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OGFI Session XII

The major global fashion capitals are Paris, Milan, London, Tokyo, and New York. These cities emerged as centers of fashion due to concentrations of resources, supplies, skilled labor, and creative talent. Designers are drawn to these cities to be near other designers and creative communities. Paris is considered the top fashion capital due to its long history in haute couture and support from the French government. Major fashion houses in other cities include Armani and Versace in Milan, designers like Jasper Conran in London, and Issey Miyake in Tokyo. These cities and their designers have influenced global fashion trends.

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0% found this document useful (0 votes)
117 views56 pages

OGFI Session XII

The major global fashion capitals are Paris, Milan, London, Tokyo, and New York. These cities emerged as centers of fashion due to concentrations of resources, supplies, skilled labor, and creative talent. Designers are drawn to these cities to be near other designers and creative communities. Paris is considered the top fashion capital due to its long history in haute couture and support from the French government. Major fashion houses in other cities include Armani and Versace in Milan, designers like Jasper Conran in London, and Issey Miyake in Tokyo. These cities and their designers have influenced global fashion trends.

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OGFI

SESSION XII
INTERNATIONAL FASHION CENTRES
What we’ll cover…..
Major fashion capitals of the world
Specialties and the creators
Five 5 centres are:
1. Paris
2. Milan
3. London
4. Tokyo
5. New York
Fashion centres emerged because of

concentrations of

Resources

Supplies

Skilled labour

Creativity
o “Designers are influenced by other

designers and vice versa”

∴ many creative people gravitate to

major creative centres


PARIS

Required resources are available

Creative atmosphere

Govt. support and encouragement


Tremendous cooperation among designers, mills
and auxiliary : shoe, hat, fur, trimmings, findings
and embroidery industries – they are ready to
make very very small quantities
PARIS

Personalised service – shoes, buttons, laces, etc.

Q. Is Paris the top fashion capital in the world?

1960s – strong trend towards youthful casual


styling

Emergence of prêt-à-porter
Socio-economic stability

Couture was practically out of business


PARIS

Fashion hub – presence of all main fashion offices

*many famous fashion designers aren’t French!


(Karl Lagerfeld, Kenzo, etc.)
THE COUTURE
‘fine custom dressmaking’ – made to measure as
per individual client

Today, couture means ‘original’ (pattern + fabric)


Couturier Vs. Couturiere
THE COUTURE

Business is called ‘Maison’ (HOUSE)


Salon  an elegant showroom where clients can
see the collection and order. Leadtime  usually
several weeks – and takes 2 to 3 fittings
haute couture

‘high dressmaking’
Hi-fashion (U.S.A.)
Þ highest quality fabric and workmanship

Only those who are in the selective couture


creation list of Fédération Française de la Couture
are considered members of the haute couture
# Couturier membership  Dept. of Industry
haute couture

Fédération Française de la Couture has 3 branch


Chambre Syndicale de la Couture Parisienne – for
promotion and protection of couture. To be a member, one
should have at least 1 atelier in Paris with minimum 15 staff

Chambre Syndicale de Prêt-à-Porter – association


of RTW branches of couture + best of Prêt-à-Porter

Chambre Syndicale de la Mode Masculine –


association of menswear industries of the couture
French Designers

YSL – king of couture – major influence –


trendsetter – restrained, sophisticated – good
sense of timing
Hubert de Givency, Pierre Cardin, Emanuel
Ungaro, Karl Lagerfeld (Chanel), Marc
Bohan(Dior), André Courrèges, Carven, Grès (Alix
Grès), Guy Laroche, Hanae Mori, Jean Partou,
Jean-Louis Scherrer, Lanvin, Lecoanet-Hemant,
Louis Feraud, Nina Ricci, Per Spook, Philippe Venet,
Pierre Balmain, Ted Lapidus, Torrenté
French Designers
(1)flou (dressmaking),
Ateliers  workshop
(2)tailleur (tailoring for suits & coats)

