of domestic writing, one can distinguish for example
those that are (quasi-)compulsory (e.g. filling in administrative forms
or writing various administrative documents) from those that relate
to social habits. Among the latter, one can again separate 'family’
practices (e.g. shopping lists, notes on a household calendar, mail
orders, classification of administrative papers, writing or copying
of kitchen recipes, labelling of food products . . .), and these in turn
from more 'personal’ practices (writing in a diary, crosswords), aes
thetic practices (writing stories, poems or songs, keeping a personal
journal), 'functional’ or 'utilitarian’ practices (e.g. calculations of
family accounts, keeping a 'log book’ for the car .. .), regular prac
tices (e.g. family correspondence, little notes from one family member
to another, written memos, lists of things to do . ..), occasional prac
tices (e.g. list of things to take on holiday, travel itinerary, notes in a
photo album . . .).
But it is more by asking what the indissociably social and mental
dispositions (relationship to time, to space, to language, to self and
others) are that these make possible, and to a large extent that they
establish, that it is possible to grasp the social logic of these motley
practices.
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TH E E V ER Y D A Y PR A C TIC ES O F W R IT IN G IN A C T IO N
with a "good memory’ (they make lists for their husbands when they
do the shopping, or write lists or memos of things for them to do).
Sometimes it is even the husbands (or sons) who ask their wives (or
mothers) to remind them of certain things or note them down. At all
events, resort to writing seems in the eyes of men a proof of 'weak
ness’. Writing things down to remember them already means taking
the risk of not using one’s memory. This is particularly noticeable
when the husband criticizes his wife for their children getting into the
habit of writing things down to remember them instead of stimulating
them to use their memory.
1 already established from a study of the work-related writing and
reading of semi-skilled manual workers (Lahire, 1993b, pp. 57-73)
that, tied to their machine and their colleagues at work, caught up
in a mimetic mode of embodiment of work, workers were led to
read and write only on rare occasions. In fact, if we take the case of
assembly plans and certain technical instruction sheets (indicating the
number of different pieces that an apparatus contains), then, against
what one might rather naively have started by thinking, use of the
plan or instruction sheet is not in the eyes of workers a sign of greater
skill or competence. Quite the contrary, it is seen as characteristic
of a novice, still 'green’. To the extent that the experienced worker
immediately recognizes the kind of apparatus to be assembled on the
basis of the components supplied, he has no need to consult the plan
or read the name of the apparatus. The more skilled you are, the less
your need to read a plan or instruction sheet. Writing in this case is
clearly associated with beginners, who, deficient in practical bearings,
may need written indications reminding or explaining to them what
they risk forgetting or what they have not yet completely embodied.
As well as this, a number of statements indicate a sharp criticism of
the use of plans: looking at the plan, one worker says, is not working,
and not making the effort to remember. Writing is thus considered as
apt to destroy or weaken the (valued) capacities of memorizing. In this
perspective, the plan and writing are only substitutes, external sup
ports, crutches for the deficient memory of novices who do not have
the job inside them, don’t have the plan 'inscribed’ in their memory
- in fact for those who have not embodied the habits of assembly.
Through the question of practices of writing, we touched here on
the problem of practical sense, since writing seems to intervene when
embodied practical sense does not or does no longer suffice.
Writing is thus perceived by a section of my respondents - more
commonly those from working-class milieus than those with greater
educational endowment, and more often men than women - as a
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TH E EV ERYD A Y PRA CTICES O F W RITIN G IN A C T IO N
119
R E F L E X IV IT IE S AND L O G IC S OF A C TIO N
120
THE EV ERYD A Y PR A C TIC ES OF W RITIN G IN A C T IO N
121
R E F L E X IV IT IE S AND L O G IC S O F ACTION
122
TH E EV ERYD A Y PR A C TIC ES OF W R IT IN G IN A C T IO N
day writing. The sine qua non that is indicated here specifies the use
of this writing and defines the limits of its use. T never write, except
when . . .’ or T always write, except when . . .’ are apparently banal
comments, but they give valuable assistance to the researcher. If the
respondents do not talk, the sociologists have themselves to construct
these 'conditions’ or "contexts of use’ by a comparison and variation
of cases.
123
R E F L E X IV IT IE S A N D L O G IC S OF A C T IO N
124
TH E EV ERYD A Y P R A C T IC E S OF W R IT IN G IN A C TIO N
125
R E FL E X IV IT IE S AND L O G IC S O F A C TIO N
126
THE EV ERYD A Y PR A C TIC ES OF W RITIN G IN A C T IO N
what you’ve spent’, and contrast themselves with those who deny
the possibility of foreseeing, calculating, planning and methodically
managing their life {‘living from day to day*, ‘not being methodical*,
‘being chaotic’, ‘taking things as they come*, ‘taking advantage of
life’ . . .).HThe questions that certain subjects ask themselves in doing
their accounts, in ‘putting aside’, in forecasting their expenses - How
much should 1 put aside if I want to buy new furniture this year? If I
do buy it, how much will I have left to go away on holiday? If I take a
subscription to this magazine, will I still be able to go to the cinema so
often? - are well inscribed in the register of the project, ‘which posits
the future as future, i.e. as possible (as being able to happen or not to
happen), the possible that is posited as such* (Bourdieu, 1989, p. 19).
As techniques of self-control, practices of writing imply a greater
control of one’s desires and impulses. The account book or the cal
culation of the family budget, for example, specifically concern the
means of delaying until later purchases that the logic of immediate
satisfaction of needs tends to want realized this instant. In this way,
a whole capacity to defer (desires, impulses) and plan is constructed,
something that is never acquired in advance:
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R E F L E X IV IT IE S AND L O G IC S OF A C T IO N
And then I know that there are so many things to take care of, you
always forget - there’s something still at the cleaner’s after three weeks
that l have to pick up, forms to fill in, or go to the bank and l don’t
know what. Because I’m forced to be organized, otherwise I wouldn’t
manage. The day before yesterday l had to go out at seven in the evening
to buy nappies for my little girl, because they’d run out. That messes
up my whole time budget. (Woman, advertising agency sales executive)
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R E F L E X IV IT IE S AND L O G IC S O F A C TIO N
131
R E F L E X IV IT IE S AND L O G IC S O F A C T IO N
the course of the cal) itself, is a matter not just of mastering one’s
own arguments, but also of a rhetorical technique of resistance to
administrative discourse:
I do it, it depends who I’m phoning. If it’s something very important I
do it. Because generally people always try to twist your words around,
at least that’s what I always think. In any case that’s how it is for me.
And I write things down so as not to get confused. Because they confuse
you very quickly. I mean for some things, especially to do with the
administration, it’s horrific. So I write it down. And if they change the
subject, I go back and I’ve got my note and that’s what I do. So that you
don’t say after you hang up: ‘Oh god, I meant to say that and I didn’t
say it.’ (Woman maintenance agent)
Knowing exactly what you want to say, not losing the thread of
your request, resisting the tortuous administrative rhetoric, being
able to go back and not let yourself be swept away unresisting in the
flood of the Other’s speech, the administrative speech - that is what
writing can also help with. It then becomes a technique of resistance
or self-defence. During the whole phone conversation, she "follows
the paper’ with her eyes, and doesn’t let herself be taken where she
doesn’t want to go. In the same way, another respondent (woman
shopkeeper) said that she writes down during the discussion the infor
mation she is given, and if she doesn’t understand completely what
she’s told, these written traces allow her to ask for an explanation
immediately after. Writing makes it possible to look back on what
was said previously, and helps in not losing the thread of conversa
tion. It makes it possible to check it, to go back to a "point’ that a
written trace has isolated with a view to just such a possible return: "If
there are points that don’t seem very clear to me, 1 note them and 1 let
the person speak, and then 1 ask for clarification, but the important
thing is that 1 write it down.’
ence. Of course you must have a body in order to act, but the action
does not always necessitate the immediate presence of this body in
situ.12
From this point of view, resort to writing makes it possible to over
come the absence of a 'gift of ubiquity’ specific to the human condi
tion: writing continues to mark our presence even when our body is
absent. It makes up for the bodily absence in order to continue to
perform an action. Here practical sense cannot function, since the
body and its embodied habits are not in a situation to act. In the
case of a will, for example, the 'desires’ of a person continue to act
even after they are dead. More generally, institutions - and especially
institutions of learning - are like sanctuaries haunted by the absent
or dead: texts constrain the action of the living, while those who
produced them have long since departed.
Writing makes it possible to act at a distance, or at all events
without the immediate presence of the person who wants to act. We
can evoke here the hypomnemata, those written instructions men
tioned by Plato (Politics, 295b-d) which doctors or gymnasiarchs left
before setting out on a journey, so that their patients or pupils would
remember their prescriptions. We can also think of the written cor
respondence by which lovers make themselves present to those from
whom they are temporarily parted, or the letters by which French
emigrants in the nineteenth century were able to continue managing
their property, and keep ultimate economic direction of their domain
or business.13 What we should have in mind, though, more broadly,
is the written exchange made necessary by the effect of the extension
of distance in economic life and social relations.
In the same way, little notes exchanged between members of a
family make it possible to mark one’s affective presence symbolically
{'Have a nice good day. Kisses. Till this evening.’), to remind children
or spouse of things to do {'Remember to pick up the things from the
cleaner’s’; 'Put the chicken in the oven at seven p.m., gas mark 7 ’).
They thus play an undeniable organizational and affective role within
the family circle. In fact, when a family is scattered and dispersed by
different timetables {school, work, etc.), these little written notes left
in a recognized place {on the kitchen table, by the door, near the phone
. . .) help to maintain family ties despite everything. These words
that contribute to maintaining materia) and symbolic ties between
family members are largely bound up with women’s work outside
the home: to maintain the role that the sexual division of domestic
labour confers on them, this is a means that women can use to mark
their presence despite their absence, to organize family activities even
133
R E FL E X IV IT IE S AND L O G IC S O F ACTIO N
134
THE EVERYD AY PR A C TIC ES O F W R IT IN G IN A C T IO N
136
THE EV E R Y D A Y P R A C T IC E S OF W R IT IN G IN A C T IO N
137
R E F LEX IV ITIE S A N D L O G IC S OF A C TIO N
know where you are, to make sure that the task is complete and that
nothing has been forgotten, etc.), as in the case of the checklists of
airline pilots.19
The same respondent gives the example of lists of things to take
on a journey, which shows how a practical sense of anticipation
is combined with a rationalization of this practical sense. Lists for
holidays or weekends away are made in the form of card files and
correspond to master lists whose content varies according to whether
it is a longer stay or just a weekend, for example, but also according
to the season in which the trip is taken: winter or summer. These lists
thus permit her to pack her cases quickly without having to reflect
on what she needs to take (reflection can be done "once and for all’,
subsequent occasions only requiring the product of previous reflec
tions to be re-read, which means both a saving in time and a release of
intellectual capacities in relation to reflexive work). Certain theorists
of action might think that the plan is of little use in the face of the
uncertainties of action and the situations that may be encountered.
This respondent, however, already takes into account, in drawing up
her lists, singular facts drawn from past experience, such as how dirty
her children are in the habit of getting. Lists are already the product
of practical anticipations made in the light of what is imagined as
likely to happen. Exactly the same kind of situation is also found with
another respondent (woman, no occupation, married to a secondary-
school teacher), who draws up a list of things to take on a journey
in the light of her whole previous knowledge of the situation - i.e. of
what she envisages as likely to happen, such as cold days, rainy days,
etc. The very writing down of the list thus presupposes the applica
tion of a whole practical sense of situations, but this practical sense
is triggered more systematically and explicitly than when it is used in
'the heat of action*.
