Exocad Master Guide
Exocad Master Guide
1. Pre-surgical Waxup
Pontic Waxup
Dentate Arch
INTRODUCTION
SCAN TO DOWNLOAD
T he essential series for clinician-led exocad design. From crowns to bite guards to bridges, implants
to smile design, veneers and removables — this is the track to fast-track learning exocad design.
SAVE
$
500
USE CODE LEVEL3
3D Printing Mini-Residency
SEPTEMBER 22 - 26, 2025 | DECEMBER 8 - 12, 2025
Master the biggest advancement to impact dentistry in our lifetime in this focused 5 day
residency covering the 3D Printing Track, including: Crowns, Onlays, Bite Splints, Partial
Dentures, Smile Design, Veneers and Dentures.
SAVE
$
1 ,0 0 0
USE CODE EXOFOUNDATIONRES
1. Pre-surgical Waxup
1
Pontic Waxup
Dentate Arch
AI Crown Design
2 | exocad FOUNDATIONS
2 . Click “Default Client”
Select Here.
3 | exocad FOUNDATIONS
3 . Click “Default Client”
Select “Default Client” in
the drop down menu.
4 | exocad FOUNDATIONS
4 . Enter Patient Name
Enter the patient’s name
in the type field.
5 | exocad FOUNDATIONS
5 . Click Settings
Click this icon to access
the settings.
6 | exocad FOUNDATIONS
6 . Click Here
Select settings in the drop
down menu.
7 | exocad FOUNDATIONS
7 . Click “Cloud”
Select the cloud tab.
8 | exocad FOUNDATIONS
8 . Turn On AI Crown
Toggle this setting to the
on position.
9 | exocad FOUNDATIONS
9 . Save
Save the settings that you
have adjusted.
10 | e x o c a d F O U N D A T I O N S
10 . Select the Tooth
Select the tooth that you are
creating the crown for.
11 | e x o c a d F O U N D A T I O N S
11 . Click “Anatomic Crown”
Select the “Atomic Crown”
option.
12 | e x o c a d F O U N D A T I O N S
12 . Select “3D Print”
Click on the “3D Print” box
option.
13 | e x o c a d F O U N D A T I O N S
13 . Set the AI Settings
This only needs to be done
once. The settings will be
remembered and tied the
client.
14 | e x o c a d F O U N D A T I O N S
14 . Crown Margin Settings
Horizontal crown margin
0.1mm.
15 | e x o c a d F O U N D A T I O N S
15 . AI Distance
AI Distance to antagonist
0.2mm
16 | e x o c a d F O U N D A T I O N S
16 . AI Distance
Distance to Neighbor should
be set to 0mm
17 | e x o c a d F O U N D A T I O N S
17 . AI Settings
0.9 Crown Details.
18 | e x o c a d F O U N D A T I O N S
18 . Cement Gap
Set the beginning of cement
gap 0.3mm.
19 | e x o c a d F O U N D A T I O N S
19 . Final Look
Make sure that your settings
match these:
20 | e x o c a d F O U N D A T I O N S
20 . Click “OK”
Click “OK” to move to the
next step.
21 | e x o c a d F O U N D A T I O N S
21 . Click “Save”
Click “Save” here.
22 | e x o c a d F O U N D A T I O N S
22 . Click “Design”
Click the “Design” button
here.
23 | e x o c a d F O U N D A T I O N S
23 . Load Scans
The software will indicate
what arch it wants first by the
text box in the upper left
corner of the screen.
24 | e x o c a d F O U N D A T I O N S
24 . Check Settings: Click “Tools”
Let’s check your settings for
design before doing anything.
This only needs to one
checked once. Click tools.
25 | e x o c a d F O U N D A T I O N S
25 . Click “Settings”
Click settings here.
26 | e x o c a d F O U N D A T I O N S
26 . Turn Simple Design On
Toggle this setting to on.
27 | e x o c a d F O U N D A T I O N S
27 . Design Workflows
Make sure that your settings
match these:
28 | e x o c a d F O U N D A T I O N S
28 . System Confirguration
Click “System Configuration”
29 | e x o c a d F O U N D A T I O N S
29 . HD
Select your favorite library.
30 | e x o c a d F O U N D A T I O N S
30 . Add-On Modules
Click on the “Add-on
Modules” tab.
31 | e x o c a d F O U N D A T I O N S
31 . Auto Articulation
I like Skull Articulator. Make
sure to select use auto
articulator.
32 | e x o c a d F O U N D A T I O N S
32 . TruSmile
Select “TruSmile on Start”.
33 | e x o c a d F O U N D A T I O N S
33 . Settings
Make your settings match
these:
34 | e x o c a d F O U N D A T I O N S
34 . Cloud
Click on the “Cloud” tab.
35 | e x o c a d F O U N D A T I O N S
35 . Enable Cloud Features
Make your settings match
these:
36 | e x o c a d F O U N D A T I O N S
36 . Enable Cloud Features
Make your settings match
these:
37 | e x o c a d F O U N D A T I O N S
37 . Save
Save your settings.
38 | e x o c a d F O U N D A T I O N S
38 . You Have to Restart
For all your new settings to
work, you need to restart the
software. Just exit and then
go back to design.
39 | e x o c a d F O U N D A T I O N S
39 . Don’t Save
Select “Do not save”.
40 | e x o c a d F O U N D A T I O N S
40 . Back to Design
Select the “Design” tab.
41 | e x o c a d F O U N D A T I O N S
41 . Reload Models
Reload the models now.
42 | e x o c a d F O U N D A T I O N S
42 . Orientation
Right click to rotate model.
Look staring down long axis
of the crown prep as if the
crown is being delivered on
the tooth.
43 | e x o c a d F O U N D A T I O N S
43 . Click “Next”
Click the “Next” button.
44 | e x o c a d F O U N D A T I O N S
44 . Confirm Parameters
Confirm the parameters.
45 | e x o c a d F O U N D A T I O N S
45 . Settings
These are the settings that I
use for printing.
46 | e x o c a d F O U N D A T I O N S
46 . Click “Request Cloud Calculation”
Click the “Request Cloud
Calculation Solution.
47 | e x o c a d F O U N D A T I O N S
47 . Wait 90 Seconds
Wait for the calculated time.
48 | e x o c a d F O U N D A T I O N S
48 . Click Here
Select the rating for the
crowns.
49 | e x o c a d F O U N D A T I O N S
49 . Click “Happy” and Continue
Select “I am happy with the
result- continue with fast
workflow”.
50 | e x o c a d F O U N D A T I O N S
50 . Hit “Next”
Select the “Next” button.
51 | e x o c a d F O U N D A T I O N S
51 . Click Margin
Depending on the retraction
level this can be one click or
may require up top 8 clicks.
52 | e x o c a d F O U N D A T I O N S
52 . Click Margin
I tend to select the 4 line
angles.
53 | e x o c a d F O U N D A T I O N S
53 . Click Margin
I tend to select 4 line angles.
54 | e x o c a d F O U N D A T I O N S
54 . Click Margin
I tend to select the 4 line
angles.
55 | e x o c a d F O U N D A T I O N S
55 . Click Open Areas
Click the areas that it missed.
56 | e x o c a d F O U N D A T I O N S
56 . Click “Correct/Draw”
Click “Correct/Draw”.
57 | e x o c a d F O U N D A T I O N S
57 . Drag Margin
Fine-tune by dragging the
margin line.
58 | e x o c a d F O U N D A T I O N S
58 . Turn Off Color
Turning off the color can be
helpful.
59 | e x o c a d F O U N D A T I O N S
59 . Finalize Margin
Fine-tune.
60 | e x o c a d F O U N D A T I O N S
60 . Finalize Margin
Fine-tune.
61 | e x o c a d F O U N D A T I O N S
61 . Click “Next”
Click the “Next” button.
62 | e x o c a d F O U N D A T I O N S
62 . Click “Next”
Software will auto calculate
best path of insertion. You
can change it if needed by
rotating model and hitting set
from view.
63 | e x o c a d F O U N D A T I O N S
63 . Watch Auto-Articulation
If you hit “A” on the keyboard
for antagonist you can toggle
on and off the opposing arch
and you should see dynamic
movement.
64 | e x o c a d F O U N D A T I O N S
64 . Watch Auto-Articulation
If you hit “A” on the keyboard
for antagonist you can toggle
on and off the opposing arch
and you should see dynamic
movement.
65 | e x o c a d F O U N D A T I O N S
65 . Check Colors
The software automatically
adapts occlusion and
Proximal contacts. Occlusion
should be blue, proximal teal.
Use tools if need to edit.
Then hit “next”.
66 | e x o c a d F O U N D A T I O N S
66 . You Are Done
You have completed your AI
Crown Design.
67 | e x o c a d F O U N D A T I O N S
FO U N DAT I O N S
69 | e x o c a d F O U N D A T I O N S
2 . Add Patient Name
Type in the patient name in
the text field.
70 | e x o c a d F O U N D A T I O N S
3 . Click Tooth
Click the tooth you will be
working on.
71 | e x o c a d F O U N D A T I O N S
4 . Click “Inlay/Onlay”
Click the “Inlay/ Onlay”
button.
72 | e x o c a d F O U N D A T I O N S
5 . Click “3D Print”
Click the “3D Print” button.
73 | e x o c a d F O U N D A T I O N S
6 . Change Gap to 0.1 mm
Change the gap to 0.1 mm.
74 | e x o c a d F O U N D A T I O N S
7 . Change to 1.7 mm
Border taper is how soon the
minimum thickness occurs
from the margin line and if
left default you often get that
unsightly material hump at
the margin.
75 | e x o c a d F O U N D A T I O N S
8 . Beginning of Gap: 0.2 mm
This represents the area on
the margin that will be
closed. The smaller the
number here the easier the
onlay is to seat.
76 | e x o c a d F O U N D A T I O N S
9 . Click “OK”
Click “OK”.
77 | e x o c a d F O U N D A T I O N S
10 . Click “Save”
Click “Save”.
78 | e x o c a d F O U N D A T I O N S
11 . Click “Design”
Click “Design”.
79 | e x o c a d F O U N D A T I O N S
12 . Load Scans
Load the scans.
80 | e x o c a d F O U N D A T I O N S
13 . Rotate Orientation
Rotate the orientation.
81 | e x o c a d F O U N D A T I O N S
14 . Select Margin
You must click at least 4
spots on the margin. I usually
click more than 4. Pick line
angles and corners.
82 | e x o c a d F O U N D A T I O N S
15 . Margin
You must click at least 4
spots on the margin. I usually
click more than 4. Pick line
angles and corners.
83 | e x o c a d F O U N D A T I O N S
16 . Keep Selecting Margin
Keep selecting the margin.
84 | e x o c a d F O U N D A T I O N S
17 . Keep Selecting Margin
You must click at least 4
spots on the margin. I usually
click more than 4. Pick line
angles and corners.
85 | e x o c a d F O U N D A T I O N S
18 . Fine-Tune
Once 4 are clicked it will
attempt a margin line. You
can keep adding more to help
it. If you have a dot you don’t
like simply left-click and hold
then also right-click to
delete.
86 | e x o c a d F O U N D A T I O N S
19 . Correct
To perfect the margin hit
correct/draw.
87 | e x o c a d F O U N D A T I O N S
20 . Correct
Click the green margin line or
ball to drag and perfect the
margin.
88 | e x o c a d F O U N D A T I O N S
21 . Next
Click “Next”.
89 | e x o c a d F O U N D A T I O N S
22 . Insertion
The software attempts to
detect an insertion direction.
Often it needs to be fixed.
Rotate the model and look for
colors that indicate
undercuts.
90 | e x o c a d F O U N D A T I O N S
23 . Click Here
Here we can see the intense
undercuts shown by the
colors in the automatic
insertion direction. This
needs to be minimized.
91 | e x o c a d F O U N D A T I O N S
24 . Rotate
Rotate the entire model to a
better path of insertion. As if
the restoration was going to
drop out of the screen and
fall into the prep. That is the
angle you want.
92 | e x o c a d F O U N D A T I O N S
25 . Set From View
After rotating to the ideal
path of insertion hit set from
view.
93 | e x o c a d F O U N D A T I O N S
26 . Verify
At the new insertion direction
make sure no colors are on a
margin. The software will
block out undercuts up to
1mm except at a margin. If
you have undercuts on a
margin try another angle or
reprep the tooth.
94 | e x o c a d F O U N D A T I O N S
27 . Next
Hit “Next”.
95 | e x o c a d F O U N D A T I O N S
28 . Adjacent Teeth
The software automatically
identifies the adjacent teeth.
Sometimes when scanning
with a rubber dam exocad
will confuse the mesial and
distal. This can be corrected
easily by hitting this button.
96 | e x o c a d F O U N D A T I O N S
29 . Place Tooth
The software automatically
places a tooth where it thinks
it belongs.
97 | e x o c a d F O U N D A T I O N S
30 . Fine-Tune
Many tools exist to perfect
this. Click the tooth to move
it, control and click rotate,
shift to scale.
98 | e x o c a d F O U N D A T I O N S
31 . Morph
You can morph a cusp of area
by selecting this icon
99 | e x o c a d F O U N D A T I O N S
32 . Morph
Click and drag cusps and
marginal ridges if needed.
100 | e x o c a d F O U N D A T I O N S
33 . Morph
Click and drag cusps and
marginal ridges if needed
101 | e x o c a d F O U N D A T I O N S
34 . Next
Click “Next”.
102 | e x o c a d F O U N D A T I O N S
35 . Smooth
One of the few tools I use in
this stage is Free-Smooth. I
use it at the emergence of the
inter proximal gingival
embrasure.
103 | e x o c a d F O U N D A T I O N S
36 . Get Out of Free-Form
Get out of free-form.
104 | e x o c a d F O U N D A T I O N S
37 . Check Contacts
Hit “S” on the keyboard to
remove the scan. Check
proximal contacts. They
should be teal if you have the
color map set to “contact
areas” not “interference
contacts”. You may need to
smooth them, add or remove
material as needed. You can
hit “Cut all intersections”
again to refine.
105 | e x o c a d F O U N D A T I O N S
38 . Remove Bad Contacts
The occlusal contacts should
be true blue. If you have a
bad location of a contact use
the remove tool by selecting
free- add/remove and holding
shift to remove. Make your
brush small so you do not
deform your onlay.
106 | e x o c a d F O U N D A T I O N S
39 . Remove Bad Contacts
Here I have a contract on an
incline plane I need to
remove. I only want contacts
on horizontal flat surfaces. I
hold shift on the keyboard
and click to remove.
107 | e x o c a d F O U N D A T I O N S
40 . Hit “Next”
Hit “Next”.
108 | e x o c a d F O U N D A T I O N S
41 . Export
Export now.
109 | e x o c a d F O U N D A T I O N S
42 . Save Scene As
Hit “Save Scene As”.
110 | e x o c a d F O U N D A T I O N S
43 . Save the STL
Save the STL.
111 | e x o c a d F O U N D A T I O N S
44 . Visible Objects Only: Default Orientation
Visible objects only: Default
Orientation.
112 | e x o c a d F O U N D A T I O N S
FO U N DAT I O N S
114 | e x o c a d F O U N D A T I O N S
2 . Select the Client
Select “Default” under
client selection.
115 | e x o c a d F O U N D A T I O N S
3 . Type Patient Name
Type in the patient name.
116 | e x o c a d F O U N D A T I O N S
4 . Select the Implant Site
Select the tooth number
for your implant site.
117 | e x o c a d F O U N D A T I O N S
5 . Anatomic Crown
Select the “Anatomic
Crown” button.
118 | e x o c a d F O U N D A T I O N S
6 . 3D Print
Select “3D Print”.
119 | e x o c a d F O U N D A T I O N S
7 . Screw Retained
Click the “screw-retained”
button.
120 | e x o c a d F O U N D A T I O N S
8 . Scan Body Scan
If you have a soft tissue
scan and a scan body scan
you will select scan body
scan. If you only have a
scan body scan and no
soft tissue scan you will
select “Scan Body in Main
Scan”. Once selected hit
OK at the bottom right
corner of the screen.
121 | e x o c a d F O U N D A T I O N S
9 . Click “Save”
Click the “Save” Button
122 | e x o c a d F O U N D A T I O N S
10 . Click “Design”
Click the “Design” button.
123 | e x o c a d F O U N D A T I O N S
11 . Load Your Files
Please note that the software
asks you for very specific
files in a certain order. The
type of the file it wants is
indicated in the top left hand
corner text box.
2) Scanbody scan
3) Antagonist
124 | e x o c a d F O U N D A T I O N S
12 . Orientation
Right-click to rotate the
model so that you are looking
straight down the occlusal
plane as shown. Then hit
“next”.
125 | e x o c a d F O U N D A T I O N S
13 . Click “Request Cloud Calculation”
Click the “Request Cloud
Calculation” button.
126 | e x o c a d F O U N D A T I O N S
14 . Wait 90 Seconds
Wait for the calculated
upload time.
127 | e x o c a d F O U N D A T I O N S
15 . Click the Check Mark
If happy with the initial
proposal hit the check box.
128 | e x o c a d F O U N D A T I O N S
16 . Click “Next”
Click the “Next” Button.
129 | e x o c a d F O U N D A T I O N S
17 . Find the Brand of Your Scan Body
Find and select the brand of
your Scan Body.
130 | e x o c a d F O U N D A T I O N S
18 . Find the Brand of Your Scan Body
The scan body you choose to
scan with is very important.
Some are locked down and
don’t let you do creative
workflows. Research this
carefully before selecting a
scan body to purchase and
scan with. I like TruAbutment.
131 | e x o c a d F O U N D A T I O N S
19 . Select Ti-Base Type
Select the Ti-Base Type from
the drop-down menu.
132 | e x o c a d F O U N D A T I O N S
20 . Select the Cement Gap
Select the cement gap from
the drop-down menu.
133 | e x o c a d F O U N D A T I O N S
21 . Select Scan Body Exposure
Look at how much tissue is
covering the apical portion of
your scan body.
134 | e x o c a d F O U N D A T I O N S
22 . Select Scan Body Exposure
Drag the little slider to
virtually slice the scan body
to mimic the amount exposed
in the intraoral scan. Please
note just a best guess
estimate is fine.
135 | e x o c a d F O U N D A T I O N S
23 . Select Scan Body Exposure
Drag the little slider to
virtually slice the scan body
to mimic the amount exposed
in the intraoral scan. Please
note just a best guess
estimate is fine.
136 | e x o c a d F O U N D A T I O N S
24 . Match the Scan Body
You should see a red dot on
the virtual scan body in the
lower left windo. Left-click
the intraoral scan of the scan
body in the same spot.
137 | e x o c a d F O U N D A T I O N S
25 . Check Accuracy
You should have a color map
of the colors of the accuracy
of the merge. If you don’t it is
a problem with your settings.
You can hold control on the
keyboard and recalculate and
you can see the colors. Blue
and green are really good.
Avoid a lot of pink at the flat
top of the scan body. If you
see this, trim the virtual scan
body and try again.
138 | e x o c a d F O U N D A T I O N S
26 . Hit “Next”
Hit the “Next” Button.
139 | e x o c a d F O U N D A T I O N S
27 . Define the Emergence Profile
This is an optional step I
often skip and hit next. It is a
step where you can draw the
subcritical contour line on the
gingiva. This may be helpful
to copy a perfectly healed
and sculpted tissue site. Even
though I have a nice tissue
sculpting here I still opted to
skip this step.
140 | e x o c a d F O U N D A T I O N S
28 . Abutment Bottom
This is an optional step where
you can sculpt the subcritical
contour, change the shape,
and alter the emergence
profile. I skipped this step in
favor of free forming in the
next tab. You may want to
explore this step and become
familiar with it.
141 | e x o c a d F O U N D A T I O N S
29 . Free-Forming
This step I have my software
set to automatically mount
the case and do dynamic
articulation in addition it
automatically cuts static
occlusion and proximal
contacts to be perfect.
142 | e x o c a d F O U N D A T I O N S
30 . Free-Smooth
Select the “Smooth/Free”
button.
143 | e x o c a d F O U N D A T I O N S
31 . Smooth Subcritical Contours
Hide the scan by selecting the
eye icon on the top left object
browser. Then smooth and
sculpt your gingival contours.
144 | e x o c a d F O U N D A T I O N S
32 . Click Tissue Pressure
Turn on “show distances” if it
is off.
145 | e x o c a d F O U N D A T I O N S
33 . Change Type
Hi the small chevron shown
here.
146 | e x o c a d F O U N D A T I O N S
34 . Distance to Scan Data
Change to “Distance to Scan
Data”.
147 | e x o c a d F O U N D A T I O N S
35 . Change Scale
Slide the left ball all the way
to the left.
148 | e x o c a d F O U N D A T I O N S
36 . Click Nearest Point Distance
Check the “Nearest Point
Distance” box.
149 | e x o c a d F O U N D A T I O N S
37 . Click Here
Click here on the slider.
150 | e x o c a d F O U N D A T I O N S
38 . Change Max Color Scale to 0.6mm
Change the max color scale
to 0.6mm as shown here.
151 | e x o c a d F O U N D A T I O N S
39 . Sculpt Pressure
Add your “add/remove” and
“smooth/flatten” tools to add
or relieve tissue pressure.
Remeber that hitting SHIFT
on the keyboard togges
between the tool features.
Try to maintain a smooth,
cleanable surface.
152 | e x o c a d F O U N D A T I O N S
40 . Check Contact Areas
Change the scale back to
show contact areas.
153 | e x o c a d F O U N D A T I O N S
41 . Check Proximal Contact
Proximal contact should be
teal. Use add remove and
smooth flatten to adjust size
and strength.
154 | e x o c a d F O U N D A T I O N S
42 . Remove Interferences
If this pops up, hit the
“Remove Interferences”
option.
155 | e x o c a d F O U N D A T I O N S
43 . Click “Next”
Click the “Next” button.
156 | e x o c a d F O U N D A T I O N S
44 . Screw Channel
There is nothing to do here
except for hit “next”.
157 | e x o c a d F O U N D A T I O N S
45 . Export
Turn on only the finished
restoration file and right click
the screen, save scene as,
STL, visible objects only.
Default orientation.
158 | e x o c a d F O U N D A T I O N S
46 . All Done!
You have completed your AI
Assisted Implant Crown.
159 | e x o c a d F O U N D A T I O N S
FO U N DAT I O N S
Adhesion Bridges
161 | e x o c a d F O U N D A T I O N S
2 . Default Client
Select “Default Client”.
162 | e x o c a d F O U N D A T I O N S
3 . Enter Name
Enter the patient name here.
163 | e x o c a d F O U N D A T I O N S
4 . Click Tooth
Click the tooth of your
restoration.
164 | e x o c a d F O U N D A T I O N S
5 . Click “Anatomic Pontic”
Click the “Anatomic Pontic”
button.
165 | e x o c a d F O U N D A T I O N S
6 . Click “3D Print”
Select “3D Print”.
166 | e x o c a d F O U N D A T I O N S
7 . Copy Mirror if Applicable
Click the “Copy or mirror”
button if applicable.
167 | e x o c a d F O U N D A T I O N S
8 . Click “Virtual Gingiva”
We use virtual gingiva as the
wings of the prosthetic.
168 | e x o c a d F O U N D A T I O N S
9 . Click “OK”
Click the “OK” button.
169 | e x o c a d F O U N D A T I O N S
10 . Click “Save”
Click the “Save” button.
170 | e x o c a d F O U N D A T I O N S
11 . Click “Design”
Click the “Design” button.
171 | e x o c a d F O U N D A T I O N S
12 . Load Files
Load the files.
172 | e x o c a d F O U N D A T I O N S
13 . Rotate and Hit “Next”
Rotate to the occlusal view
and hit “next”. It is important
to have a good top-down
orientation.
173 | e x o c a d F O U N D A T I O N S
14 . Click “Mirror” and “Direct Copy”
This option will automatically
pop up if you selected copy
mirror in the dental DB
prescription. It is always
available in expert mode by
right clicking the model if
you forgot to select it.
174 | e x o c a d F O U N D A T I O N S
15 . Click Center of the Tooth
For anteriors click the center
of the tooth you want to
mirror.
175 | e x o c a d F O U N D A T I O N S
16 . Click the Space
Movee the mouse over the
endentulous space and click
the ridge.
176 | e x o c a d F O U N D A T I O N S
17 . Fine-Tune the Tooth Position
Left click to move the tooth,
control and click to rotate
and shift click to resize.
177 | e x o c a d F O U N D A T I O N S
18 . Click “Next”
Once the tooth is in the
correct position click next
178 | e x o c a d F O U N D A T I O N S
19 . Free-Form
Free-form step.
179 | e x o c a d F O U N D A T I O N S
20 . Click “Cut all intersections”
You should not have to do
much here except cut all
interactions. If you don’t lie
the position of the tooth you
should have spent more time
in the previous step.
180 | e x o c a d F O U N D A T I O N S
21 . Click “Next”
Click the “Next” button.
181 | e x o c a d F O U N D A T I O N S
22 . Select Insertion
Rotate the model to the path
of insertion of the Maryland
bridge. Usually a slight
lingual-rotation.
