ROMEO AND JULIET Edited 2
ROMEO AND JULIET Edited 2
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PROLOGUE
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SCENE 1
A street
SAMPSON :I will bite my thumb at them, which is disgrace to them if they bear it.
GREGORY: No.
SAMPSON : No sir, I do not bite my thumb at you, sir, but I bite my thumb, sir.
BENVOLIO: Part, fools. Put up your swords, you know not what you do.
(ENTER TYBALT)
TYBALT : [To BENVOLIO] What, are you drawn amongst these heartless hinds? Turn here
Benvolio, look upon your death.
(They FIGHT)
CAPULET: What noise is this? Give me my long sword, ho! Old Montague has come!
MONTAGUE: [Spying CAPULET] that villain Capulet: [to LADY MONTAGUE who holds him
back] don’t hold me! Let me go!
LADY MONTAGUE: You will not stir one foot to seek a foe. (The couples remain either side of
the stage, the women holding their husbands back either by force, argument or childish with-
holding of weapons).
(The SERVANTS, BENVOLIO and TYBALT remain in combat with the CITIZENS, centre stage)
(EXIT all)
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Scene 2
Outside of MONTAGUE’s house
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(Enter BENVOLIO and ROMEO)
BENVOLIO: In love?
ROMEO: Out.
BENVOLIO: Of love?
BENVOLIO: Alas.
ROMEO: Well in that hit you still miss; she’ll not be hit
With Cupid’s arrow…
BENVOLIO: By giving liberty unto your eyes, check those other women.
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SCENE 3
Outside The House of Capulet
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(CAPULET and PARIS in conversation)
CAPULET: It’s not so hard I think. For old men like us to keep the peace
PARIS: Of honorable reckoning are you both, and pity ’tis you lived at odds so long. But now
my lord what say you to me?
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(ENTER JULIET)
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SCENE 4
A street
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(ENTER ROMEO, BENVOLIO, MERCUTIO and REVELLERS)
ROMEO: I don’t want to. You have dancing shoes. With nimble soles, I have a soul of lead.
BENVOLIO: [hurrying them along] Dinner is done, and we shall be home late.
(EXIT all)
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SCENE 5
Capulet’s House
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(all dancing)
(The room is crowded, the people dance and drink. ROMEO and JULIET wind up dancing
together before PARIS spins her away. ROMEO stands downstage awestruck and following her
movements. He stops a passing servant.)
ROMEO: O she do teach the torch's to burn bright. Did my heart love till now? I swear it, my
eyes. For I never see true beauty till this night.
ROMEO: O then, dear saint, let our lips do what our hands do!
They pray.
(THEY KISS)
(EXIT JULIET)
(EXIT NURSE)
(EXIT all)
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SCENE 6
Outside the walls of
the House of Capulet
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(ROMEO hides.)
BENVOLIO: Romeo! My cousin, Romeo! Romeo! He ran this way and leapt this orchard wall.
[giving up]Come, blind is his love, and best befits the dark.
BENVOLIO: Go then, for it is in vain. Try to find him here and you will not find him.
(EXIT MERCUTIO and BENVOLIO)
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SCENE 7
Capulet’s Orchard
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(ROMEO hides)
JULIET: Oh my!
JULIET: It is but your name that is my enemy; you are yourself, though not a Montague. O, be
some other name. What’s in a name? That which we call a rose by any other word would smell
as sweet. So would Romeo would not be called Romeo? Romeo, that is your name, and for that
name, which is no part of you, I will take you all myself.
JULIET: [shocked] Are you not a Montague? Where did you came from, tell me and where?
ROMEO: With love’s light wings did I over perch these walls.
JULIET: If any of my kinsmen find you here they will murder you.
NURSE: Madam!
(They kiss)
(EXIT JULIET)
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SCENE 8
Friar Lawrence’s
Cell
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(FRIAR LAWRENCE in his cell)
(ENTER ROMEO)
ROMEO: Good morning father!
FRIAR LAWRENCE: That’s my good son; but be plain, where have you been then?
ROMEO: Then plainly know my heart’s dear love is set. On the fair daughter of rich Capulet.