We could show similar situations in the use of account books, cal
endars and shopping lists. All these analyses bring out an important
point: "planning* is not the opposite of "improvisation* or "practical
sense*, and even rests to a large extent on embodied practical knowl
edge. "Good* planning is realistic planning, which already takes into
account the specific constraints of real situations. But we cannot rule
out the specific rule played by planning by maintaining that, whatever
the projected plans, the logic of the situation and the embodied skills
applied in the course of action are thesole determinants of action. The
plan makes it possible to organize and specify what has been done
and what remains to be done, to have a sense of moving forward, to
know where one is going and how (in what order) to proceed, etc.
138
THE EV ERY D A Y PR A C TIC ES OF W R IT IN G IN ACTIO N
139
R E F L E X IV IT IE S A N D L O G IC S O F A C T IO N
140
TH E E V ER Y D A Y PRA CTICES O F W RITIN G IN A C T IO N
141
R E F L E X IV IT IE S AND L O G IC S OF A C TIO N
marked, and its author can even invite the reader to 'reflect on the dif
ferent modes of existence of the principles of regulation and regular
ity of different forms of practice’ (1990b, p. 65) within social worlds
that are more or less codified, functioning more or less by explicit and
formal transmission of skills ('In societies where the work of codifica
tion is not very advanced, the habitus is the principle of most modes
of practices’; ibid., p. 82). It is this kind of reflection that I applied
in my own research on practices of writing (domestic, educational
or work-related). Asking what are the social conditions for habitus
(practical sense, practical mastery) to be the generating principle of
practices, raising the question of the forms of social life that allow a
symbolic mastery to exist, makes it possible to go beyond the concept
thanks to empirical research.
142
Scene 3
144
TH E PLU R A L L O G IC S OF A C T IO N
ent in this respect from the footballer, who moves easily about the
field and strikes the ball into the back of the net. Both have installed
in them this Second nature* of habit, as they have spent years ‘doing
their scales’, repeating thousands of times movements of the body or
grammatical operations that are both similar and different. The foot
baller can also acquire (in his trade or outside of it) habits of reflex-
ivity, while the grammarian has necessarily acquired (in her trade
or outside of it) non-reflexive habits; but what separates them is the
share of time that they respectively spend on embodying reflexive or
non-reflexive habits and, accordingly, the share that reflexive habits
(planning, conceptualization, theorization) make up in their respec
tive stock of embodied habits. If this means that the pre-reflexive kind
of habit is not the only possible kind, we are forced to maintain that
the theory of habitus reduces habit as a modality of action to one
particular kind of habit - i.e. the non-reflexive kind.
Pierre Bourdieu, in effect, largely constructed his theory of practice
and his concept of habitus against intellectualist theories of practice
- i.e. against the idea of a practice oriented rationally, intentionally
and voluntarily towards explicit ends, against the idea of reflexivity
as a consciousness that was conscious, systematic and calculating.
The practical relationship to practice is thus defined as an immedi
ate understanding that is blind to itself (a learned ignorance), a con
sciousness that is non-conscious, conceptually wanting, pre-reflexive,
partial (as against exhaustive and systematic), vague, unintentional,
and engaged in the urgency of action. On the other hand, this author
has long used a theoretical couple - practical mastery as against
symbolic mastery - which initially served to account for differences
between dominant and dominated cultural arbitraries. And it is the
parasitizing of the general theoretical question about the theory of
practice (practical sense, the practical relationship to the world) by
the question of cultural differences between groups or classes (prac
tical mastery versus symbolic mastery) that has ended up posing a
problem.
If material conditions of existence subject people more or less
closely to the ‘imperatives of practice’ and thus tend to prevent
some of them from ‘the formation and development of the aptitude
for symbolic mastery of practice’ (Bourdieu and Passeron, 1977, p.
48), this then means that the members of different social groups are
driven by practical sense to a greater or lesser extent, and that some
of them have the means, by their material conditions of existence,
but also and above all by dint of the instruments of reflexivity that
they have acquired, particularly at school, for emerging from the
145
R E F L E X IV IT IE S AND L O G IC S O F A C T IO N
146
THE P L U R A L L O G IC S O F A C TIO N
In the first case, the intention is rather to subsume under the concept
of habitus both 'practical habitus’ {'functioning more generally by
way of practical mastery’) and 'reflexive habitus’ (functioning more
generally by way of symbolic mastery’), and the idea that habitus
could not be at the origin of certain kinds of conduct does not strictly
have any meaning. The theory of habitus rather assumes major social
variations from the standpoint of the relative importance of habits of
reflexivity and symbolic mastery in the socialization programmes of
different actors in a society. It is this interpretation that I would see
as most coherent, removing the multiple contradictions generated by
the first option. If, like Bourdieu himself, you opt for the first solu
tion, you are then faced with a pleonasm (practical habitus = practical
'practical sense’) and a contradiction (reflexive habitus = pre-reflexive
reflexivity). And it is no doubt from trying to tackle different prob
lems at the same time and with the same theoretical tool (response to
the epistemological problem about the relationship of social scientists
to their objects; response to rational action theories; response to intel
lectual ism; response to those who cannot see the unequal distribution
of the instruments of reflexivity) that the tool ends up breaking.
147
R E F L E X IV IT IE S AND L O G IC S OF ACTIO N
148
TH E PLU R A L L O G IC S OF A C TIO N
This practical sense, which does not burden itself with rules or prin
ciples (except in cases of misfiring or failure), still less with calcula
tions or deductions, which are in any case excluded by the urgency of
action which ‘brooks no delay’, is what makes it possible to appreci
ate the meaning of the situation instantly, at a glance, in the heat of
the action, and to produce at once the opportune response. Only this
kind of acquired mastery, functioning with the automatic reliability of
an instinct, can make it possible to respond instantaneously to all the
uncertain and ambiguous situations of practice. (Bourdieu, 1990a, pp.
103-4)
151
R E F L E X IV IT IE S A N D L O G IC S OF A C TIO N
152
THE P L U R A L L O G IC S OF ACTIO N
153
R E F L E X IV IT IE S AND L O G IC S OF A C T IO N
training for a long period then playing her matches, or rather the
close-up on a phase of the game during a match (e.g. wrong-footing
or anticipating being wrong-footed), then either planning, foresight,
reflection, deliberation, representation, strategy, etc., are highlighted,
or else these elements are totally ignored and all that emerges is the
pre-reflexive (quasi-instinctive) adjustment to a situation under way.
154
TH E P L U R A L L O G IC S OF A C TIO N
for the staff, or two academics struggling over whether the theory of
action should be this or th a t.. .) is always a kind of cynical calculating
consciousness. (Bourdieu, 1989, p. 23)
155
R E F L E X IV IT IE S AND L O G IC S OF A C T IO N
156
THE P L U R A L L O G IC S O F A C TIO N
158
TH E PLU R A L L O G IC S O F A C TIO N
159
R E F L E X IV IT IE S A N D L O G IC S O F A C TIO N
160
A ct III
Forms of Embodiment
Scene 1
163
F O R M S OF E M B O D IM E N T
that take it into account but abstract from its role and functions in
action and the processes of embodiment. Considering language does
not automatically mean adhering to the image of society as a great
market of semiotic exchange or a communicational space in which
information circulates, placing intentionality at the heart of action
or adopting a micro-sociological procedure. Nor is it a question of
autonomizing language or conferring on it some kind of primacy,
still less of proposing a sociological hermeneutics that would make
the social world into a text or a book to decipher. Social practices
and courses of action are carried out through linguistic practices, but
they do not necessarily have the production of these as their goal. Yet
nor is it possible to make practices or the embodiment of habits into
processes taking place outside of language in an obscure and silent
relationship to the world.
Language should therefore be analysed in all its subtle problematic
linkages, which delete the traces of language in practices and make it
into an equivalent of "reflexivity’ or "reflexive distance’ by reducing it
to just one of its social functions. Sociological expressions such as "the
pre-verbal taking-for-granted of the world that flows from practical
sense’ (Bourdieu, 1990a, p. 68), schemes that go "from practice to
practice without moving through discourse or consciousness’ (ibid.,
p. 74), "symbolic mastery’ as "consciousness and verbal expression’
(ibid.), "the continuous chain of unconscious apprenticeships that are
accomplished body-to-body, by hints, in the relationship between suc
cessive generations that is often obscure to itself’ (Bourdieu, 1990c,
p. 30); "the social sciences endeavour to theorize the behaviour that
occurs, in the greatest degree, outside the field of conscious awareness,
that is learnt by a silent and practical communication, from body to
body onemightsay’ (Bourdieu, 1990b, p. 166). Philosophical expres
sions: "silent relationship with the other’ (Merleau-Ponty, 1973, p.
133), "the feeling one feels, the seeing one sees, is not a thought of
seeing or feeling, but vision, feeling, the silent experience of a silent
sense’ (Merleau-Ponty, 1968, p. 249); "the silent experienced’,2 and
so on. In the struggle against intellectualism, intentional ism, etc., in
the end one finally concedes to the opponent his own definitions of
"thought’ and "language’, thus casting away the wheat with the chaff
(language or thought along with reflexivity, the theoretical, inten
tionality, etc.), instead of criticizing such reductions themselves. But
even Merleau-Ponty, the inspirer of many sociological formulations
on this question, accepted the fact that there was nothing to be felt
or perceived outside of language, and that the latter was not simply a
synonym for reflexive activity. He thus freed the question of language
164
TH E PL A C E OF LA N G U A G E
165
F O R M S OF E M B O D IM E N T
tures, rhythms are a)) roughly corrected ([the boxer working on the
medicine ball] “ Hit it to me! And give me a right behind” . . . “ Move
your head, for chrissake! It’s not a bag you’ve got there, Louie, it’s
a man!” growls DeeDee. “How many times have I got to tell you
you’ve gotta think. Think! Ifs your head you box with!'” (ibid.)).
More generally, only discourse can order experiences, place them in
a hierarchy, ascribe them their respective values: ‘Forget the ring; it’s
in the anonymous and everyday penumbra of the training hall, both
refuge and workshops, that the fighter is forged . . . “You win your
fight in the gym,” the veterans keep repeating’ (ibid., p. 16). And it
is impossible to deduce, from a reminder of the kind: Y o u ’re not
in a social club, here, you’re at work’ (ibid., p. 18) the idea that the
boxer’s trade functions without discursive mediation.
[f the infighting during the match is not itself lacking in linguistic
mediations, it is preceded and followed by times that are less ‘pressing’,
when commentaries circulate, typical stories and anecdotes that recall
the values of the trade, its rules, the discipline it imposes, etc. Words
then also frame the experience of the boxer that continues outside
the ‘gym’: “ ‘Being a boxer is a trade that keeps you at it twenty-four
hours of the day. You have to have it always in your head. You can’t
do anything else if you want to do it well” ’ (Wacquant, 1991, p. 15),
recalling the diet the boxer has to keep to, relate the difficulty expe
rienced in relation to the sexual abstinence required for three weeks
before the match, and repeat this demand or advise respect for hours
of sleep: ‘But the sacrifice does not begin or end at the doors of the hall.