182 | e x o c a d F O U N D A T I O N S
23 . Select Insertion
Select Insertion.
183 | e x o c a d F O U N D A T I O N S
24 . Click
Click “Insertion direction
from view”.
184 | e x o c a d F O U N D A T I O N S
25 . Click “Next”
Click the “Next” button.
185 | e x o c a d F O U N D A T I O N S
26 . Draw Wings
Here we draw the wings.
Default 1mm thick for the
wings is perfect.
186 | e x o c a d F O U N D A T I O N S
27 . Draw Wings
Click “A” on the keyboard to
turn on antagonist.
187 | e x o c a d F O U N D A T I O N S
28 . Draw Wings
Continue to draw wings.
188 | e x o c a d F O U N D A T I O N S
29 . Draw Wings
Continue to draw wings.
189 | e x o c a d F O U N D A T I O N S
30 . Draw Guide Planes
Turn off the tooth by hitting
“F” on the keyboard. Then
draw your guidelines.
190 | e x o c a d F O U N D A T I O N S
31 . Draw Guide Planes
Usually perfectly mid
proximal for the guideline.
You can extend more facial
for better retention but will
sacrifice some esthetics.
191 | e x o c a d F O U N D A T I O N S
32 . Draw Tissue Area
Draw the tissue area.
192 | e x o c a d F O U N D A T I O N S
33 . Tissue Area
Typically, center of the ridge.
193 | e x o c a d F O U N D A T I O N S
34 . Second Guide Plane
For 3D Printed adhesion
bridges, I like 2 wings.
194 | e x o c a d F O U N D A T I O N S
35 . Close the Margin
Double click on first ball to
seal the margin.
195 | e x o c a d F O U N D A T I O N S
36 . Tissue is Done
The tissue is now complete.
196 | e x o c a d F O U N D A T I O N S
37 . Turn on Tooth
Click “F” on the keyboard to
turn the tooth back on.
197 | e x o c a d F O U N D A T I O N S
38 . Click “Next”
Please note if you wanted to
move the margin just drag a
green ball and hit apply to
change it.
198 | e x o c a d F O U N D A T I O N S
39 . Click “Next”
I do nothing here. Hit “Next”.
199 | e x o c a d F O U N D A T I O N S
40 . Almost Done
We have to make this
cleanable and smooth.
200 | e x o c a d F O U N D A T I O N S
41 . Click ‘Free-Form”
Click the “Free-Form”
button.
201 | e x o c a d F O U N D A T I O N S
42 . Click “Next”
Click the “Next” button.
202 | e x o c a d F O U N D A T I O N S
43 . Click “Free”
Click the “Free” tab.
203 | e x o c a d F O U N D A T I O N S
44 . Click “Smooth/Flatten”
Click the “Smooth/Flatten”
button.
204 | e x o c a d F O U N D A T I O N S
45 . Smooth Pontic
Ovate are the best. Make sure
that there are no cavities. DO
NOT tocuh the wings or the
proximal contact. You will
mess the fit up.
205 | e x o c a d F O U N D A T I O N S
46 . Open Floss Space
Open a channel for floss
threaders. Use small brush.
206 | e x o c a d F O U N D A T I O N S
47 . Click Pane
Click pane.
207 | e x o c a d F O U N D A T I O N S
48 . Open a Small Channel
Open a small channel.
208 | e x o c a d F O U N D A T I O N S
49 . Open a Small Channel
Open a small channel.
209 | e x o c a d F O U N D A T I O N S
50 . Open a Small Channel
Open a small channel.
210 | e x o c a d F O U N D A T I O N S
51 . Click Tissue Pressure
You can also click distance to
scan data and hit nearest
point distance to see the
exact tissue pressure.
211 | e x o c a d F O U N D A T I O N S
52 . Click “Next”
Hit the “Next” button.
212 | e x o c a d F O U N D A T I O N S
53 . You Are Done
You have completed your
Adhesion Bridge.
213 | e x o c a d F O U N D A T I O N S
FO U N DAT I O N S
215 | e x o c a d F O U N D A T I O N S
2 . Enter Name
Enter the patient name.
216 | e x o c a d F O U N D A T I O N S
3 . Click Tooth
Click the tooth you will be
extracting and needing a
adhesion bridge for.
217 | e x o c a d F O U N D A T I O N S
4 . Click “Anatomic Pontic”
Select “Anatomic Pontic”.
218 | e x o c a d F O U N D A T I O N S
5 . Click “3D Print”
Select the “3D Print” options.
219 | e x o c a d F O U N D A T I O N S
6 . Click “Virtual Gingiva”
Select the “Virtual Gingiva”
option.
220 | e x o c a d F O U N D A T I O N S
7 . Click “Virtual Extraction”
Click “virtual gingiva” for the
wings
221 | e x o c a d F O U N D A T I O N S
8 . Click “Save”
Click the “Save” button.
222 | e x o c a d F O U N D A T I O N S
9 . Click “Design”
Click the “Design” button.
223 | e x o c a d F O U N D A T I O N S
10 . Load Files
Load your files now.
224 | e x o c a d F O U N D A T I O N S
11 . Rotate the Model
Rotate the model to the
occlusal view and hit “next”.
225 | e x o c a d F O U N D A T I O N S
12 . Click Tooth
Click the tooth you want to
extract. For anteriors I like to
click straight facial.
226 | e x o c a d F O U N D A T I O N S
13 . Evaluate the Socket
Evaluate the socket.
227 | e x o c a d F O U N D A T I O N S
14 . Adjust Socket Angle
Click the ball at the top of the
arrow and move the arrow to
the angle of the long axis of
the tooth. This sets the
extraction socket angle.
228 | e x o c a d F O U N D A T I O N S
15 . Check Socket Depth
You can alter the depth of the
socket by dragging the slider.
229 | e x o c a d F O U N D A T I O N S
16 . Move Slider
Move the slider.
230 | e x o c a d F O U N D A T I O N S
17 . 1-2 mm is Ideal
1 -2 mm is ideal.
231 | e x o c a d F O U N D A T I O N S
18 . Click “Next”
Click the “Next” button.
232 | e x o c a d F O U N D A T I O N S
19 . Free-Form
Free-forming step.
233 | e x o c a d F O U N D A T I O N S
20 . Click “Cut All”
Cut all intersections will
adjust the proximal, occlusion
and pontic pressure to ideal.
234 | e x o c a d F O U N D A T I O N S
21 . Click “Next”
Click the “Next” button.
235 | e x o c a d F O U N D A T I O N S
22 . Rotate to Path of Insertion
Rote slight lingual view.
236 | e x o c a d F O U N D A T I O N S
23 . Click “Set Insertion Direction”
Click “Set Insertion Direction
from View”.
237 | e x o c a d F O U N D A T I O N S
24 . Click “Next”
Click the “Next” button.
238 | e x o c a d F O U N D A T I O N S
25 . Draw Margin
Hit “A” for antagonist. Click
to start drawing your wing
margins.
239 | e x o c a d F O U N D A T I O N S
26 . Draw Wings
Draw wings.
240 | e x o c a d F O U N D A T I O N S
27 . Draw Wings
Continue to draw the wings.
241 | e x o c a d F O U N D A T I O N S
28 . Draw Wings
Continue to draw the wings.
242 | e x o c a d F O U N D A T I O N S
29 . Draw Margin
Draw the margin.
243 | e x o c a d F O U N D A T I O N S
30 . Guide Planes
Remove the antagonist hit “A”
on the keyboard.
244 | e x o c a d F O U N D A T I O N S
31 . Mid-Proximal
Guide plane should extend
Mid-Proximal.
245 | e x o c a d F O U N D A T I O N S
32 . Draw Tissue
Continue to draw the tissue.
246 | e x o c a d F O U N D A T I O N S
33 . Seal Margin
Double click the first dot to
close the margin.
247 | e x o c a d F O U N D A T I O N S
34 . Evaluate
If you need to move a margin
just drag the dot and hit
apply in the left window.
248 | e x o c a d F O U N D A T I O N S
35 . Click “Next”
Click the “Next” button.
249 | e x o c a d F O U N D A T I O N S
36 . Click “Next”
I do not modify the tissue.
You will be tempted to thin
the wings. Do not.
250 | e x o c a d F O U N D A T I O N S
37 . Click “Free-Form”
Click the “Free-form” button.
251 | e x o c a d F O U N D A T I O N S
38 . Click “Free-Form”
Click the “Free-form” button.
252 | e x o c a d F O U N D A T I O N S
39 . Click “Next”
Click the “next” button.
253 | e x o c a d F O U N D A T I O N S
40 . Carefully Adjust Occlusion
Use the remove tool with a
small brush. Hold shift and
adjust occlusion to true blue.
254 | e x o c a d F O U N D A T I O N S
41 . Be Careful
Do not distort wings just
adjust occlusion off needed.
True blue with show contact
areas as the color scale.
255 | e x o c a d F O U N D A T I O N S
42 . Occlusion
Occlusion evaluation step.
256 | e x o c a d F O U N D A T I O N S
43 . Occlusion
I decided to remove almost
all contacts.
257 | e x o c a d F O U N D A T I O N S
44 . Smooth
Open areas for floss
threaders using the smooth
tool and small brushes.
258 | e x o c a d F O U N D A T I O N S
45 . Make Cleanable
Make Cleanable
259 | e x o c a d F O U N D A T I O N S
46 . Smooth Pontic
Smooth Pontic.
260 | e x o c a d F O U N D A T I O N S
47 . No Concavities
No concavities.
261 | e x o c a d F O U N D A T I O N S
48 . Check Tissue Pressure
Check the tissue pressure.
262 | e x o c a d F O U N D A T I O N S
49 . Click “Distance to Scan Data”
Click the “Distance to Scan
Data” button.
263 | e x o c a d F O U N D A T I O N S
50 . Click “Nearest Point”
Click the “Nearest Point”
button.
264 | e x o c a d F O U N D A T I O N S
51 . Change the Scale to 0.1 - 0.5
Change the scale to reflect
this range.
265 | e x o c a d F O U N D A T I O N S
52 . Evaluate Pressure
Evaluate the pressure here.
266 | e x o c a d F O U N D A T I O N S
53 . Click to Adjust Pressure
Click the “Add/Remove”
button to adjust pressure.
267 | e x o c a d F O U N D A T I O N S
54 . Adjust Pressure
Be careful here. You have to
consider the soccer depth
created. For example if you
picked a 2mm socket then
here you want no more than
0.1 pressure. If you selected
a shallow socket depth here
you can add more pressure
for tissue training.
268 | e x o c a d F O U N D A T I O N S
55 . Click “Next”
Click the “Next” button.
269 | e x o c a d F O U N D A T I O N S
56 . Click “Save”
Click the “Save” button.
270 | e x o c a d F O U N D A T I O N S
57 . All Done!
You have completed your
immediate adhesion bridge.
271 | e x o c a d F O U N D A T I O N S
FO U N DAT I O N S
273 | e x o c a d F O U N D A T I O N S
2 . Add Patient Name
Type in your patient name
here.
274 | e x o c a d F O U N D A T I O N S
3 . Click Any Tooth in the Arch
Click any tooth in the
arch.
275 | e x o c a d F O U N D A T I O N S
4 . Click “Bite Splint”
Click the “Bite Splint”
option.
276 | e x o c a d F O U N D A T I O N S
5 . 3D Print
Select “3D Print”.
277 | e x o c a d F O U N D A T I O N S
6 . Check Settings
Please note the ideal
thickness for a 3D printed
guard is 2.5mm in the
posterior. It is best to scan
the patient with an open
bite using a jig such as a
MOD jig, leaf gauge or
other device. This way you
do not have to arbitrarily
open the pin on the virtual
articulator.
278 | e x o c a d F O U N D A T I O N S
7 . Click “OK”
Click the “OK” button.
279 | e x o c a d F O U N D A T I O N S
8 . Single Arch
Click “Single Arch
Appliance”.
280 | e x o c a d F O U N D A T I O N S
9 . Save
Hit the “Save” button.
281 | e x o c a d F O U N D A T I O N S
10 . Design
Hit the “Design” button.
282 | e x o c a d F O U N D A T I O N S
11 . Load Scans
Load your scans now.
283 | e x o c a d F O U N D A T I O N S
12 . Orientation
Begin rotating for proper
orientation.
284 | e x o c a d F O U N D A T I O N S
13 . Orientation
Rotate so you are looking
straight down the arch from
the occlusal view. I like to see
some facial surfaces of the
centrals.
285 | e x o c a d F O U N D A T I O N S
14 . Next
Click the “Next” button.
286 | e x o c a d F O U N D A T I O N S
15 . AI Segmentation
AI will automatically segment
the teeth in the arch. Check
for errors here. It is not
uncommon to have errors.
You may need to click a tooth
in the pictogram and then
click the tooth in the scan for
recalculation.
287 | e x o c a d F O U N D A T I O N S
16 . Fine-Tune
You can click a tooth on the
left hand side pictogram and
fine tune segmentation by
clicking the central groove of
a posterior tooth or the
straight facial of an anterior
tooth. Make sure the tooth
you click in the scan is
highlighted orange on the
pictogram.
288 | e x o c a d F O U N D A T I O N S
17 . Click “Next”
I don’t worry much about the
arrow angulations for a bite
guard. Ideally, they are
aligned with the long axis of
the tooth. You can click the
ball on the arrow and drag to
recalculate the root angle.
289 | e x o c a d F O U N D A T I O N S
18 . Default Settings
These settings are perfect for
a printed guard. Key split soft
or night guard flex are best.
290 | e x o c a d F O U N D A T I O N S
19 . Next
Hit the “Next” button.
291 | e x o c a d F O U N D A T I O N S
20 . Optional Articulator
You can start the articulator
here if needed. Most people
do not need this in design but
I will show it for completion.
If you did not scan the patient
with an open bite you must
enter the articulator and
open the pin. Not an ideal
way of doing things.
292 | e x o c a d F O U N D A T I O N S
21 . Click Automatically
Click the “automatically” tab.
293 | e x o c a d F O U N D A T I O N S
22 . Click the Mesial Incisal of 24
It’s ok if your arches are not
mounted correctly. Ignor the
disorder and start clicking
your points to help position
this in the articulator.
294 | e x o c a d F O U N D A T I O N S
23 . Click Cusp Tip of the Left Molar
Click here.
295 | e x o c a d F O U N D A T I O N S
24 . Click the Cusp Tip of the Right Molar
Click the cusp tip of the right
molar.
296 | e x o c a d F O U N D A T I O N S
25 . Click “Perform Alignment”
Click the “Perform
Alignment” button.
297 | e x o c a d F O U N D A T I O N S
26 . Click “OK” Here
Click the “OK” button.
298 | e x o c a d F O U N D A T I O N S
27 . Leave the Gap
Please note we scan our
patient open using a MOD
Jig, leaf gauge or Lucia jig.
The teeth come into exocad
already open. This is the best
way. If you do it this hit leave
the gap.
299 | e x o c a d F O U N D A T I O N S
28 . Leave the Gap
Click “It’s OK that way, leave
gap”.
300 | e x o c a d F O U N D A T I O N S
29 . Start Movements
Please note if you did not
scan the patient with an open
bite using a jig, open the pin
here by sliding the “opening
the bite” to 5mm before you
hit start movements.
301 | e x o c a d F O U N D A T I O N S
30 . Click “OK”
Click the “OK” button.
302 | e x o c a d F O U N D A T I O N S
31 . Click “Next”
Click the “Next” button.
303 | e x o c a d F O U N D A T I O N S
32 . AI Margins
AI will automatically detect
the margins and make a guard
based on the settings
selected in the beginning.
304 | e x o c a d F O U N D A T I O N S
33 . Hit “Next”
You can move the AI margin
and hit Apply or hit “Next” if
it got it.
305 | e x o c a d F O U N D A T I O N S
34 . Flatten
Go to Free-Smooth/Flatten
306 | e x o c a d F O U N D A T I O N S
35 . Free: Smooth / Flatten
Click the Smooth/Flatten
button.
307 | e x o c a d F O U N D A T I O N S
36 . Size Maximum
Set the size to maximum.
308 | e x o c a d F O U N D A T I O N S
37 . Strength Maximum
Set the strength to maximum.
309 | e x o c a d F O U N D A T I O N S
38 . Hold SHIFT to Flatten
Hold the SHIFT button to
flatten.
310 | e x o c a d F O U N D A T I O N S
39 . Keep Flattening
Hold SHIFT and then left-
click to flatten the posterior
areas.
311 | e x o c a d F O U N D A T I O N S
40 . Keep Flattening
Continue to flatten.
312 | e x o c a d F O U N D A T I O N S
41 . Smooth Anterior
You may need to add to the
anterior, then smooth.
313 | e x o c a d F O U N D A T I O N S
42 . Add
Click the Add/Remove Tool.
314 | e x o c a d F O U N D A T I O N S
43 . Add Where Contacts are Lacking
Continue to add where no
contacts are.
315 | e x o c a d F O U N D A T I O N S
44 . Smooth
Click the “Smooth/Flatten”
button.
316 | e x o c a d F O U N D A T I O N S
45 . Continue to Smooth
Continue to smooth.
317 | e x o c a d F O U N D A T I O N S
46 . Adapt Static Occlusion
Click “Adapt” and then
“Static Occlusion.
0mm is ideal.
318 | e x o c a d F O U N D A T I O N S
47 . Static Occlusion
Static occlusion should all be
equal now. If indents are too
large, smooth them and adapt
again.
319 | e x o c a d F O U N D A T I O N S
48 . Click Dynamic
In the View distances tab on
the top of the screen hit the
dynamic button. If you can’t
see this you did not use
articulator or need to hit the
chevron to show more
options.
320 | e x o c a d F O U N D A T I O N S
49 . Cut Dynamic
Under adapt, in “Dynamic
Occlusion” hit the chevron.
321 | e x o c a d F O U N D A T I O N S
50 . Exclude Selected Parts
Check the “Exclude Selected
Parts” box.
322 | e x o c a d F O U N D A T I O N S
51 . Preserve MIP Marks
Click pinpoint areas from the
MIP contacts that you want to
preserve.
323 | e x o c a d F O U N D A T I O N S
52 . Preserve MIP Marks
Continue to preserve MIP
marks.
324 | e x o c a d F O U N D A T I O N S
53 . Perserve MIP Marks
Continue to preserve MIP
marks.
325 | e x o c a d F O U N D A T I O N S
54 . Preserve MIP Marks
Continue to preserve MIP
marks.
326 | e x o c a d F O U N D A T I O N S
55 . Preserve MIP Marks
Continue to preserve MIP
marks.
327 | e x o c a d F O U N D A T I O N S
56 . Preserve MIP Marks
Continue to preserve MIP
marks.
328 | e x o c a d F O U N D A T I O N S
57 . Preserve MIP Marks
Continue to preserve MIP
marks.
329 | e x o c a d F O U N D A T I O N S
58 . Cut Dynamic
Now you can cut the dynamic
occlusion.
330 | e x o c a d F O U N D A T I O N S
59 . Check Dynamic
Check the dynamic occlusion.
331 | e x o c a d F O U N D A T I O N S
60 . Turn Off Dynamic
Unselect the dynamic button.
332 | e x o c a d F O U N D A T I O N S
61 . Slide Mandible Protrusive
Drag the mandible protrusive
with the slider.
333 | e x o c a d F O U N D A T I O N S
62 . Slide Laterotrusion
Slide laterotrusion.
334 | e x o c a d F O U N D A T I O N S
63 . Look at Movements
As you slide you can see the
movements.
335 | e x o c a d F O U N D A T I O N S
64 . Ramps
You can remove interferences
or build up anterior or cuspid
ramps.
336 | e x o c a d F O U N D A T I O N S
65 . Ramps
You can remove interferences
or build up anterior or cuspid
ramps.
337 | e x o c a d F O U N D A T I O N S
66 . Ramps
You can remove interferences
or build up anterior or cuspid
ramps.
338 | e x o c a d F O U N D A T I O N S
67 . Ramps
If you want cuspid ramps you
need to build them in. Most
AI guards do not have cuspid
ramps so this step is extra.
339 | e x o c a d F O U N D A T I O N S
68 . Recalculate Articulator
You must recalculate
articulator movements to see
how the new ramps impact
guidance.
340 | e x o c a d F O U N D A T I O N S
69 . Choose Influencing Teeth
You must now tell exocad that
you want the new cuspid
ramps to impact the
excessive calculations.
341 | e x o c a d F O U N D A T I O N S
70 . OK
Hit the “OK” button.
342 | e x o c a d F O U N D A T I O N S
71 . Restart Articulator Movement
Click the “Restart articulator
movment simulation!” Button.
343 | e x o c a d F O U N D A T I O N S
72 . Check New Movement
Drag the slide to see how the
cupids ramps impacted
lateral movements and
posterior disclussion.
344 | e x o c a d F O U N D A T I O N S
73 . Check Dynamic Movements
Drag the slider and see new
guidance. Please note the
dynamic color maps is off.
now we can see cuspid rise
and no other contacts.
345 | e x o c a d F O U N D A T I O N S
74 . Check Dynamic Movements
Check Dynamic Movements.
346 | e x o c a d F O U N D A T I O N S
75 . Check Dynamic Movements
Check the dynamic
movements.
347 | e x o c a d F O U N D A T I O N S
76 . Check Dynamic Movements
Check the dynamic
movements.
348 | e x o c a d F O U N D A T I O N S
77 . Next to Finalize
Hit the “Next” button to
finalize.
349 | e x o c a d F O U N D A T I O N S
78 . All Done!
You have completed your
guard design.
350 | e x o c a d F O U N D A T I O N S
REMOVABLES
Monolithic Partial
352 | e x o c a d F O U N D A T I O N S
2 . Enter Patient Name
Enter Patient Name.
353 | e x o c a d F O U N D A T I O N S
3 . Click Missing Tooth
Click the tooth that is
missing.
354 | e x o c a d F O U N D A T I O N S
4 . Click Anatomic Pontic
Click Anatomic Pontic.
355 | e x o c a d F O U N D A T I O N S
5 . 3D Print
Select “3D Print”.
356 | e x o c a d F O U N D A T I O N S
6 . Copy Mirror if Desired
Select “Copy Mirror” if
desired.
357 | e x o c a d F O U N D A T I O N S
7 . Virtual Gingiva
Select “Virtual Gingiva”.
358 | e x o c a d F O U N D A T I O N S
8 . OK
Hit the “OK” button.
359 | e x o c a d F O U N D A T I O N S
9 . Save
Copy this to all missing teeth
if you have multiple missing
teeth.
Hit “Save”.
360 | e x o c a d F O U N D A T I O N S
10 . Design
Hit “Design”.
361 | e x o c a d F O U N D A T I O N S
11 . Load Scans
Load your scans
362 | e x o c a d F O U N D A T I O N S
12 . Orientate Model
Orientate your model.
363 | e x o c a d F O U N D A T I O N S
13 . Orientate Model
Right click and rotate the
model to be looking perfectly
down the occlusal view and
hit next
364 | e x o c a d F O U N D A T I O N S
14 . Mirror
In the mirror tool I like to
rotate the model to look
straight facial if it is an
anterior tooth.
365 | e x o c a d F O U N D A T I O N S
15 . Click Center Facial of Tooth
Click the tooth that you want
to mirror.
366 | e x o c a d F O U N D A T I O N S
16 . Position Tooth
Drag the mouse to the
edentulous space and left lick
to place tooth.
367 | e x o c a d F O U N D A T I O N S
17 . Move and Rotate
Click the tooth to move it.
Hold control on your
keyboard to rotate. Hold Shift
to scale.
368 | e x o c a d F O U N D A T I O N S
18 . Check All Angles
Rotate the model to look at
the position form all angles
369 | e x o c a d F O U N D A T I O N S
19 . Fine-Tune Position
Hold shift and drag the
mouse to scale. Hold control
and left click to rotate. Click
and drag to move the
position.
370 | e x o c a d F O U N D A T I O N S
20 . Next
Hit “Next”.
371 | e x o c a d F O U N D A T I O N S
21 . Cut All Intersections
You should not spend a lot of
time here in Free-From. If
you do you rushed previous
steps. I have my software
automatically cut all
intersections so I can just hit
next here.
372 | e x o c a d F O U N D A T I O N S
22 . Set Insertion Direction
This is the most important
part to determine fit of the
partial. Rotate the model to
look straight down the
edentulous space and hit “set
insertion direction from
view.”
373 | e x o c a d F O U N D A T I O N S
23 . Rotate Model
Rotate the model.
374 | e x o c a d F O U N D A T I O N S
24 . Set From View
Hit the “Insertion from view”
button.
375 | e x o c a d F O U N D A T I O N S
25 . Apply
Hit the Apply button.
376 | e x o c a d F O U N D A T I O N S
26 . Free-Form
Click on the “FREE-
FORMING” tab.
377 | e x o c a d F O U N D A T I O N S
27 . Add/Remove
Hit the Add/Remove button.
378 | e x o c a d F O U N D A T I O N S
28 . Melt Block Out Wax
Where the clasp tips will
engage melt back the block-
out wax by holding shift and
left clicking. How much you
remove depends on flexibility
of claps. For retainer material
and flex materials melt back
to the original tooth. The
software will not let you melt
more than the original model.
