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Hoa Ii

The document provides an overview of the history and architectural development of Bengal from 1200 to 1576 AD, highlighting the influence of Islamic architecture introduced by Muslim rulers. It details three phases of Islamic building art, including notable structures like the Adina Mosque, Eklakhi Tomb, and Bara Sona Masjid, emphasizing the integration of local materials and styles. The evolution of architectural features, such as domes and arches, reflects the region's climatic and cultural adaptations throughout the centuries.

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0% found this document useful (0 votes)
11 views14 pages

Hoa Ii

The document provides an overview of the history and architectural development of Bengal from 1200 to 1576 AD, highlighting the influence of Islamic architecture introduced by Muslim rulers. It details three phases of Islamic building art, including notable structures like the Adina Mosque, Eklakhi Tomb, and Bara Sona Masjid, emphasizing the integration of local materials and styles. The evolution of architectural features, such as domes and arches, reflects the region's climatic and cultural adaptations throughout the centuries.

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PRIYA MISHRA
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BENGAL

PROVINCIAL
INTRODUCTION
• Bengal was established in 1203-1573 AD.
• In the 13th century Arabs invaded the bengal province and introd7ced their architecture for the first time in this region.
• The strategic center was at the junction of the Ganga and Mahananda now comprising the malda district.
• Two magic capitals of Mohammedan where Gaur and Pandua.
• These muslims rulers constructed several new cities for tresses, palaces,free standing victory-towers, citadels, immense land
bridges and embankments ,etc. In this province that includes present day Bangladesh and West Bengal in India.
• They created the buildings with the local available building materials combining the regional styles with typical muslim
features such as doms, arches ,the minarets and the mihrab.
• This amalgamation resulted into a new and improved technique name as indo-islamic architecture, enriched with regional
building tradition in Bengal.

Three phases of islamic building art of Bengal:


• Period extending from 1st conquest of country and while the
capital was at Gaur until it was moved to pandua from 1200-1340
AD.
• From the date when capital was established at pandua until the
building of the eklakhi tomb 1340-1430 AD.
• During the period from the date of the retransfer of the capital to
gaur untill the country was accquired by mughals.-1442 to 1576
AD.
1st Phase (1200-1340 AD)
• Mohammedans first established themselves at tribeni then passed inland occupying area included within present
districts of Hugli and Burdwan.
• The lack of building stone in Bengal meant that most construction was carried out in break , of which there was
an abundant supply, and this meant that no building was possible using the usuable columns-beam construction
so characteristic of early Islamic structures.
• Pillars were made of Basalt.
• Brick thus lends Bengal architecture a style which is distinct with its pointed arches and finishes so different from
those in stone.
• Mosques made by dismantling the temples and using their materials.
• Quadrangular plan of mosque with a central courtyadd surrounded by covered arched aisles.
• Multidomed mosque.
• The buildings consisting of mosque tombs and victory tower are almost in ruined and damaged state.
2nd Phase (1340-1430 AD)

• Mosque became larger in size.


• Entry not for east but from SE in Adina.
• New Chapel-Badhshah ka takht added in Adina
• Mihrabs were made in great number.
• Mihrabs are slight adaptation of type of niche found in Hindu sites of shrines in Bengal
• Upper part of building was of brick , substructure of façade compost of finely prepared basalt masonry
• Smal doms rised over each bay supported by pendatives . This pendatives were formed of brick built in oversealing
courses. Brick in each course were sediagonally so that their corner project.
ADINA MASJID
• Adina Mosque was constructed in the 14th century in medieval period of
Sikandar Shah.
• The most striking aspect of its construction is the extense if Hindu influence.
• It was constructed after obliterating and super-imposing upon a hindu
construction.
• 5 bay deep aisle an west side . High vaulted sanctuary on the western side and
3 bay deep aisle on north east and south.
• Open central courtyard measures 400 ft.×130 ft. .
• Total 260 pillars within the structure.
• Whole structure measures 507ft × 285ft . Main entrance through 3 arch ways
at SE corner. Façade was a regular screen of 50ft × 60ft .
• Dome one over each bay a mounting to 306 in all.
• They are surmounted by a parapet 22ft in height.
• Screen of 88 arche from a regular façade around the interior.
• Central Nave of the sanctuary is in the form of well proprtioned hall alligned
eas and west earlier had a barrel vault. In length it is 70ft and 34ft across
while height from the paved floor to rigid of its pointed roof was probably
50ft.
• Rectangular frame work.
• Trifoil arch alcove.
• Recess panelled with
hanging lamp of light
motif of Islam.

