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The History of Photography

The history of photography began in the 1830s as an art form that built upon earlier innovations with the camera obscura and experiments with processing images with light-sensitive chemicals. Some key developments included the first permanent photograph taken by Joseph Niepce in 1825, the introduction of the glass negative by John Herschel in 1839, and the widespread commercial availability and popularity of cameras like the Kodak in the late 1880s. Early photography relied on complex and time-sensitive processes, but innovations over the following decades introduced new techniques like color photography, Polaroids, and digital photography that made the medium simpler and more accessible. The field has influenced and been influenced by notable photographers from the 19th century like Niepce
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0% found this document useful (0 votes)
219 views50 pages

The History of Photography

The history of photography began in the 1830s as an art form that built upon earlier innovations with the camera obscura and experiments with processing images with light-sensitive chemicals. Some key developments included the first permanent photograph taken by Joseph Niepce in 1825, the introduction of the glass negative by John Herschel in 1839, and the widespread commercial availability and popularity of cameras like the Kodak in the late 1880s. Early photography relied on complex and time-sensitive processes, but innovations over the following decades introduced new techniques like color photography, Polaroids, and digital photography that made the medium simpler and more accessible. The field has influenced and been influenced by notable photographers from the 19th century like Niepce
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THE HISTORY OF PHOTOGRAPHY

HISTORY
 An art form invented in 1830s.

 Camera Obscura -people already knew the principles of how it


eventually got to work.

• They could process the image on the wall or piece of paper

• Was invented around 13-14th centuries

• First photography medium


CAMERA OBSCURA
THE INVENTION OF THE
CAMERA

 1825 - The first photo picture taken by Joseph Niepce.


 It depicts a view from the window at Le Gras.

 Niepce came up with the idea of using a petroleum

derivative called "Bitumen of Judea"

 Bitumen hardens with exposure to light so the unhardened material


was then washed away
 1839- John Herschel came up with a way of making the first glass
negative as opposed to metal

 He coined the term Photography deriving from the Greek words


"fos" meaning light and "grafo" - to write.

 At first photography was either used as an aid in the work of an


artist.

 The first publicly recognized portraits are one person or family


portraits to preserve the memories.
E A S T M A N ' S KO DA K ' S
CAMERA
 1888 -It went on to the market with the slogan "You press the
button, we do the rest".

 1901 - Kodak Brownie was introduced.

• Becoming the first commercial camera in the market available for


middle class
COLOR PHOTOGRAPHY

• Being explored throughout the 19th century

• 1862 - Several methods of color photography were patented by two


French inventors.

• Louis Ducos de Hauron and Charlec Cros Practical

• 1907 -first practical color plate reached the market.

• The screen let filtered red, green and/or blue light through.

• Applying the same screen later resulted in a color photo that preserved
the color
 1861 – first colored photo of an image of a tartan ribbon taken by
the famous Scottish physicist James Clerk Maxwell.

 The reason for that is his inventions in the field

of physics simply overshadowed this accomplishment.

1839-first ever picture to have a human in it was

Boulevard du Temple taken by Louis Daguerre and

it did capture a man who had his shoes polished


BOULEVARD DU TEMPLE

TARTAN RIBBON
ANTIQUATED METHODS
 Camera Obscura (Dark Room )

• Created in the ancient times and was the device the


led to the development of the camera.
• Uses a small lens to project an image from the outside
onto a flat surface.
• Used for things like watching solar eclipses and
drawing
W E T P L A T E P H OTO G R A P H Y
( C O L L O D I O N P RO C E S S )

• Was inconvenient and time-consuming.

• Requiring the photographer to coat the


material, sensitize, expose, and develop it
in a short amount of time.
FLASHLIGHT POWDER

• Was used as a flash in dimly-lit locations.

• The powder lit so quickly that many


photographers received burns.
PHOTOGRAMS

• An image transferred onto paper without a camera

• By setting objects on photographic film or paper and


exposing it to light

• Transformed 3-dimensional objects into flat images,


with high contrast.
POLAROIDS
• Was combine a camera and a darkroom in a single
device

• Once the picture was snapped, the film was


pulled from the camera and allowed to develop.
COMMON TERMS
 Aperture
• It is the size of the opening in the lens

• Think of the lens as a window

 Aspect Ratio
• It is simply the ratio of the height to width.

 Bokeh
• The orbs created when lights are out of focus in an image.
 Depth of Field
• Refers to how much of the image is in focus

• The camera will focus on one distance, but there’s a range of distance
in front and behind that point that stays sharp

 Exposure
• How light or dark an image is

• Controlled through aperture, shutter speed and ISO.