379 | e x o c a d F O U N D A T I O N S
29 . Melt Block Out Wax
The pink color is letting me
know I have intense undercut
engagement off the color
scale. I am using a slightly
flexible material here so I will
engage a lot of undercuts but
only in the clasp tip area.
380 | e x o c a d F O U N D A T I O N S
30 . Engage Secondary Retention
Engage secondary retention.
381 | e x o c a d F O U N D A T I O N S
31 . Engage Secondary Retention
I am engaging secondary
retention on the linguals.
Never more than 200 microns
(red) of undercut engagement
for secondary retention.
382 | e x o c a d F O U N D A T I O N S
32 . Engage Secondary Retention
I am engaging secondary
retention on the linguals.
Never more than 200 microns
(red) of undercut engagement
for secondary retention.
383 | e x o c a d F O U N D A T I O N S
33 . Engage Secondary Retention
Engage secondary retention.
384 | e x o c a d F O U N D A T I O N S
34 . Hit “Next”
385 | e x o c a d F O U N D A T I O N S
35 . Draw Major Connector
Draw the major connector.
386 | e x o c a d F O U N D A T I O N S
36 . Draw Major Connector
Draw the major connector.
387 | e x o c a d F O U N D A T I O N S
37 . Draw Major Connector
Draw the major connector.
388 | e x o c a d F O U N D A T I O N S
38 . Draw Major Connector
Draw the major connector.
389 | e x o c a d F O U N D A T I O N S
39 . Draw Major Connector
Draw the major connector.
390 | e x o c a d F O U N D A T I O N S
40 . Draw Major Connector
Draw the major connector.
391 | e x o c a d F O U N D A T I O N S
41 . Draw Major Connector
Hit “A” to turn on antagonist
if needed while making the
borders. I recommend lingual
plating for printed
prosthetics.
392 | e x o c a d F O U N D A T I O N S
42 . Draw Major Connector
Continue.
393 | e x o c a d F O U N D A T I O N S
43 . Draw Major Connector
Continue.
394 | e x o c a d F O U N D A T I O N S
44 . Draw Major Connector
Continue.
395 | e x o c a d F O U N D A T I O N S
45 . Guide Plane
Remove the tooth by hitting
“F” on the keyboard.
396 | e x o c a d F O U N D A T I O N S
46 . Guide Plane
Guide plane should drop
vertically to the tissue about
mid proximal.
397 | e x o c a d F O U N D A T I O N S
47 . Continue Minor Connector and Clasp
Continue the minor connector
and clasp.
398 | e x o c a d F O U N D A T I O N S
48 . Clasps
Start drawing your clasp.
Printed claps need to be
beefy. Like shark fins. 5mm
wide where it connects to the
guide plane.
399 | e x o c a d F O U N D A T I O N S
49 . Clasps
Thick clasps are better for
the printed prosthetics.
400 | e x o c a d F O U N D A T I O N S
50 . Second Guide Plane
Continue with the second
guide plane.
401 | e x o c a d F O U N D A T I O N S
51 . Second Guide Plane
Continue with the second
guide plane.
402 | e x o c a d F O U N D A T I O N S
52 . Second Guide Plane
Continue with the second
guide plane.
403 | e x o c a d F O U N D A T I O N S
53 . Second Guide Plane
Continue with the second
guide plane.
404 | e x o c a d F O U N D A T I O N S
54 . Finalize
Finalize.
405 | e x o c a d F O U N D A T I O N S
55 . Finalize
Finalize.
406 | e x o c a d F O U N D A T I O N S
56 . Finalize
Double click on first ball to
lock in the design
407 | e x o c a d F O U N D A T I O N S
57 . Base Thickness
1.5mm for base thickness for
monolithic printed
prosthetics. Hit apply to
change thickness. Please note
your tissue line can be moved
by clicking a green ball and
move it. Hit apply to save
changes.
408 | e x o c a d F O U N D A T I O N S
58 . Next
Hit “Next”.
409 | e x o c a d F O U N D A T I O N S
59 . Free-Form Smooth
Smooth in free-form.
410 | e x o c a d F O U N D A T I O N S
60 . Free-Form Smooth
Smooth in free-form.
411 | e x o c a d F O U N D A T I O N S
61 . Free-Form Smooth
Smooth in free-form.
412 | e x o c a d F O U N D A T I O N S
62 . Free
Select the free tab.
413 | e x o c a d F O U N D A T I O N S
63 . Smooth
Select the Smooth/Flatten
tool.
414 | e x o c a d F O U N D A T I O N S
64 . Smooth Clasp Tip
Smooth the Clasp Tip.
415 | e x o c a d F O U N D A T I O N S
65 . Smooth Clasp Tip
Smooth the Clasp Tip.
416 | e x o c a d F O U N D A T I O N S
66 . Smooth Clasp Tip
Smooth the Clasp Tip.
417 | e x o c a d F O U N D A T I O N S
67 . Smooth Palatal Border
Smooth the Palatal Border.
418 | e x o c a d F O U N D A T I O N S
68 . Smooth Palatal Border
Smooth the Palatal Border.
419 | e x o c a d F O U N D A T I O N S
69 . Next
Hit the “Next” button.
420 | e x o c a d F O U N D A T I O N S
70 . Done
You have completed your
monolithic partial design.
421 | e x o c a d F O U N D A T I O N S
71 . Add Name
Add the patient name.
422 | e x o c a d F O U N D A T I O N S
72 . Click Free-Form
Click the Free-Form button.
423 | e x o c a d F O U N D A T I O N S
73 . Next
Click “Next”.
424 | e x o c a d F O U N D A T I O N S
74 . Click Attachments
Click.
425 | e x o c a d F O U N D A T I O N S
75 . Click Subtract
Click
426 | e x o c a d F O U N D A T I O N S
76 . Click Library
Click.
427 | e x o c a d F O U N D A T I O N S
77 . Scroll to Text
Select the “text” option from
the drop-down menu.
428 | e x o c a d F O U N D A T I O N S
78 . Click the Text Box
Click here.
429 | e x o c a d F O U N D A T I O N S
79 . Name
Write in patient name.
430 | e x o c a d F O U N D A T I O N S
80 . Click Partial and Move Name
Click on the partial.
431 | e x o c a d F O U N D A T I O N S
81 . Click Apply
Click Apply to finalize.
432 | e x o c a d F O U N D A T I O N S
82 . Hit “Next”
Hit the next button.
433 | e x o c a d F O U N D A T I O N S
83 . Hit “Save”
Hit YES
434 | e x o c a d F O U N D A T I O N S
84 . All Done!
Your design is officially
complete.
435 | e x o c a d F O U N D A T I O N S
REMOVABLES
437 | e x o c a d F O U N D A T I O N S
2 . Select Client
Select the client.
438 | e x o c a d F O U N D A T I O N S
3 . Enter Patient Name
Enter Patient Name.
439 | e x o c a d F O U N D A T I O N S
4 . Click Missing Tooth
Click the tooth that is
missing.
440 | e x o c a d F O U N D A T I O N S
5 . Partial Denture
Select “Partial Denture”.
441 | e x o c a d F O U N D A T I O N S
6 . Flexible Denture
Select “flexible denture”,
then hit “OK”.
442 | e x o c a d F O U N D A T I O N S
7 . Click the Opposing Arch
Click the Opposing Arch.
443 | e x o c a d F O U N D A T I O N S
8 . Click “Antagonist”
Click Antagonist.
444 | e x o c a d F O U N D A T I O N S
9 . Click “OK”
Click “OK”.
445 | e x o c a d F O U N D A T I O N S
10 . Click “Save”
Click “Save”.
446 | e x o c a d F O U N D A T I O N S
11 . Click “Design”
Click “Design”.
447 | e x o c a d F O U N D A T I O N S
12 . Load Scans
Load your scans.
448 | e x o c a d F O U N D A T I O N S
13 . Orientation
Right click and rotate model
to be looking down the
edentulous space form the
occlusal view.
449 | e x o c a d F O U N D A T I O N S
14 . Path of Insertion
Path of Insertion.
450 | e x o c a d F O U N D A T I O N S
15 . Rotate
Rotate the model to the
desired path of insertion of
the partial denture. Typically
looking on the center of the
ridge with equal visualization
of the guide plane areas.
451 | e x o c a d F O U N D A T I O N S
16 . Click “Insertion Direction” and “Apply”
Hit “Set insertion direction
from view” and then “Apply”.
452 | e x o c a d F O U N D A T I O N S
17 . Free-Forming
Select the Free-forming tab.
453 | e x o c a d F O U N D A T I O N S
18 . Clasp Retention
Hold shift and left click to
remove wax in the clasp tip
area. How much removed
depends on the material used
for printing.
454 | e x o c a d F O U N D A T I O N S
19 . Clasp Retention
Hold shift and left click to
remove wax in the clasp tip
area. How much removed
depends on the material used
for printing.
455 | e x o c a d F O U N D A T I O N S
20 . Clasp Retention
Hold shift and left click to
remove wax in the clasp tip
area. How much removed
depends on the material used
for printing.
456 | e x o c a d F O U N D A T I O N S
21 . Secondary Retention
Hold shift and remove wax for
secondary retention. Do not
exceed 200 microns (red) for
secondary retention.
457 | e x o c a d F O U N D A T I O N S
22 . Secondary Retention
Hold shift and remove wax for
secondary retention. Do not
exceed 200 microns (red) for
secondary retention.
458 | e x o c a d F O U N D A T I O N S
23 . Secondary Retention
Hold shift and remove wax for
secondary retention. Do not
exceed 200 microns (red) for
secondary retention.
459 | e x o c a d F O U N D A T I O N S
24 . Next
Hit next.
460 | e x o c a d F O U N D A T I O N S
25 . Tooth Placement
Tooth Placement.
461 | e x o c a d F O U N D A T I O N S
26 . Enter Expert Mode
Enter expert mode.
462 | e x o c a d F O U N D A T I O N S
27 . Right-Click
Right-click the model.
463 | e x o c a d F O U N D A T I O N S
28 . Copy Mirror
Select “Copy Mirror”
464 | e x o c a d F O U N D A T I O N S
29 . Click Tooth
For anteriors I like to rotate
the model to straight facial.
Click the center of the tooth
you want to mirror.
465 | e x o c a d F O U N D A T I O N S
30 . Place Tooth
Move the mouse to the
edentulous space and left
click.
466 | e x o c a d F O U N D A T I O N S
31 . Fine-Tune Position
Now, click the tooth and
move it. Control to rotate.
Shift and click to scale.
467 | e x o c a d F O U N D A T I O N S
32 . Multiple Angles
Look from all angles to
ensure the tooth is exactly
where you want it.
468 | e x o c a d F O U N D A T I O N S
33 . Click “OK”
Click “OK”.
469 | e x o c a d F O U N D A T I O N S
34 . Back to Wizard
Go back to wizard mode.
470 | e x o c a d F O U N D A T I O N S
35 . Free-Form
My settings will automatically
cut all intrusions here. If
yours do not hit “cut all
intersections” I try not to do
too much in Free-Form. Hit
next
471 | e x o c a d F O U N D A T I O N S
36 . Draw Tissue
Draw tissue.
472 | e x o c a d F O U N D A T I O N S
37 . Draw Tissue
Draw tissue.
473 | e x o c a d F O U N D A T I O N S
38 . Draw Tissue
Hit “A” for antagonist to see
opposing dentition when
marking major connector. I
recommend lingual plating
when possible.
474 | e x o c a d F O U N D A T I O N S
39 . Draw Tissue
Draw Tissue.
475 | e x o c a d F O U N D A T I O N S
40 . Draw Tissue
Draw Tissue.
476 | e x o c a d F O U N D A T I O N S
41 . Guide Plane
Mid proximal drop a vertical
line to the tissue for the guide
plane.
477 | e x o c a d F O U N D A T I O N S
42 . Clasp
The clasp needs to be thick,
more like a shark fin shape.
It should be 5mm wide where
it connects to the guide
plane.
478 | e x o c a d F O U N D A T I O N S
43 . Clasp
The clasp needs to be thick,
more like a shark fin shape.
It should be 5mm wide where
it connects to the guide
plane.
479 | e x o c a d F O U N D A T I O N S
44 . Guide Plane
Continue.
480 | e x o c a d F O U N D A T I O N S
45 . Lingual Plating
Continue.
481 | e x o c a d F O U N D A T I O N S
46 . Lingual Plating
Continue.
482 | e x o c a d F O U N D A T I O N S
47 . Finalize
Double click the starting ball
for finalizing the tissue
483 | e x o c a d F O U N D A T I O N S
48 . Fine-Tune
Edit the margin line by
clicking anywhere and
dragging. Make sure
thickness is 2.5mm. Hit
apply.
484 | e x o c a d F O U N D A T I O N S
49 . Click “Next”
Next.
485 | e x o c a d F O U N D A T I O N S
50 . Free-Form Smooth
Hit the Free tab.
486 | e x o c a d F O U N D A T I O N S
51 . Free-Form Smooth
Select “Smooth/Flatten”
487 | e x o c a d F O U N D A T I O N S
52 . Smooth Clasp Tip
Smooth Clasp Tip.
488 | e x o c a d F O U N D A T I O N S
53 . Smooth Clasp Tip
Smooth Clasp Tip.
489 | e x o c a d F O U N D A T I O N S
54 . Smooth Clasp Tip
Smooth Clasp Tip.
490 | e x o c a d F O U N D A T I O N S
55 . Smooth Lingual Border
Smooth lingual border.
491 | e x o c a d F O U N D A T I O N S
56 . Smooth Lingual Border
Smooth lingual border.
492 | e x o c a d F O U N D A T I O N S
57 . Next
Hit Next.
493 | e x o c a d F O U N D A T I O N S
58 . Pocket Thickness
Set to 1mm under tooth
thickness.
494 | e x o c a d F O U N D A T I O N S
59 . Tooth Pocket Gap
Set Pocket Gap to .2mm
495 | e x o c a d F O U N D A T I O N S
60 . Next
Hit Next.
496 | e x o c a d F O U N D A T I O N S
61 . Done
You have finished your
design.
497 | e x o c a d F O U N D A T I O N S
62 . Add Name
Click Free-form restorations.
498 | e x o c a d F O U N D A T I O N S
63 . Next
Hit Next.
499 | e x o c a d F O U N D A T I O N S
64 . Merged Gingiva
Merged gingiva.
500 | e x o c a d F O U N D A T I O N S
65 . Attachment
Select Attachment tab.
501 | e x o c a d F O U N D A T I O N S
66 . Subtract
Hit Subtract
502 | e x o c a d F O U N D A T I O N S
67 . Library
Select “Text” under library
options.
503 | e x o c a d F O U N D A T I O N S
68 . Click Text Box
Add the name to the text box.
504 | e x o c a d F O U N D A T I O N S
69 . Move the Name
Drag the name or control
rotate .
505 | e x o c a d F O U N D A T I O N S
70 . Alter Size
For printing you want them
larger than you think.
506 | e x o c a d F O U N D A T I O N S
71 . Next
Hit “Next”
507 | e x o c a d F O U N D A T I O N S
72 . Save
Select “Save”
508 | e x o c a d F O U N D A T I O N S
73 . Export Parts
The parts are automatically
saved in the project folder. Or
you can export them here.
Turn off the finished
restoration to view only tissue
509 | e x o c a d F O U N D A T I O N S
74 . Each Part Needs to be Turned On
Turn on each part one at a
time.
510 | e x o c a d F O U N D A T I O N S
75 . Export
Right click screen, Save scene
as.
511 | e x o c a d F O U N D A T I O N S
76 . STL
Select STL and location.
512 | e x o c a d F O U N D A T I O N S
77 . STL
Plan STL.
513 | e x o c a d F O U N D A T I O N S
78 . Visible Objects Only
When prompted “Save visible
objects only”, hit”YES”.
514 | e x o c a d F O U N D A T I O N S
79 . Default Orientation
Select “Default Orientation”.
515 | e x o c a d F O U N D A T I O N S
All on x
1. Pre-surgical Waxup
1
Pontic Waxup
Dentate Arch
10 | e x o c a d S M I L E D E S I G N & V E N E E R S
10 . Click Contralateral Tooth
Hold shift and click the distal
most contralateral tooth in
the smile design.
11 | e x o c a d S M I L E D E S I G N & V E N E E R S
11 . Remove Connectors
Remove the connectors as
shown here.
12 | e x o c a d S M I L E D E S I G N & V E N E E R S
12 . Keep Removing Connectors
Continue to remove the
connectors.
13 | e x o c a d S M I L E D E S I G N & V E N E E R S
13 . Click “Save”
Click the “Save” button.
14 | e x o c a d S M I L E D E S I G N & V E N E E R S
14 . Click “Design”
Click the “Design” button.
15 | e x o c a d S M I L E D E S I G N & V E N E E R S
15 . Load Files
Load files now.
16 | e x o c a d S M I L E D E S I G N & V E N E E R S
16 . Rotate
Rotate the scan.
17 | e x o c a d S M I L E D E S I G N & V E N E E R S
17 . Top Down View
Rotate the model looking
looking down on the occlusal
and hit “NEXT”.
18 | e x o c a d S M I L E D E S I G N & V E N E E R S
18 . Start Segmentation
Start segmentation.
19 | e x o c a d S M I L E D E S I G N & V E N E E R S
19 . Click “Start Segmentation”
Click the “Start
Segmentation” button.
20 | e x o c a d S M I L E D E S I G N & V E N E E R S
20 . Wait for AI
If you have clean crips scans
the AI will auto segment the
arch.
21 | e x o c a d S M I L E D E S I G N & V E N E E R S
21 . Segment the Remaining Teeth
Segment all the remaining
teeth by clicking on the blank
tooth then in the pictogram.
22 | e x o c a d S M I L E D E S I G N & V E N E E R S
22 . Click Central Groove
Click the scan of the tooth
you selected in the
pictogram. Posterior teeth
click central groove.
23 | e x o c a d S M I L E D E S I G N & V E N E E R S
23 . Keep Segmenting
Continue to segment the
teeth.
24 | e x o c a d S M I L E D E S I G N & V E N E E R S
24 . Keep Segmenting
Continue to segment the
teeth.
25 | e x o c a d S M I L E D E S I G N & V E N E E R S
25 . Alter Tooth Angulations
Click the ball at the tip of the
arrow to move the arrow to
the long axis of the tooth.
Make sure not to accidentally
click the tooth itself because
it will start segmentation.
26 | e x o c a d S M I L E D E S I G N & V E N E E R S
26 . Continue Altering Arrows
Continue altering the arrows.
27 | e x o c a d S M I L E D E S I G N & V E N E E R S
27 . Fine-Tune the Arrows
All arrows should be coming
out the center of the central
groove of posteriors and out
the center of the incisal edge
anteriors.
28 | e x o c a d S M I L E D E S I G N & V E N E E R S
28 . Use Natural Teeth
If you desire to use the
patients natural teeth for the
smile design you have to
select “Use also as restorative
model” Here I am opting
NOT to do that.
29 | e x o c a d S M I L E D E S I G N & V E N E E R S
29 . Click “Next”
Click the “Next” button.
30 | e x o c a d S M I L E D E S I G N & V E N E E R S
30 . AI Segmentation of Lower
Begin AI Segmentation of the
Lower.
31 | e x o c a d S M I L E D E S I G N & V E N E E R S
31 . AI Segmentation of Lower
Continue the AI segmentation
of the lower.
32 | e x o c a d S M I L E D E S I G N & V E N E E R S
32 . AI Segmentation of Lower
Continue the AI segmentation
of the lower.
33 | e x o c a d S M I L E D E S I G N & V E N E E R S
33 . AI Segmentation of Lower
Continue the AI segmentation
of the lower.
34 | e x o c a d S M I L E D E S I G N & V E N E E R S
34 . Evaluate Accuracy
Evaluate the accuracy of the
lower segmentation.
35 | e x o c a d S M I L E D E S I G N & V E N E E R S
35 . Continue Segmentation
Click the teeth not segmented
in the pictogram and work
your way around the arch.
36 | e x o c a d S M I L E D E S I G N & V E N E E R S
36 . Click Center of Tooth Selected
Click center of the tooth
selected.
37 | e x o c a d S M I L E D E S I G N & V E N E E R S
37 . Finish the Arch
Finish the arch.
38 | e x o c a d S M I L E D E S I G N & V E N E E R S
38 . Correction
If any tooth needs correcting
click the tooth make it orange
then got to correction. Click
to paint yellow. Hold shift to
remove yellow.
39 | e x o c a d S M I L E D E S I G N & V E N E E R S
39 . Correction
Continue correction.
40 | e x o c a d S M I L E D E S I G N & V E N E E R S
40 . Click “Apply”
Click the “apply” button.
41 | e x o c a d S M I L E D E S I G N & V E N E E R S
41 . Alter Arrow Angles
Click the ball at the top of the
arrow and rotate to the long
axis of the tooth.
42 | e x o c a d S M I L E D E S I G N & V E N E E R S
42 . Correct Angles
Correct the angles.
43 | e x o c a d S M I L E D E S I G N & V E N E E R S
43 . Click “Next”
Click the “Next” button.
44 | e x o c a d S M I L E D E S I G N & V E N E E R S
44 . Click “Start Smile Creator”
Click the “Start Smile
Creator” button.
45 | e x o c a d S M I L E D E S I G N & V E N E E R S
45 . Click “Load Retracted Image”
Click the “load retracted
image” button.
46 | e x o c a d S M I L E D E S I G N & V E N E E R S
46 . Navigate to Retracted Photo
Locate the retracted photo.
47 | e x o c a d S M I L E D E S I G N & V E N E E R S
47 . AI Auto Alignment
AI will automatically align the
intraoral scan to the photo.
48 | e x o c a d S M I L E D E S I G N & V E N E E R S
48 . Click “Next”
Click the “Next” button.
49 | e x o c a d S M I L E D E S I G N & V E N E E R S
49 . Click “Load a Smile Image”
Click the “load a smile image”
button.
50 | e x o c a d S M I L E D E S I G N & V E N E E R S
50 . Navigate to Smile Photo
Locate the smile photo.
51 | e x o c a d S M I L E D E S I G N & V E N E E R S
51 . AI Auto Alignment
AI will automatically align
smile photo to the retracted.
If you have bad photos at
different angles they will
never align.
52 | e x o c a d S M I L E D E S I G N & V E N E E R S
52 . Click “Next”
Click the “Next” button.
53 | e x o c a d S M I L E D E S I G N & V E N E E R S
53 . Adjust the Lip Line
Begin to adjust the lip line.
54 | e x o c a d S M I L E D E S I G N & V E N E E R S
54 . Click “Next”
Click the “Next” button.
55 | e x o c a d S M I L E D E S I G N & V E N E E R S
55 . Click the Dot and Move to the Pupil
The dot should be perfectly
in the center of the pupil.
56 | e x o c a d S M I L E D E S I G N & V E N E E R S
56 . Click “Next”
Click the “Next” button.
57 | e x o c a d S M I L E D E S I G N & V E N E E R S
57 . Move Proportion Gauge
Click the proportion gauge in
the center and drag it.
58 | e x o c a d S M I L E D E S I G N & V E N E E R S
58 . Move Proportion Gauge
Move the proportion gauge.
59 | e x o c a d S M I L E D E S I G N & V E N E E R S
59 . Move the Midline
Move facial midline to be
coincident with maxillary
midline unless desiring to
prepare the teeth and move
midline.
60 | e x o c a d S M I L E D E S I G N & V E N E E R S
60 . Move the Gingival Line to Midline
Move the Gingival Line to
Midline.
61 | e x o c a d S M I L E D E S I G N & V E N E E R S
61 . Move the Gingival Line to Midline
Move the Gingival Line to
Midline.
62 | e x o c a d S M I L E D E S I G N & V E N E E R S
62 . Move the Smile Arc to Midline
Move the Smile Arc to the
Midline.
63 | e x o c a d S M I L E D E S I G N & V E N E E R S
63 . Move the Smile Arc to Midline
Move the Smile Arc to the
Midline.
64 | e x o c a d S M I L E D E S I G N & V E N E E R S
64 . Move Proportion Gauge to Midline
Click and drag proportion
gauge to midline. The vertical
bar is lined up to midline. The
horizontal bar on the desired
incisal edge location of the
waxup 8 and 9.
65 | e x o c a d S M I L E D E S I G N & V E N E E R S
65 . Move the Proportion Gauge
Click and drag proportion
gauge to midline. The vertical
bar is lined up to midline. The
horizontal bar on the desired
incisal edge location of the
waxup 8 and 9.
66 | e x o c a d S M I L E D E S I G N & V E N E E R S
66 . Change the Ratio
Change the ratio to
100-65-50
67 | e x o c a d S M I L E D E S I G N & V E N E E R S
67 . Click “Ratio”
Click the correct ratio.
68 | e x o c a d S M I L E D E S I G N & V E N E E R S
68 . Drag Cuspid Position
Drag Cuspid Position.