We met, we wooed, and we exchange of vow, I’ll tell you as we pass; but this I pray. That you
will consent to marry us today.
FRIAR LAWRENCE: Come, in one respect I’ll be your assistant; for this alliance may so happy
to prove turning your households’ rancor to pure love.
(EXIT both)
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SCENE 9
A street
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(ENTER MERCUTIO and BENVOLIO)
ROMEO Good morning to you two. What counterfeit did I give you?
[ENTER NURSE]
NURSE: Gentlemen, can any of you tell me where I may find the young Romeo?
NURSE: If you are him, sir, I desire some confidence with you.
NURSE: First let me tell you, if you should lead her in a fool’s paradise, as they say, it were a
very gross kind of behavior, truly it were an ill thing-
ROMEO: I protest–
Bid her to come to shrift this afternoon, and there she will be at Friar Lawrence’s cell to be
shrived and married.
(EXIT both)
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SCENE 10
Capulet’s house.
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JULIET awaits her nurse
(ENTER NURSE)
JULIET: How are you out of breath when you can breathe? To say to me that you are out of
breath? Is your news good, or bad? Answer me.
NURSE: [Giving in] Your love says like an honest gentleman. Where is your mother?
JULIET: Where is my mother? How odd! Come on, What does Romeo say?
NURSE: That you will hence to Friar Lawrence’ cell. There stays a husband to make you a wife!
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SCENE 11
Friar Lawrence cell
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(ROMEO waits with FRIAR LAWRENCE in a single spotlight. JULIET ENTERS with NURSE by
her side. JULIET joins ROMEO, they join hands and gaze into each other’s eyes.)
FRIAR LAWRENCE: Heavens, smile upon this holy act. Do not chide us with sorrow.
(They kiss.)
(EXIT all)
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SCENE 12
A street
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(ENTER BENVOLIO and MERCUTIO)
MERCUTIO: And but one word with one of us? Couple it with something; make it a word and a
blow.
(ENTER ROMEO now secretly married and therefore related to the Capulets.)
ROMEO: Tybalt, the reason that I have to love you. It does much excuse such a greeting: villain
I am not.
TYBALT: Boy, this shall not excuse the injuries you did to me.
ROMEO: I do protest I never injured you, good Capulet, which name I tender as dearly as mine
own, be satisfied.
MERCUTIO : Good King of Cats, nothing but one of your nine lives.
ROMEO: Tybalt! Mercutio! The Prince has already said that we should not fight. Stop, Tybalt!
Good Mercutio!
MERCUTIO ’: Then I will serve. Ask for me tomorrow and you shall find me a grave man. A
plague on both your houses. A plague on both your houses.
(MERCUTIO dies)
BENVOLIO: Romeo, get out of here! Get out of here! The prince will punish you to death..
Hence, get out!
BENVOLIO: There lies the man, slain by young Romeo that murdered our kinsman, brave
Mercutio.
BENVOLIO: Romeo spoke him fair. Tybalt, deaf to peace, stabs at Mercutio’s breast. Romeo,
he cries aloud and rushes; underneath whose arm Tybalt hit the life of stout Mercutio.
LADY CAPULET: He is a kinsman to the Montague. Affection makes him false. He is lying! I
beg for justice, which you, Prince, must give. Romeo slew Tybalt, Romeo must not live.
PRINCE: For that offence, immediately we do exile him hence. Let Romeo hence in haste, else,
when he is found, that hour will be his last.
(EXIT all)
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SCENE 13
Juliet’s bedroom
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(JULIET awaits news from her nurse)
JULIET: What kind of devil are you, that you torment me?
Has Romeo killed himself?
NURSE: Will you speak well of him that killed your cousin?
(EXIT JULIET)
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SCENE 14
Friar Lawrence’ Cell
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(FRIAR LAWRENCE and ROMEO)
FRIAR LAWRENCE: Affliction is enamored of your parts And you are wedded to calamity.
ROMEO: It is torture and not mercy. Heaven is where Juliet lives, and every unworthy thing,live
here in heaven and may look on her, but I can no longer.