“ Work at the gym is only half the story. The other half is discipline:
eat properly, go to bed early, get up the morning for your job, leave
women alone, and all the rest - take care of your body, ok.” Food,
sleep, sex: the holy trinity of the pugilistic order’ (ibid., p. 21), ‘[The
club trainer] storms: “ Being hungry is nothing! It’s in your head, it
doesn’t exist - once and for all.” . . . Shanti reminds me: “ Leave your
woman alone now, Louie, you’re only three weeks from the match” *
(ibid.). Discourse also comments on the - unfortunate - cases when
certain boxers break the rules: “ ‘That sex, it’s a monster, man. It kills
you, I tell you because I’ve tried.” . . , “ It’s a crying shame. Fred, he
was a bloody good boxer. He’s tough, he punches, and he knows
how to take it. But he’s too fond of girls” ’ (ibid.). Mythical discourses
abound about sexual abstinence and the connection between sexual
relations and loss of strength and energy: “ ‘When you come, you lose
blood from the vertebral column*” (ibid.). It’s also in informal con
versation in the gym that more general knowledge is embodied about
the morphology of boxers (type of musculature, height, weight, etc.):
167
F O R M S O F E M B O D IM E N T
'The fit between bodily capital and style is suggested in this excerpt
from a gym conversation in which a noted manager talks about a tall
and filiform fighter known for his quickness and reach but lacking in
bodily strength’ (Wacquant, 1995a, p. 69).
Words give meaning to the corporeal experiences and sufferings
experienced or expected: 'Becoming a boxer, preparing for a fight, is
like going into a monastery. Sacrifice! The word constantly recurs in
the mouth of the old coach DeeDee, who is well acquainted with the
subject’ (Wacquant, 1991, p. 14). The same goes for the first fight,
which is surrounded by discourse aiming to prepare and give meaning
to the event: “ 'Your first fight, you’ve got two opponents, the guy
opposite and then the crowd. Sometimes you’re so impressed that
you don’t know any more what to do. That’s how 1 lost my first two
amateur matches. 1 was so depressed afterwards that 1wanted to give
it up” ’ (ibid., p. 23).
Like the embodying of habits bound up with the practice of boxing,
studies of other corporeal practices establish the polymorphic and
multifunctional presence of language. On close examination, there
fore, language (the great variety of language games) is just as omni
present in the apprenticeship of dance (Faure, 1994): the naming of
steps, positions and gestures, the use of metaphors and analogies,
pedagogic and/or scholarly explanations (anatomical and physiologi
cal, in particular), various kinds of verbal remonstration, congratula
tion and correction, video recordings with commentary, counting to
make sure of rhythm, etc. The body of the dancer is itself constantly
objectified in the work of embodying sensory-motor habits. Use of
video or the mirror to objectify one’s body in movement and note
'faults’ or clumsy gestures, looking at others as doubles of oneself in
order to correct oneself, explicit verbal or corporeal correction on the
part of teachers, the use of dance manuals in which 'good’ and 'bad’
bodily positions are shown, or again the regular objectification of the
body and control of its movement by frequent weighings - this all
contributes to taking the body as the specific object of attention and
concern, and to objectify it in the very process of embodiment.
We can then note that researchers often crudely confuse 'discursive
mediation’ or 'language’ with 'verbal’ , 'formal’ or 'rational’ explana
tion, 'commentary on practice’, 'theory or reflection on practice’, etc.,
broadly sharing here the common sense of the actors themselves, who
often see 'talking’ or 'conversing’ as 'doing nothing’. Speech or lan
guage, when referred to by certain actors, are immediately conceived
as autonomous periods of time opposed to practice ('When you talk,
you’re doing nothing’, said a skilled worker that we interviewed:
168
THE PLA CE O F LAN GU A GE
169
FO R M S O F E M B O D IM E N T
Observe, too, that something more than thrusts from the physical
world into the spoken one are possible. For quite routinely the very
structure of a social contact can involve physical, as opposed to verbal
(or gestural) moves. Here such words as do get spoken are fitted into
a sequence that follows a non-talk design. A good example is perfunc
tory service contacts. A customer who comes before a checkout clerk
and places goods on the counter has made what can be glossed as a
first checkout move, for this positioning itself elicits a second phase of
action, the server’s obligation to weigh, ring up, and bag. (Goffman,
1981, p. 38)
the action {'And then!* 'Ye-es!' 'That's it!' 'Well done!'), it is divided
up by the adult, creating discontinuity in the continuous chain of
gestures and movements. And it is clear that, in a case such as this,
language is not necessarily directly present in the situation, but marks
its presence in the implicit categorizations that the adult, providing a
framework, indicates to the child by defining the action's beginnings
and ends (start to pull/finish pulling; start to push/finish pushing;
start to climb/finish climbing, etc.). In a general sense, even before
being able to speak, the child is placed in schemes of interaction with
the adult, guided by her, and these are indissociable from classical
verbal interactions (question/answer; proposition/counter-proposi
tion: proposition/confirmation . . .). There is thus an analogy between
types of interaction that are non-verbal ('formats' of exchange, as
they are sometimes called in psychology; Garvey, 1974), but struc
tured by adult mediators who are already speaking subjects and who
perceive the world - objects, actions, etc. - through the categories
of their language, and types of verbal interaction that the child will
gradually integrate with the help of these adults. These tutors punctu
ate the actions of and with the child by linguistic interventions, and in
this way give it the means to grasp these (Bruner, 1991).
Moreover, it seems indeed that, by naming actions, series of ges
tures or 'formats' of activity, and having the child who is able to talk
name them ('this is the game of ...') , their memorizing and future
repetition is facilitated (1 can do 'this' and 'that', 1 recognize and know
howto reproduce a ‘loop', a ‘round', a 'square', etc.). The capacities
of designation thus make it possible, in certain cases, to contribute
to the fixing of habits. In fact, by providing children with a language
adapted to activity, adults provide practical means (stenographic and
portable, embodiable) that help in organizing and structuring such
activity in the future.6
But language can also intervene in the mode of recapitulation, com
mentary or recording/authentification,7 in the wake of an event or an
action, or in the mode of deliberation or planning with the view of an
action to accomplish. We have seen this in relation to school, and it
can sometimes go as far as formalizing or theorizing practices. How
can we imagine that rational thinking could take shape, and establish
itself, without the instruments of language (oral, written or graphic)?
Without writing, without listing and tabulation, without graphic
procedures of counting, algebraic symbols, diagrams, maps or plans
of all kinds, rational thinking - whether philosophical, grammatical,
logical or scientific - would not exist (Goody, 1977, 1987; Lahire,
1993a).
171
F O R M S O F E M B O D IM E N T
172
TH E PLA CE OF LA N G U A G E
Objective, the material, the real that is already there, and we should
seek to avoid any metaphor that uses this conception of a Volatile’
symbolism added on to the 'solid*. Language is not merely a veil
placed over the 'real’ world and determined by it.
Rather, therefore, than making a firm partition between the dis
cursive and the non-discursive, the linguistic and the social, and so
on, it is preferable to maintain that no practice, no action, no form
of social life exists outside of linguistic practices (discursive practices,
if you prefer), which take varying forms (from the interjection to the
scientific treatise, by way of more or less informal conversation, news
reports, contracts, legal texts, certificates, account books, literary
genres, mathematical formulae, lectures, dissertations, trade-union
leaflets, exchanges of letters, school exercises) and whose social func
tions are many. We could say the other way round - i.e. addressing
linguists rather than sociologists - that no linguistic or discursive prac
tice is detachable from the forms of social life from which it stems.
Certain formulas of Foucault have helped to obscure this question.
By speaking of 'a field of non-discursive practices’ (Foucault, 1972,
p. 75) to designate variously institutions, economic and pedagogic
practices and processes, educational practices or political events
(ibid., p. 179), he suggested that these 'realities’ were outside of any
kind of language. It seems evident, however, that neither economic
processes, nor pedagogic practices, nor political events happen
outside of linguistic practices (in the first case, practices of account
ing, contracts, negotiations, commercial exchanges, bank records,
etc.; in the second, exercises, lessons, school textbooks, etc.; in the
third, oral or written political speeches, discussions among activists,
public debates, posters, etc.). Foucault spoke of particular linguistic
practices: discursive practices (major scientific, philosophical, moral,
political, discourses) that were based and articulated on fields of
practices that were themselves already woven out of linguistic prac
tices, discourses about practices that were not themselves outside of
linguistic practices (a sort of meta-discourse).
173
FO R M S O F E M B O D IM E N T
[ would like to suggest that language is not an ordinary tool, but a tool
that enters into the very constitution of thinking and social relations.
We can see how this point of view is opposed to the Piagetian image of
language as an ‘idle’ system that only relates thought and is just a kind
of ‘symptomatology’.
(Jerome S. Bruner, Le Developpement del'enfant)
Except at the cost of abandoning any intention to explain human
practices scientifically, it is essential to abandon the idea that
"thought*, "psyche*, "mental activity* or "consciousness* possess some
kind of existence anterior to their "expressions* or "manifestations’.
To say that linguistic activity (in all its forms) is simply the "expres
sion* of something already formed in consciousness outside of any
linguistic instrument, an "expression* "making public’ in some way
an "internal’, "private* or "intimate* activity, would be equivalent to
maintaining that the tail wags the dog. In fact, internal consciousness
only takes shape because it is the consciousness of one individual in
relation to others and, as a result, one with the experience of multiple
linguistic activities. The linguistic and social character of thought
does not appear at a subsequent time:
The ‘Cartesian* (in the Chomskyan sense of the term) conception
readily gives the impression that we think in a certain manner outside o f
language, and that we use language as a kind of more or less arbitrary
code to externalize what we think. This is to forget that the language in
which we communicate is also the language within which we think, that
we think to a certain extent in words, and often in the same words that
we use to communicate our thoughts. (Bouveresse, 1987, p. 68)
The embodying of habits (or schemes of action) that enable us to
act in various social contexts is not effected without a "psychological
instrument* (Vygotsky). Spoken or gestural language, writing, math
ematical symbols, various graphic procedures (lists, tables, diagrams,
maps, plans) - it is by way of these tools, that are appropriated,
utilized, manipulated, that we construct our "intellectual faculties*.
The link that £mile Benveniste established between "linguistic form*
and "thought* (the former being "not only the condition for transmis-
sibility, but first of all the condition for the realization’ of the second;
1971, p. 56) must be conceived more generally as existing between all
linguistic processes (oral, gestural, written, graphic, iconic) and the
activity of thought. We can thus posit in a radical fashion, following
Mikhail Bakhtin, that outside of its construction in a linguistic mate
rial (whether this is shout, gesture, speech, writing, graphic represen
tation, etc.), "consciousness is a fiction’ (Bakhtin, 1973, p. 90).
174
Scene 2
Processes of embodiment-internalization
A theory of action would remain incomplete if it were not accom
panied by an analysis of the formation and constitution of schemes
of action. Yet researchers who speak the language of 'internalization
of externality* (or 'the embodying of objective structures*) and the
'externalization of internality*1 have not really given flesh to this dia
lectic (by ethnographic description and theoretical analysis), so that
today it plays more of a rhetorical role in the conceptual economy
of theories of the social and a strategic role in opposition to other
theories, rather than a genuinely theoretical role aiming at the con
struction of scientific objects.2 If sociologists should prove incapa
ble of grasping particularly how the various types of ‘disposition*,
‘scheme’, etc. (types of ‘habitus*), are constructed by social experi
ence, these terms would lose any heuristic interest and constitute
simply one more asylum ignorantiae in the history of sociological
concepts.