69 | e x o c a d S M I L E D E S I G N & V E N E E R S
69 . Check
Check the midline
70 | e x o c a d S M I L E D E S I G N & V E N E E R S
70 . Click “Next”
Click the “next” button.
71 | e x o c a d S M I L E D E S I G N & V E N E E R S
71 . Turn On Preoperative Teeth
Click the far icon to in each
window to turn on
preoperative teeth.
72 | e x o c a d S M I L E D E S I G N & V E N E E R S
72 . Turn On Preoperative Teeth
Click the far icon to in each
window to turn on
preoperative teeth.
73 | e x o c a d S M I L E D E S I G N & V E N E E R S
73 . Click “All Distinguished”
To help see the contrast
between the wax and natural
teeth right click the tru smile
icon and hit all distinguished.
74 | e x o c a d S M I L E D E S I G N & V E N E E R S
74 . Focus Here
You want to focus here first.
75 | e x o c a d S M I L E D E S I G N & V E N E E R S
75 . Rotate Palatal
Usually you have to rotate the
entire arch palatal. Make sure
the square box is around ALL
your waxup teeth . If you
don’t have a box click and
drag a big square around the
teeth.
76 | e x o c a d S M I L E D E S I G N & V E N E E R S
76 . Check Parallelism
The cusp tips premolar to
cuspid should parallel nature.
77 | e x o c a d S M I L E D E S I G N & V E N E E R S
77 . Position Incisal Edges
Now click the midline in the
silhouette area and drag the
entire box of teeth apical to
the incisal edge position of
the proportion gauge.
78 | e x o c a d S M I L E D E S I G N & V E N E E R S
78 . Change Aesthetic
To get back to silhouettes
click outline then preview and
back to outline to refresh the
screen.
79 | e x o c a d S M I L E D E S I G N & V E N E E R S
79 . Verify Incisal Edge
Make sure incisal edge
position is on the horizontal
line of proportion gauge.
80 | e x o c a d S M I L E D E S I G N & V E N E E R S
80 . Adjust Gingival Zenith
Click the blue dot and drag
the cervical to match 8 and 9
natural teeth. (Unless you
want to simulate surgical
crown lengthening) .
81 | e x o c a d S M I L E D E S I G N & V E N E E R S
81 . Click “Measurements”
Click the “measurement”
button.
82 | e x o c a d S M I L E D E S I G N & V E N E E R S
82 . Click the Center of Tooth 9
Click the center of tooth 9.
Look at the measurement on
the silhouette. Should be
somewhere in the 10mm
range long and 8 mm range
wide.
83 | e x o c a d S M I L E D E S I G N & V E N E E R S
83 . Anterior Posterior Position
Focus here and move the
entire arch anteriorly until
you are near the natural
incisal edge position and see
wax on the facial surfaces.
84 | e x o c a d S M I L E D E S I G N & V E N E E R S
84 . Anterior Posterior Position
For an additive veneer case
you want to see mostly wax
on the front of the teeth.
85 | e x o c a d S M I L E D E S I G N & V E N E E R S
85 . Individual Teeth Movement
Now you will click individual
teeth and move them. This is
different compared to my
normal workflow because the
AI workflow is different.
86 | e x o c a d S M I L E D E S I G N & V E N E E R S
86 . Individual Teeth Movement
Begin adjusting the individual
teeth.
87 | e x o c a d S M I L E D E S I G N & V E N E E R S
87 . Individual Teeth Movement
Begin adjusting the individual
teeth.
88 | e x o c a d S M I L E D E S I G N & V E N E E R S
88 . Individual Teeth Movement
Click and drag each tooth so
you see wax on the facial.
89 | e x o c a d S M I L E D E S I G N & V E N E E R S
89 . Individual Teeth Movement
Individual teeth movement.
90 | e x o c a d S M I L E D E S I G N & V E N E E R S
90 . Individual Teeth Movement
Keep working around the
smile moving each tooth to
have a thin coating of wax on
the facial.
91 | e x o c a d S M I L E D E S I G N & V E N E E R S
91 . Symmetrical Movements
Click mirror movements when
you want to have both teeth
move at the same rate.
92 | e x o c a d S M I L E D E S I G N & V E N E E R S
92 . Click “Mirror Movements”
Click the “mirror movements”
button.
93 | e x o c a d S M I L E D E S I G N & V E N E E R S
93 . Symmetrical Movement
Single tooth movement will
now automatically mirror
movements to the
contralateral side. Toggle
mirror on and off and fine
tune tooth positions.
94 | e x o c a d S M I L E D E S I G N & V E N E E R S
94 . Free-Form
Click the “Free-Form”
button.
95 | e x o c a d S M I L E D E S I G N & V E N E E R S
95 . Free-Form
Click the “Anatomic” button.
96 | e x o c a d S M I L E D E S I G N & V E N E E R S
96 . Visualize Thickness
Click the “Visualize
Thickness” button.
97 | e x o c a d S M I L E D E S I G N & V E N E E R S
97 . Select Thickness
Some modern printers can
print ultra thin shells at 200
microns. All printers can do
300 microns.
98 | e x o c a d S M I L E D E S I G N & V E N E E R S
98 . Select Tooth Parts
Select tooth parts and start
morphing small areas of the
mockup.
99 | e x o c a d S M I L E D E S I G N & V E N E E R S
99 . Click Areas to Morph and Drag
Be carful with this tool. You
can make things look bad real
fast. As a general rule small
movements like fine tuning
proximal contact locations.
100 | e x o c a d S M I L E D E S I G N & V E N E E R S
100 . Click “Free”
Click the “Free” tab.
101 | e x o c a d S M I L E D E S I G N & V E N E E R S
101 . Maximum Size Add Tool
Slide the scale to maximum.
102 | e x o c a d S M I L E D E S I G N & V E N E E R S
102 . Add Thickness
Anywhere pink is toot thin
and will not print. Using large
brush size to add ensures the
tooth will stay anatomically
correct. move the whole
tooth.
103 | e x o c a d S M I L E D E S I G N & V E N E E R S
103 . Add Thickness
You may often find clicking
the silhouettes to add
thickness works better.
104 | e x o c a d S M I L E D E S I G N & V E N E E R S
104 . Eliminate Pink
Eliminate the pink areas that
you see.
105 | e x o c a d S M I L E D E S I G N & V E N E E R S
105 . Keep Adding
Continue to add.
106 | e x o c a d S M I L E D E S I G N & V E N E E R S
106 . No Pink
Eliminate the visible pink
areas.
107 | e x o c a d S M I L E D E S I G N & V E N E E R S
107 . Click “OK”
Click the “OK” button.
108 | e x o c a d S M I L E D E S I G N & V E N E E R S
108 . Click “Next”
Click the “Next” button.
109 | e x o c a d S M I L E D E S I G N & V E N E E R S
109 . Click “Photorealistic Preview”
Wait for the photorealistic
calculations.
110 | e x o c a d S M I L E D E S I G N & V E N E E R S
110 . Adjust Slider
Move the slider around to
see.
111 | e x o c a d S M I L E D E S I G N & V E N E E R S
111 . Click “Next”
Click the “Next” button.
112 | e x o c a d S M I L E D E S I G N & V E N E E R S
112 . Click “Done”
Click the “Done” button.
113 | e x o c a d S M I L E D E S I G N & V E N E E R S
113 . Click “Advanced”
Click the “Advanced” tab.
114 | e x o c a d S M I L E D E S I G N & V E N E E R S
114 . Click This Button
Click the button shown here.
115 | e x o c a d S M I L E D E S I G N & V E N E E R S
115 . Fine-Tune
Begin to fine-tune your
design.
116 | e x o c a d S M I L E D E S I G N & V E N E E R S
116 . Click “Wax Spatula”
Click the wax spatula button.
117 | e x o c a d S M I L E D E S I G N & V E N E E R S
117 . Fine-Tune
Continue to fine-tune your
design.
118 | e x o c a d S M I L E D E S I G N & V E N E E R S
118 . Click and Drag
Small movements are best
with the wax spatula.
119 | e x o c a d S M I L E D E S I G N & V E N E E R S
119 . Click “Smile Window”
Click the “Smile Window”
button.
120 | e x o c a d S M I L E D E S I G N & V E N E E R S
120 . Verify Aesthetics
Check the aesthetics of your
design.
121 | e x o c a d S M I L E D E S I G N & V E N E E R S
121 . Verify Aesthetics
Check the aesthetics of your
design.
122 | e x o c a d S M I L E D E S I G N & V E N E E R S
122 . Click “Next”
Click the “next” button.
123 | e x o c a d S M I L E D E S I G N & V E N E E R S
123 . Rotate the Path of Insertion
Rotate the path of insertion.
124 | e x o c a d S M I L E D E S I G N & V E N E E R S
124 . Roate to Facial
Almost straight facial but still
want to see incase edges.
125 | e x o c a d S M I L E D E S I G N & V E N E E R S
125 . Click “Set Insertion Direction”
Click the “Set Insertion
Direction” button.
126 | e x o c a d S M I L E D E S I G N & V E N E E R S
126 . Apply
Click “Apply”.
127 | e x o c a d S M I L E D E S I G N & V E N E E R S
127 . Click “Free-Forming”
Click the “Free-Forming” tab.
128 | e x o c a d S M I L E D E S I G N & V E N E E R S
128 . Click “Add/Remove”
Click the “Add-Remove” tool.
129 | e x o c a d S M I L E D E S I G N & V E N E E R S
129 . Click “Shift”
Hold SHIFT and melt some of
the blackout wax for a more
intimate fit of the mockup
130 | e x o c a d S M I L E D E S I G N & V E N E E R S
130 . Remove Around the Arch
Remove Around the Arch.
131 | e x o c a d S M I L E D E S I G N & V E N E E R S
131 . Before the Removal
This is before the removal.
132 | e x o c a d S M I L E D E S I G N & V E N E E R S
132 . Click “Expert”
The mockup is now done.
However if you want to cut
the mockup to fit the arch you
need to go to expert mode.
133 | e x o c a d S M I L E D E S I G N & V E N E E R S
133 . Click “Free-Form”
Click the model and then the
popup window will show all
the steps. Hit Freeform.
134 | e x o c a d S M I L E D E S I G N & V E N E E R S
134 . Click “Visualize Thickness”
Click the “Visualize
Thickness” button.
135 | e x o c a d S M I L E D E S I G N & V E N E E R S
135 . Drag the Thickness
Change the thickness slider
to 0.3 to 0.2 depending on
your printer.
136 | e x o c a d S M I L E D E S I G N & V E N E E R S
136 . Click “Add/Remove”
Click “Add/Remove”.
137 | e x o c a d S M I L E D E S I G N & V E N E E R S
137 . Change Size to Max
Drag the slider to the
maximum size.
138 | e x o c a d S M I L E D E S I G N & V E N E E R S
138 . Remove the Pink Areas
Like you did before, add
thickness to the areas that
show the pink color.
139 | e x o c a d S M I L E D E S I G N & V E N E E R S
139 . Add Thickness
Like you did before, add
thickness to the areas that
show the pink color.
140 | e x o c a d S M I L E D E S I G N & V E N E E R S
140 . Add Thickness
Like you did before, add
thickness to the areas that
show the pink color.
141 | e x o c a d S M I L E D E S I G N & V E N E E R S
141 . Add Thickness
Like you did before, add
thickness to the areas that
show the pink color.
142 | e x o c a d S M I L E D E S I G N & V E N E E R S
142 . Remove Lingual Flash
Hold SHIFT and click to
remove lingual flash.
143 | e x o c a d S M I L E D E S I G N & V E N E E R S
143 . Remove Lingual Flash
Hold SHIFT and click to
remove lingual flash.
144 | e x o c a d S M I L E D E S I G N & V E N E E R S
144 . Uncheck“Visualize Mockup”
Uncheck the box.
145 | e x o c a d S M I L E D E S I G N & V E N E E R S
145 . Click “Free”
Click the “Free” tab.
146 | e x o c a d S M I L E D E S I G N & V E N E E R S
146 . Click “Add/Remove”
Click “Add/Remove”
147 | e x o c a d S M I L E D E S I G N & V E N E E R S
147 . Adjust Dynamic Contacts
My software is set up for
automatic dynamic
articulation. Check back
earlier in this guide for how
to do this in settings. I am
now going to use remove tool
to equalize contacts. I like to
select green for dynamic.
148 | e x o c a d S M I L E D E S I G N & V E N E E R S
148 . Equalize Dynamic
Equalize Dynamic.
149 | e x o c a d S M I L E D E S I G N & V E N E E R S
149 . Equalize Dynamic
Equalize Dynamic.
150 | e x o c a d S M I L E D E S I G N & V E N E E R S
150 . Equalize Dynamic
Equalize Dynamic.
151 | e x o c a d S M I L E D E S I G N & V E N E E R S
151 . Click “Adapt”
Click the “Adapt” button.
152 | e x o c a d S M I L E D E S I G N & V E N E E R S
152 . Click “Approximal”
Click the “Approximal”
button.
153 | e x o c a d S M I L E D E S I G N & V E N E E R S
153 . Click “Adapt Design to Jaw Scan”
This is the very last thing you
do. Once hot no further
modificatios should be done
because then they will not fit.
154 | e x o c a d S M I L E D E S I G N & V E N E E R S
154 . Evaluate the Shells
Now you no longer have
pontics, but have veneers.
155 | e x o c a d S M I L E D E S I G N & V E N E E R S
155 . Verify Cut Veneers
Verify the cut veneers.
156 | e x o c a d S M I L E D E S I G N & V E N E E R S
156 . Click “OK”
Click “OK”.
157 | e x o c a d S M I L E D E S I G N & V E N E E R S
157 . All Done!
You are done with design.
158 | e x o c a d S M I L E D E S I G N & V E N E E R S
158 . Export
Make sure only your final
parts are visible. Right click
the screen in empty space
and hit save scene as.
159 | e x o c a d S M I L E D E S I G N & V E N E E R S
159 . Change to STL
Change file type to STL and
pick location.
160 | e x o c a d S M I L E D E S I G N & V E N E E R S
160 . Click “Save”
Click the “save” button.
161 | e x o c a d S M I L E D E S I G N & V E N E E R S
161 . Click “Yes”
Click the “Yes” button.
162 | e x o c a d S M I L E D E S I G N & V E N E E R S
162 . Click “Default”
Click the default option and
you are done.
163 | e x o c a d S M I L E D E S I G N & V E N E E R S
163 . Click “Default”
Use default coordinate
system.
164 | e x o c a d S M I L E D E S I G N & V E N E E R S
SMILE DESIGN
166 | e x o c a d S M I L E D E S I G N & V E N E E R S
2 . Case Set Up
Type the patient name.
167 | e x o c a d S M I L E D E S I G N & V E N E E R S
3 . Case Set Up
Select distal-most tooth
you want to design.
168 | e x o c a d S M I L E D E S I G N & V E N E E R S
4 . Case Set Up
Select Mockup, then hit
“3D Print”.
169 | e x o c a d S M I L E D E S I G N & V E N E E R S
5 . Case Set Up
Hold SHIFT on the
keyboard and don’t let go.
170 | e x o c a d S M I L E D E S I G N & V E N E E R S
6 . Case Set Up
Left mouse click
contralateral premolar
while still holding SHIFT.
171 | e x o c a d S M I L E D E S I G N & V E N E E R S
7 . Case Set Up
Click each bubble to
remove the connector.
172 | e x o c a d S M I L E D E S I G N & V E N E E R S
8 . Case Set Up
Click each bubble to
remove the connector.
173 | e x o c a d S M I L E D E S I G N & V E N E E R S
9 . Case Set Up
Hit “Save”.
174 | e x o c a d S M I L E D E S I G N & V E N E E R S
10 . Case Set Up
Hit “Design”.
175 | e x o c a d S M I L E D E S I G N & V E N E E R S
11 . Case Set Up
Hit “Design”.
176 | e x o c a d S M I L E D E S I G N & V E N E E R S
12 . Case Set Up
Find the files.
177 | e x o c a d S M I L E D E S I G N & V E N E E R S
13 . Case Set Up
Load upper scan first.
178 | e x o c a d S M I L E D E S I G N & V E N E E R S
14 . Case Set Up
Load lower scan next.
179 | e x o c a d S M I L E D E S I G N & V E N E E R S
15 . Orientation
Right click to rotate the
model so the occlusal
surfaces are facing you and
you can see a little of the
facial of the anterior.
180 | e x o c a d S M I L E D E S I G N & V E N E E R S
16 . Orientation
Hit “Next”.
181 | e x o c a d S M I L E D E S I G N & V E N E E R S
17 . Smile Creator
Hit “Start Smile Creator”.
182 | e x o c a d S M I L E D E S I G N & V E N E E R S
18 . Smile Creator
Roll the mouse ball to zoom
in on photo and left click CEJ
of 6.
183 | e x o c a d S M I L E D E S I G N & V E N E E R S
19 . Smile Creator
Next, click cusp tip of 11
(note if ball is not loading you
may have accidentally clicked
someplace else on image.
Zoom out and search for
them. If you do not like the
exact location left click the
ball and drag it ).
184 | e x o c a d S M I L E D E S I G N & V E N E E R S
20 . Smile Creator
Click.
185 | e x o c a d S M I L E D E S I G N & V E N E E R S
21 . Smile Creator
Now click same exact spots
on the 3D scan. start with
tooth 6 CEJ and move onto
tooth 11 cusp tip. Make sure
yellow and green match on
the model and photo.
186 | e x o c a d S M I L E D E S I G N & V E N E E R S
22 . Smile Creator
Hit “next”.
187 | e x o c a d S M I L E D E S I G N & V E N E E R S
23 . Smile Creator
Start to better align the two
models. First, right click the
midline and hold. Drag the
mouse to rotate the model to
make it closer of a match. I
try to split the difference on
left and right.
188 | e x o c a d S M I L E D E S I G N & V E N E E R S
24 . Smile Creator
Next, left click the center of
the balls and drag it small
amounts to futher tweak the
match.
189 | e x o c a d S M I L E D E S I G N & V E N E E R S
25 . Smile Creator
Next, left click the center of
the contralateral ball and
drag it small amounts to
futher tweak the match.
190 | e x o c a d S M I L E D E S I G N & V E N E E R S
26 . Smile Creator
Repeat on both sides.
191 | e x o c a d S M I L E D E S I G N & V E N E E R S
27 . Smile Creator
Once satisfied, hit “next”. No
ghosting should be detected
(even on the molars).
192 | e x o c a d S M I L E D E S I G N & V E N E E R S
28 . Smile Creator
Load a smile image now.
193 | e x o c a d S M I L E D E S I G N & V E N E E R S
29 . Smile Creator
Search for the smile image.
194 | e x o c a d S M I L E D E S I G N & V E N E E R S
30 . Smile Creator
Wait 5 seconds, the software
will use AI to align the smile
and retracted. If photos are
well made from same angle
this will be a perfect match.
You can tell you have a
perfect match if the maxillary
teeth do not look blurry.
195 | e x o c a d S M I L E D E S I G N & V E N E E R S
31 . Smile Creator
The maxilla should be clear
at least cuspid to cuspid. you
can move the balls to adjust
but this does not typically
help if the photos are taken at
a bad angle.
196 | e x o c a d S M I L E D E S I G N & V E N E E R S
32 . Smile Creator
Hit “Next”.
197 | e x o c a d S M I L E D E S I G N & V E N E E R S
33 . Smile Creator
Mark the lips.
198 | e x o c a d S M I L E D E S I G N & V E N E E R S
34 . Smile Creator
You can add as a control
point by clicking the line.
199 | e x o c a d S M I L E D E S I G N & V E N E E R S
35 . Smile Creator
Hit “Next”.
200 | e x o c a d S M I L E D E S I G N & V E N E E R S
36 . Smile Creator
Mark the center of the pupil.
201 | e x o c a d S M I L E D E S I G N & V E N E E R S
37 . Smile Creator
Mark the center of the pupil.
202 | e x o c a d S M I L E D E S I G N & V E N E E R S
38 . Smile Creator
Hit “Next”.
203 | e x o c a d S M I L E D E S I G N & V E N E E R S
39 . Smile Creator
Click and move the blue line
to the patients right.
204 | e x o c a d S M I L E D E S I G N & V E N E E R S
40 . Smile Creator
Click and move the
proportion gauge line to the
patients left.
205 | e x o c a d S M I L E D E S I G N & V E N E E R S
41 . Smile Creator
For no prep cases move the
facial midline to be perfectly
in the center of the maxillary
natural midline .
206 | e x o c a d S M I L E D E S I G N & V E N E E R S
42 . Smile Creator
Delete the blue line by left-
clicking the ball, holding and
then also right-clicking.
207 | e x o c a d S M I L E D E S I G N & V E N E E R S
43 . Smile Creator
Left-click center of the
proportion gauge and move it
to the midline.
208 | e x o c a d S M I L E D E S I G N & V E N E E R S
44 . Smile Creator
Get the vertical bar in line
with the midline.
209 | e x o c a d S M I L E D E S I G N & V E N E E R S
45 . Smile Creator
Change to a 100-65-50 ratio.
210 | e x o c a d S M I L E D E S I G N & V E N E E R S
46 . Smile Creator
Correct the cant by clicking
here and making the number
0 degrees.
211 | e x o c a d S M I L E D E S I G N & V E N E E R S
47 . Smile Creator
Shrink the gauge by clicking
here and align the distal of
the cuspid bar to the distal of
the cuspid in the photo.
212 | e x o c a d S M I L E D E S I G N & V E N E E R S
48 . Smile Creator
Pick one cuspid if you can’t
get both.
213 | e x o c a d S M I L E D E S I G N & V E N E E R S
49 . Smile Creator
Hit “Next”.
214 | e x o c a d S M I L E D E S I G N & V E N E E R S
50 . Smile Creator
After selecting the library you
want the next step is rotating
the arch such that the cusp
tips are parallel to natural
arch. We are in the bottom
right corner of the screen.
215 | e x o c a d S M I L E D E S I G N & V E N E E R S
51 . Smile Creator
Next, make sure the entire
arch has a box around it and
click the center of 8 and 9
and move the entire arch
apical to line up the CEJ.
216 | e x o c a d S M I L E D E S I G N & V E N E E R S
52 . Smile Creator
Notice that the CEJ is lined
up. And incisal edges are on
the horizontal line from the
proportion gauge. If not you
can drag the baby blue ball
located where the pink circles
are in the image.
217 | e x o c a d S M I L E D E S I G N & V E N E E R S
53 . Smile Creator
Now click “measurement”.
218 | e x o c a d S M I L E D E S I G N & V E N E E R S
54 . Smile Creator
Click number 9. The central
should be 10 -11mm long.
219 | e x o c a d S M I L E D E S I G N & V E N E E R S
55 . Smile Creator
Next, move the whole arch
facial in this view.
220 | e x o c a d S M I L E D E S I G N & V E N E E R S
56 . Smile Creator
You want to see mostly wax
on the facial of the anterior 4
incisors, but want some small
areas with natural tooth
showing like I have on 9.
221 | e x o c a d S M I L E D E S I G N & V E N E E R S
57 . Smile Creator
Make sure your midline is
correct, you incisal of 8 and 9
are on the horizontal blue
line, tooth 9 is 10-11mm long
and you have mostly wax on
the facial incisors. Hit “Next”.
Please note I do not worry
about cuspids and premolars
in this module.
222 | e x o c a d S M I L E D E S I G N & V E N E E R S
58 . Smile Creator
Pick a color, but note that we
do not use this image.
223 | e x o c a d S M I L E D E S I G N & V E N E E R S
59 . Smile Creator
Hit “Next”.
224 | e x o c a d S M I L E D E S I G N & V E N E E R S
60 . Smile Creator
Hit “done”.
225 | e x o c a d S M I L E D E S I G N & V E N E E R S
61 . Tooth Placement
Hit “Chain Mode”.
226 | e x o c a d S M I L E D E S I G N & V E N E E R S
62 . Tooth Placement
Click red dots, turn the red
premolar dots to green on
both sides.
227 | e x o c a d S M I L E D E S I G N & V E N E E R S
63 . Tooth Placement
Turn dots red above 8 and 9
by clicking them. This will
lock those teeth in position.
228 | e x o c a d S M I L E D E S I G N & V E N E E R S
64 . Tooth Placement
Click the wax tooth on the
premolar site and move it to
desired position.
229 | e x o c a d S M I L E D E S I G N & V E N E E R S
65 . Tooth Placement
Do the same on the other
side.
230 | e x o c a d S M I L E D E S I G N & V E N E E R S
66 . Tooth Placement
Click advanced.
231 | e x o c a d S M I L E D E S I G N & V E N E E R S
67 . Tooth Placement
Click the eye.
232 | e x o c a d S M I L E D E S I G N & V E N E E R S
68 . Tooth Placement
Turn on smile window.
233 | e x o c a d S M I L E D E S I G N & V E N E E R S
69 . Tooth Placement
Turn on the helper line.
234 | e x o c a d S M I L E D E S I G N & V E N E E R S
70 . Tooth Placement
Now, move each tooth
individually.
CTRL to rotate
SHIFT to grow
235 | e x o c a d S M I L E D E S I G N & V E N E E R S
71 . Tooth Placement
Move each tooth palatal until
you see natural tooth poking
through, then move facial
until it is just gone.