• An image is created when the camera sensor (or film strip) is exposed
to light.
ASPECT RATIO

APERTURE
BOKEH

DEPTH OF FIELD
EXPOSURE
TYPES OF PHOTOGRAPHY

19th Century 21st Century

 Daguerreotypes  Macro photography

 Salt Prints (Talbot’s Process)  Landscape photography


 Documentary photography
 Albumen Prints
 Infrared photography
 Carte de Visite
 Fairy-tale photography
 Hyalotype
 Portrait photography
 Cabinet Cards  ETC.
19 TH CENTURY
 Daguerreotypes

- Were produced on a thin copper metal support that had a polished coating of
silver that was mirror-like

 Salt Prints

-The first photographic process that used sodium chloride to make photos
more light-sensitive

 Albumen Prints

-Coat a thin sheet of paper with egg white which would hold light-sensitive
silver salt on the surface of the paper, preventing image fading
19 TH CENTURY

 Carte de Visite (CDVs)

-Were often mounted on cardboard and Introduced in the 1850s in Paris, France

 Hyalotype

-Were used in “Magic Lanterns” where their positive images on glass plates were
projected onto screens

 Cabinet Cards

-Was an albumen-coated, card-mounted photograph and it was introduced in 1866


21 ST CENTURY
 Macro photography

-Reveals small details that we can’t see with our eyes

 Landscape photography

-Modern photographers tend not to show the geolocation


of landscape photos to save nature from tourists.

 Documentary photography

-Give us a better understanding of the world, showing us people and


places that are usually hidden from sight.
21 ST CENTURY

 Infrared photography

-Using filters, you can turn ordinary places into otherworldly places.

 Fairy-tale photography

-Just need to get your hands on photo editing software and experiment.

 Portrait photography

-One of the most beloved types of photography and it is commonly to


show a person’s character and emotion
NAMES IN PHOTOGRAPHY

Alfred Stieglitz
• American photographer and a promoter for
modern art
• Outside photography is widely known for his
passion for avant-garde
• His work with the photography was revolutionary
for how he portrayed still life and what he brought
into photo portraits.
Felix Nadar (a pseudonym of

Gaspard-Félix Tournachon)

• French caricaturist, journalist and - once photography emerged

• most famous for pioneering the use of artificial lightning in


photography

• He was known for depicting many famous people including Jule


Verne, Alexander Dumas, Peter Kropotkin and George Sand.
Henri Cartier-Bresson
• French photographer

• Believed to be the father of photojournalism.

• Most famous for creating the “street photography’’

• He hated being photographed, as he was embarrassed

of his fame.
MODERN ARTIST
 Andreas Gursky (1955 – )

• Photographer that captures the modern world in an intriguing


form

• His pictures depict common places that don’t really exist.

• Not all his pictures have the same humongous format and the high
point of view, but they are considered as part of his iconic style.
ANDREAS GURSKY (1955 – )
CINDY SHERMAN (1954 – )

 American photographer, best known for her conceptual portraits.

 Most iconic work titled simply as Untitled Film Stills

 The work consists of 69 images that portray herself in an


enigmatic scene that appears to a still from a movie.

 TIME Magazine considered her Untitled Film Still # 21 as one of


the 100 most influential images of all time.
DIDIER MASSARD (1953 – )

 Didier Massard (1953 – )

• Magnificent optical manipulations he put in photos.

• His work has considered being more “magical realism”

• Gives his work a meticulous and slow paced rhythm

• Calls each image to be a “completion of an inner imaginary


journey”.
DIDIER MASSARD (1953 – )
PHILIPPINE
PHOTOGRAPHERS
Eduardo Masferré (April 18, 1909 – June 24, 1995)

 Filipino-Catalan photographer who made important documentary


reports about the lifestyle of native people in the region of
the Cordillera in the Philippines at the middle of 20th century.

 He is regarded as the Father of Philippine photography.


MARK NICDAO (PORTRAIT
PHOTOGRAPHY)

 Undeniably the best when it comes to magazine covers

 Photographed some of the A-listers in both Hollywood and


showbiz.

 Also Rogue magazine’s photographer-at-large, and has

published his own book entitled “Vantage.”


SHAIRA LUNA
(FASHION/PORTRAIT)
 Became famous as one of the gifted children in a milk
brand’s TV commercial

 One of the most stylish photographers in town

 Distinct style of playing with colors and lights make her one
of the best in the field.
PAUL QUIAMBAO
(LANDSCAPE)
 Became popular in social media after capturing the best looks of
the university.

 Because of his works as a lens man for UST’s “400 Shots to


Immortality: Timeless Photographs of the University of Santo
Tomas Towards its Neo-Centennial.”
REGION II ( CAGAYAN
VALLEY)

Pigalo Bridge
REGION IV-A
FORTUNE ISLAND
REGION IV- B
Underground River
THANK YOU FOR LISTENING

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