The sociology of education and culture - at least that which is not
enclosed in the limits of the school institution or of so-called cultural
projects - interested as it is in the different modes of socialization
and the different modes of transmission or construction of culture,
should be able to contribute to illuminating these processes of social
construction of the structures of behaviour and thought. And yet it
has for a long time been content to see education (family and school)
as simply a means of social reproduction, without describing its
specific order and processes. We know that, through socialization in
the family, school, etc., the (unequal) order of things is reproduced,
but there are few descriptions of the socializing practices themselves,
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F O R M S OF E M B O D IM E N T
176
W H AT E X A C TLY IS E M B O D IE D ?
on the pieces of the puzzle and not to the external environment (for
example, at the start the child believes that his mother is referring
to the window of the room in which they are sitting, whereas she is
speaking of the one represented in the puzzle). The child must in some
way recognize the right 'language game* (in Wittgensteins sense) or
the right context of activity: 'doing a puzzle*. He then shows himself
capable of realizing the action demands explicitly formulated by his
mother, but not yet those that are implicit, which would assume he is
able to interpret beyond the words, by mastering the overall strategy
of completing the puzzle. Finally, the child gradually takes in hand
'the strategic responsibility for the task* and moves on to an egocen
tric language (addressing to himself the questions that his mother had
asked him to help her with in doing the puzzle), while the mother now
only has to intervene verbally to confirm the relevance of the choice,
support the effort undertaken, etc., and thus definitively consolidate
the habits now incorporated.
Here, then, we have an example of internalization or embodiment
that makes clear the transition from the inter-psychic to the intra
psychic, as the child*s internalization of a definition of the context
of action ('doing a jigsaw puzzle*), of ways of proceeding in order
to reach the desired result, of the (right) questions to ask himself in
order to succeed with the task, etc. Helped by the adult, the child
internalizes the questions, gestures and strategic procedures that he
uses so as eventually to manage to do by himself (autonomously)
what he had previously done under tutelage. The adult frames and
channels the task, indicates and attracts the child*s attention, then
asks questions, reduces his field of freedom, explains or defines the
task step by step, point after point, supports and comforts him when
he fails, guides him when he takes a wrong turning, encourages and
rewards him when he succeeds (see also Bruner, 1991). The child,
for his part, sustains his effort with the perspective of gratifications
- positive sanctions - that he may obtain from those around him.
The desire soon to be able to do it himself, 'like a grown-up*, which
remains for the time being inaccessible, and the identification with a
(positive) future image of himself (to 'see himself there*) are also far
from negligible as motives in the work of constructing habits (Delbos
and Jorion, 1984, p. 129). What is embodied or internalized does
not exist as such in the 'external* social world, but is reconstructed
bit by bit, for each individual, in the repeated interactions that he
has with other actors, by way of particular objects or in particular
social situations. The child internalizes not the 'social world* or the
'objective structures of the social world*, but rather schemes of action
177
F O R M S OF E M B O D IM E N T
178
W HAT EXA CTLY IS E M B O D IE D ?
179
FO R M S O F E M B O D IM E N T
180
WHAT E X A C T L Y IS E M B O D IE D ?
181
F O R M S OF E M B O D IM E N T
182
W HAT E X A C TLY IS E M B O D IE D ?
No, I had no headache, but until the age of six, I was no longer allowed
to enter a classroom or open a book, for fear of a cerebral explosion.
(Marcel Pagnol, My Father's Glory}
183
FO R M S O F E M B O D IM E N T
184
W HAT E X A C TLY IS E M B O D IE D ?
185
F O R M S O F E M B O D IM E N T
186
WHAT E X A C TLY IS E M B O D IE D ?
family world is not 'naturally lettered’ - i.e. has not already been 'let
tered9for a long time - children always resist parental injunctions to a
greater or lesser degree,8 It is sometimes hard for children deprived of
a lettered9family environment to conceive reading as an extra-curric
ular activity, something not associated with work. When her contact
with the written word (writing or reading) is almost exclusively in the
context of school (to be specific, when the only books in the home are
school books), it is really difficult for the child to envisage reading or
writing other than in the form of school work. Despite all the efforts
that her parents may make to 'make her like it9, to 'push her to like9
what they do not like themselves,9 love of reading always remains a
rather forced love, a marriage of reason rather than a marriage of the
heart (the child prefers, for example, to receive something other than
books as presents).
When the parents do not offer practices of reading and writing that
could play the role of examples for the child, the only solution for
them thus lies in focusing their attention and educational energy on
school activities. Unable to rely on the force of family habit in terms
of written culture (sometimes almost non-existent) or on transfers
that would lead from family practices towards the world of school,
they therefore directly follow the practices of the school world in a
kind of primitive accumulation of educational capital. When the edu
cational energy of the family focuses on school practices, educational
behaviour is never the behaviour of capitalists confident in them
selves, but rather that of adventurers building up what they do not yet
have. Sometimes, when those in this process of constituting an edu
cational capital obtain good results, there is no longer even any sense
of limits to the work of accumulation, the point at which it comes to
an end. One never knows whether calling a halt, relaxing tension and
attention, might not be fatal for the educational trajectory. Children
from this kind of family configuration who succeed at school are
with equal fatality pure products of the educational system, since
they depend on it more completely in order to succeed than does any
child whose family culture of the written word, on account of its
long-established character, is wider than the written culture of school.
If this school culture has precociously penetrated the world of the
family, educational success even becomes a major precondition for the
emotional economy of both individual and family. One can thus sense
with the mothers of Julien (eight years old, father a skilled worker
and mother a nurse) or Nadege (eight years old, father a delivery man
and mother a hospital orderly) a kind of identification with the school
that leads them, on the one hand, to bring the school home (taste for
187
FO R M S O F E M B O D IM E N T
188
W HAT E X A C TLY IS E M B O D IE D ?
But the world of the family may be wanting in all such features
favourable to the child’s construction of a culture of the written
word. This is the case with Damien’s family (see note 11, p. 249),
where the almost total absence of parental examples (in terms of
reading and writing), combined with poor educational capital and a
weak belief in the value of educational practices, leads to incentives
that are objectively negative (not deliberately or intentional). Thus
we observe in this family the effect of negative parental attitudes and
dispositions towards reading and writing. Damien’s parents have
neither the disposition (formed more in the perspective of increasing
economic capital: they refer to themselves as ‘manual’ rather than
‘intellectual’ and implicitly criticize the ephemeral character and futil
ity of cultural production as against economic advantage) nor the
time needed for this kind of missionary educational energy.
and the unsaid, what is said and what is done ('Do as 1 say, not as 1
do*), the conscious and the unconscious: parents who incite - some
times even with heavy sanctions - without being in a position to give
an example, who make demands without always being able to check
that these are satisfied, who occasionally assert principles without
deploying the whole series of little everyday tactics that would force
or lead children to apply them spontaneously, or who wage a daily
battle to try and impose on children habits that are constantly put
in question by the weight of things, by the counter-examples of the
material and social context (e.g. keep the environment clean and
don’t damage the urban space, when this is constantly dirty and in
bad condition).12
The male relationship to the written word, which 1 have steadily
brought to light in the course of a series of studies, is equally reveal
ing about these gaps between explicit and implicit injunctions. As 1
have already recalled, practices of writing are very strongly feminized
within the domestic space. Incentives to read and write thus come
most frequently from mothers. But this situation proves problematic
for boys, who do indeed have to respond (as children) to repeated
maternal incentive (take the time to read, practise your writing, get
used to writing letters . . .) but also have to construct their mascu
line identity, even when their fathers may be absent - totally or in
part, according to the social milieu in question - from the terrain of
domestic, personal or family writing. Everything happens as if the
boy listens to his mother or looks at what she is doing with the subtle
distance appropriate to someone learning, as Berger and Luckmann
put it, to recognize the 'feminine version* of reality without identify
ing with it. He then enters into a process of (more or less) negative
identification: if (domestic) writing is feminine, since borne essentially
by the mother (and when the boy has a sister, the energy that she puts
into writing secretly in a personal diary, or writing letters, only rein
forces his implicit convictions) and not very popular with the father,
then too deep a commitment, too enthusiastic an investment in such
practices, will have something suspicious about it. Boys then resist,
shirk, sulk, practise a policy of last-minute concession (after repeated
reminders or endless insistence from the mother, she succeeds in
extracting a signature or a nice word at the bottom of a letter), and at
all events only very rarely launch themselves spontaneously into such
ambiguous activities (activities of adults, but women’s activities).
Where a girl can identify fully and gradually make her own, with
pleasure, practices that have initially to be solicited - evidence of a
complete and successful internalization of habit or disposition - boys
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W H AT EXACTLY IS E M B O D IE D ?
191
Act IV
Workshops and Debates
Scene 1
PSYCHOLOGICAL SOCIOLOGY
195
W O R K SH O P S AND D E B A T E S
196
P S Y C H O L O G IC A L S O C IO L O G Y
In each of us, it may be said, there exist two beings which, while insepa
rable except by abstraction, remain distinct. One is made up of all the
mental states that apply only to ourselves and to the event of our per
sonal lives: this is what might be called the individual being. The other
is a system of ideas, sentiments and practices which express in us, not
our personality, but the group or different group of which we are part;
these are religious beliefs, moral beliefs and practices, national or pro
fessional traditions, collective opinions of all kinds. (Durkheim, 1956,
pp. 71-2)
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P S Y C H O L O G IC A L SO C IO L O G Y
that of Durkheim - at a)) events, the Durkheim who did not concede
any particular ground to the other human sciences, and who indi
cated the way in which sociology could tackle - from its particular
perspective - all domains imaginable. By not ruling out any object a
priori, sociology could take a further step on the path towards sci
entific autonomy. As with the most "pure* literature, which, to show
its break with external demands, maintains the primacy of form over
function, the mode of representation over the object represented,
sociology had to show that there is no empirical limitation to what
it is able to study (no objects are more sociological than others), but
that the essential thing lies in the sociological mode of treatment of
the "subject*.
Everything, therefore, contrasts my own sociological approach
with those that variously consist in adding on insights from other
disciplines (pluridisciplinarity), assembling in a theoretical bric-a-
brac concepts hailing from different disciplinary traditions, these
often themselves being attached to different theories of knowledge
(interdisciplinarity),1234 or illicitly introducing into a discipline different
principles arising in another discipline (e.g. what is today presented
as a "naturalistic programme in the social sciences’ and calls for the
development of a "natural science of society’). These various impasses
have in common that they all involve an abdication of sociological
interpretation, bound up with three illusions: the illusion that such
a dual (triple, quadruple) perspective can delivery a better vision; the
illusion that this mixture of theoretical and heteroclite principles and
orientations can give rise to an enrichment (rather than an explo
sion or implosion); and finally the illusion that a science with high
legitimacy ("hard’ science) can provide the foundation for another
("human’) science.
Dan Sperber’s book Explaining Culture : A Naturalistic Approach
(1996) offers a fine example of the third kind of illusion just men
tioned. The author puts forward here a series of theses, among which:
199
W O R K SH O P S AND D EB A T E S
200
P SY C H O LO G IC A L S O C IO L O G Y
201
W O R K SH O P S A N D D EB A T E S
202
P S Y C H O L O G IC A L SO C IO L O G Y
203
W O R K SH O P S AND D E B A T E S
variety of different social situations which one and the same actor
constantly deals with in everyday life (Goffman, 1991; Boltanski and
Thevenot, 2006).
It is important to emphasize, therefore, that the social cannot be
reduced to social relations between groups, and particularly to socio
professional, socio-economic or socio-cultural differences, if we are
not to give the impression that more fine-grained differences are no
longer socially generated, so that individual cognitive structures, and
those of emotionality and sensitivity, etc., would lie outside the range
of sociology. Social means relationship. And not all social differences
are reducible to differences between social groups (whatever the
criteria used to characterize these).