236 | e x o c a d S M I L E D E S I G N & V E N E E R S
72 . Tooth Placement
Move each tooth palatal until
you see natural tooth poking
through then move facial until
it is just gone.
237 | e x o c a d S M I L E D E S I G N & V E N E E R S
73 . Tooth Placement
Move each tooth palatal until
you see natural tooth poking
through, then move facial
until it is just gone.
238 | e x o c a d S M I L E D E S I G N & V E N E E R S
74 . Tooth Placement
Move each tooth palatal until
you see natural tooth poking
through, then move facial
until it is just gone.
239 | e x o c a d S M I L E D E S I G N & V E N E E R S
75 . Tooth Placement
Move each tooth palatal until
you see natural tooth poking
through, then move facial
until it is just gone.
240 | e x o c a d S M I L E D E S I G N & V E N E E R S
76 . Tooth Placement
Keep working around the
smile for each tooth.
241 | e x o c a d S M I L E D E S I G N & V E N E E R S
77 . Tooth Placement
Move each tooth palatal until
you see natural tooth poking
through, then move facial
until it is just gone.
242 | e x o c a d S M I L E D E S I G N & V E N E E R S
78 . Tooth Placement
Make sure to have the
proximal contacts perfectly
inline with natural tooth
embrasure. I like to use CTRL
and SHIFT to stretch.
243 | e x o c a d S M I L E D E S I G N & V E N E E R S
79 . Smile Creator
Make sure to have the
proximal contacts perfectly
inline with natural tooth
embrasure. I like to use CTRL
and SHIFT to stretch.
244 | e x o c a d S M I L E D E S I G N & V E N E E R S
80 . Tooth Placement
Make sure to have the
proximal contacts perfectly
inline with natural tooth
embrasure. I like to use CTRL
and SHIFT to stretch.
245 | e x o c a d S M I L E D E S I G N & V E N E E R S
81 . Tooth Placement
Check how the teeth look in
the smile view.
246 | e x o c a d S M I L E D E S I G N & V E N E E R S
82 . Tooth Placement
To make minor movements,
click this icon.
247 | e x o c a d S M I L E D E S I G N & V E N E E R S
83 . Tooth Placement
Fine tune the cervical.
248 | e x o c a d S M I L E D E S I G N & V E N E E R S
84 . Tooth Placement
Note: if massive amounts of
root is exposed here then you
need to use other previous
eyeball icon tool ctr to rotate
neck of tooth palatal. This is
for small movements only.
249 | e x o c a d S M I L E D E S I G N & V E N E E R S
85 . Tooth Placement
Fine tune proximal embrasure
with this tool. Note: Strength
is not important at this point,
but you must have contact.
250 | e x o c a d S M I L E D E S I G N & V E N E E R S
86 . Tooth Placement
Keep fine tuning.
251 | e x o c a d S M I L E D E S I G N & V E N E E R S
87 . Tooth Placement
This tool can morph cusp tips
as well.
252 | e x o c a d S M I L E D E S I G N & V E N E E R S
88 . Tooth Placement
This tool can morph cusp tips
as well.
253 | e x o c a d S M I L E D E S I G N & V E N E E R S
89 . Tooth Placement
95% of the design is done
before hitting next. Once
happy, hit “next”.
254 | e x o c a d S M I L E D E S I G N & V E N E E R S
90 . Dynamic Articulation
My Software is set to do
automatic dynamic
articulation. This can be set
up in the tools-settings-add
on module
255 | e x o c a d S M I L E D E S I G N & V E N E E R S
91 . Virtual Waxup Bottom
Now, we need to pick the
insertion path of the mockup.
The default is always wrong.
256 | e x o c a d S M I L E D E S I G N & V E N E E R S
92 . Virtual Waxup Bottom
Rotate the model to be almost
facial, but with a little incisal
edge visible and hit “set
insertion from view”.
257 | e x o c a d S M I L E D E S I G N & V E N E E R S
93 . Tooth Placement
Hit “Apply”.
258 | e x o c a d S M I L E D E S I G N & V E N E E R S
94 . Virtual Waxup Bottom
Hit freeform once the blue
model is rendered. The little
text box will become active
once you hit apply down
below.
259 | e x o c a d S M I L E D E S I G N & V E N E E R S
95 . Virtual Waxup Bottom
This model has blockout wax
to help the mockup to seat in
the mouth. Hold shift and
click the wax areas to remove
a little wax to modify fit of
shells for more intimate
adaptation. Be carful not to
remove too much wax or they
might not seat.
260 | e x o c a d S M I L E D E S I G N & V E N E E R S
96 . Virtual Waxup Bottom
This is before model
adjustment.
261 | e x o c a d S M I L E D E S I G N & V E N E E R S
97 . Virtual Waxup Bottom
This is after. I removed some
wax. Be careful not to remove
too much or the trial smile
may not fit due to too much
undercut engagement.
262 | e x o c a d S M I L E D E S I G N & V E N E E R S
98. Virtual Waxup Bottom
Hit “Next”.
263 | e x o c a d S M I L E D E S I G N & V E N E E R S
99. Free-Form
Hit “Visualize Thickness”.
264 | e x o c a d S M I L E D E S I G N & V E N E E R S
100. Free-Form
Change to 0.3. If you have a
new printer with a XY
resolution below 40 microns
you can go down to 0.2 or
0.25mm. If you selected this
in the setup then you will see
the slider will go down
further to 0.2mm.
265 | e x o c a d S M I L E D E S I G N & V E N E E R S
101. Free-Form
Click “Add/Remove”.
266 | e x o c a d S M I L E D E S I G N & V E N E E R S
102. Free-Form
Move size to max.
267 | e x o c a d S M I L E D E S I G N & V E N E E R S
103. Free-Form
Remove the pink by clicking
and adding wax. Pink is too
thin and will not print.
268 | e x o c a d S M I L E D E S I G N & V E N E E R S
104. Free-Form
Remove the pink by clicking
and adding wax. Pink is too
thin and will not print.
269 | e x o c a d S M I L E D E S I G N & V E N E E R S
105. Free-Form
Remove the pink by clicking
and adding wax. Pink is too
thin and will not print.
270 | e x o c a d S M I L E D E S I G N & V E N E E R S
106. Free-Form
Continue with each tooth.
271 | e x o c a d S M I L E D E S I G N & V E N E E R S
107. Free-Form
Remove the pink by clicking
and adding wax. Pink is too
thin and will not print.
272 | e x o c a d S M I L E D E S I G N & V E N E E R S
108. Free-Form
The only pink left is at the
borders.
273 | e x o c a d S M I L E D E S I G N & V E N E E R S
109. Free-Form
Adjust size to medium
274 | e x o c a d S M I L E D E S I G N & V E N E E R S
110. Free-Form
Increase strength.
275 | e x o c a d S M I L E D E S I G N & V E N E E R S
111. Free-Form
Remove wax on the lingual by
holding SHIFT + left-click
and hold and rub.
276 | e x o c a d S M I L E D E S I G N & V E N E E R S
112. Free-Form
Now click off the visualize
thickness.
277 | e x o c a d S M I L E D E S I G N & V E N E E R S
113. Free-Form
Now, on the top bar, click this
chevron.
278 | e x o c a d S M I L E D E S I G N & V E N E E R S
114. Free-Form
Click all the indications to
make them all orange.
279 | e x o c a d S M I L E D E S I G N & V E N E E R S
115. Free-Form
Manually adjust dynamic
occlusion to be all one
strength (green) on all of the
teeth by holding SHIFT and
left-clicking to melt the
contact or don’t hold shift to
add.
280 | e x o c a d S M I L E D E S I G N & V E N E E R S
116. Free-Form
Manually adjust dynamic
occlusion to be all one
strength (green) on all teeth
by holding SHIFT and left-
clicking.
281 | e x o c a d S M I L E D E S I G N & V E N E E R S
117. Free-Form
Manually adjust dynamic
occlusion to be all one
strength (green) on all teeth
by holding SHIFT and left-
clicking.
282 | e x o c a d S M I L E D E S I G N & V E N E E R S
118. Free-Form
Manually adjust dynamic
occlusion to be all one
strength (green) on all teeth
by holding SHIFT and left-
clicking.
283 | e x o c a d S M I L E D E S I G N & V E N E E R S
119. Free-Form
Manually adjust dynamic
occlusion to be all one
strength (green) on all teeth
by holding SHIFT and left-
clicking.
284 | e x o c a d S M I L E D E S I G N & V E N E E R S
120. Free-Form
Turn off dynamic and make
sure show contact areas is
on. Ensure that there is no
contact on veneers in static.
285 | e x o c a d S M I L E D E S I G N & V E N E E R S
121. Free-Form
Next, turn your waxup half-
way clear by dragging the
slider here.
286 | e x o c a d S M I L E D E S I G N & V E N E E R S
122. Free-Form
Then, click “Anatomic” tooth
parts.
287 | e x o c a d S M I L E D E S I G N & V E N E E R S
123. Free-Form
Click on “tooth parts”.
288 | e x o c a d S M I L E D E S I G N & V E N E E R S
124. Free-Form
Make sure the CEJ of the
waxup is aligned with natural
sulcus.
289 | e x o c a d S M I L E D E S I G N & V E N E E R S
125. Free-Form
Edit each tooth from a
perfectly straight facial view.
290 | e x o c a d S M I L E D E S I G N & V E N E E R S
126. Free-Form
You can also tip the roots to
help.
291 | e x o c a d S M I L E D E S I G N & V E N E E R S
127. Free-Form
Turn back on the mockup
thickness and make sure it is
on 0.3mm and do a list
minute check.
292 | e x o c a d S M I L E D E S I G N & V E N E E R S
128. Free-Form
Add to any areas if they have
accidentally been made too
thin on the last step. To avoid
veneers short of the natural
CEJ you want to make sure
the pink band is in the sulcus
area.
293 | e x o c a d S M I L E D E S I G N & V E N E E R S
129. Free-Form
Click on the “free” tab.
294 | e x o c a d S M I L E D E S I G N & V E N E E R S
130. Adaptation
Go to free-adapt and click
“approximal”.
295 | e x o c a d S M I L E D E S I G N & V E N E E R S
131. Adaptation
Go to free-adapt and click
“static occlusion”.
296 | e x o c a d S M I L E D E S I G N & V E N E E R S
132. Adaptation
Now, you will see that it is
shells.
297 | e x o c a d S M I L E D E S I G N & V E N E E R S
133. Adaptation
Now, you will see that it is
shells.
Click “Next”.
298 | e x o c a d S M I L E D E S I G N & V E N E E R S
134. Final Step: Export
Now, you see merged design
(printable files).
299 | e x o c a d S M I L E D E S I G N & V E N E E R S
135. Final Step: Export
Turn on all merged parts.
300 | e x o c a d S M I L E D E S I G N & V E N E E R S
136. Final Step: Export
Right-click screen.
301 | e x o c a d S M I L E D E S I G N & V E N E E R S
137. Final Step: Export
Save scene as, pick “STL and
Location”.
302 | e x o c a d S M I L E D E S I G N & V E N E E R S
138. Final Step: Export
Rename it.
303 | e x o c a d S M I L E D E S I G N & V E N E E R S
139. Final Step: Export
Pick location.
304 | e x o c a d S M I L E D E S I G N & V E N E E R S
140. Final Step: Export
Hit ‘Save”.
305 | e x o c a d S M I L E D E S I G N & V E N E E R S
141. Final Step: Export
Visible Objects Only: Yes
Default Orientation
306 | e x o c a d S M I L E D E S I G N & V E N E E R S
142. Final Step: Export
Hit “Next” and the case will
close.
307 | e x o c a d S M I L E D E S I G N & V E N E E R S
SMILE DESIGN
309 | e x o c a d S M I L E D E S I G N & V E N E E R S
2 . Convert to Final Veneers
It can be immediate, weeks or
months later to convert a
mockup to final individual
printed no prep veneers is
fast. Reload the case by going
to “load”.
310 | e x o c a d S M I L E D E S I G N & V E N E E R S
3 . Convert to Final Veneers
Find the patient under “Load”
in DB.
311 | e x o c a d S M I L E D E S I G N & V E N E E R S
4 . Convert to Final Veneers
Load and hit “design”.
312 | e x o c a d S M I L E D E S I G N & V E N E E R S
5 . Convert to Final Veneers
Load BEFORE hard cut. This
is critical when converting
your mockup to veneers.
Please note this only works
with minimum to no prep
veneers.
313 | e x o c a d S M I L E D E S I G N & V E N E E R S
6 . Convert to Final Veneers
Go to expert mode and click
the model. A blue bar should
pop up on the bottom. Find
the trash can and click.
314 | e x o c a d S M I L E D E S I G N & V E N E E R S
7 . Convert to Final Veneers
Go to expert mode and click
the model. A blue bar should
pop up on the bottom. Find
the trashcan and click.
315 | e x o c a d S M I L E D E S I G N & V E N E E R S
8 . Convert to Final Veneers
Delete the virtual waxup
bottom.
316 | e x o c a d S M I L E D E S I G N & V E N E E R S
9 . Convert to Final Veneers
Now, click “virtual waxup
bottom” here.
317 | e x o c a d S M I L E D E S I G N & V E N E E R S
10 . Convert to Final Veneers
Set insertion from facial view
with some incisal edge visible
like this.
318 | e x o c a d S M I L E D E S I G N & V E N E E R S
11 . Convert to Final Veneers
Hit “Apply”.
319 | e x o c a d S M I L E D E S I G N & V E N E E R S
12 . Convert to Final Veneers
Hit “Free-forming”.
320 | e x o c a d S M I L E D E S I G N & V E N E E R S
13 . Convert to Final Veneers
Be more aggressive with wax
removal. Hold SHIFT. Now,
we have some individual
veneers, so we can be more
aggressive and remove much
more wax than before when
they were all splinted.
321 | e x o c a d S M I L E D E S I G N & V E N E E R S
14 . Convert to Final Veneers
The model should be crisp.
322 | e x o c a d S M I L E D E S I G N & V E N E E R S
15 . Convert to Final Veneers
Click “OK”.
323 | e x o c a d S M I L E D E S I G N & V E N E E R S
16 . Convert to Final Veneers
Click on “Wizard”.
324 | e x o c a d S M I L E D E S I G N & V E N E E R S
17 . Convert to Final Veneers
Go to “free”.
325 | e x o c a d S M I L E D E S I G N & V E N E E R S
18 . Convert to Final Veneers
Click “Adapt”.
326 | e x o c a d S M I L E D E S I G N & V E N E E R S
19 . Convert to Final Veneers
Click in this order:
1). Approximal
327 | e x o c a d S M I L E D E S I G N & V E N E E R S
20 . Convert to Final Veneers
Check your proximal.
328 | e x o c a d S M I L E D E S I G N & V E N E E R S
21 . Convert to Final Veneers
Click “adjacents”
329 | e x o c a d S M I L E D E S I G N & V E N E E R S
22 . Convert to Final Veneers
Look for the teal blue contact
when show contact areas is
on.
330 | e x o c a d S M I L E D E S I G N & V E N E E R S
23 . Convert to Final Veneers
Hit “Next” and you are done
now.
331 | e x o c a d S M I L E D E S I G N & V E N E E R S
24 . Convert to Final Veneers
You will then hit “Next”.
332 | e x o c a d S M I L E D E S I G N & V E N E E R S
25 . Convert to Final Veneers
Hit “next” again. You are
done now.
333 | e x o c a d S M I L E D E S I G N & V E N E E R S
26 . Convert to Final Veneers
Back in Dental DB, click
“Open in Explorer”.
334 | e x o c a d S M I L E D E S I G N & V E N E E R S
27 . You’re Done!
Your individual final veneer
STL files are found here.
335 | e x o c a d S M I L E D E S I G N & V E N E E R S
SMILE DESIGN
Mockup Model
337 | e x o c a d S M I L E D E S I G N & V E N E E R S
2 . Click “Design Model”
Select design model. Please
note you can also access
model design from the
dental DB page in the right
menu in the event you
already closed the case.
338 | e x o c a d S M I L E D E S I G N & V E N E E R S
3 . Next
Once you select design
model you have to hit
“next”.
339 | e x o c a d S M I L E D E S I G N & V E N E E R S
4 . Digital Waxup Model
To design a model that has
your waxup fused to the
model you need to select
Digital Waxup Model in the
options here.
340 | e x o c a d S M I L E D E S I G N & V E N E E R S
5 . Position
Click the model and drag it
to position it between the
center of the blue and
green slice planes.
341 | e x o c a d S M I L E D E S I G N & V E N E E R S
6 . Position
Hold “Control” on the
keyboard to rotate the
model if needed.
342 | e x o c a d S M I L E D E S I G N & V E N E E R S
7 . Cut Model
Drag the ball in the slider
to crop the model this way
you do not have such a
long tall base.
343 | e x o c a d S M I L E D E S I G N & V E N E E R S
8 . Next
Hit “next” to move on.
344 | e x o c a d S M I L E D E S I G N & V E N E E R S
9 . Select Teeth
By default, all the waxed
teeth will be on and purple
in the odontogram. You
can click a tooth and turn
it off if you do not want
that waxup in your model.
Also, you can click the
drop-down menu to
explore other options.
345 | e x o c a d S M I L E D E S I G N & V E N E E R S
10 . Select Teeth
The drop-down menu has
options like every other
tooth for quickly creating
models for injection
molding.
346 | e x o c a d S M I L E D E S I G N & V E N E E R S
11 . Next
Hit “Next” to move on.
347 | e x o c a d S M I L E D E S I G N & V E N E E R S
12 . Antagonist
You can hit “create model” or
skip for the antagonist arch.
Here I chose to skip model
creation.
348 | e x o c a d S M I L E D E S I G N & V E N E E R S
13 . Honeycomb
In the model attachments
choose honeycomb. It is the
best way to fill your base and
does not require drain holes.
349 | e x o c a d S M I L E D E S I G N & V E N E E R S
14 . Honeycomb
To place the honeycomb, left-
click the center of the model.
350 | e x o c a d S M I L E D E S I G N & V E N E E R S
15 . Honeycomb
Scale the honeycomb by
dragging the ball on the slider
bar. I like to make it bigger
around 115%.
351 | e x o c a d S M I L E D E S I G N & V E N E E R S
16 . Next
Hit “next”.
352 | e x o c a d S M I L E D E S I G N & V E N E E R S
17 . Done
Your waxup model is
complete. You can export it
here or find the final STL in
the project folder. If
exporting here make sure to
turn off all other objects
except the model. Right-click
the empty screen area and hit
save scene as: change to STL.
When asked check visible
object only and default
orientation.
353 | e x o c a d S M I L E D E S I G N & V E N E E R S
All on x
1. Pre-surgical Waxup
1
Pontic Waxup
Dentate Arch
Adapt approximate.
No spaces, no capitals.
1. Pre-surgical Waxup
1
Pontic Waxup
Dentate Arch
SCAN TO DOWNLOAD
Table of Contents
01 Pre-Surgical Waxup: Dentate Single Arch 1
02 Anatomic Waxup Technique 101
03 Pre-Surgical Waxup: Pontic Waxup Day Of 179
04 Surgery Conversion: Edentulous Arch 269
05 Pre-Surgical Waxup: Dual Arch 352
06 Universal Method: Day of Surgery 465
07 Using a Scanned Denture 605
08 Bar Design: Convert to Split File 696
09 iCam Day of Surgery 806
Pre-Surgical Waxup
D E N TAT E S I N G L E A RC H
Pre-Surgical Waxup
PONTIC WAXUP
EDENTULOUS ARCH
1) tissue scan
2) denture scan
3) opposing
Pre-Surgical Waxup
DUAL ARCH
4) opposing
Bar Design
CO N VE R T TO SPLIT FILE BA R DESIGN
No spacing no capitals.
No spacing no capitals. So it
will be exactly this for my
project
2025-03-06_00001-002-
lowerjaw-situ
1. Pre-surgical Waxup
Pontic Waxup
Dentate Arch
Denture Settings
10 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
10 . Mandibular Denture Borders
11 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
11 . Mandibular Denture Borders
12 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
12 . Scan Strategy
13 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
13 . Virtual Waxup Bottom
Remember a large part of the
fit is determined by the
virtual waxup bottom step.
This is the model the denture
will fit and not the original
scan. Understanding the
settings for this are essential.
14 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
14 . Virtual waxup bottom settings
15 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
15 . Selective Pressure
When scanning with an
intraoral scan it is a true
mucostatic impression
because light does not
deform and compress tissue.
We need to add back
pressure to key areas. Many
shapes off posterior palatal
seals exist. The shape I prefer
resembles Kat ears or batman
ears.
16 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
16 . Selective Pressure Maxilla
Red is 200
micrometers
added pressure
on entire
denture border
17 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
17 . Selective Pressure Mandible
Border all the way
around the denture
is 200 microns of
pressure
Lingual is 400
micrometers of
pressure
Retromylohyoid fossa
is 300 microns of
tissue pressure
18 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
REMOVABLES
Copy Denture
20 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
2 . Select Client
Select the client.
21 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
3 . Enter Patient Name
Enter Patient Name.
22 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
4 . Select a Tooth in the Working Arch
Select a Tooth in the Working
Arch.
23 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
5 . Select Full Denture
Select Full Denture
24 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
6 . Select the Method of Fabrication
Select the Method of
Fabrication.
25 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
7 . Remove Record Base Selection
Remove Record Base
Selection.
26 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
8 . Select “Yes” to Copy Existing Scanned Denture
Select “Yes” to Copy Existing
Scanned Denture.
27 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
9 . Select “OK”
Select “OK”.
28 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
10 . Select “Save”
Please note that it is
important to have the exact
same amount of teeth
selected as the denture you
are coping has. If you have to
clear a tooth just left-click
and hold the button down on
any blank tooth and drag it
onto a tooth that has a
prescription.
29 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
11 . Find the 360 Denture Scan File
exocad will always indicate
what arch and what file it
wants you to find.
30 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
12 . Find the Antagonist Scan
Please note the antagonist
will come into the exocad
scene at the bite poison that
you scanned. You do not
need to load a bite scan.
31 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
13 . Right-Click and Rotate the Model
Right-Click and Rotate the
Model.
32 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
14 . Rotate to Look Like This
Step one of the wizard is
model orientation. This is an
important step and it is
necessary to rotate the model
until you are perfectly looking
down the occlusal surface
and incisal edges.
33 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
15 . Hit “Next”
Hit “Next”.
34 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
16 . Find any Holes in Your Denture Scan
The second step in the wizard
is the 3D data editor step.
exocad assumes that you
have some mesh errors you
may want to clean up.
35 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
17 . Circle the Hole
To close a hole in the mesh it
is important to circle and
have an orange selection are
around the entire hole.
36 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
18 . Hit “Close Holes”
Hit “Close Holes”.
37 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
19 . Hit “Next”
Hit “Next”.
38 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
20 . exocad Automatically Marks the Boarder
exocad uses AI to try to
automatically find the apex of
the denture border and will
place a green line on the
border. If you have a very bad
scan it may not find this and
you can draw the line
manually.
39 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
21 . Perfect the Denture Border
You may need to edit the
automatic border. To do this
simply click a ball and drag
the line to where you want it.
Make sure that you do not
have any red areas of the
border line.
40 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
22 . Fine-Tune the Boarder Line
You want the line to be the
apex of curve that is the
border of the denture.
41 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
23 . Hit “Next”
Hit “Next”.
42 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
24 . Denture Tooth Selection
Pay attention to the tooth
exocad is asking you to
select. I find it best to select
the central groove of the
posterior tooth and the
middle straight facial of the
anterior. You can try AI auto
segmentation for a more
efficient process.
43 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
25 . Denture Tooth Selection
The active tooth is orange,
that I the one it wants you to
select. Previously marked
teeth are blue and unmarked
teeth are yellow.
44 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
26 . Keep Selecting Teeth
Please note, if a tooth does
not get selected perfectly you
can hit on the correction icon
and simply paint more of an
area or hold shift and paint
an area to remove from the
selection.
45 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
27 . Keep Selecting Teeth
For anterior teeth, I like to
select the straight facial right
in the middle of the tooth.
46 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
28 . Keep Selecting Teeth
Always make sure the orange
tooth is the tooth that you are
selecting.
47 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
29 . Keep Selecting Teeth
Keep Selecting Teeth.
48 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
30 . Edit Mistakes
After all the teeth have been
selected, you may want to go
back to a previous tooth and
edit the selection area of that
tooth. Simply select a tooth
you want to edit.
49 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
31 . Edit Mistakes
Once selected, hit
“correction”. Then you have
the opportunity to paint the
surface to add to the
selection. SHIFT click and
paint to remove from the
selection.
50 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
32 . Edit Mistakes
Here, I am painting more on
the distal marginal ridge of
this premolar.
51 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
33 . Edit Mistakes
Once you are happy with the
yellow painted area, hit
“apply” to have the changes
saved.
52 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
34 . Root Angulation
You will notice all these arrows
coming out of the teeth. These
arrows represent the proposed
long axis of the tooth and
impact the root eminence angle.