(KNOCKING)
(More knocking)
(ENTER NURSE)
ROMEO: Where is she? And how is she doing? And does my concealed lady say to our
cancelled love?
ROMEO : Farewell.
(EXIT ROMEO)
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SCENE 15
Capulet’s House
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(PARIS and CAPULET in discussion)
(EXIT both)
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SCENE 16
Juliet’s Bedroom
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(ROMEO and JULIET together
BIRDSONG)
JULIET: Will you be gone? It is not yet near day.
It was the nightingale and not the lark.
JULIET: This light is not daylight, I know it, you don’t have to go yet.
(ENTER CAPULET)
LADY CAPULET: Sir, she doesn’t want to be married, she gives you thanks.
I would the fool were married to her grave.
CAPULET: How? She doesn’t want to? Is she not proud? Does she not count her blessings,
unworthy as she is, that we have wrought
a worthy gentleman to be her bridegroom? Go with Paris to Saint Peter’s Church, or I will drag
you on a hurdle thither. Out, you baggage!
(EXIT CAPULET)
JULIET: [Pause]
Go in, and tell my lady I am gone,
Having displeased my father, to Lawrence’ cell,
To make confession and to be absolved.
(EXIT NURSE)
(EXIT JULIET)
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SCENE 17
Friar Lawrence’ Cell
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(PARIS and FRIAR LAWRENCE in conversation)
FRIAR LAWRENCE: [to himself] I would I know not why it should be slowed.
Look sir, here comes the lady towards my cell.
(ENTER JULIET)
PARIS: That may be, must be, and love, on Thursday next.
FRIAR LAWRENCE: Hold then. Go home, be merry, and give consent to marry Paris.
Do not let the nurse lie with you in your chamber.
You will this vial, being in bed,
And this distilling liquor you will drink it off;
When presently through all your veins shall die
No pulse, no warmth.
The roses in your lips and cheeks shall fade
And in this, you will borrow death and its likeness
You shall continue to be dead for 42 hours
And then you will awake as from pleasant sleep.
You shall be borne to that same ancient vault
Where all the kindred of the Capulets lie.
In the meantime, before you awake,
I will send Romeo my letters know our drift
And he shall come.
(EXIT JULIET)
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Scene 18
Juliet's bedroom
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(LADY CAPULET and NURSE preparing JULIET for her
Wedding day)
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BY MORNING
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(ENTER NURSE )
NURSE: ah who tries to rouse JULIET? (Thinking her dead.) Oh Juliet oh my dear Juliet (she
cry) oh GOD oh GOD what happen to you now my dear JULIET (she ran out from the room)
(EXIT NURSE.)
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SCENE 19
Friar Lawrence’ Cell
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[this can be played in a single downstage spot to
quicken the pace]
FRIAR JOHN: I could not send it, nor get a messenger to bring it thee.
Here it is again -
(All is crying)
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SCENE 20
Mantua
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(ROMEO awaits news from Verona)
(ENTER BALTHAZAR)
ROMEO: [PAUSE]
Is it even so? Then I defy you, stars!
I will hence tonight.
ROMEO: You are deceived. Did you receive letters from the Friar?
(EXIT BALTHAZAR)
APOTHECARY: I have such mortal drugs, but by Mantua’s law ss that if he utters them will be
put to death. My poverty, but not my will, consents.
(EXIT both)
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SCENE 21
Capel’s Monument
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(The tomb is eerie and dark, a place of death and ghosts. It
is terrifying. JULIET lies as though dead.)
(ENTER
ROMEO)
(He regards the scene with horror and stumbles out). (EXIT FRIAR LAWRENCE. )
(Lighting suggests the passage of time).
(ENTER FRIAR LAWRENCE and PRINCE)
(ENTER MONTAGUE.)
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SCENE 22
Outside of the Capel's monument
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(Exit of Prince)
(Exit of all)
It seemed like a punishment to the two families who exercised their pride but it also became a
bridge so that the two families could get along in the end and Romeo and Juliet could feel their
eternal love.
Eternal love was like as diamond, also diamond can only shattered like Romeo and Juliet had
even their death they were in each other and death also can set them apart.
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THE END