Boutique  retail shops for RTW & accessories

# large firms may have separate designer for


‘couture’ and ‘Prêt-à-Porter’
French terms

Ξ large houses  modelistes


Ξ toile  sample garment

Ξ premier d’atelier – production manger or chief


technician

Ξ midinettes – saleswoman/seamstress
Ξ apprentices
Government support

French T.V. – free exposure


Funding for overseas showing of couture

Publicity helps generate exports + licensing


business (couturiers export 55% of their
production)
Licensing

Perfumes + stars
Diversification
Example
Pierre Cardin – 400 licenses – menswear, women’s
wear, kids wear, from UG to coats, hats to shoes,
swimsuits to skiwear, accessories, jewellery,
eyeglasses, sheets and towels, ceramics, furniture,
and even bicycle!!
Licensing

Licensing – popular with couture as well as

RTW

“Promotion w/o exposure to financial risks”


Future of couture

Shift in economic priorities


Today, couture shares 4000 private clients
worldwide!?

Couture usually loses money but gets huge publicity


RTW + licensing brings in the footfalls & the moolah
Prêt-à-Porter (RTW)

gets most attention today


prêt designers have become the innovators

their shows are earlier than couture showings


Karl Lagerfeld  star of Prêt-à-Porter' (Chanel,
Fendi)
YSL  ‘Rive Gauche’ RTW collection (left bank of
river Seine)
Prêt-à-Porter (RTW)
Prêt-à-Porter' (RTW)

Prêt designers  Sonia Rykiel, Kenzo, Jean-Charles


de Castelbajac, Claude Montana, Thierry Mugler,
Chantal Thomass, Anne-Marie Beretta, Jean-Paul
Gaultier, and Angelo Tarlazzi
Prêt designers are further ‘knocked off’
Ton-Sur-Ton : world famous – less expensive
sportswear
Fashion center in Paris

Avenue Montaigne & Fauborg Saint-Honoré :


center of salon, boutique and ateliers
Sentier district of Paris – center of Prêt-à-Porter'
manufacturing
Fashion center in Paris
Fashion center in Paris
MILAN

Fashion industry < Paris fashion


Impact on international fashion has grown
significantly

1940  only 30 manufacturers of apparel


Almost total shift from custom made  RTW
fashion is 2nd biggest industry after tourism
MILAN

Italian look – distinct richness or casual elegance


Wool, silk, leather enriched by colour and texture
combinations
MILAN
Reasons for success

Global outlook, innovative products, co-operation


among supply chain components

North-Central region around Milan : 80% prodn


Other noted fashion cities – Rome and Florence
Milan is center for ‘moda pronta’ (RTW)
Milano Collezioni – organised by Italian Fashion
Industry Association
MILAN

Famous designers
Armani, Gianfranco Ferre, Gianni Versace,
Mariuccia Mandelli (Krizia), Tai & Rosita Missoni,
Laura Biagiotti, Luciano Soprano, Enrico Coveri
Prominent manufacturers
Fendi Sisters, UCB (3000 Stores), Sportmax,
Complice, Jenny, Byblos, Ferragamo, Trussardi
MILAN

MIPEL – leather goods fair


IDEACOMO – fabric fair
Ideabiella – men’s fabric fair

Centro Mode @ Florence runs pitti filati (yarns and


knits)

Pitti Uomo – tailored men’s clothing


MILAN

Pitti Bimbo – children’s clothing


Rome – center of Italian couture

Most couturiers have RTW lines


MILAN

Italian fashion rose to prominence due to export


Started with leather goods  knits  everything!!

Today Italy’s specialty  jackets, coats, tailored


garments
Italy – top 3 textile and apparel exporter
Buyers of Italian fashion  Germany, France
followed by U.S.A.
LONDON

Couture has virtually disappeared


Resurgence of ‘swinging London’ of 1960s

Manufacturing has spread all over UK


Young designer from all over the world study at
UK’s famous art colleges – they stay back to start
on their own or work for some other designer
LONDON

Top Designers
Betty Jackson, Katharine Hamnett, Wendy,
Dagworthy, Jasper Conran, Nigel Preston, Maxfield
Parrish, Body Map, John McIntyre, Jean Muir,
Zandra Rhodes, Caroline Charles
LONDON

UK has a long tradition of clothing like – riding


wear, tweed jackets, trench coats, cardigans from
Burberry & Jaegar
Menswear – Savile Row tailors
Prince Charles – Gieves & Hawkes, #1 Savile Row
New men’s designers – Paul Smith, Charlie Allen,
Roger Dak
LONDON