As a general rule the arrow
should be coming out of the
central groove of posterior
teeth and out of the incisal edge
of anterior teeth. To move an
arrow click the small ball at the
tip of the arrow and drag it. Be
very careful not to accidentally
click a tooth as it will start the
segmentation process.
53 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
35 . Hit “Next”
Once you are happy with the
tooth selection and the arrow
angulations hit next.
54 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
36 . Tooth Placement
Here you have access to
global movements and chain
mode. An easy way to alter
the Vertical Dimension of a
scanned denture us to click
move all simultaneously
under simple. This allows all
the teeth to be moved at
once. Please note that if you
wanted to change the vertical
dimension of the denture
tooth setup it would have
been best to scan the bite at
the desired open vertical.
55 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
37 . Tooth Placement
You can optionally move the
entire arch. However most
copy dentures will not require
an aggressive amount of edits
to be made. If you find that
you need to make major
changes to the teeth then
other design methods are
better in exocad and I would
avoid the copy denture
workflow.
56 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
38 . Tooth Placement
Chain mode is super powerful
and allows you to efficiently
make global changes to the
arch of teeth.
57 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
39 . Tooth Placement
The way chain mode works is
easy to understand. The teeth
can have a red or green ball.
Red means they are anchored
down, green means they are
free to move. Each movement
impacts all other teeth like
pearls on a string. For
example, if you want to drop
the posterior segment of
teeth, you can lock the front
teeth, unlock all the back
teeth, and simply drag them
down.
58 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
40 . Tooth Placement
Continue.
59 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
41 . Tooth Placement
Now that the anterior 4 teeth
are locked and the posterior
are unclocked, you can easily
move the posterior sextant
where you desire.
60 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
42 . Tooth Placement
Once you are happy with the
tooth position you can hit
“next”. Usually you have to
do no movements in the tooth
placement step and can hit
next right away.
61 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
43 . Free-Forming
Usually, most of the work on
the copy denture module
needs to be done in free-
forming because of the way
the teeth are copied and
because of the condition of
the teeth they typically have
some wear. In this step, we
can add some anatomy back
into the teeth. It would be
amazing if exocad allowed you
to replace the copy teeth with
new library teeth but at the
time of this guide, they do not
allow that.
62 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
44 . Free-Forming
The first thing I typically do in
this step is go to “Free” then
click the smooth tool.
63 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
45 . Free-Forming
Using the default strength and
size to the smooth brush I
typically smooth the teeth in
areas around the CEJ and the
proximal contact areas.
64 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
46 . Free-Form Smoothing
I work my way around the
arch with the smooth tool.
65 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
47 . Free-Forming Anatomic
The anatomic tool allows you
to click and grab an area of a
tooth and move or stretch it. I
use the size “tooth parts” or
“cups” and edit small areas.
Be careful with this tool as it
can really distort teeth fast if
you are not careful.
66 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
48 . Free-Forming Anatomic
Click here.
67 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
49 . Free-Forming Add Anatomy
Under the “Free” tab select
add remove button, then
select a small brush. Drag
your size to small and
strength to high. Hold shift in
the keyboard while you left
click the mouse and it will
carve grooves and tissues into
the teeth. Let go of the shift
on the keyboard and you will
add wax to areas like
transverse ridges.
68 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
50 . Free-Forming Anatomy
Under the adapt tab, you will
see static occlusion and
approximal. You can adapt by
clicking each button or
alternative you can click cut
all intersections at the bottom
to do both adaptations at the
same time. The default
strength is perfect for me.
69 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
51 . Free-Forming Adapt
The color of occlusal contacts
should be blue with “Show
contact areas” as the color
range. Please note if you have
“show interference contacts”
as your default color range
then you want to see no color.
70 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
52 . Free-Forming Adapt
Under the adapt tab, you will
see static occlusion and
approximal. You can adapt by
clicking each button or
alternatively, you can click
cut all intersections at the
bottom to do both
adaptations at the same time.
The default strength is
perfect for me.
71 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
53 . Free-Forming Adapt
The color of occlusal contacts
should be blue with “Show
contact areas” as the color
range. Please note if you have
“show interference contacts”
as your default color range
then you want to see no color.
72 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
54 . Denture Base Bottom
This is the step that
determines the fit of your
copy denture. This is where a
lot of mistakes are made in
design. Think about what you
are trying to do. You are
trying to replicate the fit of
the denture, therefore you do
not want exocad to alter the
model by adding wax and
spacer.
73 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
55 . Denture Base Bottom
Pick your path of insertion of
the denture by rotating the
model. Usually, for the
Maxilla, it is a facial 60-
degree angle. Then hit set
insertion direction from view.
74 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
56 . Denture Base Bottom
In general, put smoothing to
0mm unless to ensure
complete replication of the
patient anatomy.
75 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
57 . Connectors
Offset 0mm
Angel 30 Degrees
76 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
58 . Denture Base Bottom
The virtual waxup bottom
will look speckled like this.
That is what you want to see.
Tan stone interlaced with blue
is an indication that the two
models are coincident. You
can use the slice plan to
verify if needed. Once happy
hit Next. If you want to edit
the virtual waxup bottom you
can go to freeform and add or
remove wax to areas as
needed.
77 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
59 . Connectors
Connectors are useful to help
keep the teeth together
during printing or milling,
which make easy insertion as
one unit into the denture
base. Furthermore, the
connectors help decrease
shrinkage and warpage when
3D printing and curing.
78 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
60 . Connectors
To better see the connectors
turn off your gingival design
parts by selecting the EYE
icon on the model or holding
control on the keyboard and
clicking the mouse roller ball
button on the object you want
to hide.
79 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
61 . Connectors
Now, we can see the
connector as yellow blobs
between the teeth.
80 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
62 . Connectors
You can alter the shapes and
size and hit “apply” cross
section / shape change” to
apply the changes. I tend to
like the teardrop shape.
81 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
63 . Connectors
Each connector is able to be
moved by left-clicking it and
dragging. You want to make
sure that you do not have
black triangles coronal to the
connector.
82 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
64 . Connectors
Here, we can see a black
triangle coronal to the
connector. You want to click
and drag it down towards the
occlusal surface.
83 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
65 . Free-Forming Denture Base
Usually, minimal tissue
sculpting is needed. I
typically go to “Free”, then
“Smooth/ Flatten”.
84 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
66 . Free-Forming Denture Base
Smooth the denture base. If
needed you can festoon. Look
for a festooning handout to
better explain how to festoon
a denture. Once happy with
the tissue hit “Next”.
85 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
67 . Adapt Denture Base to Teeth
Under teeth minimum,
thickness is 1mm.
86 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
68 . Adapt Denture Base to Teeth
The tooth pocket gap should
be set to 200 micrometers to
ensure passive fit. If milling
make sure to scroll down and
hit anticipate milling. Once
happy hit “next”.
87 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
69 . Posterior Palatal Seal
Too add the posterior palatal
seal in the merge and save
section you should see a
freeform restoration icon.
88 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
70 . Posterior Palatal Seal
Once you select Free-form
restorations you have to then
hit next to enter the freeform
merged part module.
89 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
71 . Posterior Palatal Seal
It may ask you if you want to
free-form the merged gingiva
or the merged teeth. Make
sure to select gingiva.
90 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
72 . Posterior Palatal Seal
Unselect the check box for
the color scale and unselect
keep bottom and boundary
fixed.
91 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
73 . Posterior Palatal Seal
Hit the “Free” button to enter
the Add/Remove tool.
92 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
74 . Posterior Palatal Seal
To be able to see how much
pressure we are adding in the
posterior seal area we need
to alter the visualize distance
scale. Hit the small chevron
to show more options.
93 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
75 . Posterior Palatal Seal
Switch from show contact
areas to distance to scan
data.
94 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
76 . Posterior Palatal Seal
Select “Nearest Point
Distance”.
95 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
77 . Posterior Palatal Seal
Change the distance scal
value where the minimum is
0.01mm and the maximum is
1.5mm.
96 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
78 . Posterior Palatal Seal
Change the size of the add
tool to make it a little smaller.
97 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
79 . Posterior Palatal Seal
Add to the seal area to the
pressure you desire and the
shape that you desire. I like
1.5mm pressure (blue) to be
the maximum amount.
98 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
80 . Posterior Palatal Seal
Once you are satisfied, hit
“next” and it will take you back
to the merge and save screen.
The design is now complete.
The files will be stored in the
project folder or can be
exported from here. The proper
tooth file is called the merged
part. The proper denture base
file is called denture base
adapted. To export them, turn
one on and everything else off.
then right-click the screen and
hit save scene as-STL - visible
objects only-default orientation.
99 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
REMOVABLES
101 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
2 . Select Client
Select the client.
102 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
3 . Typically “Default Client” is Used
The client in exocad is tied to
all the settings in exocad.
Changing clients will change
the settings. Any settings that
are changed are remembered
and tied to the client.
103 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
4 . Put the Patient Name
Add the patient name here.
104 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
5 . Select a Tooth in the Working Arch
Select a Tooth in the Working
Arch
105 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
6 . Select Partial Denture
Although we are doing a
complete denture we are
going to select partial
denture. Then we will select
flexible denture under type.
106 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
7 . Select Pre-Op Model
You want to make sure to
select pre-op model for this
technique because this will be
essential when designing the
case. Essentially by selecting
this you will be able to load
the scanned denture twice.
Once as the upper jaw and
again as the pre-op.
107 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
8 . Select Remaining Teeth
While holding shift on your
keyboard select the most
distal tooth on the
contralateral side of the arch.
This will copy the
prescription across the arch.
108 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
9 . Select Connectors
Make sure to selct the
connectors for each tooth
because this is a split file
design.
109 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
10 . Select Connectors
I prefer to have the entire
arch connected for easy
bonding of the teeth to the
denture base. However some
people like to do this in
sextants. If so then you will
have 3 sections to bond to
the base. If that is the case
just make sure to leave the
connector bubble blank distal
to the cuspids.
110 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
11 . Select Any Tooth on the Lower
Select any tooth on the
opposing arch and then select
antagonist. If doing a dual
arch case then you will copy
the prescriptions from the
upper onto the lower rather
than selecting an antagonist.
111 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
12 . Save
You must save your finalized
prescription before designing.
112 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
13 . Design
Now, you can select design.
113 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
14 . Load Your Files
Load the 360 degree denture
scan twice. Once as the
upper jaw and again as the
Pre-Op. Then, load the
antagonist.
114 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
15 . Turn Off Color
Once the files are loaded,
turn off the color by selecting
the color button. This will
make differentiating the
preop scan and the upper jaw
scan easier. The upper jaw
will be yellow stone and the
prep will be teal.
115 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
16 . Enter Expert Mode
Expert mode will allow us to
do the virtual pour technique.
116 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
17 . Select Upper Scan
Turn off the pre-op model
and make sure only the upper
scan is visible. Then right-
click the denture and hit “edit
mesh”.
117 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
18 . Data Editor
In 3D Data editor make sure
to select the second bubble:
“Select Only Surface”. This is
the setting we need to pour
this denture up.
118 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
19 . Draw Circle
Draw a circle around the
entire denture from the
occlusal view like shown.
119 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
20 . Select Surface
The occlusal view will now
appear orange.
120 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
21 . Rotate to the Sides
Rotate the denture ever so
slightly to the side and repeat
the process. Draw a large
circle around the denture and
select the visible surface by
closing the circle. This needs
to be repeated looking at
various surfaces but never
being able to see the fitting
surface of the denture.
121 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
22 . Check Intaglio
Make sure you do not have
any orange on the fitting
surface of the denture. It is
ok to have some on the very
aped of the border as long as
it is facial to the apex of the
border. If you have orange on
the intaglio surface make sure
you had the second option
selected “select only
surface”. You can remove
orange by holding shift on
your keyboard down while
circling an area.
122 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
23 . Delete Cameo Surface
Once the majority of the
outer surface is selected
orange and none of the fitting
surface is orange, hit the
“delete” button to remove te
cameo surface.
123 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
24 . Delete Floaters
You will notice floaters and
little specs of material left
over from the cameo surface.
We need to remove these as
well. The next step shows you
how.
124 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
25 . Click Surface
Now, go to the third option,
“select by click on surface”.
125 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
26 . Click the Palate
Click the palate and you will
notice the entire denture is
highlighted orange, but not
the little floaters.
126 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
27 . Invert
Now, click invert and the
floaters will all be selected
orange, and not the actual
denture.
127 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
28 . Delete Floaters
Now, you have to delete
floaters.
128 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
29 . Invert Triangles
This part is confusing. You
now have to right click the
denture and hit “Show
Triangle Orientation” and
you will see the ridge is red
like shown here. That is
actually inside-out. We need
to flip the triangles and invert
the normals. To do this right
click again and hit “invert
triangles.”
129 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
30 . Hit “OK”
(Please note that all these
steps could be avoided by
using the copy denture
feature to virtually pour up
the denture and then export
those files into this style of
prescription for a renewed
copy denture.)
130 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
31 . Back to the Wizard
Click on the magic wand
button to go back into the
wizard.
131 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
32 . Orientate Model
Orientate the model so that
you are looking down the
edentulous ridges from an
occlusal view.
132 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
33 . Correct Pre-Op Scan
The software is asking if your
pre-op denture is in the
proper position in relation to
the lower arch and the newly
poured up scan that you just
completed. It should be
perfect so no need to do
anything here. Just hit
“Next”.
133 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
34 . Virtual Waxup Bottom
This is the most important
step for determining denture
fit. Make sure to rotate to the
ideal path of insertion.
Usually a facial 45 degree
insertion for maxillary arch.
Then hit “set insertion
direction from view.”
134 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
35 . Change Bottom Properties
It is important to replicate the
denture bottom and not have
exocad smooth things and
add wax which will
dramatically loosen the fit.
135 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
36 . Bottom Properties
0 mm offset and 0%
smoothing. Think about this.
Why would you go through all
the trouble to reline a denture
and have great suction only to
have exocad add spacer and
smooth everything?
136 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
37 . Block Out Undercuts
Change the block out
undercuts settings to allow
undercuts all the way to
.05mm and select the block
out angle to -30 degrees.
Essentially you do not want
blockout anywhere on the
virtual blackout model unless
it is extreme.
137 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
38 . Apply Settings
Hit apply and look at the
model. You should see this
mottled leopard pattern
where you have stone and
blue material interlaced
together. This is indicating
that the new virtual wax-up
bottom is identical to the
original poured denture
model. Please note that you
can hit freeform and add or
remove wax if needed. Once
happy hit “Next”.
138 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
39 . Set Teeth
This is the stage where you
can go to expert mode and hit
tools-smile creator and Start
setting teeth using smile
creator if you have a photo
both retracted and smile with
the old denture in place. Look
for the handout titled
“Denture design with Smile
Creator” for a step by step.
Here however I am doing a
denture setup without any
photos. Click gingival
position of tooth 3 as shown.
139 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
40 . Set Teeth
Turn your preop denture to
50 % transparent by sliding
the bar next to the eye icon
on the top left object browser
next to Pre-op. Then left click
the tissue of the poured
model under the distal most
tooth of the pre-op denture.
140 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
41 . Select Second Dot
Before clicking a second dot,
change to Gingival position of
tooth 14 as shown.
141 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
42 . Select Contralateral Dot
Now click the crest of the
ridge of the poured model
looking through the pre-op
model where tooth 14 was
positioned. Please note I am
designing a first molar
denture, if you have second
molars then you always select
distal most tooth.
142 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
43 . Hit Next
Hit “Next”. The arch will look
bad as it always does.
143 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
44 . Tooth Placement: Simple
This can be overwhelming
because the arch always
looks terrible at this stage. I
like to click on the button
“SIMPLE” then hit the last
check box “Move all
simultaneously” then click
the arch of teeth and drag
them. Use control to rotate
them and then move them
close to the original position
of the pre-op denture.
144 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
45 . Tooth Placement: Simple
It can be difficult when first
learning to manipulate the
entire arch. Take your time.
Click to drag, control and left
click to rotate, shift and left
click to scale the arch. I focus
mostly on the two central
incisors and getting them in
alignment with the pre-op
denture.
145 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
46 . Tooth Placement: Simple
Make sure to rotate the scene
and look from multiple
different views. Here you can
see I am getting my new
denture teeth incisal edges
very close to the old denture
incisal edges.
146 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
47 . Chain Mode
Once the teeth are close you
are are now ready for Chain
Mode. Click “Chain” icon.
Now you will see red and
green balls. Make all the balls
green make sure to look at
the distal most teeth as these
will need to be turned from
red to green. Red means
locked. Green means free.
147 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
48 . Chain Mode
Then lock the two front teeth
by clicking green to red on
the two central incisors.
148 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
49 . Lock the Laterals
Lock the lateral incisors.
149 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
50 . Move the Quadrant by Distal Tooth
Now notice the front 4 teeth
are red balls and the rest of
the teeth are all green balls.
Now position the quadrant by
clicking the distal most tooth
and moving and dragging it to
be coincident with the pre-op
denture.
150 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
51 . Fine-Tune in Simple
Now you can fine tune
individual teeth by clicking
simple. Make sure to
UNCLICK the move all
simultaneously button. Now
individual teeth can be
positioned. To move a tooth
just left click a tooth. To scale
hold shift and drag while
holding left click and to
rotate hold control and left
click.
151 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
52 . Preliminary Occlusion
Under the “Advanced” tab we
have very powerful tools.
152 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
53 . Instant Anatomic Morphing
Now, select the eye icon
under the advanced tab.
153 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
54 . Select the Morph Icon
Select the tooth arrow icon in
the center.
154 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
55 . Blue is Good
Assuming you have “contact
areas” selected in your
occlusion heat map settings
and not “interference
contacts” you will have nice
blue contacts. You can also
further move and stretch and
rotate individual teeth but
now it will automatically
equilibrate the teeth as you
move them.
155 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
56 . Next
Once you are happy with the
overall tool position and
occlusion, hit next.
156 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
57 . Cut All Intersections
In this tab we should not have to
spend a lot of time because most
of the design is done in the
previous tab. Too many new users
spend way too much time in “Free
From” and they make things look
very bad. All we really need to do
is hit “Cut all Intersections” This
will cut the pontics to make sure
they do not penetrate the tissue,
it will cut any static occlusion
interferences. It will fine tune
proximal contacts. NOTE- if you
want dynamic occlusion look for
the handout on mounting in the
articulator.
157 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
58 . Next
Hit “Next”.
158 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
59 . Skip This
At first glance this might
seem intriguing. It is asking if
you want to adapt your new
design to the old denture.
This is not the workflow for
doing this. You would have
used the copy denture
workflow if you wanted
maintain the original denture
tooth setup. So hit next to
skip this step.
159 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
60 . Surface Properties
This is the step where we
draw our denture base
margin. Set the base
thickness to 2-2.5mm
depending on the resin you
are printing with. High impact
resin can be 2mm thick.
Other resins need to be 2.5
or sometimes even 3mm
thick. Look and manufacture
recommended thicknesses of
the resin you are 3D printing
with.
160 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
61 . Draw Border
I start in the Hamular notch
area and left click. It is
important when you are
marking your border to stay
away from the edge of the
model because it will cause
failure to adapt base errors
later on. If you keep having
this issue you can run the
model through model creator
before designing and use the
solid model next time you
design.
161 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
62 . Continue Marking the Border
Continue to mark the border.
162 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
63 . Finalize
Double click on the first ball
that you placed to finalize the
border. Please note that each
green ball is editable and
moveable. Also note that
even after the tissue is
created you can still move the
lasso line by clicking a green
ball and dragging it then
hitting apply to regenerate
the tissue. Once happy hit
NEXT.
163 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
64 . Festoon the Denture
It is too complicated to teach
festooning in a handout. It is
best to watch the videos and
follow along for this.
164 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
65 . Connectors
Default settings for connector
is fine. People get all worked
up over connector settings for
no reason. It’s a denture not a
fixed bridge. We only need the
connectors to hold the arch
together for bonding of the the
teeth. Each yellow blob is a
connector. They can be clicked
and moved. Make sure you do
not have a black triangle under
the connector as shown here.
Make sure you do not have any
red connectors. If you do move
it until it turns yellow.
165 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
66 . Fine-Tune Connectors
Here I moved the connector
corona to eliminate the black
triangle space which may
cause a failure of the pocket
to adapt later on.
166 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
67 . Hide Anterior Connectors
To hide anterior connectors
drag them a little palatal.
167 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
68 . Next
Once happy with the
connectors, hit “Next”.
168 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
69 . Adapt Pockets
Change minimum thickness
under pocket to 1mm.
169 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
70 . Gap Settings
Change pocket gap to 0.2mm.
If milling, make sure to scroll
down and select anticipate
milling and select the tool
size.
170 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
71 . Finalize Denture
Hit next to create final
denture parts. The final parts
are the “Merged Part” and the
“Denture base adapted”.
171 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
72 . Final Parts
The denture base adapted is
the final tissue part needed to
mill or print.
172 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
73 . Final Parts
The “merged parts” is your
final teeth that you need to
mill or print.
173 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
74 . Palatal Seal
If a palatial seal is desired
you need to add it to the final
adapted base. Click Free-
form restorations and then hit
“next”.
174 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
75 . Unselect Options
Unselect “Keep Bottom and
Boundary Fixed” and
unselect the color bar.
175 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
76 . Show Distances
Go up to the top of the screen
to the show distance color
bar. Hit the tiny chevron icon
as shown.
176 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
77 . Distances to Scan Data
Switch the Show contact
areas to Distance to Scan
data.
177 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
78 . Change Color
Change color scale to .01 on
the minimum and 1.5mm on
maximum.
178 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
79 . Free
Click “Free and then add to
your border”.
179 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
80 . Add Your Pressure
Many different philosophies
exist on what size, depth and
shape of the seal needs to be.
It honestly deepens on the
patient and palatal
classification. In general I will
have blue spots (1.5mm) in
areas and then fade it to
green and yellow to red which
is 200 microns of pressure.
This is an exacting way to see
exactly how much pressure is
put on the tissue. .
180 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
81 . Hit “Next”
Once happy with the seal, hit
“next”.
181 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
82 . You are Done!
You are now done with your
denture design. The CAD files
are stored in the project
folder already. You can also
export the files here. If you
do so turn only one file on at
a time. Right click the black
area of the screen-save
screen as-STL-Visible objects
only-default orientation.
182 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
REMOVABLES
184 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
2 . Enter Expert Mode
I have some housekeeping
to do before I can get
started with the design. I
have to align my meshes.
My favorite thing to do in
exocad.
185 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
3 . Tools
Click the “Tools” button.
186 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
4 . Align Meshes
Click the “Align Meshes”
button.
187 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
5 . Click “Manually”
Click the “Manually” tab.
188 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
6 . Drag the Model
Click and drag the
misaligned model. Avoid
touching any models that
are already aligned. In this
case, I need to click my
maxillary IOS scan and
move it. To rotate the
entire scene right-click.
189 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
7 . Drag the Model
Drag the model.
190 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
8 . Drag the Model
Drag the model.
191 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
9 . Rotate
Now I need to route the IOS
scan to be in the same
position as the aligned scans.
Hold ctrl and right-click the
scan to rotate.
192 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
10 . Rotate
Now, I need to route the IOS
scan to be in the same
position as the aligned scans.
Hold ctrl and right-click the
scan to rotate.
193 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
11 . Rotate
Now I need to route the IOS
scan to be in the same
position as the aligned scans.
Hold ctrl and right-click the
scan to rotate.
194 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
12 . Rotate
You want to view the maxilla
from the top. It will look like
the IOS is inside out.
195 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
13 . Click “Automatically”
Click “Automatically”.
196 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
14 . Find Common Points
Always start on the mesh you
want to be moved. I want my
IOS scan to be moved to try a
denture scan, which is
already aligned to the bite
and lower.
197 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
15 . Find Common Points
Find the identical spot on the
denture scan and click.
198 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
16 . Repeat
Repeat always starting in the
IOS scan of the edentulous
arch and moving to the
denture scan. 5 points is
ideal.
199 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
17 . Matching: Exclude Selected Parts
Click “Matching: Exclude
Selected Parts”.
200 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
18 . Brush Size
Click “brush size”.
201 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
19 . Paint the Areas that are in Common
Paint the areas that are in
common.
202 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
20 . Click “Invert”
Click “Invert”.
203 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
21 . Check
The software will only use
what you painted and
inverted to calculate the
match.
204 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
22 . Click “Perform Alignment”
Click “perform alignment”.
205 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
23 . Best Fit Matching
Click “Best Fit Matching”.
206 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
24 . Matching Exclude Parts: Unselect
Uncheck the “Matching:
Exclude Parts” box.
207 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
25 . Show Distance
Select the “show distance”
box.
208 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
26 . Evaluate Accuracy
You want to see a mottled
look to the colors spread
through the arch.
209 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
27 . Click “OK”
Click “OK”.
210 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
28 . Check the Scans
Now the IOS of the
edentulous arch is perfectly
aligned to the old denture
which was aligned to the bite
and lower from the IOS
scanner.
211 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
29 . Click “Wizard”
Click “Wizard”.
212 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
30 . Orientation
Set your model orientation.