Intersubjectivity or interdependence is logically prior to subjectiv
ity, and consequently social relationships (the specific and historically
variable forms that these relationships take) come first, because they
are constitutive of each individual social being (Lahire, 1995a, pp.
283-9). Taking the individual actor as object of study thus does not
mean - against all atomistic individualism - making this into the
"ultimate unit* or "logical atom* of all analysis (Boudon, 1984, p. 26;
1981, p. 36). No more does it mean endowing all these actors with
"autonomy* and "rationality’ , by taking the same rudimentary psy
chological feature aphoristically as the origin of all their practices.
Actors are what their multiple social experiences make of them; it is
their vocation to have varied behaviours and attitudes according to
the contexts in which they are led to develop. Far from being the most
basic unit of sociology, the actor is undoubtedly the most complex of
social realities to grasp. And we can understand how sociology could
not begin with the analysis of these complex composites of heteroge
neous social experiences that are individual actors. In the end, and
contrary to what elementaristic and atomistic conceptions may lead
us to believe, it is less complex to study social worlds, fields, groups,
institutions or micro-situations, etc., than the individual folds of the
social. Actors have passed and continue to pass through multiple
social contexts (worlds, institutions, groups, situations, etc.); they are
the fruit (and the bearers) of all the experiences (not always compat
ible, not always cumulatable, and sometimes highly contradictory)
that they have undergone in various contexts.
The metaphor of the fold or folding of the social has a double use.
First of all, folding denotes a particular modality of the existence of
the social world: the social (and its plural logics) in its embodied and
individualized form. If social space is represented in all its dimen
sions (economic, political, cultural, religious, sexual, familial, moral,
204
P S Y C H O L O G IC A L SO C IO L O G Y
205
W O R K SH O P S A N D D EB A TE S
206
P S Y C H O L O G IC A L SO C IO L O G Y
208
P SY C H O L O G IC A L SO C IO L O G Y
209
W O R K SH O PS A N D D E B A T E S
210
Scene 2
PERTINENT FIELDS 1
On excessive generalization
It remains true that one can adopt any kind of description in practice,
as long as no more is asked of it than it can supply, and no attempt is
made to use it outside the necessarily limited domain in which it can be
applied in a satisfactory manner.
(Jacques Bouveresse, Le Mythe de Vinterior ite)
If we wanted to sum up the attitude adopted towards the various
theories of action and the actor throughout this book, we could say
that this is the opposite of the kind of polemical critique that is cus
tomarily practised between the champions of these different theories.
This is not a matter of timidly seeking an undiscover able 'just mean’,
but rather one of a pragmatic and historicizing relationship to socio
logical concepts and theories.2
It is because study of the social world teaches us that there is not
a single model of the actor or action, but rather very variable types
of actor and action - historically, socially, geographically - that we
cannot claim universal applicability for sociological concepts. A large
part of my own 'theoretical* contribution on this question is thus
paradoxically not theoretical, in the sense of championing a particu
lar perspective - an original one, of course! - on action and the actor.
It constitutes, rather, a necessary epistemological framework for
guiding empirical research, but one that does not prejudge what can
be discovered only empirically, by way of original empirical research
programmes. By proceeding in this way, new concepts and new theo
retical options can be gradually constructed, which in turn will only
have scientific relevance within certain limits of validity.
The same holds for theories of action, cognition and practice as for
211
W O R K SH O P S AND D EB A T E S
212
P E R T IN E N T F IE L D S
213
W O R K SH O P S A N D D EB A T E S
214
PE R TIN E N T F IE L D S
215
W O R K SH O P S AND D EB A T E S
theoretical one (he recognized, in any case, "the eminent and even
unique heuristic importance* of Marxist theory).
This realist epistemology very often leads the researcher to believe,
in an evolutionist fashion, that the history of scientific theories in the
social sciences is the history of successive advances, assuming a linear
accumulation of scientific knowledge, a progress in the complexity
of scientific theories and methods. This view of things thus implies
seeking an integrating standpoint that would make it possible to view
the object from all perspectives. In their relationship to other theories
(and other theorists), researchers aiming at the theoretical integration
of other viewpoints (past and present), or believing that they have
reached this objective, are then led to judge between scientific cor
rectness and error, the right scale of context and the less pertinent
scale, the most complex theory and the more reductive theories, etc.,
measuring them by their own standard. If we can draw once more on
M ax Weber’s valuable words, we can say that "there are sciences that
have the gift of remaining eternally young* (1992), and that cannot
pretend either to a simple historical accumulation or to a total theo
retical integration. This is understandable once it is accepted that the
diversity of value relationships leads researchers to investigate social
reality differently (to illuminate different aspects and dimensions),
and that the various possible types of analysis, the various possible
scales of context, do not produce knowledge effects that can be imme
diately cumulated (there is a problem of translation of results from
one level of analysis to another, one scale of context to another, one
type of method or theoretical language to another, etc.).
The way in which Pierre Bourdieu conceives the place of his own
theory of the social in the sociological field (and in that of the social
sciences more broadly) is close to the epistemological position I am
criticizing here. In fact, his theory of fields, and particularly of fields
of cultural production, though it proposes an original and complex
research programme, is presented or defended in a manner that some
times resorts to a realist epistemology,9 to the idea of an accumulation
of scientific knowledge,10 and to that of a theoretical integration of
existing viewpoints.11 On the basis of this kind of conception, alterna
tive theoretical constructions are cast onto the side of scientific error,
of lesser complexity or regression. Pierre Bourdieu thus believes that
the notion of the "art world* current in the United States "marks a
regression in relation to the theory of the field* (1996b, p. 204). In
an interview with an English sociologist, he declared in similar terms,
without any ambiguity: "For example, the notion of field of power
is an immense advance. If I had to list all the articles and studies in
216
P E R T IN E N T F IE L D S
217
W O R K SH O P S A N D D EB A TE S
218
P E R T IN E N T FIE L D S
219
W O R K SH O P S AND D E B A T E S
220
P E R T IN E N T F IE L D S
221
W O R K SH O P S A N D D E B A T E S
222
NOTES
Preface
1 [ also indicate in this book the social and historical limits of validity of
the concept of 'field’, whereas a number of people who use Bourdieusian
concepts believe a priori that every context of action is necessarily a ‘field’.
This reflection is continued in ‘Champ, hors-champ, contrechamp’, in Lahire
(1999, pp, 23-57), and especially in Lahire (2006),
2 Bourdieu and his school, in fact, steadily slipped towards a contextuaiism o f
the fields omitting to study what the theory of habitus should have impelled
them to examine more closely. See Lahire (2010).
3 Luc Boltanski, a former disciple of Bourdieu, had broken several years before
with his sociology and turned towards a contextualistic view of action. He
proposed focusing interest exclusively on those 'constraints’ tied to ‘the
arrangement of the situation in which individuals are placed’ (Boltanski,
1990, p, 69) and caricatured dispositionaiist approaches by suggesting that
they ‘intend to bring to light determinations that, inscribed in actors once
and for all, guide their actions whatever the situation in which they find
themselves’ (ibid,, p, 65) or, again, ‘grasp properties that, inscribed irrevers
ibly in actors and their physical habits, determine their conduct in every cir
cumstance’ (ibid., p. 69), He did, however, endow actors - and how could he
have done otherwise? - with naturalized ‘competences’ whose sociogenesis
(historical and individual) remained mysterious, ('We consider that it is part
of the competence of all normal members of a particular society to be able
to grasp these and take account of them’; ibid,). [ have criticized this rather
cavalier and summary way of viewing the problems of the theory of action in
Lahire (2002).
4 [t is not by chance, as I emphasize in this book, that it was for Kabyl society,
a traditional society far less differentiated than modern societies, that
Bourdieu started to forge the concept of habitus.
5 [ insist here on the dispositional nature of this pluralism, which has some
times been forgotten by users of and commentators on my work. It is not in
fact without a certain surprise that! have seen in the past ten years the theses
of this book summed up by authors mentioning a ‘pluralism of identity’
223
N O TES TO PP. X II- X V III
224
N O TES TO P P . 4-16
Prologue
1 ‘When [ was a “scientific realist” [ felt deeply troubled by the difficulties with
scientific realism; having given up scientific realism, [ am still tremendously
aware of what is appealing about the scientific conception of philosophy. K
hope that the present book at least partly reveals this “being torn”’ (Putnam,
1988, p. xii).
2 Pierre Naville thus wrote that ‘one of the aims of a true science of behaviour
is the transformation of the personality’ (1942, p. 237).
225
N O T E S TO PP. 16-21
226
N O TES TO PP. 21 -7
14 (In short, unable to speak the two cultural languages well enough to keep
them clearly separate, he is condemned to the interferences and contradic
tions that make up the cultural pidgin1 (Bourdieu and Sayad, 1964, pp.
167-8); ‘like the sub-proletariat, the wrongly occupied peasant refers con
stantly, when he lives, thinks or judges his condition, to two different and
even opposing logics’ (ibid., pp. 164-5).
The models of behaviour and the economic ethos imported by colonization
coexist within each subject with the models and ethos inherited from ances
tral tradition; the result is that behaviours, attitudes or opinions appear as
fragments of an unknown language, incomprehensible both to someone
who only knows the cultural language of tradition, and to someone who
refers only to the cultural language of colonization. Sometimes the words
of the traditional language are combined according to modern syntax,
sometimes the reverse, and sometimes it is the syntax itself that appears as
the product of a combination. (Ibid., p. 163)
15 When statistical inquiries ask junior high-school students to classify a list of
activities that include playing, practising sport, watching television, listening
to music, and reading, variations according to the social milieu of the family
are naturally conspicuous, but so too is the fact that reading is never placed
at the top of the hierarchy of preferences. At this level reading is thus clearly
out of favour, even among young people from the most culturally privileged
milieus, and our investigations show very well how the production of a
taste for the reading of texts, like many other aspects of children’s educa
tion, presupposes a struggle and an asceticism on the part of the parents. A
struggle to make children read when they prefer to play, a struggle to make
them read other things besides comics, a struggle to integrate reading into
ordinary moments of family life. When these students are asked about their
preferences in reading matter, we note that in all social milieus comics come
top (around two-thirds). In the same way, when asked if they have regular
or occasional conversations about literature, or none at all, it is notable that
social homogeneity dominates social heterogeneity (Singly, 1990b).
16 These findings are confirmed in the studies conducted by Roger Establet
(1987, pp. 200-32).
17 Pierre Bourdieu sees the state as the means that differentiated societies give
themselves in order to ‘impose and inculcate in a universal manner. ,. identi
cal or similar cognitive and evaluative structures’, playing here a similar role
to institutional rituals in weakly differentiated societies: ‘As organizational
structure and regulator of practices, the state exerts an ongoing action for
mative of durable dispositions through the whole range of constraints and
through the corporeal and mental discipline it uniformly imposes upon all
agents’ (1998, pp. 53-4).
18 This implies that we are never completely in the same group at different
moments in this group’s history - e.g. two children belonging to the same set
of siblings are not born into or grow up in exactly the same family.
19 Halbwachs - who was appointed professor of social psychology at the
College de France just a few months before being deported by the Nazis
- has finally found successors on this fruitful path. [ believe, even if this is
shocking for some French sociologists, that it is in a school of contemporary
American sociology that came out of interactionism that this type of interest
227
NOTES TO PP. 28-36
228
N O T ES TO P P . 1 6 -4 )
229
N O T E S TO P P . 42 - 6
themselves, that wipes out any awkward trace of their presence, or one judged
insignificant in the selected theoretical framework. Besides, while remaining
in the register of discourse, the practice of interweaving interviews, such as
those [conducted with teachers,parents and children in Tableauxde families
(Lahire, 1995a), makes it possible patiently to reconstruct heterogeneous
social contexts.