Savile Row gives 3 fits


1. Traditional, form fitting

2. Squarish, conservative
3. Slim, trendy, continental fit
TOKYO

5th fashion capital


Japanese women – until WW II – Kimono

1950s & 60s – women with jobs became eager for


western outfits (practicality)
Japanese apparel industry made line-for-line copies
of western fashion
TOKYO

1970s  Kenzo Takada & Hanae Mori 


studios/shows in Paris
Japanese designs  unusual shapes, sombre
colour combo, asymmetrical balance, use of
natural fibers
Japan is ‘textile capital of the world’
TOKYO

Top Designers
Issey Miyake, Kansai Yamamoto, Yohji Yamamoto,
Rei Kawakubo (Comme Des Garçon)
TOKYO

RENOWN
Renown is the largest manufacturer in Japan, 3rd
largest in the world. Levi Strauss is the largest
followed by Blue Bell
It has Japanese manufacturing rights for over 40
international brands (Perry Ellis, Norma Kamali,
etc.)
EUROPE

Germany
Decentralised

Berlin, Munich, Krefeld and Düsseldorf – major


production center
Publication  Hamburg
Accurate and dependable technical production
EUROPE

Germany
Designers  ESCADA, MONDI

Huge fashion fairs in Düsseldorf, Munich and


Cologne
EUROPE

Spain
Govt. subsidised ‘alta costura’ (haute couture)

Madrid – H.Q. of women’s and kid’s RTW


association
Leather products, moderate price knitwear
Mass produce for French companies
EUROPE

Scandinavia
Denmark – more conservative apparel

Sweden, Finland, Norway – more youthful styling


Copenhagen – Scandinavian Clothing Council
EUROPE

Eastern Europe
Factories in Poland, Yugoslavia, Hungary and
Romania produce for companies of France,
Germany and UK
Yugoslavia also tries to promote its own fashion
internationally
RUSSIA – DOM MODELE
Israel

Production is spread in and around Tel Aviv


Textile/apparel = 12% of industrial output

Exports mostly to UK, DE, FR and Denmark


Well known for its leather wear
Latin America

Have important raw material


Large supply of low-cost labour

Govt. supports manufacturing and exports to


North American countries
The Orient

H.K.  known for fast, low cost, made-to-measure


dress making and tailoring
Many western manufacturers have factories in
Orient or they have an agent for monitoring
production/quality
Canada

Fashion is 4th largest employer


Montreal is the main center of garment industry

Toronto  2nd important followed by Winnipeg and


Vancouver
Produces full range of products – cheap to very
expensive
Outwear > furs > leather goods > children’s wear
Canada

Top Designers
Alfred Sung, Wayne Clark, Leo Chevalier, Harry
Parnass & Nicola Pelly (Parachute), Margaret
Godfrey, Jean-Claude Poitras, Robert Chernin,
Marilyn Brooks And John Warden
New York

American RTW is largest and most competitive


Uses most innovative marketing methods

N.Y.  garments center  because supplies and


skilled labour is available
New York

7th Avenue district


Origin of most American fashion
6000 garment firms
2/3rd of all American made women’s + kids clothes are
either designed or made here
Plush showrooms in front, cluttered design room@back
No. of large firms have been continuously increasing
New York
Top Designers

Calvin Klein, Geoffrey Beene, Norma Kamali, Ralph Lauren


Liz Claiborne – most successfully publicly traded
corporation in fashion industry
Bill Blass, Adolfo, Louis Dell’ Olio for Anne Klein, Kasper,
Mary Mc. Fadden, Oscar de la Renta, Carolina Herrera,
Donna Karan, Adrienne Vittadini, Zoran, Shamask, Michael
Kors, Tarquin
New York

Mainstay of USA RTW + sportswear


N.Y.C. > L.A. > Chicago > Philadelphia > Boston >
Dallas

N.Y. > Pennsylvania > New Jersey > Massachusetts


California

2/3rd firms are located in L.A.


LEVI STRAUSS – San Francisco

California designer  most innovative in


sportswear and swimwear
Chicago & Rochester  menswear
Seattle  menswear (Generra, Union Bay)
California

Philadelphia  Kidswear, ladies dresses


Dallas  moderate price sportswear

St. Louis  junior dresses


Miami  resort wear

Boston  outerwear

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