213 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
31 . Pane
Click “pane”.
214 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
32 . Rotate
Rotate to be looking straight
down the arches from the
occlusal view and hit “next”.
215 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
33 . Click “Next”
We skip this and hit “next”.
216 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
34 . Set Insertion
Rotate to the path ion
insertion of the denture and
hit set from view.
217 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
35 . Click “Bottom Properties”
Click “Bottom Properties”.
218 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
36 . Click “0”
Offset and smoothing need to
be 0 for IOS scan.
219 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
37 . Change Smoothing
Change the smoothing
percentage.
220 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
38 . Click “Block Out Undercuts”
The fit of a digital denture is
determined a lot by these
virtual waxup bottom
settings. The software's
default settings add way too
much smoothing, spacer, and
block out wax. We need to
edit this.
221 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
39 . Click “Bottom Properties”
Click “Bottom Properties”
dropdown.
222 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
40 . Click “Bottom Properties”
Click “Bottom Properties”.
223 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
41 . Click “Custom”
Click “Custom”.
224 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
42 . Click “-30 Angle”
Click “-30 Angle”.
225 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
43 . Click “Allow 0.5mm”
Click “Allow 0.5mm”.
226 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
44 . Allow 0.5mm
I rather have too much
retention to my denture than
no retention.
227 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
45 . Click “Apply”
Click “Apply”.
228 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
46 . Check Virtual Waxup Bottom
Exocad makes a new blue
model. This is the model the
denture fits to.
229 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
47 . Click “Next”
Click “Next”.
230 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
48 . Click “Expert”
Click “Expert” mode.
231 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
49 . Click Tools
Click Tools.
232 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
50 . Click “Smile Creator”
Click “Smile Creator”.
233 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
51 . Click “Load Retracted”
Click “Load Retracted”.
234 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
52 . Find Retracted Photo
Find retraced photo.
235 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
53 . Rotate Model
Rotate the IOS so it is about
the same angle as the denture
in the photo. Do not left-click
because you may drop
marker dots in the wrong
spot. If you do drag them to
the proper spots as shown
next.
236 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
54 . Click “Left Cupid”
Click CEJ of the patient’s left
cuspid.
237 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
55 . Find a Spot
Click the same exact spot on
the IOS scan of the denture.
Note that you can drag and
move the balls after placing
them.
238 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
56 . Click Right Cuspid
This time, pick the cusp tip.
239 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
57 . Click Right Cuspid
Click the right cuspid.
240 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
58 . Click “Next”
Click the “next” button.
241 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
59 . Right-Click to Rotate
First, rotate the model by
right-clicking the midline and
dragging.
242 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
60 . Rotate
Rotate now.
243 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
61 . Refine Dots
Click the center of a dot and
drag it to refine.
244 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
62 . Refine Dots
Refine the dots.
245 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
63 . Repeat
Repeat.
246 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
64 . Repeat
Continue to repeat.
247 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
65 . Repeat
Continue to repeat.
248 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
66 . Change View
You can change the way the
IOS looks. This may help.
Right-click the model.
249 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
67 . Click “Outline”
Select the “outline” button.
250 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
68 . Toggle on and Off Outline
Toggle on and Off Outline.
251 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
69 . Toggle on and Off Outline to See
Toggle on and Off Outline to
See.
252 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
70 . Click “Next”
Click “Next”.
253 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
71 . Click “Load Smile Photo”
Click “load smile photo”.
254 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
72 . Find Smile Photo
Find your smile photo.
255 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
73 . Auto Alignment
The smile and retracted
photo will be automatically
aligned. If they are not it is
because you made bad
photos. The head can’t move
and the camera can’t move
between the shots.
256 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
74 . Clear Teeth
The teeth should look clear
and crisp no ghosting.
257 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
75 . Bad Example
This is an example of a bad
alignment. Retake photos or
try to align them by dragging
the dots.
258 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
76 . Drag Dots if Needed
Drag the dots if it is needed.
259 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
77 . Drag Dots if Needed
Drag the dots if needed.
260 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
78 . Next
Hit the “Next” button.
261 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
79 . Outline Lips
Outline the lips.
262 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
80 . Follow the Lip Line
Follow the lip line.
263 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
81 . Click “Next”
Click “Next”.
264 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
82 . Refine Pupil Spot
Refine the pupil spot.
265 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
83 . Next
Click “Next”.
266 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
84 . Position Facial Midline
Position the facial midline.
267 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
85 . Position Proportion Gauge
Position the proportion
gauge.
268 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
86 . Move the Incisal Edge Position
Move the incisal edge
position.
269 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
87 . Click “Next”
Click “Next”.
270 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
88 . Next
Keep clicking “next” to finish
the smile design.
271 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
89 . Wizard
Click “wizard”.
272 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
90 . Chain
Click the “Chain” tab.
273 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
91 . Lock 8 and 9
Lock number 8 and 9.
274 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
92 . Lock 8 and 9
Lock number 8 and 9.
275 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
93 . Lock Laterals
Lock the laterals too.
276 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
94 . Lock Laterals
Lock the laterals too.
277 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
95 . Unlock Posterior Teeth
Unlock the posterior teeth.
278 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
96 . Unlock Posterior Teeth
Unlock the posterior teeth.
279 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
97 . Position Teeth
Position the teeth.
280 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
98 . Position Teeth
Position the teeth.
281 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
99 . Position Teeth
Position the teeth.
282 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
100 . Position Teeth
Position the teeth.
283 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
101 . Click “Advanced”
Click “Advanced”.
284 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
102 . Click “Apply to All”
Click instant anatomy
morphing and then apply to
all.
285 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
103 . Smile Window and Refine
Click “Smile Window and
Refine”.
286 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
104 . Show Helpers
Click “Show Helpers”.
287 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
105 . Refine Tooth Set Up
288 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
106 . Check Other Tutorials
Check other tutorials in this
manual to finish the design
and make the tissue base.
289 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
107 . Done!
Your design is complete.
290 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
REMOVABLES
292 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
2 . Click “Expert Mode”
Click “Expert Mode”.
293 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
3 . Tools
Click “Tools”.
294 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
4 . Click “Add/Remove Mesh”
Under tools, if you are in
expert mode a window will
pop up. Hit “Add Remove
Mesh”
295 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
5 . Face Scan
Under mesh type find face
scan.
296 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
6 . Load
Click the “Load” button.
297 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
7 . Find Your Retracted Scan
Find your retracted scan.
298 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
8 . No
Click “No”
299 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
9 . Orientate
This can be tricky. You have
to position the face scan and
move it to the same
orientation as the jaw scan.
300 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
10 . Rotate Entire Scene
Right-click and drag the
mouse to rotate the entire
scene so the models are
facing you as shown. Please
note the face scan will be at
some random position. Ignore
it.
301 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
11 . Move the Face
Left-click the face and drag
it. Hold control and left-click
to rotate it.
302 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
12 . Move the Face
You want the face scan
looking the same direction as
the models in the scene.
303 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
13 . Position the Face
Check from multiple angles to
ensure the face is in the same
plane.
304 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
14 . Position the Face
Position the face.
305 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
15 . Proper Alignment
Be sure to get proper
alignment.
306 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
16 . Click “Align Meshes”
Not that the face scan is in
the proper position for
alignment we can click align
meshes.
307 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
17 . Find Common Points
Obviously you need
something to match the face
scan to the IOS scans. Here I
scanned the old denture. It
could also be a record base
or the MOD stray or an old
relined denture. Pick your
FIRST point on the face scan.
Usually, I pick the patient’s
left side cuspid.
308 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
18 . Pick Common Points
Your second point should be
the same exact spot on the
IOS scan.
309 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
19 . Keep Finding Points
Your second point is on the
face. Usually the lateral
incisor.
310 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
20 . Find Common Points
Find the same exact spot on
the IOS.
311 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
21 . Repeat
Repeat with a dozen or more
spots. Notice the arrows are
pointed to the IOS.
312 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
22 . Matching: Exclude Selected Parts
Click “Matching: Exclude
Selected Parts”.
313 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
23 . Brush Size
Click “Brush Size”.
314 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
24 . Pain Common Areas
Pain the common areas.
315 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
25 . Pain Common Areas
Paint common areas on the
face and IOS. Usually, the
teeth on both are painted.
316 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
26 . Click “Invert Markings”
Click “Invert Markings”.
317 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
27 . Click “Perform Alignment”
Click “Perform Alignment”.
318 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
28 . Click “Best Fit Matching”
Click “Best Fit Matching”.
319 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
29 . Close the Brush Tool
Close the brush tool.
320 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
30 . Click “OK”
Click “OK”.
321 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
31 . Load Additional Face Scan
Load additional face scan.
322 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
32 . Find Smile Scan
Find the smile scan.
323 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
33 . No
Click “No”.
324 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
34 . Move the Smile
Do not click or move the
already merged face scan or
any models. Just move the
new smile face scan.
325 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
35 . Rotate
Rotate the new scan by
holding control and left-
clicking it.
326 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
36 . Ideal Placement
Now that they are properly
positioned you can click align
meshes.
327 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
37 . Find Common Face Points
Click first on the smile face
scan. Usually, some spots on
the forehead and corners of
the eyes are good starring
points. Any common areas
that did not move between
the scans.
328 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
38 . Click Common Points
The corner of the eye is a
good spot. Always click first
on the smile face scan and
second on the already merged
to the IOS retracted face
scan.
329 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
39 . Click Common Points
Click the common points.
330 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
40 . Repeat
Notice that the arrows are
pointing to the retracted face
scan, indicating the newly
imported smile face scan is
going to be moved to the
retracted face scan.
331 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
41 . Repeat
5 or more spots is the ideal
amount.
332 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
42 . Repeat
Continue to repeat.
333 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
43 . Matching: Exclude Selected Parts
Click “Matching: Exclude
Selected Parts”.
334 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
44 . Click “Brush Size”
Click the “Brush Size” button.
335 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
45 . Paint the Common Areas
Paint the common areas on
both face scans that have not
dramatically moved between
smile and retracted.
336 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
46 . Click “Invert Markings”
Click the “invert markings”
button.
337 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
47 . Click “Perform Alignment”
Click “perform alignment”.
338 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
48 . Click “Best Fit Matching”
Click the “best fit matching”
button.
339 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
49 . Matching: Exclude Selected Parts
Click “Matching: Exclude
Selected Parts”.
340 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
50 . Show Distance
Click “show distance”.
341 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
51 . Evaluate Match
Evaluate the match.
342 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
52 . Click “OK”
Click the “OK” button.
343 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
53 . Right-Click Face
Right-click the face.
344 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
54 . Click “Edit Face Scan”
Edit the face scan.
345 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
55 . Hide Retracted Face
Hide the retracted face.
346 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
56 . Hide Retracted Face
Hide the retracted face.
347 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
57 . Circle Face Scan Smile
Draw a line around the inner
lips to circle the teeth from
the face scan. Get close to
completing the circle but do
not completely close the
circle.
348 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
58 . Delete
Click “delete”
349 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
59 . OK
Click “OK”.
350 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
60 . All Done
Now you should be able to
see the preop teeth and any
teeth you design through the
smile face scan as designing.
351 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
61 . Back to Wizard
Back to Wizard.
352 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
62 . Set Orientation
Rotate the model to the ideal
path of insertion of the
denture and hit next.
353 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
63 . Rotate
Rotate the model.
354 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
64 . Next
Click “Next”.
355 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
65 . Next
Ignore this step.
356 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
66 . Skip Smile Creator
You can use smile creator but
I usually skip it. One trick is
to make two screen captures
with the retracted and smile
face scan to use in the smile
creator module. At this time I
do not like using face scan in
smile creator.
357 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
67 . Design Tissue
Click “Design Virtual
Gingiva”.
358 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
68 . Rotate and Set from View
Set the dial path of insertion
of the denture. Understand
that the fit is determined by
this rotation so it is
important.
359 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
69 . Click “Set from View”
Click “Set from View”.
360 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
70 . Click “Apply”
Click “Apply”.
361 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
71 . Bottom Properties
Click “Bottom Properties”.
362 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
72 . Adjust Fit
For physical impressions or
washed dentures, I often
make offset to 0 and make
smoothing 0.
363 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
73 . Change Settings
Change the settings.
364 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
74 . Block Out Undercuts
Click “Block out undercuts”.
365 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
75 . -30 For Angle
Click “-30 for angle”.
366 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
76 . Allow Undercuts 0.5mm
Click “Allow undercuts
0.5mm”.
367 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
77 . Click “Next”
Click “Next”.
368 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
78 . Set Teeth Following Wizard
Se the teeth following wizard.
369 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
79 . Click “Molar Positions”
I like to use the preoperative
denture as a reference, even
if moving teeth after.
370 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
80 . Place Teeth
It is common for the anteriors
to be at a bad angle as
shown. This will be corrected
next.
371 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
81 . Click “Simple”
Click the simple tab.
372 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
82 . Click “Move All”
Click “Move All”.
373 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
83 . Move and Rotate the Entire Arch
This can be tricky. Use
control to rotate, shift to
scale, and click to translate.
374 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
84 . Move and Rotate the Entire Arch
Focus on the incisal edge of 8
and 9.
375 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
85 . Chain Mode
Once the arch is close
especially focused on 8 and 9
click chain mode. I like to
lock 8 and 9 by clicking the
green balls to red. Then
unlock the posteriors and
move them in place. This may
take some time and practice.
376 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
86 . Click “Advanced”
Once complete with chain
mode click advanced.
377 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
87 . Click “Apply All”
Notice the teeth with the
arrow are selected orange,
then hit the text box apply all
to equilibrate the teeth,
378 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
88 . Move Individual Teeth
Move the individual teeth.
379 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
89 . Move Individual Teeth
Move the individual teeth.
380 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
90 . Turn on the Face Scan Smile
Turn on the face scan smile.
381 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
91 . Click “Simple”
Click “Simple”.
382 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
92 . Click “Move All Simultaneously”
Click “Move All
Simultaneously”.
383 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
93 . Move the Arch of Teeth
Now with the face in view,
move the entire arch of teeth.
384 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
94 . Move the Arch of Teeth
Now with the face in view,
move the entire arch of teeth.
385 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
95 . Move the Arch of Teeth
Now with the face in view,
move the entire arch of teeth.
386 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
96 . Move the Arch of Teeth
Now with the face in view,
move the entire arch of teeth.
387 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
97 . Move the Arch of Teeth
Now with the face in view,
move the entire arch of teeth.
388 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
98 . Move the Arch of Teeth
Now with the face in view,
move the entire arch of teeth.
389 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
99. Compare Against Preop Denture
In this case, the midline was
extremely off on the old
denture as seen here so we
moved it dramatically with
the new tooth setup.
390 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
100 . Finalize Esthetics
Proceed on with denture
design as outlined in the
other sections of this manual.
391 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
REMOVABLES
393 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
2 . Choose Client
Choose client.
394 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
3 . Add Patient Name
Add in the patient name.
395 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
4 . Click Distal Most Tooth
Click the distal most tooth in
the arch.
396 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
5 . Click “Partial Denture”
Select Parital Denture.
397 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
6 . Click "Flexible denture"
Click "Flexible denture”.
398 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
7 . Click Preop
For the MOD denture record
system you can select preop
to bring in the record bite
scan as a preop scan. This
will aid in face alignment if
you have a photograph.
399 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
8 . Click “OK”
Click “OK”
400 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
9 . Hold Shift and Click Contralateral
By holding shift on the
keyboard and selecting the
opposite side distal most
tooth you will copy the
prescription to all teeth in the
arch
401 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
10 . Click Connectors
If doing a dual arch case you
can copy the prescription
over to the lower arch
however you do not need to
have a preop model in the
prescription for the lower.
402 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
11 . All Teeth Should Have Connectors
Begin to click the conenctors
so that all of the teeth have
them.
403 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
12 . Copy to Lower Arch
If doing a dual arch case you
can copy the prescription
over to the lower arch
however you do not need to
have a preop model in the
prescription for the lower.
404 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
13 . Save
After you have selected all of
the conenctors on the lower.
Hit Save.
405 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
14 . Design
Click the design tab.
406 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
15 . Load the IOS Soft Tissue Scan
Load the IOS tissue scan of
the jaw that it prompts you to
load first. Typically the
maxillary.
407 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
16 . Load the Preop
Load the MOD tray scan as
the preop Scan. Then load
the antagonist next.
408 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
17 . Align Files
Depending on the scanner
you may not have your IOS
scans aligned to your tray
scan. And even if you did you
may not trust the alignment.
409 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
18 . Enter Expert Mode and Select Tools
Once you enter Expert Mode,
select “tools”.
410 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
19 . Click “Manually”
Select the Manually tab.
411 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
20 . Manually Move the Upper Scan
Move the upper jaw scan and
rotate it so you are looking
down at the scan from the
top. The scan will appear
inside out. Also rotate the
tray scan to the same position
and make them side by side
as shown. This can be tricky.
Control and left click the
object to rotate only it. Left
Click to drag. Right click to
rotate the entire scene.
412 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
21 . Click “Automatic”
Now click automatically and
select common points
between the two models.
Start on the IOS scan and left
click a distinct spot.
413 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
22 . Click “Point on Tray"
Click the same exact spot on
the tray scan that you
originally selected on the
IOS maxillary scan.
414 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
23 . Find More Common Points
Find 4 to 8 common points.
Preferentially spread out.
Always select first the IOS
maxilla then the tray scan.
Notice the arrows show the
IOS maxillary is going to be
moved to the tray.
415 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
24 . Click “Matching: Exclude Selected”
Check the check box for
matching exclude selected
parts.
416 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
25 . Click the “Brush Size” and Make Large
Click the “Brush Size” and
Make Large.
417 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
26 . Paint Only the Attached Tissues
Paint the attached tissues of
the IOS maxillary scan as
shown in blue. Paint the very
same area on the tray scan as
well.
418 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
27 . Click Invert Markings
Click invert markings will
reverse the selection so the
software will only consider
the surface you painted in the
calculation for the alignment.
All the areas dark blue will
not be considered. This way
the movable tissues do not
throw off the alignment.
419 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
28 . Click “Perform Alignment”
Click “Perform Alignment”.
420 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
29 . Click “Best Fit Matching”
Best fit match looks at
millions of datapoints and
finds the closest match
between the two separate
files and aligns them.
421 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
30 . Evaluate
The maxillary IOS will now be
moved to and aligned with the
tray scan as shown. To see
how accurate this alignment
is you have to uncheck
exclude selected parts then
check show distances.
422 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
31 . Uncheck “Exclude Selected Parts”
Uncheck “Exclude Selected
Parts”.
423 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
32 . Click “Show Distance”
Click “Show Distance”.
424 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
33 . Evaluate Heat Map
Look at the heat map. Any
color other than pink is good
and shows an acceptable
match. You ideally want to
see these colors on both
sides of the arch. Pink just
means greater than 200
microns of error but this does
not necessarily man those
areas are not accurate in the
IOS scan. Remember the
putty will compress the
tissues a lot so don’t expect
perfect matches everywhere.
425 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
34 . Click “OK”
We have to exit by hitting OK.
Even though the lower has
not been aligned.
426 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
35 . Back to Tools
Now we repeat everything for
the lower arch.
427 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
36 . Click “Align Meshes”
Click on the “Align Meshes”
button.
428 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
37 . Click “Manually”
If you need to move the lower
arch make sure you do NOT
move the tray or the upper
arch you just aligned
previously. Therefore do not
LEFT click anything that you
already aligned.
429 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
38 . Look Down from the Bottom
Rotate both so that you are
looking down from the
bottom mandibular arch. The
IOS scan of the mandible will
look inside out.
430 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
39 . Click “Automatically”
Find common points. Start
always on the IOS of the
mandibular arch and click.
Then click the same spot on
the tray.
431 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
40 . Find Common Spots
Find common points. Always
start on the IOS of the
mandibular arch and click.
Then, click the same spot on
the tray.
432 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
41 . Spread Out Spots
5 or more spots are ideal with
more being better. Spread
them out. Notice the direction
of the arrows. They should
point to the tray.
433 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
42 . Click “Matching: Exclude Selected”
Check the “Matching:
Exclude Selected” box.
434 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
43 . Click “Brush Size”
Increase the brush size.
435 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
44 . Paint the Attached Tissues
Paint the attached tissues and
any teeth surfaces scanned in
the IOS.
436 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
45 . Paint the Tray
Paint the same surfaces on
the tray.
437 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
46 . Click “Invert Markings”
Select the “Invert Markings”
button.
438 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
47 . Click “Perform Alignment”
Select the “Perform
Alignment” button.
439 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
48 . Click “Best Fit Matching”
Select the “Best Fit Matching”
button.
440 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
49 . Click “Matching: Exclude Selected”
Uncheck the check box now
under matching exclude
selected parts so we can see
the colors.
441 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
50 . Click “Show Distance”
Check the “Show Distnace”
box.
442 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
51 . Evaluate the Accuracy
Evaluate the accuracy of your
design.
443 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
52 . Click “Wizard”
We now will enter back into
Wizard Mode.
444 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
53 . Set Model Orientation
Rotate your model so that you
are looking straight down the
ridge.
445 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
54 . Skip Preparative Alignment
You aligned the models to the
tray, so you want to skip this
step and just hit “next”.
446 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
55 . Set Insertion
Rotate the model to look
perfectly done the ridge at
the path of insertion. Usually
facial 45 degrees for maxilla.
447 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
56 . Click “Set Insertion Direction from View”
Click the “Set Insertion
Direction from View” button.
448 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
57 . Click “Bottom Properties”
Click the “Bottom Properties”
button.
449 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
58 . Set the Offset and Smoothing to 0
Move the slider to set the
offset to 0.
450 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
59 . Click “Block Out Undercuts”
Click the “blockout
undercuts” button.
451 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
60 . Adjust Angle to -30
Move the slider to adjust the
angle to be -30.
452 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
61 . Allow Undercuts to 0.5mm
Move the slider to allow
undercuts to 0.5mm.
453 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
62 . Click “Apply” and “Next”
Click apply to look at the
virtual waxup bottom. It
should look speckled like a
leopard pattern indicating the
software did not add a bunch
of spacer, wax and
smoothing to the model. This
ensures the best fit for IOS.
454 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
63 . Repeat for the Lower Arch
Repeat the same steps for the
lower arch.
455 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
64 . Evaluate
Evaluate virtual waxup
bottom. Here I have a few
teeth and I am making a
lower partial denture so the
setting change. I leave them
default I will click
“FREEFORM” and remove
wax on the teeth manually.
456 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
65 . Freeform Wax
Click on the “Add/Remove”
tool.
457 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
66 . Remove Wax on Clasp Areas
Only melt waz from the teeth
at the clasp areas for a RPD.
458 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
67 . Repeat
Repeat this process for each
clasped tooth.
459 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
68 . Engage Undercuts
Remove blackout wax in
retromylohyoid fossa.
460 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
69 . Next
Click the “Next” button.
461 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
70 . Click “Expert Mode”
If you have photos go to
expert mode-tools-smile
creator to set teeth based on
the smile.
462 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
71 . Load a Retracted Image
Load a retracted image of the
patient with the tray in place
fully seated
463 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
72 . Rotate the Tray to Match
Right click to rotate the tray
on the left to match the angle
it appears in the photo. Do
not left click or you may
accidentally drop marker
points.
464 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
73 . Click a Distinct Point
Click a point on the tray near
the cuspid position on the
patient’s Left side.
465 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
74 . Dot Alignment
Find the same spot on the
IOS scan of the tray and click
to place a dot.
466 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
75 . Refine the Dots
The dots should be in the
exact same spot. You can
click the center of the dot
and drag it if needed. They
should also be the same
color.
467 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
76 . Click the Right Dot
Click a distinct dot on the
patient’s right side photo.
468 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
77 . Dot Alignment
Click the same exact dot on
on the IOS of the tray for the
right side.
469 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
78 . Click “Next”
Click the “Next” button and
proceed.
470 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
79 . Refine
Two movements to refine.
3) Repeat
471 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
80 . Refine
Continue to Refine
472 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
81 . Right-Click to Rotate
Right-click to rotate while
refining.
473 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
82 . Click “Load Smile Image”
Click “load smile image”.
474 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
83 . Click on Your Smile Image
Click “load smile image”.
475 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
84 . Auto Alignment
The software will
automatically align the two
photos. If the patient had
head movement or the
camera moved they will never
align.
476 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
85 . Draw Lips Line
Although the patient lip line
here is not accurate, just
draw the best you can and
then hit “next”.
477 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
86 . Refine Pupil
Refine the pupil selection
here.
478 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
87 . Refine Pupil
Refine the pupil selection
here.
479 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
88 . Click “Next”
Select the “Next” button.
480 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
89 . Next Steps
See the smile design tutorials
in the manual for how to use
the smile design.
481 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
90 . Continue with Wizard
Once you are done with the
smile design module, return
to the wizard to finish the
design following the other
tutorial in this manual. You
are done.
482 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
REMOVABLES
484 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
2 . Click Design
Click the “design” button.
485 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
3 . Load Scene
Find the Original Denture
Design.
486 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
4 . Click Design
Click your design.
487 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
5 . Click Here
We have to enter expert
mode and erase a few files.