1 J. Laplanche and J.-B. Pontalis, however, point out that, with the idea of the
'deferred revision’ of the past (reinscription of memory traces) bound up with
a new event or new situations, Freud ruled out ‘the summary interpretation
which reduces the psycho analytic view of the subject’s history to a linear
determinism envisaging nothing but the action of the past upon the present’
(2006, p. 111-12).
2 In Cadres et mecanismes de la socialisation dans la France d’aujourd’hui
(1977, pp. 81-2), Jean-Claude Passeron very clearly expressed, in a para
graph entitled 'First socialization: towards a sociology of primary experi
ences’, the implicit assumptions shared by many French sociologists of the
time, and a number of them still today: The object that theoretical considera
tion raises most clearly for empirical research is undoubtedly the socializa
tion exercised in the first three years of childhood, since both psychoanalysis
and the ethnological and sociological theories of constitution of the personal
ity agree, in different terms, in conferring a prototypical importance to such
early experiences.’ The same is expressed more recently by a North American
author, Peter E. S. Freund: The quality, degree, and intensity of social
construction and bio-social interaction depend on the time and timing. We
are more open when we are very young than as adults. Socialization begins
when the human organism is unfinished . . . Primary socialization has a deep
impact on the organism’ (1988, p. 849).
3 If Bourdieu recently made clear that this was ‘a particular but particularly
frequent case’ (2000, p. 145), this rhetorical concession changes nothing in
the fact that texts continue to be cited in which this author makes this the
general model of all practices. We have here a case that infringes both the
principle of charity and the principle of non contradiction.
4 Leslie McCall describes the case of an Islamic woman, Shabano, who had
been married for forty years, with several children, before being thrown
out of her house following a divorce. This rupture abruptly questioned
the ordinary routines of everyday life and the values that these bore, and
led Shabano to ‘a sharp consciousness’ of the situation of women in a
patriarchal culture. After emerging from such situations of domination,
these women may say some years later: 'That’s not me’. Leslie McCall
concludes by saying: 'The ontological complicity between habitus and field
breaks down: fit no longer explains the relationship between positions and
dispositions’ (1992, p. 850).
5 It is not by chance that these big moments are when personal diaries are most
frequently kept: divorce, retirement, adolescence, etc. (Fabre, 1993, p. 82).
6 See Christine L. Williams’s study on women in the US Marines and men
practising nursing (1989).
230
N O T E S T O PP« 46-55
7 Novels by Albert Memmi (1984) and Degracia (1968) are excellent illustra
tions of these gaps: ‘When [ am at your place, with Christian friends, [ suf
focate, [ feel ill at ease, as [’m always asked questions which [’m forced to
reply to in with lies. When t find myself back in a Jewish milieu, ( also feel
awkward, as t realize that t no longer belong completely to this community.
Then l tell myself: you don’t have a place anywhere. And l get sad’ (Degracia,
1968, p. 96).
8 Which leads Rogers Brubaker to remark on the basis of the findings pre
sented in Distinction that the relationships between the indicators Bourdieu
selects to ‘measure’ conditions of existence and those that he uses to grasp
dispositions are ‘discouragingly weak’ (1985, p. 763).
9 This is what l myself did with respect to the world of students, by taking the
relative weight, according to domains and dimensions of educational prac
tice, of the school and university situation and the ‘outside’ social situation
(Lahire, 1997a).
10 Bourdieu (in Labov, 1983, p. 71) refers to the‘relative weight’ of educational
level or social origin according to the cultural domain in question (painting
and cinema, for example). We could say that it is not the same schemes or
cultural habits that are activated in every case. The domain of cinema, or
better still that of sports activities, may activate cultural tastes constructed
in the social universe of origin, whereas the literary domain may trigger
schemes that are educationally acquired.
11 [t is important to make clear how rare it is - [ shall give an example of this
further on with the case of university students - for actors to make a ‘choice’
to activate or not habits or experiential schemes, [n the great majority of
cases, it is the situation that ‘decides’ on these inhibitions or triggers.
12 Bergson also uses formulas that seem in total contradiction with the ele
ments [ am stressing here. He writes, for example, that ‘our character,
always present in all our decisions, is indeed the actual synthesis of all our
past states’, or again that a person ‘collects’ and ‘organizes the totality of its
experience in what we call its character’ (1912, pp. 188, 225).
13 Rather than ‘cause’ and ‘effect’, certain philosophers prefer to speak of
‘reciprocal disposition partners': ‘when salt dissolves in water, the salt and
the water are reciprocal partners’ (Crane, 1996, p. 9).
14 As Paul Ladriere writes: ‘Thus it is not that the stone, which naturally falls,
might have acquired the habit of rising, even if one tried to accustom it to
this thousands of times by throwing it up in the air. . . . For the virtues, on
the other hand, their possession presupposes a previous exercise, as is also
the case for other arts, [n actual fact, we learn them by doing the things that
have to be learned to do them’ (1990, p. 24).
15 [t goes without saying that scientific debate about any given study lea ves open
the question whether the series of facts observed really can be interpreted as
manifestations of a single underlying disposition.
16 Dispositions, Pierre Bourdieu writes, ‘are revealed and fulfilled only in appro
priate circumstances and in the relationship with a situation.They may there
fore always remain in a virtual state, like a soldier’s courage in the absence of
war’ (2000, p. 149).
17 ‘The difficulty is that understanding is not just a capacity but also an act, and
that we do not manage to give ourselves a satisfactory image of the relation
ship that exists between the act of understanding and the ability that makes
231
N O T E S TO PP. 55-8
232
N O TES TO PP. 60-65
233
N O T ES TO PP. 67-70
234
N OTES T O PP. 70-76
8 We should note that these quotations from Bergson do not imply a general
acceptance of his theses. On questions such as the dualism between memory
and habit, ‘motor mechanisms’ and ‘memory-images’, the idea of a 'true
memory’ or ‘pure remembrances’ or the idealism of certain propositions,
Bergson’s reflections do not all seem pertinent, [t must be recognized,
however, that this author, unloved by sociologists and little read for his
torical and institutional reasons that can readily be imagined, correctly
accounted in some of his formulas for the operation of habit-memory, or
what he also calls ‘memory of the body’ ('the ensemble of sensory-motor
systems that habit has organized’).
9 I should note in passing that, if 'habitus as incorporated acquisition’ is the
‘presence of the past - or to the past - and not memory of the past’ (i.e. in
Bergsonian terms, habit-memory and not remembrance-memory), then the
theory of habitus is powerless to conceive 'remembrances’ (or does it see the
latter as outside the field of sociological investigation?), which is not without
its problems (see Bourdieu, 2000, p. 210).
10 See, in Kaufmann (1997,pp, 133-47), chapter 10 devoted to habit,
11 The model ‘habit or routine’/'crisis situation’/'reflection or consciousness’
is already present in Durkheim’s work, [t was variously examined by James
Dewey, Anselm L. Strauss and Pierre Bourdieu.
12 Paul Connerton, for example, criticizes the conception of habits as compe
tences or skills 'waiting to be called into action on the appropriate occasion’.
He gives the example of ‘bad habits’, to emphasize the fact that habits are
tendencies or strong impulses to act in a certain way, even when the actor
does not consciously desire this. This tends none the less towards a model
of self-propulsion, in which embodied habit no longer needs any support,
encouragement or external trigger (1989, p. 93).
13 We are then dealing with what certain psychologists call ‘modularization’:
‘Modularization refers to all processes by which a motor action that consti
tutes a sequence acquires a relative constancy of duration, quantity of energy
required, and form, and ends up being accomplished without any need to be
interrupted in order for information to be processed’ (Bruner, 1991, p. 146).
14 'When, for example, the traffic light turns red as I approach in my automo
bile, [ do not in general deliberate and then choose to release the accelera
tor and apply the brakes. Indeed, most of the actions we perform are done
without deliberation or choice. In most cases habits, desires and impulses
prevail - we act as we do as a matter of course, straight off, without reflection
or pondering of any kind’ (Melden, 1968, p. 28).
15 Olivier Schwartz describes the case of a woman who embarks on a critical
discussion of her condition and her husband only when she is alone with the
researcher (1990, p. 237),
16 We need only think of the ‘self-evident’ choice (but one that no linguist,
psycholinguist or psychologist had the idea of making before him), made
by William Labov (1972a, 1972b), of asking a black researcher (who had
himself come from the ghetto) to record ‘natural’ speech in black American
vernacular in the black ghettos of New York. When [ myself had to conduct
interviews with women teachers (Lahire, 1993a) or with the specialized staff
of primary schools (Lahire, 1993b), a large part of these interviews owed
their richness - and ( believe their quality - to a kind of relationship that
was sometimes not spoken, sometimes explicitly mentioned (‘I have a son or
235
N O T ES T O PP. 77-83
236
NOTES TO PP. 83-91
account book, the British anthropologist Jack Goody has suggested 'the
generalization of skills exhibited by an individual in one realm of activity to
other spheres in open to doubt’ (1987, p. 206).
25 There are no syllabic lists, or tables of graphic signs, that would provide
material for a specific apprenticeship in reading and writing.
26 As I have been able to show by offering an analysis of it in Lahire (1993a, pp.
36-40).
27 But, whatever their general character, schemes always remain marked by
and attached to the singular circumstances of their constitution (content of
knowledge, type of activity, domain of existence, etc.). These ‘summaries of
experience’ always preserve in them a trace of the nature of the experience
on the basis of which they were established. It is this fact that explains how
it is possible to discover in one and the same individual disparate tastes or
cultural dispositions according to the cultural domain in question: the same
actor who applies an aesthetic disposition in relation to literary reading (for
reasons of educational formation) may apply a less educated ethico-practical
disposition when watching television or going to the cinema.
28 'When we asked an informant to tell us the names of the various Vai clans
ordinarily represented at funerals in his town we . . . obtained an impres
sively long list. . . [This] stands in sharp contrast to the many experimentally
contrived situations in which populations such as the Vai fail to demonstrate
conceptually ordered recall’ (Goody, 1987, p. 207).
29 'Our handwriting is recognizable whether we trace letters on paper with a
pencil held by three fingers or on the blackboard with chalk held at arm’s
length - for our handwriting is more than simply a power that our body
has of circumscribing a certain absolute space, limited once and for all by
certain conditions and the use of certain muscles rather than others, (t is a
general capacity to formulate a constant type (of gesture?), handling all the
transpositions that may be necessary’ (Merleau-Ponty, 1973, p. 76).