• Alcover mehrabs
• Within this royal chapel and all along the
inner face of western wall, alcoves
containing mihrab 32 in no. Have been
insert , one oposite the center of each bay,
all exquisitely design and sculptured.

• To the upper storey is a compartment imposed on


the northern Aisles of the sanctuary- badshah ka
takht a private chapel for king and ladies of royal
household.
• Graceful fluted Shafts,expanding lotus capital.
3rd phase (1442-1576 AD)
• Structure were built in more moderate proportion.
• Structure adapted to indeginious conditions observed from the use of vertical and upright lines and
mouldings thus presenting a naively elementary pattern of rectangles.
• Structure had infuenced of soil of the terraqueous and deltaic region of bengal.
• Climate of Bengal was another fact of the change in style. Curved roof from , no doubt derived from its
bent bamboo predecessor to through off the excess of water duringthe heavy rainy season was adopted.
• Building became more elaborate modified and enlarge according to their functional requirement.
• Traditional courtyard plan was discarded, closed in or covered hall was adopted sometimes fronted by an
open square due to eavy and incessant rainy season.
• Long and somewhat low façade.
• Façade divided by string courses vaulted ceiling were craved in rich relief decorations.
• Octagonal turrets terminating in a finial project at each corner.
• Glazed tile used in patterns.
• Appearances were more inventive and original.
EKLAKHI TOMB
• Built by Sultan Jala-ud-din Mohammed Shah (AD 1414-31) in
Pandua.
• Situated in south west Adina Mosque.

Important because of three reason:


1. It is a structure of marked architectural Character in itself .
2. It forms the evolutional landmark as it is the initial building of its kind .
3. It is the photo type of most of the subsequent islamic architecture of Bengal.

• Four stone doorway tomb bodily from hindu temple.


• Pointed arches with lintels craving the dorjambs span the doorways, a
feature derived from the original hindu temples through architectural
style of Tuglaq Dynasty.
• Light in the octagonal hall (47ft wide) is being admited through these
doorway as there is no windows or opening in the hall.
• A peculiar feature of the inner spacious room in it 4 alcoves built at the
corners, it often taken as cells for reader of holy Quran.
Terracotta moldings

Eklakhi tomb exterior

Moulding on turrets
DAKHIL DARWAJA
• This impressive gateway built of bricks was probably built by Sultan Barbekshah (1459-74
AD) in 1465 AD and served as the main entrance on north into citadel of gaur.
• It was also called Salami gate as salute were fired from it side ,built as a triumphal arch.
• The gateway represent the height of excellence that the brick mason’s of bengal were
capable of achieving.
• The arch way which is 10.35m high upto apex of the pointed arch is flanked by pylons.
• The arch way between the two pylons provides a deep and wide practico containing the
arched opening.
• Intermingling of islamic through and regular characteristics features.
TANTIPARA MASJID
• The word Tanti in bengally mean weawer and the mosque must have got
its name for a settlements of weawer in the area.
• Five pointed arch way connected by string course of a slighter curve then
the cornice above , divides it longitudinal into equal two part .
• The arches being occupied by an uproght panel containing an ornamental
arches surrounded by delicate floral pattern , all in terracotta relief.
• The interior consists of a fine hall.measuring 76ft and 31ft wide and is
divided into aisles by stone pillars of the square end chambered
varietyoriginal part of hindu temple.
• To the east of mosque are two tombs , which probably contain the
remains of Mirshad khan, who had the mosque built , and his daughter.
TANTIPUR MASJID

TERRACOTTA ORNAMENTATION
FLORAL PATTERN
ARCHWAYS WITH UPROGHT PANELS
DECORATION
BARA SONA MASJID
• The bara sona masjid was built in 1526 AD by Sultan Nusrat Shah.
• It is the largest building still standing in Gaur, a ruined city on the
border of India and Bangladesh.
• Its sits at the western side of arised quadarangle , with 11 arched
opening faces an entrance gatemway and a take .
• Gateway to the east and north remain , forming an open entrance
courtyard of 200ft diameter.
• Forty-four small domes covered the interior.
• The verandah leads to a pray hall of 3 by11 bays. The mosque is built of
brick , faced in plain stone with no carvings.
• Parapet is 20ft in height.
GENERAL VIEW OF ENTRANCE COURTYARD
FROM THE SOUTH

INTERIOR ROOF OF THE


MOSQUE Elevated view of
the ruined
musalla ,
showing remain
of stone pillars
that once
supported doms

Eastern wall of the ruined musalla,with mark fallen doms

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