488 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
6 . Delete Adapted Tissue
We need to delete a few files.
Click the denture and go to
the bottom of the screen and
find the trash can.
489 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
7 . Denture Base Adapted
We have to delete the
adapted denture base. This
will allow us to design a new
one.
490 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
8 . Click “OK”
Click “OK” here.
491 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
9 . Repeat
Click the trash icon again.
492 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
10 . Virtual Waxup Bottom
Select “Virtual Waxup
Bottom” here.
493 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
11 . Click “OK”
Click “OK” here.
494 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
12 . Tools
Select the tools button.
495 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
13 . Add/Remove Mesh
Add/Remove mesh.
496 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
14 . Extra Jaw Scan
Select “Extra Jaw Scan”.
497 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
15 . Load
Hit the load button.
498 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
16 . Find New Impression Scan
Find your new impression
scan.
499 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
17 . Click “No”
Find and load the new
impression. This can be a
scan of a relined denture, a
soft tissue scan like this, or a
scan of an impression. It will
NOT be aligned. This is ok.
500 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
18 . Click “OK”
Click the “OK” button.
501 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
19 . Wizard
Select wizard mode.
502 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
20 . Align New to Old
In wizard it will ask you to
align the new impression to
the old one used for the
original design.
503 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
21 . Click Common Points
If you need more than one
point hold control on
keyboard while you click.
504 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
22 . Find Common Spots
Find common spots.
505 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
23 . Click “Next”
Click the “Next” button.
506 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
24 . Click “Replace the Whole Scan Data”
Click the “Replace the Whole
Scan Data” button.
507 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
25 . Set Insertion
You should not need to
change this as it will be
identical to the first denture.
If you need to rotate and hit
set from new. Make sure to
edit your bottom properties
based on my other tutorials in
this manual.
508 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
26 . Click “Next”
Click the “Next” button.
509 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
27 . Adapt Pockets
1mm under teeth
0.2 mm Gap
Hit “Next”
510 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
28 . New Fit
The software will keep all
your festooning and tooth
setup and just refit the tissue
to the new scan.
511 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
29 . All Done
You are now done.
512 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
30 . New Denture
Now the denture fits the new
scan.
513 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
31 . All Done!
Your digital denture rebase is
finalized.
514 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
REMOVABLES
Immediate Denture
N AT U RA L T E E T H
516 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
2 . Select Client
Select the client. Remember
all settings are tied to the
client.
517 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
3 . Enter the Patient Name
Select the client. Remember
all settings are tied to the
client.
518 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
4 . Select Distal-Most Tooth
This patient has natural
second molars so I am
selecting a second molar.
519 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
5 . Anatomic Pontic
All my immediate dentures
are monolithic. Monolithic
dentures are stronger, can be
thinner compared to split file
dentures. The disadvantage is
you need to stain the tissue
pink using products like Anax
Gum.
520 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
6 . Virtual Extraction
Select 3D print as material,
select virtual extraction as
yes for every tooth the
patient has that you want to
extract. Hit ok when done.
521 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
7 . Copy Prescription
Hold shift on the keyboard
and then select the distal
most contralateral tooth.
522 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
8 . Eliminate Connectors
Remove the connectors
because monolithic dentures
should not receive
connectors. In this color
scheme the green dots will be
clicked to be clear.
523 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
9 . Copy Mirror
Select any teeth in the
prescription that are different
such as those teeth that are
already missing. You would
unselect virtual extraction
and also have the option to
select copy mirror if you
wanted to mirror image
another tooth in that space.
Click ok when done.
524 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
10 . Orientation
Step one is to rotate the scan
to a perfect occlusal
orientation. And hit next.
525 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
11 . Skip
Skip the smile creator step
because we are literally
copying the patient teeth.
526 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
12 . Extraction
The trick to extracting teeth in
the extraction module is to
select the appropriate location
on the tooth and select the
proper indication: no copy
means tooth is extracted and
gone. Virtual preop means
tooth is extracted but visible
as a preop. You will be
required to wax using library
teeth. Direct copy means
tooth will be extracted and
used for design without
needing a library tooth. Here
we use direct copy.
527 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
13 . Extraction
Once direct copy is selected
now click the tooth indicated
in the wizard. If it is a
posterior tooth the central
groove perfectly in the
occlusal surface for best
success.
528 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
14 . Evaluate
Check to see if exocad has a
perfect tooth extracted and
copied. I am going to turn off
the color model to see better.
529 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
15 . Evaluate
Hit “F” on the keyboard to
remove the tooth and
evaluate the socket.
530 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
16 . Evaluate
You can change the
angulation of the extraction
socket by clicking the head of
the arrow and moving the
arrow.
531 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
17 . Evaluate
Select the depth of the
extraction socket. 2mm is a
safer value for immediate
dentures.
532 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
18 . Hit “Next”
Next, move on to the next
tooth. Please keep track here.
The teeth that are in the
wizard extraction tool are
based on the prescription. If
something is off and it does
not show your tooth it means
your prescription is wrong.
you could always go to expert
mode, right-click the model,
and hit extract.
533 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
19 . Repeat Extractions
Repeat the previous steps.
Click the direct copy again
then click center of the tooth.
Then hit next.
534 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
20 . Repeat Extractions
Repeat the previous steps.
Click the direct copy again
then click center of the tooth.
Then hit next.
535 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
21 . Repeat Extractions
Repeat the previous steps.
Click the direct copy again
then click center of the tooth.
Then hit next.
536 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
22 . Repeat Extractions
Repeat the previous steps.
Click the direct copy again
then click center of the tooth.
Then hit next.
537 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
23 . Repeat Extractions
For anterior teeth I like to
click the center of the facial.
538 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
24 . Evaluate
In this case exocad combined
two teeth when I clicked the
cupid it also selected the
lateral. We need to correct
this.
539 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
25 . Correct
Hit correct.
540 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
26 . Correct
Hold shift and paint the tooth
that was accidentally selected
removing all the yellow from
the tooth.
541 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
27 . Correct
Check all surface and remove
all the yellow.
542 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
28 . Apply
Hit apply to lock in the
changes and serenader the
extraction.
543 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
29 . Next
Hit next to move on to the
next tooth.
544 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
30 . Repeat
Keep working around the arch
and repeat. Hit next after the
last tooth.
545 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
31 . Copy Mirror
I selected copy mirror for
tooth 8 in the prescription
because tooth 8 is already
missing. so now I am getting
asked to copy mirror. Make
sure your teeth are visible
and then click the center of
the tooth you want to mirror.
546 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
32 . Copy Mirror
After clicking the tooth you
want to mirror then roll the
mouse over to the edentulous
space.
547 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
33 . Copy Mirror
Click the ridge to place the
tooth, then further fine tune
the placement by using left
click to drag, control left click
to rotate and shift left click to
scale.
548 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
34 . Copy Mirror
Hit next when happy with
position of the tooth.
549 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
35 . Auto Articulator
My exocad is set to go into
auto-articulation when I hit
next. To turn this feature on
go to tools-settings-add on
module-auto articulation.
550 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
36 . Static Occlusion First
Turn off your dynamic
occlusion to focus on static.
If you do not have a dynamic
here you did not have
articulator or auto
articulation on.
551 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
37 . Static Occlusion First
Go to adapt.
552 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
38 . Static Occlusion First
Hit static occlusion. 100
microns is ideal strength.
With show distances on as
the color gauge then this will
be a blue color.
553 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
39 . Static Occlusion First
All the static occlusion will
now be blue.
554 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
40 . Smooth Extraction Sockets
Before we cut the pontics to
the tissue using the basal
button we need to smooth the
model.
555 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
41 . Smooth Extraction Sockets
Enter Expert Mode.
556 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
42 . Smooth Extraction Sockets
Click the model then go to
free-form scan data.
557 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
43 . Smooth Extraction Sockets
Go to free- smooth/flatten
and then hold shift in the
keyboard and left-click the
rough areas.
558 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
44 . Smooth Extraction Sockets
Go to free- smooth/flatten
and then hold shift in the
keyboard and left-click the
rough areas.
559 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
45 . Smooth Extraction Sockets
Click ok when done.
560 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
46 . Back to Wizard
Back to wizard to finish the
adapting.
561 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
47 . Adapt
Free- Adapt- Basal. 0 is the
perfect value.
562 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
48 . Adapt
Make sure the pontics are no
longer poking through the
tissue.
563 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
49 . Adapt
Click approximal to have nice
contacts with nice
embrasures. Not as important
for a monolithic denture but I
still do it.
564 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
50 . Adapt
Focus on dynamic. Hit the
little chevron on the dynamic
icon.
565 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
51 . Adapt
Hit exclude selected parts.
566 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
52 . Adapt
Paint small dots on your
static occlusion marks and
the incisal edges of all
interior tech.
567 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
53 . Adapt
Click the dynamic occlusion
button now.
568 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
54 . Adapt
Click the dynamic occlusion
button now.
569 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
55 . Adapt
Smooth using free- smooth to
make the anatomy more
natural where it did
aggressive cuts.
570 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
56 . Adapt
Hit “next”.
571 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
57 . Design Virtual Gingiva
Select design virtual gingiva
and hit “next”.
572 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
58 . Path of Insertion
Rotate the model to the same
orientation as the denture will
be inserted. Usually a slight
facial occlusal view as shown
here and then hit “Set from
view” to change the
angulation of the blackout
model. Make sure your
setting s are aligned with the
settings chapter.
573 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
59 . Settings
Your virtual waxup bottom
settings should match this.
Then hit next
574 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
60 . Settings
Hit “next” to move on.
Exocad will create a new
model called the virtual
waxup bottom, that is the
model the denture will fit to.
575 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
61 . Single Gingiva
Hit “yes”.
576 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
62 . Draw Denture Border
Start in the hamular notch
and start marking the denture
borders.
577 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
63 . Draw Denture Border
Avoid marking the border line
too close to the edge of the
model because this can cause
a failure to merge and adapt
the tissue later.
578 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
64 . Draw Denture Border
Look where the muscle fibers
are attaching to the ridge and
place the margin at this
location.
579 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
65 . Draw Denture Border
Look where the muscle fibers
are attaching to the ridge and
place the margin at this
location.
580 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
66 . Draw Denture Border
Double click first dot to
render the tissue.
581 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
67 . Draw Denture Border
Set thickness to 1.5mm and
hit apply. Edit the border line
as needed by dragging the
green dots and hit “apply”.
Hit “next” when ready.
582 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
68 . Freeform Tissue
Anatomic small region is good
for pulling papillas into the
proper location.
583 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
69 . Freeform Tissue
Free add/remove and
smooth/flatten to finish the
tissue sculpting. I do not do
much anatomy for monolithic
dentures because they will
get painted with pink resin.
Hit “next” when done.
584 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
70 . Palatal Seal
We are all done. You should
have a solid denture now. We
only need to add the seal.
585 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
71 . Freeform
Click “Free-Form”.
586 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
72 . Freeform
Hit “Next”.
587 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
73 . Distance to Scan Data
The nearest point distance
checked.
588 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
74 . Distance to Scan Data
Change scale 0.01-1mm.
589 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
75 . Distance to Scan Data
Add tool to add the palatal
seal and border seal.
590 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
76 . Next
Hit “next” to save.
591 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
77 . Done
You are all done and ready
for printing.
592 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
REMOVABLES
Immediate Denture
LIBRARY TEETH
594 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
2 . Select Client
Select the client. Remember
all settings are tied to the
client.
595 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
3 . Enter the Patient Name
Enter the patient name in the
text box.
596 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
4 . Select Distal-Most Tooth
This patient has natural
second molars so I am
selecting a second molar.
597 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
5 . Anatomic Pontic
All my immediate dentures
are monolithic. Monolithic
dentures are stronger, can be
thinner compared to split file
dentures. The disadvantage is
you need to stain the tissue
pink using products like Anax
Gum.
598 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
6 . No Virtual Extraction
We are not going to use the
wizard for extractions so do
not select virtual extractions.
599 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
7 . Select Pre-Op
Select preop so we can load
the working arch twice.
600 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
8 . Select Virtual Gingiva
Select virtual gingiva and hit
“OK”.
601 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
9 . Copy Prescription
Hold shift on the keyboard
and then select the distal
most contralateral tooth.
602 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
10 . Eliminate Connectors
Remove the connectors
because monolithic dentures
should not receive
connectors. In this color
scheme the green dots will be
clicked to be clear.
603 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
11 . Expert Mode
Load your scans. Remember
because we used preop in the
dental DB persecution we
need to load the working arch
twice. Turn the color off so
we can easily distinguish
between working arch and
preop. And then go to expert
mode.
604 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
12 . Edit Mesh
Turn off the antagonist and
preop and then right click the
working arch and hit edit
mesh. We are going to
manually extract the teeth.
605 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
13 . Extract Sextants
Looking straight down the
occlusal view click and circle
the teeth in sections of 4 -6
teeth at a time.
606 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
14 . Extract Sextants
Make sure you have only the
teeth in orange and no other
areas. Remember this is on
“select through” which means
you need to be carful on the
angle you select. Also hold
shift and circle to remove the
section areas to fine tune the
selection.
607 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
15 . Extract Sextants
Fine tune the mesh selection
by holding shift and
circumscribe selection areas
that may have extended too
far on the tissue.
608 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
16 . Extract Sextants
Fine tune the mesh selection
by holding shift and
circumscribe selection areas
that may have extended too
far on the tissue.
609 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
17 . Extract Sextants
It may be necessary to select
one tooth at a time.
610 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
18 . Extract Sextants
It may be necessary to select
one tooth at a time.
611 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
19 . Extract Sextants
Evaluate from all angles.
612 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
20 . Extract Sextants
Evaluate from all angles.
613 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
21 . Extract Sextants
Now hit delete on the menu
bar.
614 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
22 . Extract Sextants
Now we need to close the
hole. Do a big circle around
the hole. You need a
continuous band of orange
around the entire hole.
615 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
23 . Extract Sextants
Now hit close holes.
616 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
24 . Extract Sextants
Now hit none to clear the
section area.
617 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
25 . Extract Sextants
You should have a beautiful
closed hole. If not your
messed top your selection
area.
618 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
26 . Extract Sextants
Repeat on other teeth.
619 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
27 . Extract Sextants
Repeat on other teeth.
620 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
28 . Extract Sextants
Carefully select only the
teeth.
621 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
29 . Extract Sextants
Delete.
622 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
30 . Extract Sextants
Circle the entire hole.
623 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
31 . Extract Sextants
Close holes.
624 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
32 . Extract Sextants
Click “OK”.
625 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
33 . Jump Back to Wizard
Wizard mode.
626 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
34 . Orientation
Step one is to rotate the scan
to a perfect occlusal
orientation. And hit next.
627 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
35 . Start Smile Creator
We will use smile creator to
set the library teeth.
628 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
36 . Load Retreated Image
Hit load a retracted image
and navigate to the photo of
the patient with retractors.
629 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
37 . Load Retreated Image
Rotate the model with the
preoperative on at the same
angle the photo is made. If
you accidentally left click you
will drop alignment dots. If
you do drag them to the
appropriate locations in the
next slide.
630 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
38 . Align
Left click the photo CEJ of
patient right cupid. If you
need to move the dot click it
and drag it to fine tune.
631 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
39 . Align
Left click cusp tip of patient
left cuspid. If patient is
missing these teeth use the
closest teeth to the cuspids.
If you need to move the dot
click it and drag it to fine
tune.
632 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
40 . Align
Click same spot on preop
scan CEJ of right cuspid. If
you need to move the dot
click it and drag it to fine
tune.
633 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
41 . Align
Click same spot on preop
scan cusp top of left cuspid.
If you need to move the dot
click it and drag it to fine
tune.
634 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
42 . Next
Click same spot on preop
scan cusp top of left cuspid.
If you need to move the dot
click it and drag it to fine
tune.
635 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
43 . Fine-Tune Alignment
This frustrates people. New
AI tools make this easier but
it is still in beta so I will show
the manual way. I like to right
click the midline and hold
the right click and drag the
mouse to alter the pitch and
angle of the 3D scan in the
photo. Split the difference in
errors on the left and the
right.
636 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
44 . Fine-Tune Alignment
This frustrates people. New
AI tools make this easier but
it is still in beta so I will show
the manual way. I like to right
click the midline and hold
the right click and drag the
mouse to alter the pitch and
angle of the 3D scan in the
photo. Split the difference in
errors on the left and the
right.
637 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
45 . Fine-Tune Alignment
Once the angle is fine tuned
left click the center of a ball
and drag to fine tune
merging.
638 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
46 . Fine-Tune Alignment
Repeat on the contralateral
side.
639 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
47 . Fine-Tune Alignment
Go back to the midline and
right-click and drag to further
refine. Then click the dots
again and repeat the entire
process until everything is
perfect.
640 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
48 . Hit “Next”
Hit “next” when done.
641 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
49 . Load Smile
We now need to load a smile
photo. It is important where
making photos that the
camera and the patient head
does not move.
642 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
50 . Load Smile
Exocad will automatically
align the smile and retracted
photo. If you did a bad job
with the photos they will
never align as it is impossible
to align separate 2D photos
made at different angles. A
good alignment is indicated
by clarity in the anterior 6
teeth. Hit “next”.
643 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
51 . Mark the Lip
Mark the lip and hit next.
644 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
52 . Pupils
Drag the dots to mark the
center of the pupils and hit
next.
645 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
53 . Select Facial Midline
Drag the dot from the vertical
midline bar to desired
midline. Exocad will
automatically place this in the
middle of the pupils.
646 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
54 . 100-65-50
Change the proportion gauge
to 100-65-50.
647 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
55 . Move Proportion Gauge
Move the proportion gauge
see the vertical midline bar is
in line with the facial midline
bar. The horizontal bar on
the promotion gauge is placed
where the desired incisal
edge of the centrals.
648 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
56 . Move Proportion Gauge
Shrink the cuspid line to the
desired distal of the cupid
location. If the patient is
missing cupids then use the
alar region of the nose as a
reference.
649 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
57 . Move Smile Arc
Drag the blue smile arch to
desired location.
650 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
58 . Hit “Next”
We are now ready to load the
teeth. Hit next.
651 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
59 . Evaluate
Notice how the teeth come in
at the perfect location based
on the proportion gauge. You
may need to alter the
proclination of the teeth by
hitting the rocker bar here.
652 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
60 . Evaluate
Notice how the teeth come in
at the perfect location based
on the proportion gauge. You
may need to alter the
proclination of the teeth by
hitting the rocker bar here.
653 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
61 . Evaluate
Hit the tooth measurement
icon
654 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
62 . Evaluate
Click the central incisor and
evaluate the size. The ideal
size is around 10 to 11 mm
long and 8 to 9mm wide.
655 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
63 . Evaluate
Alter the length by clicking
the blue dot above the square
bounding box and dragging
the cervical. Notice how the
box is around all the teeth. If
not, it means that you clicked
somewhere and need to draw
a box around all the teeth by
left-clicking your mouse and
drawing a big box.
656 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
64 . Evaluate
Continue to fine tune always
moving the entire arch of
teeth if needed. I do not
move individual teeth in this
module. Hit next when done.
657 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
65 . Skip
Hit next to skip this. I do not
use this feature.
658 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
66 . Skip
Hit done to skip this. I do not
use this PDF report.
659 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
67 . Tooth Placement
Hit chain mode in tooth
placement tab.
660 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
68 . Chain Mode
Lock the central incisors by
hitting the green dot to turn it
red.
661 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
69 . Chain
Unlock the molars by clicking
the red dots to green on the
distal-most dot.
662 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
70 . Move Molars
Now click the distal most
molars and drag to the
desired location and then
lock it by turning the green
dot red. I can be helpful to
turn on the preop.
663 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
71 . Move Premolars
With the molars locked now
drag the premolars to be
near as possible to ideal
location. Then local the
premolars.
664 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
72 . Move Cupids
With the premolars locked
drag the cuspids to ideal
locations.
665 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
73 . Advanced
We now are ready to fine tune
individual teeth and set the
initial occlusion. Click the
advanced tab.
666 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
74 . Advanced
Click these three buttons:
667 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
75 . Advanced
Move individual teeth as
needed to fine tune. Control
left click will rotate. Control
shift and left click will
stretch. Shift left click will
scale. Clicking and dragging
will move. Notice how
occlusion is automatically
equilibrated as moving the
teeth.
668 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
76 . Hit “Next”
Next to move onto the next
tooth. I have exocad set to
auto articulate between tooth
placement and freeform. To
set this up got to tools,
settings, add on module, auto
articulation. This mounts the
case automatically and does
dynamic movements.
669 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
77 . Static Occlusion First
Turn off dynamic occlusion
and focus on static occlusion
first. Use the add remove tool
to fine tune location of
contacts in static occlusion.
670 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
78 . Static Occlusion Adaptation
Click adapt and then static
occlusion. Set to positive 100
microns. This will be a true
blue contact if you have show
distances for your color
scale.
671 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
79 . Approximal Adaptation
Click adapt approximal. Zero
is perfect.
672 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
80 . Basal Adaptation
Click adapt basal. 0 is a
perfect value for this. This
cuts the pontics to the exact
tissue location.
673 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
81 . Dynamic Adaptation
Turn on dynamic to see
dynamic marks. We need to
adapt dynamically, but
protect our incisal edges and
static marks.
674 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
82 . Dynamic Adaptation
Click the little chevron by the
dynamic button.
675 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
83 . Dynamic Adaptation
Click exclude selected parts.
676 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
84 . Dynamic Adaptation
Now paint all your static
contacts and paint the very
tips of the incisal edges of the
anterior teeth. This will make
sure exocad does not distort
these areas when we do the
auto cut.
677 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
85 . Dynamic Adaptation
Now hit the dynamic button
to auto cut. Strength is
usually set to 0.2 or near that
value.
678 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
86 . Dynamic Adaptation
Go to free- smooth and
smooth any areas that the
dynamic cut left rough as it
transitioned to your
protected painted zones.
679 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
87 . Next
Click “Next”.
680 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
88 . Skip
exocad will always ask you if
you want to copy the preop
model any time you have a
preop model loaded in the
case. Skip this just hit “next”.
681 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
89 . Virtual Waxup Bottom
This step determines the fit
of the immediate denture.
Rotate the model to the ideal
path of insertion. One that
minimizes block out. Then hit
set insertion from view.
682 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
90 . Virtual Waxup Bottom
Change your settings and hit
next
683 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
91 . Virtual Waxup Bottom
Yes, design one gingiva.
684 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
92 . Gingival Margin
Draw your denture border.
Avoid being too close to the
edge of the model as this will
create a failure later on.
685 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
93 . Gingival Margin
Draw your denture border.
Avoid being too close to the
edge of the model as this will
create a failure later on. Look
where the muscle fibers
attach to the ridge.
686 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
94 . Gingival Margin
Draw your denture border.
Avoid being too close to the
edge of the model as this will
create a failure later on. Look
where the muscle fibers
attach to the ridge.
687 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
95 . Gingival Margin
Draw your denture border.
Avoid being too close to the
edge of the model as this will
create a failure later on.
Look where the muscle fibers
attach to the ridge. Double
click the first staring ball to
generate tissue.
688 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
96 . Gingival Margin
You can edit the margin line if
needed by dragging the green
balls and hitting apply to
make changes. Change
thickness to 1.5mm and hit
next.
689 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
97 . Gingival Free-Form
Use small region to stretch
papilla in any black triangle
areas.
690 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
98 . Gingival Free-Form
Use small region to stretch
papilla in any black triangle
areas.
691 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
99 . Gingival Free-Form
Use the Free- add remove to
festoon denture as needed.
692 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
100 . Gingival Free-Form.
Use the Free- add remove to
festoon denture as needed.
Use tru smile to visualize
festooning. Then hit next.
693 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
101 . Almost Done
We now have a solid
monolithic denture and we
have to edit the palate seal.
694 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
102 . Free-Form
Click “Free-Form”.
695 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
103 . Free-Form
Click “next”.
696 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
104 . Distance to Scan Data
Distance to scan data as the
visualization.
697 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
105 . Change Scale
Change the scale to 0.1-1mm
or close to that as the max
and minimum.
698 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
106 . Free
Click free- add.
699 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
107 . Add Pressure
Draw the posterior palatal
seal area.
700 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
108 . Add Pressure
Draw the posterior palatal
seal area.
701 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
109 . Next to Save
Hit next to save.
702 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
110 . Next to Save
You are done. The final
tenure can be found in the
project folder. Alternatively,
you can click the screen and
hit save scene as- STL-
Visible objects only-default
orientation.
703 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E
Designed with
Monday in Mind
Courses at The MOD Institute carefully emphasize practical hands-on
learning and guidance from world-class instructors that combines
modern technology with evidence-backed workflows and practices. It's
the antithesis of an 8 hour lecture. From intraoral scanning to 3D
printing and digital smile design, you'll enjoy a practical approach and
experience exceptional technology, materials and equipment applied in
practical, real-world scenarios..
CHARLESTON, SC 29401
WWW.THEMODINSTITUTE.COM
704 | e x o c a d D E N T U R E S S T E P - B Y - S T E P G U I D E