237
NOTES TO PP. 92-6
238
NOTES TO PP. 97-103
of compilers. He does not choose them at random: '[ prefer to note the
examples that affect me,’ These anecdotes signify that the subject is directly
concerned by the attitudes he observes in people like himself, and that he
records by way of evidence dispositions that he recognizes in himself or,
on the contrary, tendencies that are foreign to him, [f he reflects in this way
on the diversity and incoherence of our nature, this is in a certain sense sec
ondary. The main point is the question that surfaces from each example:
What would I, Michel de Montaigne, do in similar circumstances? A ques
tion that ultimately sums up the whole undertaking of the Essays: 'trying
out’ also means putting oneself in someone else’s skin ('[n my imagination
[ completely insinuate myself into their place'), trying to experience, by
slipping into another person, all the experiences that one cannot experi
ence in everyday life, expanding one's real life by the boundless directions
of possible lives. The person who has renounced being always the same
individual finds in the protagonists of the exempla the means of being
many people. (Garavini, 1995-6, p, 723)
12 The dreams of certain subjects seem to be anticipations or rehearsals of
experiences that they will have to confront in the future, such as the death
of a loved one. When one of the subjects was asked if he dreamt of his
brother, who suffered from a cancer of the spinal column that was rapidly
progressing, he replied: '( don't know: only dreams of the sleeping kind
(sir). I see my thoughts going in this direction. Sometimes [ wonder, after
his latest bout of surgery, how it would be if he wasn’t there any more,
if he died. This haunted me for a while, [t disturbed me: what would [
do? How would all this affect my life, my family? It was quite a morbid
thought. After thinking about it I feel calm when Tthink of the possibility
that something might happen. But if it did, [ think I'd be better able to con
front it than [ was before. It wouldn't be the same shock as it would have
been earlier,’ (Wunder, 1993, p. 121 )
13 The characters in dreams are thus very often members of the dreamer’s
family: 'Hall makes the hypothesis that we dream of members of our family
because it is they whom we are emotionally involved with and towards
whom we have mixed feelings of affection, antagonism and unresolved ten
sions (Hall, 1966, p, 33)’ (Wunder, 1993, pp. 118-19).
14 A similar case of parapraxis is found in context in my Portrait de configura
tion no* 20, titled 'Un surinvestissement scolaire paradoxale’ (Lahire, 1995a,
pp. 217-25).
15 Erving Goff man puts it as follows: 'A back region or backstage may be
defined as a place, relative to a given performance, where the impression
fostered by the performance is knowingly contradicted as a matter of course’
(1956, p. 69),
16 'It was not that t denied daydreams could be idle, playful or merely expres
sive, but [ was focusing on their relation to action’ (Strauss, 1993, p. 6 ).
1 Writing was considered for a very long time as 'derived' from 'oral language’
and 'external' to it, so that its invention left intact an 'oral language' that
239
NOTES TO PP. 104-9
240
NOTES TO PP. 110-14
241
NOTES TO PP. 116-24
242
NOTES TO PP. 127-33
is not necessarily the case on the male side; one subject (teacher of German in
a grande ecole) wrote down the birthdays of his family in his diary,
8 It seems that senior managers are statistically those most inclined to conceive
and manage their everyday family life as an 'organization’ and cultivate a
form of asceticism (Establet, 1987), However, if rational domestic disposi
tions are unevenly distributed in society, the lines of division do not always
follow the boundaries of classes or social groups (Lahire, 1995b).
9 As do Bernard Coneinand Eric Jacopin: ‘Routine seems to explain quite well
the behaviour of customers in the supermarket: they use certain spatial bear
ings to find the products they want, without thinking or deliberating, since
every gesture is controlled by a perception guided by these bearings’ (1994,
p. 491),
10 Certain occasions of speech can be 'prepared’ without the mediation of
writing being needed. Nevertheless, on the one hand, writing makes it pos
sible to increase the degree of precision of preparation, while, on the other
hand, as Jack Goody suggests at many points in his work (see in particular,
1987, pp. 115-22), the existence of a written culture has cognitive conse
quences on the relationship to language, including ‘oral’ practices, [ have
myself shown the fundamentally written character of the 'oral’ educational
practice of language - in structures of language that are acceptable at school,
but also and especially in the educational relationship to language (Lahire,
1993a, pp. 193-242).
11 A woman respondent (maintenance agent), for example, describes her
partner (a cook) as follows:
When he phones it’s enough, he knows very well how to tell you, he knows
exactly what he means and no one puts him off. For me it’s easier. Certain
places, it’s him who goes because he knows very well that it’s like that,
it’s like that and it’s finished, and the person can say what they want. It
doesn’t make any difference at all. Besides, he knows very well, there are
certain places he goes and [ don’t. For example he goes to the tax office and
things like that. ‘It’s like this, it’s like that, you’ve made a mistake!’ ‘No,
I’m sorry, we’ve not made a mistake.’ ‘But [ assure you, and [ don’t want
to wait in line like this.’ He goes to the head of the queue. Yes, he’s bold,
[Laughter] And it’s true that, when you’re in the right, you’re in the right,
when you’re sure of yourself. You’re sure, you’ve done everything needed,
they send you more and more forms to fill in. Well, he never fills in a form,
he just goes there. When he goes there, he’s sure of himself - that he’s in
the right. And the last time, that’s how it went, he went there and straight
to the head of the queue. And it ended up, well, he was quite right, they
apologized to him and everything. If it was me, I’m sure I’d have gone back
two or three times. Whereas him, it’s like that.
Once again, men from a working-class milieu echo the classic critique
addressed to rhetoric from its very invention: only open, spontaneous, direct
and improvised relationships are acceptable (morally and politically). Cf.
Desbordes (1991, pp. 26-7, 40).
12 Thus we can express some reservation as to the first hypothesis of the action
theory proposed by Anselm L. Strauss: *No action is possible without the
body: that is, the body is a necessary condition for action' (1993, p, 23).
13 ‘The emigrants were not content to sent money to their families. They
243
NOTES TO PP. 135-9
continued to manage and direct their properties. The ties that they main
tained with their family and their village could be secured by friends return
ing home. But the freemason able to read and write was kept in touch with
incidents that happened on his land. He could thus keep economic control of
his domain, decide the rotation of crops, set the date for sale and the price of
animals’ (Dauphin, Lebrun-Pezerat and Poublan, 1991, p. 74).
14 We can add to this the practices of writing that participate in reflexivity and
self-control: personal diaries, poems, autobiographies, proto-literary com
mentaries accompanying photographs . , . (Lahire, 1993b, pp. 148-51). The
case of personal diaries shows that, apart from any practical necessity, actors
make reflexive returns on past events, whether happy or otherwise, reflex-
ively prepare actions (things to say or do) and, in particular, interactions,
or invent fictitious scenes and characters (a lover, a friend, a big brother, an
elder sister, a father, etc.). Writing can thus intervene before the experience
of events, helping one to be stronger, more calm, less agitated . . . [t can also
intervene subsequently, making it possible to 'work through’ scenes outside
of the torment of action. Some diarists even speak of returning to the past
consigned to their journal with a view to resolving problematic situations in
the present, thus effecting, as in the reading of literary texts, jurisprudential
comparisons between past and present. They thus draw points of support for
future action from their own objectified experience.
15 On the basis of a sociology of action regimes, Laurent Thevenot (1995)
adopts the same attitude towards the notion of the plan.
16 This author compares a plan made to decide major operations before the
action proper with descending the rapids in a canoe (Suchman, 1990).
17 'They [forecasts] are more like resources that the actors construct and consult
before and after the performance of the action’ (ibid., p. 159).
18 ‘Instructions intervene directly on action and define the content of perform
ance, i.e. a precise operation to be realized, whereas advice qualifies the
objectives of the task but remains vague on the way in which the action
should be accomplished: it gives an orientation and leaves part to improvisa
tion, attenuating control’ (Conein and Jacopin, 1993, pp. 71-2).
19 A good example of deliberate interruption of activity for reasons of safety
is the use of checklists in industry, and especially in civil aviation. In this
field, the checklist is generally consulted by two pilots; one reads aloud the
items on the list, while the other confirms and responds aloud as each item
is read out. The aim of these actions is to force a deliberate and conscious
interruption, controlled behaviour, to deliberately interrupt the normal
flow of activity. The controls and precautions bound up with safety are
supposed to create a disturbance that stimulates an effort of conscious
attention. Automatic actions are exposed to two kinds of problem: errors
caused by forgetting an action (action slip) and disturbances caused by
external events and interruptions. Even the checklist may fail in its func
tion. After being used thousands of times and after years of experience, its
use may become so routine that it becomes automatic, which may have
very serious consequences. (Norman, 1993, pp. 27-8)
20 'But in no case - and this is the crucial point - do such plans control action,
whatever the particular sense is given to the word “control” . Whatever
their number or the scope of the possible use, plans stop where the work of
descending the rapids begins’ (Suchman, 1990, p. 158).
244
NOTES TO PP. 139-51
21 Long confined to the strictly economic order, these practices are now perme
ating the domestic world by force of circumstance.
22 The notion of ‘rational calculation’, whether used or rejected, which is part
of the vocabulary of economics or a certain sociology, may be usefully put in
perspective by asking what are the intellectual techniques, and in particular
the written and visual practices, without which no rational calculation could
exist. Max Weber already described, in The Protestant Ethic and the Spirit o f
Capitalism (2001), the keeping of rational accounts (regular, rigorous, etc.)
as a precondition for the rationalization of economic practices.
23 Jurgen Habermas remarks, for example, that theories of strategic activity
'bear hypotheses about rationality that only apply (approximately) to limited
sectors of social reality’ (1995, p. 18).
24 On the notion of 'field of relevance’ as a tool of epistemological reflexivity,
but above all as a concrete (historicizing) attitude that the researcher deploys
in relation to ‘theories’, see below, ‘Workshops and Debates’, pp, 220-2.
245
NOTES TO PP. 152-9
gestures to make or not make with his child, the reactions to have or not to
have.
7 'In a more general way, habitus has its “ blips”, critical moments when it
misfires or is out of phase: the relationship of immediate adaptation is sus
pended, in an instant of hesitation into which there may slip a form of reflec
tion which has nothing in common with that of the scholastic thinker and
which . . . remains turned toward practice and not towards the agent who
performs it’ (Bourdieu, 2000, p. 162).
8 T o live only in the present, to respond to a stimulus by the immediate reac
tion which prolongs it, is the mark of lower animals: the man who proceeds
in this way is a man of impulse’ (Bergson, 1912, p. 198).
9 This perspective is best expressed in the qualified way that M. Crozier and
E. Priedberg pose the question of rationality in action:
The actor rarely has clear objectives and, even more rarely, coherent
projects. His objectives are diverse, more or less ambiguous, more or less
explicit, and more or less contradictory. Some will be changed in the course
of action, some rejected, others discovered during the process or even after
the fact, if only because the unforeseen and unforeseeable consequences of
his action require him to 'reconsider his position’ and 'readjust his aim.’
What is a 'means’ at one moment will be an 'end’ at another, and vice
versa. It follows that it would be illusory to regard such behavior as delib
erate and reasoned, i.e., mediated by a lucid subject calculating his moves
as a function of objectives established at the outset. (1980, pp. 24-5)
10 An example of this way of conceiving the debate between theories of action,
from the standpoint of the theory of practical reason, can be found in
Wacquant and Calhoun (1989).
11 A critique of utilitarianism offered on the basis of anti-utilitarianism, and
presupposing an alternative a priori conception of human action, is thus not
any more pertinent. To oppose to the calculating satisfaction of interests the
'desire for inter subjective recognition’, and maintain that 'the real motor of
social practice is the search for prestige, or more modestly for a tolerable
social identity’, is to believe that there exist 'fundamental motives of human
action’ or 'real motors’ of practices (Caille, 1988, p. 196). But 'motives’ and
'motors’ are always the product of socio-historical forms of life. Durkheim,
moreover, would not have failed to say about anti-utilitarianism what he said
about utilitarianism - i.e. that it theorizes what it desires.
