Crime and Punishment
Crime and Punishment
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What goes through the murderer’s mind?
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And what kind of a society breeds such people?
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Over 150 years ago
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Fyodor Mikhailovich Dostoyevsky took these questions up
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in what would become one of the best-known works of Russian literature:
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"Crime and Punishment."
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First serialized in a literary magazine in 1866,
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the novel tells the story of Rodion Romanovich Raskolnikov,
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a young law student in Saint Petersburg.
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Raskolnikov lives in abject poverty,
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and at the start of the story has run out of funds to continue his studies.
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Letters from his rural home only add to his distress
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when he realizes how much his mother and sister have sacrificed for his
success.
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Increasingly desperate
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after selling the last of his valuables to an elderly pawnbroker,
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he resolves on a plan to murder and rob her.
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But the impact of carrying out this unthinkable act
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proves to be more than he was prepared for.
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Though the novel is sometimes cited as one of the first psychological
thrillers,
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its scope reaches far beyond Raskolnikov’s inner turmoil.
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From dank taverns to dilapidated apartments
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and claustrophobic police stations,
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the underbelly of 19th century Saint Petersburg is brought to life
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by Dostoyevsky’s searing prose.
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We’re introduced to characters such as Marmeladov,
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a miserable former official who has drank his family into ruin,
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and Svidrigailov, an unhinged and lecherous nobleman.
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As Raskolnikov’s own family arrives in town,
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their moral innocence stands in stark contrast
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to the depravity of those around them,
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even as their fates grow increasingly intertwined.
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This bleak portrait of Russian society
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reflects the author’s own complex life experiences and evolving ideas.
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As a young writer who left behind a promising military career,
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Fyodor had been attracted to ideas of socialism and reform,
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and joined a circle of intellectuals to discuss radical texts
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banned by the Imperial government.
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Upon exposure,
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members of this group, including Dostoyevsky, were arrested.
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Many were sentenced to death,
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only to be subjected to a mock execution and last-minute pardon from the
Tsar.
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Dostoyevsky spent the next four years in a Siberian labor camp
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before being released in 1854.
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The experience left him with a far more pessimistic view of social reform,
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and his focus shifted toward spiritual concerns.
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In the 1864 novella "Notes from Underground,"
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he expounded on his belief that utopian Western philosophies
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could never satisfy the contradictory yearnings of the human soul.
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"Crime and Punishment" was conceived and completed the following year,
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picking up on many of the same themes.
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In many ways,
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the novel follows a common narrative thread
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where a promising youth is seduced and corrupted by the dangers of urban
life.
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But its social critique cuts far deeper.
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Raskolnikov rationalizes that his own advancement
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at the cost of the exploitative pawnbroker’s death
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would be a net benefit to society.
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In doing so,
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he echoes the doctrines of egoism and utilitarianism
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embraced by many of Dostoyevsky’s contemporary intellectuals.
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And in believing that his intelligence allows him to transcend moral taboos,
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Raskolnikov cuts himself off from his own humanity.
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Yet although the book is deeply concerned with morality,
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"Crime and Punishment" never comes across as merely moralizing,
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with each character given their own distinctive and convincing voice.
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One of the most remarkable things about "Crime and Punishment"
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is its ability to thrill
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despite the details of the central murder being revealed in the first act.
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Raskolnikov’s crime is clear.
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But it’s only through Dostoyevsky’s gripping account
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of the ensuing social and psychological turmoil
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that we learn the true nature of his punishment–
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and the possibility of redemption.