Theory of Music Level 1, Part 1 by Thinkin' Piano
Theory of Music Level 1, Part 1 by Thinkin' Piano
Introduction 01
Letters on the White keys 02
The Stave 03
Note Heads and Stems 04
The Treble Clef and Bass Clef 05
Treble Clef Tracing Exercise 06
Bass Clef Tracing Exercise 07
Middle C 08
Notes on the Treble Clef and Bass Clef 09
Note Values 11
Rests 12
Match the following 13
Let’s Count the Beats 14
Time Signature 15
Bar and Bar lines 17
Rhythm Clapping Exercises 19
Dynamics 20
Tempo 23
Upbeat and Downbeat 24
Let’s Analyse 25
Introduction to Curved Lines 26
The Grand Staff 27
Steps and Skips 28
Intervals 29
Triads 32
Similar and Contrary Motion 33
D.C Al Fine 34
Ritardando 35
Accents 36
Repeat with two endings 38
Staccato 39
Articulation Marks 40
Introduction
• Rhythm:
• Melody:
• Pitch:
• Harmony:
• Tempo:
• Dynamics:
• Mood:
1
Letters on the white keys
2
The Stave
• Write a note-head on the 1st space, 3rd line, 5th line, 4th space and 2nd space.
3
Note heads and stems
Note head
Stem
General rule:
• If the note head is below the third line, the stem will go up.
• If the note head is on the third line the stem can go either up or down.
• If the note it is above the third line this time goes down.
* Remember :
Put the stems on the left for high notes and on the right for low notes.
4
The Treble Clef and Bass Clef
5
Treble Clef Tracing Exercises
Steps to draw
6
Bass Clef Tracing Exercises
Steps to draw
7
Middle C
8
Notes on the Treble Clef
and Bass Clef
9
• Find the words:
10
Note Values
Each note lasts for a certain length of time.
11
Rests
Each silence within music lasts for a certain length of time.
It is called a rest.
12
Match the following
1 beat
4 beats
2 beats
1/2
beat
1 beat
1/2 beat
2 beats
4 beats
13
Let’s count the beats
14
Time Signature
4
3 It means 3 beats in a bar.
4
2 It means 2 beats in a bar.
4
15
16
Bars and Barlines
• Beats are equally divided into bars, with a bar line at the end of
each bar.
• A double bar line, also known as the end line is located at the
end of the piece/ song. It denotes its end.
17
• Fill the following bars with beats:
2
4
3
4
4
4
18
Rhythm Clapping Exercises
19
Dynamics
Piano Soft
Forte Loud
20
• Match the following:
21
• Show that the music should be played softly initially and then
gradually get louder from bar two.
• Show that the music should be played very loud in the first bar, soft
in the second and medium loud in the third bar.
22
Tempo
Allegretto Fast
23
Upbeat and Downbeat
When the music starts with the 1st beat, it’s called
downbeat. All the bars are complete and there are
no missing beats.
24
Let’s Analyze
25
Introduction to Curved Lines
Tie Slur
26
The Grand Staff
27
Steps and Skips
28
Intervals
Melodic Interval
Harmonic Interval
29
Intervals
30
• Name the following intervals:
31
Triads
Blocked Triad
formed using harmonic interval of 3 notes.
Broken Triad
formed using melodic interval of 3 notes.
135 Triad
32
Similar and Contrary Motion
33
D.C. AL FINE
34
Ritardando
35
Accents
36
• Sing the accents:
37
Repeat with two endings
In this particular example, we first play this song till the ending
one, see the repeat sign and go back to the beginning. After
going back to the beginning, we play the song again and then
we play it for the ending two. This time, we skip the first
ending and play the second ending instead.
38
Staccato
Press and lift the finger quickly from the key to play a
staccato.
39
Articulation Marks
40
• Let’s Play:
41
Words of Wisdom
“I have always thought that a Pianist’s job is
-Van Cliburn
S.N.S.D.H
42