12 Cases range from those in which nothing that seems at all relevant happens
except the occurrence of the bodily movement - one responds to the situ
ation in which one Ends oneself almost automatically, guided as it were
by habit and the whole accumulation of past experience - to the cases
in which force of mind, great effort, or internal struggles are involved as
habit is resisted or passions and temptations conquered .. .The character
istic philosophic vice of generalizing from special cases is involved in the
familiar summary explanation of the concept of action in terms of various
psychological factors or processes. (Melden, 1968, pp. 30-1)
13 'Even when the action-present is brief, performers can sometimes train them
selves to think about their actions. In the split-second exchanges of a game of
tennis, a skilled player learns to give himself a moment to plan the next shot.
His game is the better for this momentary hesitation, so long as he gauges
246
NOTES TO PP. 159-71
the time available for reflection correctly and integrates his reflection into the
smooth flow of action’ (Schon, 1983, p. 279). See also Detienne and Vernant
(1978).
14 We even find a series of oxymorons in Bourdieu: ‘unconscious strategy’,
‘intentionally without intention’, ‘finality without purpose’, ‘regulated
improvisation’, etc. Pierre-Michel Menger is right to point out the theoretical
contortions and semantic torsions that these expressions involve. A precise
analysis, he writes, ‘would show the whole effort deployed to correct each
word by its opposite’ and reveal operations comparable with ‘a game of snap
played by a single player’ (1997, pp. 591-2).
15 [s it giving in to bad habits of thought to raise this kind of question and
proceed by empirical verification and the hunt for counter-examples, rather
than by peremptory a priori assertion? At all events, the habit of empirical
work in sociology is always better than the inclination to settle theoretical
questions by philosophical quotations, no matter how seductive these are.
To reply to theoretical problems with philosophy constitutes - for sociolo
gists, not of course for philosophers - a clear sign of weakness and empirical
laziness. As Paul Valery ironically said: ‘Pascal “ found”, but undoubtedly
because he stopped looking.’
1 To this we must add the metaphor of great depths: ‘the pugilistic illusio - the
half-inarticulate, quasi-organismic belief in the value of the game and its
stakes, inscribed deep within the body’ (Wacquant, 1995b, pp. 492-3); The
pugilistic illusio is found lodged deep within the body’ (Wacquant, 1995a,
p. 88 ); ‘Habitus can be understood as virtual “sedimented situations” . . .
lodged inside the body’ (Bourdieu and Wacquant, 1992, p. 2 2 ); ‘the emotion
. . . that touches the depths of our organic being’ (Bourdieu, 2000, p. 140).
2 ‘What we are tempted to consider as raw experience often presupposes, in
reality, the existence of a whole world of concepts and the manipulation of a
certain technique’, writes Jacques Bouveresse (1987, p. 69).
3 ‘ It is language that must be internalized above all’ (Berger and Luckmann,
1979, p. 155).
4 After noting this critical reading, I discovered a similar text from Jean-Paul
Bronckart (1997) on Jean Piaget. Bronckart in fact conducts a re-reading of
a body of interaction situations between adult and child that Piaget coni'
mented on, bringing to light, in a particularly illuminating fashion, the fact
that the psychologist omits or neglects language in his interpretation of these
situations in the perspective of a theory of development of the child (the
formation of symbols).
5 ‘To acquire the specific bodily sensitivity that makes one a competent pugil
ist is a slow and protracted process; it cannot be effected by an act of will or
a conscious transfer of information, [t necessitates, rather, an imperceptible
embodiment of the mental and corporeal schemata immanent in pugilistic
practice that admits no discursive mediation or systematization’ (Wacquant,
1995a, p. 72).
6 My intuition is that having the words to say what one is doing facilitates
subsequent execution. By drawing children’s attention repeatedly to points
247
NOTES TO PP. 171-82
248
NOTES TO PP. 182-95
6 The common people represent the doing twice over, when they make light
ning flash - that is being doubled by another doing: it posits the same event
once as cause and then once again as effect’ (Nietzsche, 1996, p. 29).
7 Of course, some solicitations are non-existent, just as certain kinds of col
laboration are not invited in certain families, on account of the place socially
ascribed to the child and the representations that adults may make about
what is possible and conceivable (in the sense of 'competence’ and 'right’) at
the age of eight to nine, or ten and eleven. Children may thus be forbidden to
write on visible supports - calendars, photos, photo albums, video cassettes
- out of fear that these will be damaged, to answer the phone or to make a
phone call themselves, to go out without first asking (oral) permission from
an adult, etc. Children may even be considered too young to write letters (the
case of Marouan, eight years old, father a boilermaker and mother a house
wife), to want to write stories or poems by themselves, to be able to read
children’s novels or magazines (the case of Chaouki, eight years old, father
a plasterer/painter and mother a housewife), to be able to look up for them
selves in a dictionary or little encyclopedia (the case of Damien, nine years
old, father and mother run a butcher’s shop). Limits of this kind imposed on
learning - bound up with a rather closed conception of roles and a particular
relationship to childhood - seem almost non-existent in the higher social
classes.
8 Julien (eight years old, father a skilled worker and mother a nurse) is thus a
good example of the infrequent reader with a good knowledge of French that
Francois de Singly discusses: 'a boy from a working-class milieu, excellent in
maths’ (1993a).
9 We should note that such cases provide interesting examples of heterogene
ous dispositions activated as a function of the situation. On the one hand,
the parents do not like reading and writing but, on the other hand, they incite
and 'push’ their children relentlessly to practise these, so that they turn out
different from themselves.
10 Concerning family conditions of access to reading, large-scale studies have
shown that the share of great readers is higher among those who benefited
from their mother telling them stories each day than among those who
never (or rarely) heard these, and that this share is also higher among those
with a bookshelf in their bedroom than among those with no books in their
bedroom (Singly, 1993a).
11 At the opposite extreme we have the parents of Damien (see above), who
don’t like writing at all and whose pronunciation of certain words, and
grammatical mistakes, are the sign of a poor internalization of the specific
linguistic norms of written culture.
12 The 'rule’ may be suddenly modulated as a function of the context: if it is
impossible to apply it in town, then the environment has to be rigorously
respected when in the countryside. Cf. Madec (1996, pp. 119-20).
1 Pierre Bourdieu wrote that habitus was 'one of the 'intermediate concepts
and concepts which mediate between the subjective and the objective’
(Bourdieu, 1990d, p. 3).
249
NOTES TO PP. 198-203
2 We can often find in Max Weber, though he was far from excluding the indi
vidual actor from his comprehensive sociology, the idea that an isolated indi
vidual act is not a social act. Religious behaviour, for example, is not a social
activity 'if it is simply a matter of contemplation or of solitary prayer’ (1978,
p. 2 2 ). But a solitary behaviour is every bit as social as a behaviour with
someone else, because an ‘isolated individual’ is intersubjective by nature,
and her ‘internal’ mental activity is dependent on her past and present expe
riences. See ‘Une anthropologic de I’interdependance’, in Lahire (1995a, pp.
283-9). One might reply to Max Weber, indeed, with the words of Maurice
Halbwachs: ‘In reality we are never alone. Other men need not be physically
present, since we always carry with us and in us a number of distinct persons’
(1980, p. 23),
3 It was Georg Simmel, however, who made the strongest division, and also
the most realist (in the sense of epistemological realism), between what was
social and what was not. We may note in passing that this division, fixing
an a priori limit to sociological analysis, holds a high place in the historical
honours of the abdication of sociological interpretation. Simmel conferred
on ‘individuals’ and their behavioural and mental schemas a life of their own,
independent from social ‘ forces’ and ‘forms’ (1981, p, 137). For Simmel,
instincts, interests, impulses, ends, inclinations, tendencies, etc., are in them
selves not social (since they denote ‘the matter of socialization, the materials
that fill up existence, these motivations that stimulate it but do not yet form
either in or for themselves a social being’; ibid., p. 1 22 ), but simply ‘have the
effect that men engage in coexistence with others’ (ibid., p. 1 2 1 ). Simmel did
not adopt the sociological orientation that would have enabled him to con
ceive that, on the contrary, it is because they are engaged in historical forms
of coexistence that people have particular interests, motivations, impulses,
inclinations, etc. Here again, if sociology makes this division between the
individual (the mental, the psychic, inclinations, intentions, impulses, etc.)
and the social, it plays a bad trick of sociological magic on us by reintroduc
ing underhand those products denoted as sociologically illicit, [f individual
thoughts and behaviours are not the business of sociology, then sociologists
are unable to integrate these into their discourse. But the temptation, as can
be readily seen, is stronger than the principle of division initially proclaimed.
4 [ have criticized pluridisciplinarity and interdisciplinarity in Lahire (1998a).
5 Gabriel Tarde, as is well known, opposed Durkheim’s sociology, which he
referred to as an inter-mental psychology; for him, to believe that there exists
anything but individual acts or deeds ‘is pure ontology’ (Durkheim, 1975,
p. 165).
6 See, among other less well-known works, Cole (1996); Shweder (1991);
Bruner (1991).
7 Why has it proven so difficult for psychologists to keep culture in mindi
A short answer might be: Because when psychology treated culture as an
independent variable and mind as a dependent variable, it broke apart the
unity of culture and mind and ordered them temporally - culture is stimu
lus, mind response. The entire history of cross-cultural psychology can be
viewed as a long struggle to put back together that which was torn apart
as a consequence of the division of the humane sciences into the social
sciences and humanities. (Cole, 1996, pp. 327-8)
8 They also very often remain in thrall to a mentalist conception which claims
250
NOTES TO PP. 205-12
that the ‘said’ is only the 'thought’ made public. Now, given that public lan
guage is out only tool for tracing this ‘thought’, it is hard to understand the
interest that scholars have in placing a 'thought’ that is invisible in itself at
the coot of a public language that constitutes its one and only trace and proof
of existence. The idea that language is only the public expression of a mental
structure, a mental reality, totally reverses - quite unreasonably - the order
of realities that ace tangible, observable and open to study, [t is surprising,
therefore, to see the disproportionate place granted to this supposed reality,
inherently invisible, in relation to that assigned to objective and objectifiable
realities (verbal, para-verbal, written, gestural, iconic ...) , reduced to the
rank of a mere 'trace’ or ‘index’ of a mental activity deemed fundamental.
From this point of view, the work of Ludwig Wittgenstein amounts to a
real linguistic therapy. Cf. in particular the presentation of Wittgenstein’s
philosophy by Jacques Bouveresse (1987).
9 ‘The inside as an operation of the outside: in all his work, Foucault seems
haunted by this theme of an inside which is merely the fold of the outside’
(Deleuze, 1999, p. 81).
10 ‘The description of a historical context is never exhausted by a finite list
of variables’ (Passecon, 1991, p, 364), This does not mean that sociolo
gists cannot effect a reduction of this kind, or even that they should not do
so on certain occasions, simply that they should not be mistaken as to its
application.
11 It makes no more sense to view actors as free electrons subject to magnetic
fields, or as independent bowling balls moving in an alley that would leave
them a certain ‘play’ (in the mechanical sense of the term) or a 'margin of
movement’. It is hard, in fact, to see what advantage there can be (apart
from the benefit of a rhetorical union of opposites) in calling actors ‘free in
a system of constraints’, or speaking of 'social determinism in indetermi
nacy’, 'constraint accompanied by free play’, 'choices in the limits of a social
structure’, etc.
12 [ have in mind here the works of John Gumperz and William Labov, which
inspired psychologists working on language, in particular Michael Cole: ‘The
strategy we employed in two other studies, both carried out in New York
City, was to contrast the behaviour of the same children in their classrooms,
when they were being tested, and in an activity outside the school’ (1996,
P* 221),
251
NOTES TO PP. 213-21
252
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INDEX
264
INDEX
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INDEX
266
INDEX
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INDEX
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INDEX
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INDEX
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INDEX
271